Date range: 1751 / Subjects: 6/8 - ARVAS Search Results

Start Over Date range 1751 Subjects 6/8

Six SONATAS for two GERMAN FLUTES or VIOLINS with a Bass for the Violoncello or Harpsicord. Compos'd by Sigr. ANTONIO GUGLIELMO SOLNIZ. Opera Seconda. Just Publish'd, Six Sonatas for 2 Violins & a Bass by ye same Author, Op: 1ma. London. Printed for I. Walsh, in Catharine Street, in the Strand. Of whom may be had, Just Publish'd, For 2 German Flutes and a Bass. [list of works beginning with: "Chinzer's Sonatas" and ending with: "Hasse's Solos"]

Contents

SONATA IA
- Largo3/4
- Vivace2/4
- Allegro2/4
SONATA IIC
- Cantabile2/4
- Allegro2/4
- Cantabile3/4
SONATA IIIe
- Adagio6/8
- Allegro3/8
- Presto2/4
SONATA IVd
- Andante2/4
- Adagio3/4
- Presto2/4
SONATA VD
- AdagioC
- AllegroC
- Menuet Andante3/4
SONATA VIG
- Adagio3/4
- Allegro2/4
- Vivace3/4

Collection Context

SIX SONATAS for two VIOLINS or GERMAN FLUTES with a Thorough Bass for the HARPSICHORD. Composed by Sigr. VINCENZO CIAMPI. London. Printed for I. Walsh in Catharine Street in the Strand Of whom may be had Just Publish'd for CONCERTS [list of works beginning with: "Handel's 60 Overtures, 8 Parts" and ending with: "Stanley's Concertos"]

Contents

SONATA ID
- AllegroC
- Grave3/4
- Minuet Andante3/8
SONATA IIG
- AllegroC
- AdagioC
- Minuet Andante3/4
SONATA IIIC
- AllegroC|
- Adagio3/4
- Giga Allegro12/8
SONATA IVG
- AllegroC
- Adagio6/8
- Minuet Andantino3/4
SONATA VA
- AllegroC
- AdagioC
- Minuet Andante Staccato3/4
SONATA VID
- AllegroC
- AdagioC|
- Minuet Andantino3/8

Collection Context

SIX SONATAS for two VIOLINS with a THOROUGH BASS for the HARPSICHORD, Composed by Sigr. Vincenzo Ciampi Opera Prima Printed for J. Johnson facing Bow Church in Cheapside, LONDON. where may be had, [list of works beginning with: "12 Concertos for the Organ with Instrmental Parts, composed by Mr. Felton, Opera prima & 2a" and ending with: "6 Concertos in 7 parts by Mr. John Hebden"]

Contents

SONATA IA
- Largo StaccatoC
- Fuga AllegroC|
- Minuet Andantino3/4
SONATA IID
- AllegroC
- GraveC
- Allegro3/4
SONATA IIIB♭
- AllegroC
- GraveC
- Giga Allegro12/8
SONATA IVg
- AllegroC
- Grave3/4
- Allegro2/4
SONATA VE
- GraveC
- AllegroC|
- Minuet Andantino3/4
SONATA VIC
- LargoC
- Allegro3/4
- Giga Allegro6/8

Collection Context

SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the Harpsicord or Violoncello. COMPOS'D BY ANGELO MORIGI da Rimini. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had For 2 Violins and a Bass. [list of works beginning with: "Solniz 12 Sonatas" and ending with "Birkenstock's Solos"]

Contents

SONATA IG
- Adagio3/4
- AllegroC
- Allegro3/8
SONATA IIC
- Largo3/4
- Allegro2/4
- Allegro3/8
SONATA IIIF
- Adagio2/4
- Allegro2/4
- Allegro3/8
SONATA IVB♭
- Adagio3/8
- Allegro2/4
- Allegro3/4
SONATA Vg
- Andante6/8
- AllegroC|
- Allegro3/8
SONATA VID
- LarghettoC
- Allegro2/4
- Allegro3/8

Collection Context

SIX SONATES EN TRIO Deux Violons et Basse continuë DEDIEES A Son Altesse MONSEIGNEUR LE PRINCE CHARLES DE LA TOUR TASSIS. PAR HENRY IAQUES DE CROES. ŒUVRE IIIE. Prix 9tt. A PARIS, Chez Me. Boivin, Mde. Rüe St. Honoré, a la Regle d'Or. Mr. Le Clerc, Md. Rue du Roule, a la Croix d'Or.

Contents

SONATA ID
- GraveC
- DaCapellaC|
- Grave3/2
- AllegroC
SONATA IIA
- GraveC
- Allegro3/8
- Fuga AllegroC
SONATA IIIa
- Affettuoso3
- AllegroC
- AdagioC
- AllegroC
- Tempo di Menuetto3/8
SONATA IVg
- AllegroC
- AdagioC
- Largetto3/8
- Allegro2/4
SONATA Va
- GraveC
- AllegroC
- Gratioso3/8
- Allegro2/4
- Tempo di Menuetto3/8
SONATA VIB♭
- Allo3
- Cicilliana Largo6/8
- Andante2/4
- Allegro3/8

Collection Context

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.