Search

Search Constraints

Start Over You searched for: Subjects Photographic prints. Remove constraint Subjects: Photographic prints.

Search Results

James J. McDonnell transportation collection, 1939/1995

6 linear feet (9 boxes
Abstract Or Scope
The McDonnell collection contains materials related to McDonnell's work on the Shirley Highway project and other materials from his work at the United States Bureau of Public Roads (BPR) and Federal Highway Administration (FHWA). Types of materials include correspondence, reports, government publications, black-and-white photographs, and 35mm black-and-white negatives.
1 result

James J. McDonnell transportation collection, 1939/1995 6 linear feet (9 boxes

Jean-Louis Barrault photograph collection, 1947/1979

1 linear foot (2 boxes)
Abstract Or Scope
Contains nearly 400 black and white photographs documenting Jean-Louis Barrault and Madeleine Renaud's career in the theatre in France between 1947 and 1979.
1 result

Jean-Louis Barrault photograph collection, 1947/1979 1 linear foot (2 boxes)

Jerry Clapsaddle papers, 1981/2005

10 linear feet (24 boxes)
Abstract Or Scope
This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.
1 result

Jerry Clapsaddle papers, 1981/2005 10 linear feet (24 boxes)

Kuratorium Unteilbares Deutschland photograph collection, 1959/1964

5.5 linear feet (11 boxes
Abstract Or Scope
The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4" to 11 x 17" with most measuring approximately 5 x 7".
1 result

Kuratorium Unteilbares Deutschland photograph collection, 1959/1964 5.5 linear feet (11 boxes

Martin Wohl papers, 1919

7.25 linear ft.; 10 boxes
Abstract Or Scope
Consists of information on urban transportation and traffic engineering subjects in reports (some co-written by Wohl), his degree work (bachelor's and master's theses, Ph.D. dissertation), interviews with Wohl, clippings, and correspondence, including letters to magazine and newspaper editors.
1 result

Martin Wohl papers, 1919 7.25 linear ft.; 10 boxes

Mary Elsie Fox photograph collection, 1935/1959

1 linear feet (3 boxes)
Abstract Or Scope
This collection contains approximately 100 black and white photographs from the discarded scrapbook of Mary Elsie Fox found after her death. The photographs are mostly 3x4" snapshots of Fox, her husband, and their close friends and document domestic life in the postwar Washington, D.C. area. The photographs range in size from 1x2" to 8x10".
1 result

Mary Elsie Fox photograph collection, 1935/1959 1 linear feet (3 boxes)

Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965

0.25 linear feet (1 box)
Abstract Or Scope
The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.
1 result

Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965 0.25 linear feet (1 box)

Northern Virginia Music Center at Reston collection, 1967/1979

3.5 linear feet (9 boxes)
Abstract Or Scope
The Northern Virginia Music Center at Reston collection contains correspondence, articles, photographs, and 56 audiotape reels related to music center. Photographs include both images of performances as well as publicity shots of the musicians.
1 result

Northern Virginia Music Center at Reston collection, 1967/1979 3.5 linear feet (9 boxes)

Oliver F. Atkins photograph collection, 1943/1975

59.5 linear ft.; 113 boxes
Abstract Or Scope
The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10" and l3x10" color and black and white prints and 35mm and 4x5" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.
1 result

Oliver F. Atkins photograph collection, 1943/1975 59.5 linear ft.; 113 boxes

Performing arts manuscripts collection, 1475/1984

4.0 linear feet (4 boxes)
Abstract Or Scope
Collection consists of photographic prints, lithographs, drawings, and written manuscripts pertaining to significant musicians, composers, dancers, and their works.
1 result

Performing arts manuscripts collection, 1475/1984 4.0 linear feet (4 boxes)

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.