Search

Search Constraints

Start Over You searched for: Subjects Allegro Remove constraint Subjects: Allegro

Search Results

SIX SONATAS for two Violins with a Thorough Bass for the Harpsichord Humbly Dedicated To the Right Honble. Lady Bingley Composed by Battista Noferi OPERA 10th. LONDON Printed by WELCKER in Gerrard Street St. Ann's Soho Where may be had by the same Author [list of works beginning with: "Six Trios Op: 9." and ending with: "a fourth sett of Lessons by Vento &c. &c. &c. &c."]

SIX SONATA'S FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICHORD or VIOLONCELLO COMPOS'D BY WILLIAM BATES. LONDON, Printed for the Author by John Cox, at Simpsons Musick Shop in Sweetings Alley Royal Exchange, & sold by the Author at his House in South-Audley Street Grosvenor Square

SIX SONATAS for two VIOLINS with a THOROUGH BASS for the HARPSICHORD or VIOLONCELLO composed by Sigr. Carlo Antonio Campioni. OPERA PRIMA. LONDON Printed for John Johnson at the Harp & Crown in Cheapside of whom may be had [list of works beginning with: "Hellendaal's Concertos" and ending with: "Scarlatti's Lessons 3 books"]

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the Harpsicord or Violoncello. COMPOS'D BY ANGELO MORIGI da Rimini. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had For 2 Violins and a Bass. [list of works beginning with: "Solniz 12 Sonatas" and ending with "Birkenstock's Solos"]

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA I [changed in MS to read: "III"] London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had for two Violins and a Bass [list of works beginning with: "Sixty four Overtures from all Mr. Handel's Operas & Oratorios for Violins in Four Parts for ye use of small Concerts." and ending with: "Bononcinis 12 Sonatas"]

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA I. [changed in MS to read: "IV"] London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had for two Violins and a Bass [list of works beginning with: "Sixty four Overtures from all Mr. Handel's Operas & Oratorios for Violins in Four Parts for ye use of small Concerts." and ending with: "Bononcinis 12 Sonatas"]

SIX SONATAS for two VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "3za."] London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with: "Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts." and ending with: "Fingers Sonatas"

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "3za."] London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had for two Violins and a Bass [list of works beginning with: "Sixty four Overtures from all Mr. Handel's Operas & Oratorios for Violins in Four Parts for ye use of small Concerts." and ending with: "Bononcinis 12 Sonatas"]

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA V [changed in MS to read: "VI"] Just Publish'd by the same Author. [list of works beginning with: "Gasparo Fritz Sonatas Op. 3za." and ending with: "& Wagenseil's Symphonys. For Violins F. H. &c. 8 Parts."]

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA V Just Publish'd by the same Author. [list of works beginning with: "Gasparo Fritz Sonatas Op. 3za." and ending with: "& Wagenseil's Symphonys. For Violins F. H. &c. 8 Parts."]

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.