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Start Over Names Fabergé, Peter Carl, 1846-1920
Virginia Museum of Fine Arts

Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27)

7.5 Linear Feet 6 boxes; 283 folders, 90 items
The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the "Fabergé Research Newsletter" and "Fabergé Research Site" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.
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Christel Ludewig McCanless Collection Related to Peter Carl Fabergé (SC-27) 7.5 Linear Feet 6 boxes; 283 folders, 90 items

The collection represents portions of the extensive research library and archives formed by Christel Ludewig McCanless over forty years. A noted Fabergé scholar, McCanless published the first annotated bibliography of literature about Fabergé in 1994, the premiere encyclopedia about the Fabergé eggs in 2001, and founded the "Fabergé Research Newsletter" and "Fabergé Research Site" in 2008. While dedicated to research about the artistry of Fabergé, McCanless' collection also includes numerous resources on Russian history, culture, and artwork.
Virginia Museum of Fine Arts

Fabergé, Peter Carl, 1846-1920. Artist file: miscellaneous uncatalogued material

1 folder

This file may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material.

1 result
Virginia Museum of Fine Arts

Lillian Thomas Pratt Personal Papers (SC-07)

1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
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Lillian Thomas Pratt Personal Papers (SC-07) 1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder

Pratt, Lillian Thomas, 1876?
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.

Series 1: Schaffer Collection 370 items Box 1 (6 Folders and 1 Binder)

This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.

Series 2: Hammer Galleries 220 items Box 1 (5 Folders, 1 Oversize Item and 1 Binder)

This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).

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