{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Lazzell%2C+Blanche%2C+1878-1956","last":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Lazzell%2C+Blanche%2C+1878-1956\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_5820","type":"collection","attributes":{"title":"Blanche Lazzell, Artist, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#creator","type":"document_value","attributes":{"value":"Lazzell, Blanche, 1878-1956","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#abstract_or_scope","type":"document_value","attributes":{"value":"Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"text":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Blanche Lazzell, Artist, Papers","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). ","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14  includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15  includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25  includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02  includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. 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She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e\n","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). ","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14  includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15  includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25  includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02  includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e"],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:01:20.644Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"text":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Blanche Lazzell, Artist, Papers","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). ","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14  includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15  includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25  includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02  includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English \n.    "],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers"],"collection_title_tesim":["Blanche Lazzell, Artist, Papers"],"collection_ssim":["Blanche Lazzell, Artist, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Lazzell, Blanche, 1878-1956"],"creator_ssim":["Lazzell, Blanche, 1878-1956"],"creator_persname_ssim":["Lazzell, Blanche, 1878-1956"],"creators_ssim":["Lazzell, Blanche, 1878-1956"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eBlanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e\n","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). ","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14  includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15  includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25  includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02  includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e"],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:01:20.644Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820"}},{"id":"wvmturhc_repositories_2_resources_1342","type":"collection","attributes":{"title":"West Virginia University, Women's Centenary, 1891-1991, Videotape and Publications","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1342#creator","type":"document_value","attributes":{"value":"Waugh, Lillian J., 1941-2018","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1342#abstract_or_scope","type":"document_value","attributes":{"value":"A multi-media packet containing publications and a videotape about the first one hundred years of West Virginia University as a co-educational institution. The materials document the achievements of women at WVU and provide a glimpse into women's student life and how it has changed over the years. Women discussed include Harriet E. Lyon, Agnes J. Morrison, Mary C. Busweel, Eva Hubbard, Blanche Lazzell, Victorine Louistall, Annette Chandler-Broome, Margaret Workman, Lea Anderson, and Barbara Harmon-Schamberger.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1342#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1342","ead_ssi":"wvmturhc_repositories_2_resources_1342","_root_":"wvmturhc_repositories_2_resources_1342","_nest_parent_":"wvmturhc_repositories_2_resources_1342","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1342.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195650","title_ssm":["West Virginia University, Women's Centenary, 1891-1991, Videotape and Publications"],"title_tesim":["West Virginia University, Women's Centenary, 1891-1991, Videotape and Publications"],"unitdate_ssm":["1989-1991 and undated"],"unitdate_inclusive_ssm":["1989-1991 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3107","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1342"],"text":["A\u0026M 3107","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1342","West Virginia University, Women's Centenary, 1891-1991, Videotape and Publications","West Virginia University  --  Women's Centenary (1891-1991)","West Virginia Feminist Activist Collection","Adult education of women","West Virginia University  -- History","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The Center for Women's and Gender Studies (CWGS) is an academic unit within West Virginia University's Eberly College of Arts and Sciences that offers a central location for discourse relative to the field of women's and gender studies. CWGS finds its origins in an informal Caucus for Women's Concerns formed in 1972 within West Viginia University (WVU) to \"achieve equitable treatment of women.\" In 1977, the Caucus submitted recommendations to then-WVU President Gene Budig regarding the establishment of a women's studies program and an advisory council on women's concerns. In response to these recommendations, the Caucus was officially accepted by the university as the Council for Women's Concerns (CWC), which included a Women's Studies Subcommittee formed to research and help facilitate a formal women's studies program.  ","The first proposal for a women's studies program was submitted to the CWC by Renata Pore in 1978, upon which a search committee headed by Dr. Enid Portnoy of the English Department was established. In 1980, the Women's Studies Program (WSP) was officially established as an interdisciplinary program in the College of Arts and Sciences. Judith Stitzel, a founding member of the CWC, was selected to serve as the first part-time coordinator of the WSP.  ","Under Stitzel's direction, the WSP developed an undergraduate Certificate Program in Women's Studies to be first offered in 1984. Simultaneously, the Center for Women's Studies (CWS) was established in the Office of the Vice President for Academic Affairs and Research to provide a collective space for students to gather. Judith Stitzel was made the founding director of the center, a position she would hold until 1992, making her the longest consecutive director of the center. The CWS would become affiliated with the Eberly College of Arts and Sciences in 1993.","One of the major projects of the CWS, the Women's Centenary, \"Excellence Through Equity\" began planning in 1987 with Dr. Lillian Waugh being chosen as the research coordinator. After several years of planning and research, the Women's Centenary commenced in September 1989 on the 100-year anniversary of the first group of women to be admitted to WVU as degree candidates. Events were held over a two-year period, including lecture series, galas, building rededications, historical tours, exhibits, time capsule creations, and county-wide engagements. The Women's Centenary culminated with a convocation in 1991 on the 100-year anniversary of the first woman to graduate from WVU, Harriet Lyon.","A\u0026M 3376, A\u0026M 5048, A\u0026M 5052, A\u0026M 5131, and A\u0026M 5234.","This collection contains publications and a VHS film about the first one hundred years of West Virginia University as a co-educational institution. The materials document the achievements of women at WVU and provide a glimpse into women's student life and how it has changed over the years. ","All materials have been digitized and are available for viewing. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","A multi-media packet containing publications and a videotape about the first one hundred years of West Virginia University as a co-educational institution. The materials document the achievements of women at WVU and provide a glimpse into women's student life and how it has changed over the years. Women discussed include Harriet E. Lyon, Agnes J. Morrison, Mary C. Busweel, Eva Hubbard, Blanche Lazzell, Victorine Louistall, Annette Chandler-Broome, Margaret Workman, Lea Anderson, and Barbara Harmon-Schamberger.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Center for Women's Studies","Waugh, Lillian J., 1941-2018","Anderson, Lea.","Buswell, Mary C.","Chandler-Broome, Annette.","Harmon-Schamberger, Barbara.","Hubbard, Eva, 1858-1947","Lazzell, Blanche, 1878-1956","Louistall, Victorine Augusta, 1912-2006","Lyon, Harriet E.","Morrison, Agnes J.","Reinhard, Diane L.","Tennant, Natalie.","English \n.    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