Need to combine all the accruals from the stacks at some point.10204-a-z, aa-az, ba-bz.
The collection is open for research use.
This collection has many additions. It was a gift from Janet Anderson, Shelah Kane Scott, and Lydia Andrea Hatfield, to the Small Special Collections Library at the University of Virginia Library on December 11, 2012, September 16, 2019, and November 18,2022. Part of this collection was formed by private collector Calvin Otto and then became the property of Frances and Jim Cileti before it was purchased by the library on November 12, 2019.
American illustrator, book and type designer, and author, Warren Chappell was born in Richmond, Virginia in 1904, and took his Bachelor of Arts degree from the University of Richmond. His formal art training began at the Art Students League in New York. He was on the Board of the Art Students League from 1927-1931, but left to study for a year under Rudolf Koch at his Offenbacher Werkstatt in Germany. In 1932, Chappell returned to New York, established his own studio and taught at the Art Students League. For about fifteen months in 1935-1936, he studied with Boardman Robinson at the Colorado Springs Fine Arts Center.
Mr. Chappell illustrated books for several publishing houses, including Alfred A. Knopf, Random House, Harper & Row, Doubleday and Little, Brown. His own books included "The Anatomy of Lettering" (1935), "A Short History of the Printed Word" (1970) and "The Living Alphabet" (1975). He also designed two typefaces, Lydian and Trajanus.
Among the books he illustrated were editions of Jonathan Swift's "Tale of a Tub" (1930), Leighton Barret's retelling of Cervantes' "Don Quixote de la Mancha" (1939), Mark Twain's "Connecticut Yankee in King Arthur's Court" (1942), Henry Fielding's "Tom Jones" (1943), Herman Melville's "Moby-Dick" (1976) and Robert Penn Warren's "All the King's Men" (1981).
He kept his studio in New York until 1951 when he moved to Norwalk, Connecticut. In 1978, Chappell moved to Charlottesville, Virginia, where he became the Artist-in-Residence at the University of Virginia. He died on March 26, 1991.
Sources: "Warren Chappell, Illustrator, Teacher And Artist, 86, Dies", The New York Times. Accessed 3/2/2022 https://www.nytimes.com/1991/03/29/obituaries/warren-chappell-illustrator-teacher-and-artist-86-dies.html
For more information: "Warren Chappell." Wikipedia. Acessed 3/2/2022 https://en.wikipedia.org/wiki/Warren_Chappell
These additions of MSS 10204 Warren Chappell papers contain letters, drawings, photographs, ephemera, and publications documenting the life and work of Warren Chappell from roughly 1929 to 2000. Janet Anderson, Shelah Kane Scott, and Calvin Otto were recipients and owners of the collections. The bulk of the collection is correspondence with colleagues, family, and friends including his wife Lydia Chappell. There is significant amounts of correspondence with Rafael Fernandez, Curator of Prints and Drawings at the Clark Art Institute at Williamstown, Massachusettes; and correspondence with the staff at the University of Virginia. There are also personal and professional photographs and negatives; drawings and cartoons, and assorted ephemera and publications.
Copies of materials from other institutions cannot be reproduced.
Includes a letter from David Vander Meulen with enclosed copies of Warren Chappell illustrated letters to Alfred Knopf. The copies are from the Harry Ransom Center and cannot be reproduced due to copyright restrictions.
Copies from Harry Ransom Center can not be reproduced.
Includes illustrations for Moby Dick to David Lawal at the Bayly Museum
Includes letter from Warren Chappell
Article about Hessian prisoners and examples of different printed type, possibly by Warren Chappell.
Content Warning: Notes and cards contain erotic images that Chappell illustrated for his wife. Also contains content that may be offensive. Some materials may not be consistent with the positions, norms, and values of the University of Virginia community. These materials are products of their particular time and place and may represent positions, norms, values, and language which patrons may find offensive or disturbing. However, these records reflect the shared attitudes and values of the community from which they were collected and thus constitute an important social record. The Archives of the University of Virginia are committed to providing access to these items and strive to include contextual information for them through descriptive records and, where considered necessary, statements are attached to issue a warning about potentially sensitive content.