Eda Edson papers

Access and use

Location of collection:
George Mason University
2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Contact for questions and access:
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Restrictions:

Collection is open to research.

Terms of access:

The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)

Preferred citation:

Eda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries.

Summary

Extent:
0.5 Linear Feet (1 box)
Creator:
Edson, Eda and Edson, Eda
Abstract:
The Eda Edson papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.
Language:
English
Preferred citation:

Eda Edson papers, Collection C0218, Special Collections Research Center, George Mason University Libraries.

Background

Scope and content:

The Eda Edson Federal Theatre Project papers contain personal papers collected by Edson from the 1930s to 1976. These papers include newspaper clippings highlighting her work in vaudeville in the early 1930s, correspondence regarding connections to the Federal Theatre Project, photographs of Edson and her orchestra, as well as scripts, production notes, and programs from the production Follow the Parade.

Biographical / historical:

The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.

The number of unemployed theatre workers in Los Angeles was second only to those in New York. Eda Edson worked on the Los Angeles Federal Theatre Project productions "Follow the Parade" and "The Black Crook." In their 1939 publication, An Exposition Workshop: Readings in Modern Controversy, authors Claude M. Simpson, Stuart G. Brown, and Wallace Stegner state the following about the production of Follow the Parade, "Under the direction of Eda Edson, formerly employed in vaudeville as a conductor, the variety unit wrote the sketches, lyrics, and music of Follow the Parade, a full evening's entertainment. Part topical revue, part circus, part dramatic show, it ran in Los Angeles for ten weeks before large audiences, and then was taken to the Texas Centennial in Dallas, where it played for the rest of the summer. In the vivid language of Daily Variety 'The Federal Theater's Follow the Parade is the biggest half-buck's worth of entertainment dished up locally in many years.'" Edson later went on to more conducting work, and in 1953 she authored the short self help guide "The world is your stage...learn how to be the leading lady: How acting in everyday life will reveal the vivid, lovely, effective you."

Acquisition information:
Donated by Eda Edson to Special Collections and Archives May 30, 1976.
Processing information:

Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.

Arrangement:

This collection is arranged alphabetically by folder title.

Rules or conventions:
Describing Archives: A Content Standard