Norine Carman Minstrels photograph

Access and use

Location of collection:
George Mason University
2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Contact for questions and access:
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Restrictions:

There are no access restrictions.

Terms of access:

Public Domain, there are no known restrictions.

Preferred citation:

Norine Carman Minstrels photograph, C0492, Special Collections Research Center, George Mason University Libraries.

Summary

Extent:
.01 Linear Feet 1 photograph
Creator:
C.F. Gairing & Company Photography Studio
Abstract:
Content warning: Racist imagery depicting minstrelsy and blackface. Black and white photograph of Norine Carman's Minstrels, an American minstrel show, taken circa 1916 by C.F. Gairing & Co., Chicago photography studio.
Language:
English .
Preferred citation:

Norine Carman Minstrels photograph, C0492, Special Collections Research Center, George Mason University Libraries.

Background

Scope and content:

Content warning: Racist imagery depicting minstrelsy and blackface.

Black and white photograph of Norine Carman's Minstrels, a minstrel show, taken circa 1916 by C.F. Gairing & Co., Chicago photography studio. The photograph depicts six men seated on a stage wearing blackface, with the leader, a white woman (presumably Norine Carman) standing on a pedestal in the center. The photograph is inscribed and reads "With Best Wishes to - The Orchestra Boy - from Norine Carman Minstrels[.]" The photograph was used to advertise the show in various newspapers across America. On the verso is another inscription that reads "Norine Carman Minstrels[.]"

Biographical / historical:

The minstrel show, or minstrelsy, was a racist form of entertainment that was most popular from 1850 through 1870, but continued in the vaudeville world through the early 20th century. Blackface minstrelsy consisted of white performers in blackface depicting racist caricatures of African Americans, usually enslaved persons. Minstrel shows evolved and eventually all-Black troupes performed and were just as popular as blackface minstrelsy. By the late 1910s, minstrel shows had declined in popularity, but minstrelsy's influence on American culture reverberated for many years to come, with blackface being used in entertainment for decades thereafter.

Norine Carman Minstrels, previously Norine Carman and the Minstrel Boys, was a vaudeville minstrel show performed in the United States from at least as early as 1911 through at least 1919.

Acquisition information:
Purchased by Steve Gerber from Schubertiade Music in September 2017.
Processing information:

Processing completed by Amanda Brent in October 2021. EAD markup completed by Amanda Brent in October 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.

Arrangement:

This is a single item collection.

Rules or conventions:
Describing Archives: A Content Standard

Indexed terms

Subjects:
Minstrel shows
Photography