Collections : [George Mason University]

George Mason University

2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Primary Collecting Areas:
SCRC collects materials related to George Mason University, Northern Virginia, performing arts, transportation and planning, and photography. SCRC collects oral histories pertaining to Northern Virginia; the Federal Theatre Project; Reston, Virginia; and George Mason University's history. It currently conducts an active oral history program.
Description:
Special Collections Research Center (SCRC) is the unit within the University Libraries charged with acquiring, documenting, preserving, and providing access to primary research collections and documents. SCRC also manages the non-current and archival records of George Mason University, is responsible for the preservation and access to the University's theses and dissertations, and undertakes, through its Oral History program, the creation of audiovisual documentary resources. SCRC services, collections, and programs support the teaching and research activities of George Mason University and also serve the community at large.
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Start Over Repository George Mason University Date range 2007 Level Collection

Arena Stage records 739 boxes

Arena Stage
The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.
  1. George Mason University

Arena Stage records 369.5 Linear Feet 739 boxes

Arena Stage (Organization : Washington, D.C.)
The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.
  1. George Mason University

Art Attack records 21 Linear Feet 43 boxes, 1 map case

The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.
  1. George Mason University

Carol Berger Chicago performing arts playbills collection 1 Linear Feet 4 boxes

Berger, Carol
This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.
  1. George Mason University

Carol Berger Chicago performing arts playbills collection 1.0 linear feet (4 boxes)

Berger, Carol
This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.
  1. George Mason University

Center for World History records 0.25 Linear Feet (1 box)

George Mason University. Center for World History
This is a one box collection that contains brochures that promote the Advance Placement (AP) Summer Institute program for 2006 and 2009 from the Center for World History.
  1. George Mason University

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.