Special access restriction applies.
James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)
See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.
[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A&M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.
Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.
This collection has been organized into twelve series:
1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.
This addendum has been organized into the following series:
Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969
Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973
Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976
Addendum Series 4. Artifact; Box 4, folder 3; 1953
Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated
Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated
Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated
Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated
Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.
1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.
This addendum has been organized into the following single series:
Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992
See control folder for typescript (3 pages) regarding the content of the letters.
1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.
1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.
The two addenda described above have been organized into the following series: Addendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998
See control folder for typescript (1 page) regarding Cogar and the content of the letters.
This has been organized into the following single series:
Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.
undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis. This addendum has been organized into the following single series:
Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.
1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)
This addendum has been organized into the following single series:
Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.
1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.
This addendum has been organized into the following single series:
Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.
Separated to the book collection; forwarded to Curator of Books:
Curry, Larry.
Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.
This series contains binders (referred to as "notebooks" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.
This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as "impulses" or "path of motion", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.
This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.
This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.
This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called "rotating objects"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create "light art" photographs and films.
This series contains still life watercolor paintings by Davis.
This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.
This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.
This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including "light art"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.
This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.
This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.
This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming "Pertaining to Chicago", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with "Light-painting".