Single "Aida" opera costume painting

Access and use

Location of collection:
2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Contact for questions and access:
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Restrictions:

There are no access restrictions.

Terms of access:

Public Domain. There are no known restrictions.

Preferred citation:

Single "Aida" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries.

Collection context

Summary

Extent:
.01 Linear Feet 1 painting
Creator:
George Mason University. Libraries. Special Collections Research Center
Abstract:
Single pen and watercolor painting on paper of a costume design from the opera "Aida," made circa early 1870s.
Language:
No linguistic content; Not applicable .
Preferred citation:

Single "Aida" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries.

Background

Scope and content:

Single pen and watercolor painting on paper of a costume design from the opera "Aida," made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.

Biographical / historical:

"Aida" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. "Aida" was immensely popular when it premiered and is still considered one of the most beloved operas today.

"Aida" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.

Acquisition information:
Purchased by Steve Gerber from J J Lubrano Music Antiquarians in September 2016.
Processing information:

Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.

Arrangement:

This is a single item collection.

Physical location:
R 72, C 3, S 5
Rules or conventions:
Describing Archives: A Content Standard