Search

Search Constraints

Start Over You searched for: Subjects E Remove constraint Subjects: E

Search Results

VIII SONATES À Deux Violons & Basse-Continue. Composées par C.A. CAMPIONI. Musicien de La Chambre de Sa Majesté Royale de Sardaigne &c. &c. &c. OEUVRE QUATRIEME. À AMSTERDAM chez J.J. Hummel, Marchand & Imprimeur de Musique.

VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with "Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts." and ending with: "Bezozzis Sonatas, 3 Sets"]

XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score.

XII SOLOS for a VIOLIN with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by GIUSEPPE TARTINI. London. Printed for and Sold by I. Walsh, in Catherine Street in the Strand, of whom may be had, Solos for a Violin, by the following Authors. [list of names beginning with: "Geminiani" and ending with "Galliard."]

XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea.

XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes &c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand.

XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY & common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange

XII SONATAS of three Parts for two Violins & a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp & Hoboy in Katherine Street in ye Strand, & J. Hare at ye Viol & Flute in Cornhill near ye Royal Exchang.

XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; & I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange

XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer & Instrument Maker to his Majesty in Catharine Street in the Strand.

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.