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Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.

The photographs and negatives of the Gerbrick Studio of Martinsburg whose most prominent proprietor was Jacob H. Gerbrick. There are group and individual portraits as well as pictures of business and industry, modes of transportation, schools, churches, residences, clubs and organizations, and social events. These photographs reflect life in Martinsburg and the extreme Eastern panhandle, including unique events such as strikes or floods, annual events such as festivals and parades, and everyday occurrences of the inhabitants. There are also images of the apple industry, Gerbrick family, Shepherd College, and Storer College.

The collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime.