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This collection consists of one photograph album featuring both black and white and sepia toned gelatin silver photographs of an unidentified African American family from circa 1910-1960. There is one colored photograph of a dog sitting on a sofa. From some of the captions, it is possible that the family was from the New Jersey area. The photographs are not in chronological order. Inserted inside the album is an unidentified man's graduation photograph taken by the Sarony studio in Philadelphia.

This collection contains thirty-one photographs of young Black women in Chicago in 1940s-1950s.

This collection is composed of 69 Property Tax Books and 3 Land Tax Books for James City County, Virginia, 1866-1948, and 42 Property Tax Books and 2 Land Tax Books for Williamsburg, Virginia, 1865-1927.

This collection contains letters and paper ephemera written to Jeanie Schroeder, a young, white woman who fell in love, got pregnant during her pre-med studies at Northwestern University, and secretly married a young Black musician identified as Keith "Tiny" Leighton in the letters. The bulk of the collection dates from the 1940s to the 1950s. The content centers Jeanie Schroeder's courage in facing the difficulties of being seen as an unwed mother in the 1940's; young men going off to World War II, and women obtaining new careers and exploring the work place that was previously unavailable to them.

The collection includes papers written by Born during the course of his attendance at William & Mary, mainly for English classes. There is also correspondence from 1985 and loose pages from a photo album believed to have been assembled by Born, while a student at William & Mary. The contents are primarily photographs of campus and Williamsburg area from the 1926-1927. Additional photographs relate to life in rural, early twentieth century Virginia, the Newport News Shipyard, Carter's Grove Plantation, and the myths of Blackbeard. Also includes some photographs of locations outside of Williamsburg such as Mount Vernon and New York City.

This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned "Nydrie" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned "Algoma," and the Forsyths who owned "Nydrie."

Two letters from Pearl S. Buck to her editor. The first letter refers to something enclosed that she wanted to say to African Americans. The enclosed item is not present. She sent copies of this letter to all African American journals, and was glad to have her editor use the letter if they wished on or after February 28.

The racial and ethnic ephemera collection contains various materials regarding race, ethnicity, and racism in the United States. The collection includes papers and items that promote racial prejudice and propaganda. The collection also contains items and papers that exemplify the fight for civil and equal rights. African Americans are the most broadly represented group in the collection. Other ethnic groups include Native Americans, Asian Americans, Jewish Americans, Muslim Americans, and Cuban Americans. Ku Klux Klan pamphlets and anti-immigration publications are also included. Through this collection, the American struggle of racism and prejudice is realized.

Papers, circa 1940s, of Richard Williams, an African-American soldier stationed in Alaska during World War II. Includes a diary, in which he describes the weather, fishing and other recreational activities, and his duties. There are photographs and postcards that have been glued into the diary, which depict the local post office covered in snow, the towns of Juneau and Sitka, as well as Williams and other people that he met. There are also loose photographs, which seem to have come out of the diary, a marriage license for Richard Williams and Mattie Williams, and postcards from other locations.