Search

Start Over Subjects D

A Second Sett of Six SONATAS for two Violins & a Bass Humbly Dedicated To his Excellency Count Vincent of Waldstein BY Antonio Kammell OPERA TERZA. LONDON Printed by Welcker in Gerrard Street St. St. Ann's Soho, Where may be had by the same Author. [list of works beginning with: "Six Trios Opera Prima" and ending with: "the greatest Variety of new Musick by the most Eminent Masters."]

Contents
  • SONATA IA
    • Allegretto con espressioneC|
    • AdagioC|
    • Menuetto3/4
  • SONATA IIG
    • AllegroC|
    • Adagio2/4
    • Tempo di Menuetto3/4
  • SONATA IIIB♭
    • AllegroC|
    • Adagio3/4
    • Tempo di Menuetto3/4
  • SONATA IVD
    • Allo.C|
    • Andante Grazioso2/4
    • Tempo di Menuetto3/4
  • SONATA VF
    • Adagio3/4
    • Allegro ModeratoC|
    • Tempo di Menuetto3/4
  • SONATA VIC
    • Larghetto6/8
    • AllegroC|
    • Allegro2/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

A Second Sett of Six SONATAS for two Violins & a Bass Humbly Dedicated To his Excellency Count Vincent of Waldstein BY Antonio Kammell OPERA TERZA. Price 1s0=6d. LONDON Printed by Longman and Broderip No. 26 Cheapside and No. 13 Hay Market Where may be had by the same Author. [list of works beginning with: "Six Trios Opera Prima" and ending with: "the greatest Variety of new Musick by the most Eminent Masters."]

Contents
  • SONATA IA
    • Allegretto con espressioneC|
    • AdagioC|
    • Menuetto3/4
  • SONATA IIG
    • AllegroC|
    • Adagio2/4
    • Tempo di Menuetto3/4
  • SONATA IIIB♭
    • AllegroC|
    • Adagio3/4
    • Tempo di Menuetto3/4
  • SONATA IVD
    • Allo.C|
    • Andante Grazioso2/4
    • Tempo di Menuetto3/4
  • SONATA VF
    • Adagio3/4
    • Allegro ModeratoC|
    • Tempo di Menuetto3/4
  • SONATA VIC
    • Larghetto6/8
    • AllegroC|
    • Allegro2/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

A Third Set of Six SONATAS OR DUETS FOR TWO GERMAN FLUTES, or VIOLINS. Compos'd by Sigr: GIO. BATISTA St. MARTINI OF MILAN. Opera X. London. Printed for I. Walsh in Catharine Street in the Strand Of whom may be had [list of works beginning with: "St. Martinis Notturna Sonatas for 2 G. Fls. & Bass Op. IX." and ending with: "Defesch's Duets"]

Contents
  • SONATA IG
    • AndanteC|
    • Minuet3/4
  • SONATA IID
    • Affettuoso3/4
    • Minuet3/4
  • SONATA IIIG
    • Allegro2/4
    • Largo12/8
    • Allegro3/8
  • SONATA IVD
    • LargoC
    • AllegroC
    • AndanteC
    • Vivace3/8
  • SONATA VG
    • AllegroC|
    • Andante3/4
    • Allegro3/8
  • SONATA VIG
    • Adagio3/4
    • Allegro2/4
    • Andante2/4
    • Allegro3/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera 2d London Printed for I. Walsh Servt. to her Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol & Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.

Contents
  • SONATA ID
    • Preludio LargoC
    • AllemandaAllege VivaceC
    • Staccato e AdagissimoC
    • Giga Allegro12/8
  • SONATA IIe
    • Preludio Largo3/4
    • Allemanda AllegroC
    • CorrenteConspirito3/4
    • Gavotta PrestoC
  • SONATA IIIF
    • Preludio AllemandaC
    • Corrente Presto3/4
    • GraveC
    • Giga Presto12/8
  • SONATA IVA
    • Preludio VivaceC
    • Allemanda AllegroC
    • Corrente Presto3/4
    • Gavotta AllegroC
  • SONATA VE
    • Preludio AdagioC
    • Allemanda AllegroC
    • Sarabanda Largo3/4
    • Giga Presto12/8
  • SONATA VIa
    • Preludio VivaceC
    • Corrente Presto3/4
    • Sarabanda3/4
    • Gavotta PrestoC
  • SONATA VIIb
    • Preludio LargoC
    • AllemandaC
    • AdagioC
    • GigaAllege Presto12/8
  • SONATA VIIIC
    • Preludio LargoC
    • Allemanda AllegroC
    • AdagioC
    • Gavotta PrestoC
  • SONATA IXB♭
    • PreludioC
    • AllemandaC
    • Sarabanda Allegro6/4
    • Giga Presto12/8
  • SONATA XG
    • Ciaccona3/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

Bomporti's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Francisco Antonio Bomporti Opera Quarto London Printed for I. Walsh Servt. to her Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol & Flute in Cornhill near ye Royal Exchange - and P. Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.

Contents
  • SONATA Ig
    • Preludio Largo3/4
    • Allemanda AllegroC
    • Sarabanda3/4
    • Corrente Presto3/4
  • SONATA IIb
    • Preludio Andante3/4
    • Allemanda AllegroC
    • Sarabanda Largo3/4
    • Giga12/8
  • SONATA IIIa
    • Preludio LargoC
    • Corrente Allegro3/4
    • Adagio assai e StaccatoC
    • Gavotta PrestoC
  • SONATA IVB♭
    • Allemanda PrestoC
    • AndanteC
    • Sarabanda3/4
    • Giga12/8
  • SONATA VE
    • Preludio AdagioC
    • Allemanda AllegroC
    • Gavotta PrestoC|
  • SONATA VIA
    • Preludio LargoC
    • Corrente3/4
    • GraveC
    • Giga12/8
  • SONATA VIID
    • Preludio LargoC
    • Corrente3/4
    • Sarabanda Adagio3/4
    • Gavotta PrestoC|
  • SONATA VIIIe
    • Preludio Andante3/4
    • Allemanda AllegroC
    • GraveC
    • Giga12/8
  • SONATA IXF
    • Preludio LargoC
    • Allemanda PrestoC
    • AdagioC
    • Giga12/8
  • SONATA XC
    • Preludio AllegroC
    • AllemandAllegroC
    • Sarabanda Largo3/4
    • Corente3/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

DOUZES CAPRICES A VIOLON SEUL Composées & Dediées A. S. E. Mr. D. ALBERTO LITTA Conseiller Intime de S. M. J. &c. &c. &c. Par WENCESLAS PICHL Directeur de Musique de S. A. R. Monseigneur L'Archiduc Ferdinand d'Autriche Oeuvre XIX. Cheéz J. J. HUMMEL à Berlin avec Privilége du Roi à Amsterdam au Gand Magazin de Musique et aux Adresses Ordinaires. No. 944. Prix f2-:-:

Contents
  • CAPRICE IC
    • Vivace3/4
  • CAPRICE IIc
    • Allegro3/4
  • CAPRICE IIIG
    • Allegro Con Brio2/4
  • CAPRICE IVg
    • Andante Moderato3/4
  • CAPRICE VD
    • Allegro Assai2/4
  • CAPRICE VId
    • LarghettoC-Allegro ModeratoC
  • CAPRICE VIIA
    • Allegro2/4
  • CAPRICE VIIIa
    • Andante2/4
  • CAPRICE IXF
    • Andantino2/4
  • CAPRICE Xf
    • Larghetto2/4
  • CAPRICE XIE♭
    • LarghettoC
  • CAPRICE XIIeb
    • Allegro3/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

DOUZE WALTZ Et Douze Allemandes Pour deux Flûtes COMPOSÉES ET DÉDIÉES A ses Elèves PAR L.A. MARJOLIN. PRIX 4frs. 50 Cmes. A LYON, Chez l'Auteur Petite rue Mercière, No. 12, Bis. A PARIS, Chez tous les Marchands de nouveautés. Enrégistré à la Bibliothèque Impériale. Propriété de l'Editeur.

Contents
  • No. 1 WALTZD
    • [no indication]3/8
  • No. 2 ALLEMANDED
    • [no indication]2/4
  • No. 3 WALTZG
    • [no indication]3/8
  • No. 4 ALLEMANDEG
    • [no indication]2/4
  • No. 5 WALTZF
    • [no indication]3/8
  • No. 6 ALLEMANDEF
    • [no indication]2/4
  • No. 7 WALTZC
    • [no indication]3/8
  • No. 8 ALLEMANDEC
    • [no indication]2/4
  • No. 9 WALTZB♭
    • [no indication]3/8
  • No. 10 ALLEMANDEB♭
    • [no indication]2/4
  • No. 11 WALTZb
    • [no indication]3/8
  • No. 12 ALLEMANDEb
    • [no indication]2/4
  • No. 13 WALTZG
    • [no indication]3/8
  • No. 14 ALLEMANDEG
    • [no indication]2/4
  • No. 15 WALTZD
    • [no indication]3/8
  • No. 16 ALLEMANDED
    • [no indication]2/4
  • No. 17 WALTZe
    • [no indication]3/8
  • No. 18 ALLEMANDEe
    • [no indication]2/4
  • No. 19 WALTZF
    • [no indication]3/8
  • No. 20 ALLEMANDEF
    • [no indication]2/4
  • No. 21 WALTZD
    • [no indication]3/8
  • No. 22 ALLEMANDED
    • [no indication]2/4
  • No. 23 WALTZG
    • [no indication]3/8
  • No. 24 ALLEMANDEG
    • [no indication]2/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

DUO POUR DEUX VIOLONS Par le Sr: CHARLES FERRARI Ordinaire de la Musique De L'Infant Don Philippe Prix [obliterated] tt. A PARIS Chez Mr. de la Chevardiere rue du Roule à la Croix d'or, Marchand de Musique du Roi et de la Famille Royalle AVEC PRIVILEGE DU ROI. Gravé par Melle. Vendôme

Contents
  • DUO IA
    • Allegro non tanto2/4
    • CantabilleC|
    • Allo.3/4
  • II DUOD
    • Ande:Assai2/4
    • Allo:3/8
  • III DUOG
    • Allegro2/4
    • Adao:C|
    • Allo:3/8
  • IV DUOD
    • Alleo:nontanto2/4
    • Ande.3/4
    • Allo.3/4
  • V DUOA
    • Allegro non tanto2/4
    • Ado.C|
    • Allo.3/8
  • TRIO a Violino e Violoncello e BassoG
    • SpiritosoC
    • AdagioC
    • Presto3/4. Figured.
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

EIGHT CONCERTO'S IN SEVEN PARTS, COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA QUINTA. LONDON: Printed by WILLIAM SMITH, at Corelli's Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel-Court, in Windmill-Street, near the Upper-end of the Hay-Market. (Price one Guinea.) Where may be had, OPERA PRIMA, being Twelve SOLO'S for a Violin, &c. Price one Guinea. OPERA SECUNDA, being Twelve SONATA'S in three Parts. Price one Guinea. OPERA TERZA, being twelve CONCERTO'S in seven Parts. Price one Guinea and a Half. OPERA QUARTA, being Eight SOLO'S for a Violin, &c. Price Half a Guinea. M.DCC.XXXIX.

Contents
  • CONCERTO IB♭
    • Andante è SpiritosoC
    • AllegroC
    • Largo3/4
    • Allegro Assai2/4
    • Allegro3/8
  • CONCERTO IIA
    • Largo3/8
    • AllegroC
    • Andante3/8
    • Allegro Assai3/4
    • Presto3/8
  • CONCERTO IIIc
    • Largo3/4
    • AllegroC
    • Adagio3/4
    • Poco Allegro3/8
  • CONCERTO IVB♭
    • AllegroC
    • Largo6/8
    • Presto2/4
  • CONCERTO Vd
    • Andante è SpiritosoC
    • Allegro3/8
    • Largo3/4
    • Presto2/4
  • CONCERTO VIE♭
    • AllegroC
    • Grave3/2
    • Poco Allegro3/8
  • CONCERTO VIIG
    • SpiritosoC-AllegroC
    • Presto2/4
    • Allegro3/8
  • CONCERTO VIIIC
    • AllegroC
    • Largo3/4
    • Allegro Assai3/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

Eight DUETTS for a VIOLIN and VIOLONCELLO, or Two Violoncellos; Humbly Dedicated to His Grace The DUKE of MARLBOROUGH: Composed by Stephen Paxton Opera Seconda. To which is added The Highland Laddie, a Scots Air, with Variations for a Violoncello and a Violin. To be had of the Author No. 72 Great Titchfield Street, near Cavendish Square.

Contents
  • DUETTO IF
    • AdagioC
    • Allegro con SpiritoC
    • Andantino Grazioso2/4
  • DUETTO IIC
    • AllegrettoC
    • Rondeau Allegretto6/8
  • DUETTO IIIA
    • Ado.C|
    • AllegroC|
    • Grazioso3/4
  • DUETTO IVG
    • Largo e SostenutoC|
    • Vivace2/4
  • DUETTO Vc
    • Allegro Con SpiritoC|
    • Grazioso. Rondeau3/4
  • DUETTO VIG
    • Un poco Vivace2/4
    • Pastorale Larghetto6/8
    • Andantino Grazioso. -Aria conVariationi2/4
  • DUETTO VIID
    • LarghettoC
    • Allegro con Spirito2/4
    • Rondeau Tempo di Minuetto3/4
  • DUETTO VIIIG
    • Resoluto2/4
    • Grazioso3/4
  • The Highland Laddie, a Scots Air, with Variations for a VioloncelloD
    • AndteC|
  • The Highland Laddie, a Scots Air, with Variations for a ViolinA
    • AndanteC|
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.