Larkin family photograph collection

Access and use

Location of collection:
George Mason University
2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Contact for questions and access:
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Restrictions:

There are no access restrictions.

Terms of access:

Public domain. There are no known restrictions.

Preferred citation:

Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.

Summary

Extent:
0.5 Linear Feet 2 boxes
Creator:
Larkin family
Abstract:
This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.
Language:
English
Preferred citation:

Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.

Background

Scope and content:

This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.

Biographical / historical:

In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, "This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints "by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce." The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).

Acquisition information:
Collection donor unknown.
Processing information:

Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.

Arrangement:

Organized largely by photograph type.

Rules or conventions:
Describing Archives: A Content Standard