{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Virginia+Opera+Association","last":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Virginia+Opera+Association\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vino_repositories_5_resources_215","type":"collection","attributes":{"title":"Edythe C. Harrison Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_215#creator","type":"document_value","attributes":{"value":"Harrison, Edythe C. 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She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.","Edythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff","This collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.","The bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Member of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign.","ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly","Harrison, Edythe C. 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Harrison was born in Detroit, Michigan in 1934. She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.\u003c/p\u003e\n","\u003cp\u003eEdythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. 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She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.","Edythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.","The bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2847f9d2bd71d52b79dbbdc07d56331b\" label=\"Abstract\"\u003eMember of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. 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She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.","Edythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff","This collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.","The bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Member of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign.","ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly","Harrison, Edythe C. 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Harrison was born in Detroit, Michigan in 1934. She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. 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She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.\u003c/p\u003e\n","\u003cp\u003eIn 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.\u003c/p\u003e\n","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edythe C. Harrison was born in Detroit, Michigan in 1934. She has lived in Norfolk, Virginia since 1957. A professional volunteer, Edythe founded and served on numerous committees and councils. She is a founding member of the Virginia Opera Association. She also served on Old Dominion University's President's Advisory Council, the Board of Directors of the Greater Norfolk Corporation, the Advisory Committee of the Day Care and Child Development Center of Tidewater, Inc., and National Board of Governors of the National Conference of Soviet Jewry. In 1980 she was a founding member of Virginians Organized For Informed Community Expression (V.O.I.C.E.), an organization established to counter vocal right-wing attacks on such issues as abortion and medical research on human reproduction and fertility. Additionally in 1983 she chaired the 2nd District chapter of the National Women's Political Caucus. Her awards and honors include Outstanding Professional Woman of the Tidewater, and the Brotherhood Award of the National Conference of Christians and Jews.","Edythe C. Harrison was first elected to political office in 1979 when she was elected to the Virginia House of Delegates. The committees on which she served during her tenure in the House of Delegates, 1979- 1982, were Education, Labor and Commerce, Conservation and Natural Resources, and Chesapeake and its Tributaries. She also served as Chairperson of the Joint Legislative Subcommittee on Vocational-Technical and Career Education and represented Virginia at the National Conference of State Legislatures, Arts and the States Committee. President Jimmy Carter appointed Edythe Harrison to the Advisory Committee for the John F. Kennedy Center for the Performing Arts in 1979. In 1982 political redistricting in Norfolk created single member districts. She opposed incumbent Thomas Moss in the Democratic primary and lost. In 1984 Edythe Harrison became the first woman from Virginia nominated to seek state-wide office. She challenged Republican incumbent Senator John Warner in the 1984 United States Senate Race and was defeated.","In 1994 the Harrison Opera House in Norfolk was named for her after she raised $10 million to have the 50-year old civic auditorium completely remodeled and expanded.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edythe C. Harrison Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains material concerning Edythe C. Harrison's activities as a delegate in the Virginia House of Delegates from 1979-1982, the Virginia Opera Association, the course she taught at Old Dominion University, Women in Leadership, and her campaign for United States Senator in 1984 against incumbent Republican Senator John Warner. Harrison was the first woman in Virginia nominated by the Democratic Party for statewide office.","The bulk of the collection pertains to Harrison's participation in the 1984 United States Senate race. The material contains information on political action committees, fundraising, contributions and contributors, research on various issues, preparatory notes for debates against Warner, reports stating her stance on the issues, political contacts throughout the state and election results in Virginia's ten congressional districts for previous elections. The correspondence includes letters of support, requests for information, letters from her constituents and condolence letters on her defeat. Two letters of particular note are from Bill Clinton, then Governor of Arkansas. Her records also contain a considerable amount of material on her opponent, Senator John Warner. This material includes information on his Senate voting record, his personal life, his stances on the issues and contribution material from his campaign for United States Senate in 1978."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2847f9d2bd71d52b79dbbdc07d56331b\" label=\"Abstract\"\u003eMember of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign.\u003c/abstract\u003e"],"abstract_tesim":["Member of the Virginia House of Delegates (1979-1982), founder and president of the Virginia Opera Association, and unsuccessful candidate for United States Senator in 1984 against incumbent Republican, Senator John Warner. The first woman in Virginia nominated by the Democratic Party for statewide office. Collection primarily relates to her activities in politics and the 1984 Senatorial campaign."],"names_coll_ssim":["Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly","Harrison, Edythe C. (1934-)"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia. General Assembly. House of Delegates","Virginia. General Assembly"],"persname_ssim":["Harrison, Edythe C. (1934-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1611,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_215"}},{"id":"vino_repositories_5_resources_10","type":"collection","attributes":{"title":"Eleanor J. Bader Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_10#creator","type":"document_value","attributes":{"value":"Bader, Eleanor J. (1922-2013)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_10#abstract_or_scope","type":"document_value","attributes":{"value":"Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_10#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_10","ead_ssi":"vino_repositories_5_resources_10","_root_":"vino_repositories_5_resources_10","_nest_parent_":"vino_repositories_5_resources_10","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_10.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/10","title_filing_ssi":"Bader, Eleanor J.","title_ssm":["Eleanor J. Bader Papers"],"title_tesim":["Eleanor J. Bader Papers"],"unitdate_ssm":["circa 1922-2013, undated","Date acquired: 04/10/2010"],"unitdate_inclusive_ssm":["circa 1922-2013, undated"],"unitdate_other_ssim":["Date acquired: 04/10/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 107","/repositories/5/resources/10"],"text":["MG 107","/repositories/5/resources/10","Eleanor J. Bader Papers","Physical therapists--United States","Civic leaders--United States","Voluntarism--United States","Open to researchers without restrictions.","A second accession was received in 2013.","The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.","Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education .   She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    ","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    ","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.","The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.","Oral Histories in the Perry Library:  Eleanor J. Bader","The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the  Old Dominion University Libraries Digital Collections website.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.","ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)","English"],"unitid_tesim":["MG 107","/repositories/5/resources/10"],"normalized_title_ssm":["Eleanor J. Bader Papers"],"collection_title_tesim":["Eleanor J. Bader Papers"],"collection_ssim":["Eleanor J. Bader Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Bader, Eleanor J. (1922-2013)"],"creator_ssim":["Bader, Eleanor J. (1922-2013)"],"creator_persname_ssim":["Bader, Eleanor J. (1922-2013)"],"creators_ssim":["Bader, Eleanor J. (1922-2013)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2010-10"],"access_subjects_ssim":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"access_subjects_ssm":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"extent_tesim":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eA second accession was received in 2013.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["A second accession was received in 2013."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts."],"bioghist_html_tesm":["\u003cp\u003eEleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education\u003cemph render=\"italic\"\u003e.  \u003c/emph\u003eShe attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.\u003c/p\u003e\n","\u003cp\u003e\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    \u003c/p\u003e\n","\u003cp\u003eShe resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    \u003c/p\u003e\n","\u003cp\u003eIn retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.\u003c/p\u003e\n","\u003cp\u003eEleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education .   She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    ","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    ","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011."],"relatedmaterial_html_tesm":["\u003cp\u003eOral Histories in the Perry Library: \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eEleanor J. Bader\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oral Histories in the Perry Library:  Eleanor J. Bader"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eOld Dominion University Libraries Digital Collections website.\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the  Old Dominion University Libraries Digital Collections website."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1280d86ec670c47f37680342717f9b75\" label=\"Abstract\"\u003eChronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.\u003c/abstract\u003e"],"abstract_tesim":["Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels."],"names_coll_ssim":["Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"persname_ssim":["Bader, Eleanor J. (1922-2013)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:46:15.368Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_10","ead_ssi":"vino_repositories_5_resources_10","_root_":"vino_repositories_5_resources_10","_nest_parent_":"vino_repositories_5_resources_10","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_10.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/10","title_filing_ssi":"Bader, Eleanor J.","title_ssm":["Eleanor J. Bader Papers"],"title_tesim":["Eleanor J. Bader Papers"],"unitdate_ssm":["circa 1922-2013, undated","Date acquired: 04/10/2010"],"unitdate_inclusive_ssm":["circa 1922-2013, undated"],"unitdate_other_ssim":["Date acquired: 04/10/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 107","/repositories/5/resources/10"],"text":["MG 107","/repositories/5/resources/10","Eleanor J. Bader Papers","Physical therapists--United States","Civic leaders--United States","Voluntarism--United States","Open to researchers without restrictions.","A second accession was received in 2013.","The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.","Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education .   She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    ","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    ","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.","The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.","Oral Histories in the Perry Library:  Eleanor J. Bader","The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the  Old Dominion University Libraries Digital Collections website.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.","ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)","English"],"unitid_tesim":["MG 107","/repositories/5/resources/10"],"normalized_title_ssm":["Eleanor J. Bader Papers"],"collection_title_tesim":["Eleanor J. Bader Papers"],"collection_ssim":["Eleanor J. Bader Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Bader, Eleanor J. (1922-2013)"],"creator_ssim":["Bader, Eleanor J. (1922-2013)"],"creator_persname_ssim":["Bader, Eleanor J. (1922-2013)"],"creators_ssim":["Bader, Eleanor J. (1922-2013)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2010-10"],"access_subjects_ssim":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"access_subjects_ssm":["Physical therapists--United States","Civic leaders--United States","Voluntarism--United States"],"has_online_content_ssim":["false"],"extent_ssm":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"extent_tesim":["16.40 Linear Feet","13 Hollinger document cases; 7 Half-Hollinger document cases; 2 multimedia boxes; 2 notebook boxes; 3 clamshell boxes, and 2 oversize boxes. boxes"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eA second accession was received in 2013.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["A second accession was received in 2013."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into seven series: Series I: Personal and Family; Series II: Education; Series III: Career; Series IV: Organizations; Series V: Miscellaneous; Series VI: Multimedia; and Series VII: Oversize Materials, Memorabilia, and Artifacts."],"bioghist_html_tesm":["\u003cp\u003eEleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education\u003cemph render=\"italic\"\u003e.  \u003c/emph\u003eShe attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.\u003c/p\u003e\n","\u003cp\u003e\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    \u003c/p\u003e\n","\u003cp\u003eShe resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    \u003c/p\u003e\n","\u003cp\u003eIn retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.\u003c/p\u003e\n","\u003cp\u003eEleanor Bader passed away on October 12, 2013 in her home in Virginia Beach.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eleanor Johanne Bader was born March 15, 1922, in Wilmington, Delaware. Ms. Bader graduated from the University of Delaware in December 1943 with a Bachelor of Science degree in Health and Physical Education .   She attended the Physical Therapy graduate program at the Graduate School of Medicine, University of Pennsylvania in Philadelphia and was awarded a certificate in Physical Therapy in 1944. At that time, the University did not grant degrees in Physical Therapy.","\nMs. Bader received her certification in physical therapy in 1946 from the American Registry of Physical Therapists.  In October 1945, she joined the Delaware Curative Workshop in Wilmington, Delaware, as a founding member.  The DCW was originally funded by the Junior League. Later it was funded in part by community donations under the Red Feather/Community Chest umbrella.  The Red Feather and Community Chest organizations were founded in the late 19th century and were the forerunner of the United Way organizations. Ms. Bader was named Executive Director of the DCW in October 1950.\n    ","She resigned from the Delaware Curative Workshop in 1962 to take a position as Program Consultant with the National Society for Crippled Children and Adults, now known as the Easter Seal Society, headquartered in Chicago.  Ms. Bader relocated from Wilmington to Chicago to take this position. During her career with the Easter Seal organization, Ms. Bader held a number of positions, including Director, Care and Treatment Services, and Administrator for Programs.  In 1971 Ms. Bader left the Easter Seal Society following reorganization.During her time with Social Security Administration, Ms. Bader held a number of positions, including Special Assistant to the Director, Bureau of Supplemental Security, Services Coordinator for Evaluation, and Acting Director, OIRPC. During her career with the SSA, Ms. Bader received several commendations, including the Associate Commissioner's Citation, 1980, and the Commissioner's Citation, 1978.In 1985, Ms. Bader moved to Virginia Beach.\n    ","In retirement she had been a volunteer with the Cancer Care Foundation of Tidewater.  She had been a board member of the Virginia Opera Guild, which included a term as President, the State Board of the Virginia Opera Association and the Virginia Opera Association Hampton Roads Board of Governors. Ms. Bader was also in the Virginia Symphony League.","Eleanor Bader passed away on October 12, 2013 in her home in Virginia Beach."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Eleanor J. Bader Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The finding aid was created by Mel Frizzell, Special Collections Assistant, from 2010-2011."],"relatedmaterial_html_tesm":["\u003cp\u003eOral Histories in the Perry Library: \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eEleanor J. Bader\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oral Histories in the Perry Library:  Eleanor J. Bader"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the \u003ca href=\"https://dc.lib.odu.edu/digital/collection/oralhistory/search/searchterm/Bader%2C%20Eleanor%20J./field/interv/mode/exact/conn/and\"\u003eOld Dominion University Libraries Digital Collections website.\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the family and personal life, education, career, and community involvement of Eleanor J. Bader. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels. The bulk of the collection covers Bader's career including her work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. An oral history with Eleanor Bader can be found on the  Old Dominion University Libraries Digital Collections website."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1280d86ec670c47f37680342717f9b75\" label=\"Abstract\"\u003eChronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels.\u003c/abstract\u003e"],"abstract_tesim":["Chronicling the family and personal life, education, career, and community involvement of Eleanor J. Bader. Career includes work with the Delaware Curative Workshop, the National Easter Seal Society, and the Social Security Administration. Community involvment includes membership and volunteer work for the Virginia Opera, the Virginia Symphony, Cancer Care Foundation of Tidewater, WHRO, and many other professional and civic organizations in Virginia and Delaware. Materials in the collection include personal, religious, and professional certificates, awards, and licenses; business and civic papers; conference materials; correspondence; photos; and memorabilia from her life and travels."],"names_coll_ssim":["Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi","Bader, Eleanor J. (1922-2013)"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Virginia Symphony","National Easter Seal Society (U.S.)","American Physical Therapy Association","Delivering Inclusive Access to Disabled and Elderly Members (DIADEM)","Foster Grandparent Program (U.S.)","United States. Social Security Administration","Beta Sigma Phi"],"persname_ssim":["Bader, Eleanor J. (1922-2013)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:46:15.368Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_10"}},{"id":"vino_repositories_5_resources_198","type":"collection","attributes":{"title":"Peter Mark Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198#creator","type":"document_value","attributes":{"value":"Mark, Peter (1940-)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_198","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_198.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/198","title_filing_ssi":"Mark, Peter","title_ssm":["Peter Mark Papers"],"title_tesim":["Peter Mark Papers"],"unitdate_ssm":["1953-2014, undated","1980-2010","Date acquired: 12/20/2012"],"unitdate_bulk_ssim":["1980-2010"],"unitdate_inclusive_ssm":["1953-2014, undated"],"unitdate_other_ssim":["Date acquired: 12/20/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 114","/repositories/5/resources/198"],"text":["MG 114","/repositories/5/resources/198","Peter Mark Papers","Conductors (Music)--United States","Musicians--United States","Portions of this collection are restricted. Please consult a staff member for assistance.","An addition to the collection was given in 2014.","The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.","Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow","The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.","Virginia Opera Papers (MG 85).","This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)","English"],"unitid_tesim":["MG 114","/repositories/5/resources/198"],"normalized_title_ssm":["Peter Mark Papers"],"collection_title_tesim":["Peter Mark Papers"],"collection_ssim":["Peter Mark Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Mark, Peter (1940-)"],"creator_ssim":["Mark, Peter (1940-)"],"creator_persname_ssim":["Mark, Peter (1940-)"],"creators_ssim":["Mark, Peter (1940-)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Peter Mark","Gift. Accession #A2013-09"],"access_subjects_ssim":["Conductors (Music)--United States","Musicians--United States"],"access_subjects_ssm":["Conductors (Music)--United States","Musicians--United States"],"has_online_content_ssim":["false"],"extent_ssm":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"extent_tesim":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Please consult a staff member for assistance.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are restricted. Please consult a staff member for assistance."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2014.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2014."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material."],"bioghist_html_tesm":["\u003cp\u003ePeter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026amp; Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.\u003c/p\u003e\n","\u003cp\u003eNote written by Mona Farrow\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Opera Papers (MG 85).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Opera Papers (MG 85)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"names_coll_ssim":["Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"persname_ssim":["Mark, Peter (1940-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1022,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:44:10.790Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_198","ead_ssi":"vino_repositories_5_resources_198","_root_":"vino_repositories_5_resources_198","_nest_parent_":"vino_repositories_5_resources_198","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_198.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/198","title_filing_ssi":"Mark, Peter","title_ssm":["Peter Mark Papers"],"title_tesim":["Peter Mark Papers"],"unitdate_ssm":["1953-2014, undated","1980-2010","Date acquired: 12/20/2012"],"unitdate_bulk_ssim":["1980-2010"],"unitdate_inclusive_ssm":["1953-2014, undated"],"unitdate_other_ssim":["Date acquired: 12/20/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 114","/repositories/5/resources/198"],"text":["MG 114","/repositories/5/resources/198","Peter Mark Papers","Conductors (Music)--United States","Musicians--United States","Portions of this collection are restricted. Please consult a staff member for assistance.","An addition to the collection was given in 2014.","The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.","Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow","The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.","Virginia Opera Papers (MG 85).","This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)","English"],"unitid_tesim":["MG 114","/repositories/5/resources/198"],"normalized_title_ssm":["Peter Mark Papers"],"collection_title_tesim":["Peter Mark Papers"],"collection_ssim":["Peter Mark Papers"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Mark, Peter (1940-)"],"creator_ssim":["Mark, Peter (1940-)"],"creator_persname_ssim":["Mark, Peter (1940-)"],"creators_ssim":["Mark, Peter (1940-)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Peter Mark","Gift. Accession #A2013-09"],"access_subjects_ssim":["Conductors (Music)--United States","Musicians--United States"],"access_subjects_ssm":["Conductors (Music)--United States","Musicians--United States"],"has_online_content_ssim":["false"],"extent_ssm":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"extent_tesim":["82.60 Linear Feet","76 Hollinger document cases, 3 audiovisual boxes, 10 oversize boxes boxes"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Please consult a staff member for assistance.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are restricted. Please consult a staff member for assistance."],"accruals_html_tesm":["\u003cp\u003eAn addition to the collection was given in 2014.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["An addition to the collection was given in 2014."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into seven series: Series I: Peter Mark; Series II: Thea Musgrave; Series III: International Opera Alliance (IOA); Series IV: Lyric Opera of Virginia; Series V: Virginia Opera Association; Series VI: Audio/Video Tapes and Cassettes; and Series VII: Oversize Memorabilia and Promotional Material."],"bioghist_html_tesm":["\u003cp\u003ePeter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026amp; Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.\u003c/p\u003e\n","\u003cp\u003eNote written by Mona Farrow\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Peter Mark is the Founding General Director and Artistic Director of the Virginia Opera Association from 1974 to 2010, founding Artistic Director of the Buck Hill-Skytop Music Festival and an International Opera Coach, Masterclass Teacher and Conductor.    The Virginia Opera Association bestowed on Peter Mark the title Director Emeritus of the Virginia upon his departure in 2012.  Peter Mark is the founding Director of Lyric Opera of Virginia from 2010 to 2012.  He worked through the International Opera Alliance to identify and train gifted young American and international opera singers.  Prior to his career as conductor and impresario, Maestro Mark, who began his musical career as a boy soprano soloist at the Metropolitan Opera and the New York City Opera, enjoyed a successful career as a solo violinist and violist. Since his Virginia Opera debut in 1975 and under his guidance for the past 36 seasons, Virginia Opera has identified, worked with and presented some of the nation's most promising young singers – from Jeannine Altmeyer, Renée Fleming, Barbara Dever, Frank Porretta, Grant Youngblood, Fabiana Bravo, Lawrence Brownlee, Nmon Ford, Thomas Truhitte, Cristina Nassif, Jeniece Golbourne, Manon Strauss Evrard and Mary Elizabeth Williams. Maestro Mark conducted his 100th Virginia Opera production - Il Trovatore, totaling 700 highly-successful performances led by him on the company's stage during his career.  He invited two of the most well know opera singers to the Hampton Roads area, Beverly Sills and Luciano Pavarotti.  As conductor, he brought the artistic achievements of Virginia Opera to the international stage, conducting the company's productions and presenting the company's singers in South America, London, New York, and China, where he conducted Shanghai's first Italian-language Tosca to open the brand new Opera House of the Oriental Arts Center, China's first, and was featured on the cover of China's national Opera News.  Among his most recognized productions are four operas by Maestro Mark's wife, distinguished Scottish-American composer Thea Musgrave, and the Virginia Premieres of Strauss' Elektra and Salome, Wagner's Die Walküre and Tristan \u0026 Isolde, Giordano's Andrea Chénier, and Handel's Rodelinda and Agrippina. Maestro Mark conducted the British premiere of Musgrave's A Christmas Carol for the Royal Opera House, Covent Garden (telecast throughout the United Kingdom by Granada Television); Porgy and Bess at the Teatro Colón in Buenos Aires, La Traviata and Masked Ball for Krakow Opera, and La Bohème for its centennial production at the Torre del Lago Puccini Festival in Italy.  He has also conducted for New York City Opera, Pacific Opera Victoria in Canada, and the National Opera of Mexico at the Bellas Artes.  Though his travels to China, Africa, Europe and the Americas, he has heard listened, trained and encouraged and presented some of the best young operatic talent.  Peter Mark is the son of Edna and Irving Mark.","Note written by Mona Farrow"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Peter Mark Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was inventoried by Mona Farrow, Special Collections and University Archives staff, Greg Magier, Special Collections and University Archives volunteer, and Angelia Mumford, Special Collections and University Archives student assistant from June 2015 through December 2016. Additional material was interfiled into the collection by Mona Farrow, Special Collections and University Archives staff, from January through March 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Opera Papers (MG 85).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Opera Papers (MG 85)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers of Peter Mark, Founding General Director and Artistic Director of the Virginia Opera from 1974-2010. The collection includes the correspondence of Peter Mark as Artistic Director of the Virginia Opera, programs from Virginia Opera productions, administrative records of the Virginia Opera, and records pertaining to the International Opera Alliance (IOA) and the Lyric Opera of Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"names_coll_ssim":["Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance","Mark, Peter (1940-)"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","International Opera Alliance"],"persname_ssim":["Mark, Peter (1940-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1022,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:44:10.790Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_198"}},{"id":"vino_repositories_5_resources_63","type":"collection","attributes":{"title":"Virginia Opera Records","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63#creator","type":"document_value","attributes":{"value":"Virginia Opera Association","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.","Virginia Symphony Orchestra Records (MG 81-A).","The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild","English"],"unitid_tesim":["MG 85","/repositories/5/resources/63"],"normalized_title_ssm":["Virginia Opera Records"],"collection_title_tesim":["Virginia Opera Records"],"collection_ssim":["Virginia Opera Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Opera Association"],"creator_ssim":["Virginia Opera Association"],"creator_corpname_ssim":["Virginia Opera Association"],"creators_ssim":["Virginia Opera Association"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2006-05"],"access_subjects_ssim":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"access_subjects_ssm":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"has_online_content_ssim":["false"],"extent_ssm":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"extent_tesim":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eMaterial is added to the collection periodically.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Material is added to the collection periodically."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. \u003c/p\u003e\n","\u003cp\u003eVenues \u003c/p\u003e\n","\u003cp\u003eThe Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild \u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.\u003c/p\u003e\n","\u003cp\u003eEducation and Outreach \u003c/p\u003e\n","\u003cp\u003eThe Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. \u003c/p\u003e\n","\u003cp\u003ePrograms include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.\u003c/p\u003e\n","\u003cp\u003eAlso offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. \u003c/p\u003e\n","\u003cp\u003e\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Orchestra Records (MG 81-A).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Orchestra Records (MG 81-A)."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0915f82b33ce42e5fee28245423eb92c\" label=\"Abstract\"\u003eConsists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.\u003c/abstract\u003e"],"abstract_tesim":["Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters."],"names_coll_ssim":["Lyric Opera of Virginia","Virginia Opera Guild","Virginia Opera Association"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:47:05.634Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.","Virginia Symphony Orchestra Records (MG 81-A).","The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. 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Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. \u003c/p\u003e\n","\u003cp\u003eVenues \u003c/p\u003e\n","\u003cp\u003eThe Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild \u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.\u003c/p\u003e\n","\u003cp\u003eEducation and Outreach \u003c/p\u003e\n","\u003cp\u003eThe Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. 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These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. \u003c/p\u003e\n","\u003cp\u003e\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. 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","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Orchestra Records (MG 81-A).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Orchestra Records (MG 81-A)."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0915f82b33ce42e5fee28245423eb92c\" label=\"Abstract\"\u003eConsists of Virginia Opera programs, guides, newspaper clippings, magazine articles. 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Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters."],"names_coll_ssim":["Lyric Opera of Virginia","Virginia Opera Guild","Virginia Opera Association"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:47:05.634Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Virginia+Opera+Association\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bnames%5D%5B%5D=Virginia+Opera+Association"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Edythe C. 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