Collections : [Virginia Museum of Fine Arts]

Virginia Museum of Fine Arts

VMFA Archives
Virginia Museum of Fine Arts
Margaret R. and Robert M. Freeman Library
200 N. Arthur Ashe Boulevard
Richmond, VA 23220-4007
Primary Collecting Areas:
VMFA institutional records, Donor papers, Virginia Artists Archives, Oral histories, Artist subject files, Analog, and digital audiovisual collections
Description:

The Margaret R. and Robert M. Freeman Library provides access to a wealth of rare and unique primary source materials for scholars, researchers, and the public.

The Archives consists of a diverse and growing collection of permanent materials, covering museum history from its beginnings in the 1930s until today. The Archives includes institutional records from over 25 museum departments, thousands of artist and subject files, as well as donated collections related to the museum and the history of art in Virginia. The Archives also recently launched the Virginia Artists Archives, a collecting initiative that aims to create a rich, diverse, and unprecedented collection of Virginia artists’ papers to increase awareness about the contributions of Virginia artists, both past and present.

POC: Roxanne Winfield
Phone: (804) 340-1497
Phone: (804) 340-1495

Search Constraints

Start Over You searched for: Repository Virginia Museum of Fine Arts Remove constraint Repository: Virginia Museum of Fine Arts Date range 1943 Remove constraint Date range: 1943

Search Results

Lillian Thomas Pratt Personal Papers (SC-07), 1901/1947

1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder
Abstract Or Scope
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
Top 3 results view all 12

Lillian Thomas Pratt Personal Papers (SC-07), 1901/1947 1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder

Leslie Cheek, Jr. Personal Papers (SC-02), 1931/1993

19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items
Abstract Or Scope
This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his retirement. Two series document the publication of two photobiographies about Cheek, "Living by Design" and "Designing for the Arts." Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.

Frederic H. Morgan, Jr. Photo and Postcard Collection, 1943/1945

1 box 1 box
Abstract Or Scope
This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.
Top 3 results view all 113

Records of the Registration Department (RG-08), 1919/1994

25.25 Linear Feet 21 boxes; 510 folders
Abstract Or Scope
The collection documents the work of the Registration Department from 1919-1994, including management of the permanent art collection, loans, and exhibition documentation.
3 results

Records of the Registration Department (RG-08), 1919/1994 25.25 Linear Feet 21 boxes; 510 folders

Director's Correspondence (RG-01), 1927/2009

248.5 Linear Feet 204 boxes; 7,156 folders
Abstract Or Scope

This series is comprised of correspondence of all of the various Directors of the museum. Files were arranged alphabetically by subject, and there is a lot of overlap between different Director's as the files often contained pertinent items from a predecessor. In the case of the first sub-series (1.1), until 1976, the entire museum's files were maintained centrally as one unit in the Director's Office.

Records of the Exhibitions Department (RG-23), 1936/2015

193.0 Linear Feet 265 boxes
Abstract Or Scope

The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.

Top 3 results view all 33

Annual Reports (PB-02), 1935/2018

7.5 Linear Feet 239 items
Abstract Or Scope
The collection is part of the Publications Archive, and is comprised of archival copies of all Annual Reports published by the museum since 1936. Issued by the Director's Office, these reports cover every aspect of the museum's activities over the course of a given year, including acquisitions, exhibitions, programs, staffing, donations, etc. The collection also contains archival copies of the Honor Roll of Contributors, which is published by the museum at irregular intervals.
2 results

Annual Reports (PB-02), 1935/2018 7.5 Linear Feet 239 items

Series 1: Annual Reports, 1935/2008

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023

21.875 Linear Feet 50 boxes; 63 folders
Abstract Or Scope
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
Top 3 results view all 5

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023 21.875 Linear Feet 50 boxes; 63 folders

Series 4: Communications Village, 1880/1980 3 boxes 2 boxes 10 folders

Series 7: New York, 1917/2018 4 boxes 2 boxes 5 folders

Records of the Home for Needy Confederate Women (SC-23), 1898/2007

2.5 Linear Feet 2 boxes; 68 folders
Abstract Or Scope
The collections documents the administration of the Home for Needy Confederate Women, a large residential building for destitute female relatives of Confederate veterans for over 50 years. The collection includes administrative files, applicant and resident files, and financial files, among other related ephemera.
Top 3 results view all 15

Bulletins / Calendars / VMFA Magazines (PB-03), 1940/2024

12 Linear Feet 2,595 items
Abstract Or Scope
The collection is part of the Publications Archive, and is comprised of archival copies of all Bulletins / Calendars / VMFA Magazines published by the museum since 1940. The publishing frequncy has changed many times (monthly, quarterly, bi-monthly) and the title changed three times, but the publication has always served to document the daily activities at the museum, including exhibitions, tours, programs, lectures, and more.
Top 3 results view all 11

Bulletins / Calendars / VMFA Magazines (PB-03), 1940/2024 12 Linear Feet 2,595 items

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.