{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University.+College+of+Architecture+%281974-1978%29","last":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University.+College+of+Architecture+%281974-1978%29\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1857","type":"collection","attributes":{"title":"Charles Burchard Collection, 1935/1989","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857#creator","type":"document_value","attributes":{"value":"Burchard, Charles, 1913-1990","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857#abstract_or_scope","type":"document_value","attributes":{"value":"The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1857","ead_ssi":"viblbv_repositories_2_resources_1857","_root_":"viblbv_repositories_2_resources_1857","_nest_parent_":"viblbv_repositories_2_resources_1857","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1857.xml","title_filing_ssi":"Burchard, Charles, Collection","title_ssm":["Charles Burchard Collection"],"title_tesim":["Charles Burchard Collection"],"unitdate_ssm":["1935-1989, n.d."],"unitdate_inclusive_ssm":["1935-1989, n.d."],"normalized_date_ssm":["1935/1989"],"normalized_title_ssm":["Charles Burchard Collection, 1935/1989"],"text":["Charles Burchard Collection, 1935/1989","Ms.1991.048","Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)","The collection is open for research.","This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard.","Please note: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies.","The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Please note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods.","Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.","See also the Named/Individual Photograph Collections, Photographs.002, and Faculty/Staff Photograph Collection, Photographs.003, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.","The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates. Washington, DC: National Council of Architectural Registration Boards, 1973.\n      Bacon, Edmond N. Design of Cities. Rev. ed. New York: Penguin Books, 1976.\n      Le Musee Picasso de Barcelone. Leon, Spain: Editorial Everest, 1975.\n      Patracos, Basil Chr. Delphi. Athens, Greece: 1971.\n      Prigogine, I. Order Out of Chaos: Man's New Dialogue with Nature. Boulder, CO : New Science Library : Distributed by Random House, 1984.\n      Sharp. Thomas. The Anatomy of the Village. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\n      A Tribute to William Emerson. Meriden, CT: Meriden Gravurte Company, 1958?","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969","The materials in the collection are in English."],"collection_title_tesim":["Charles Burchard Collection, 1935/1989"],"collection_ssim":["Charles Burchard Collection, 1935/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.048"],"unitid_tesim":["Ms.1991.048"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Burchard, Charles, 1913-1990"],"creator_ssim":["Burchard, Charles, 1913-1990"],"creator_persname_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The first group of materials in the Charles Burchard Collection were donated in 1991. The bulk of the collection was received in 2002, with additional materials transferred from the Art \u0026 Architecture Library in 2007, 2016, and 2017."],"access_subjects_ssim":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"access_subjects_ssm":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["36.9 Cubic Feet 37 boxes; 9 folders"],"extent_tesim":["36.9 Cubic Feet 37 boxes; 9 folders"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note\u003c/emph\u003e: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Professional Papers, 1935-1989, n.d.\u003c/emph\u003e, contains ten subseries. Subseries A: Undergraduate \u0026amp; Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries B: Burchard Trail, Fulbright Fellowship, \u0026amp; Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003eSubseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.\u003c/p\u003e","\u003cp\u003eSubseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Papers \u0026amp; Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. \u003c/p\u003e","\u003cp\u003eSubseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026amp; Reports, Subseries I: Newspapers, Clippings, \u0026amp; Tear Sheets for similar materials). This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Professional Memberships \u0026amp; Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.\u003c/p\u003e","\u003cp\u003eSubseries I: Architectural Plans \u0026amp; Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). \u003c/p\u003e","\u003cp\u003eSubseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026amp; promotions. Within each sub-group, materials are in chronological order. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: College of Architecture, Program \u0026amp; Curriculum, 1959-1987, n.d.\u003c/emph\u003e, consists of five subseries. Subseries A: Proposals \u0026amp; Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: VPI College of Architecture Self Studies \u0026amp; NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Brochures, Booklets, \u0026amp; Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. \u003c/p\u003e","\u003cp\u003eSubseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). \u003c/p\u003e","\u003cp\u003eSubseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Studies \u0026amp; Proposals, 1967-1984, n.d.\u003c/emph\u003e, includes three subseries. Subseries A: Student \u0026amp; Faculty Studies \u0026amp; Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. \u003c/p\u003e","\u003cp\u003eSubseries B: Pre-Planning \u0026amp; Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Publications \u0026amp; Reports, 1938-1987, n.d.\u003c/emph\u003e, contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. \u003c/p\u003e","\u003cp\u003eSubseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Reports \u0026amp; Design, Education \u0026amp; the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries D: Building Design \u0026amp; City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Conferences \u0026amp; Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. \u003c/p\u003e","\u003cp\u003eSubseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries I: Newspapers, Clippings, \u0026amp; Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries V: Personal Papers, 1935-1989, n.d.\u003c/emph\u003e, contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.\u003c/p\u003e","\u003cp\u003eSubseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI: Multimedia \u0026amp; Audio/Visual, 1941-1985, n.d.\u003c/emph\u003e, consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. \u003c/p\u003e","\u003cp\u003eSubseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. \u003c/p\u003e","\u003cp\u003eSubseries C: Videotapes \u0026amp; Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VII: Artifacts, 1971-1985, n.d.\u003c/emph\u003e, contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Professional Papers, 1935-1989, n.d.\u003c/emph\u003e, contains ten subseries. Subseries A: Undergraduate \u0026amp; Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries B: Burchard Trail, Fulbright Fellowship, \u0026amp; Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003eSubseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.\u003c/p\u003e","\u003cp\u003eSubseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Papers \u0026amp; Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. \u003c/p\u003e","\u003cp\u003eSubseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026amp; Reports, Subseries I: Newspapers, Clippings, \u0026amp; Tear Sheets for similar materials). This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Professional Memberships \u0026amp; Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.\u003c/p\u003e","\u003cp\u003eSubseries I: Architectural Plans \u0026amp; Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). \u003c/p\u003e","\u003cp\u003eSubseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026amp; promotions. Within each sub-group, materials are in chronological order. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: College of Architecture, Program \u0026amp; Curriculum, 1959-1987, n.d.\u003c/emph\u003e, consists of five subseries. Subseries A: Proposals \u0026amp; Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: VPI College of Architecture Self Studies \u0026amp; NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Brochures, Booklets, \u0026amp; Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. \u003c/p\u003e","\u003cp\u003eSubseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). \u003c/p\u003e","\u003cp\u003eSubseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Studies \u0026amp; Proposals, 1967-1984, n.d.\u003c/emph\u003e, includes three subseries. Subseries A: Student \u0026amp; Faculty Studies \u0026amp; Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. \u003c/p\u003e","\u003cp\u003eSubseries B: Pre-Planning \u0026amp; Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Publications \u0026amp; Reports, 1938-1987, n.d.\u003c/emph\u003e, contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. \u003c/p\u003e","\u003cp\u003eSubseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Reports \u0026amp; Design, Education \u0026amp; the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries D: Building Design \u0026amp; City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Conferences \u0026amp; Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. \u003c/p\u003e","\u003cp\u003eSubseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries I: Newspapers, Clippings, \u0026amp; Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Personal Papers, 1935-1989, n.d.\u003c/emph\u003e, contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.\u003c/p\u003e","\u003cp\u003eSubseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI: Multimedia \u0026amp; Audio/Visual, 1941-1985, n.d.\u003c/emph\u003e, consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. \u003c/p\u003e","\u003cp\u003eSubseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. \u003c/p\u003e","\u003cp\u003eSubseries C: Videotapes \u0026amp; Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VII: Artifacts, 1971-1985, n.d.\u003c/emph\u003e, contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard.","Please note: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description."],"bioghist_html_tesm":["\u003cp\u003eCharles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.\u003c/p\u003e","\u003cp\u003eIn 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.\u003c/p\u003e","\u003cp\u003eThis note was written by Julie Kane for the College of Architecture and Urban Studies.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies."],"odd_html_tesm":["\u003cp\u003eThe guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  ","\u003cp\u003ePlease note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Note"],"odd_tesim":["The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Please note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3024.oai_ead.xml\" target=\"_blank\"\u003eNamed/Individual Photograph Collections, Photographs.002\u003c/a\u003e, and \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3025.oai_ead.xml\" target=\"_blank\"\u003eFaculty/Staff Photograph Collection, Photographs.003\u003c/a\u003e, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the Named/Individual Photograph Collections, Photographs.002, and Faculty/Staff Photograph Collection, Photographs.003, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026amp; Curriculum; Studies \u0026amp; Proposals; Publications \u0026amp; Reports; Personal Papers; Multimedia \u0026amp; Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eArchitectural Registration Handbook: A Test Guide for Professional Exam Candidates\u003c/title\u003e. Washington, DC: National Council of Architectural Registration Boards, 1973.\u003c/item\u003e\n      \u003citem\u003eBacon, Edmond N. \u003ctitle render=\"italic\"\u003eDesign of Cities\u003c/title\u003e. Rev. ed. New York: Penguin Books, 1976.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eLe Musee Picasso de Barcelone\u003c/title\u003e. Leon, Spain: Editorial Everest, 1975.\u003c/item\u003e\n      \u003citem\u003ePatracos, Basil Chr. \u003ctitle render=\"italic\"\u003eDelphi\u003c/title\u003e. Athens, Greece: 1971.\u003c/item\u003e\n      \u003citem\u003ePrigogine, I. \u003ctitle render=\"italic\"\u003eOrder Out of Chaos: Man's New Dialogue with Nature\u003c/title\u003e. Boulder, CO : New Science Library : Distributed by Random House, 1984.\u003c/item\u003e\n      \u003citem\u003eSharp. Thomas. \u003ctitle render=\"italic\"\u003eThe Anatomy of the Village\u003c/title\u003e. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eA Tribute to William Emerson\u003c/title\u003e. Meriden, CT: Meriden Gravurte Company, 1958?\u003c/item\u003e\n    \u003c/list\u003e\n  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates. Washington, DC: National Council of Architectural Registration Boards, 1973.\n      Bacon, Edmond N. Design of Cities. Rev. ed. New York: Penguin Books, 1976.\n      Le Musee Picasso de Barcelone. Leon, Spain: Editorial Everest, 1975.\n      Patracos, Basil Chr. Delphi. Athens, Greece: 1971.\n      Prigogine, I. Order Out of Chaos: Man's New Dialogue with Nature. Boulder, CO : New Science Library : Distributed by Random House, 1984.\n      Sharp. Thomas. The Anatomy of the Village. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\n      A Tribute to William Emerson. Meriden, CT: Meriden Gravurte Company, 1958?"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4687b142ddd9d28784565a3e8c713bc6\" label=\"Abstract\"\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"persname_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1857","ead_ssi":"viblbv_repositories_2_resources_1857","_root_":"viblbv_repositories_2_resources_1857","_nest_parent_":"viblbv_repositories_2_resources_1857","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1857.xml","title_filing_ssi":"Burchard, Charles, Collection","title_ssm":["Charles Burchard Collection"],"title_tesim":["Charles Burchard Collection"],"unitdate_ssm":["1935-1989, n.d."],"unitdate_inclusive_ssm":["1935-1989, n.d."],"normalized_date_ssm":["1935/1989"],"normalized_title_ssm":["Charles Burchard Collection, 1935/1989"],"text":["Charles Burchard Collection, 1935/1989","Ms.1991.048","Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)","The collection is open for research.","This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard.","Please note: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies.","The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Please note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods.","Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.","See also the Named/Individual Photograph Collections, Photographs.002, and Faculty/Staff Photograph Collection, Photographs.003, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.","The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates. Washington, DC: National Council of Architectural Registration Boards, 1973.\n      Bacon, Edmond N. Design of Cities. Rev. ed. New York: Penguin Books, 1976.\n      Le Musee Picasso de Barcelone. Leon, Spain: Editorial Everest, 1975.\n      Patracos, Basil Chr. Delphi. Athens, Greece: 1971.\n      Prigogine, I. Order Out of Chaos: Man's New Dialogue with Nature. Boulder, CO : New Science Library : Distributed by Random House, 1984.\n      Sharp. Thomas. The Anatomy of the Village. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\n      A Tribute to William Emerson. Meriden, CT: Meriden Gravurte Company, 1958?","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969","The materials in the collection are in English."],"collection_title_tesim":["Charles Burchard Collection, 1935/1989"],"collection_ssim":["Charles Burchard Collection, 1935/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.048"],"unitid_tesim":["Ms.1991.048"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Burchard, Charles, 1913-1990"],"creator_ssim":["Burchard, Charles, 1913-1990"],"creator_persname_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The first group of materials in the Charles Burchard Collection were donated in 1991. The bulk of the collection was received in 2002, with additional materials transferred from the Art \u0026 Architecture Library in 2007, 2016, and 2017."],"access_subjects_ssim":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"access_subjects_ssm":["Architecture -- Study and teaching","Faculty and staff","University History","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["36.9 Cubic Feet 37 boxes; 9 folders"],"extent_tesim":["36.9 Cubic Feet 37 boxes; 9 folders"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note\u003c/emph\u003e: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Professional Papers, 1935-1989, n.d.\u003c/emph\u003e, contains ten subseries. Subseries A: Undergraduate \u0026amp; Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries B: Burchard Trail, Fulbright Fellowship, \u0026amp; Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003eSubseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.\u003c/p\u003e","\u003cp\u003eSubseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Papers \u0026amp; Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. \u003c/p\u003e","\u003cp\u003eSubseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026amp; Reports, Subseries I: Newspapers, Clippings, \u0026amp; Tear Sheets for similar materials). This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Professional Memberships \u0026amp; Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.\u003c/p\u003e","\u003cp\u003eSubseries I: Architectural Plans \u0026amp; Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). \u003c/p\u003e","\u003cp\u003eSubseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026amp; promotions. Within each sub-group, materials are in chronological order. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: College of Architecture, Program \u0026amp; Curriculum, 1959-1987, n.d.\u003c/emph\u003e, consists of five subseries. Subseries A: Proposals \u0026amp; Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: VPI College of Architecture Self Studies \u0026amp; NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Brochures, Booklets, \u0026amp; Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. \u003c/p\u003e","\u003cp\u003eSubseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). \u003c/p\u003e","\u003cp\u003eSubseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Studies \u0026amp; Proposals, 1967-1984, n.d.\u003c/emph\u003e, includes three subseries. Subseries A: Student \u0026amp; Faculty Studies \u0026amp; Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. \u003c/p\u003e","\u003cp\u003eSubseries B: Pre-Planning \u0026amp; Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Publications \u0026amp; Reports, 1938-1987, n.d.\u003c/emph\u003e, contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. \u003c/p\u003e","\u003cp\u003eSubseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Reports \u0026amp; Design, Education \u0026amp; the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries D: Building Design \u0026amp; City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Conferences \u0026amp; Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. \u003c/p\u003e","\u003cp\u003eSubseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries I: Newspapers, Clippings, \u0026amp; Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries V: Personal Papers, 1935-1989, n.d.\u003c/emph\u003e, contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.\u003c/p\u003e","\u003cp\u003eSubseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI: Multimedia \u0026amp; Audio/Visual, 1941-1985, n.d.\u003c/emph\u003e, consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. \u003c/p\u003e","\u003cp\u003eSubseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. \u003c/p\u003e","\u003cp\u003eSubseries C: Videotapes \u0026amp; Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VII: Artifacts, 1971-1985, n.d.\u003c/emph\u003e, contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Professional Papers, 1935-1989, n.d.\u003c/emph\u003e, contains ten subseries. Subseries A: Undergraduate \u0026amp; Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries B: Burchard Trail, Fulbright Fellowship, \u0026amp; Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003eSubseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.\u003c/p\u003e","\u003cp\u003eSubseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Papers \u0026amp; Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title. \u003c/p\u003e","\u003cp\u003eSubseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026amp; Reports, Subseries I: Newspapers, Clippings, \u0026amp; Tear Sheets for similar materials). This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Professional Memberships \u0026amp; Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.\u003c/p\u003e","\u003cp\u003eSubseries I: Architectural Plans \u0026amp; Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name). \u003c/p\u003e","\u003cp\u003eSubseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026amp; promotions. Within each sub-group, materials are in chronological order. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: College of Architecture, Program \u0026amp; Curriculum, 1959-1987, n.d.\u003c/emph\u003e, consists of five subseries. Subseries A: Proposals \u0026amp; Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: VPI College of Architecture Self Studies \u0026amp; NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Brochures, Booklets, \u0026amp; Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall. \u003c/p\u003e","\u003cp\u003eSubseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject). \u003c/p\u003e","\u003cp\u003eSubseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Studies \u0026amp; Proposals, 1967-1984, n.d.\u003c/emph\u003e, includes three subseries. Subseries A: Student \u0026amp; Faculty Studies \u0026amp; Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title. \u003c/p\u003e","\u003cp\u003eSubseries B: Pre-Planning \u0026amp; Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Publications \u0026amp; Reports, 1938-1987, n.d.\u003c/emph\u003e, contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title. \u003c/p\u003e","\u003cp\u003eSubseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries C: Reports \u0026amp; Design, Education \u0026amp; the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries D: Building Design \u0026amp; City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries F: Conferences \u0026amp; Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order. \u003c/p\u003e","\u003cp\u003eSubseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eSubseries I: Newspapers, Clippings, \u0026amp; Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Personal Papers, 1935-1989, n.d.\u003c/emph\u003e, contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.\u003c/p\u003e","\u003cp\u003eSubseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSubseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.\u003c/p\u003e","\u003cp\u003eSubseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VI: Multimedia \u0026amp; Audio/Visual, 1941-1985, n.d.\u003c/emph\u003e, consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format. \u003c/p\u003e","\u003cp\u003eSubseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type. \u003c/p\u003e","\u003cp\u003eSubseries C: Videotapes \u0026amp; Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type. \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries VII: Artifacts, 1971-1985, n.d.\u003c/emph\u003e, contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["This collection is organized into seven series. Each series contain one or more subseries, with the exception of the artifacts, which are listed at the item level. Wherever possible, Special Collections and University Archives staff retained the folder titles created by Charles Burchard.","Please note: there is some overlap between series and sub-series, so there may be materials on a topic/subject/person/event/etc. in more than one location in the collection.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a ½\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description.","Series I: Professional Papers, 1935-1989, n.d., contains ten subseries. Subseries A: Undergraduate \u0026 Graduate Work/Professorship at Harvard, 1935-1953, n.d., includes personal and professional papers relating to Burchard's undergraduate and graduate education (at MIT and Harvard University, respectively), including course work, subject/research files, photographs, drafts of his thesis, and travel notes. In addition, this subseries includes lecture notes, student work, committee service, and presentations/talks from his tenure as an instructor at Harvard University. This subseries is in chronological order.","Subseries B: Burchard Trail, Fulbright Fellowship, \u0026 Legal-Sized Notes, 1950-1981, n.d. (bulk, 1950-1962), primarily contains papers from Burchard's Fulbright Fellowship in London in 1950-1951—travel documents, notes, and materials on the Architectural Association, School of Architecture, London. In addition, there are items on what Burchard called the \"Burchard Trail\" from the early 1960s, some undated notes and legal pads, and readings and project ideas. This subseries is in chronological order with undated materials at the end.","Subseries C: A. M. Kinney Firm: Architectural Projects, 1960-1979, n.d., consists of papers, correspondence, small drawings, and other documentation on specific project Burchard worked on while with the A. M. Kinney Firm. Most, but not all projects, were completed in Ohio. In addition, this subseries contains materials for a variety of unnamed projects, described in general terms. This subseries is organized in alphabetical order by project title (for private residences, projects are sorted by last name), with the unnamed projects at the end.","Subseries D: A. M. Kinney Firm: Office Documents and Memos, 1954-1964, n.d., includes professional papers created during Burchard's tenure with A. M. Kinney Firm in Ohio. In addition to inter-office notes, there are research and reference materials, project books, and records of his career with the firm. This subseries is in chronological order with undated materials at the end.","Subseries E: Miscellaneous Professional, 1936-1961, n.d., contains professional correspondence relating to architecture projects, writings by Burchard, and professional colleagues. It also includes materials relating to project files (preliminary studies, sketches, technical drawings, and some of his student work from graduate school. This subseries is arranged in chronological order.","Subseries F: Papers \u0026 Talks, 1940-1984, n.d., consists of drafts and final copies of published and unpublished talks, papers, and presentations given by Burchard. This subseries is divided into two sub-subseries: Sub-subseries 1: By Date (if the materials were dated or could be dated based on information about Burchard) and Sub-subseries 2: By Title (if the materials were not clearly dated and dates could not be inferred). Sub-subseries 1: By Date is arranged in chronological order. Sub-subseries 2: By Title is arranged alphabetically by title.","Subseries G: Articles and Newspaper Clippings, contains four folders of articles and newspaper clippings and articles about Charles Burchard collected from various sources. (See also Series IV, Publications \u0026 Reports, Subseries I: Newspapers, Clippings, \u0026 Tear Sheets for similar materials). This subseries is in chronological order.","Subseries H: Professional Memberships \u0026 Organizations, 1959-1989, includes Burchard's files relating to professional organizations in which he held membership and leadership roles. This subseries is primarily organized into three sub-subseries: Sub-subseries 1: Alpha Rho Chi (APX), Sub-subseries 2: the American Institute of Architects (AIA), and Sub-subseries 3: The Association of Collegiate Schools of Architecture (ACSA). In addition, there are a few folders relating to other organizations outside and within Virginia Tech. This subseries is arranged in chronological order within each sub-subseries.","Subseries I: Architectural Plans \u0026 Drawings, 1940-c.1968, contains drawings, sketches, blueprints, plans, and some photographs and boards relating to professional projects on which Burchard worked. This series primarily represents work done while Burchard was an associate of A. M. Kinney in Ohio, but also includes projects completed later in his career, like his residence in Blacksburg. This subseries is in alphabetical order by project name (for private residences, projects are sorted by last name).","Subseries J: Certificates, 1938-1960, n.d., includes documentation of architecture and other professional certifications, as well as degrees (BA and MA) and recognitions from Virginia Tech. Items are organized into two sub-groups: architecture-related and degrees \u0026 promotions. Within each sub-group, materials are in chronological order.","Series II: College of Architecture, Program \u0026 Curriculum, 1959-1987, n.d., consists of five subseries. Subseries A: Proposals \u0026 Studies, 1961-1980, includes proposals for majors, courses, and departments added to the College of Architecture during Burchard's tenure, as well as materials relating to a new building request in the early 1960s. This subseries is in chronological order.","Subseries B: VPI College of Architecture Self Studies \u0026 NAAB Accreditation Materials, 1959-1980, consists of materials collected for and using in the course of college self-studies, for long-range college planning, and for accreditation by the National Architectural Accrediting Board. This subseries is in chronological order. This subseries is in chronological order.","Subseries C: Brochures, Booklets, \u0026 Student Work, 1965-1982, n.d., includes works and project created by students of Burchard (models, negatives, photographs), booklets and pamphlets about the programs in the college (as well as resources used to generate booklets), and items relating to the construction and dedication of Cowgill Hall.","Subseries D: General Curriculum Materials, 1964-1980, contains notes, statistics about the college, documentation on the early 1970s reorganization, information on degree programs and courses, and programs abroad. This subseries is organized alphabetically by folder title (subject).","Subseries E: Administrative Materials, 1959-1987, consists of papers and files relating to the day-to-day and managerial aspects of the College of Architecture. This includes administrative correspondence, notes from committee meetings, files and programs from events, newspaper clippings, and recommendation letters. This subseries is organized into sub-groups by type of material. Within each sub-group, folders are in chronological order.","Series III: Studies \u0026 Proposals, 1967-1984, n.d., includes three subseries. Subseries A: Student \u0026 Faculty Studies \u0026 Proposals, 1977-1982, n.d., includes reports, proposals, and studies with which Burchard was involved as a participant, consultant, or had some oversight as a professor. This subseries is in alphabetical order by folder title.","Subseries B: Pre-Planning \u0026 Preliminary Reports, 1976-1982, includes material surrounding the general campus planning discussions at VPI at the time, as well as documents relating to specific locations and buildings. This subseries is in chronological order.","Subseries C: Grant Applications, 1967-1984, consists of papers and files relating to research and applications for grants in which Burchard was involved. This subseries is in chronological order.","Series IV: Publications \u0026 Reports, 1938-1987, n.d., contains nine subseries. Subseries A: Publications about Schools/School Buildings, 1941-1969, includes materials collected by Burchard as research for designs. Burchard designed several schools while working for the A. M. Kinney during this time. Folders in this subseries are in alphabetical order by title.","Subseries B: Government Publications, 1969-1980, consists of two folders of United States government publications relating to architecture and design. This subseries is in chronological order.","Subseries C: Reports \u0026 Design, Education \u0026 the Architecture Profession, 1966-1978, includes several catalogs from learning institutions, as well as multiple folders of reprints, reports, individual articles, and single issues of publications. This subseries is in chronological order.","Subseries D: Building Design \u0026 City Planning, 1968-1987, includes publications relating to aspects of design, urban planning, city planning, and landscape design. This subseries is in chronological order.","Subseries E: Virginia Tech Publications, 1964-1980, contains published reports, journals, and other items produced by the College of Architecture and the university at large. This subseries is in chronological order.","Subseries F: Conferences \u0026 Seminars, consists of programs, conference proceedings, and other materials produced as a result of conferences, seminars, and other professional events. This subseries is in \nchronological order.","Subseries G: Popular/Commercial Periodicals, 1938-1979, includes single articles, usually removed from popular magazines, relating to aspects of architecture and design. In addition, there are a few full issues of architectural journals and popular magazines. This subseries is in chronological order.","Subseries H: Academic Journals, 1940-1989, n.d., contains single issues and runs of academic journals in the architecture field. Some include notes, marginalia, or other markings by Burchard. In addition, there are publications that specifically contain articles by Burchard or about him, and there is one folder of award excerpts removed from publications. This subseries is in chronological order with undated materials at the end.","Subseries I: Newspapers, Clippings, \u0026 Tear Sheets, 1938-1983, has individual articles removed from periodicals, newspaper articles, and collections of clippings on architects (Burchard included) or architecture topics. Some materials contain marginalia and notes by Burchard. This subseries is in chronological order with undated materials at the end.","Series V: Personal Papers, 1935-1989, n.d., contains four subseries. Subseries A: Personal Papers, 1935-1989, n.d., consists of subject files, research files, and personal documents. Materials in this subseries are organized into sub-subseries by use/type of document (educational/professional, family/personal, financial, photographs, and travel). Each sub-subseries is arranged in chronological order.","Subseries B: General Correspondence, 1939-1989, includes a group of Burchard's correspondence with family, friends, and professional colleagues (Sub-subseries 1: General Correspondence), as well as a group of correspondence kept by topic (Sub-subseries 2: Correspondence by Topic). Sub-subseries 2: Correspondence by Topic contains letters to and from organizations, clients, publishers, and other university administrators. Sub-series are arranged in alphabetical order by title. Materials in each sub-subseries are arranged in chronological order.","Subseries C: Correspondence with Individuals, 1939-1989, consists of letters between Burchard and a specific correspondent OR between Burchard and others about a specific person/project. This subseries often includes materials surrounding well-known architects or firms, especially the work of Walter Gropius. Materials in this subseries are arranged alphabetically by the last name of the correspondent/subject.","Subseries D: Certificates, 19271971, contains baptism and confirmation certificates from Charles Burchard, as well as honorary and fraternity related certificates and awards. This subseries is in chronological order.","Series VI: Multimedia \u0026 Audio/Visual, 1941-1985, n.d., consists of three subseries. Subseries A: Slides, 1951-1985, n.d., contains personal images from 1973 and 1974; slides used by Burchard in his teaching; images of student and professional projects; extensive slides from professional travel in Europe and Mexico. This subseries also contains three boxes of glass plate negatives and lantern slides which include travel images, professional research, and student projects. This subseries is arranged into sub-subseries based on original use and format.","Subseries B: Oversize Materials, 1941, c.1950s, includes a painting owned by Burchard and a set of \nboards with photographs from various architecture projects. This series is arranged by material type.","Subseries C: Videotapes \u0026 Audio Cassettes, 1977, 1980, n.d., consists of a 1/2\" reel video of a lecture by Burchard, three UCA videocassettes with lectures from the 1980 Burchard Symposium, and several microcassette recordings. This subseries is arranged by material type.","Series VII: Artifacts, 1971-1985, n.d., contains a collection of small objects, including medals awarded to Burchard by professional organizations, items from his professional career, and some small artifacts relating to the history of the College of Architecture. This series is arranged in alphabetical order by item title/description."],"bioghist_html_tesm":["\u003cp\u003eCharles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.\u003c/p\u003e","\u003cp\u003eIn 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.\u003c/p\u003e","\u003cp\u003eThis note was written by Julie Kane for the College of Architecture and Urban Studies.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Charles H. Burchard (1913-1990) was the founding dean of Virginia Tech's College of Architecture and Urban Studies. During Charles Burchard's 14-year tenure as dean from 1965 to 1979, he transformed the Department of Architecture into one of the nation's top colleges. When a new addition was added to the existing architecture building it was called the Charles Burchard Hall.","In 1965, then-President T. Marshall Hahn recruited Burchard to come to Virginia Tech as part of Hahn's sweeping initiative to transform Virginia Tech from a technical institute to a major comprehensive university. As dean of architecture, Burchard enlisted an imaginative and innovative faculty, installed a new five-year undergraduate program and restructured the master of architecture program. He complemented those programs with bachelor's and master's programs in urban affairs and landscape architecture, a doctoral program in environmental design and planning, and a study-abroad program in Switzerland. \n \nFor building what became a model for architectural schools around the country, he was designated a University Distinguished Professor in 1966 and later received the University Distinguished Achievement Award in 1985. Upon his retirement, he was bestowed the honored title of dean emeritus. \n \nAfter gaining national prominence as an innovative leader in architectural education, Burchard was elected a Fellow in the American Institute of Architects (AIA) in 1970. In 1983, he was presented the Award for Excellence in Architectural Education, the joint award of the AIA and the Association of Collegiate Schools of Architecture (ACSA). \n \nBurchard, a prolific writer, outlined his concepts of architectural education in numerous professional journal articles, monologues, and in papers delivered in many professional conferences throughout the world. \n \nHe became active nationally as a director of the National Architectural Accrediting Board (NAAB), president of the ACSA, and chairman of NAAB evaluation teams visiting various campuses across the country. \n \nBurchard earned his bachelor's in architecture from the Massachusetts Institute of Technology. At the Harvard School of Design, he studied under world-renowned architect Walter Gropius and received his master's degree in 1940. \n \nBurchard was 75 when he died in 1990.","This note was written by Julie Kane for the College of Architecture and Urban Studies."],"odd_html_tesm":["\u003cp\u003eThe guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  ","\u003cp\u003ePlease note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Note"],"odd_tesim":["The guide to the Charles Burchard Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Please note: Only a portion of the glass plate negatives and lantern slides are labeled and they have not be inventoried to the item level. In general, they include locations, site, and plans relating to building projects; travel locations; and student project materials. Dated materials cover the 1930s-1960s, but it is possible plates and slides cover additional time periods."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Charles Burchard Collection, Ms1991-048, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some description of the collection was completed in 1991 and in the early 2000s. The majority of the arrangement and description took place between 2015 and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3024.oai_ead.xml\" target=\"_blank\"\u003eNamed/Individual Photograph Collections, Photographs.002\u003c/a\u003e, and \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3025.oai_ead.xml\" target=\"_blank\"\u003eFaculty/Staff Photograph Collection, Photographs.003\u003c/a\u003e, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the Named/Individual Photograph Collections, Photographs.002, and Faculty/Staff Photograph Collection, Photographs.003, both of which contain several photographs of Charles Burchard and are maintained by VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026amp; Curriculum; Studies \u0026amp; Proposals; Publications \u0026amp; Reports; Personal Papers; Multimedia \u0026amp; Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989. \n \nThe collection is organized into seven series, based on the type and format of materials: Professional Papers; College of Architecture, Program \u0026 Curriculum; Studies \u0026 Proposals; Publications \u0026 Reports; Personal Papers; Multimedia \u0026 Audio/Visual; and Artifacts. Most series contain multiple sub-series and in some cases, there is overlap between series or sub-series, but during processing, Special Collections and University Archives staff attempted to retain the original organization of the creator wherever possible."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eArchitectural Registration Handbook: A Test Guide for Professional Exam Candidates\u003c/title\u003e. Washington, DC: National Council of Architectural Registration Boards, 1973.\u003c/item\u003e\n      \u003citem\u003eBacon, Edmond N. \u003ctitle render=\"italic\"\u003eDesign of Cities\u003c/title\u003e. Rev. ed. New York: Penguin Books, 1976.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eLe Musee Picasso de Barcelone\u003c/title\u003e. Leon, Spain: Editorial Everest, 1975.\u003c/item\u003e\n      \u003citem\u003ePatracos, Basil Chr. \u003ctitle render=\"italic\"\u003eDelphi\u003c/title\u003e. Athens, Greece: 1971.\u003c/item\u003e\n      \u003citem\u003ePrigogine, I. \u003ctitle render=\"italic\"\u003eOrder Out of Chaos: Man's New Dialogue with Nature\u003c/title\u003e. Boulder, CO : New Science Library : Distributed by Random House, 1984.\u003c/item\u003e\n      \u003citem\u003eSharp. Thomas. \u003ctitle render=\"italic\"\u003eThe Anatomy of the Village\u003c/title\u003e. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eA Tribute to William Emerson\u003c/title\u003e. Meriden, CT: Meriden Gravurte Company, 1958?\u003c/item\u003e\n    \u003c/list\u003e\n  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books were removed and cataloged for the Special Collections and University Archives Rare Book Collection:","Architectural Registration Handbook: A Test Guide for Professional Exam Candidates. Washington, DC: National Council of Architectural Registration Boards, 1973.\n      Bacon, Edmond N. Design of Cities. Rev. ed. New York: Penguin Books, 1976.\n      Le Musee Picasso de Barcelone. Leon, Spain: Editorial Everest, 1975.\n      Patracos, Basil Chr. Delphi. Athens, Greece: 1971.\n      Prigogine, I. Order Out of Chaos: Man's New Dialogue with Nature. Boulder, CO : New Science Library : Distributed by Random House, 1984.\n      Sharp. Thomas. The Anatomy of the Village. Harmondsworth, Middlesex [Eng.] Penguin Books, 1946.\n      A Tribute to William Emerson. Meriden, CT: Meriden Gravurte Company, 1958?"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4687b142ddd9d28784565a3e8c713bc6\" label=\"Abstract\"\u003eThe Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles Burchard Collection includes personal and professional correspondence, architectural drawings from private practice work, publications, subject files, administrative papers relating to Burchard's teaching at Harvard's Graduate School of Design (1946-1953), as a senior partner at A.M. Kinney and Associates in Cincinnati, Ohio (1953-1963), and from his tenure as dean of the College of Architecture at Virginia Polytechnic Institute (later Virginia Polytechnic Institute and State University). Materials in this collection span Burchard's education and career, dating from between about 1935 and 1989."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"persname_ssim":["Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute. College of Architecture","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Burchard, Charles, 1913-1990","Gropius, Walter, 1883-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":659,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1857"}},{"id":"viblbv_repositories_2_resources_3177","type":"collection","attributes":{"title":"George Grigg and John Carnochan Papers, 1969/2015","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#creator","type":"document_value","attributes":{"value":"Grigg, George C.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3177","ead_ssi":"viblbv_repositories_2_resources_3177","_root_":"viblbv_repositories_2_resources_3177","_nest_parent_":"viblbv_repositories_2_resources_3177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3177.xml","title_filing_ssi":"Grigg, George, and Carnochan, John, Papers","title_ssm":["George Grigg and John Carnochan Papers"],"title_tesim":["George Grigg and John Carnochan Papers"],"unitdate_ssm":["circa 1960s-2015"],"unitdate_bulk_ssim":["circa 1960s-2015"],"normalized_date_ssm":["1969/2015"],"normalized_title_ssm":["George Grigg and John Carnochan Papers, 1969/2015"],"text":["George Grigg and John Carnochan Papers, 1969/2015","Ms.2017.006","Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History","The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.","The collection is arranged according to the creator's original order and size.","From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari.","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\".","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen.","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited The Little Mermaid and Beauty and the Beast. Subsequently, he edited the computer-animated films Ice Age and Robots. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1.","The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the collection was completed in February 2017.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John","The materials in the collection are in English."],"collection_title_tesim":["George Grigg and John Carnochan Papers, 1969/2015"],"collection_ssim":["George Grigg and John Carnochan Papers, 1969/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.006"],"unitid_tesim":["Ms.2017.006"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Grigg, George C.","Carnochan, John"],"creator_ssim":["Grigg, George C.","Carnochan, John"],"creator_persname_ssim":["Grigg, George C.","Carnochan, John"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"creators_ssim":["Grigg, George C.","Carnochan, John","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The George Grigg and John Carnochan Papers were donated to Special Collections and University Archives in 2016."],"access_subjects_ssim":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"access_subjects_ssm":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"has_online_content_ssim":["false"],"extent_ssm":["3.52 Cubic Feet 4 boxes"],"extent_tesim":["3.52 Cubic Feet 4 boxes"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged according to the creator's original order and size.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged according to the creator's original order and size."],"bioghist_html_tesm":["\u003cp\u003eFrom 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. \u003c/p\u003e","\u003cp\u003eIn 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". \u003c/p\u003e","\u003cp\u003eCarnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.\u003c/p\u003e","\u003cp\u003eBefore transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.\u003c/p\u003e","\u003cp\u003eUsing Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. \u003c/p\u003e","\u003cp\u003eAfter viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.\u003c/p\u003e","\u003cp\u003eGeorge and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.\u003c/p\u003e","\u003cp\u003eIn January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.\u003c/p\u003e","\u003cp\u003eAfter graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.\u003c/p\u003e","\u003cp\u003eCarnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited \u003cemph render=\"italic\"\u003eThe Little Mermaid\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eBeauty and the Beast\u003c/emph\u003e. Subsequently, he edited the computer-animated films \u003cemph render=\"italic\"\u003eIce Age\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eRobots\u003c/emph\u003e. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.\u003c/p\u003e","\u003cp\u003eAn extended history and information about the film is in Box 1, Folder 1.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari.","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\".","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen.","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited The Little Mermaid and Beauty and the Beast. Subsequently, he edited the computer-animated films Ice Age and Robots. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1."],"odd_html_tesm":["\u003cp\u003eThe guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the collection was completed in February 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the collection was completed in February 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e65a51b1c81edb76c35ce4d6b773036b\" label=\"Abstract\"\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Grigg, George C.","Carnochan, John"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:48:32.624Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3177","ead_ssi":"viblbv_repositories_2_resources_3177","_root_":"viblbv_repositories_2_resources_3177","_nest_parent_":"viblbv_repositories_2_resources_3177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3177.xml","title_filing_ssi":"Grigg, George, and Carnochan, John, Papers","title_ssm":["George Grigg and John Carnochan Papers"],"title_tesim":["George Grigg and John Carnochan Papers"],"unitdate_ssm":["circa 1960s-2015"],"unitdate_bulk_ssim":["circa 1960s-2015"],"normalized_date_ssm":["1969/2015"],"normalized_title_ssm":["George Grigg and John Carnochan Papers, 1969/2015"],"text":["George Grigg and John Carnochan Papers, 1969/2015","Ms.2017.006","Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History","The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.","The collection is arranged according to the creator's original order and size.","From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari.","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\".","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen.","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited The Little Mermaid and Beauty and the Beast. Subsequently, he edited the computer-animated films Ice Age and Robots. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1.","The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the collection was completed in February 2017.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John","The materials in the collection are in English."],"collection_title_tesim":["George Grigg and John Carnochan Papers, 1969/2015"],"collection_ssim":["George Grigg and John Carnochan Papers, 1969/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.006"],"unitid_tesim":["Ms.2017.006"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Grigg, George C.","Carnochan, John"],"creator_ssim":["Grigg, George C.","Carnochan, John"],"creator_persname_ssim":["Grigg, George C.","Carnochan, John"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"creators_ssim":["Grigg, George C.","Carnochan, John","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The George Grigg and John Carnochan Papers were donated to Special Collections and University Archives in 2016."],"access_subjects_ssim":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"access_subjects_ssm":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"has_online_content_ssim":["false"],"extent_ssm":["3.52 Cubic Feet 4 boxes"],"extent_tesim":["3.52 Cubic Feet 4 boxes"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged according to the creator's original order and size.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged according to the creator's original order and size."],"bioghist_html_tesm":["\u003cp\u003eFrom 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. \u003c/p\u003e","\u003cp\u003eIn 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". \u003c/p\u003e","\u003cp\u003eCarnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.\u003c/p\u003e","\u003cp\u003eBefore transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.\u003c/p\u003e","\u003cp\u003eUsing Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. \u003c/p\u003e","\u003cp\u003eAfter viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.\u003c/p\u003e","\u003cp\u003eGeorge and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.\u003c/p\u003e","\u003cp\u003eIn January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.\u003c/p\u003e","\u003cp\u003eAfter graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.\u003c/p\u003e","\u003cp\u003eCarnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited \u003cemph render=\"italic\"\u003eThe Little Mermaid\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eBeauty and the Beast\u003c/emph\u003e. Subsequently, he edited the computer-animated films \u003cemph render=\"italic\"\u003eIce Age\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eRobots\u003c/emph\u003e. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.\u003c/p\u003e","\u003cp\u003eAn extended history and information about the film is in Box 1, Folder 1.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari.","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\".","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen.","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited The Little Mermaid and Beauty and the Beast. Subsequently, he edited the computer-animated films Ice Age and Robots. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1."],"odd_html_tesm":["\u003cp\u003eThe guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the collection was completed in February 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the collection was completed in February 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e65a51b1c81edb76c35ce4d6b773036b\" label=\"Abstract\"\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Grigg, George C.","Carnochan, John"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:48:32.624Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177"}},{"id":"viblbv_repositories_2_resources_2315","type":"collection","attributes":{"title":"Leonard J. Currie Papers,, 1920/2001","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315#creator","type":"document_value","attributes":{"value":"Currie, Leonard J. (Leonard James), 1913-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cstrong\u003ePlease note:\u003c/strong\u003e this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2315","ead_ssi":"viblbv_repositories_2_resources_2315","_root_":"viblbv_repositories_2_resources_2315","_nest_parent_":"viblbv_repositories_2_resources_2315","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2315.xml","title_filing_ssi":"Currie, Leonard J. Papers","title_ssm":["Leonard J. Currie Papers,"],"title_tesim":["Leonard J. Currie Papers,"],"unitdate_ssm":["1920-2001"],"unitdate_inclusive_ssm":["1920-2001"],"normalized_date_ssm":["1920/2001"],"normalized_title_ssm":["Leonard J. Currie Papers,, 1920/2001"],"text":["Leonard J. Currie Papers,, 1920/2001","Ms.2007.028","Blacksburg (Va.)","Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History","Collection is open for research.","Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.","The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052","Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.","When known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note: this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996","The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"collection_title_tesim":["Leonard J. Currie Papers,, 1920/2001"],"collection_ssim":["Leonard J. Currie Papers,, 1920/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.028"],"unitid_tesim":["Ms.2007.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"creators_ssim":["Currie, Leonard J. (Leonard James), 1913-1996","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"access_subjects_ssim":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"access_subjects_ssm":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"extent_tesim":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003ePlease note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement."],"odd_html_tesm":["\u003cp\u003eThe guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00180.xml\" show=\"new\" title=\"Office of the Vice-President, Louis Pardue, 1950-1963. RG 3/3\"\u003eOffice of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00086.xml\" show=\"new\" title=\"Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\"\u003eRecords of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00195.xml\" show=\"new\" title=\"Ute Westrom Architectural Papers, 1968-1996. Ms1996-023\"\u003eUte Westrom Architectural Papers, 1968-1996. Ms1996-023\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00538.xml\" show=\"new\" title=\"Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\"\u003eVirginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00517.xml\" show=\"new\" title=\"Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\"\u003eWalter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052"],"scopecontent_html_tesm":["\u003cp\u003eCurrie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.\u003c/p\u003e  ","\u003cp\u003eWhen known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.","When known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53c49d6ccac0c48afee0ee09a9f96aa8\" label=\"Abstract\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Please note: this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996"],"language_ssim":["The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":334,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2315","ead_ssi":"viblbv_repositories_2_resources_2315","_root_":"viblbv_repositories_2_resources_2315","_nest_parent_":"viblbv_repositories_2_resources_2315","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2315.xml","title_filing_ssi":"Currie, Leonard J. Papers","title_ssm":["Leonard J. Currie Papers,"],"title_tesim":["Leonard J. Currie Papers,"],"unitdate_ssm":["1920-2001"],"unitdate_inclusive_ssm":["1920-2001"],"normalized_date_ssm":["1920/2001"],"normalized_title_ssm":["Leonard J. Currie Papers,, 1920/2001"],"text":["Leonard J. Currie Papers,, 1920/2001","Ms.2007.028","Blacksburg (Va.)","Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History","Collection is open for research.","Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.","The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052","Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.","When known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note: this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996","The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"collection_title_tesim":["Leonard J. Currie Papers,, 1920/2001"],"collection_ssim":["Leonard J. Currie Papers,, 1920/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.028"],"unitid_tesim":["Ms.2007.028"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"creators_ssim":["Currie, Leonard J. (Leonard James), 1913-1996","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"access_subjects_ssim":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"access_subjects_ssm":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"extent_tesim":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003ePlease note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement."],"odd_html_tesm":["\u003cp\u003eThe guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00180.xml\" show=\"new\" title=\"Office of the Vice-President, Louis Pardue, 1950-1963. RG 3/3\"\u003eOffice of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00086.xml\" show=\"new\" title=\"Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\"\u003eRecords of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00195.xml\" show=\"new\" title=\"Ute Westrom Architectural Papers, 1968-1996. Ms1996-023\"\u003eUte Westrom Architectural Papers, 1968-1996. Ms1996-023\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00538.xml\" show=\"new\" title=\"Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\"\u003eVirginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00517.xml\" show=\"new\" title=\"Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\"\u003eWalter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052"],"scopecontent_html_tesm":["\u003cp\u003eCurrie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.\u003c/p\u003e  ","\u003cp\u003eWhen known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.","When known, site locations are provided. A majority of the residences are from the Blacksburg/Southwest Virginia area, since this is where Currie was based from the late 1980s to the mid-1990s. Projects known to be located in other states are listed by state in subseries below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53c49d6ccac0c48afee0ee09a9f96aa8\" label=\"Abstract\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Please note: this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996"],"language_ssim":["The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":334,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:47:23.643Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315"}},{"id":"viblbv_repositories_2_resources_2177","type":"collection","attributes":{"title":"Milka Bliznakov Prize Records, 1999/2019","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#creator","type":"document_value","attributes":{"value":"Merrett, Andrea J.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#abstract_or_scope","type":"document_value","attributes":{"value":"The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  ","\u003cp\u003eView Brüllman's updated presentation on Gorska \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/BliznakovPrize_2015_Bonney_GorskaUpdate.pdf\" show=\"new\"\u003ehere\u003c/extref\u003e. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  ","\u003cp\u003eView Brüllman's updated presentation on Gorska \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/BliznakovPrize_2015_Bonney_GorskaUpdate.pdf\" show=\"new\"\u003ehere\u003c/extref\u003e. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177"}},{"id":"viblbv_repositories_2_resources_1925","type":"collection","attributes":{"title":"Walter Gropius/G. Preston Frazer Papers,, 1969/1992","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1925#creator","type":"document_value","attributes":{"value":"Frazer, George Preston","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1925#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains correspondence (from Mrs. Walter Gropius to G. Preston Frazer), as well as photographs, newsclippings, and publications about Gropius.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1925#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1925","ead_ssi":"viblbv_repositories_2_resources_1925","_root_":"viblbv_repositories_2_resources_1925","_nest_parent_":"viblbv_repositories_2_resources_1925","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1925.xml","title_filing_ssi":"Gropius, Walter, and G. Preston Frazer Papers","title_ssm":["Walter Gropius/G. Preston Frazer Papers,"],"title_tesim":["Walter Gropius/G. Preston Frazer Papers,"],"unitdate_ssm":["1969-1992"],"unitdate_inclusive_ssm":["1969-1992"],"normalized_date_ssm":["1969/1992"],"normalized_title_ssm":["Walter Gropius/G. Preston Frazer Papers,, 1969/1992"],"text":["Walter Gropius/G. Preston Frazer Papers,, 1969/1992","Ms.1992.052","University History","Collection is open to research.","The collection is arranged by material type.","Walter Gropius (1883-1969) was a renowned German-American architect; director of the Bauhaus from 1919 to 1928 and Chair of the Harvard University Graduate School of Design from 1938 to 1952.","G. (George) Preston Frazer was born in Davidson, Tennessee, February 4, 1908, to George Augustine and Sadie (Warner) Frazer. He received a BA in Liberal Arts from the Virginia Military Institute in 1929. In 1935, he completed a BS in Engineering at the University of Hawaii, and in 1937, a Masters of Architecture at Harvard University. During World War II, he served with the Second Armored Division in Europe and North Africa. He remained in the Army Reserves until 1968. From 1939 to 1940 and from 1946 to 1974, he taught in the Art Department of Virginia Tech. Following his retirement, Frazer continued to support Virginia Tech, which continues to be among the many institutions to display donations of his work. Frazer died at his home in Catawba, North Carolina, on September 10, 2003.","The guide to the Walter Gropius/G. Preston Frazer Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Walter Gropius/G. Preston Frazer Papers commenced and was completed in 1992. Additional description was completed in October 2009 and October 2014.","The collection contains correspondence, mostly from Mrs. Walter Gropius to G. Preston Frazier, as well as photographs of the Walter Gropius bust at Virginia Tech and events surrounding the dedication. The collection also contains publications and clippings about Gropius and his work.","A bronze bust of Walter Gropius is located at the School of VIsual Arts gallery in the Armory building on campus.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains correspondence (from Mrs. Walter Gropius to G. Preston Frazer), as well as photographs, newsclippings, and publications about Gropius.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Frazer, George Preston","Gropius, Walter, 1883-1969","The materials in the collection are in English."],"collection_title_tesim":["Walter Gropius/G. Preston Frazer Papers,, 1969/1992"],"collection_ssim":["Walter Gropius/G. Preston Frazer Papers,, 1969/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.052"],"unitid_tesim":["Ms.1992.052"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Frazer, George Preston"],"creator_ssim":["Frazer, George Preston"],"creator_persname_ssim":["Frazer, George Preston","Gropius, Walter, 1883-1969"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"creators_ssim":["Frazer, George Preston","Gropius, Walter, 1883-1969","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Walter Gropius/G. Preston Frazer Papers were donated to Special Collections in 1992. Additional negatives and contact sheets were donated in 2014."],"access_subjects_ssim":["University History"],"access_subjects_ssm":["University History"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 Cubic Feet 1 box"],"extent_tesim":["0.3 Cubic Feet 1 box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eWalter Gropius (1883-1969) was a renowned German-American architect; director of the Bauhaus from 1919 to 1928 and Chair of the Harvard University Graduate School of Design from 1938 to 1952.\u003c/p\u003e","\u003cp\u003eG. (George) Preston Frazer was born in Davidson, Tennessee, February 4, 1908, to George Augustine and Sadie (Warner) Frazer. He received a BA in Liberal Arts from the Virginia Military Institute in 1929. In 1935, he completed a BS in Engineering at the University of Hawaii, and in 1937, a Masters of Architecture at Harvard University. During World War II, he served with the Second Armored Division in Europe and North Africa. He remained in the Army Reserves until 1968. From 1939 to 1940 and from 1946 to 1974, he taught in the Art Department of Virginia Tech. Following his retirement, Frazer continued to support Virginia Tech, which continues to be among the many institutions to display donations of his work. Frazer died at his home in Catawba, North Carolina, on September 10, 2003.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Walter Gropius (1883-1969) was a renowned German-American architect; director of the Bauhaus from 1919 to 1928 and Chair of the Harvard University Graduate School of Design from 1938 to 1952.","G. (George) Preston Frazer was born in Davidson, Tennessee, February 4, 1908, to George Augustine and Sadie (Warner) Frazer. He received a BA in Liberal Arts from the Virginia Military Institute in 1929. In 1935, he completed a BS in Engineering at the University of Hawaii, and in 1937, a Masters of Architecture at Harvard University. During World War II, he served with the Second Armored Division in Europe and North Africa. He remained in the Army Reserves until 1968. From 1939 to 1940 and from 1946 to 1974, he taught in the Art Department of Virginia Tech. Following his retirement, Frazer continued to support Virginia Tech, which continues to be among the many institutions to display donations of his work. Frazer died at his home in Catawba, North Carolina, on September 10, 2003."],"odd_html_tesm":["\u003cp\u003eThe guide to the Walter Gropius/G. Preston Frazer Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Walter Gropius/G. Preston Frazer Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Walter Gropius/G. Preston Frazer Papers, Ms1992-052, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Walter Gropius/G. Preston Frazer Papers, Ms1992-052, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Walter Gropius/G. Preston Frazer Papers commenced and was completed in 1992. Additional description was completed in October 2009 and October 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Walter Gropius/G. Preston Frazer Papers commenced and was completed in 1992. Additional description was completed in October 2009 and October 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence, mostly from Mrs. Walter Gropius to G. Preston Frazier, as well as photographs of the Walter Gropius bust at Virginia Tech and events surrounding the dedication. The collection also contains publications and clippings about Gropius and his work.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence, mostly from Mrs. Walter Gropius to G. Preston Frazier, as well as photographs of the Walter Gropius bust at Virginia Tech and events surrounding the dedication. The collection also contains publications and clippings about Gropius and his work."],"separatedmaterial_html_tesm":["\u003cp\u003eA bronze bust of Walter Gropius is located at the School of VIsual Arts gallery in the Armory building on campus.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A bronze bust of Walter Gropius is located at the School of VIsual Arts gallery in the Armory building on campus."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. 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