Search

Search Constraints

Start Over You searched for: Subjects Allegro Remove constraint Subjects: Allegro

Search Results

SIX SONATAS For two VIOLINS with a Thorough Bass for the Harpsicord or Violoncello Compos'd by Sigr. GIO. BATTISTA St. MARTINI of Milan SIGr. BRIOSCHI & other Masters. 3d. Set. London. Printed for I. Walsh in Catharine Street in the Strand.

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by SIGR. PIETRO BERETTI. London. Printed for I. Walsh, in Catharine Street, in the Strand. Of whom may be had Just Publish'd, [list of works beginning with: "Sonatas for 2 Violins and a Bass. St Martini of London's 12 Sonatas, Opera 3za." and ending with "Leclair's Solos"]

Six SONATAS For two Violins, with a THOROUGH BASS For the ORGAN or HARPSICHORD, Five by Sigr. Salvatore Galleotti and one by Sigr. Cristiano Giusseppe Lidardi. Pr. 7/6 LONDON Printed for Longman and Broderip No. 26 Cheapside. where may be had just Printed [list of works beginning with: "Wagenseil's Harpsichord Concertos with Instrumental Parts." and ending with: "A Concerto for the Harpsichord by Sigr Gaun."]

SIX SONATAS FOR TWO VIOLINS with a Through Bass for the Harpsicord or Violoncello. Compos'd By Sigr. GIO. BATISTA LAMPUGNANI AND St. MARTINI of Milan. London. Printed for and Sold by I. Walsh, in Catharine Street, in ye Strand. Of whom may be had Just Publish'd, [list of works beginning with: "Lampugnani's Airs from all his Operas for a German Flute or Violin and a Bass, also in Score." and ending with: "Six Solos for a Violin or Harpsicord by Sigr. Nicola Pasquali."]

SIX SONATAS FOR TWO VIOLINS with a Through Bass for the HARPSICORD or VIOLONCELLO Compos'd By Sigr. GIO. BATISTA LAMPUGNANI. Opera Prima. London. Printed for & Sold by I. Walsh in Catharine Street in ye Strand. Of whom may be had Just Publish'd Sonatas for 2 Violins and a Bass. [list of works beginning with: "Angelo Morigi's Sonatas" and ending with: "Quantz Sonatas, Opera 3za."]

SIX SONATAS four for 2 GERMAN-FLUTES or VIOLINS & a BASS, and two for 2 VIOLINS & a VIOLONCELLO OBLIGATO Dedicated TO HIS ROYAL HIGHNESS The Duke of Cumberland Composed by GIANBATTISTA CIRRI Musick-Master to HIS ROYAL HIGHNESS The Duke of Gloucester OPERA IX LONDON Printed by WELCKER in Gerrard Street St. Ann's Soho Where may be had by the same Author [list of works beginning with: "Opera 4th. Six sonatas for two Violins and a Bass" and ending with: "NB the greatest choice of New Musick &c. &c. &c. &c."]

Six SONATAS in Three Parts FOR A GERMAN FLUTE, A VIOLIN, with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Sigr. NICOLAS DÔTHEL LE FILS. London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had For 2 German Flutes and a Bass. [list of works beginning with: "Kleinknecht's Sonatas" and ending with: "Tessarinis 12 Solos"]

SIX Sonatas in three Parts for two Violins or two German Flutes (or one German Flute and Violin) with a Bass Compos'd by John George Freake Opera Seconda London Printed by Wm. Smith at the Golden Bass in Middle Row Holborn and sold by the Author at his House in Rathbone Place Soho, & at the Music Shops Where may be had, 12 Solos for the Harpsicord Violin and German Flute Price ... 10s. 6d 24 Duetts for Trumps French Horns Germa Flutes & Violins ... 1. 6

SIX Sonatas In three Parts Two for one German Flute one Violin and a Bass Two for two German Flutes and a Bass AND Two for three German Flutes without a Bass COMPOSED BY Charles Frederick Weideman OPERA TERZA London Printed for the Author, and sold at his Lodgings in Angel Court, Windmill Street, near the upper End of the Hay Market. Price 10s=6d

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.