Collections : [George Mason University]

George Mason University

2400 Fenwick Library
Special Collections Research Center
Fenwick Library MS2FL
George Mason University
Fairfax, VA 22030
Primary Collecting Areas:
SCRC collects materials related to George Mason University, Northern Virginia, performing arts, transportation and planning, and photography. SCRC collects oral histories pertaining to Northern Virginia; the Federal Theatre Project; Reston, Virginia; and George Mason University's history. It currently conducts an active oral history program.
Description:
Special Collections Research Center (SCRC) is the unit within the University Libraries charged with acquiring, documenting, preserving, and providing access to primary research collections and documents. SCRC also manages the non-current and archival records of George Mason University, is responsible for the preservation and access to the University's theses and dissertations, and undertakes, through its Oral History program, the creation of audiovisual documentary resources. SCRC services, collections, and programs support the teaching and research activities of George Mason University and also serve the community at large.
POC: Mieko Palazzo
Phone: (703) 993-2220
Fax: (703) 993-2669
Start Over Repository George Mason University Subjects Zines
George Mason University

International art publishing collection, 2009/2023

3.5 Linear Feet 9 boxes
This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.
1 result

International art publishing collection, 2009/2023 3.5 Linear Feet 9 boxes

This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.
George Mason University

Mason student zines collection, 2019

.5 Linear Feet 1 box
This collection contains zines created by George Mason University students, or in conjunction with George Mason University School of Art instruction, from 2019-circa 2020s.
1 result

Mason student zines collection, 2019 .5 Linear Feet 1 box

This collection contains zines created by George Mason University students, or in conjunction with George Mason University School of Art instruction, from 2019-circa 2020s.
George Mason University

Mid-Atlantic minicomics and zines collection

3 Linear Feet 5 boxes
This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.
1 result

Mid-Atlantic minicomics and zines collection 3 Linear Feet 5 boxes

This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.
George Mason University

Paper Cuts zine and small press collection

1 Linear Feet 2 boxes
This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.
1 result

Paper Cuts zine and small press collection 1 Linear Feet 2 boxes

Kardambikis, Christopher
This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.