{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Colonial+Williamsburg\u0026page=585\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Colonial+Williamsburg\u0026page=584\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Colonial+Williamsburg\u0026page=586\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=Colonial+Williamsburg\u0026page=599\u0026view=list"},"meta":{"pages":{"current_page":585,"next_page":586,"prev_page":584,"total_pages":599,"limit_value":10,"offset_value":5840,"total_count":5986,"first_page?":false,"last_page?":false}},"data":[{"id":"viwc_viwc00100_c01_c27_c16","type":"File","attributes":{"title":"White People: Rockefellers.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00100_c01_c27_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00100_c01_c27_c16","ref_ssm":["viwc_viwc00100_c01_c27_c16"],"id":"viwc_viwc00100_c01_c27_c16","ead_ssi":"viwc_viwc00100","_root_":"viwc_viwc00100","_nest_parent_":"viwc_viwc00100_c01_c27","parent_ssi":"viwc_viwc00100_c01_c27","parent_ssim":["Albert Durant Photography Collection, 20th\n century.","Series I: Photoprints.","Sub-series 11: Copy\n Prints."],"parent_ids_ssim":["viwc_viwc00100","viwc_viwc00100_c01","viwc_viwc00100_c01_c27"],"title_filing_ssi":"White People: Rockefellers.","title_ssm":["White People: Rockefellers."],"title_tesim":["White People: Rockefellers."],"normalized_title_ssm":["White People: Rockefellers."],"text":["White People: Rockefellers.","Albert Durant Photography Collection, 20th\n century.","Series I: Photoprints.","Sub-series 11: Copy\n Prints.","Box-folder 14a:16"],"parent_unittitles_ssm":["Albert Durant Photography Collection, 20th\n century.","Series I: Photoprints.","Sub-series 11: Copy\n Prints."],"parent_unittitles_tesim":["Albert Durant Photography Collection, 20th\n century.","Series I: Photoprints.","Sub-series 11: Copy\n Prints."],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":127,"repository_ssim":["Colonial Williamsburg"],"collection_ssim":["Albert Durant Photography Collection, 20th\n century."],"containers_ssim":["Box-folder 14a:16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"_nest_path_":"/components#0/components#26/components#15","timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00100","ead_ssi":"viwc_viwc00100","_root_":"viwc_viwc00100","_nest_parent_":"viwc_viwc00100","ead_source_url_ssi":"data/cw/viwc00100.xml","title_ssm":["Albert Durant Photography Collection, 20th\n century."],"title_tesim":["Albert Durant Photography Collection, 20th\n century."],"normalized_title_ssm":["Albert Durant Photography Collection, 20th\n century."],"text":["Albert Durant Photography Collection, 20th\n century.","AV-92.1","Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs.","34 boxes (14 linear ft.)","There are no restrictions.","This collection has been organized into 5 series: \n         Series 1. Photoprints \n         Series 2. Negatives \n         Series 3. Slides \n         Series 4. Oversize Prints \n         Series 5. Personal Papers","Albert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.","At age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.","Albert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.","Durant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.","In addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.","Albert Durant died at age 71 on April 14, 1991.","In processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.","Photoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection.","The Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.","African-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.","The collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.","Durant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.","African-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.","Various clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.","A popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.","African-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.","Occupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.","Durant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.","Colonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         The Story of a Patriot,\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.","Crime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.","Other local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.","Although this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary.","The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff.","Collections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s.","Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)","Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991.","English"],"collection_title_tesim":["Albert Durant Photography Collection, 20th\n century."],"collection_ssim":["Albert Durant Photography Collection, 20th\n century."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AV-92.1"],"unitid_tesim":["AV-92.1"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Albert Durant."],"creator_ssim":["Albert Durant."],"creator_persname_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"creator_corpname_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"creators_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991.","Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"access_terms_ssm":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"acqinfo_ssim":["Purchase, 1991."],"access_subjects_ssim":["Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs."],"access_subjects_ssm":["Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs."],"has_online_content_ssim":["false"],"physdesc_tesim":["34 boxes (14 linear ft.)"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection has been organized into 5 series: \n         \u003clb\u003e\u003c/lb\u003eSeries 1. Photoprints \n         \u003clb\u003e\u003c/lb\u003eSeries 2. Negatives \n         \u003clb\u003e\u003c/lb\u003eSeries 3. Slides \n         \u003clb\u003e\u003c/lb\u003eSeries 4. Oversize Prints \n         \u003clb\u003e\u003c/lb\u003eSeries 5. Personal Papers\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["This collection has been organized into 5 series: \n         Series 1. Photoprints \n         Series 2. Negatives \n         Series 3. Slides \n         Series 4. Oversize Prints \n         Series 5. Personal Papers"],"bioghist_html_tesm":["\u003cp\u003eAlbert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.\u003c/p\u003e\n      ","\u003cp\u003eAt age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.\u003c/p\u003e\n      ","\u003cp\u003eAlbert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.\u003c/p\u003e\n      ","\u003cp\u003eDurant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.\u003c/p\u003e\n      ","\u003cp\u003eIn addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.\u003c/p\u003e\n      ","\u003cp\u003eAlbert Durant died at age 71 on April 14, 1991.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Albert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.","At age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.","Albert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.","Durant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.","In addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.","Albert Durant died at age 71 on April 14, 1991."],"prefercite_html_tesm":["\u003cp\u003eAlbert Durant Photography Collection, AV Collection\n            AV-92.1, John D. Rockefeller, Jr. Library, Colonial\n            Williamsburg Foundation\u003c/p\u003e\n      "],"prefercite_tesim":["Albert Durant Photography Collection, AV Collection\n            AV-92.1, John D. Rockefeller, Jr. Library, Colonial\n            Williamsburg Foundation"],"processinfo_html_tesm":["\u003cp\u003eIn processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.\u003c/p\u003e\n        ","\u003cp\u003ePhotoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection.\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.","Photoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.\u003c/p\u003e\n      ","\u003cp\u003eThe collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.\u003c/p\u003e\n      ","\u003cp\u003eDurant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.\u003c/p\u003e\n      ","\u003cp\u003eVarious clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.\u003c/p\u003e\n      ","\u003cp\u003eA popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.\u003c/p\u003e\n      ","\u003cp\u003eOccupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.\u003c/p\u003e\n      ","\u003cp\u003eDurant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.\u003c/p\u003e\n      ","\u003cp\u003eColonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eThe Story of a Patriot,\u003c/title\u003e\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.\u003c/p\u003e\n      ","\u003cp\u003eCrime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.\u003c/p\u003e\n      ","\u003cp\u003eOther local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.\u003c/p\u003e\n      ","\u003cp\u003eAlthough this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.","African-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.","The collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.","Durant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.","African-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.","Various clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.","A popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.","African-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.","Occupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.","Durant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.","Colonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         The Story of a Patriot,\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.","Crime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.","Other local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.","Although this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary."],"userestrict_html_tesm":["\u003cp\u003eThe Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff.\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Publication Rights/ Restrictions on Use"],"userestrict_tesim":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s.\u003c/abstract\u003e\n      "],"abstract_tesim":["Collections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s."],"corpname_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"persname_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"names_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)","Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"language_ssim":["English"],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viwc_viwc00100_c01_c27_c16"}},{"id":"viwc_viwc00100_c03_c28","type":"File","attributes":{"title":"White People: Tours.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00100_c03_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00100_c03_c28","ref_ssm":["viwc_viwc00100_c03_c28"],"id":"viwc_viwc00100_c03_c28","ead_ssi":"viwc_viwc00100","_root_":"viwc_viwc00100","_nest_parent_":"viwc_viwc00100_c03","parent_ssi":"viwc_viwc00100_c03","parent_ssim":["Albert Durant Photography Collection, 20th\n century.","Series III: Slides."],"parent_ids_ssim":["viwc_viwc00100","viwc_viwc00100_c03"],"title_filing_ssi":"White People: Tours.","title_ssm":["White People: Tours."],"title_tesim":["White People: Tours."],"normalized_title_ssm":["White People: Tours."],"text":["White People: Tours.","Albert Durant Photography Collection, 20th\n century.","Series III: Slides.","Page 39"],"parent_unittitles_ssm":["Albert Durant Photography Collection, 20th\n century.","Series III: Slides."],"parent_unittitles_tesim":["Albert Durant Photography Collection, 20th\n century.","Series III: Slides."],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":174,"repository_ssim":["Colonial Williamsburg"],"collection_ssim":["Albert Durant Photography Collection, 20th\n century."],"containers_ssim":["Page 39"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"_nest_path_":"/components#2/components#27","timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00100","ead_ssi":"viwc_viwc00100","_root_":"viwc_viwc00100","_nest_parent_":"viwc_viwc00100","ead_source_url_ssi":"data/cw/viwc00100.xml","title_ssm":["Albert Durant Photography Collection, 20th\n century."],"title_tesim":["Albert Durant Photography Collection, 20th\n century."],"normalized_title_ssm":["Albert Durant Photography Collection, 20th\n century."],"text":["Albert Durant Photography Collection, 20th\n century.","AV-92.1","Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs.","34 boxes (14 linear ft.)","There are no restrictions.","This collection has been organized into 5 series: \n         Series 1. Photoprints \n         Series 2. Negatives \n         Series 3. Slides \n         Series 4. Oversize Prints \n         Series 5. Personal Papers","Albert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.","At age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.","Albert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.","Durant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.","In addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.","Albert Durant died at age 71 on April 14, 1991.","In processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.","Photoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection.","The Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.","African-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.","The collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.","Durant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.","African-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.","Various clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.","A popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.","African-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.","Occupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.","Durant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.","Colonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         The Story of a Patriot,\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.","Crime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.","Other local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.","Although this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary.","The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff.","Collections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s.","Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)","Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991.","English"],"collection_title_tesim":["Albert Durant Photography Collection, 20th\n century."],"collection_ssim":["Albert Durant Photography Collection, 20th\n century."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AV-92.1"],"unitid_tesim":["AV-92.1"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Albert Durant."],"creator_ssim":["Albert Durant."],"creator_persname_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"creator_corpname_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"creators_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991.","Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"access_terms_ssm":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"acqinfo_ssim":["Purchase, 1991."],"access_subjects_ssim":["Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs."],"access_subjects_ssm":["Accidents--Virginia--Williamsburg-- Photographs.","African\n            American photographers--Virginia--Williamsburg.","African\n            American students--Virginia-- Photographs.","African\n            American\n            students--Virginia--Williamsburg--Photographs.","African\n            Americans--Virginia--Social life and\n            customs--Photographs.","African\n            Americans--Virginia--Williamsburg--Social life and\n            customs--Photographs.","Crime--Virginia--Williamsburg--Photographs.","Disasters--\n            Virginia--Williamsburg- -Photographs."],"has_online_content_ssim":["false"],"physdesc_tesim":["34 boxes (14 linear ft.)"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection has been organized into 5 series: \n         \u003clb\u003e\u003c/lb\u003eSeries 1. Photoprints \n         \u003clb\u003e\u003c/lb\u003eSeries 2. Negatives \n         \u003clb\u003e\u003c/lb\u003eSeries 3. Slides \n         \u003clb\u003e\u003c/lb\u003eSeries 4. Oversize Prints \n         \u003clb\u003e\u003c/lb\u003eSeries 5. Personal Papers\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["This collection has been organized into 5 series: \n         Series 1. Photoprints \n         Series 2. Negatives \n         Series 3. Slides \n         Series 4. Oversize Prints \n         Series 5. Personal Papers"],"bioghist_html_tesm":["\u003cp\u003eAlbert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.\u003c/p\u003e\n      ","\u003cp\u003eAt age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.\u003c/p\u003e\n      ","\u003cp\u003eAlbert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.\u003c/p\u003e\n      ","\u003cp\u003eDurant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.\u003c/p\u003e\n      ","\u003cp\u003eIn addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.\u003c/p\u003e\n      ","\u003cp\u003eAlbert Durant died at age 71 on April 14, 1991.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Albert Wadsworth Durant was born on February 2, 1920 in New\n         York City to Samuel and Bessie Durant. His mother was a native\n         of Williamsburg who moved with her husband to New York and\n         worked as a domestic servant for a family. After the death of\n         her husband, who was originally from the West Indies, Bessie\n         Durant and her children re-located to Williamsburg, Virginia\n         in 1929.","At age 36, Durant married Elsie Lucille Ferguson on August\n         18, 1956. They raised three sons, Albert W. Durant, Jr., Byron\n         Murphy, and Roderick Ferguson and two daughters, Yvette Durant\n         and Deanna Ferguson.","Albert Durant ran his own chauffeuring and limousine\n         business in the Williamsburg area, providing services to many\n         distinguished visitors to the city, including the Queen Mother\n         of England, the Prince of Japan, and various chief justices.\n         He often took his customers on excursions to local historic\n         sites, including Colonial Williamsburg, Jamestown, and the\n         James River plantations. Through course work at the College of\n         William and Mary, Durant acquired a background in American\n         history which enabled him to provide historical commentary as\n         he drove customers through the countryside.","Durant's contacts at the College of William and Mary\n         sparked his initial interest in photography and once he had\n         obtained equipment and training, Durant began creating his own\n         historical record of the Williamsburg area. As the first city\n         licensed black photographer in Williamsburg, Durant produced\n         hundreds of portraits documenting the families and activities\n         of African-American residents and also documented significant\n         events, places, and person in and around Williamsburg.","In addition, Albert Durant worked to improve the conditions\n         for African-Americans in Williamsburg by serving in various\n         positions in the city's government. He acted as the first\n         black Justice of the Peace and Bail Commissioner in\n         Williamsburg and served as the first black magistrate of the\n         General District Court from his appointment in 1962 until his\n         retirement in 1975.","Albert Durant died at age 71 on April 14, 1991."],"prefercite_html_tesm":["\u003cp\u003eAlbert Durant Photography Collection, AV Collection\n            AV-92.1, John D. Rockefeller, Jr. Library, Colonial\n            Williamsburg Foundation\u003c/p\u003e\n      "],"prefercite_tesim":["Albert Durant Photography Collection, AV Collection\n            AV-92.1, John D. Rockefeller, Jr. Library, Colonial\n            Williamsburg Foundation"],"processinfo_html_tesm":["\u003cp\u003eIn processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.\u003c/p\u003e\n        ","\u003cp\u003ePhotoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection.\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In processing this collection, an effort has been made\n            to preserve the organization Durant used for his\n            photographic materials. Negatives arrived in good order,\n            filed in metal cabinets with index tabs identifying broad\n            subject categories and individual identifications on\n            negative envelopes providing more specific information.\n            This arrangement is recorded in the computerized negative\n            log, which was prepared by taking negatives from the\n            drawers in consecutive order and entering their\n            identifications into the computer.","Photoprints, slides, and oversize prints arrived in\n            boxes in a less discernible order. They have been sorted\n            and filed according to the subject categories Durant used\n            for his negatives. Framed photos were removed from their\n            frames except for those which were fused to the glass. Most\n            photos were also removed from acidic mats, unless the mats\n            were considered to have artifactual significance. In\n            instances where there more than two copies of the same\n            image in a particular format, the two images in the best\n            condition were selected for retention and the others were\n            returned to the donor. Slides, negatives, and prints which\n            were extremely deteriorated were also weeded out of the\n            collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.\u003c/p\u003e\n      ","\u003cp\u003eThe collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.\u003c/p\u003e\n      ","\u003cp\u003eDurant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.\u003c/p\u003e\n      ","\u003cp\u003eVarious clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.\u003c/p\u003e\n      ","\u003cp\u003eA popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.\u003c/p\u003e\n      ","\u003cp\u003eAfrican-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.\u003c/p\u003e\n      ","\u003cp\u003eOccupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.\u003c/p\u003e\n      ","\u003cp\u003eDurant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.\u003c/p\u003e\n      ","\u003cp\u003eColonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eThe Story of a Patriot,\u003c/title\u003e\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.\u003c/p\u003e\n      ","\u003cp\u003eCrime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.\u003c/p\u003e\n      ","\u003cp\u003eOther local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.\u003c/p\u003e\n      ","\u003cp\u003eAlthough this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Albert Durant Photography Collection encompasses\n         photoprints, negatives, slides, and personal papers which\n         document the photographic production of Williamsburg's first\n         black city-licensed photographer, Albert Durant. In addition,\n         these materials offer a visual archive of the African-American\n         experience in Williamsburg between the 1930s and 1960s.","African-American family life is documented in both formal\n         and informal family portraits and portraits of infants and\n         children. Family events, such as birthdays, anniversaries,\n         weddings, funerals, and holiday celebrations, are also\n         represented in formal group portraits and candid shots of\n         events taking place.","The collection provides a fascinating glimpse into\n         African-American social life in Williamsburg during the 1940s\n         and 1950s. Durant captures the atmosphere of local jazz and\n         nite clubs through scenes of performers singing and dancing\n         and audiences socializing. Many different taverns and clubs\n         are represented, including Yorkie's Tavern in Lightfoot, Va.,\n         the Hillside Cafe Beer Garden, and various clubs in West Point\n         and Hampton. Entertainers pictured in the images include\n         Grant's Trio, Mell-O-Tones, and the Atomic Swingsters. Since\n         Durant occasionally took trips to New York to meet members of\n         well-known blues and jazz bands, the collection also features\n         a few portraits of such musicians as Count Basie.","Durant also acted as photographer for many African-\n         American clubs and organizations. Along with taking formal\n         group portraits, he documented these groups through informal\n         shots of meetings, dinners, and special events. Many\n         African-American women's clubs dedicated to social reform, as\n         well as women's missionary circles, are documented in these\n         photos. The series of club portraits also encompasses\n         occupational groups, such as hairdresser's clubs and doctor's\n         conventions, as well as garden clubs, musical performance\n         groups, hunting and fishing clubs, and community service\n         groups. Several African-American organizations dedicated to\n         fighting for civil rights are also represented, including the\n         Yorktown Chapter of the National Association for the\n         Advancement of Corlored People.","African-American student life during the late 1940s and\n         early 1950s is also featured in this visual archive. Durant\n         acted as a portrait photographer for Junior-Senior Proms at\n         local black high schools and also documented the sports teams,\n         marching bands, choirs, students, and faculty at Bruton\n         Heights School in Williamsburg. The series of images he\n         categorized as relating to \"School Affairs\" encompasses\n         Homecoming parades and assemblies, football and basketball\n         teams, theater productions, graduation portraits, and group\n         portraits of classes, clubs, and faculty at various high\n         schools. His negative identifications for this series indicate\n         that he photographed students at Frederick Douglas School,\n         James Weldon Johnson School in Yorktown, Charles City School,\n         Bruton Heights School, Mathew Whaley School, and at various\n         schools in Isle of Wight and Charles City counties.","Various clubs and student organizations are featured in\n         images of parades in Williamsburg and Smithfield. Among the\n         parades represented are the College of William and Mary's\n         Homecoming parades, a Shriner parade, and a parade celebrating\n         the 250th Anniversary of Williamsburg. These photos show\n         various floats prepared by such groups as the Puritan Club,\n         the Junior Women's Club, the Smithfield Players, and college\n         glee clubs and fraternities and sororities.","A popular summer recreational area for Williamsburg's\n         African-Americans in the 1940s and 1950s was Log Cabin Beach.\n         Durant took dozens of souvenir portraits of men, women, and\n         children at this beach along James River. The collection\n         includes numerous examples of these souvenir portraits, some\n         of which are still in their original mats with the Log Cabin\n         Beach inscription.","African-American spiritual life is also well-documented by\n         the collection. Durant photographed church groups, such as\n         choirs and missionary circles, as well as individuals\n         participating in rituals, at many different black churches in\n         the Williamsburg area. Included in this collection are\n         negatives and photoprints of members of the congregations of\n         Mt. Gilead Baptist Church in Grove, Va., New Zion Baptist\n         Church in Lightfoot, Va., First Baptist Church in\n         Williamsburg, Va., and several other Baptist churches in the\n         area. A series of photos also captures Baptist ministers\n         performing full-immersion baptisms in a river.","Occupations, working conditions, and business opportunities\n         for African-Americans in Williamsburg are also documented in\n         this collection. The photos show African-Americans working in\n         restaurants, beauty and barber shops, stores, offices, dry\n         cleaners, and gas stations. Since he often picked up customers\n         at the Williamsburg Inn and Williamsburg Lodge, Durant enjoyed\n         photographing other chaffeurs and taxi drivers waiting at the\n         hotels, as well as African-American porters and bell captains\n         who were stationed at the entrances. African-American costumed\n         interpreters at Colonial Williamsburg are also captured in\n         some of his informal portraits.","Durant compiled a photographic record of the white\n         community in Williamsburg in the 1940s, 1950s, and 1960s as he\n         fulfilled commissions for wedding pictures, school portraits,\n         businesses, nightclubs, organizations, and special events.\n         Since he chauffered many distinguished visitors around\n         Williamsburg, Durant had opportunities to capture the visits\n         of such heads of state as Queen Elizabeth of Great Britain and\n         the Prince of Japan. In addition, Durant photographed various\n         members of John D. Rockefeller, Jr.'s family at Bassett Hall\n         and at various sites around the Historic Area.","Colonial Williamsburg's buildings, employees, and programs\n         are also featured in many photos. As part of his photography\n         business, Durant prepared Christmas photo cards with snow\n         scenes of the Historic Area. In addition, he took a series of\n         color slides which document the filming of \n         The Story of a Patriot,\"\n         the official orientation film still in use at Colonial\n         Williamsburg's Visitor's Center. Durant also took many posed\n         portraits of both white and African-American costumed\n         interpreters who worked in the Historic Area.","Crime, accidents, and disasters in Williamsburg were also\n         recorded on film by Durant, who appers to have provided\n         photographic services to the Police Department. A series of\n         photos provides a graphic visual record of a fire at the Brick\n         House Tavern in the Historic Area. Durant also recorded\n         automobile accidents and police investigations.","Other local events commemorated in Durant's photos include\n         the trial run of the S.S. United States, a ship built by the\n         Newport News Shipyard and Drydock Co. (now known as Newport\n         News Shipbuilding.) This series of photos documents staff on\n         board the ship, as well as the interiors of various rooms and\n         the exterior of the ship. Durant also compiled photographic\n         documentation of the groundbreaking for the Anheuser-Busch\n         plant and of the Bicentennial at Yorktown in 1976.","Although this collection provides little documentation of\n         Durant's personal life, it does include one box of personal\n         papers relating to Durant's limousine business and to his\n         activities as a member of the city government. Some of these\n         papers were removed for preservation purposes from a scrapbook\n         and are retained in their original order in a folder. They\n         include certificates, correspondence, news clippings, and\n         photos documenting Durant's activities as a magistrate, notary\n         public, and chauffeur. Durant's concern about equal\n         opportunities for African-Americans is reflected in news\n         clippings about housing discrimination, as well as a letter\n         from President Johnson's secretary personally thanking Durant\n         for his comments on the Voting Rights Act of 1965. The\n         scrapbook materials also include several letters from\n         satisfied customers who enjoyed Durant's driving and\n         historical commentary."],"userestrict_html_tesm":["\u003cp\u003eThe Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff.\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Publication Rights/ Restrictions on Use"],"userestrict_tesim":["The Colonial Williamsburg Foundation owns the copyright\n            for all materials within this collection. Permission to\n            cite from or reproduce materials in publications must be\n            requested from the Visual Resources Library staff."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eCollections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s.\u003c/abstract\u003e\n      "],"abstract_tesim":["Collections consists of the\n         photographs of Albert Durant, chauffer, entrepreneur, and\n         photographer of Williamsburg, Va. Photos chiefly depict the\n         social, religious, and economic activities of African-\n         Americans in Williamsburg and the surrounding area from the\n         1930s through the 1960s."],"corpname_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)"],"persname_ssim":["Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"names_ssim":["Atomic Swingsters (Musical\n            group)","Brick House Tavern\n            (Williamsburg, Va.)","Bruton Heights School\n            (Williamsburg, Va.)","Charles City School (Charles\n            City, Va.)","Colonial\n            Williamsburg Foundation.","First Baptist Church\n            (Williamsburg, Va.)","Grant's Trio (Musical\n            group)","Hillside Cafe Beer\n            Garden.","James Weldon Johnson School\n            (Yorktown, Va.)","Mell-O-Tones (Musical\n            group)","Mt. Gilead Baptist Church\n            (James City County, Va.)","National Association for the\n            Advancement of Colored People--Yorktown, Virginia\n            Branch.","New Zion Baptist Church\n            (Lightfoot, Va.)","Newport News Shipbuilding\n            and Dry Dock Company.","United States (Ship :\n            1952)","United\n            States. Voting Rights Act of 1965.","Yorkie's Tavern (Yorktown,\n            Va.)","Albert Durant.","Basie, Count,\n            1904-","Elizabeth,\n            II, Queen of Great Britain, 1926-","Durant, Albert Wadsworth,\n            1920-1991."],"language_ssim":["English"],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viwc_viwc00100_c03_c28"}},{"id":"viwc_viwc00524_c01_c07_c07_c15","type":"File","attributes":{"title":"Wickes and Newman, 'Saint Peter's, Kettering.'","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00524_c01_c07_c07_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00524_c01_c07_c07_c15","ref_ssm":["viwc_viwc00524_c01_c07_c07_c15"],"id":"viwc_viwc00524_c01_c07_c07_c15","ead_ssi":"viwc_viwc00524","_root_":"viwc_viwc00524","_nest_parent_":"viwc_viwc00524_c01_c07_c07","parent_ssi":"viwc_viwc00524_c01_c07_c07","parent_ssim":["William Graves Perry Papers 1930-1940","Papers","Photographs, prints, and other art","Assorted"],"parent_ids_ssim":["viwc_viwc00524","viwc_viwc00524_c01","viwc_viwc00524_c01_c07","viwc_viwc00524_c01_c07_c07"],"title_filing_ssi":"Wickes and Newman, 'Saint Peter's,\n                                Kettering.'","title_ssm":["Wickes and Newman, 'Saint Peter's, Kettering.'"],"title_tesim":["Wickes and Newman, 'Saint Peter's, Kettering.'"],"normalized_title_ssm":["Wickes and Newman, 'Saint Peter's, Kettering.'"],"text":["Wickes and Newman, 'Saint Peter's, Kettering.'","William Graves Perry Papers 1930-1940","Papers","Photographs, prints, and other art","Assorted"],"parent_unittitles_ssm":["William Graves Perry Papers 1930-1940","Papers","Photographs, prints, and other art","Assorted"],"parent_unittitles_tesim":["William Graves Perry Papers 1930-1940","Papers","Photographs, prints, and other art","Assorted"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":104,"repository_ssim":["Colonial Williamsburg"],"collection_ssim":["William Graves Perry Papers 1930-1940"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"_nest_path_":"/components#0/components#6/components#6/components#14","timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00524","ead_ssi":"viwc_viwc00524","_root_":"viwc_viwc00524","_nest_parent_":"viwc_viwc00524","ead_source_url_ssi":"data/cw/viwc00524.xml","title_ssm":["William Graves Perry Papers 1930-1940"],"title_tesim":["William Graves Perry Papers 1930-1940"],"normalized_title_ssm":["William Graves Perry Papers 1930-1940"],"text":["William Graves Perry Papers 1930-1940","MS 1999.15","Architecture","Correspondence - Perry, William\n                    Graves.","Black-and-white\n                photographs","Papers, LPs, and other\n                items.","Collection is open to research.","The papers are arranged in series.","William Graves Perry was born November 8, 1883 in Boston, Massachusetts and raised in\n                Newburyport. He was a descendent of an old Newburyport seafaring family. Perry\n                graduated from Harvard in 1905, received his first degree in architecture from MIT\n                in 1907, and another from Paris’ L’Ecole des Beaux Arts in 1913. He taught\n                architecture at Harvard from 1915-1916. In 1908 he married Eleanor Gray Bodine.\n                Together they had three children, two daughters and one son, but divorced in 1934.\n                Perry served as a Captain in the Air Force from 1916-1919. In 1922 he founded the\n                firm of Perry, Shaw, and Hepburn. Their firm continues to be known for university\n                and commercial buildings, including several on the Harvard campus and Colonial\n                Williamsburg’s John D. Rockefeller Jr. Library. Perry’s relationship with\n                Williamsburg began informally in 1926 after a chance meeting with Reverend Goodwin,\n                the originator of the plan to restore the capital. In 1927 Perry, Shaw and Hepburn\n                submitted drawings and were officially hired as the project’s architects. The firm\n                retained ties to the project until the Colonial Williamsburg Foundation created its\n                own architecture department in 1953. Perry married Frances McElfresh Ames in 1945.\n                She remained his wife until he died April 4, 1975 in Boston.","A series within the 20th Century Collection, the William Graves Perry papers are\n                organized into subseries: Art and architecture, Collections, Colonial Williamsburg,\n                Correspondence, Family, Notes, and Photographs, prints, and other art.","Art and Architecture comprises items related to Perry's practice, including a\n                certificate to practice in Maryland and an article about Sir Christopher Wren. An\n                avid collector, the Collections series is a sampling of the items Perry acquired\n                through the years. Evidence of Perry's contribution to the restoration of Colonial\n                Williamsburg is available in the Colonial Williamsburg subseries. A small amount of\n                Correspondence is contained in the subseries of the same name. Items within the\n                Family subseries pertain to his wife, France, and son, William G. Perry, Jr. Notes\n                taken by Perry in a variety of circumstances, including a Spanish language class,\n                are found in the Notes subseries. Photographs is the largest of the subseries, and\n                is a collection in its own right. Ranging from photographs of the American Embassy\n                in London to prints of Benjamin Franklin and Japanese art, these items represent the\n                range of Perry's interests.","There are no restrictions.","On site","Colonial Williamsburg Foundation","Perry, Shaw, and Hepburn","Perry, William Graves","Perry, William Graves, Jr.","Perry, France McElfresh","English"],"collection_title_tesim":["William Graves Perry Papers 1930-1940"],"collection_ssim":["William Graves Perry Papers 1930-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 1999.15"],"unitid_tesim":["MS 1999.15"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Perry, William Graves"],"creator_ssim":["Perry, William Graves"],"creator_persname_ssim":["Perry, William Graves","Perry, William Graves, Jr.","Perry, France McElfresh"],"creator_corpname_ssim":["Colonial Williamsburg Foundation","Perry, Shaw, and Hepburn"],"creators_ssim":["Perry, William Graves","Perry, William Graves, Jr.","Perry, France McElfresh","Colonial Williamsburg Foundation","Perry, Shaw, and Hepburn"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift, 1999"],"access_subjects_ssim":["Architecture","Correspondence - Perry, William\n                    Graves.","Black-and-white\n                photographs"],"access_subjects_ssm":["Architecture","Correspondence - Perry, William\n                    Graves.","Black-and-white\n                photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Papers, LPs, and other\n                items."],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. \u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in series. \u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in series."],"bioghist_html_tesm":["\u003cp\u003eWilliam Graves Perry was born November 8, 1883 in Boston, Massachusetts and raised in\n                Newburyport. He was a descendent of an old Newburyport seafaring family. Perry\n                graduated from Harvard in 1905, received his first degree in architecture from MIT\n                in 1907, and another from Paris’ L’Ecole des Beaux Arts in 1913. He taught\n                architecture at Harvard from 1915-1916. In 1908 he married Eleanor Gray Bodine.\n                Together they had three children, two daughters and one son, but divorced in 1934.\n                Perry served as a Captain in the Air Force from 1916-1919. In 1922 he founded the\n                firm of Perry, Shaw, and Hepburn. Their firm continues to be known for university\n                and commercial buildings, including several on the Harvard campus and Colonial\n                Williamsburg’s John D. Rockefeller Jr. Library. Perry’s relationship with\n                Williamsburg began informally in 1926 after a chance meeting with Reverend Goodwin,\n                the originator of the plan to restore the capital. In 1927 Perry, Shaw and Hepburn\n                submitted drawings and were officially hired as the project’s architects. The firm\n                retained ties to the project until the Colonial Williamsburg Foundation created its\n                own architecture department in 1953. Perry married Frances McElfresh Ames in 1945.\n                She remained his wife until he died April 4, 1975 in Boston. \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["William Graves Perry was born November 8, 1883 in Boston, Massachusetts and raised in\n                Newburyport. He was a descendent of an old Newburyport seafaring family. Perry\n                graduated from Harvard in 1905, received his first degree in architecture from MIT\n                in 1907, and another from Paris’ L’Ecole des Beaux Arts in 1913. He taught\n                architecture at Harvard from 1915-1916. In 1908 he married Eleanor Gray Bodine.\n                Together they had three children, two daughters and one son, but divorced in 1934.\n                Perry served as a Captain in the Air Force from 1916-1919. In 1922 he founded the\n                firm of Perry, Shaw, and Hepburn. Their firm continues to be known for university\n                and commercial buildings, including several on the Harvard campus and Colonial\n                Williamsburg’s John D. Rockefeller Jr. Library. Perry’s relationship with\n                Williamsburg began informally in 1926 after a chance meeting with Reverend Goodwin,\n                the originator of the plan to restore the capital. In 1927 Perry, Shaw and Hepburn\n                submitted drawings and were officially hired as the project’s architects. The firm\n                retained ties to the project until the Colonial Williamsburg Foundation created its\n                own architecture department in 1953. Perry married Frances McElfresh Ames in 1945.\n                She remained his wife until he died April 4, 1975 in Boston."],"prefercite_html_tesm":["\u003cp\u003eWilliam Graves Perry papers, Manuscript #MS 1999.15, John D. Rockefeller, Jr.\n                    Library, Colonial Williamsburg Foundation. \u003c/p\u003e\n      "],"prefercite_tesim":["William Graves Perry papers, Manuscript #MS 1999.15, John D. Rockefeller, Jr.\n                    Library, Colonial Williamsburg Foundation."],"scopecontent_html_tesm":["\u003cp\u003eA series within the 20th Century Collection, the William Graves Perry papers are\n                organized into subseries: Art and architecture, Collections, Colonial Williamsburg,\n                Correspondence, Family, Notes, and Photographs, prints, and other art. \u003c/p\u003e\n      ","\u003cp\u003eArt and Architecture comprises items related to Perry's practice, including a\n                certificate to practice in Maryland and an article about Sir Christopher Wren. An\n                avid collector, the Collections series is a sampling of the items Perry acquired\n                through the years. Evidence of Perry's contribution to the restoration of Colonial\n                Williamsburg is available in the Colonial Williamsburg subseries. A small amount of\n                Correspondence is contained in the subseries of the same name. Items within the\n                Family subseries pertain to his wife, France, and son, William G. Perry, Jr. Notes\n                taken by Perry in a variety of circumstances, including a Spanish language class,\n                are found in the Notes subseries. Photographs is the largest of the subseries, and\n                is a collection in its own right. Ranging from photographs of the American Embassy\n                in London to prints of Benjamin Franklin and Japanese art, these items represent the\n                range of Perry's interests. \u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A series within the 20th Century Collection, the William Graves Perry papers are\n                organized into subseries: Art and architecture, Collections, Colonial Williamsburg,\n                Correspondence, Family, Notes, and Photographs, prints, and other art.","Art and Architecture comprises items related to Perry's practice, including a\n                certificate to practice in Maryland and an article about Sir Christopher Wren. An\n                avid collector, the Collections series is a sampling of the items Perry acquired\n                through the years. Evidence of Perry's contribution to the restoration of Colonial\n                Williamsburg is available in the Colonial Williamsburg subseries. A small amount of\n                Correspondence is contained in the subseries of the same name. Items within the\n                Family subseries pertain to his wife, France, and son, William G. Perry, Jr. Notes\n                taken by Perry in a variety of circumstances, including a Spanish language class,\n                are found in the Notes subseries. Photographs is the largest of the subseries, and\n                is a collection in its own right. Ranging from photographs of the American Embassy\n                in London to prints of Benjamin Franklin and Japanese art, these items represent the\n                range of Perry's interests."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions. \u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"physloc_html_tesm":["\u003cphysloc label=\"Location\"\u003eOn site \u003c/physloc\u003e\n      "],"physloc_tesim":["On site"],"corpname_ssim":["Colonial Williamsburg Foundation","Perry, Shaw, and Hepburn"],"persname_ssim":["Perry, William Graves","Perry, William Graves, Jr.","Perry, France McElfresh"],"names_ssim":["Colonial Williamsburg Foundation","Perry, Shaw, and Hepburn","Perry, William Graves","Perry, William Graves, Jr.","Perry, France McElfresh"],"language_ssim":["English"],"total_component_count_is":140,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viwc_viwc00524_c01_c07_c07_c15"}},{"id":"viwc_viwc00522_c01_c06_c03_c02","type":"File","attributes":{"title":"Will","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00522_c01_c06_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00522_c01_c06_c03_c02","ref_ssm":["viwc_viwc00522_c01_c06_c03_c02"],"id":"viwc_viwc00522_c01_c06_c03_c02","ead_ssi":"viwc_viwc00522","_root_":"viwc_viwc00522","_nest_parent_":"viwc_viwc00522_c01_c06_c03","parent_ssi":"viwc_viwc00522_c01_c06_c03","parent_ssim":["Dennis Montgomery Papers 1995-1998","Papers","Research material","Goodwin, Rev. Dr. W.A.R."],"parent_ids_ssim":["viwc_viwc00522","viwc_viwc00522_c01","viwc_viwc00522_c01_c06","viwc_viwc00522_c01_c06_c03"],"title_filing_ssi":"Will","title_ssm":["Will"],"title_tesim":["Will"],"normalized_title_ssm":["Will"],"text":["Will","Dennis Montgomery Papers 1995-1998","Papers","Research material","Goodwin, Rev. Dr. W.A.R."],"parent_unittitles_ssm":["Dennis Montgomery Papers 1995-1998","Papers","Research material","Goodwin, Rev. Dr. W.A.R."],"parent_unittitles_tesim":["Dennis Montgomery Papers 1995-1998","Papers","Research material","Goodwin, Rev. 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W.A.R.","English"],"collection_title_tesim":["Dennis Montgomery Papers 1995-1998"],"collection_ssim":["Dennis Montgomery Papers 1995-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 1999.12 20C"],"unitid_tesim":["MS 1999.12 20C"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Montgomery, Dennis"],"creator_ssim":["Montgomery, Dennis"],"creator_persname_ssim":["Montgomery, Dennis","Goodwin, Rev. W.A.R."],"creator_corpname_ssim":["Colonial Williamsburg Foundation"],"creators_ssim":["Montgomery, Dennis","Goodwin, Rev. 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Randolph refers to personal dispute with Beverley Randolph. Names his wife, Peter Randolph, and Richard Bland executors. Contemporary copy in Randolph's hand.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00201#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viwc_viwc00201","ead_ssi":"viwc_viwc00201","_root_":"viwc_viwc00201","_nest_parent_":"viwc_viwc00201","ead_source_url_ssi":"data/cw/viwc00201.xml","title_ssm":["Will, 1742."],"title_tesim":["Will, 1742."],"normalized_title_ssm":["Will, 1742."],"text":["Will, 1742.","MS 1941.8","Wills --Virginia --Henrico\n            County.","14 p.; 24 cm.","There are no restrictions.","Transcript available.","Will of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. 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Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation\u003c/p\u003e\n      "],"prefercite_tesim":["Richard Randolph's Will, 1742, Manuscript # 1941.8, John\n            D. Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation"],"scopecontent_html_tesm":["\u003cp\u003eWill of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. Contemporary copy in Randolph's hand.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["Will of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. Contemporary copy in Randolph's hand."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg.\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Publication Rights/ Restrictions on Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg."],"persname_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"names_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00201","ead_ssi":"viwc_viwc00201","_root_":"viwc_viwc00201","_nest_parent_":"viwc_viwc00201","ead_source_url_ssi":"data/cw/viwc00201.xml","title_ssm":["Will, 1742."],"title_tesim":["Will, 1742."],"normalized_title_ssm":["Will, 1742."],"text":["Will, 1742.","MS 1941.8","Wills --Virginia --Henrico\n            County.","14 p.; 24 cm.","There are no restrictions.","Transcript available.","Will of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. Contemporary copy in Randolph's hand.","Before publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg.","Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767.","English"],"collection_title_tesim":["Will, 1742."],"collection_ssim":["Will, 1742."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 1941.8"],"unitid_tesim":["MS 1941.8"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Randolph, Richard."],"creator_ssim":["Randolph, Richard."],"creator_persname_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"creators_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"access_terms_ssm":["Before publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg."],"acqinfo_ssim":["Gift, 1941."],"access_subjects_ssim":["Wills --Virginia --Henrico\n            County."],"access_subjects_ssm":["Wills --Virginia --Henrico\n            County."],"has_online_content_ssim":["false"],"physdesc_tesim":["14 p.; 24 cm."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eTranscript available.\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form"],"altformavail_tesim":["Transcript available."],"prefercite_html_tesm":["\u003cp\u003eRichard Randolph's Will, 1742, Manuscript # 1941.8, John\n            D. Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation\u003c/p\u003e\n      "],"prefercite_tesim":["Richard Randolph's Will, 1742, Manuscript # 1941.8, John\n            D. Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation"],"scopecontent_html_tesm":["\u003cp\u003eWill of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. Contemporary copy in Randolph's hand.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["Will of Randolph of Curles Plantation, Henrico County,\n         Virginia. Randolph refers to personal dispute with Beverley\n         Randolph. Names his wife, Peter Randolph, and Richard Bland\n         executors. Contemporary copy in Randolph's hand."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg.\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Publication Rights/ Restrictions on Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any\n            materials, permission must be obtained from the Special\n            Collections Librarian/ Associate Curator of Rare Books and\n            Manuscripts, and the holder of the copyright, if not the\n            Rockefeller Library at Colonial Williamsburg."],"persname_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"names_ssim":["Bland, Richard,\n            1710-1776.","Randolph, Beverley, 1713-\n            1750.","Randolph, Peter,\n            1717-1767."],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viwc_viwc00201"}},{"id":"viwc_viwc00015_c157","type":"Item","attributes":{"title":"Will Churchill to Mann Page, 1 November 1795.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00015_c157#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00015_c157","ref_ssm":["viwc_viwc00015_c157"],"id":"viwc_viwc00015_c157","ead_ssi":"viwc_viwc00015","_root_":"viwc_viwc00015","_nest_parent_":"viwc_viwc00015","parent_ssi":"viwc_viwc00015","parent_ssim":["Mann Page Papers, 1765-1869."],"parent_ids_ssim":["viwc_viwc00015"],"title_filing_ssi":"Will Churchill to Mann Page, \n               1 November 1795.","title_ssm":["Will Churchill to Mann Page, 1 November 1795."],"title_tesim":["Will Churchill to Mann Page, 1 November 1795."],"normalized_title_ssm":["Will Churchill to Mann Page, 1 November 1795."],"text":["Will Churchill to Mann Page, 1 November 1795.","Mann Page Papers, 1765-1869.","Folder 15"],"parent_unittitles_ssm":["Mann Page Papers, 1765-1869."],"parent_unittitles_tesim":["Mann Page Papers, 1765-1869."],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":157,"repository_ssim":["Colonial Williamsburg"],"collection_ssim":["Mann Page Papers, 1765-1869."],"containers_ssim":["Folder 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"_nest_path_":"/components#156","timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00015","ead_ssi":"viwc_viwc00015","_root_":"viwc_viwc00015","_nest_parent_":"viwc_viwc00015","ead_source_url_ssi":"data/cw/viwc00015.xml","title_ssm":["Mann Page Papers, 1765-1869."],"title_tesim":["Mann Page Papers, 1765-1869."],"normalized_title_ssm":["Mann Page Papers, 1765-1869."],"text":["Mann Page Papers, 1765-1869.","MS 31.8","5 volumes and 504 items.","There are no restrictions.","Also available on microfilm \n            M-1551.","Chronologically arranged. Undated materials including the\n         five volumes are placed at the end.","Mann Page, Jr. (1766-1813), of Shelly, Gloucester County,\n         Va., was the oldest son of John and Frances Burwell Page.","Papers of Mann Page, Jr. Primarily his business accounts\n         and receipts, and legal papers and receipts relating to his\n         position as clerk of the Gloucester County Court. Included are\n         a few letters pertaining to financial matters at Rosewell, and\n         a letter, August 11, 1787, from John Mason, a student at the\n         College of William and Mary, to Page, stating that there were\n         only five students in the college at the time. A few later\n         accounts were probably kept by Page's descendants.","There are no restrictions.","College of\n            William and Mary--Students-- History--18th\n            century.","Page\n            family.","Mann Page, 1766-1813.","Page, Mann,\n            1766-1813.","English"],"collection_title_tesim":["Mann Page Papers, 1765-1869."],"collection_ssim":["Mann Page Papers, 1765-1869."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 31.8"],"unitid_tesim":["MS 31.8"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Mann Page, 1766-1813."],"creator_ssim":["Mann Page, 1766-1813."],"creator_persname_ssim":["Mann Page, 1766-1813.","Page, Mann,\n            1766-1813."],"creator_corpname_ssim":["College of\n            William and Mary--Students-- History--18th\n            century."],"creator_famname_ssim":["Page\n            family."],"creators_ssim":["Mann Page, 1766-1813.","Page, Mann,\n            1766-1813.","College of\n            William and Mary--Students-- History--18th\n            century.","Page\n            family."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Purchase, 1931."],"has_online_content_ssim":["false"],"physdesc_tesim":["5 volumes and 504 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAlso available on microfilm \n            \u003cnum type=\"microfilm\"\u003eM-1551.\u003c/num\u003e\u003c/p\u003e\n      "],"altformavail_heading_ssm":["Alternative Form"],"altformavail_tesim":["Also available on microfilm \n            M-1551."],"arrangement_html_tesm":["\u003cp\u003eChronologically arranged. Undated materials including the\n         five volumes are placed at the end.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronologically arranged. Undated materials including the\n         five volumes are placed at the end."],"bioghist_html_tesm":["\u003cp\u003eMann Page, Jr. (1766-1813), of Shelly, Gloucester County,\n         Va., was the oldest son of John and Frances Burwell Page.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Mann Page, Jr. (1766-1813), of Shelly, Gloucester County,\n         Va., was the oldest son of John and Frances Burwell Page."],"prefercite_html_tesm":["\u003cp\u003eMann Page Papers, Manuscript MS 31.8, John D.\n            Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation\u003c/p\u003e\n      "],"prefercite_tesim":["Mann Page Papers, Manuscript MS 31.8, John D.\n            Rockefeller, Jr. Library, Colonial Williamsburg\n            Foundation"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Mann Page, Jr. Primarily his business accounts\n         and receipts, and legal papers and receipts relating to his\n         position as clerk of the Gloucester County Court. Included are\n         a few letters pertaining to financial matters at Rosewell, and\n         a letter, August 11, 1787, from John Mason, a student at the\n         College of William and Mary, to Page, stating that there were\n         only five students in the college at the time. A few later\n         accounts were probably kept by Page's descendants.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["Papers of Mann Page, Jr. Primarily his business accounts\n         and receipts, and legal papers and receipts relating to his\n         position as clerk of the Gloucester County Court. Included are\n         a few letters pertaining to financial matters at Rosewell, and\n         a letter, August 11, 1787, from John Mason, a student at the\n         College of William and Mary, to Page, stating that there were\n         only five students in the college at the time. A few later\n         accounts were probably kept by Page's descendants."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["College of\n            William and Mary--Students-- History--18th\n            century."],"famname_ssim":["Page\n            family."],"persname_ssim":["Mann Page, 1766-1813.","Page, Mann,\n            1766-1813."],"names_ssim":["College of\n            William and Mary--Students-- History--18th\n            century.","Page\n            family.","Mann Page, 1766-1813.","Page, Mann,\n            1766-1813."],"language_ssim":["English"],"total_component_count_is":504,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:11.343Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viwc_viwc00015_c157"}},{"id":"viwc_viwc00497_c01_c01_c09","type":"File","attributes":{"title":"William and Mary (#612)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viwc_viwc00497_c01_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viwc_viwc00497_c01_c01_c09","ref_ssm":["viwc_viwc00497_c01_c01_c09"],"id":"viwc_viwc00497_c01_c01_c09","ead_ssi":"viwc_viwc00497","_root_":"viwc_viwc00497","_nest_parent_":"viwc_viwc00497_c01_c01","parent_ssi":"viwc_viwc00497_c01_c01","parent_ssim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935","Acquisitions","Dunwoody, Engravings, 1930s\n (10 items)"],"parent_ids_ssim":["viwc_viwc00497","viwc_viwc00497_c01","viwc_viwc00497_c01_c01"],"title_filing_ssi":"William and Mary (#612)","title_ssm":["William and Mary (#612)"],"title_tesim":["William and Mary (#612)"],"normalized_title_ssm":["William and Mary (#612)"],"text":["William and Mary (#612)","Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935","Acquisitions","Dunwoody, Engravings, 1930s\n (10 items)"],"parent_unittitles_ssm":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935","Acquisitions","Dunwoody, Engravings, 1930s\n (10 items)"],"parent_unittitles_tesim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935","Acquisitions","Dunwoody, Engravings, 1930s\n (10 items)"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":11,"repository_ssim":["Colonial Williamsburg"],"collection_ssim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"_nest_path_":"/components#0/components#0/components#8","timestamp":"2026-08-14T23:07:11.343Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viwc_viwc00497","ead_ssi":"viwc_viwc00497","_root_":"viwc_viwc00497","_nest_parent_":"viwc_viwc00497","ead_source_url_ssi":"data/cw/viwc00497.xml","title_ssm":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"title_tesim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"normalized_title_ssm":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"text":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935","MS 1994.4","Antiques.","Architecture - Virginia - Williamsburg","Historic buildings - Virginia -\n                    Williamsburg","Black and white photographs.","140 items, 2 vols.","Collection is open to research.","The collection is arranged in two series.","Perry, Dean, Rogers \u0026 Partners, Architects, (then Perry, Shaw and Hepburn)\n                was the firm selected by Rev. W.A.R. Goodwin and John D. Rockefeller, Jr. for the\n                reconstruction of Colonial Williamsburg.","Consisting entirely of photographs, this collection documents some of the many items\n                acquired by Colonial Williamsburg as the restoration progressed in the 1930s. These\n                items, including engravings, furniture, Delftware, pewter, and other household\n                goods, comprise the first series.","The collection contains two series, photographs and albums. Within the photographs\n                series are 6 subseries, each pertaining to the source of the acquisitions. Within\n                each subseries items are listed alphabetically. An exception occurs in the\n                Fridenberg and Miscellaneous subseries, where multiple portraits and engravings were\n                photographed together. In both cases the subseries has been further divided to\n                include a Multiple Images section.","There are no restrictions.","Approximately 140 photoprints documenting acquisitions for\n                Colonial Williamsburg. Two photo albums documenting the restoration.","On site.","Perry, Shaw, \u0026 Hepburn","Colonial Williamsburg Foundation","English"],"collection_title_tesim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"collection_ssim":["Colonial Williamsburg acquisition\n photographs ca.\n 1930-1935"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 1994.4"],"unitid_tesim":["MS 1994.4"],"repository_ssm":["Colonial Williamsburg"],"repository_ssim":["Colonial Williamsburg"],"creator_ssm":["Perry, Shaw, \u0026 Hepburn"],"creator_ssim":["Perry, Shaw, \u0026 Hepburn"],"creator_corpname_ssim":["Perry, Shaw, \u0026 Hepburn","Colonial Williamsburg Foundation"],"creators_ssim":["Perry, Shaw, \u0026 Hepburn","Colonial Williamsburg Foundation"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift, 1993"],"access_subjects_ssim":["Antiques.","Architecture - Virginia - Williamsburg","Historic buildings - Virginia -\n                    Williamsburg","Black and white photographs."],"access_subjects_ssm":["Antiques.","Architecture - Virginia - Williamsburg","Historic buildings - Virginia -\n                    Williamsburg","Black and white photographs."],"has_online_content_ssim":["false"],"physdesc_tesim":["140 items, 2 vols."],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. \u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. \u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series."],"bioghist_html_tesm":["\u003cp\u003ePerry, Dean, Rogers \u0026amp; Partners, Architects, (then Perry, Shaw and Hepburn)\n                was the firm selected by Rev. W.A.R. Goodwin and John D. Rockefeller, Jr. for the\n                reconstruction of Colonial Williamsburg. \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Perry, Dean, Rogers \u0026 Partners, Architects, (then Perry, Shaw and Hepburn)\n                was the firm selected by Rev. W.A.R. Goodwin and John D. Rockefeller, Jr. for the\n                reconstruction of Colonial Williamsburg."],"prefercite_html_tesm":["\u003cp\u003eColonial Williamsburg Acquisitions Photographs, Manuscript #MS 1994.4, John D.\n                    Rockefeller, Jr. Library, Colonial Williamsburg Foundation. \u003c/p\u003e\n      "],"prefercite_tesim":["Colonial Williamsburg Acquisitions Photographs, Manuscript #MS 1994.4, John D.\n                    Rockefeller, Jr. Library, Colonial Williamsburg Foundation."],"scopecontent_html_tesm":["\u003cp\u003eConsisting entirely of photographs, this collection documents some of the many items\n                acquired by Colonial Williamsburg as the restoration progressed in the 1930s. These\n                items, including engravings, furniture, Delftware, pewter, and other household\n                goods, comprise the first series. \u003c/p\u003e\n      ","\u003cp\u003eThe collection contains two series, photographs and albums. Within the photographs\n                series are 6 subseries, each pertaining to the source of the acquisitions. Within\n                each subseries items are listed alphabetically. An exception occurs in the\n                Fridenberg and Miscellaneous subseries, where multiple portraits and engravings were\n                photographed together. In both cases the subseries has been further divided to\n                include a Multiple Images section.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Consisting entirely of photographs, this collection documents some of the many items\n                acquired by Colonial Williamsburg as the restoration progressed in the 1930s. These\n                items, including engravings, furniture, Delftware, pewter, and other household\n                goods, comprise the first series.","The collection contains two series, photographs and albums. Within the photographs\n                series are 6 subseries, each pertaining to the source of the acquisitions. Within\n                each subseries items are listed alphabetically. An exception occurs in the\n                Fridenberg and Miscellaneous subseries, where multiple portraits and engravings were\n                photographed together. In both cases the subseries has been further divided to\n                include a Multiple Images section."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions. \u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eApproximately 140 photoprints documenting acquisitions for\n                Colonial Williamsburg. Two photo albums documenting the restoration. \u003c/abstract\u003e\n      "],"abstract_tesim":["Approximately 140 photoprints documenting acquisitions for\n                Colonial Williamsburg. 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Previously\n                he taught at the University of California, Berkelely. In his own words, \"I study the\n                material world as an aspect of human expressive culture. My research and\n                publications have focused on architecture and cultural landscapes, which I see as\n                subsets of material culture. Early in my career I worked on colonial American\n                architecture, particularly the rural vernacular architecture of seventeenth- and\n                eighteenth-century Virginia and New England. I was interested in the\n                social-historical aspects of architecture as well as in theories of architectural\n                design drawn from archaeology and linguistics.\" (Retrieved from\n                http://www.virginia.edu/anthropology/faculty/upton.html, August 8, 2008)","The papers, a part of the 20th Century Collections, are arranged in four subseries:\n                Churches, Houses, Assorted, and Notebooks. 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Previously\n                he taught at the University of California, Berkelely. In his own words, \"I study the\n                material world as an aspect of human expressive culture. My research and\n                publications have focused on architecture and cultural landscapes, which I see as\n                subsets of material culture. Early in my career I worked on colonial American\n                architecture, particularly the rural vernacular architecture of seventeenth- and\n                eighteenth-century Virginia and New England. I was interested in the\n                social-historical aspects of architecture as well as in theories of architectural\n                design drawn from archaeology and linguistics.\" (Retrieved from\n                http://www.virginia.edu/anthropology/faculty/upton.html, August 8, 2008) \u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Dell Upton, a graduate of Colgate University and Brown University, is currently\n                Professor of Anthropology and Architecture at the University of Virginia. Previously\n                he taught at the University of California, Berkelely. In his own words, \"I study the\n                material world as an aspect of human expressive culture. My research and\n                publications have focused on architecture and cultural landscapes, which I see as\n                subsets of material culture. Early in my career I worked on colonial American\n                architecture, particularly the rural vernacular architecture of seventeenth- and\n                eighteenth-century Virginia and New England. I was interested in the\n                social-historical aspects of architecture as well as in theories of architectural\n                design drawn from archaeology and linguistics.\" (Retrieved from\n                http://www.virginia.edu/anthropology/faculty/upton.html, August 8, 2008)"],"prefercite_html_tesm":["\u003cp\u003eDell Upton papers, Manuscript #MS 1999.13, John D. Rockefeller, Jr. Library,\n                    Colonial Williamsburg Foundation. \u003c/p\u003e\n      "],"prefercite_tesim":["Dell Upton papers, Manuscript #MS 1999.13, John D. 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