{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Atlanta+University\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Atlanta+University\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":8,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_viu00186_c04_c04_c01","type":"Item","attributes":{"title":"Atlanta University","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00186_c04_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00186_c04_c04_c01","ref_ssm":["viu_viu00186_c04_c04_c01"],"id":"viu_viu00186_c04_c04_c01","ead_ssi":"viu_viu00186","_root_":"viu_viu00186","_nest_parent_":"viu_viu00186_c04_c04","parent_ssi":"viu_viu00186_c04_c04","parent_ssim":["viu_viu00186","viu_viu00186_c04","viu_viu00186_c04_c04"],"parent_ids_ssim":["viu_viu00186","viu_viu00186_c04","viu_viu00186_c04_c04"],"parent_unittitles_ssm":["William Stanley Braithwaite Papers \n 1882-1970","SERIES IV: CORRESPONDENCE OF \n WILLIAM STANLEY\n BRAITHWAITE","Subseries D: Topical Files"],"parent_unittitles_tesim":["William Stanley Braithwaite Papers \n 1882-1970","SERIES IV: CORRESPONDENCE OF \n WILLIAM STANLEY\n BRAITHWAITE","Subseries D: Topical Files"],"text":["William Stanley Braithwaite Papers \n 1882-1970","SERIES IV: CORRESPONDENCE OF \n WILLIAM STANLEY\n BRAITHWAITE","Subseries D: Topical Files","Atlanta University","Atlanta University","Box Box 19"],"title_filing_ssi":"Atlanta University","title_ssm":["Atlanta University"],"title_tesim":["Atlanta University"],"unitdate_other_ssim":["1932-1944, n.d."],"normalized_date_ssm":["1932/1944"],"normalized_title_ssm":["Atlanta University"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Stanley Braithwaite Papers \n 1882-1970"],"extent_ssm":["3 folders"],"extent_tesim":["3 folders"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":163,"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944],"names_ssim":["Atlanta University"],"corpname_ssim":["Atlanta University"],"containers_ssim":["Box Box 19"],"_nest_path_":"/components#3/components#3/components#0","timestamp":"2026-05-01T02:20:52.067Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00186","ead_ssi":"viu_viu00186","_root_":"viu_viu00186","_nest_parent_":"viu_viu00186","ead_source_url_ssi":"data/uva-sc/viu00186.xml","title_ssm":["William Stanley Braithwaite Papers \n 1882-1970"],"title_tesim":["William Stanley Braithwaite Papers \n 1882-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8990-b"],"text":["8990-b","William Stanley Braithwaite Papers \n 1882-1970","7 ft.","BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE 1875 Marriage of \n William Stanley Braithwaite 's\n parents \n Emma DeWolfe (1860-1928) and \n William Smith Braithwaite\n (1853-1886) 1876 Birth of \n William Stanley Braithwaite 's\n sister, \n Eva Braithwaite 1878 Birth of \n William Stanley Braithwaite in \n Boston, Massachusetts on 6\n December 1885 Birth of a sister; she dies in \n 1894 1886 Death of \n William Stanley Braithwaite 's\n father 1889 Map of \n Europe drawn by \n William Stanley Braithwaite is\n exhibited at the \n Paris fair 1890 William Stanley Braithwaite , age\n 12, obtains first job (selling newspapers in \n Boston ) 1898 William Stanley Braithwaite manages\n a \n Newport, Rhode\n Island bookstore 1901 Publishes first novel, \n The Canadian, A Novel 1903 Marries \n Emma Kelly on 30 June; seven\n children: \n Fiona Lydia Rossetti\n Braithwaite (Mrs. \n Merrill Carter ), \n Katherine Keats Braithwaite (Mrs. \n William J. Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June","","University of Virginia. 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Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. 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Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:20:52.067Z","bioghist_html_tesm":["\u003cchronlist\u003e\n \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n \u003cevent\u003eMarriage of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n parents \n \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n \u003cpersname\u003eWilliam Smith Braithwaite\n (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n sister, \n \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n \u003cevent\u003eBirth of a sister; she dies in \n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n father\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n \u003cevent\u003eMap of \n \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n exhibited at the \n \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 12, obtains first job (selling newspapers in \n \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n a \n \u003cgeogname\u003eNewport, Rhode\n Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n \u003cevent\u003ePublishes first novel, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n \u003cevent\u003eMarries \n \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n children: \n \u003cpersname\u003eFiona Lydia Rossetti\n Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n Agard), \n \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eFrancis Robinson\n Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n support of \n \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n poets and writes essays\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"White Magic\", honoring \n \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n Braithwaite at Faneuil Hall, \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n \u003cevent\u003ePlans \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n \u003cevent\u003eSporadically publishes and edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"The Mystery\" is published in the October issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n \u003cevent\u003ePlans a book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n membership in \n \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n \u003cevent\u003eAwarded the Spingarn Medal, \n \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n meeting of the \n \u003ccorpname\u003eNational Association For The Advancement of\n Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n and a Litt.D. from \n \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n \u003cevent\u003eWrites introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n \u003cevent\u003eFounds and becomes editor-in-chief of \n \u003ccorpname\u003eB. J. Brimmer Publishing\n Company\u003c/corpname\u003ewith \n \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n \u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n Literature\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n mother; he publishes a book of stories, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n \u003cevent\u003eAppointed Professor of Creative Literature at \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n 1945\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n 1935 issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n opportunity of providing editorial assistance\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n poetry critic\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n on a program committee for the \n \u003ccorpname\u003eAssociation of Teachers of English in Negro\n Colleges\u003c/corpname\u003e(later \n \u003ccorpname\u003eThe College Language\n Association\u003c/corpname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n paternal uncle, \n \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n autobiography, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n \u003cevent\u003eAn M. A. thesis by \n \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n career\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n \u003cevent\u003eRetires from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n \u003cevent\u003ePublishes an article in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n \u003cevent\u003eInterviewed by \n \u003ccorpname\u003eColumbia University's Oral History Research\n Office\u003c/corpname\u003efrom May to June: \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n \u003cevent\u003eLiterary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n brother Arthur on 24 September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n \u003cevent\u003eCo-edits 1958 \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n efforts are hampered by his failing eyesight\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n \u003cevent\u003eAn \n \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n held in \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; he writes the\n preface to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Voice In Ramah: Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMarion Buchman\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1962\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 83, on 8 June in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; funeral held on 12\n June\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00186_c04_c04_c01"}},{"id":"virmu_repositories_2_resources_37_c01_c03_c91","type":"Item","attributes":{"title":"Letter from Miles Jackson, Jr., Chief Librarian","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c03_c91#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c01_c03_c91","ref_ssm":["virmu_repositories_2_resources_37_c01_c03_c91"],"id":"virmu_repositories_2_resources_37_c01_c03_c91","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c01_c03","parent_ssi":"virmu_repositories_2_resources_37_c01_c03","parent_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01","virmu_repositories_2_resources_37_c01_c03"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.3: Professional Organizations"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.3: Professional Organizations"],"text":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.3: Professional Organizations","Letter from Miles Jackson, Jr., Chief Librarian","Paper","Atlanta University","Jackson, Miles M., Jr., 1929-","Atlanta (Ga.)","Photographers","Kamoinge Inc.","African American photographers","Black photographers","English","box VA-04 Box 3","folder Folder 14","Item VA04.01.3.085","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"title_filing_ssi":"Letter from Miles Jackson, Jr., Chief Librarian","title_ssm":["Letter from Miles Jackson, Jr., Chief Librarian"],"title_tesim":["Letter from Miles Jackson, Jr., Chief Librarian"],"unitdate_inclusive_ssm":["Apr. 6, 1965"],"normalized_date_ssm":["1965"],"normalized_title_ssm":["Letter from Miles Jackson, Jr., Chief Librarian"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Correspondence"],"creator_ssim":["Atlanta University","Jackson, Miles M., Jr., 1929-"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":491,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"date_range_isim":[1965],"names_ssim":["Atlanta University","Jackson, Miles M., Jr., 1929-"],"corpname_ssim":["Atlanta University"],"persname_ssim":["Jackson, Miles M., Jr., 1929-"],"geogname_ssim":["Atlanta (Ga.)"],"geogname_ssm":["Atlanta (Ga.)"],"places_ssim":["Atlanta (Ga.)"],"access_subjects_ssim":["Photographers","Kamoinge Inc.","African American photographers","Black photographers"],"access_subjects_ssm":["Photographers","Kamoinge Inc.","African American photographers","Black photographers"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"language_ssim":["English"],"containers_ssim":["box VA-04 Box 3","folder Folder 14","Item VA04.01.3.085"],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"_nest_path_":"/components#0/components#2/components#90","timestamp":"2026-05-01T00:06:08.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n. "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. 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(Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto"],"language_ssim":["English \n. "],"total_component_count_is":6758,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:06:08.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c03_c91"}},{"id":"virmu_repositories_2_resources_37","type":"collection","attributes":{"title":"Louis H. Draper Artist Archives (VA-04)","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37#creator","type":"document_value","attributes":{"value":"Draper, Louis H., 1935-2002","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37#abstract_or_scope","type":"document_value","attributes":{"value":"The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n. "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. 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I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto"],"language_ssim":["English \n. "],"total_component_count_is":6758,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:06:08.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n. "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. 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Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. 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I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","This series is compromised of correspondence, clippings, notebooks, handbills, screenplays, and other ephemera that document Draper's life, education, and career. "],"title_filing_ssi":"Series 1: Manuscripts","title_ssm":["Series 1: Manuscripts"],"title_tesim":["Series 1: Manuscripts"],"unitdate_inclusive_ssm":["1947-2005, undated"],"normalized_date_ssm":["1947/2005"],"normalized_title_ssm":["Series 1: Manuscripts"],"component_level_isim":[1],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"physdesc_tesim":["1,103 items"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"names_ssim":["Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. 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Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. 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(George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. 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Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. 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Sargeant Reynolds Community College","Mercer County Community College (N.J.)","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Light Impressions Corporation","Creative Artists Public Service Program","Creative Artists Public Service Program","Creative Artists Public Service Program","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). 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Norton \u0026 Company","Kamoinge Inc.‏","Kamoinge Inc.‏","Institute for Youth Entrepreneurship","Culturefront","Institute for Youth Entrepreneurship","En Foco, Inc.","Kamoinge Inc.‏","Studio Museum in Harlem","Kamoinge Inc.‏","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. 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Student Government Association","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","St. Lawrence Rehabilitation Center. 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Department of Higher Education","Mercer County Community College (N.J.)","Infinity","American Society of Magazine Photographers","New Jersey State Museum","New Jersey State Museum","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","Mercer County Community College (N.J.)","The Link","Barksdale Gallery","Gallery Henoch","Gallery Henoch","American Academy of Arts and Letters","Thomas Edison State College","Audio Visual Product News","Mercer County Community College (N.J.)"],"persname_ssim":["Faulkner, William, 1897-1962","Draper, Louis H., 1935-2002","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Draper, Louis H., 1935-2002","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. 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David","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Willis, Deborah, 1948-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","Hughes, Langston, 1902-1967","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Draper, Louis H., 1935-2002","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Draper, Louis H., 1935-2002","Virginia Statesman","Draper, Louis H., 1935-2002","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Draper, Louis H., 1935-2002","Associated Press","Draper, Louis H., 1935-2002","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Rivera, Christine","Dialogue","Cagan, Steve","Draper, Louis H., 1935-2002","Doan-Johnson, Susan","Doan-Johnson, Susan","Draper, Louis H., 1935-2002","Remer, Lisa","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Draper, Louis H., 1935-2002","Argo","Press of Atlantic City","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Heisler, Wendy","Draper, Louis H., 1935-2002","Viksjo, Cathy","Draper, Louis H., 1935-2002","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Addis, Amanda","Purcell, Janet","Monroe Township View","Draper, Louis H., 1935-2002","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Draper, Louis H., 1935-2002","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Draper, Louis H., 1935-2002","Image Gallery","Community Gallery","Madison, Clarence","Salewski, Randal","First Time Photo Gallery","Photo Workshop","First Time Photo Gallery","Photo Workshop","Siskind, Carroll","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Fernandez, Isabelle","Draper, Louis H., 1935-2002","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","DeCarava, Roy, 1919-2009","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Mannas, James \"Jimmie\" M., 1941-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Rudolph, Sa","Draper, Louis H., 1935-2002","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Liska, Jane","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Smith, Beuford, 1941-","Romais, Miriam","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Kenyon College","Bey, Dawoud, 1953-","Draper, Louis H., 1935-2002","Wilson, Calvin, 1924-","Draper, Louis H., 1935-2002","Wilson, Calvin, 1924-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Fournier, Collette","Rockland Community College (Suffern, N.Y.)","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Smith, Beuford, 1941-","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Beuford, 1941-","Institute for Youth Entrepreneurship","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Evelyn","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Howard, Herman","Martin, Steve","Draper, Louis H., 1935-2002","DeCarava, Roy, 1919-2009","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Barboza, Anthony, 1944-","New York (N.Y.). Department of Commerce and Industrial Development","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Uniworld Group, Inc. (Bethesda, Md.)","Barboza, Anthony, 1944-","Mingo, Jones, Guilmenot, Inc.","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","De-Lite Records","PolyGram Records, Inc.","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Obscura","Barboza, Anthony, 1944-","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Cowans, Adger W., 1936-","Cowans, Adger W., 1936-","College of New Rochelle","Cowans, Adger W., 1936-","Dix, Seldon","Littles, Dolores Allen","Cowans, Adger W., 1936-","Cowans, Adger W., 1936-","Dawson, C. Daniel","Dawson, C. Daniel","DeCarava, Roy, 1919-2009","DeCarava, Roy, 1919-2009","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Francis, James \"Ray\"","Francis, James \"Ray\"","Mannas, James \"Jimmie\" M., 1941-","Martin, Steve","American Visions","Martin, Steve","Martin, Steve","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Randall, Herbert, 1936-","Randall, Herbert, 1936-","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Robinson, Herb","Robinson, Herb","Rudolph, Sa","National Urban League","Gallery 62","DeCarava, Roy, 1919-2009","Ten.8","Wilmer, Val (Valerie), 1941-","American Visions","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Photo/Chronicles","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Smith, Ming, 1950-","Stewart, Frank, 1949-","Walker, Shawn, 1940-","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Walker, Shawn, 1940-","Barboza, Anthony, 1944-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Madison, Clarence","Kenkeleba Gallery","Stewart, Frank, 1949-","College of New Rochelle","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Draper, Louis H., 1935-2002","Robinson, Herb","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Fennar, Albert, 1938-","Barboza, Anthony, 1944-","Martin, Steve","Martin, Steve","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Greene, Cheryll Y., 1943-2013","Smith, Beuford, 1941-","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Mannas, James \"Jimmie\" M., 1941-","Wilkinson, Carlton","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Kauffman, Aubrey","Kauffman, Aubrey","Kauffman, Aubrey","Kauffman, Aubrey","Draper, Louis H., 1935-2002","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Saretzky, Gary D.","Kauffman, Aubrey","Saretzky, Gary D.","Baskakov, Andrew","Kauffman, Aubrey","Mutterperl, Mindy","Kauffman, Aubrey","Brodsky, Judith","Draper, Louis H., 1935-2002","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Chuvash ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Draper, Louis H., 1935-2002","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Hanley, John P.","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Hanley, John P.","Hanley, John P.","Hanley, John P.","Dowd, Jennifer Ann","Mathias, John","Hanley, John P.","Dowd, Jennifer Ann","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Weiss, Celia","Draper, Louis H., 1935-2002","Bundy, Roy","Draper, Louis H., 1935-2002","Flynn, William J.","Hain, Josh","Flynn, William J.","Draper, Louis H., 1935-2002","Rivera, Frank","White, Larry","Levin, David","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Barksdale, William E., 1927-","Leipzig, Melvin, 1935-","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Dietrich, Marilyn","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Levin, David","Levin, David","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Levin, David","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Dietrich, Marilyn","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Levin, David","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Duncan, Noreen","Draper, Louis H., 1935-2002","Duncan, Noreen","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Duncan, Noreen","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Lobby Gallery","Lobby Gallery","Hymans, Kay","Pope, Sharon","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Hymans, Kay","Draper, Louis H., 1935-2002","Hopewell Valley News","Hymans, Kay","Lamba, Marie","Lamba, Marie","Town Topics","Chronicle","Lamba, Marie","Beacon","Williams, Gray","New Jersey Department of Higher Education","Collier, David E., 1929-2012","Collier, David E., 1929-2012","Osborne, Linda","Draper, Louis H., 1935-2002","Leipzig, Melvin, 1935-","Draper, Louis H., 1935-2002","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Draper, Louis H., 1935-2002","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Moran, Daniel Thomas","Moran, Daniel Thomas","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Barksdale Gallery","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Barksdale, William E., 1927-","Barksdale, William E., 1927-","Leipzig, Melvin, 1935-","Leipzig, Melvin, 1935-","American Academy of Arts and Letters","Leipzig, Melvin, 1935-","Leipzig, Melvin, 1935-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Bateson, Michael A.","Audio Visual Product News","Hudson, Fred","Draper, Louis H., 1935-2002","Hudson, Fred","Draper, Louis H., 1935-2002","Davis, Gail","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Gray, Jeanne","Davis, Gail","Clyde","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Gray, Jeanne","Gray, Jeanne","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, Marvin, 1910-2003","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Morgan, 1910-1993","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, W. Eugene, 1918-1978","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002"],"scopecontent_html_tesm":["\u003cp\u003eThis series is compromised of correspondence, clippings, notebooks, handbills, screenplays, and other ephemera that document Draper's life, education, and career. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series is compromised of correspondence, clippings, notebooks, handbills, screenplays, and other ephemera that document Draper's life, education, and career. "],"_nest_path_":"/components#0","timestamp":"2026-05-01T00:06:08.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n. "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. 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Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June","","University of Virginia. 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Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. 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Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:20:52.067Z","bioghist_html_tesm":["\u003cchronlist\u003e\n \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n \u003cevent\u003eMarriage of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n parents \n \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n \u003cpersname\u003eWilliam Smith Braithwaite\n (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n sister, \n \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n \u003cevent\u003eBirth of a sister; she dies in \n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n father\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n \u003cevent\u003eMap of \n \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n exhibited at the \n \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 12, obtains first job (selling newspapers in \n \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n a \n \u003cgeogname\u003eNewport, Rhode\n Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n \u003cevent\u003ePublishes first novel, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n \u003cevent\u003eMarries \n \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n children: \n \u003cpersname\u003eFiona Lydia Rossetti\n Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n Agard), \n \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eFrancis Robinson\n Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n support of \n \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n poets and writes essays\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"White Magic\", honoring \n \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n Braithwaite at Faneuil Hall, \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n \u003cevent\u003ePlans \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n \u003cevent\u003eSporadically publishes and edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"The Mystery\" is published in the October issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n \u003cevent\u003ePlans a book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n membership in \n \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n \u003cevent\u003eAwarded the Spingarn Medal, \n \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n meeting of the \n \u003ccorpname\u003eNational Association For The Advancement of\n Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n and a Litt.D. from \n \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n \u003cevent\u003eWrites introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n \u003cevent\u003eFounds and becomes editor-in-chief of \n \u003ccorpname\u003eB. J. Brimmer Publishing\n Company\u003c/corpname\u003ewith \n \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n \u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n Literature\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n mother; he publishes a book of stories, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n \u003cevent\u003eAppointed Professor of Creative Literature at \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n 1945\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n 1935 issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n opportunity of providing editorial assistance\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n poetry critic\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n on a program committee for the \n \u003ccorpname\u003eAssociation of Teachers of English in Negro\n Colleges\u003c/corpname\u003e(later \n \u003ccorpname\u003eThe College Language\n Association\u003c/corpname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n paternal uncle, \n \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n autobiography, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n \u003cevent\u003eAn M. A. thesis by \n \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n career\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n \u003cevent\u003eRetires from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n \u003cevent\u003ePublishes an article in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n \u003cevent\u003eInterviewed by \n \u003ccorpname\u003eColumbia University's Oral History Research\n Office\u003c/corpname\u003efrom May to June: \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n \u003cevent\u003eLiterary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n brother Arthur on 24 September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n \u003cevent\u003eCo-edits 1958 \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n efforts are hampered by his failing eyesight\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n \u003cevent\u003eAn \n \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n held in \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; he writes the\n preface to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Voice In Ramah: Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMarion Buchman\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1962\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 83, on 8 June in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; funeral held on 12\n June\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00186_c04"}},{"id":"virmu_repositories_2_resources_37_c01_c03","type":"Subseries","attributes":{"title":"Sub-Series 1.3: Professional Organizations","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_37_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c01_c03","ref_ssm":["virmu_repositories_2_resources_37_c01_c03"],"id":"virmu_repositories_2_resources_37_c01_c03","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c01","parent_ssi":"virmu_repositories_2_resources_37_c01","parent_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c01"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts"],"text":["Louis H. Draper Artist Archives (VA-04)","Series 1: Manuscripts","Sub-Series 1.3: Professional Organizations","Kamoinge Inc.‏","Camera (Lucerne, Switzerland)","Studio Museum in Harlem","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Museum of Modern Art (New York, N.Y.)","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Countee Cullen Library","Kenyon College","Rockland Community College (Suffern, N.Y.)","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","Essence","De-Lite Records","PolyGram Records, Inc.","Black enterprise","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","New York Times company","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Popular Photography","Photographers Forum","Forum Notes","Just Above Midtown Gallery","Mercer County Community College (N.J.)","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Center of Photography","Art in the Atrium","International Black Photographers","Trenton Artists Workshop Association","Trenton City Museum","Ellarslie Mansion","Trenton Times","Memorial Hospital of Burlington County","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Round-up","Art Matters","Viking","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Draper, Louis H., 1935-2002","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Smith, Beuford, 1941-","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Bey, Dawoud, 1953-","Wilson, Calvin, 1924-","Fournier, Collette","Rockland Community College (Suffern, N.Y.)","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Madison, Clarence","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Baskakov, Andrew","Mutterperl, Mindy","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova"],"title_filing_ssi":"Sub-Series 1.3: Professional Organizations","title_ssm":["Sub-Series 1.3: Professional Organizations"],"title_tesim":["Sub-Series 1.3: Professional Organizations"],"unitdate_inclusive_ssm":["1964-2003, undated"],"normalized_date_ssm":["1964/2003"],"normalized_title_ssm":["Sub-Series 1.3: Professional Organizations"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"extent_ssm":["281 items"],"extent_tesim":["281 items"],"has_online_content_ssim":["false"],"child_component_count_isi":282,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":400,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"names_ssim":["Kamoinge Inc.‏","Camera (Lucerne, Switzerland)","Studio Museum in Harlem","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Museum of Modern Art (New York, N.Y.)","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Countee Cullen Library","Kenyon College","Rockland Community College (Suffern, N.Y.)","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","Essence","De-Lite Records","PolyGram Records, Inc.","Black enterprise","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","New York Times company","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Popular Photography","Photographers Forum","Forum Notes","Just Above Midtown Gallery","Mercer County Community College (N.J.)","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Center of Photography","Art in the Atrium","International Black Photographers","Trenton Artists Workshop Association","Trenton City Museum","Ellarslie Mansion","Trenton Times","Memorial Hospital of Burlington County","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Round-up","Art Matters","Viking","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Draper, Louis H., 1935-2002","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Smith, Beuford, 1941-","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Bey, Dawoud, 1953-","Wilson, Calvin, 1924-","Fournier, Collette","Rockland Community College (Suffern, N.Y.)","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Madison, Clarence","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Baskakov, Andrew","Mutterperl, Mindy","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova"],"corpname_ssim":["Kamoinge Inc.‏","Camera (Lucerne, Switzerland)","Kamoinge Inc.‏","Studio Museum in Harlem","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Kamoinge Inc.‏","Crown Publishers, Inc.","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Atlanta University","Museum of Modern Art (New York, N.Y.)","Kamoinge Inc.‏","Aperture, Inc.","Aperture, Inc.","Camera (Lucerne, Switzerland)","Black Photographers Annual","Madison Art Center","Madison Art Center","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kamoinge Inc.‏","Countee Cullen Library","Kenyon College","Rockland Community College (Suffern, N.Y.)","W.W. Norton \u0026 Company","Kamoinge Inc.‏","Kamoinge Inc.‏","Institute for Youth Entrepreneurship","Culturefront","Institute for Youth Entrepreneurship","En Foco, Inc.","Kamoinge Inc.‏","Studio Museum in Harlem","Kamoinge Inc.‏","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","Essence","De-Lite Records","PolyGram Records, Inc.","Essence","Black enterprise","Obscura","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","New York Times company","Studio Museum in Harlem","Countee Cullen Library","Camera (Lucerne, Switzerland)","National Urban League","Gallery 62","Ten.8","Césaire Photo Agency","Photo/Chronicles Ltd.","Camera (Lucerne, Switzerland)","Kamoinge Inc.‏","National Association for the Advancement of Colored People","Kamoinge Inc.‏","Kamoinge Inc.‏","Countee Cullen Library","Kamoinge Inc.‏","Studio Museum in Harlem","Kamoinge Inc.‏","Popular Photography","Photographers Forum","Photographers Forum","Forum Notes","Just Above Midtown Gallery","Mercer County Community College (N.J.)","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","College of New Rochelle","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Countee Cullen Library","Kamoinge Inc.‏","International Center of Photography","International Center of Photography","International Center of Photography","International Center of Photography","International Center of Photography","Popular Photography","Popular Photography","International Center of Photography","International Center of Photography","International Center of Photography","Art in the Atrium","Art in the Atrium","Art in the Atrium","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","Kamoinge Inc.‏","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","International Black Photographers","Trenton Artists Workshop Association","Trenton City Museum","Ellarslie Mansion","Trenton Artists Workshop Association","Trenton City Museum","Ellarslie Mansion","Trenton Times","Trenton Artists Workshop Association","Memorial Hospital of Burlington County","Pavilion Galleries","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Trenton City Museum","Ellarslie Mansion","Trenton Artists Workshop Association","Trenton Artists Workshop Association","TAWA Soviet Exchange Committee","Trenton Artists Workshop Association","TAWA Soviet Exchange Committee","Trenton Artists Workshop Association","Trenton Artists Workshop Association","Photographic Association of the USSR","Mercer County Community College (N.J.)","Round-up","Trenton Artists Workshop Association","Art Matters","Viking","Mercer County Community College (N.J.)","Photographic Association of the USSR","Trenton Artists Workshop Association","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova"],"persname_ssim":["Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","DeCarava, Roy, 1919-2009","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Mannas, James \"Jimmie\" M., 1941-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Rudolph, Sa","Draper, Louis H., 1935-2002","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Rudolph, Sa","Rudolph, Sa","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Liska, Jane","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Smith, Beuford, 1941-","Romais, Miriam","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Kenyon College","Bey, Dawoud, 1953-","Draper, Louis H., 1935-2002","Wilson, Calvin, 1924-","Draper, Louis H., 1935-2002","Wilson, Calvin, 1924-","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Fournier, Collette","Rockland Community College (Suffern, N.Y.)","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Smith, Beuford, 1941-","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Beuford, 1941-","Institute for Youth Entrepreneurship","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Evelyn","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Howard, Herman","Martin, Steve","Draper, Louis H., 1935-2002","DeCarava, Roy, 1919-2009","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Barboza, Anthony, 1944-","New York (N.Y.). Department of Commerce and Industrial Development","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Uniworld Group, Inc. (Bethesda, Md.)","Barboza, Anthony, 1944-","Mingo, Jones, Guilmenot, Inc.","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","De-Lite Records","PolyGram Records, Inc.","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Barboza, Anthony, 1944-","Obscura","Barboza, Anthony, 1944-","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Cowans, Adger W., 1936-","Cowans, Adger W., 1936-","College of New Rochelle","Cowans, Adger W., 1936-","Dix, Seldon","Littles, Dolores Allen","Cowans, Adger W., 1936-","Cowans, Adger W., 1936-","Dawson, C. Daniel","Dawson, C. Daniel","DeCarava, Roy, 1919-2009","DeCarava, Roy, 1919-2009","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Draper, Louis H., 1935-2002","Fennar, Albert, 1938-","Francis, James \"Ray\"","Francis, James \"Ray\"","Mannas, James \"Jimmie\" M., 1941-","Martin, Steve","American Visions","Martin, Steve","Martin, Steve","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Randall, Herbert, 1936-","Randall, Herbert, 1936-","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Robinson, Herb","Robinson, Herb","Rudolph, Sa","National Urban League","Gallery 62","DeCarava, Roy, 1919-2009","Ten.8","Wilmer, Val (Valerie), 1941-","American Visions","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Photo/Chronicles","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Smith, Ming, 1950-","Stewart, Frank, 1949-","Walker, Shawn, 1940-","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Draper, Louis H., 1935-2002","Martin, Steve","Walker, Shawn, 1940-","Walker, Shawn, 1940-","Barboza, Anthony, 1944-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Madison, Clarence","Kenkeleba Gallery","Stewart, Frank, 1949-","College of New Rochelle","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Draper, Louis H., 1935-2002","Robinson, Herb","Draper, Louis H., 1935-2002","Randall, Herbert, 1936-","Fennar, Albert, 1938-","Barboza, Anthony, 1944-","Martin, Steve","Martin, Steve","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Greene, Cheryll Y., 1943-2013","Smith, Beuford, 1941-","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Mannas, James \"Jimmie\" M., 1941-","Wilkinson, Carlton","Draper, Louis H., 1935-2002","Draper, Louis H., 1935-2002","Kauffman, Aubrey","Kauffman, Aubrey","Kauffman, Aubrey","Kauffman, Aubrey","Draper, Louis H., 1935-2002","Saretzky, Gary D.","Leipzig, Melvin, 1935-","Saretzky, Gary D.","Kauffman, Aubrey","Saretzky, Gary D.","Baskakov, Andrew","Kauffman, Aubrey","Mutterperl, Mindy","Kauffman, Aubrey","Brodsky, Judith","Draper, Louis H., 1935-2002","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Chuvash ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova"],"_nest_path_":"/components#0/components#2","timestamp":"2026-05-01T00:06:08.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["VA-04","/repositories/2/resources/37"],"text":["VA-04","/repositories/2/resources/37","Louis H. Draper Artist Archives (VA-04)","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). ","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. ","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. ","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","English \n. "],"unitid_tesim":["VA-04","/repositories/2/resources/37"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"collection_title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creator_persname_ssim":["Draper, Louis H., 1935-2002"],"creator_corpname_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"creators_ssim":["Draper, Louis H., 1935-2002","Louis H. Draper Preservation Trust","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website .","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 1\u003c/label\u003e\n \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 2\u003c/label\u003e\n \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 3\u003c/label\u003e\n \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 4\u003c/label\u003e\n \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 5\u003c/label\u003e\n \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 6\u003c/label\u003e\n \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 7\u003c/label\u003e\n \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 8\u003c/label\u003e\n \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 9\u003c/label\u003e\n \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 10\u003c/label\u003e\n \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003cdefitem\u003e\n \u003clabel\u003eSeries 11\u003c/label\u003e\n \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n \u003c/defitem\u003e\n \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1 Manuscripts, 1947-2005, undated Series 2 Publications, 1959-2005, undated Series 3 Photography: Portraits, 1958-2001, undated Series 4 Photography: United States Locations, 1957-1999, undated Series 5 Photography: International Locations, 1978-1990, undated Series 6 Photography: Landscapes and Abstractions, 1960-2000, undated Series 7 Portfolios, 1964, undated Series 8 Photographic Equipment, 1945-1988, undated Series 9 Audiovisual Materials, 1972-2000, undated Series 10 Born Digital Files, 1996-2001, undated Series 11 Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e\n","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e\n","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e\n","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e\n","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e\n","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e\n","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e\n","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e\n","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e\n","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e\n","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e\n","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e\n","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e\n","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e\n","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e\n","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. ","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia ( email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019 ). ","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. ","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection ( email to Courtney Tkacz from Gary Saretzky, June 28, 2019 ). "],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License .","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e"],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. 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Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June","","University of Virginia. 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Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n Colleges","The College Language\n Association","Columbia University's Oral History Research\n Office","American Poetry Society","Columbia University, Oral History Research\n Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n Club","\n Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n Company","Delta Phi Delta","Brimmer Books","Hampton Institute","Braithwaite Family","Braithwaite\n Family","William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n Colleges","The College Language\n Association","Columbia University's Oral History Research\n Office","American Poetry Society","Columbia University, Oral History Research\n Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n Club","\n Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n Company","Delta Phi Delta","Brimmer Books","Hampton Institute"],"famname_ssim":["Braithwaite Family","Braithwaite\n Family"],"persname_ssim":["William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:20:52.067Z","bioghist_html_tesm":["\u003cchronlist\u003e\n \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n \u003cevent\u003eMarriage of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n parents \n \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n \u003cpersname\u003eWilliam Smith Braithwaite\n (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n sister, \n \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n \u003cevent\u003eBirth of a sister; she dies in \n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n father\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n \u003cevent\u003eMap of \n \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n exhibited at the \n \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 12, obtains first job (selling newspapers in \n \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n a \n \u003cgeogname\u003eNewport, Rhode\n Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n \u003cevent\u003ePublishes first novel, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n \u003cevent\u003eMarries \n \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n children: \n \u003cpersname\u003eFiona Lydia Rossetti\n Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n Agard), \n \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eFrancis Robinson\n Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n support of \n \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n poets and writes essays\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"White Magic\", honoring \n \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n Braithwaite at Faneuil Hall, \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n \u003cevent\u003ePlans \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n \u003cevent\u003eSporadically publishes and edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"The Mystery\" is published in the October issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n \u003cevent\u003ePlans a book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n membership in \n \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n \u003cevent\u003eAwarded the Spingarn Medal, \n \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n meeting of the \n \u003ccorpname\u003eNational Association For The Advancement of\n Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n and a Litt.D. from \n \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n \u003cevent\u003eWrites introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n \u003cevent\u003eFounds and becomes editor-in-chief of \n \u003ccorpname\u003eB. J. Brimmer Publishing\n Company\u003c/corpname\u003ewith \n \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n \u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n Literature\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n mother; he publishes a book of stories, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n \u003cevent\u003eAppointed Professor of Creative Literature at \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n 1945\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n 1935 issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n opportunity of providing editorial assistance\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n poetry critic\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n on a program committee for the \n \u003ccorpname\u003eAssociation of Teachers of English in Negro\n Colleges\u003c/corpname\u003e(later \n \u003ccorpname\u003eThe College Language\n Association\u003c/corpname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n paternal uncle, \n \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n autobiography, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n \u003cevent\u003eAn M. A. thesis by \n \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n career\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n \u003cevent\u003eRetires from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n \u003cevent\u003ePublishes an article in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n \u003cevent\u003eInterviewed by \n \u003ccorpname\u003eColumbia University's Oral History Research\n Office\u003c/corpname\u003efrom May to June: \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n \u003cevent\u003eLiterary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n brother Arthur on 24 September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n \u003cevent\u003eCo-edits 1958 \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n efforts are hampered by his failing eyesight\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n \u003cevent\u003eAn \n \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n held in \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; he writes the\n preface to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Voice In Ramah: Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMarion Buchman\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1962\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 83, on 8 June in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; funeral held on 12\n June\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu00186_c04_c04"}},{"id":"viu_viu00186","type":"collection","attributes":{"title":"William Stanley Braithwaite Papers \n 1882-1970","creator":{"id":"https://search.arvasarchive.org/catalog/viu_viu00186#creator","type":"document_value","attributes":{"value":"","label":"Creator"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00186#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_viu00186","ead_ssi":"viu_viu00186","_root_":"viu_viu00186","_nest_parent_":"viu_viu00186","ead_source_url_ssi":"data/uva-sc/viu00186.xml","title_ssm":["William Stanley Braithwaite Papers \n 1882-1970"],"title_tesim":["William Stanley Braithwaite Papers \n 1882-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8990-b"],"text":["8990-b","William Stanley Braithwaite Papers \n 1882-1970","7 ft.","BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE 1875 Marriage of \n William Stanley Braithwaite 's\n parents \n Emma DeWolfe (1860-1928) and \n William Smith Braithwaite\n (1853-1886) 1876 Birth of \n William Stanley Braithwaite 's\n sister, \n Eva Braithwaite 1878 Birth of \n William Stanley Braithwaite in \n Boston, Massachusetts on 6\n December 1885 Birth of a sister; she dies in \n 1894 1886 Death of \n William Stanley Braithwaite 's\n father 1889 Map of \n Europe drawn by \n William Stanley Braithwaite is\n exhibited at the \n Paris fair 1890 William Stanley Braithwaite , age\n 12, obtains first job (selling newspapers in \n Boston ) 1898 William Stanley Braithwaite manages\n a \n Newport, Rhode\n Island bookstore 1901 Publishes first novel, \n The Canadian, A Novel 1903 Marries \n Emma Kelly on 30 June; seven\n children: \n Fiona Lydia Rossetti\n Braithwaite (Mrs. \n Merrill Carter ), \n Katherine Keats Braithwaite (Mrs. \n William J. Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June","","University of Virginia. 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Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol","English"],"unitid_tesim":["8990-b"],"normalized_title_ssm":["William Stanley Braithwaite Papers \n 1882-1970"],"collection_title_tesim":["William Stanley Braithwaite Papers \n 1882-1970"],"collection_ssim":["William Stanley Braithwaite Papers \n 1882-1970"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Gift, 1985 Jul 3"],"has_online_content_ssim":["false"],"physdesc_tesim":["7 ft."],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE 1875 Marriage of \n William Stanley Braithwaite 's\n parents \n Emma DeWolfe (1860-1928) and \n William Smith Braithwaite\n (1853-1886) 1876 Birth of \n William Stanley Braithwaite 's\n sister, \n Eva Braithwaite 1878 Birth of \n William Stanley Braithwaite in \n Boston, Massachusetts on 6\n December 1885 Birth of a sister; she dies in \n 1894 1886 Death of \n William Stanley Braithwaite 's\n father 1889 Map of \n Europe drawn by \n William Stanley Braithwaite is\n exhibited at the \n Paris fair 1890 William Stanley Braithwaite , age\n 12, obtains first job (selling newspapers in \n Boston ) 1898 William Stanley Braithwaite manages\n a \n Newport, Rhode\n Island bookstore 1901 Publishes first novel, \n The Canadian, A Novel 1903 Marries \n Emma Kelly on 30 June; seven\n children: \n Fiona Lydia Rossetti\n Braithwaite (Mrs. \n Merrill Carter ), \n Katherine Keats Braithwaite (Mrs. \n William J. Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. 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Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:20:52.067Z","bioghist_html_tesm":["\u003cchronlist\u003e\n \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n \u003cevent\u003eMarriage of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n parents \n \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n \u003cpersname\u003eWilliam Smith Braithwaite\n (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n sister, \n \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n \u003cevent\u003eBirth of a sister; she dies in \n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n father\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n \u003cevent\u003eMap of \n \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n exhibited at the \n \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 12, obtains first job (selling newspapers in \n \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n a \n \u003cgeogname\u003eNewport, Rhode\n Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n \u003cevent\u003ePublishes first novel, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n \u003cevent\u003eMarries \n \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n children: \n \u003cpersname\u003eFiona Lydia Rossetti\n Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n Agard), \n \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eFrancis Robinson\n Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n support of \n \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n poets and writes essays\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"White Magic\", honoring \n \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n Braithwaite at Faneuil Hall, \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n \u003cevent\u003ePlans \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n \u003cevent\u003eSporadically publishes and edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"The Mystery\" is published in the October issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n \u003cevent\u003ePlans a book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n membership in \n \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n \u003cevent\u003eAwarded the Spingarn Medal, \n \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n meeting of the \n \u003ccorpname\u003eNational Association For The Advancement of\n Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n and a Litt.D. from \n \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n \u003cevent\u003eWrites introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n \u003cevent\u003eFounds and becomes editor-in-chief of \n \u003ccorpname\u003eB. J. Brimmer Publishing\n Company\u003c/corpname\u003ewith \n \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n \u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n Literature\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n mother; he publishes a book of stories, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n \u003cevent\u003eAppointed Professor of Creative Literature at \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n 1945\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n 1935 issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n opportunity of providing editorial assistance\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n poetry critic\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n on a program committee for the \n \u003ccorpname\u003eAssociation of Teachers of English in Negro\n Colleges\u003c/corpname\u003e(later \n \u003ccorpname\u003eThe College Language\n Association\u003c/corpname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n paternal uncle, \n \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n autobiography, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n \u003cevent\u003eAn M. A. thesis by \n \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n career\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n \u003cevent\u003eRetires from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n \u003cevent\u003ePublishes an article in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n \u003cevent\u003eInterviewed by \n \u003ccorpname\u003eColumbia University's Oral History Research\n Office\u003c/corpname\u003efrom May to June: \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n \u003cevent\u003eLiterary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n brother Arthur on 24 September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n \u003cevent\u003eCo-edits 1958 \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n efforts are hampered by his failing eyesight\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n \u003cevent\u003eAn \n \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n held in \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; he writes the\n preface to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Voice In Ramah: Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMarion Buchman\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1962\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 83, on 8 June in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; funeral held on 12\n June\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003c/chronlist\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00186","ead_ssi":"viu_viu00186","_root_":"viu_viu00186","_nest_parent_":"viu_viu00186","ead_source_url_ssi":"data/uva-sc/viu00186.xml","title_ssm":["William Stanley Braithwaite Papers \n 1882-1970"],"title_tesim":["William Stanley Braithwaite Papers \n 1882-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8990-b"],"text":["8990-b","William Stanley Braithwaite Papers \n 1882-1970","7 ft.","BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE 1875 Marriage of \n William Stanley Braithwaite 's\n parents \n Emma DeWolfe (1860-1928) and \n William Smith Braithwaite\n (1853-1886) 1876 Birth of \n William Stanley Braithwaite 's\n sister, \n Eva Braithwaite 1878 Birth of \n William Stanley Braithwaite in \n Boston, Massachusetts on 6\n December 1885 Birth of a sister; she dies in \n 1894 1886 Death of \n William Stanley Braithwaite 's\n father 1889 Map of \n Europe drawn by \n William Stanley Braithwaite is\n exhibited at the \n Paris fair 1890 William Stanley Braithwaite , age\n 12, obtains first job (selling newspapers in \n Boston ) 1898 William Stanley Braithwaite manages\n a \n Newport, Rhode\n Island bookstore 1901 Publishes first novel, \n The Canadian, A Novel 1903 Marries \n Emma Kelly on 30 June; seven\n children: \n Fiona Lydia Rossetti\n Braithwaite (Mrs. \n Merrill Carter ), \n Katherine Keats Braithwaite (Mrs. \n William J. Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June","","University of Virginia. Library. Special\n Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n Colleges","The College Language\n Association","Columbia University's Oral History Research\n Office","American Poetry Society","Columbia University, Oral History Research\n Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n Club","\n Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n Company","Delta Phi Delta","Brimmer Books","Hampton Institute","Braithwaite Family","Braithwaite\n Family","William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol","English"],"unitid_tesim":["8990-b"],"normalized_title_ssm":["William Stanley Braithwaite Papers \n 1882-1970"],"collection_title_tesim":["William Stanley Braithwaite Papers \n 1882-1970"],"collection_ssim":["William Stanley Braithwaite Papers \n 1882-1970"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Gift, 1985 Jul 3"],"has_online_content_ssim":["false"],"physdesc_tesim":["7 ft."],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE 1875 Marriage of \n William Stanley Braithwaite 's\n parents \n Emma DeWolfe (1860-1928) and \n William Smith Braithwaite\n (1853-1886) 1876 Birth of \n William Stanley Braithwaite 's\n sister, \n Eva Braithwaite 1878 Birth of \n William Stanley Braithwaite in \n Boston, Massachusetts on 6\n December 1885 Birth of a sister; she dies in \n 1894 1886 Death of \n William Stanley Braithwaite 's\n father 1889 Map of \n Europe drawn by \n William Stanley Braithwaite is\n exhibited at the \n Paris fair 1890 William Stanley Braithwaite , age\n 12, obtains first job (selling newspapers in \n Boston ) 1898 William Stanley Braithwaite manages\n a \n Newport, Rhode\n Island bookstore 1901 Publishes first novel, \n The Canadian, A Novel 1903 Marries \n Emma Kelly on 30 June; seven\n children: \n Fiona Lydia Rossetti\n Braithwaite (Mrs. \n Merrill Carter ), \n Katherine Keats Braithwaite (Mrs. \n William J. Arnold ), \n William Stanley Braithwaite, Jr. , \n Edith Carman Braithwaite (Mrs.\n Agard), \n Paul Ledoux Braithwaite , \n Arnold DeWolfe Braithwaite , \n Francis Robinson\n Braithwaite 1904 Publishes \n Lyrics of Life and Love 1906 Edits \n The Book of Elizabethan Verse ; elected to the \n Boston Author's Club with the\n support of \n Thomas Wentworth Higginson and \n Julia Ward Howe ; begins writing for\n the \n Boston Evening Transcript on 14 February; he reviews American poetry and\n poets and writes essays 1907 William Stanley Braithwaite poem\n \"White Magic\", honoring \n John Greenleaf Whittier , is read by\n Braithwaite at Faneuil Hall, \n Boston, Massachusetts on 17\n December 1908 Publishes \n The House of Falling Leaves ; writes an essay introduction for \n The Wounded Eros: Sonnets by Charles Gibson 1909 Publishes poem \"Sandy Star\" in the July issue of \n Atlantic Monthly ; also edits \n The Book of Georgian Verse 1909-1910 Plans \n \"The Book of Victorian Verse\" but it is never published 1910 Edits \n The Book of Restoration Verse 1912-1914 Sporadically publishes and edits \n Poetry Journal until it is taken over by others 1913-1929 Edits \n Anthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . . until 1929 1915 William Stanley Braithwaite poem\n \"The Mystery\" is published in the October issue of \n Scribners ; literary criticism by Braithwaite is\n published in \n The Poetry Journal , \n \"Poetry of The Public\" ; he organizes the \n New England Poetry Club with \n Edward J. O'Brien 1916 Edits \n Representative American Poetry with \n Henry Thomas Schittkind ; also edits\n The Poetic Year For 1916 and \n The Poets of The Future: A College Anthology\n of 1915/16 1916-1917 Edits \n The Stratford Monthly with \n Henry Thomas Schnittkind 1917 Plans a book, \n \"The Seven Wisdoms of Grainne\" but does not complete it; accepts honorary\n membership in \n Alpha Phi Alpha fraternity 1918 Awarded the Spingarn Medal, \n First Baptist Church , \n Providence, Rhode Island , during a\n meeting of the \n National Association For The Advancement of\n Colored People (NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n The Golden Treasury of Magazine Verse ; awarded an honorary A. M. (Masters) degree\n from \n Atlanta University for his poetry\n and a Litt.D. from \n Talladega College ; writes\n introduction to \n The Heart of A Woman And Other Poems by \n Georgia D. Johnson 1919 Publishes \n The Story of The Great War ; edits \n Victory! Celebrated By Thirty-eight American\n Poets ; literary criticism published in \n The Crisis , \"Some Contemporary Poets of The Negro Race\";\n edits \n The Book of Modern British Verse 1920 Publishes \n Our Essayists And Critics Today 1921 Writes introduction to \n The Beggars' Vision by \n Brookes More ; publishes poetry\n volume, \n A Tale Of A Walled Town And Other\n Verses 1921-1927 Founds and becomes editor-in-chief of \n B. J. Brimmer Publishing\n Company with \n Winifred Jackson as a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.) 1922 William Stanley Braithwaite edits \n Anthology of Massachusetts Poets ; \n B. J. Brimmer publishes \n Bronze: A Book of Verse by \n Georgia Douglas Johnson 1924 B. J. Brimmer publishes \n Confusion by \n James Gould Cozzens ; \n William Stanley\n Braithwaite publishes \"The New Negro In\n Literature\" in \n The Crisis , and, \n Going Over Tindal, A Novel 1928 Death of \n William Stanley Braithwaite 's\n mother; he publishes a book of stories, \n Frost On The Green Leaf 1931 Edits \n Our Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters 1934 Literary criticism, \"The Novels of Jessie Faust,\"\n published in \n Opportunity 1934-1935 Appointed Professor of Creative Literature at \n Atlanta University ; retires in\n 1945 1935 Alan F. Peter of the \n Poetry Digest Association plans a\n 1935 issue of \n Anthology of Magazine Verse and offers \n William Stanley Braithwaite the\n opportunity of providing editorial assistance 1936 William Stanley Braithwaite writes\n introduction to \n We Lift Our Voices And Other Poems by \n Mae V. Cowdery 1937 Sterling Brown , in \n Negro Poetry \u0026 Drama , praises \n William Stanley Braithwaite as a\n poetry critic 1938 William Stanley Braithwaite serves\n on a program committee for the \n Association of Teachers of English in Negro\n Colleges (later \n The College Language\n Association ) 1939 Death of \n William Stanley Braithwaite 's\n paternal uncle, \n Edward John Braithwaite , age 85, in\n September 1940 William Stanley\n Braithwaite publishes \n The Years Between 1918-39 and \n Poems, New and Selected 1941-1942 William Stanley Braithwaite 's\n autobiography, \n \"The House Under Acturus\" is serialized in five installments in \n Phylon during 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904 1942 An M. A. thesis by \n Alma Westine Stone of \n Atlanta University examines \n William Stanley Braithwaite 's\n career 1945 Retires from \n Atlanta University and moves to \n Harlem, New York City 1947 Publishes an article in \n Negro Digest , \"Negro America's First Magazine\" 1948 Publishes \n Selected Poems 1950 Publishes \n The Bewitched Parsonage: The Story of The\n Brontes 1956 Interviewed by \n Columbia University's Oral History Research\n Office from May to June: \n \"The Reminiscences of William S.\n Braithwaite\" 1957 Literary criticism published in \n Phylon , \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n William Stanley Braithwaite 's\n brother Arthur on 24 September 1958 Co-edits 1958 \n Anthology of Magazine Verse with \n Margaret Carpenter , a \n Norfolk, Virginia , poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n William Stanley Braithwaite 's\n efforts are hampered by his failing eyesight 1959 An \n American Poetry Society dinner is\n held in \n William Stanley Braithwaite 's honor\n in \n New York City ; he writes the\n preface to \n A Voice In Ramah: Poems by \n Marion Buchman 1962 Death of \n William Stanley Braithwaite , age\n 83, on 8 June in \n New York City ; funeral held on 12\n June"],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n Colleges","The College Language\n Association","Columbia University's Oral History Research\n Office","American Poetry Society","Columbia University, Oral History Research\n Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n Club","\n Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n Company","Delta Phi Delta","Brimmer Books","Hampton Institute","Braithwaite Family","Braithwaite\n Family","William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"corpname_ssim":["University of Virginia. Library. Special\n Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n Colleges","The College Language\n Association","Columbia University's Oral History Research\n Office","American Poetry Society","Columbia University, Oral History Research\n Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n Club","\n Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n Company","Delta Phi Delta","Brimmer Books","Hampton Institute"],"famname_ssim":["Braithwaite Family","Braithwaite\n Family"],"persname_ssim":["William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n BRAITHWAITE","William Stanley\n Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n Braithwaite","Arnold DeWolfe\n Braithwaite","Edith Carman\n Braithwaite","Edward John\n Braithwaite","Emma DeWolfe\n Braithwaite","Emma Kelly\n Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n Braithwaite","Francis Robinson\n Braithwaite","Katherine Keats\n Braithwaite","Paul Ledoux\n Braithwaite","William Stanley Braithwaite,\n Jr.","William Stanley Braithwaite,\n Jr.","Lillian K. Coleman","Lillian\n Valentine","Sadie De Wolfe\n (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:20:52.067Z","bioghist_html_tesm":["\u003cchronlist\u003e\n \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n BRAITHWAITE\u003c/head\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n \u003cevent\u003eMarriage of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n parents \n \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n \u003cpersname\u003eWilliam Smith Braithwaite\n (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n sister, \n \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n \u003cevent\u003eBirth of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n \u003cevent\u003eBirth of a sister; she dies in \n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n father\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n \u003cevent\u003eMap of \n \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n exhibited at the \n \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n 12, obtains first job (selling newspapers in \n \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n a \n \u003cgeogname\u003eNewport, Rhode\n Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n \u003cevent\u003ePublishes first novel, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n \u003cevent\u003eMarries \n \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n children: \n \u003cpersname\u003eFiona Lydia Rossetti\n Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n Agard), \n \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n \u003cpersname\u003eFrancis Robinson\n Braithwaite\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n support of \n \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n the \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n poets and writes essays\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"White Magic\", honoring \n \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n Braithwaite at Faneuil Hall, \n \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n December\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n \u003cevent\u003ePlans \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n \u003cevent\u003eSporadically publishes and edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n \"The Mystery\" is published in the October issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n \u003cevent\u003ePlans a book, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n membership in \n \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n \u003cevent\u003eAwarded the Spingarn Medal, \n \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n meeting of the \n \u003ccorpname\u003eNational Association For The Advancement of\n Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n \"distinguished achievement in literature\"; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n and a Litt.D. from \n \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n edits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n \u003cevent\u003eWrites introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n volume, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n \u003cevent\u003eFounds and becomes editor-in-chief of \n \u003ccorpname\u003eB. J. Brimmer Publishing\n Company\u003c/corpname\u003ewith \n \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n company treasurer; she buys the company in 1925, the\n same year of its bankruptcy(?) (Several documents in the\n collection indicate the company may have remained\n solvent until 1929.)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n \u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n Literature\" in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n mother; he publishes a book of stories, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n \u003cevent\u003eEdits \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n \u003cevent\u003eAppointed Professor of Creative Literature at \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n 1945\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n 1935 issue of \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n opportunity of providing editorial assistance\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n introduction to \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n poetry critic\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n on a program committee for the \n \u003ccorpname\u003eAssociation of Teachers of English in Negro\n Colleges\u003c/corpname\u003e(later \n \u003ccorpname\u003eThe College Language\n Association\u003c/corpname\u003e)\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n \u003cevent\u003eDeath of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n paternal uncle, \n \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n Braithwaite\u003c/persname\u003epublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n autobiography, \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n to the publication of his first book of poems in\n 1904\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n \u003cevent\u003eAn M. A. thesis by \n \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n career\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n \u003cevent\u003eRetires from \n \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n \u003cevent\u003ePublishes an article in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n \u003cevent\u003ePublishes \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n \u003cevent\u003eInterviewed by \n \u003ccorpname\u003eColumbia University's Oral History Research\n Office\u003c/corpname\u003efrom May to June: \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n \u003cevent\u003eLiterary criticism published in \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n American Literature\"; death of \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n brother Arthur on 24 September\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n \u003cevent\u003eCo-edits 1958 \n \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n admirer; it includes a selection of poetry from the\n previous anthologies; \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n efforts are hampered by his failing eyesight\u003c/event\u003e\n \u003c/chronitem\u003e\n \u003cchronitem\u003e\n \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n \u003cevent\u003eAn \n \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n held in \n \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n in \n \u003cgeogname\u003eNew York City\u003c/geogname\u003e; 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