{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=7\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=6\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=8\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=6414\u0026view=compact"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":6414,"limit_value":10,"offset_value":60,"total_count":64135,"first_page?":false,"last_page?":false}},"data":[{"id":"vino_repositories_5_resources_219_c05_c01_c01","type":"Item","attributes":{"title":"24 Audiocassette Tapes of Interviews in the Colonial City Study, 1978","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_219_c05_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_219_c05_c01_c01","ref_ssm":["vino_repositories_5_resources_219_c05_c01_c01"],"id":"vino_repositories_5_resources_219_c05_c01_c01","ead_ssi":"vino_repositories_5_resources_219","_root_":"vino_repositories_5_resources_219","_nest_parent_":"vino_repositories_5_resources_219_c05_c01","parent_ssi":"vino_repositories_5_resources_219_c05_c01","parent_ssim":["James Bertram Haugh Papers, 1962/1978","Series V: Interview Tapes, 1978","Box 7"],"parent_ids_ssim":["vino_repositories_5_resources_219","vino_repositories_5_resources_219_c05","vino_repositories_5_resources_219_c05_c01"],"title_filing_ssi":"24 Audiocassette Tapes of Interviews in the Colonial City Study","title_ssm":["24 Audiocassette Tapes of Interviews in the Colonial City Study"],"title_tesim":["24 Audiocassette Tapes of Interviews in the Colonial City Study"],"normalized_title_ssm":["24 Audiocassette Tapes of Interviews in the Colonial City Study, 1978"],"text":["24 Audiocassette Tapes of Interviews in the Colonial City Study, 1978","James Bertram Haugh Papers, 1962/1978","Series V: Interview Tapes, 1978","Box 7","box 7"],"parent_unittitles_ssm":["James Bertram Haugh Papers, 1962/1978","Series V: Interview Tapes, 1978","Box 7"],"parent_unittitles_tesim":["James Bertram Haugh Papers, 1962/1978","Series V: Interview Tapes, 1978","Box 7"],"normalized_date_ssm":["1978"],"unitdate_other_ssim":["1978"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":130,"repository_ssim":["Old Dominion University"],"collection_ssim":["James Bertram Haugh Papers, 1962/1978"],"containers_ssim":["box 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1978],"prefercite_html_tesm":["\u003cp\u003e24 Audiocassette Tapes of Interviews in the Colonial City Study, 1978, Box 7, James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["24 Audiocassette Tapes of Interviews in the Colonial City Study, 1978, Box 7, James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#4/components#0/components#0","timestamp":"2026-08-11T18:00:57.419Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_219","ead_ssi":"vino_repositories_5_resources_219","_root_":"vino_repositories_5_resources_219","_nest_parent_":"vino_repositories_5_resources_219","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_219.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/219","title_filing_ssi":"Haugh, James Bertram","title_ssm":["James Bertram Haugh Papers"],"title_tesim":["James Bertram Haugh Papers"],"unitdate_ssm":["circa 1962-1978, undated","Date acquired: 01/11/1988"],"unitdate_inclusive_ssm":["circa 1962-1978, undated"],"unitdate_other_ssim":["Date acquired: 01/11/1988"],"normalized_date_ssm":["1962/1978"],"normalized_title_ssm":["James Bertram Haugh Papers, 1962/1978"],"text":["James Bertram Haugh Papers, 1962/1978","MG 70","/repositories/5/resources/219","Norfolk (Va.)--Politics and government--20th century","Old Dominion University--Faculty","Virginia--Politics and government","Open to researchers without restrictions.","The collection is organized into five series: Series I: Study of the Public Voluntary Not for Profit Sector of Colonial City; 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In 1973, James Haugh began teaching in the Sociology department of Old Dominion University, and continued his studies there. At this time, he became increasingly interested in economic, community, political, and labor organization, migrant labor, social change from the standpoint of the powerless, and hunger and malnutrition. In 1974, he became involved in a hunger organization called C.R.O.P. at a conference on hunger in Richmond. Haugh was eventually asked to serve as executive director of the organization.","It was these experiences, the connections he made through them, and his desire to learn what is needed to effect positive social change that led him to do his dissertation on power and influence in the Public Voluntary Not for Profit Sector. This study was carried out largely through a series of interviews with notable public figures in a place called \"Colonial City\" in 1977 and 1978. \"Colonial City\" is actually Norfolk, Virginia, and the people interviewed are given aliases in his study. Haugh posed these people with questions about the qualities possessed by effective leaders, what it is to be a \"Virginian\", how things get done, and what could make or break a project in the community. The results of his study are written into a book called Power and Influence in a Colonial City. His dissertation complete, James Bertram Haugh received his Ph.D. in Sociology from the University of Akron, Ohio, in the fall of 1978.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates mainly to James Bertram Haugh's course work at the University of Akron in 1977 and 1978. The bulk of the collection encompasses his dissertation research. 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Also found in the collection are other papers and course work by Haugh, and information on the Assembly on the Dimensions of Hunger and Malnutrition, of which Haugh was a part."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_827676c43f36e5fdad26ba9938d258e8\" label=\"Abstract\"\u003eOld Dominion University Sociology Professor. Received his Ph.D. from the University of Akron in 1978. 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In high school, he was elected president of the Future Farmers of America and of his senior class. Upon graduation, he enrolled at Carroll College in Waukesha, Wisconsin. After holding several odd labor jobs, he knew that he wanted more in life. This inspired him to achieve better academically. He attempted seminary twice, drove a Chicago Transit Authority bus for a year, and worked for I.B.M. for 6 1/2 years. Later, he began a degree in Urban Studies at Loyola, and worked toward certification in secondary education in 1970. In 1973, James Haugh began teaching in the Sociology department of Old Dominion University, and continued his studies there. At this time, he became increasingly interested in economic, community, political, and labor organization, migrant labor, social change from the standpoint of the powerless, and hunger and malnutrition. In 1974, he became involved in a hunger organization called C.R.O.P. at a conference on hunger in Richmond. 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Accession #A88-1"],"access_subjects_ssim":["Old Dominion University--Faculty","Virginia--Politics and government"],"access_subjects_ssm":["Old Dominion University--Faculty","Virginia--Politics and government"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 Linear Feet","6 Hollinger document cases and 2 audiovisual boxes boxes"],"extent_tesim":["4.00 Linear Feet","6 Hollinger document cases and 2 audiovisual boxes boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1988],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series: Series I: Study of the Public Voluntary Not for Profit Sector of Colonial City; Series II: Other Papers and Course Work by Haugh; Series III: Assembly on the Dimensions of Hunger and Malnutrition; Series IV: Miscellaneous; and Series V: Interview Tapes.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into five series: Series I: Study of the Public Voluntary Not for Profit Sector of Colonial City; Series II: Other Papers and Course Work by Haugh; Series III: Assembly on the Dimensions of Hunger and Malnutrition; Series IV: Miscellaneous; and Series V: Interview Tapes."],"bioghist_html_tesm":["\u003cp\u003eJames Bertram Haugh grew up on a working class dairy farm in Indiana. In high school, he was elected president of the Future Farmers of America and of his senior class. Upon graduation, he enrolled at Carroll College in Waukesha, Wisconsin. After holding several odd labor jobs, he knew that he wanted more in life. This inspired him to achieve better academically. He attempted seminary twice, drove a Chicago Transit Authority bus for a year, and worked for I.B.M. for 6 1/2 years. Later, he began a degree in Urban Studies at Loyola, and worked toward certification in secondary education in 1970. In 1973, James Haugh began teaching in the Sociology department of Old Dominion University, and continued his studies there. At this time, he became increasingly interested in economic, community, political, and labor organization, migrant labor, social change from the standpoint of the powerless, and hunger and malnutrition. In 1974, he became involved in a hunger organization called C.R.O.P. at a conference on hunger in Richmond. Haugh was eventually asked to serve as executive director of the organization.\u003c/p\u003e","\u003cp\u003eIt was these experiences, the connections he made through them, and his desire to learn what is needed to effect positive social change that led him to do his dissertation on power and influence in the Public Voluntary Not for Profit Sector. This study was carried out largely through a series of interviews with notable public figures in a place called \"Colonial City\" in 1977 and 1978. \"Colonial City\" is actually Norfolk, Virginia, and the people interviewed are given aliases in his study. Haugh posed these people with questions about the qualities possessed by effective leaders, what it is to be a \"Virginian\", how things get done, and what could make or break a project in the community. The results of his study are written into a book called Power and Influence in a Colonial City. His dissertation complete, James Bertram Haugh received his Ph.D. in Sociology from the University of Akron, Ohio, in the fall of 1978.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["James Bertram Haugh grew up on a working class dairy farm in Indiana. In high school, he was elected president of the Future Farmers of America and of his senior class. Upon graduation, he enrolled at Carroll College in Waukesha, Wisconsin. After holding several odd labor jobs, he knew that he wanted more in life. This inspired him to achieve better academically. He attempted seminary twice, drove a Chicago Transit Authority bus for a year, and worked for I.B.M. for 6 1/2 years. Later, he began a degree in Urban Studies at Loyola, and worked toward certification in secondary education in 1970. In 1973, James Haugh began teaching in the Sociology department of Old Dominion University, and continued his studies there. At this time, he became increasingly interested in economic, community, political, and labor organization, migrant labor, social change from the standpoint of the powerless, and hunger and malnutrition. In 1974, he became involved in a hunger organization called C.R.O.P. at a conference on hunger in Richmond. Haugh was eventually asked to serve as executive director of the organization.","It was these experiences, the connections he made through them, and his desire to learn what is needed to effect positive social change that led him to do his dissertation on power and influence in the Public Voluntary Not for Profit Sector. This study was carried out largely through a series of interviews with notable public figures in a place called \"Colonial City\" in 1977 and 1978. \"Colonial City\" is actually Norfolk, Virginia, and the people interviewed are given aliases in his study. Haugh posed these people with questions about the qualities possessed by effective leaders, what it is to be a \"Virginian\", how things get done, and what could make or break a project in the community. The results of his study are written into a book called Power and Influence in a Colonial City. His dissertation complete, James Bertram Haugh received his Ph.D. in Sociology from the University of Akron, Ohio, in the fall of 1978.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], James Bertram Haugh Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates mainly to James Bertram Haugh's course work at the University of Akron in 1977 and 1978. The bulk of the collection encompasses his dissertation research. Included are interviews with prominent Norfolk citizens, newspaper articles about the interviewees, resource articles for the study, and several rough drafts of the dissertation. Also found in the collection are other papers and course work by Haugh, and information on the Assembly on the Dimensions of Hunger and Malnutrition, of which Haugh was a part.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates mainly to James Bertram Haugh's course work at the University of Akron in 1977 and 1978. The bulk of the collection encompasses his dissertation research. Included are interviews with prominent Norfolk citizens, newspaper articles about the interviewees, resource articles for the study, and several rough drafts of the dissertation. Also found in the collection are other papers and course work by Haugh, and information on the Assembly on the Dimensions of Hunger and Malnutrition, of which Haugh was a part."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_827676c43f36e5fdad26ba9938d258e8\" label=\"Abstract\"\u003eOld Dominion University Sociology Professor. Received his Ph.D. from the University of Akron in 1978. Author of the book, \"Power and Influence in a Southern City.\" Based on his doctoral thesis, the book explores the power structure of a \"Colonial City\", which is actually the city of Norfolk, Virginia. The collection relates mainly to his thesis. It includes rough drafts, notes, tapes and transcripts of interviews with prominent Norfolk figures in 1978.\u003c/abstract\u003e\n    "],"abstract_tesim":["Old Dominion University Sociology Professor. Received his Ph.D. from the University of Akron in 1978. Author of the book, \"Power and Influence in a Southern City.\" Based on his doctoral thesis, the book explores the power structure of a \"Colonial City\", which is actually the city of Norfolk, Virginia. The collection relates mainly to his thesis. It includes rough drafts, notes, tapes and transcripts of interviews with prominent Norfolk figures in 1978."],"corpname_ssim":["ODU Community Collections","Old Dominion University. Department of Sociology and Criminal Justice","Assembly on the Dimensions of Hunger and Malnutrition"],"names_coll_ssim":["Old Dominion University. Department of Sociology and Criminal Justice","Assembly on the Dimensions of Hunger and Malnutrition"],"persname_ssim":["Haugh, James Bertram"],"names_ssim":["ODU Community Collections","Old Dominion University. Department of Sociology and Criminal Justice","Assembly on the Dimensions of Hunger and Malnutrition","Haugh, James Bertram"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":132,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-11T18:00:57.419Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_219_c05_c02_c01"}},{"id":"vino_repositories_3_resources_295_c01_c02_c01_c09","type":"Item","attributes":{"title":"24th Literary Festival Brochure, Photo and Author Tiffs, 2001","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c01_c02_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_295_c01_c02_c01_c09","ref_ssm":["vino_repositories_3_resources_295_c01_c02_c01_c09"],"id":"vino_repositories_3_resources_295_c01_c02_c01_c09","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295_c01_c02_c01","parent_ssi":"vino_repositories_3_resources_295_c01_c02_c01","parent_ssim":["Literary Festival Collection, 1977/2019","Series I: Brochures, Clippings, and Memorabilia, 1977/2019","Sub-Series B: Digitized Brochures and Photos on CD, 1978/2001","Box 2"],"parent_ids_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c01","vino_repositories_3_resources_295_c01_c02","vino_repositories_3_resources_295_c01_c02_c01"],"title_filing_ssi":"24th Literary Festival Brochure, Photo and Author Tiffs","title_ssm":["24th Literary Festival Brochure, Photo and Author Tiffs"],"title_tesim":["24th Literary Festival Brochure, Photo and Author Tiffs"],"normalized_title_ssm":["24th Literary Festival Brochure, Photo and Author Tiffs, 2001"],"text":["24th Literary Festival Brochure, Photo and Author Tiffs, 2001","Literary Festival Collection, 1977/2019","Series I: Brochures, Clippings, and Memorabilia, 1977/2019","Sub-Series B: Digitized Brochures and Photos on CD, 1978/2001","Box 2","box 2"],"parent_unittitles_ssm":["Literary Festival Collection, 1977/2019","Series I: Brochures, Clippings, and Memorabilia, 1977/2019","Sub-Series B: Digitized Brochures and Photos on CD, 1978/2001","Box 2"],"parent_unittitles_tesim":["Literary Festival Collection, 1977/2019","Series I: Brochures, Clippings, and Memorabilia, 1977/2019","Sub-Series B: Digitized Brochures and Photos on CD, 1978/2001","Box 2"],"normalized_date_ssm":["2001"],"unitdate_other_ssim":["2001"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":30,"repository_ssim":["Old Dominion University"],"collection_ssim":["Literary Festival Collection, 1977/2019"],"containers_ssim":["box 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[2001],"prefercite_html_tesm":["\u003cp\u003e24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#0/components#1/components#0/components#8","timestamp":"2026-07-23T21:25:32.895Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"normalized_date_ssm":["1977/2019"],"normalized_title_ssm":["Literary Festival Collection, 1977/2019"],"text":["Literary Festival Collection, 1977/2019","RG 17-3A1","/repositories/3/resources/295","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \nOld Dominion University Libraries Digital Collection.","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"collection_title_tesim":["Literary Festival Collection, 1977/2019"],"collection_ssim":["Literary Festival Collection, 1977/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"creators_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \nOld Dominion University Libraries Digital Collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:32.895Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c01_c02_c01_c09"}},{"id":"vino_repositories_5_resources_79_c08_c01_c01_c01","type":"Item","attributes":{"title":"25 All-Time Greatest Summer Songs, Varese Sarabande, 2000","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c01_c01_c01","ref_ssm":["vino_repositories_5_resources_79_c08_c01_c01_c01"],"id":"vino_repositories_5_resources_79_c08_c01_c01_c01","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series A: Compact Discs, 1988/2001","Oversize Box 82"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c01","vino_repositories_5_resources_79_c08_c01_c01"],"title_filing_ssi":"25 All-Time Greatest Summer Songs, Varese Sarabande","title_ssm":["25 All-Time Greatest Summer Songs, Varese Sarabande"],"title_tesim":["25 All-Time Greatest Summer Songs, Varese Sarabande"],"normalized_title_ssm":["25 All-Time Greatest Summer Songs, Varese Sarabande, 2000"],"text":["25 All-Time Greatest Summer Songs, Varese Sarabande, 2000","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series A: Compact Discs, 1988/2001","Oversize Box 82","Oversize Box 82"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series A: Compact Discs, 1988/2001","Oversize Box 82"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series A: Compact Discs, 1988/2001","Oversize Box 82"],"normalized_date_ssm":["2000"],"unitdate_other_ssim":["2000"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":347,"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"containers_ssim":["Oversize Box 82"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[2000],"prefercite_html_tesm":["\u003cp\u003e25 All-Time Greatest Summer Songs, Varese Sarabande, 2000, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["25 All-Time Greatest Summer Songs, Varese Sarabande, 2000, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#0/components#0/components#0","timestamp":"2026-07-23T21:25:59.322Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"normalized_date_ssm":["1940/2008, bulk 1960/1985"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","MG 128","/repositories/5/resources/79","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English\n      Italian"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","ODU Community Collections","Rockmasters International Network Inc."],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English\n      Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:59.322Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c01"}},{"id":"vino_repositories_5_resources_198_c06_c01_c01_c21","type":"Item","attributes":{"title":"25 Minutes Summary DVD Shanghai Tosca","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198_c06_c01_c01_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_198_c06_c01_c01_c21","ref_ssm":["vino_repositories_5_resources_198_c06_c01_c01_c21"],"id":"vino_repositories_5_resources_198_c06_c01_c01_c21","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198_c06_c01_c01","parent_ssi":"vino_repositories_5_resources_198_c06_c01_c01","parent_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series VI: Audiovisual Materials, 1953/2010","Sub-Series A: Compact Discs (CDs), 1999/2010","Box 83"],"parent_ids_ssim":["vino_repositories_5_resources_198","vino_repositories_5_resources_198_c06","vino_repositories_5_resources_198_c06_c01","vino_repositories_5_resources_198_c06_c01_c01"],"title_filing_ssi":"25 Minutes Summary DVD Shanghai Tosca","title_ssm":["25 Minutes Summary DVD Shanghai Tosca"],"title_tesim":["25 Minutes Summary DVD Shanghai Tosca"],"normalized_title_ssm":["25 Minutes Summary DVD Shanghai Tosca"],"text":["25 Minutes Summary DVD Shanghai Tosca","Peter Mark Papers, 1953/2014, bulk 1980/2010","Series VI: Audiovisual Materials, 1953/2010","Sub-Series A: Compact Discs (CDs), 1999/2010","Box 83","box 83"],"parent_unittitles_ssm":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series VI: Audiovisual Materials, 1953/2010","Sub-Series A: Compact Discs (CDs), 1999/2010","Box 83"],"parent_unittitles_tesim":["Peter Mark Papers, 1953/2014, bulk 1980/2010","Series VI: Audiovisual Materials, 1953/2010","Sub-Series A: Compact Discs (CDs), 1999/2010","Box 83"],"unitdate_other_ssim":["undated"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":898,"repository_ssim":["Old Dominion University"],"collection_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"containers_ssim":["box 83"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are restricted. Please consult a staff member for assistance."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"prefercite_html_tesm":["\u003cp\u003e25 Minutes Summary DVD Shanghai Tosca, undated, Box 83, Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["25 Minutes Summary DVD Shanghai Tosca, undated, Box 83, Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#5/components#0/components#0/components#20","timestamp":"2026-07-23T21:25:45.521Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_198","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_198.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/198","title_filing_ssi":"Mark, Peter","title_ssm":["Peter Mark Papers"],"title_tesim":["Peter Mark Papers"],"unitdate_ssm":["1953-2014, undated","1980-2010","Date acquired: 12/20/2012"],"unitdate_inclusive_ssm":["1953-2014, undated"],"unitdate_bulk_ssim":["1980-2010"],"unitdate_other_ssim":["Date acquired: 12/20/2012"],"normalized_date_ssm":["1953/2014, bulk 1980/2010"],"normalized_title_ssm":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"text":["Peter Mark Papers, 1953/2014, bulk 1980/2010","MG 114","/repositories/5/resources/198","Conductors (Music)--United States","Musicians--United States","Portions of this collection are restricted. Please consult a staff member for assistance.","An addition to the collection was given in 2014.","The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.","Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow","The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.","Virginia Opera Papers (MG 85).","This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)","English"],"collection_title_tesim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"collection_ssim":["Peter Mark Papers, 1953/2014, bulk 1980/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 114","/repositories/5/resources/198"],"unitid_tesim":["MG 114","/repositories/5/resources/198"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Mark, Peter (1940-)"],"creator_ssim":["Mark, Peter (1940-)"],"creator_persname_ssim":["Mark, Peter (1940-)"],"creator_corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"creators_ssim":["Mark, Peter (1940-)","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Peter Mark","Gift. Accession #A2013-09"],"access_subjects_ssim":["Conductors (Music)--United States","Musicians--United States"],"access_subjects_ssm":["Conductors (Music)--United States","Musicians--United States"],"has_online_content_ssim":["false"],"extent_ssm":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"extent_tesim":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Please consult a staff member for assistance.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are restricted. Please consult a staff member for assistance."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2014.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2014."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material."],"bioghist_html_tesm":["\u003cp\u003ePeter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026amp; Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.\u003c/p\u003e","\u003cp\u003eNote written by Mona Farrow\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Opera Papers (MG 85).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Opera Papers (MG 85)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"names_coll_ssim":["Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"persname_ssim":["Mark, Peter (1940-)"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1022,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:45.521Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198_c06_c01_c01_c21"}},{"id":"vino_repositories_5_resources_79_c08_c02_c03_c02","type":"Item","attributes":{"title":"25 Years of #1 Hits-Part 1, Time-Life, 1991","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c03_c02","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c03_c02"],"id":"vino_repositories_5_resources_79_c08_c02_c03_c02","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c03"],"title_filing_ssi":"25 Years of #1 Hits-Part 1, Time-Life","title_ssm":["25 Years of #1 Hits-Part 1, Time-Life"],"title_tesim":["25 Years of #1 Hits-Part 1, Time-Life"],"normalized_title_ssm":["25 Years of #1 Hits-Part 1, Time-Life, 1991"],"text":["25 Years of #1 Hits-Part 1, Time-Life, 1991","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86","box 86"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"normalized_date_ssm":["1991"],"unitdate_other_ssim":["1991"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":547,"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"containers_ssim":["box 86"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1991],"prefercite_html_tesm":["\u003cp\u003e25 Years of #1 Hits-Part 1, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["25 Years of #1 Hits-Part 1, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#2/components#1","timestamp":"2026-07-23T21:25:59.322Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"normalized_date_ssm":["1940/2008, bulk 1960/1985"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","MG 128","/repositories/5/resources/79","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English\n      Italian"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","ODU Community Collections","Rockmasters International Network Inc."],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English\n      Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:59.322Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c02"}},{"id":"vino_repositories_5_resources_79_c08_c02_c03_c03","type":"Item","attributes":{"title":"26 Years of #1 Hits-Part 2, Time-Life, 1991","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c03_c03","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c03_c03"],"id":"vino_repositories_5_resources_79_c08_c02_c03_c03","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c03"],"title_filing_ssi":"26 Years of #1 Hits-Part 2, Time-Life","title_ssm":["26 Years of #1 Hits-Part 2, Time-Life"],"title_tesim":["26 Years of #1 Hits-Part 2, Time-Life"],"normalized_title_ssm":["26 Years of #1 Hits-Part 2, Time-Life, 1991"],"text":["26 Years of #1 Hits-Part 2, Time-Life, 1991","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86","box 86"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"normalized_date_ssm":["1991"],"unitdate_other_ssim":["1991"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":548,"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"containers_ssim":["box 86"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1991],"prefercite_html_tesm":["\u003cp\u003e26 Years of #1 Hits-Part 2, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["26 Years of #1 Hits-Part 2, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#2/components#2","timestamp":"2026-07-23T21:25:59.322Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"normalized_date_ssm":["1940/2008, bulk 1960/1985"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","MG 128","/repositories/5/resources/79","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English\n      Italian"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","ODU Community Collections","Rockmasters International Network Inc."],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English\n      Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:59.322Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c03"}},{"id":"vino_repositories_5_resources_79_c08_c02_c03_c04","type":"Item","attributes":{"title":"27 Years of #1 Hits-Part 4, Time-Life, 1991","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c03_c04","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c03_c04"],"id":"vino_repositories_5_resources_79_c08_c02_c03_c04","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c03","parent_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c03"],"title_filing_ssi":"27 Years of #1 Hits-Part 4, Time-Life","title_ssm":["27 Years of #1 Hits-Part 4, Time-Life"],"title_tesim":["27 Years of #1 Hits-Part 4, Time-Life"],"normalized_title_ssm":["27 Years of #1 Hits-Part 4, Time-Life, 1991"],"text":["27 Years of #1 Hits-Part 4, Time-Life, 1991","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86","box 86"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","Series VIII: Audio Visual, 1947/2001","Sub-Series B: Cassette Tapes, 1972/1997","Box 86"],"normalized_date_ssm":["1991"],"unitdate_other_ssim":["1991"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":549,"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"containers_ssim":["box 86"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1991],"prefercite_html_tesm":["\u003cp\u003e27 Years of #1 Hits-Part 4, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["27 Years of #1 Hits-Part 4, Time-Life, 1991, Box 86, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#2/components#3","timestamp":"2026-07-23T21:25:59.322Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"normalized_date_ssm":["1940/2008, bulk 1960/1985"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985","MG 128","/repositories/5/resources/79","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English\n      Italian"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, 1940/2008, bulk 1960/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","ODU Community Collections","Rockmasters International Network Inc."],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English\n      Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:25:59.322Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c03_c04"}},{"id":"vino_repositories_5_resources_215_c05_c03_c01_c02","type":"Item","attributes":{"title":"2\" TV Tape: Edie Harrison for Senate Campaign, \"Bye John\": 30 TV, EHTV-3, Produced by Joe Slade White, 1984","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_215_c05_c03_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_215_c05_c03_c01_c02","ref_ssm":["vino_repositories_5_resources_215_c05_c03_c01_c02"],"id":"vino_repositories_5_resources_215_c05_c03_c01_c02","ead_ssi":"vino_repositories_5_resources_215","_root_":"vino_repositories_5_resources_215","_nest_parent_":"vino_repositories_5_resources_215_c05_c03_c01","parent_ssi":"vino_repositories_5_resources_215_c05_c03_c01","parent_ssim":["Edythe C. 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She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material concerning Edythe C. 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This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2847f9d2bd71d52b79dbbdc07d56331b\" label=\"Abstract\"\u003eMember of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign.\u003c/abstract\u003e\n    "],"abstract_tesim":["Member of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign."],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"names_coll_ssim":["Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"persname_ssim":["Harrison, Edythe C. 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(1934-)","English"],"collection_title_tesim":["Edythe C. Harrison Papers, 1961/1994"],"collection_ssim":["Edythe C. Harrison Papers, 1961/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 60","/repositories/5/resources/215"],"unitid_tesim":["MG 60","/repositories/5/resources/215"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Hampton Roads (Va.)--History--20th century","Norfolk (Va.)--Politics and government--20th century"],"geogname_ssim":["Hampton Roads (Va.)--History--20th century","Norfolk (Va.)--Politics and government--20th century"],"places_ssim":["Hampton Roads (Va.)--History--20th century","Norfolk (Va.)--Politics and government--20th century"],"creator_ssm":["Harrison, Edythe C. (1934-)"],"creator_ssim":["Harrison, Edythe C. (1934-)"],"creator_persname_ssim":["Harrison, Edythe C. (1934-)"],"creator_corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. 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Accession #A94-1"],"access_subjects_ssim":["Women legislators--Virginia","Legislators--Virginia--Hampton Roads","Civic leaders--Virginia--Norfolk","Virginia--Politics and government"],"access_subjects_ssm":["Women legislators--Virginia","Legislators--Virginia--Hampton Roads","Civic leaders--Virginia--Norfolk","Virginia--Politics and government"],"has_online_content_ssim":["false"],"extent_ssm":["33.00 Linear Feet","79 Hollinger document cases, 2 oversize boxes boxes"],"extent_tesim":["33.00 Linear Feet","79 Hollinger document cases, 2 oversize boxes boxes"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eA second accession was received in 1998.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["A second accession was received in 1998."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series: Series I: Legislative Files; Series II: Campaign Files; Series III: Virginia Opera Association; Series IV: General Papers; and Series V: Audio and Video Tapes.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into five series: Series I: Legislative Files; Series II: Campaign Files; Series III: Virginia Opera Association; Series IV: General Papers; and Series V: Audio and Video Tapes."],"bioghist_html_tesm":["\u003cp\u003eEdythe C. Harrison was born in Detroit, Michigan in 1934. She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.\u003c/p\u003e","\u003cp\u003eEdythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.\u003c/p\u003e","\u003cp\u003eIn 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edythe C. Harrison was born in Detroit, Michigan in 1934. She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.","Edythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.\u003c/p\u003e","\u003cp\u003eThe bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.","The bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2847f9d2bd71d52b79dbbdc07d56331b\" label=\"Abstract\"\u003eMember of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign.\u003c/abstract\u003e\n    "],"abstract_tesim":["Member of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign."],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"names_coll_ssim":["Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"persname_ssim":["Harrison, Edythe C. (1934-)"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly","Harrison, Edythe C. 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