{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=7266\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=7265\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=7267\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Subseries\u0026page=7278\u0026view=compact"},"meta":{"pages":{"current_page":7266,"next_page":7267,"prev_page":7265,"total_pages":7278,"limit_value":10,"offset_value":72650,"total_count":72774,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_viu04006_c102_c06","type":"Subseries","attributes":{"title":"Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_viu04006_c102_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Historic Homes-York Hall (227-3); Historic Homes-York Hall from beyond gate (227-2); Historic Homes-Gardener's house at York Hall (227-1); Historic Homes-Gate at York Hall (2619); Historic Homes-Gardener's house at York Hall (227); Historic Homes-Dirt road near York Hall (2619-6); Historic Homes-Garden at York Hall (2619-1); Historic Homes-Pergola and garden at York Hall (2619-2); Historic Homes-York Hall garden (2619-4); Historic Homes-York Hall from garden (2619-7); Historic Homes-York Hall from garden (2619-8). \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu04006_c102_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu04006_c102_c06","ref_ssm":["viu_viu04006_c102_c06"],"id":"viu_viu04006_c102_c06","ead_ssi":"viu_viu04006","_root_":"viu_viu04006","_nest_parent_":"viu_viu04006_c102","parent_ssi":"viu_viu04006_c102","parent_ssim":["viu_viu04006","viu_viu04006_c102"],"parent_ids_ssim":["viu_viu04006","viu_viu04006_c102"],"parent_unittitles_ssm":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950","York County"],"parent_unittitles_tesim":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950","York County"],"text":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950","York County","Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,","box-folder 15:5","\nHistoric Homes-York Hall (227-3); Historic Homes-York Hall from beyond gate (227-2); Historic Homes-Gardener's house at York Hall (227-1); Historic Homes-Gate at York Hall (2619); Historic Homes-Gardener's house at York Hall (227); Historic Homes-Dirt road near York Hall (2619-6); Historic Homes-Garden at York Hall (2619-1); Historic Homes-Pergola and garden at York Hall (2619-2); Historic Homes-York Hall garden (2619-4); Historic Homes-York Hall from garden (2619-7); Historic Homes-York Hall from garden (2619-8).\n\t"],"title_filing_ssi":"Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,\n\t","title_ssm":["Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,\n\t"],"title_tesim":["Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,\n\t"],"normalized_title_ssm":["Yorktown, York Hall: 11 photographs by P. I. Flournoy and R. F. Nelson,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":440,"containers_ssim":["box-folder 15:5"],"scopecontent_html_tesm":["\u003cp\u003e\nHistoric Homes-York Hall (227-3); Historic Homes-York Hall from beyond gate (227-2); Historic Homes-Gardener's house at York Hall (227-1); Historic Homes-Gate at York Hall (2619); Historic Homes-Gardener's house at York Hall (227); Historic Homes-Dirt road near York Hall (2619-6); Historic Homes-Garden at York Hall (2619-1); Historic Homes-Pergola and garden at York Hall (2619-2); Historic Homes-York Hall garden (2619-4); Historic Homes-York Hall from garden (2619-7); Historic Homes-York Hall from garden (2619-8).\n\t\u003c/p\u003e"],"scopecontent_tesim":["\nHistoric Homes-York Hall (227-3); Historic Homes-York Hall from beyond gate (227-2); Historic Homes-Gardener's house at York Hall (227-1); Historic Homes-Gate at York Hall (2619); Historic Homes-Gardener's house at York Hall (227); Historic Homes-Dirt road near York Hall (2619-6); Historic Homes-Garden at York Hall (2619-1); Historic Homes-Pergola and garden at York Hall (2619-2); Historic Homes-York Hall garden (2619-4); Historic Homes-York Hall from garden (2619-7); Historic Homes-York Hall from garden (2619-8).\n\t"],"_nest_path_":"/components#101/components#5","timestamp":"2026-05-01T02:38:22.005Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu04006","ead_ssi":"viu_viu04006","_root_":"viu_viu04006","_nest_parent_":"viu_viu04006","ead_source_url_ssi":"data/uva-sc/viu04006.xml","title_ssm":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950\n"],"title_tesim":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["9698\n"],"text":["9698\n","Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950","This collection consists of 2329 black and white photographs.","The collection is arranged alphabetically by the name of the Virginia political division (city or county) or geographic region (Eastern Shore, Piedmont) in which the photographs were taken. In addition, there are a few topical groupings (Highways).\n","The collection consists of black and white photographs of scenes in Virginia. Topics include recreational activities, business and industry, people, events and historic buildings.\n","English\n"],"unitid_tesim":["9698\n"],"normalized_title_ssm":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950"],"collection_title_tesim":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950"],"collection_ssim":["Picture file from the Richmond Times-Dispatch and Richmond News-Leader 1925-1950"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was an archival transfer from the Reference Division, University of Virginia Library, 1971 February 23.\n"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of 2329 black and white photographs."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by the name of the Virginia political division (city or county) or geographic region (Eastern Shore, Piedmont) in which the photographs were taken. In addition, there are a few topical groupings (Highways).\n\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged alphabetically by the name of the Virginia political division (city or county) or geographic region (Eastern Shore, Piedmont) in which the photographs were taken. In addition, there are a few topical groupings (Highways).\n"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of black and white photographs of scenes in Virginia. Topics include recreational activities, business and industry, people, events and historic buildings.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The collection consists of black and white photographs of scenes in Virginia. Topics include recreational activities, business and industry, people, events and historic buildings.\n"],"language_ssim":["English\n"],"total_component_count_is":440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:38:22.005Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu04006_c102_c06"}},{"id":"viu_viu01321_c01_c91","type":"Subseries","attributes":{"title":"You Are Two People: O'Leary and Other\n Irish Poems \n n.d.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu01321_c01_c91#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu01321_c01_c91","ref_ssm":["viu_viu01321_c01_c91"],"id":"viu_viu01321_c01_c91","ead_ssi":"viu_viu01321","_root_":"viu_viu01321","_nest_parent_":"viu_viu01321_c01","parent_ssi":"viu_viu01321_c01","parent_ssim":["viu_viu01321","viu_viu01321_c01"],"parent_ids_ssim":["viu_viu01321","viu_viu01321_c01"],"parent_unittitles_ssm":["Papers of Margaret and John Travers Moore \n \n 1914-1994","Manuscripts"],"parent_unittitles_tesim":["Papers of Margaret and John Travers Moore \n \n 1914-1994","Manuscripts"],"text":["Papers of Margaret and John Travers Moore \n \n 1914-1994","Manuscripts","You Are Two People: O'Leary and Other\n Irish Poems \n n.d.","Box 13"],"title_filing_ssi":"You Are Two People: O'Leary and Other\n Irish Poems \n n.d.","title_ssm":["You Are Two People: O'Leary and Other\n Irish Poems \n n.d."],"title_tesim":["You Are Two People: O'Leary and Other\n Irish Poems \n n.d."],"normalized_title_ssm":["You Are Two People: O'Leary and Other\n Irish Poems \n n.d."],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":92,"containers_ssim":["Box 13"],"_nest_path_":"/components#0/components#90","timestamp":"2026-05-01T02:23:35.655Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu01321","ead_ssi":"viu_viu01321","_root_":"viu_viu01321","_nest_parent_":"viu_viu01321","ead_source_url_ssi":"data/uva-sc/viu01321.xml","title_ssm":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"title_tesim":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["11161"],"text":["11161","Papers of Margaret and John Travers Moore \n \n 1914-1994","ca. 8,000 items (27\n Hollinger boxes; 11 linear shelf feet)","The papers have been arranged in three large series: I)\n Manuscripts (Boxes 1-14); II) Correspondence Files (Boxes\n 15-23); and III) Memorabilia and Miscellaneous Material. The\n Correspondence Series retains the original reverse\n chronological order of the files.","Information about the life and publications of Margaret and\n John Travers Moore can be found throughout the collection but\n particularly in the Memorabilia Series in the Introduction to\n the Files (Box 25) compiled by John T. Moore, 1984-1994, which\n reveals much about how Moore viewed their work and their\n relationships to publishers, friends, and family. About eleven\n hundred letters listed in this introduction were housed in\n photographic albums but these were removed and interfiled for\n preservation purposes. Other files with personal information\n include: Certificates and Awards (Box 24), Genealogy and\n Family History (Box 24), Photographs (Box 25), Newsclippings\n (Box 25), Scrapbooks of Press Releases and Poems published in\n Periodicals (Box 26), and the oversize photograph album\n arranged in rough chronological order and identified by\n Moore.","Published sources include Contemporary Authors (1995), The\n Marquis Who's Who in America, page 2435 (1994) and Who's Who\n in American Women (1982).","This collection consists of the papers of Margaret\n (1903-1984) and John Travers Moore (1908-1994), ca. 1914-1994,\n ca. 8,000 items (27 Hollinger boxes; 11 linear shelf feet),\n poets and authors who published their material in a wide\n variety of journals, magazines, and books from the 1930's\n until John Moore's death in 1994. The papers include published\n and unpublished literary manuscripts, correspondence, audio\n and video recordings, artwork, memorabilia, bound volumes,\n photographs, books (transferred to the Rare Books Division),\n printed material, newsclippings, scrapbooks, certificates and\n awards, genealogy notes, several philatelic covers, a bust of\n John Travers Moore and paintings by Robert J. Smith, a friend\n of Moore's, and sheet music by Moore.","The manuscripts series (Boxes 1-14) contains mostly\n unpublished manuscripts. Those that have been published\n include: \n All Along the Way, The First Moon\n Landing, How Can I Show You God, Jeannette?, The Little Band\n and the Inaugural Parade, Pepito's Journey, Pepito's Speech at\n the United Nations, Pepito's World, Sappho's\n Poetry, and \n The Story of Silent Night .","The correspondence series (Boxes 15-23) contains\n correspondence with editors and publishers, friends and\n family, and others, arranged alphabetically by folder title.\n Persons with their own correspondence folders include: Jean\n Pierre and Muriel de Chambrun (friends of the Moores for\n almost forty years); James E. Creekman (Moore's dismissed\n attorney); Harris and Hazel Huston (some of his oldest\n friends; Harris attended law school with Moore and served in\n the American Embassy at Curacao, Netherlands Antilles); Tina\n Miller (editor at D.C. Heath and Company); nephew Jerry Moore\n (writes concerning Moore family genealogy and news); Margaret\n and John Moore to each other; Margaret and John Moore to their\n parents; George and Peggy Rumberger; artist and friend Robert\n Smith and Nancy Mackey (his daughter), see also drawings by\n Smith (Box 24) and list of large paintings at the end of the\n guide; and the University of Virginia, chiefly Edmund\n Berkeley, concerning Moore's intention of making the\n University the repository for his literary work.","The correspondence, 1929-1988, with George and Peggy\n Rumberger, Margaret's brother and sister-in-law, contains\n fourteen letters and photographs, 1944-1945, concerning the\n service of George Rumberger in the Corps of Engineers, U.S.\n Army, in Burma as a master sergeant during World War II.\n Rumberger won a citation for the Bronze Star for his advance\n planning for the Stillwell Road. Other items present in the\n Rumberger folder include a map of North Burma with Rumberger's\n notes about his itinerary and the area written in the margins.\n He also describes his experiences in Burma and India,\n mentioning riding elephants, hunting tigers, the deprivations\n and hardships of the soldiers, the Ledo Road, the dense and\n isolated jungles, and a Buddhist school in Burma. The folders\n of correspondence with individuals is the best source for\n personal information about the Moore's missing from the other\n files.","Topics with separate folders include: banking \u0026 savings\n bonds (Box 15); contracts (Box 15); copyrights (Box 16);\n Ireland as retirement location (Box 17); lectures (Box 17);\n the Nobel Peace Award nomination for \n Pepito and the United\n Nations trilogy (Box 18); Perfection Form Company\n Poetry Poster Series, etc. (Box 19); publishers and editors\n (Box 19); Spoken Arts publisher Arthur Luce Klein (Box 20);\n reprints \u0026 permissions (Box 20-21); royalties (Box 22);\n social security (Box 22); and Moore's controversy with the\n Walt Whitman Center for Arts and Humanities (Box 23).","Manuscripts and published books with their own\n correspondence folders include: \n Around the Corner from Our\n House (Box 15) which records the long term disagreement\n of John Travers Moore with Mr. and Mrs. Harry Lerner of Lerner\n Publications and Carolrhoda Books about the publication of \n Around the Corner from Our\n House and \n All Along the Way ; copyright\n concerns regarding \n The Story of Silent Night (Box\n 16); the composition and promotion of The \n Little Band and the Inaugural\n Parade as a musical play, including correspondence with\n Carol Davis and Denise Adams (Box 17); the publication of the \n Pepito and the United\n Nations trilogy by the United Nations (Boxes 18- 19);\n Moore's work on the World War II publication \n Plane Facts (Box 19); Moore's\n attempt to publish his manuscripts \"Portrait of America\" (Box\n 19); \"The Road\" formerly titled \"Jingalong\" (Box 21); \"Sinmin\n (Lord Elephant), which includes some wonderful letters from\n Burma, describing how to capture elephants (Box 22); \"Sports\n Poems\" (Box 22); and correspondence concerning Moore's classic\n children's book \n The Story of Silent Night .","This collection consists of the\n papers of Margaret (1903-1984) and John Travers Moore\n (1908-1994), ca. 1914-1994, ca. 8,000 items (27 Hollinger\n boxes; 11 linear shelf feet), poets and authors who published\n their material in a wide variety of journals, magazines, and\n books from the 1930's until John Moore's death in 1994. The\n papers include published and unpublished literary manuscripts,\n correspondence, audio and video recordings, artwork,\n memorabilia, bound volumes, photographs, books (transferred to\n the Rare Books Division), printed material, newsclippings,\n scrapbooks, certificates and awards, genealogy notes, several\n philatelic covers, a bust of John Travers Moore and paintings\n by Robert J. Smith, a friend of Moore's, and sheet music by\n Moore.","English"],"unitid_tesim":["11161"],"normalized_title_ssm":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"collection_title_tesim":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"collection_ssim":["Papers of Margaret and John Travers Moore \n \n 1914-1994"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Moore papers were bequeathed to the University of\n Virginia Library by John Travers Moore, Hendersonville,\n North Carolina, through his executor E.K. Morley, on\n December 5, 1994."],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 8,000 items (27\n Hollinger boxes; 11 linear shelf feet)"],"arrangement_html_tesm":["\u003cp\u003eThe papers have been arranged in three large series: I)\n Manuscripts (Boxes 1-14); II) Correspondence Files (Boxes\n 15-23); and III) Memorabilia and Miscellaneous Material. The\n Correspondence Series retains the original reverse\n chronological order of the files.\u003c/p\u003e"],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["The papers have been arranged in three large series: I)\n Manuscripts (Boxes 1-14); II) Correspondence Files (Boxes\n 15-23); and III) Memorabilia and Miscellaneous Material. The\n Correspondence Series retains the original reverse\n chronological order of the files."],"bioghist_html_tesm":["\u003cp\u003eInformation about the life and publications of Margaret and\n John Travers Moore can be found throughout the collection but\n particularly in the Memorabilia Series in the Introduction to\n the Files (Box 25) compiled by John T. Moore, 1984-1994, which\n reveals much about how Moore viewed their work and their\n relationships to publishers, friends, and family. About eleven\n hundred letters listed in this introduction were housed in\n photographic albums but these were removed and interfiled for\n preservation purposes. Other files with personal information\n include: Certificates and Awards (Box 24), Genealogy and\n Family History (Box 24), Photographs (Box 25), Newsclippings\n (Box 25), Scrapbooks of Press Releases and Poems published in\n Periodicals (Box 26), and the oversize photograph album\n arranged in rough chronological order and identified by\n Moore.\u003c/p\u003e","\u003cp\u003ePublished sources include Contemporary Authors (1995), The\n Marquis Who's Who in America, page 2435 (1994) and Who's Who\n in American Women (1982).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Information about the life and publications of Margaret and\n John Travers Moore can be found throughout the collection but\n particularly in the Memorabilia Series in the Introduction to\n the Files (Box 25) compiled by John T. Moore, 1984-1994, which\n reveals much about how Moore viewed their work and their\n relationships to publishers, friends, and family. About eleven\n hundred letters listed in this introduction were housed in\n photographic albums but these were removed and interfiled for\n preservation purposes. Other files with personal information\n include: Certificates and Awards (Box 24), Genealogy and\n Family History (Box 24), Photographs (Box 25), Newsclippings\n (Box 25), Scrapbooks of Press Releases and Poems published in\n Periodicals (Box 26), and the oversize photograph album\n arranged in rough chronological order and identified by\n Moore.","Published sources include Contemporary Authors (1995), The\n Marquis Who's Who in America, page 2435 (1994) and Who's Who\n in American Women (1982)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of Margaret\n (1903-1984) and John Travers Moore (1908-1994), ca. 1914-1994,\n ca. 8,000 items (27 Hollinger boxes; 11 linear shelf feet),\n poets and authors who published their material in a wide\n variety of journals, magazines, and books from the 1930's\n until John Moore's death in 1994. The papers include published\n and unpublished literary manuscripts, correspondence, audio\n and video recordings, artwork, memorabilia, bound volumes,\n photographs, books (transferred to the Rare Books Division),\n printed material, newsclippings, scrapbooks, certificates and\n awards, genealogy notes, several philatelic covers, a bust of\n John Travers Moore and paintings by Robert J. Smith, a friend\n of Moore's, and sheet music by Moore.\u003c/p\u003e","\u003cp\u003eThe manuscripts series (Boxes 1-14) contains mostly\n unpublished manuscripts. Those that have been published\n include: \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAll Along the Way, The First Moon\n Landing, How Can I Show You God, Jeannette?, The Little Band\n and the Inaugural Parade, Pepito's Journey, Pepito's Speech at\n the United Nations, Pepito's World, Sappho's\n Poetry,\u003c/title\u003eand \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Story of Silent Night\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThe correspondence series (Boxes 15-23) contains\n correspondence with editors and publishers, friends and\n family, and others, arranged alphabetically by folder title.\n Persons with their own correspondence folders include: Jean\n Pierre and Muriel de Chambrun (friends of the Moores for\n almost forty years); James E. Creekman (Moore's dismissed\n attorney); Harris and Hazel Huston (some of his oldest\n friends; Harris attended law school with Moore and served in\n the American Embassy at Curacao, Netherlands Antilles); Tina\n Miller (editor at D.C. Heath and Company); nephew Jerry Moore\n (writes concerning Moore family genealogy and news); Margaret\n and John Moore to each other; Margaret and John Moore to their\n parents; George and Peggy Rumberger; artist and friend Robert\n Smith and Nancy Mackey (his daughter), see also drawings by\n Smith (Box 24) and list of large paintings at the end of the\n guide; and the University of Virginia, chiefly Edmund\n Berkeley, concerning Moore's intention of making the\n University the repository for his literary work.\u003c/p\u003e","\u003cp\u003eThe correspondence, 1929-1988, with George and Peggy\n Rumberger, Margaret's brother and sister-in-law, contains\n fourteen letters and photographs, 1944-1945, concerning the\n service of George Rumberger in the Corps of Engineers, U.S.\n Army, in Burma as a master sergeant during World War II.\n Rumberger won a citation for the Bronze Star for his advance\n planning for the Stillwell Road. Other items present in the\n Rumberger folder include a map of North Burma with Rumberger's\n notes about his itinerary and the area written in the margins.\n He also describes his experiences in Burma and India,\n mentioning riding elephants, hunting tigers, the deprivations\n and hardships of the soldiers, the Ledo Road, the dense and\n isolated jungles, and a Buddhist school in Burma. The folders\n of correspondence with individuals is the best source for\n personal information about the Moore's missing from the other\n files.\u003c/p\u003e","\u003cp\u003eTopics with separate folders include: banking \u0026amp; savings\n bonds (Box 15); contracts (Box 15); copyrights (Box 16);\n Ireland as retirement location (Box 17); lectures (Box 17);\n the Nobel Peace Award nomination for \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePepito and the United\n Nations\u003c/title\u003etrilogy (Box 18); Perfection Form Company\n Poetry Poster Series, etc. (Box 19); publishers and editors\n (Box 19); Spoken Arts publisher Arthur Luce Klein (Box 20);\n reprints \u0026amp; permissions (Box 20-21); royalties (Box 22);\n social security (Box 22); and Moore's controversy with the\n Walt Whitman Center for Arts and Humanities (Box 23).\u003c/p\u003e","\u003cp\u003eManuscripts and published books with their own\n correspondence folders include: \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAround the Corner from Our\n House\u003c/title\u003e(Box 15) which records the long term disagreement\n of John Travers Moore with Mr. and Mrs. Harry Lerner of Lerner\n Publications and Carolrhoda Books about the publication of \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAround the Corner from Our\n House\u003c/title\u003eand \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAll Along the Way\u003c/title\u003e; copyright\n concerns regarding \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Story of Silent Night\u003c/title\u003e(Box\n 16); the composition and promotion of The \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLittle Band and the Inaugural\n Parade\u003c/title\u003eas a musical play, including correspondence with\n Carol Davis and Denise Adams (Box 17); the publication of the \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePepito and the United\n Nations\u003c/title\u003etrilogy by the United Nations (Boxes 18- 19);\n Moore's work on the World War II publication \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePlane Facts\u003c/title\u003e(Box 19); Moore's\n attempt to publish his manuscripts \"Portrait of America\" (Box\n 19); \"The Road\" formerly titled \"Jingalong\" (Box 21); \"Sinmin\n (Lord Elephant), which includes some wonderful letters from\n Burma, describing how to capture elephants (Box 22); \"Sports\n Poems\" (Box 22); and correspondence concerning Moore's classic\n children's book \n \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Story of Silent Night\u003c/title\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["This collection consists of the papers of Margaret\n (1903-1984) and John Travers Moore (1908-1994), ca. 1914-1994,\n ca. 8,000 items (27 Hollinger boxes; 11 linear shelf feet),\n poets and authors who published their material in a wide\n variety of journals, magazines, and books from the 1930's\n until John Moore's death in 1994. The papers include published\n and unpublished literary manuscripts, correspondence, audio\n and video recordings, artwork, memorabilia, bound volumes,\n photographs, books (transferred to the Rare Books Division),\n printed material, newsclippings, scrapbooks, certificates and\n awards, genealogy notes, several philatelic covers, a bust of\n John Travers Moore and paintings by Robert J. Smith, a friend\n of Moore's, and sheet music by Moore.","The manuscripts series (Boxes 1-14) contains mostly\n unpublished manuscripts. Those that have been published\n include: \n All Along the Way, The First Moon\n Landing, How Can I Show You God, Jeannette?, The Little Band\n and the Inaugural Parade, Pepito's Journey, Pepito's Speech at\n the United Nations, Pepito's World, Sappho's\n Poetry, and \n The Story of Silent Night .","The correspondence series (Boxes 15-23) contains\n correspondence with editors and publishers, friends and\n family, and others, arranged alphabetically by folder title.\n Persons with their own correspondence folders include: Jean\n Pierre and Muriel de Chambrun (friends of the Moores for\n almost forty years); James E. Creekman (Moore's dismissed\n attorney); Harris and Hazel Huston (some of his oldest\n friends; Harris attended law school with Moore and served in\n the American Embassy at Curacao, Netherlands Antilles); Tina\n Miller (editor at D.C. Heath and Company); nephew Jerry Moore\n (writes concerning Moore family genealogy and news); Margaret\n and John Moore to each other; Margaret and John Moore to their\n parents; George and Peggy Rumberger; artist and friend Robert\n Smith and Nancy Mackey (his daughter), see also drawings by\n Smith (Box 24) and list of large paintings at the end of the\n guide; and the University of Virginia, chiefly Edmund\n Berkeley, concerning Moore's intention of making the\n University the repository for his literary work.","The correspondence, 1929-1988, with George and Peggy\n Rumberger, Margaret's brother and sister-in-law, contains\n fourteen letters and photographs, 1944-1945, concerning the\n service of George Rumberger in the Corps of Engineers, U.S.\n Army, in Burma as a master sergeant during World War II.\n Rumberger won a citation for the Bronze Star for his advance\n planning for the Stillwell Road. Other items present in the\n Rumberger folder include a map of North Burma with Rumberger's\n notes about his itinerary and the area written in the margins.\n He also describes his experiences in Burma and India,\n mentioning riding elephants, hunting tigers, the deprivations\n and hardships of the soldiers, the Ledo Road, the dense and\n isolated jungles, and a Buddhist school in Burma. The folders\n of correspondence with individuals is the best source for\n personal information about the Moore's missing from the other\n files.","Topics with separate folders include: banking \u0026 savings\n bonds (Box 15); contracts (Box 15); copyrights (Box 16);\n Ireland as retirement location (Box 17); lectures (Box 17);\n the Nobel Peace Award nomination for \n Pepito and the United\n Nations trilogy (Box 18); Perfection Form Company\n Poetry Poster Series, etc. (Box 19); publishers and editors\n (Box 19); Spoken Arts publisher Arthur Luce Klein (Box 20);\n reprints \u0026 permissions (Box 20-21); royalties (Box 22);\n social security (Box 22); and Moore's controversy with the\n Walt Whitman Center for Arts and Humanities (Box 23).","Manuscripts and published books with their own\n correspondence folders include: \n Around the Corner from Our\n House (Box 15) which records the long term disagreement\n of John Travers Moore with Mr. and Mrs. Harry Lerner of Lerner\n Publications and Carolrhoda Books about the publication of \n Around the Corner from Our\n House and \n All Along the Way ; copyright\n concerns regarding \n The Story of Silent Night (Box\n 16); the composition and promotion of The \n Little Band and the Inaugural\n Parade as a musical play, including correspondence with\n Carol Davis and Denise Adams (Box 17); the publication of the \n Pepito and the United\n Nations trilogy by the United Nations (Boxes 18- 19);\n Moore's work on the World War II publication \n Plane Facts (Box 19); Moore's\n attempt to publish his manuscripts \"Portrait of America\" (Box\n 19); \"The Road\" formerly titled \"Jingalong\" (Box 21); \"Sinmin\n (Lord Elephant), which includes some wonderful letters from\n Burma, describing how to capture elephants (Box 22); \"Sports\n Poems\" (Box 22); and correspondence concerning Moore's classic\n children's book \n The Story of Silent Night ."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection consists of the\n papers of Margaret (1903-1984) and John Travers Moore\n (1908-1994), ca. 1914-1994, ca. 8,000 items (27 Hollinger\n boxes; 11 linear shelf feet), poets and authors who published\n their material in a wide variety of journals, magazines, and\n books from the 1930's until John Moore's death in 1994. The\n papers include published and unpublished literary manuscripts,\n correspondence, audio and video recordings, artwork,\n memorabilia, bound volumes, photographs, books (transferred to\n the Rare Books Division), printed material, newsclippings,\n scrapbooks, certificates and awards, genealogy notes, several\n philatelic covers, a bust of John Travers Moore and paintings\n by Robert J. Smith, a friend of Moore's, and sheet music by\n Moore.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the\n papers of Margaret (1903-1984) and John Travers Moore\n (1908-1994), ca. 1914-1994, ca. 8,000 items (27 Hollinger\n boxes; 11 linear shelf feet), poets and authors who published\n their material in a wide variety of journals, magazines, and\n books from the 1930's until John Moore's death in 1994. The\n papers include published and unpublished literary manuscripts,\n correspondence, audio and video recordings, artwork,\n memorabilia, bound volumes, photographs, books (transferred to\n the Rare Books Division), printed material, newsclippings,\n scrapbooks, certificates and awards, genealogy notes, several\n philatelic covers, a bust of John Travers Moore and paintings\n by Robert J. Smith, a friend of Moore's, and sheet music by\n Moore."],"language_ssim":["English"],"total_component_count_is":226,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:23:35.655Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu01321_c01_c91"}},{"id":"viblbv_repositories_2_resources_3185_c03_c01","type":"Subseries","attributes":{"title":"You Can't Take it With You","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c03_c01","ref_ssm":["viblbv_repositories_2_resources_3185_c03_c01"],"id":"viblbv_repositories_2_resources_3185_c03_c01","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c03","parent_ssi":"viblbv_repositories_2_resources_3185_c03","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c03"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Theatre Workshop"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Theatre Workshop"],"text":["Melinda E. Pittman Theatrical Collection","Theatre Workshop","You Can't Take it With You","English ."],"title_filing_ssi":"You Can't Take it With You","title_ssm":["You Can't Take it With You"],"title_tesim":["You Can't Take it With You"],"normalized_title_ssm":["You Can't Take it With You"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":17,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"language_ssim":["English ."],"_nest_path_":"/components#2/components#0","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University includes material from Pittman's time at VPI\u0026SU, including production notebooks for Pigeons and Chamber Music . Sub-Series II: Tulane University includes material from Pittman's time at Tulane University, including material about productions of The Lover and The Country Wife . Sub-Series III: Marylhurst University includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association includes material from various productions at the Oregon Shakespeare Festival, including The Breasts of Tiresius .","Series III: Theatre Workshop includes material from the Theatre Workshop production company including You Can't Take it With You , and The Real Inspector Hound . There is one sub-series: Power .","Series IV: Critical Mass Productions includes material from the Critical Mass Productions production of Bits and Pieces .","Series V: Portland Labor Players II includes material from various productions by the Portland Labor Players II company, including Season of Silence . There is one sub-series: 1934: Blood and Roses .","Series VI: Portland Civic Theatre includes material from the Portland Civic Theatre production of The Hot L Baltimore .","Series VII: Atlantis includes material from the original musical Atlantis written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not! includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc. includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: Paradise Flossed , Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI: WonderBroads includes material from Pittman's show WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show Bunkin' With You in the Afterlife . There are seven sub-series: Read a Wild Tale , Homeland In-Security , Fat and Sassy , AmBushed! , If I Were Queen of the Forest , WonderBroader , and A/Broad for All Seasons .","Series XIII: Sheet Music includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show WonderBroads: The Babes \u0026 Broads Who Broke the Rules highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works Atlantis and WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n. "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University includes material from Pittman's time at VPI\u0026SU, including production notebooks for Pigeons and Chamber Music . Sub-Series II: Tulane University includes material from Pittman's time at Tulane University, including material about productions of The Lover and The Country Wife . Sub-Series III: Marylhurst University includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association includes material from various productions at the Oregon Shakespeare Festival, including The Breasts of Tiresius .","Series III: Theatre Workshop includes material from the Theatre Workshop production company including You Can't Take it With You , and The Real Inspector Hound . There is one sub-series: Power .","Series IV: Critical Mass Productions includes material from the Critical Mass Productions production of Bits and Pieces .","Series V: Portland Labor Players II includes material from various productions by the Portland Labor Players II company, including Season of Silence . There is one sub-series: 1934: Blood and Roses .","Series VI: Portland Civic Theatre includes material from the Portland Civic Theatre production of The Hot L Baltimore .","Series VII: Atlantis includes material from the original musical Atlantis written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not! includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc. includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: Paradise Flossed , Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI: WonderBroads includes material from Pittman's show WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show Bunkin' With You in the Afterlife . There are seven sub-series: Read a Wild Tale , Homeland In-Security , Fat and Sassy , AmBushed! , If I Were Queen of the Forest , WonderBroader , and A/Broad for All Seasons .","Series XIII: Sheet Music includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show WonderBroads: The Babes \u0026 Broads Who Broke the Rules highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works Atlantis and WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n. "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c03_c01"}},{"id":"viu_viu02399_c03_c71","type":"Subseries","attributes":{"title":"Youel Residence \n \n 1956-1958","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu02399_c03_c71#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu02399_c03_c71","ref_ssm":["viu_viu02399_c03_c71"],"id":"viu_viu02399_c03_c71","ead_ssi":"viu_viu02399","_root_":"viu_viu02399","_nest_parent_":"viu_viu02399_c03","parent_ssi":"viu_viu02399_c03","parent_ssim":["viu_viu02399","viu_viu02399_c03"],"parent_ids_ssim":["viu_viu02399","viu_viu02399_c03"],"parent_unittitles_ssm":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962","Accession\n 7615-b"],"parent_unittitles_tesim":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962","Accession\n 7615-b"],"text":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962","Accession\n 7615-b","Youel Residence \n \n 1956-1958","Box 16"],"title_filing_ssi":"Youel Residence \n \n 1956-1958","title_ssm":["Youel Residence \n \n 1956-1958"],"title_tesim":["Youel Residence \n \n 1956-1958"],"normalized_title_ssm":["Youel Residence \n \n 1956-1958"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":91,"containers_ssim":["Box 16"],"_nest_path_":"/components#2/components#70","timestamp":"2026-05-01T02:23:20.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu02399","ead_ssi":"viu_viu02399","_root_":"viu_viu02399","_nest_parent_":"viu_viu02399","ead_source_url_ssi":"data/uva-sc/viu02399.xml","title_ssm":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"title_tesim":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["7615,-a,-b"],"text":["7615,-a,-b","Papers of R. E. Lee and Son, Inc., \n \n 1935-1962","This collection\n contains ca. 10,000 items (24 Hollinger boxes, ca. 10 linear\n shelf feet).","This collection is divided into three series according to\n the accession number. Each series is arranged alphabetically\n by the name of the building or the last name of the\n residence's owner. In most cases, the original folder headings\n have been preserved. Material within each folder is arranged\n chronologically.","Over the years, the company has been characterized by\n steady growth from the construction of private residences in\n Charlottesville and surrounding areas to commercial,\n industrial and institutional building throughout the state of\n Virginia. Prior to 1950, the company's main emphasis was on\n building custom homes for individuals. In the late 1950's, the\n company expanded from building private residences to include\n some commercial construction. The firm began to concentrate\n almost exclusively on commercial contracts in the 1960's. In\n the 1970's, the company began to compete for institutional and\n industrial contracts as well. Today, R.E. Lee and Sons has\n branch offices in Hampton and Fairfax, Virginia, and employs\n over 300 people. The company celebrated its 50th anniversary\n in 1989.","The third generation representative of this family owned\n business, Robert Erwin Lee, Jr. (Robin) is now treasurer of\n the company. Robin Lee (1940- ) graduated from the University\n of Virginia's Darden School of Business in 1964 with a\n Master's degree in Business Administration.","R.E. Lee and Sons has been involved with many important\n projects in the area in addition to those included in this\n collection. In 1976, the company renovated the interior of the\n Rotunda and won the \"Build America Award\" for most outstanding\n construction project in the U.S. by the Association of General\n Contractors and Motorola Corporation. Projects at the\n University of Virginia include Clemons Library, the Law\n School, the Graduate School of Business, the Drama Building,\n the Schools of Education, Engineering and Nursing, Wilson\n Hall, Newcomb Hall, Thornton Hall and Monroe Hall as well as\n Lambeth, Copeley and Married Student Housing projects and the\n Scott Stadium expansion.","In addition, R.E. Lee and Sons is responsible for many of\n the hotels, shopping centers, schools, health care facilities\n and other commercial buildings in the Charlottesville area as\n well as in Richmond, Alexandria, Fairfax, Newport News,\n Fredricksburg, Williamsburg and Roanoke, and elsewhere in the\n state.","This collection consists of ca. 10,000 items (24 Hollinger\n boxes, ca. 10 linear shelf feet), 1935-1962, the business\n papers of R.E. Lee and Son, Inc., one of the oldest\n construction firms in Virginia which originated in\n Charlottesville. The business was co-founded in 1939 by Robert\n Edward Lee, a mechanical engineer, and his son, Robert Erwin\n Lee. The Lees moved to Charlottesville in 1911. The younger\n Lee (1908-1978) attended Charlottesville High School and\n graduated from the University of Virginia School of\n Engineering in 1929 with a B.S. in civil engineering. He\n served as a major in the army corps of engineers in World War\n II, 1943-1945.","The papers in 7615 (1 box) consist primarily of\n correspondence between Lee and Fiske Kimball of Pennsylvania\n concerning the construction of his house, Bellevue, on Shack\n Mountain.","#7615-a (7 boxes) concerns the construction of several\n private residences between 1938 and 1962 in the\n Charlottesville area. Papers concerning these projects\n consists of bid solicitations, cost estimates, monthly\n accounts, some floor plans and building sketches and\n correspondence with sub-contractors such as the Virginia\n Steele Co. and Charlottesville Lumber Co. These papers are an\n excellent guide to the planning and construction of high\n quality homes.","Also in the collection are papers pertaining to the\n restoration and maintenance of some of the best known\n historical homes in Virginia including Monticello, Morven, Mt.\n Vernon and Shadwell.","R. E. Lee was contracted by the Thomas Jefferson Memorial\n Foundation to handle the general maintainance and repairs of\n Monticello, designed and built by Thomas Jefferson. The house\n is one of the finest examples of neo-classical architecture in\n the country. R.E. Lee, mainly between 1938 and 1960, was\n responsible for the restoration of the Northwest wing of\n Monticello and surrounding buildings as well as the\n construction of an entrance building in 1952 and the gate\n house, completed in 1953. The firm was also responsible for\n periodic painting of the residence. The papers in this\n collection consist of correspondence with Milton L. Grigg, a\n Charlottesville architect, and the Thomas Jefferson Memorial\n Foundation, among others, and monthly accounts and invoices\n for purchases.","Morven was originally constructed in Albemarle County\n between 1808 and 1818 by its first two owners,\n ex-Revolutionary War colonel William Short and David\n Higgenbotham. Since its construction the property has changed\n hands many times. It was bought by Charles A. Stone of New\n York City ca. 1926, who undertook complete restoration of the\n property. Lee was contracted by Stone Farm Associates\n (ca.1939) to construct a swimming pool and make major\n alterations on the existing kitchen as well as other minor\n repairs and alterations during the twenty years he was in\n their employment.","The home and final resting place of George Washington, Mt.\n Vernon, located in Fairfax County on the banks of the Potomac,\n is considered by some to be the most notable mansion in the\n state. Lee was contracted by the Mt. Vernon Ladies'\n Association for approximately three years (1936-1939), during\n which time he completed the restoration of the stable, the\n George Washington Barn and the tomb of George Washington, as\n well as the ice and smoke houses. The company also\n reconstructed the power house and shops and built the\n superintendent's house. Some of the correspondence in these\n papers is with Ross Structural Iron Works of Richmond and the\n Colonial Williamsburg Foundation.","Lee undertook the total reconstruction of Shadwell, also\n known as the Peter Jefferson House, in 1958. The modest\n farmhouse, located three miles east of Charlottesville, was\n the birthplace of Thomas Jefferson and his home for much of\n his young life. The house burned down in 1770, but Peter\n Jefferson's sketches and notes survived and were used in the\n reconstruction. An intensive study of the site was conducted\n in 1955 by archeologist Roland W. Robbins. The project was\n sponsored by the Jefferson Birthplace Memorial Park\n Commission. Lee's papers concerning the project consist of\n cost estimates, materials lists, bids from subcontractors,\n running accounts and correspondence with Colonial Williamsburg\n regarding specially-made hardware orders.","The 7615-b series (16 boxes) contains papers concerning the\n construction of many private residences, churches, schools,\n businesses and banks in the Charlottesville and surrounding\n areas. Projects at the University of Virginia include work on\n Madison Hall, restoration of the steps to the Rotunda and its\n terrace, construction of the east stairs to Alderman Library\n and the construction of a building at the Law School.","The collection contains business\n correspondence, cost estimates, subcontracts, labor cost\n reports, employment applications, accounts and invoices, and\n materials lists pertaining to the construction, reconstruction\n or renovation of private and historic residences, churches,\n commercial and industrial buildings, and schools, chiefly in\n Charlottesville and Albemarle County, Va.","English"],"unitid_tesim":["7615,-a,-b"],"normalized_title_ssm":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"collection_title_tesim":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"collection_ssim":["Papers of R. E. Lee and Son, Inc., \n \n 1935-1962"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["These papers were given to the library by R.E. Lee, Jr.\n on July 7, 1964, August 5, 1964, and January 26, 1965."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n contains ca. 10,000 items (24 Hollinger boxes, ca. 10 linear\n shelf feet)."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into three series according to\n the accession number. Each series is arranged alphabetically\n by the name of the building or the last name of the\n residence's owner. In most cases, the original folder headings\n have been preserved. Material within each folder is arranged\n chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into three series according to\n the accession number. Each series is arranged alphabetically\n by the name of the building or the last name of the\n residence's owner. In most cases, the original folder headings\n have been preserved. Material within each folder is arranged\n chronologically."],"bioghist_html_tesm":["\u003cp\u003eOver the years, the company has been characterized by\n steady growth from the construction of private residences in\n Charlottesville and surrounding areas to commercial,\n industrial and institutional building throughout the state of\n Virginia. Prior to 1950, the company's main emphasis was on\n building custom homes for individuals. In the late 1950's, the\n company expanded from building private residences to include\n some commercial construction. The firm began to concentrate\n almost exclusively on commercial contracts in the 1960's. In\n the 1970's, the company began to compete for institutional and\n industrial contracts as well. Today, R.E. Lee and Sons has\n branch offices in Hampton and Fairfax, Virginia, and employs\n over 300 people. The company celebrated its 50th anniversary\n in 1989.\u003c/p\u003e","\u003cp\u003eThe third generation representative of this family owned\n business, Robert Erwin Lee, Jr. (Robin) is now treasurer of\n the company. Robin Lee (1940- ) graduated from the University\n of Virginia's Darden School of Business in 1964 with a\n Master's degree in Business Administration.\u003c/p\u003e","\u003cp\u003eR.E. Lee and Sons has been involved with many important\n projects in the area in addition to those included in this\n collection. In 1976, the company renovated the interior of the\n Rotunda and won the \"Build America Award\" for most outstanding\n construction project in the U.S. by the Association of General\n Contractors and Motorola Corporation. Projects at the\n University of Virginia include Clemons Library, the Law\n School, the Graduate School of Business, the Drama Building,\n the Schools of Education, Engineering and Nursing, Wilson\n Hall, Newcomb Hall, Thornton Hall and Monroe Hall as well as\n Lambeth, Copeley and Married Student Housing projects and the\n Scott Stadium expansion.\u003c/p\u003e","\u003cp\u003eIn addition, R.E. Lee and Sons is responsible for many of\n the hotels, shopping centers, schools, health care facilities\n and other commercial buildings in the Charlottesville area as\n well as in Richmond, Alexandria, Fairfax, Newport News,\n Fredricksburg, Williamsburg and Roanoke, and elsewhere in the\n state.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Over the years, the company has been characterized by\n steady growth from the construction of private residences in\n Charlottesville and surrounding areas to commercial,\n industrial and institutional building throughout the state of\n Virginia. Prior to 1950, the company's main emphasis was on\n building custom homes for individuals. In the late 1950's, the\n company expanded from building private residences to include\n some commercial construction. The firm began to concentrate\n almost exclusively on commercial contracts in the 1960's. In\n the 1970's, the company began to compete for institutional and\n industrial contracts as well. Today, R.E. Lee and Sons has\n branch offices in Hampton and Fairfax, Virginia, and employs\n over 300 people. The company celebrated its 50th anniversary\n in 1989.","The third generation representative of this family owned\n business, Robert Erwin Lee, Jr. (Robin) is now treasurer of\n the company. Robin Lee (1940- ) graduated from the University\n of Virginia's Darden School of Business in 1964 with a\n Master's degree in Business Administration.","R.E. Lee and Sons has been involved with many important\n projects in the area in addition to those included in this\n collection. In 1976, the company renovated the interior of the\n Rotunda and won the \"Build America Award\" for most outstanding\n construction project in the U.S. by the Association of General\n Contractors and Motorola Corporation. Projects at the\n University of Virginia include Clemons Library, the Law\n School, the Graduate School of Business, the Drama Building,\n the Schools of Education, Engineering and Nursing, Wilson\n Hall, Newcomb Hall, Thornton Hall and Monroe Hall as well as\n Lambeth, Copeley and Married Student Housing projects and the\n Scott Stadium expansion.","In addition, R.E. Lee and Sons is responsible for many of\n the hotels, shopping centers, schools, health care facilities\n and other commercial buildings in the Charlottesville area as\n well as in Richmond, Alexandria, Fairfax, Newport News,\n Fredricksburg, Williamsburg and Roanoke, and elsewhere in the\n state."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of ca. 10,000 items (24 Hollinger\n boxes, ca. 10 linear shelf feet), 1935-1962, the business\n papers of R.E. Lee and Son, Inc., one of the oldest\n construction firms in Virginia which originated in\n Charlottesville. The business was co-founded in 1939 by Robert\n Edward Lee, a mechanical engineer, and his son, Robert Erwin\n Lee. The Lees moved to Charlottesville in 1911. The younger\n Lee (1908-1978) attended Charlottesville High School and\n graduated from the University of Virginia School of\n Engineering in 1929 with a B.S. in civil engineering. He\n served as a major in the army corps of engineers in World War\n II, 1943-1945.\u003c/p\u003e","\u003cp\u003eThe papers in 7615 (1 box) consist primarily of\n correspondence between Lee and Fiske Kimball of Pennsylvania\n concerning the construction of his house, Bellevue, on Shack\n Mountain.\u003c/p\u003e","\u003cp\u003e#7615-a (7 boxes) concerns the construction of several\n private residences between 1938 and 1962 in the\n Charlottesville area. Papers concerning these projects\n consists of bid solicitations, cost estimates, monthly\n accounts, some floor plans and building sketches and\n correspondence with sub-contractors such as the Virginia\n Steele Co. and Charlottesville Lumber Co. These papers are an\n excellent guide to the planning and construction of high\n quality homes.\u003c/p\u003e","\u003cp\u003eAlso in the collection are papers pertaining to the\n restoration and maintenance of some of the best known\n historical homes in Virginia including Monticello, Morven, Mt.\n Vernon and Shadwell.\u003c/p\u003e","\u003cp\u003eR. E. Lee was contracted by the Thomas Jefferson Memorial\n Foundation to handle the general maintainance and repairs of\n Monticello, designed and built by Thomas Jefferson. The house\n is one of the finest examples of neo-classical architecture in\n the country. R.E. Lee, mainly between 1938 and 1960, was\n responsible for the restoration of the Northwest wing of\n Monticello and surrounding buildings as well as the\n construction of an entrance building in 1952 and the gate\n house, completed in 1953. The firm was also responsible for\n periodic painting of the residence. The papers in this\n collection consist of correspondence with Milton L. Grigg, a\n Charlottesville architect, and the Thomas Jefferson Memorial\n Foundation, among others, and monthly accounts and invoices\n for purchases.\u003c/p\u003e","\u003cp\u003eMorven was originally constructed in Albemarle County\n between 1808 and 1818 by its first two owners,\n ex-Revolutionary War colonel William Short and David\n Higgenbotham. Since its construction the property has changed\n hands many times. It was bought by Charles A. Stone of New\n York City ca. 1926, who undertook complete restoration of the\n property. Lee was contracted by Stone Farm Associates\n (ca.1939) to construct a swimming pool and make major\n alterations on the existing kitchen as well as other minor\n repairs and alterations during the twenty years he was in\n their employment.\u003c/p\u003e","\u003cp\u003eThe home and final resting place of George Washington, Mt.\n Vernon, located in Fairfax County on the banks of the Potomac,\n is considered by some to be the most notable mansion in the\n state. Lee was contracted by the Mt. Vernon Ladies'\n Association for approximately three years (1936-1939), during\n which time he completed the restoration of the stable, the\n George Washington Barn and the tomb of George Washington, as\n well as the ice and smoke houses. The company also\n reconstructed the power house and shops and built the\n superintendent's house. Some of the correspondence in these\n papers is with Ross Structural Iron Works of Richmond and the\n Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eLee undertook the total reconstruction of Shadwell, also\n known as the Peter Jefferson House, in 1958. The modest\n farmhouse, located three miles east of Charlottesville, was\n the birthplace of Thomas Jefferson and his home for much of\n his young life. The house burned down in 1770, but Peter\n Jefferson's sketches and notes survived and were used in the\n reconstruction. An intensive study of the site was conducted\n in 1955 by archeologist Roland W. Robbins. The project was\n sponsored by the Jefferson Birthplace Memorial Park\n Commission. Lee's papers concerning the project consist of\n cost estimates, materials lists, bids from subcontractors,\n running accounts and correspondence with Colonial Williamsburg\n regarding specially-made hardware orders.\u003c/p\u003e","\u003cp\u003eThe 7615-b series (16 boxes) contains papers concerning the\n construction of many private residences, churches, schools,\n businesses and banks in the Charlottesville and surrounding\n areas. Projects at the University of Virginia include work on\n Madison Hall, restoration of the steps to the Rotunda and its\n terrace, construction of the east stairs to Alderman Library\n and the construction of a building at the Law School.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["This collection consists of ca. 10,000 items (24 Hollinger\n boxes, ca. 10 linear shelf feet), 1935-1962, the business\n papers of R.E. Lee and Son, Inc., one of the oldest\n construction firms in Virginia which originated in\n Charlottesville. The business was co-founded in 1939 by Robert\n Edward Lee, a mechanical engineer, and his son, Robert Erwin\n Lee. The Lees moved to Charlottesville in 1911. The younger\n Lee (1908-1978) attended Charlottesville High School and\n graduated from the University of Virginia School of\n Engineering in 1929 with a B.S. in civil engineering. He\n served as a major in the army corps of engineers in World War\n II, 1943-1945.","The papers in 7615 (1 box) consist primarily of\n correspondence between Lee and Fiske Kimball of Pennsylvania\n concerning the construction of his house, Bellevue, on Shack\n Mountain.","#7615-a (7 boxes) concerns the construction of several\n private residences between 1938 and 1962 in the\n Charlottesville area. Papers concerning these projects\n consists of bid solicitations, cost estimates, monthly\n accounts, some floor plans and building sketches and\n correspondence with sub-contractors such as the Virginia\n Steele Co. and Charlottesville Lumber Co. These papers are an\n excellent guide to the planning and construction of high\n quality homes.","Also in the collection are papers pertaining to the\n restoration and maintenance of some of the best known\n historical homes in Virginia including Monticello, Morven, Mt.\n Vernon and Shadwell.","R. E. Lee was contracted by the Thomas Jefferson Memorial\n Foundation to handle the general maintainance and repairs of\n Monticello, designed and built by Thomas Jefferson. The house\n is one of the finest examples of neo-classical architecture in\n the country. R.E. Lee, mainly between 1938 and 1960, was\n responsible for the restoration of the Northwest wing of\n Monticello and surrounding buildings as well as the\n construction of an entrance building in 1952 and the gate\n house, completed in 1953. The firm was also responsible for\n periodic painting of the residence. The papers in this\n collection consist of correspondence with Milton L. Grigg, a\n Charlottesville architect, and the Thomas Jefferson Memorial\n Foundation, among others, and monthly accounts and invoices\n for purchases.","Morven was originally constructed in Albemarle County\n between 1808 and 1818 by its first two owners,\n ex-Revolutionary War colonel William Short and David\n Higgenbotham. Since its construction the property has changed\n hands many times. It was bought by Charles A. Stone of New\n York City ca. 1926, who undertook complete restoration of the\n property. Lee was contracted by Stone Farm Associates\n (ca.1939) to construct a swimming pool and make major\n alterations on the existing kitchen as well as other minor\n repairs and alterations during the twenty years he was in\n their employment.","The home and final resting place of George Washington, Mt.\n Vernon, located in Fairfax County on the banks of the Potomac,\n is considered by some to be the most notable mansion in the\n state. Lee was contracted by the Mt. Vernon Ladies'\n Association for approximately three years (1936-1939), during\n which time he completed the restoration of the stable, the\n George Washington Barn and the tomb of George Washington, as\n well as the ice and smoke houses. The company also\n reconstructed the power house and shops and built the\n superintendent's house. Some of the correspondence in these\n papers is with Ross Structural Iron Works of Richmond and the\n Colonial Williamsburg Foundation.","Lee undertook the total reconstruction of Shadwell, also\n known as the Peter Jefferson House, in 1958. The modest\n farmhouse, located three miles east of Charlottesville, was\n the birthplace of Thomas Jefferson and his home for much of\n his young life. The house burned down in 1770, but Peter\n Jefferson's sketches and notes survived and were used in the\n reconstruction. An intensive study of the site was conducted\n in 1955 by archeologist Roland W. Robbins. The project was\n sponsored by the Jefferson Birthplace Memorial Park\n Commission. Lee's papers concerning the project consist of\n cost estimates, materials lists, bids from subcontractors,\n running accounts and correspondence with Colonial Williamsburg\n regarding specially-made hardware orders.","The 7615-b series (16 boxes) contains papers concerning the\n construction of many private residences, churches, schools,\n businesses and banks in the Charlottesville and surrounding\n areas. Projects at the University of Virginia include work on\n Madison Hall, restoration of the steps to the Rotunda and its\n terrace, construction of the east stairs to Alderman Library\n and the construction of a building at the Law School."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection contains business\n correspondence, cost estimates, subcontracts, labor cost\n reports, employment applications, accounts and invoices, and\n materials lists pertaining to the construction, reconstruction\n or renovation of private and historic residences, churches,\n commercial and industrial buildings, and schools, chiefly in\n Charlottesville and Albemarle County, Va.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains business\n correspondence, cost estimates, subcontracts, labor cost\n reports, employment applications, accounts and invoices, and\n materials lists pertaining to the construction, reconstruction\n or renovation of private and historic residences, churches,\n commercial and industrial buildings, and schools, chiefly in\n Charlottesville and Albemarle County, Va."],"language_ssim":["English"],"total_component_count_is":91,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:23:20.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu02399_c03_c71"}},{"id":"viu_viu03176_c01_c13","type":"Subseries","attributes":{"title":"\"You Know What\" by Ann Beattie \n n.d.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu03176_c01_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu03176_c01_c13","ref_ssm":["viu_viu03176_c01_c13"],"id":"viu_viu03176_c01_c13","ead_ssi":"viu_viu03176","_root_":"viu_viu03176","_nest_parent_":"viu_viu03176_c01","parent_ssi":"viu_viu03176_c01","parent_ssim":["viu_viu03176","viu_viu03176_c01"],"parent_ids_ssim":["viu_viu03176","viu_viu03176_c01"],"parent_unittitles_ssm":["Papers of Ann Beattie \n \n 1986-1990","Manuscripts and Related Material Re Ann\n Beattie"],"parent_unittitles_tesim":["Papers of Ann Beattie \n \n 1986-1990","Manuscripts and Related Material Re Ann\n Beattie"],"text":["Papers of Ann Beattie \n \n 1986-1990","Manuscripts and Related Material Re Ann\n Beattie","\"You Know What\" by Ann Beattie \n n.d.","TMs \u0026 TMsS","Box 1"],"title_filing_ssi":"\"You Know What\" by Ann Beattie \n n.d.","title_ssm":["\"You Know What\" by Ann Beattie \n n.d."],"title_tesim":["\"You Know What\" by Ann Beattie \n n.d."],"normalized_title_ssm":["\"You Know What\" by Ann Beattie \n n.d."],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Ann Beattie \n \n 1986-1990"],"physdesc_tesim":["TMs \u0026 TMsS"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":14,"containers_ssim":["Box 1"],"_nest_path_":"/components#0/components#12","timestamp":"2026-05-01T02:18:12.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu03176","ead_ssi":"viu_viu03176","_root_":"viu_viu03176","_nest_parent_":"viu_viu03176","ead_source_url_ssi":"data/uva-sc/viu03176.xml","title_ssm":["Papers of Ann Beattie \n \n 1986-1990"],"title_tesim":["Papers of Ann Beattie \n \n 1986-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["10414-v"],"text":["10414-v","Papers of Ann Beattie \n \n 1986-1990","This collection\n consists of 35 items.","The collection contains typescripts of short stories by\n Beattie, an interview with her by Patrick H. Samway, and\n uncorrected page proofs of advance copies of books sent to her\n for review with accompanying correspondence.","English"],"unitid_tesim":["10414-v"],"normalized_title_ssm":["Papers of Ann Beattie \n \n 1986-1990"],"collection_title_tesim":["Papers of Ann Beattie \n \n 1986-1990"],"collection_ssim":["Papers of Ann Beattie \n \n 1986-1990"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["This collection was deposited 1991 July 19"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n consists of 35 items."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains typescripts of short stories by\n Beattie, an interview with her by Patrick H. Samway, and\n uncorrected page proofs of advance copies of books sent to her\n for review with accompanying correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The collection contains typescripts of short stories by\n Beattie, an interview with her by Patrick H. Samway, and\n uncorrected page proofs of advance copies of books sent to her\n for review with accompanying correspondence."],"language_ssim":["English"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:18:12.475Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu03176_c01_c13"}},{"id":"viu_viu02299_c01_c15_c2068","type":"Subseries","attributes":{"title":"Young","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu02299_c01_c15_c2068#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu02299_c01_c15_c2068","ref_ssm":["viu_viu02299_c01_c15_c2068"],"id":"viu_viu02299_c01_c15_c2068","ead_ssi":"viu_viu02299","_root_":"viu_viu02299","_nest_parent_":"viu_viu02299_c01_c15","parent_ssi":"viu_viu02299_c01_c15","parent_ssim":["viu_viu02299","viu_viu02299_c01","viu_viu02299_c01_c15"],"parent_ids_ssim":["viu_viu02299","viu_viu02299_c01","viu_viu02299_c01_c15"],"parent_unittitles_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)"],"parent_unittitles_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)"],"text":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)","Young","box \n A35-18L"],"title_filing_ssi":"Young","title_ssm":["Young"],"title_tesim":["Young"],"normalized_title_ssm":["Young"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":6461,"containers_ssim":["box \n A35-18L"],"_nest_path_":"/components#0/components#14/components#2067","timestamp":"2026-05-01T02:35:06.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu02299","ead_ssi":"viu_viu02299","_root_":"viu_viu02299","_nest_parent_":"viu_viu02299","ead_source_url_ssi":"data/uva-sc/viu02299.xml","title_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"title_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-12/11/4.021"],"text":["RG-12/11/4.021","Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","This collection is comprised of ca. 300,000 items.","The collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]","The Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.","Included are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters.","English"],"unitid_tesim":["RG-12/11/4.021"],"normalized_title_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"collection_title_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"collection_ssim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The files were an internal archival transfer on April 10, 2002.\n"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection is comprised of ca. 300,000 items."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]"],"scopecontent_html_tesm":["\u003cp\u003eThe Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.\u003c/p\u003e","\u003cp\u003eIncluded are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.","Included are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters."],"language_ssim":["English"],"total_component_count_is":6613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:35:06.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu02299_c01_c15_c2068"}},{"id":"viu_viu02299_c01_c15_c2069","type":"Subseries","attributes":{"title":"Young, A. Churchill (see also:\n Ellis-Munford Papers)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu02299_c01_c15_c2069#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu02299_c01_c15_c2069","ref_ssm":["viu_viu02299_c01_c15_c2069"],"id":"viu_viu02299_c01_c15_c2069","ead_ssi":"viu_viu02299","_root_":"viu_viu02299","_nest_parent_":"viu_viu02299_c01_c15","parent_ssi":"viu_viu02299_c01_c15","parent_ssim":["viu_viu02299","viu_viu02299_c01","viu_viu02299_c01_c15"],"parent_ids_ssim":["viu_viu02299","viu_viu02299_c01","viu_viu02299_c01_c15"],"parent_unittitles_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)"],"parent_unittitles_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)"],"text":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","Series I: Correspondence (General)","Rare Books Dept. Correspondence\n (miscellaneous)","Young, A. Churchill (see also:\n Ellis-Munford Papers)","box \n A35-18L"],"title_filing_ssi":"Young, A. Churchill (see also:\n Ellis-Munford Papers)","title_ssm":["Young, A. Churchill (see also:\n Ellis-Munford Papers)"],"title_tesim":["Young, A. Churchill (see also:\n Ellis-Munford Papers)"],"normalized_title_ssm":["Young, A. Churchill (see also:\n Ellis-Munford Papers)"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":6462,"containers_ssim":["box \n A35-18L"],"_nest_path_":"/components#0/components#14/components#2068","timestamp":"2026-05-01T02:35:06.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu02299","ead_ssi":"viu_viu02299","_root_":"viu_viu02299","_nest_parent_":"viu_viu02299","ead_source_url_ssi":"data/uva-sc/viu02299.xml","title_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"title_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-12/11/4.021"],"text":["RG-12/11/4.021","Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s","This collection is comprised of ca. 300,000 items.","The collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]","The Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.","Included are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters.","English"],"unitid_tesim":["RG-12/11/4.021"],"normalized_title_ssm":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"collection_title_tesim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"collection_ssim":["Correspondence Files of Special Collections, University of Virginia Library \n \n 1931-1990s"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The files were an internal archival transfer on April 10, 2002.\n"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection is comprised of ca. 300,000 items."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["The collection is arranged in four series: Series I: Correspondence (General); Series II: Patron-Use Files [1991- ]; Series III: Manuscripts Field Agent's Files; Series IV: Special Collections Student Assistants and Employee Files [ -1995]"],"scopecontent_html_tesm":["\u003cp\u003eThe Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.\u003c/p\u003e","\u003cp\u003eIncluded are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Special Collections Correspondence files pconsist chiefly of the\n general correspondence files of Special Collections of the University of Virginia Library and like files of its predecessors, the Rare Book Department and the Manuscripts Department.","Included are patron use ledgers; patron request slips; Manuscripts Field Agent files; student assistant and employee files; dealer correspondence; thank you letters; and reference letters."],"language_ssim":["English"],"total_component_count_is":6613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:35:06.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu02299_c01_c15_c2069"}},{"id":"viu_viu02970_c02_c11","type":"Subseries","attributes":{"title":"Young Americans for Freedom \n 18 Mar 1971","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu02970_c02_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu02970_c02_c11","ref_ssm":["viu_viu02970_c02_c11"],"id":"viu_viu02970_c02_c11","ead_ssi":"viu_viu02970","_root_":"viu_viu02970","_nest_parent_":"viu_viu02970_c02","parent_ssi":"viu_viu02970_c02","parent_ssim":["viu_viu02970","viu_viu02970_c02"],"parent_ids_ssim":["viu_viu02970","viu_viu02970_c02"],"parent_unittitles_ssm":["James J. Kilpatrick Papers \n \n 1969-1974","Speeches \n \n 1969-1973"],"parent_unittitles_tesim":["James J. Kilpatrick Papers \n \n 1969-1974","Speeches \n \n 1969-1973"],"text":["James J. Kilpatrick Papers \n \n 1969-1974","Speeches \n \n 1969-1973","Young Americans for Freedom \n 18 Mar 1971","Box 12"],"title_filing_ssi":"Young Americans for Freedom \n 18 Mar 1971","title_ssm":["Young Americans for Freedom \n 18 Mar 1971"],"title_tesim":["Young Americans for Freedom \n 18 Mar 1971"],"normalized_title_ssm":["Young Americans for Freedom \n 18 Mar 1971"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["James J. Kilpatrick Papers \n \n 1969-1974"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":68,"containers_ssim":["Box 12"],"_nest_path_":"/components#1/components#10","timestamp":"2026-05-01T02:37:05.332Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu02970","ead_ssi":"viu_viu02970","_root_":"viu_viu02970","_nest_parent_":"viu_viu02970","ead_source_url_ssi":"data/uva-sc/viu02970.xml","title_ssm":["James J. Kilpatrick Papers \n \n 1969-1974"],"title_tesim":["James J. Kilpatrick Papers \n \n 1969-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["6626-f"],"text":["6626-f","James J. Kilpatrick Papers \n \n 1969-1974","4000\n items","The collection consists chiefly of correspondence in\n response to Kilpatrick's column and appearances on \"Agronsky\n and Company.\" Topics cover major issues of 1974, including\n abortion, amnesty, communism and Alexsandr Solzhenitsyn,\n conservation, strict interpretation of the constitution,\n education, energy, E.R.A., a variety of foreign affairs and\n domestic political issues, law, medical care, the Panama\n Canal, freedom and abuse of the press, racial issues,\n particularly busing and affirmative action, and especially\n Watergate, President Nixon, and impeachment.Also included is\n correspondence from Colgate Darden and Barry Goldwater.\n Kilpatrick's speeches, 1969-73, and his broadcasts for\n Spectrum and WTOP commentaries discuss the same issues.","English"],"unitid_tesim":["6626-f"],"normalized_title_ssm":["James J. Kilpatrick Papers \n \n 1969-1974"],"collection_title_tesim":["James J. Kilpatrick Papers \n \n 1969-1974"],"collection_ssim":["James J. Kilpatrick Papers \n \n 1969-1974"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Library acquired these papers from James J.\n Kilpatrick on 20 Feb 1975."],"has_online_content_ssim":["false"],"physdesc_tesim":["4000\n items"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists chiefly of correspondence in\n response to Kilpatrick's column and appearances on \"Agronsky\n and Company.\" Topics cover major issues of 1974, including\n abortion, amnesty, communism and Alexsandr Solzhenitsyn,\n conservation, strict interpretation of the constitution,\n education, energy, E.R.A., a variety of foreign affairs and\n domestic political issues, law, medical care, the Panama\n Canal, freedom and abuse of the press, racial issues,\n particularly busing and affirmative action, and especially\n Watergate, President Nixon, and impeachment.Also included is\n correspondence from Colgate Darden and Barry Goldwater.\n Kilpatrick's speeches, 1969-73, and his broadcasts for\n Spectrum and WTOP commentaries discuss the same issues.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The collection consists chiefly of correspondence in\n response to Kilpatrick's column and appearances on \"Agronsky\n and Company.\" Topics cover major issues of 1974, including\n abortion, amnesty, communism and Alexsandr Solzhenitsyn,\n conservation, strict interpretation of the constitution,\n education, energy, E.R.A., a variety of foreign affairs and\n domestic political issues, law, medical care, the Panama\n Canal, freedom and abuse of the press, racial issues,\n particularly busing and affirmative action, and especially\n Watergate, President Nixon, and impeachment.Also included is\n correspondence from Colgate Darden and Barry Goldwater.\n Kilpatrick's speeches, 1969-73, and his broadcasts for\n Spectrum and WTOP commentaries discuss the same issues."],"language_ssim":["English"],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:37:05.332Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu02970_c02_c11"}},{"id":"viu_viu02954_c17_c11","type":"Subseries","attributes":{"title":"Young Americans for Freedom, Atlanta \n 12 Mar 1971","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu02954_c17_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu02954_c17_c11","ref_ssm":["viu_viu02954_c17_c11"],"id":"viu_viu02954_c17_c11","ead_ssi":"viu_viu02954","_root_":"viu_viu02954","_nest_parent_":"viu_viu02954_c17","parent_ssi":"viu_viu02954_c17","parent_ssim":["viu_viu02954","viu_viu02954_c17"],"parent_ids_ssim":["viu_viu02954","viu_viu02954_c17"],"parent_unittitles_ssm":["The James J. Kilpatrick Papers, \n \n 1967-1972","Miscellaneous Speeches \n \n 1969-1973"],"parent_unittitles_tesim":["The James J. Kilpatrick Papers, \n \n 1967-1972","Miscellaneous Speeches \n \n 1969-1973"],"text":["The James J. Kilpatrick Papers, \n \n 1967-1972","Miscellaneous Speeches \n \n 1969-1973","Young Americans for Freedom, Atlanta \n 12 Mar 1971"],"title_filing_ssi":"Young Americans for Freedom, Atlanta \n 12 Mar 1971","title_ssm":["Young Americans for Freedom, Atlanta \n 12 Mar 1971"],"title_tesim":["Young Americans for Freedom, Atlanta \n 12 Mar 1971"],"normalized_title_ssm":["Young Americans for Freedom, Atlanta \n 12 Mar 1971"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The James J. 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Among the participants are\n Reuben Askew, James Buckley, Angela Davis, Robert P. Griffen,\n Michael Mansfield, John Mitchell, Edmund Muskie, George Meany,\n Ralph Nader, James M. Roche, William Scranton, and George\n Wallace.","English"],"unitid_tesim":["6626-d"],"normalized_title_ssm":["The James J. Kilpatrick Papers, \n \n 1967-1972"],"collection_title_tesim":["The James J. Kilpatrick Papers, \n \n 1967-1972"],"collection_ssim":["The James J. Kilpatrick Papers, \n \n 1967-1972"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["The Library acquired these papers from James J.\n Kilpatrick on 30 Apr 1973, and Jan 1975."],"has_online_content_ssim":["false"],"physdesc_tesim":["2000\n items"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains background material and\n correspondence relating to Kilpatrick's syndicated column,\n various articles, and speeches. 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