Search

Start Over Subjects Adagio

SONATAS of three Parts. FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO. made from the Solos of FRANCESCO GEMINIANI. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had Just Publish'd For 2 Violins and a Bass. [list of works beginning with: "Nussen's Sonatas" and ending with: "Veracini's Solos"]

Contents
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: "Viz Tibaldis Sonatas" and ending with: "Mr. Courtivill Sonatas for two Violins" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand

Contents
  • SONATA IA
    • Preludio AllegroC
    • AdagioC
    • Allemanda AllegroC|
    • Adagio3/2
    • Corrente Allegro3/4
    • Gavotta PrestoC|
  • SONATA IId
    • Preludio GraveC
    • Tempo di Gavotta PrestoC|
    • Adagio3/4
    • Sarabanda Allegro3/8
  • SONATA IIIe
    • Preludio LargoC
    • Allemanda AllegroC
    • Adagio3/2
    • Corrente Allegro3/4
  • SONATA IVC
    • Preludio LargoC
    • Giga Allegro12/8
    • Adagio3/2
    • Sarabanda Vivace3/4
    • Gavotta PrestoC|
  • SONATA VB♭
    • Preludio Largo[3/4]
    • Sarabanda Presto3/4
    • PrestoC|
    • Giga Allegro12/8
  • SONATA VIA
    • Preludio LargoC
    • Ceccona Allegro3/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATE A VIOLINO, VIOLONE, E CEMBALO, DEDICATE Al Illustrissimo et Excellentissimo Signore IL SIGR: BARONE DI KILMANS'EGGE Cavallerizzo Maggiore e Ciamberlano Di sua MAESTÀ BRITANICA E ELETTORE DI BRUNSWICK E LUNEBOURG da Francesco Geminiani. Tho: Cross Sculpsit.

Contents
  • Sonata IA
    • AdagioC
    • Grave3/4
    • AllegroC
  • Sonata IId
    • GraveC
    • AllegroC
    • Adagio3/4
    • Allegro3/8
  • Sonata IIIe
    • AdagC
    • AllegroC|["Adagio"]
  • Sonata IVD
    • AdagioC
    • AllegroC
    • Grave3/4
    • Allegro3/8
  • Sonata VB♭
    • Affettuoso3/4
    • VivaceC
    • GraveC
    • Allegro3/8
  • Sonata VIg
    • Affettuoso3/4
    • Adagio12/8
    • AllegroC|
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATE da CAMERA a Violino, e Violone, o Cembalo Dedicate All'Illustrissimo ed Eccellentissimo Signore il Sig: Duca di RUTLAND, Marchese di Granby, Conte di Rutland, Baron Roos di Hamlake, Trusbut e Belvoir, e Baron Maners di Haddon, Luogotenente & Custos Rotulorum della Contea di Leicester, Cancelliero della Ducea di Lancastro, Consigliero Privato di S.M. Britannica &c. &c. e Cavaliere del Nobilissmo: Ordine della Giartiera Da Gio: Stefano Carbonell.

Contents
  • Sonata ID
    • AdagioC
    • AndanteC|
    • LargoC
    • AllegroC
  • Sonata IId
    • AdagioC
    • AllegroC
    • AllegroC
    • Andante3/4
    • Aria3/8
  • Sonata IIIE
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Giga12/8
  • Sonata IVg
    • Adagio3/4
    • AndanteC
    • LargoC
    • Presto3/8
  • Sonata Vc
    • Adagio3/8
    • AllegroC|
    • AdagioC
    • Giga12/8
  • Sonata VIA
    • AdagioC
    • AllegroC
    • Aria3/8
  • Sonata VIIa
    • LargoC
    • AndanteC
    • Adagio3/2
    • Giga12/8
  • Sonata VIIIG
    • Largo12/8
    • AllegroC
    • AllegroC|
    • Largo12/8
  • Sonata IXe
    • LargoC
    • Allegro3/4
    • Adagio3/2
    • Siciliana12/8
  • Sonata Xg
    • Largo3/4
    • AllegroC
    • Largo3/4
    • Giga12/8
  • Sonata XIA
    • [no indication]C
    • AllegroC
    • Adagio3/2
    • AllegroC
    • Giga12/8
  • Sonata XIIb
    • LargoC
    • AndanteC
    • AriaC|
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATE DÁ CAMERA È CHIESA A Due Violini è Basso DEDICATE A sua Ecelenza La Sigr.a MARCHESE VIDAM DE VASSE DA CARLO TESSARINI Da Rimini Proffessore di Violino della Metropolitana di Urbino Opera Nona Prix 6tt A PARIS Chez Madame Boivin, rüe St. Honoré à la Regle d'Or. Mr. le Clerc, ruë du Roulle à la Croix d'Or, Mr. Castagnery Luthier à L'hotel de Soissons, Mr. Guersant Luthier prés la Comédie françoise. AVEC PRIVILEGE DU ROY.

Contents
  • SONATA ID
    • AllegroC
    • Adagio3/4
    • PrestoC|
  • SONATA IIE♭
    • VivaceC
    • LargoC
    • Allegro3/8
  • SONATA IIIA
    • AllegroC|
    • Largo3/4
    • Allegro3/4
  • SONATA IVc
    • VivaceC
    • Adagio3/4
    • PrestoC|
  • SONATA VF
    • AllegroC
    • LargoC
    • Allegro3/8
  • SONATA VIB♭
    • AdagioC
    • Andante3/8
    • Vivace12/8
    • AdagioC
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy.

Contents
  • SONATA Id
    • AdagioC
    • Allegro ma nontropoC
    • Largo3
    • Allegro3/8
  • SONATA IIB♭
    • AdagioC
    • Allegro ma nontropoC
    • Largo12/8
    • Allegro assai2/4
  • SONATA IIId
    • Adagio3/4
    • AllegroC
    • Aria Allegro ma poco6/4
    • Sarabanda Largo3/2
    • Allegro2/4
  • SONATA IVF
    • LargoC
    • Allegro ma nontropoC
    • Aria Andante ma nontropo3
    • Presto2/4
  • SONATA Vg
    • Andante3/4
    • Allegro ma nontropoC
    • AriaGratioso3
    • Giga Allegro ma nontropo6/4
  • SONATA VIA
    • AdagioC
    • Allegro ma nontropoC
    • Gavottagratiosoun poco AndanteC
    • Vivace3/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul & Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif

Contents
  • SONATA ID
    • Allegro moderatoC
    • AdagioC
    • Allegro3
  • SONATA IIA
    • AllegroC
    • AdagioC
    • Variatione2/4
  • SONATA IIIc
    • AllegroC
    • AdagioC
    • Allegro2/4
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SONATE à Tre Due Violini e Violoncello col Basso Per l'Organo DA GIO. BIANCHI. Violinista Milanese OPERA PRIMA. A Amsterdam Chez ESTIENNE ROGER Marchand libraire.

Contents
  • Sonata IG
    • Adagio ma AndanteC[in Violoncello: "Largo ma Andante"]
    • AllegroC
    • Adagio3/2-Presto3/4
    • Presto3/4
  • Sonata IIa
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Presto12/8
  • Sonata IIIB♭
    • LargoC
    • PrestoC
    • Adagio3/2
    • PrestoC
  • Sonata IVC
    • AllegroC
    • AdagioC
    • Presto3/8
  • Sonata VD
    • AdagioC
    • SpiritosoC
    • Largo3/4
    • Allegro6/8
  • Sonata VIe
    • Largo3/2
    • PrestoC
    • LargoC
    • Allegro6/8
  • Sonata VIIF
    • Largo ma AndanteC
    • SpiritosoC
    • Largo3/4
    • Presto6/8
  • Sonata VIIIg
    • LargoC
    • AllegroC
    • Largo3/2
    • Presto e StaccatoC
  • Sonata IXd
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Presto3/4
  • Sonata Xb
    • LargoC
    • AllegroC
    • Adagio3/4
    • Presto3/4
  • Sonata XIc
    • AdagioC
    • AllegroC
    • AdagioC
    • Presto3/4
  • Sonata XIIA
    • AdagioC-PrestoC
    • AllegroC
    • Adagio3/2
    • Allegro6/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.

Contents
  • Sonata ID
    • GraveC
    • spiritoso3/4
    • Andante3/2
    • Allegro3/8
  • Sonata IIG
    • VivaceC
    • AndanteC
    • Spiritoso3/8
    • Allegro12/8
  • Sonata IIIC
    • GraveC
    • PrestoC
    • Adagio3/4
    • AllegroC
  • Sonata IVF
    • GraveC
    • Presto6/8
    • AdagioC
    • Allegro3/8
  • Sonata VB♭
    • Adagio e staccato3/4
    • Presto12/8
    • AndanteC
    • AllegroC
  • Sonata VIa
    • GraveC
    • Allegro3/8
    • AndanteC
    • Presto2
  • Sonata VIIg
    • GraveC
    • Allegro3/4
    • Largo e staccato3/4
    • spiritoso3/8
  • Sonata VIIId
    • GraveC
    • Allegro3/8
    • Adagio assai3/2
    • PrestoC
  • Sonata IXc
    • GraveC
    • spritosoe PrestoC
    • LargoC
    • PrestoC
  • Sonata XF
    • AdagioC
    • AllegroC
    • Andante3/2
    • Spiritoso3/4
  • Sonata XIA
    • Adagio3/4
    • PrestoC
    • Largo e staccatoC
    • Presto2
  • Sonata XIIe
    • Largo e staccato3/[4]
    • spiritoso3/8
    • PrestoC
    • Andante e staccatoC
    • Presto e spiritosoC
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins & a Violoncello, with two Violins more, a Tenor & Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st.

Contents
  • Concerto ID
    • LargoC
    • Largo3/4
    • Allo.[3/4]
    • LargoC
    • Alle.C|
    • AllegroC|
  • Concerto IIF
    • VivaceC3/4
    • AllegroC
    • GraveC
    • AllegroC|
  • Concerto IIIc
    • LargoC
    • Allegro3/4
    • GraveC
    • VivaceC
    • AllegroC12/8
  • Concerto IIIID
    • Ado.C-AllegroC
    • AdagioC
    • Vivace3/4
    • AllegroC2/4
    • AllegroC
  • Concerto VB♭
    • AdagioC
    • Adagio3/8
    • AllegroC|
    • Largo3/4
    • AllegroC|
  • Concerto VIF
    • Ado.C3/4
    • AllegroC
    • LargoC
    • Vivace3/8
    • Allo.C|2/4
  • Concerto VIID
    • VivaceC
    • Allo.3/4
    • AllegroC
    • Andante LargoC
    • AllegroC
    • Vivace3/8
  • Concerto VIIIg
    • VivaceC3/4
    • GraveC
    • AllegroC
    • AdagioC
    • Vivace3/4
    • AllegroC|
    • Pastorale ad LibitumLargoC12/8
  • Concerto IXF
    • Preludio LargoC
    • Allemanda AllegroC
    • Corrente Vivace3/4
    • GavottaAllego.C
    • Adagio3/4
    • Minuetto VivaceC3/8
  • Concerto XC
    • Preludio Andante LargoC
    • AllemandaAlleo.C
    • Adagio3/4
    • Corrente VivaceC3/4
    • AllegroC
    • Minuetto Vivace3/8
  • Concerto XIB♭
    • Preludio Andante LargoC
    • Allemanda AllegroC
    • Ado.3/4
    • Andante LargoC
    • Sarabanda Largo3/4
    • Giga VivaceC6/8
  • Concerto XIIF
    • PreludioAdo.C
    • AllegroC
    • Ado.C
    • Sarabanda Vivace3/4
    • GigaAllo.C6/8
  1. University of Virginia, Music Library
  2. Alexander Mackay-Smith Collection

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.