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Maria Peeva Architectural Collection, 1978/2006

2.53 Cubic Feet 1 box and 2 oversize folders
Abstract Or Scope
Maria Peeva is a Bulgarian architect known particularly for designing schools, vacation houses, hotels, and retail stores. Her collection includes a curriculum vitae, project lists, and renderings/construction drawings for two projects: workers vacation retreat for the Shumen Chemical Factory "Volov" (1979) and vacation houses in the Village of Rogachevo, Balchik County (near Varna, 2005).
1 result

Maria Peeva Architectural Collection, 1978/2006 2.53 Cubic Feet 1 box and 2 oversize folders

Maria von der Weppen Architectural Collection, 1978/2001

9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder
Abstract Or Scope
Born in 1952 in Gdynia, Poland, Maria von der Weppen studied in Poland and Norway before beginning her career in Germany. She specialized in reconstructing buildings in East Germany damaged by the war as well as new residential and office construction. This collection consist of drawings, project records, photographs, and articles relating to von der Weppen's work.
1 result

Maria von der Weppen Architectural Collection, 1978/2001 9 Cubic Feet 3 boxes, 28 tubes of drawings, 1 oversize folder

Marie-Louise Laleyan Architectural Collection, 1961/2007

11.3 Cubic Feet 13 boxes
Abstract Or Scope
Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977). Photographic record of her U.S. employment (1965-1972) is also present.
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Marie-Louise Laleyan Architectural Collection, 1961/2007 11.3 Cubic Feet 13 boxes

Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965

1.1 Cubic Feet 1 Box; 3 oversized folders.
Abstract Or Scope
Martha Manevich, architect of Argentina and the United States. Collection contains drawings of three projects developed, 1963-1965, at the University of Buenos Aires, Argentina: a school, a hospital and an urban center. Also included are FAIA Fellowship Nomination materials (1995) for her work in heath care facilities.
1 result

Martha Bil Manevich Architectural Collection, 1963/2012, bulk 1963/1965 1.1 Cubic Feet 1 Box; 3 oversized folders.

Martha J. Crawford Design Papers, 1961/1974

3.73 Cubic Feet 1 box, 12 oversize folders
Abstract Or Scope
Martha J. Crawford (1925-1994) was an architectural interior designer of Waukesha, Wisconsin and first woman member of the New York Metropolitan Chapter of the Construction Specifications Institute. This collection consists of a portfolio of biographical and career information, including lists of projects and exhibitions, and articles about her work; two scrapbooks (1961-1974) of photographs, clippings, and lists of accomplishments; and drawings, artwork, and posters by Crawford.
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Martha J. Crawford Design Papers, 1961/1974 3.73 Cubic Feet 1 box, 12 oversize folders

Mary Anne Shephard Manuscript, 1847/2016

0.1 Cubic Feet 1 folder
Abstract Or Scope
The Mary Anne Shephard Manuscript is a manuscript titled, "Principles and Illustrations of Gothic Ecclesiastical Architecture", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.
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Mary Anne Shephard Manuscript, 1847/2016 0.1 Cubic Feet 1 folder

Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950

11 Cubic Feet 10 boxes and 36 oversize folders
Abstract Or Scope
After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.
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Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950 11 Cubic Feet 10 boxes and 36 oversize folders

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Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947

0.2 Cubic Feet 1 box
Abstract Or Scope
This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.
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Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990

10.7 Cubic Feet 2 boxes, 30 oversize folders
Abstract Or Scope
The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.
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Melita Rodeck Architectural Collection, 1931/2003, bulk 1960/1990 10.7 Cubic Feet 2 boxes, 30 oversize folders

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.