{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857","prev":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6856","next":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6858","last":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6881"},"meta":{"pages":{"current_page":6857,"next_page":6858,"prev_page":6856,"total_pages":6881,"limit_value":10,"offset_value":68560,"total_count":68801,"first_page?":false,"last_page?":false}},"data":[{"id":"vino_repositories_3_resources_295_c03_c01_c04_c01_c08","type":"Item","attributes":{"title":"What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c04_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_295_c03_c01_c04_c01_c08","ref_ssm":["vino_repositories_3_resources_295_c03_c01_c04_c01_c08"],"id":"vino_repositories_3_resources_295_c03_c01_c04_c01_c08","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295_c03_c01_c04_c01","parent_ssi":"vino_repositories_3_resources_295_c03_c01_c04_c01","parent_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c04","vino_repositories_3_resources_295_c03_c01_c04_c01"],"parent_ids_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c04","vino_repositories_3_resources_295_c03_c01_c04_c01"],"parent_unittitles_ssm":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 4: 20th Annual Literary Festival","Box 12"],"parent_unittitles_tesim":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 4: 20th Annual Literary Festival","Box 12"],"text":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 4: 20th Annual Literary Festival","Box 12","What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm","box 12"],"title_filing_ssi":"What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm","title_ssm":["What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm"],"title_tesim":["What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm"],"unitdate_other_ssim":["1997 October 15"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm"],"component_level_isim":[5],"repository_ssim":["Old Dominion University"],"collection_ssim":["Literary Festival Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":209,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1997],"containers_ssim":["box 12"],"prefercite_html_tesm":["\u003cp\u003eWhat kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#2/components#0/components#3/components#0/components#7","timestamp":"2026-04-30T21:42:11.056Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"text":["RG 17-3A1","/repositories/3/resources/295","Literary Festival Collection","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection .","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"normalized_title_ssm":["Literary Festival Collection"],"collection_title_tesim":["Literary Festival Collection"],"collection_ssim":["Literary Festival Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["Old Dominion University. Department of English"],"creators_ssim":["Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e\n","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e\n","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e\n","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e\n","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:42:11.056Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c04_c01_c08"}},{"id":"vino_repositories_5_resources_79_c08_c04_c03_c07","type":"Item","attributes":{"title":"Wheels, Impact","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c04_c03_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c04_c03_c07","ref_ssm":["vino_repositories_5_resources_79_c08_c04_c03_c07"],"id":"vino_repositories_5_resources_79_c08_c04_c03_c07","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c04_c03","parent_ssi":"vino_repositories_5_resources_79_c08_c04_c03","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c04","vino_repositories_5_resources_79_c08_c04_c03"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c04","vino_repositories_5_resources_79_c08_c04_c03"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series D: Records/Albums","Oversize Box 93"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series D: Records/Albums","Oversize Box 93"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series D: Records/Albums","Oversize Box 93","Wheels, Impact","Oversize Box 93"],"title_filing_ssi":"Wheels, Impact","title_ssm":["Wheels, Impact"],"title_tesim":["Wheels, Impact"],"unitdate_other_ssim":["1980"],"normalized_date_ssm":["1980"],"normalized_title_ssm":["Wheels, Impact"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":850,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1980],"containers_ssim":["Oversize Box 93"],"prefercite_html_tesm":["\u003cp\u003eWheels, Impact, 1980, Oversize Box 93, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Wheels, Impact, 1980, Oversize Box 93, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#3/components#2/components#6","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c04_c03_c07"}},{"id":"vino_repositories_5_resources_79_c08_c02_c01_c15","type":"Item","attributes":{"title":"When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c01_c15","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c01_c15"],"id":"vino_repositories_5_resources_79_c08_c02_c01_c15","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84","When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape","box 84"],"title_filing_ssi":"When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape","title_ssm":["When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape"],"title_tesim":["When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":482,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 84"],"prefercite_html_tesm":["\u003cp\u003eWhen is a Man Free? - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When is a Man Free? - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#0/components#14","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c15"}},{"id":"vino_repositories_5_resources_79_c08_c02_c01_c16","type":"Item","attributes":{"title":"When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c01_c16","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c01_c16"],"id":"vino_repositories_5_resources_79_c08_c02_c01_c16","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84","When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape","box 84"],"title_filing_ssi":"When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape","title_ssm":["When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape"],"title_tesim":["When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":483,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 84"],"prefercite_html_tesm":["\u003cp\u003eWhen is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When is a Man Free? (Copy) - Audio Recording Made on TDK SA-90 Audio Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#0/components#15","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c16"}},{"id":"vino_repositories_5_resources_79_c08_c02_c01_c17","type":"Item","attributes":{"title":"When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c01_c17","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c01_c17"],"id":"vino_repositories_5_resources_79_c08_c02_c01_c17","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84","When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape","box 84"],"title_filing_ssi":"When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape","title_ssm":["When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape"],"title_tesim":["When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":484,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 84"],"prefercite_html_tesm":["\u003cp\u003eWhen is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When is a Man Free? (Master) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#0/components#16","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c17"}},{"id":"vino_repositories_5_resources_79_c08_c02_c01_c19","type":"Item","attributes":{"title":"When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c01_c19","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c01_c19"],"id":"vino_repositories_5_resources_79_c08_c02_c01_c19","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84","When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape","box 84"],"title_filing_ssi":"When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape","title_ssm":["When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"title_tesim":["When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":486,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 84"],"prefercite_html_tesm":["\u003cp\u003eWhen is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When is a Man Free? (Master/Vocals) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#0/components#18","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c19"}},{"id":"vino_repositories_5_resources_79_c08_c02_c01_c18","type":"Item","attributes":{"title":"When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c02_c01_c18","ref_ssm":["vino_repositories_5_resources_79_c08_c02_c01_c18"],"id":"vino_repositories_5_resources_79_c08_c02_c01_c18","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c02_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c02","vino_repositories_5_resources_79_c08_c02_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series B: Cassette Tapes","Box 84","When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape","box 84"],"title_filing_ssi":"When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape","title_ssm":["When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"title_tesim":["When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":485,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 84"],"prefercite_html_tesm":["\u003cp\u003eWhen is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When is a Man Free? (Vocals) - Audio Recording Made on Maxell MS-60 Tape, undated, Box 84, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#1/components#0/components#17","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c02_c01_c18"}},{"id":"vino_repositories_3_resources_295_c03_c01_c03_c01_c04","type":"Item","attributes":{"title":"When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c03_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_295_c03_c01_c03_c01_c04","ref_ssm":["vino_repositories_3_resources_295_c03_c01_c03_c01_c04"],"id":"vino_repositories_3_resources_295_c03_c01_c03_c01_c04","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295_c03_c01_c03_c01","parent_ssi":"vino_repositories_3_resources_295_c03_c01_c03_c01","parent_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c03","vino_repositories_3_resources_295_c03_c01_c03_c01"],"parent_ids_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c03","vino_repositories_3_resources_295_c03_c01_c03_c01"],"parent_unittitles_ssm":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11"],"parent_unittitles_tesim":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11"],"text":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm","box 11"],"title_filing_ssi":"When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm","title_ssm":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm"],"title_tesim":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm"],"unitdate_other_ssim":["1995 October 3"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm"],"component_level_isim":[5],"repository_ssim":["Old Dominion University"],"collection_ssim":["Literary Festival Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":187,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1995],"containers_ssim":["box 11"],"prefercite_html_tesm":["\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#2/components#0/components#2/components#0/components#3","timestamp":"2026-04-30T21:42:11.056Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"text":["RG 17-3A1","/repositories/3/resources/295","Literary Festival Collection","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection .","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"normalized_title_ssm":["Literary Festival Collection"],"collection_title_tesim":["Literary Festival Collection"],"collection_ssim":["Literary Festival Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["Old Dominion University. Department of English"],"creators_ssim":["Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e\n","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e\n","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e\n","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e\n","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:42:11.056Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c03_c01_c04"}},{"id":"vino_repositories_3_resources_295_c03_c01_c03_c01_c05","type":"Item","attributes":{"title":"When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c03_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_3_resources_295_c03_c01_c03_c01_c05","ref_ssm":["vino_repositories_3_resources_295_c03_c01_c03_c01_c05"],"id":"vino_repositories_3_resources_295_c03_c01_c03_c01_c05","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295_c03_c01_c03_c01","parent_ssi":"vino_repositories_3_resources_295_c03_c01_c03_c01","parent_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c03","vino_repositories_3_resources_295_c03_c01_c03_c01"],"parent_ids_ssim":["vino_repositories_3_resources_295","vino_repositories_3_resources_295_c03","vino_repositories_3_resources_295_c03_c01","vino_repositories_3_resources_295_c03_c01_c03","vino_repositories_3_resources_295_c03_c01_c03_c01"],"parent_unittitles_ssm":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11"],"parent_unittitles_tesim":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11"],"text":["Literary Festival Collection","Series III: Digitized Video","Sub-Series A: Storage Compact Discs (CDs)","Sub-Group 3: 18th Annual Literary Festival","Box 11","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm","box 11"],"title_filing_ssi":"When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm","title_ssm":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm"],"title_tesim":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm"],"unitdate_other_ssim":["1995 October 3"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm"],"component_level_isim":[5],"repository_ssim":["Old Dominion University"],"collection_ssim":["Literary Festival Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":188,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[1995],"containers_ssim":["box 11"],"prefercite_html_tesm":["\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#2/components#0/components#2/components#0/components#4","timestamp":"2026-04-30T21:42:11.056Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"text":["RG 17-3A1","/repositories/3/resources/295","Literary Festival Collection","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection .","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"normalized_title_ssm":["Literary Festival Collection"],"collection_title_tesim":["Literary Festival Collection"],"collection_ssim":["Literary Festival Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["Old Dominion University. Department of English"],"creators_ssim":["Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e\n","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e\n","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e\n","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e\n","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:42:11.056Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_3_resources_295_c03_c01_c03_c01_c05"}},{"id":"vino_repositories_5_resources_66_c03_c13_c06","type":"Item","attributes":{"title":"Where Music Meets Motion, Virginia Symphony League Raffle Poster","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_66_c03_c13_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_66_c03_c13_c06","ref_ssm":["vino_repositories_5_resources_66_c03_c13_c06"],"id":"vino_repositories_5_resources_66_c03_c13_c06","ead_ssi":"vino_repositories_5_resources_66","_root_":"vino_repositories_5_resources_66","_nest_parent_":"vino_repositories_5_resources_66_c03_c13","parent_ssi":"vino_repositories_5_resources_66_c03_c13","parent_ssim":["vino_repositories_5_resources_66","vino_repositories_5_resources_66_c03","vino_repositories_5_resources_66_c03_c13"],"parent_ids_ssim":["vino_repositories_5_resources_66","vino_repositories_5_resources_66_c03","vino_repositories_5_resources_66_c03_c13"],"parent_unittitles_ssm":["Virginia Symphony Orchestra Records","Series III: Oversize","Oversize Box 109"],"parent_unittitles_tesim":["Virginia Symphony Orchestra Records","Series III: Oversize","Oversize Box 109"],"text":["Virginia Symphony Orchestra Records","Series III: Oversize","Oversize Box 109","Where Music Meets Motion, Virginia Symphony League Raffle Poster","Oversize Box 109"],"title_filing_ssi":"Where Music Meets Motion, Virginia Symphony League Raffle Poster","title_ssm":["Where Music Meets Motion, Virginia Symphony League Raffle Poster"],"title_tesim":["Where Music Meets Motion, Virginia Symphony League Raffle Poster"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["Where Music Meets Motion, Virginia Symphony League Raffle Poster"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Symphony Orchestra Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2195,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"containers_ssim":["Oversize Box 109"],"prefercite_html_tesm":["\u003cp\u003eWhere Music Meets Motion, Virginia Symphony League Raffle Poster, undated, Oversize Box 109, Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Where Music Meets Motion, Virginia Symphony League Raffle Poster, undated, Oversize Box 109, Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#2/components#12/components#5","timestamp":"2026-04-30T21:40:26.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_66","ead_ssi":"vino_repositories_5_resources_66","_root_":"vino_repositories_5_resources_66","_nest_parent_":"vino_repositories_5_resources_66","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_66.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Virginia Symphony Orchestra","title_ssm":["Virginia Symphony Orchestra Records"],"title_tesim":["Virginia Symphony Orchestra Records"],"unitdate_ssm":["1921-2020, undated","Date acquired: 04/02/2004"],"unitdate_inclusive_ssm":["1921-2020, undated"],"unitdate_other_ssim":["Date acquired: 04/02/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 81-A"],"text":["MG 81-A","Virginia Symphony Orchestra Records","Arts--Virginia","Orchestral musicians--Virginia","Orchestral music--Virginia","programs (documents)","letters (correspondence)","minutes (administrative records)","Open to researchers without restrictions.","Future accruals expected.","The collection is organized into three series: Series I: Organizational Records; Series II: Multimedia; and Series III: Oversize.","The Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,  Lobgesang.  ","In the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.","In the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.","A major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.","Note written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018.","Virginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). ","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections.","This collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Consists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs.","ODU Community Collections","Virginia Symphony","English \n.    "],"unitid_tesim":["MG 81-A"],"normalized_title_ssm":["Virginia Symphony Orchestra Records"],"collection_title_tesim":["Virginia Symphony Orchestra Records"],"collection_ssim":["Virginia Symphony Orchestra Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Symphony"],"creator_ssim":["Virginia Symphony"],"creator_corpname_ssim":["Virginia Symphony"],"creators_ssim":["Virginia Symphony"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Virginia Symphony Orchestra","Gift. Accession #A2004-2"],"access_subjects_ssim":["Arts--Virginia","Orchestral musicians--Virginia","Orchestral music--Virginia","programs (documents)","letters (correspondence)","minutes (administrative records)"],"access_subjects_ssm":["Arts--Virginia","Orchestral musicians--Virginia","Orchestral music--Virginia","programs (documents)","letters (correspondence)","minutes (administrative records)"],"has_online_content_ssim":["false"],"extent_ssm":["67.10 Linear Feet","60 Hollinger document cases, 6 half Hollinger cases, 19 record center cartons, 13 oversize boxes, 7 binder cases, 5 audiovisual boxes boxes"],"extent_tesim":["67.10 Linear Feet","60 Hollinger document cases, 6 half Hollinger cases, 19 record center cartons, 13 oversize boxes, 7 binder cases, 5 audiovisual boxes boxes"],"genreform_ssim":["programs (documents)","letters (correspondence)","minutes (administrative records)"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Organizational Records; Series II: Multimedia; and Series III: Oversize.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Organizational Records; Series II: Multimedia; and Series III: Oversize."],"bioghist_html_tesm":["\u003cp\u003eThe Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,\u003cemph render=\"italic\"\u003e Lobgesang.  \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIn the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.\u003c/p\u003e\n","\u003cp\u003eAt the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.\u003c/p\u003e\n","\u003cp\u003eRussell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.\u003c/p\u003e\n","\u003cp\u003eIn the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.\u003c/p\u003e\n","\u003cp\u003eA major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.\u003c/p\u003e\n","\u003cp\u003eNote written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,  Lobgesang.  ","In the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.","In the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.","A major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.","Note written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). \u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). ","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.\u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f76ee0c0400ad3177948b4d0cb76c33a\"\u003eConsists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs.\u003c/abstract\u003e"],"abstract_tesim":["Consists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs."],"names_coll_ssim":["Virginia Symphony"],"names_ssim":["ODU Community Collections","Virginia Symphony"],"corpname_ssim":["ODU Community Collections","Virginia Symphony"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2204,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:40:26.566Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_66_c03_c13_c06"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":68801},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1907 Jamestown Exposition, St. Paul's Episcopal Church Records","value":"1907 Jamestown Exposition, St. Paul's Episcopal Church Records","hits":21},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1907+Jamestown+Exposition%2C+St.+Paul%27s+Episcopal+Church+Records\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"A. Rufus Tonelson Papers","value":"A. Rufus Tonelson Papers","hits":47},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Rufus+Tonelson+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"A.E.S. Stephens Papers","value":"A.E.S. Stephens Papers","hits":108},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.E.S.+Stephens+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Admiral John Randolph Tucker Papers","value":"Admiral John Randolph Tucker Papers","hits":62},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Admiral+John+Randolph+Tucker+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Albert I. Godden Papers","value":"Albert I. Godden Papers","hits":36},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Albert+I.+Godden+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Albert S. Armentrout Collection","value":"Albert S. Armentrout Collection","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Albert+S.+Armentrout+Collection\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Alexander Brooks \"A.B.\" Jackson Papers","value":"Alexander Brooks \"A.B.\" Jackson Papers","hits":58},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Brooks+%22A.B.%22+Jackson+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Alice Rice Jaffe Papers","value":"Alice Rice Jaffe Papers","hits":42},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alice+Rice+Jaffe+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allan Blank Papers","value":"Allan Blank Papers","hits":753},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Allan+Blank+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allan G. Donn Papers","value":"Allan G. Donn Papers","hits":7},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Allan+G.+Donn+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allen-Johnson Family Papers","value":"Allen-Johnson Family Papers","hits":18},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Allen-Johnson+Family+Papers\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=0\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1680","value":"1680","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1680\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1681","value":"1681","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1681\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1682","value":"1682","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1682\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1683","value":"1683","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1683\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1684","value":"1684","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1684\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1685","value":"1685","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1685\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1686","value":"1686","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1686\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1687","value":"1687","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1687\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1688","value":"1688","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1688\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"1689","value":"1689","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1689\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Abbott, Carl (1944-)","value":"Abbott, Carl (1944-)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abbott%2C+Carl+%281944-%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Adams, Clifford L. (1915-1999)","value":"Adams, Clifford L. (1915-1999)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Clifford+L.+%281915-1999%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Aison, Howard B. (Howard Bertram) (1920-1997)","value":"Aison, Howard B. (Howard Bertram) (1920-1997)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aison%2C+Howard+B.+%28Howard+Bertram%29+%281920-1997%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allen family","value":"Allen family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen+family\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Ambrose, Herbert","value":"Ambrose, Herbert","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ambrose%2C+Herbert\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"American Association of University Women. Norfolk Branch","value":"American Association of University Women. Norfolk Branch","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Association+of+University+Women.+Norfolk+Branch\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Anderson, Allen (Allen L.)","value":"Anderson, Allen (Allen L.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anderson%2C+Allen+%28Allen+L.%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Andrews, Mason Cooke (1919-2006)","value":"Andrews, Mason Cooke (1919-2006)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Andrews%2C+Mason+Cooke+%281919-2006%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Ansel, Walter C. (1897-1977)","value":"Ansel, Walter C. (1897-1977)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ansel%2C+Walter+C.+%281897-1977%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Association of Writers \u0026 Writing Programs","value":"Association of Writers \u0026 Writing Programs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Association+of+Writers+%26+Writing+Programs\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Babalas, Peter K. (1922-1987)","value":"Babalas, Peter K. (1922-1987)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Babalas%2C+Peter+K.+%281922-1987%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"39th Georgia Regiment","value":"39th Georgia Regiment","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=39th+Georgia+Regiment\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"AIDS Fund, Inc.","value":"AIDS Fund, Inc.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=AIDS+Fund%2C+Inc.\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Abbott, Carl (1944-)","value":"Abbott, Carl (1944-)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Abbott%2C+Carl+%281944-%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Adams, Clifford L. (1915-1999)","value":"Adams, Clifford L. (1915-1999)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Adams%2C+Clifford+L.+%281915-1999%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Ainsworth family","value":"Ainsworth family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Ainsworth+family\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Aison, Howard B. (Howard Bertram) (1920-1997)","value":"Aison, Howard B. (Howard Bertram) (1920-1997)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Aison%2C+Howard+B.+%28Howard+Bertram%29+%281920-1997%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Alan B. Shepard Convention Center (Virginia Beach, Va.)","value":"Alan B. Shepard Convention Center (Virginia Beach, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Alan+B.+Shepard+Convention+Center+%28Virginia+Beach%2C+Va.%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allen family","value":"Allen family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Allen+family\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Allen-Johnson family","value":"Allen-Johnson family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Allen-Johnson+family\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Ambrose, Herbert","value":"Ambrose, Herbert","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Ambrose%2C+Herbert\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"American Association of Retired Persons. Virginia","value":"American Association of Retired Persons. Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=American+Association+of+Retired+Persons.+Virginia\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Amazon River--Discovery and exploration","value":"Amazon River--Discovery and exploration","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Amazon+River--Discovery+and+exploration\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Chile--History--War with Spain, 1865-1866","value":"Chile--History--War with Spain, 1865-1866","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Chile--History--War+with+Spain%2C+1865-1866\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Georgia--History--Civil War, 1861-1865","value":"Georgia--History--Civil War, 1861-1865","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Georgia--History--Civil+War%2C+1861-1865\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Guantanamo Bay Naval Base (Cuba)","value":"Guantanamo Bay Naval Base (Cuba)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Guantanamo+Bay+Naval+Base+%28Cuba%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va. : Region)","value":"Hampton Roads (Va. : Region)","hits":8},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.+%3A+Region%29\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--History","value":"Hampton Roads (Va.)--History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--History\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--History--20th century","value":"Hampton Roads (Va.)--History--20th century","hits":11},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--History--20th+century\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--Maps","value":"Hampton Roads (Va.)--Maps","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--Maps\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--Photographs","value":"Hampton Roads (Va.)--Photographs","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--Photographs\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--Politics and government--20th century","value":"Hampton Roads (Va.)--Politics and government--20th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--Politics+and+government--20th+century\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Hampton Roads (Va.)--Printed Materials","value":"Hampton Roads (Va.)--Printed Materials","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bplaces%5D%5B%5D=Hampton+Roads+%28Va.%29--Printed+Materials\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":" School integration--Law and legislation--United States--Cases","value":" School integration--Law and legislation--United States--Cases","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=+School+integration--Law+and+legislation--United+States--Cases\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":" Urban renewal--Virginia--Norfolk","value":" Urban renewal--Virginia--Norfolk","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=+Urban+renewal--Virginia--Norfolk\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"A cappella choirs","value":"A cappella choirs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=A+cappella+choirs\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Acoustic guitar","value":"Acoustic guitar","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Acoustic+guitar\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Acting","value":"Acting","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Acting\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Admirals--United States","value":"Admirals--United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Admirals--United+States\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Affirmative action programs in education--United States","value":"Affirmative action programs in education--United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Affirmative+action+programs+in+education--United+States\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"African American Unitarian Universalists","value":"African American Unitarian Universalists","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+Unitarian+Universalists\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"African American schools","value":"African American schools","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+schools\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"African Americans--Civil rights","value":"African Americans--Civil rights","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans--Civil+rights\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"African Americans--Education--Virginia--Norfolk","value":"African Americans--Education--Virginia--Norfolk","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans--Education--Virginia--Norfolk\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":279},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"File","value":"File","hits":57913},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Item","value":"Item","hits":7891},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Record group","value":"Record group","hits":9},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Record+group\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Series","value":"Series","hits":872},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":118},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subgroup\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":1719},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026facet.sort=count\u0026page=6857\u0026sort=title_sort+desc"}}]}