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Correspondence and Subject Files: Secretariat, 2006; 2008-2018; Series II. Bond Rating, 1992; 1994; 2000-2017; Series III. Decision Briefs, 2014-2017; Series IV. Joint Money Committee Meetings Files, 2005; 2007-2014; 2016-2017; Series V. Planning and Budget Files, 2004-2006; 2013-2017; Series VI. Public Relations-Presentations, 2008; 2008; 2010; 2013-2014; 2017; Series VII. Special Projects and Studies, 2012; 2014; 2016-2017.","In 1970, the Governor's Management Commission Study recommended the creation of six \"Deputy Governors\" to assist the Chief Executive in his managerial duties. Compatible functions of government were grouped under these administrative heads, who would serve as the Governors top management team or \"secretariats,\" as they are called now. The General Assembly in 1972 created six Secretariats positions initially. 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Brown during the administrations of Governor Tim M. Kaine (2006-2010), Governor Robert F. McDonnell (2010-2014) and Terry McAuliffe (2014-2018). The collection is housed in 30 boxes and includes budget and financial presentations, decision briefs, revenue reports, correspondence, and Secretary of Finance department subject files. Information on the state budget, revenue forecasting, Virginia's bond rating, and Medicaid expansion can be found throughout the collection. 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Joint Money Committee Meetings Files, 2005; 2007-2014; 2016-2017; Series V. Planning and Budget Files, 2004-2006; 2013-2017; Series VI. Public Relations-Presentations, 2008; 2008; 2010; 2013-2014; 2017; Series VII. Special Projects and Studies, 2012; 2014; 2016-2017."],"bioghist_html_tesm":["\u003cp\u003eIn 1970, the Governor's Management Commission Study recommended the creation of six \"Deputy Governors\" to assist the Chief Executive in his managerial duties. Compatible functions of government were grouped under these administrative heads, who would serve as the Governors top management team or \"secretariats,\" as they are called now. The General Assembly in 1972 created six Secretariats positions initially. As government reorganized, that number fluctuated when government agencies expanded or consolidated.\n\u003c/p\u003e","\u003cp\u003eSince the establishment of a secretarial system in 1972, there have been several reorganizations of that system. The financial management function of the state has shifted from under the direction of the Secretary of Finance to the Secretary of Administration; then to Secretary of Administration and Finance and currently back to the Secretary of Finance, through various reorganizations of state government from 1970's to the present. The function of the secretary is to provide sound fiscal management and recommend to the Governor a comprehensive budget for those agencies under his jurisdiction. The secretary's responsibilities are: to monitor programs, services and performance of subordinate state agencies to develop state policies programs for long-range planning and policy formulation; and approve solicitation or acceptance of any donations, gifts or grants; to hold agency heads accountable for their agency's administrative, fiscal and program performance. All secretaries are appointed by the governor and serve at his will. \n\u003c/p\u003e","\u003cp\u003eGovernor Terry McAuliffe (2014-2018) reappointed Richard \"Ric\" D. Brown to serve as Secretary of Finance. Richard Brown was appointed as Secretary of Finance by Governor Timothy Kaine in 2008, reappointed by Governor Robert McDonnell in 2010, and continued to serve until he retired in 2018. Prior to his appointment as Secretary of Finance, Brown worked in the Virginia Department of Planning and budget beginning in 1971. He served as agency head from 2001 to 2008.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["In 1970, the Governor's Management Commission Study recommended the creation of six \"Deputy Governors\" to assist the Chief Executive in his managerial duties. 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The secretary's responsibilities are: to monitor programs, services and performance of subordinate state agencies to develop state policies programs for long-range planning and policy formulation; and approve solicitation or acceptance of any donations, gifts or grants; to hold agency heads accountable for their agency's administrative, fiscal and program performance. All secretaries are appointed by the governor and serve at his will. \n","Governor Terry McAuliffe (2014-2018) reappointed Richard \"Ric\" D. Brown to serve as Secretary of Finance. Richard Brown was appointed as Secretary of Finance by Governor Timothy Kaine in 2008, reappointed by Governor Robert McDonnell in 2010, and continued to serve until he retired in 2018. Prior to his appointment as Secretary of Finance, Brown worked in the Virginia Department of Planning and budget beginning in 1971. He served as agency head from 2001 to 2008.\n"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1992, 1994, 2000-2018, of Secretary of Finance Richard \"Ric\" D. Brown during the administrations of Governor Tim M. Kaine (2006-2010), Governor Robert F. McDonnell (2010-2014) and Terry McAuliffe (2014-2018). The collection is housed in 30 boxes and includes budget and financial presentations, decision briefs, revenue reports, correspondence, and Secretary of Finance department subject files. Information on the state budget, revenue forecasting, Virginia's bond rating, and Medicaid expansion can be found throughout the collection. Also included are records from Brown's tenure at the Virginia Department of Planning and Budget.  \n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Records, 1992, 1994, 2000-2018, of Secretary of Finance Richard \"Ric\" D. Brown during the administrations of Governor Tim M. Kaine (2006-2010), Governor Robert F. McDonnell (2010-2014) and Terry McAuliffe (2014-2018). The collection is housed in 30 boxes and includes budget and financial presentations, decision briefs, revenue reports, correspondence, and Secretary of Finance department subject files. Information on the state budget, revenue forecasting, Virginia's bond rating, and Medicaid expansion can be found throughout the collection. Also included are records from Brown's tenure at the Virginia Department of Planning and Budget.  \n"],"language_ssim":["English\n"],"total_component_count_is":451,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T01:41:43.370Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vi_vi05905_c01_c01"}},{"id":"viblbv_repositories_2_resources_2315_c01_c01_c02","type":"Subgroup","attributes":{"title":"Bolivia","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315_c01_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2315_c01_c01_c02","ref_ssm":["viblbv_repositories_2_resources_2315_c01_c01_c02"],"id":"viblbv_repositories_2_resources_2315_c01_c01_c02","ead_ssi":"viblbv_repositories_2_resources_2315","_root_":"viblbv_repositories_2_resources_2315","_nest_parent_":"viblbv_repositories_2_resources_2315_c01_c01","parent_ssi":"viblbv_repositories_2_resources_2315_c01_c01","parent_ssim":["viblbv_repositories_2_resources_2315","viblbv_repositories_2_resources_2315_c01","viblbv_repositories_2_resources_2315_c01_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_2315","viblbv_repositories_2_resources_2315_c01","viblbv_repositories_2_resources_2315_c01_c01"],"parent_unittitles_ssm":["Leonard J. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"_nest_path_":"/components#0/components#0/components#1","timestamp":"2026-04-30T23:31:08.321Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2315","ead_ssi":"viblbv_repositories_2_resources_2315","_root_":"viblbv_repositories_2_resources_2315","_nest_parent_":"viblbv_repositories_2_resources_2315","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2315.xml","title_filing_ssi":"Currie, Leonard J. Papers","title_ssm":["Leonard J. Currie Papers,"],"title_tesim":["Leonard J. Currie Papers,"],"unitdate_ssm":["1920-2001"],"unitdate_inclusive_ssm":["1920-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.028"],"text":["Ms.2007.028","Leonard J. Currie Papers,","Blacksburg (Va.)","Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History","Collection is open for research.","Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.","The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052","Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996","The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"unitid_tesim":["Ms.2007.028"],"normalized_title_ssm":["Leonard J. Currie Papers,"],"collection_title_tesim":["Leonard J. Currie Papers,"],"collection_ssim":["Leonard J. Currie Papers,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creator_persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"creators_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"access_subjects_ssim":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"access_subjects_ssm":["Architects","Architects -- Virginia","Faculty and staff","Montgomery County (Va.)","Local/Regional History and Appalachian South","University History"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"extent_tesim":["10 Cubic Feet 14 boxes; 30 oversize folders--processed materials ONLY"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003ePlease note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Please note: Photographs are arranged as their own series, since many rolls of film contain both personal and professional/project related photographs and negatives. Within the series, photographs are arranged in travel/international work, US buildings/projects, and personal subseries. See the series note below on Series I: Photographs and Negatives for more on their arrangement."],"odd_html_tesm":["\u003cp\u003eThe guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Leonard J. Currie Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Leonard J. Currie Papers, Ms2007-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00180.xml\" show=\"new\" title=\"Office of the Vice-President, Louis Pardue, 1950-1963. RG 3/3\"\u003eOffice of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00086.xml\" show=\"new\" title=\"Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\"\u003eRecords of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00195.xml\" show=\"new\" title=\"Ute Westrom Architectural Papers, 1968-1996. Ms1996-023\"\u003eUte Westrom Architectural Papers, 1968-1996. Ms1996-023\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00538.xml\" show=\"new\" title=\"Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\"\u003eVirginia M. Hertz Currie Papers, 1934-2000. Ms2001-005\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00517.xml\" show=\"new\" title=\"Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\"\u003eWalter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Office of the Vice-President, Louis A. Pardue, 1950-1963. RG 3/3","Records of the Office of the President, Walter S. Newman, 1947-1962 (Bulk 1947-1961). RG 2/10","Ute Westrom Architectural Papers, 1968-1996. Ms1996-023","Virginia M. Hertz Currie Papers, 1934-2000. Ms2001-005","Walter Gropius/ G. Preston Frazer Papers, 1969-1992. Ms1992-052"],"scopecontent_html_tesm":["\u003cp\u003eCurrie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Currie received a Bachelor of Architecture from University of Minnesota in 1936, married Virginia M. Herz in 1937, and earned a Masters degree from Harvard in 1938, then served an two-year apprenticeship with Marcel Breuer and Walter Gropius at their firm. After that he worked on many projects in Latin America, taught at Harvard, and headed the architecture departments of Virginia Tech and University of Illinois at Chicago. He practiced architecture privately in firms from the 1970s to the 1990s, and became a Fellow of the American Institute of Architects (AIA) in 1993. The 1961 house he designed for his family in Blacksburg, Virginia, commonly called the \"Pagoda House,\" won awards from the AIA and is on the National Register of Historic Places. The Currie Papers include sets of blueprints and drawings for about 25 architectural projects and papers relating to his teaching. There are also files and reports on his work in Latin America, both on historic sites and improving housing for the poor. Unprocessed."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_53c49d6ccac0c48afee0ee09a9f96aa8\" label=\"Abstract\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information.\u003c/abstract\u003e"],"abstract_tesim":["Please note:  this collection is currently being processed. Portions of the collection which are fully processed are listed in this finding aid. This includes photographs and negatives, flat files and oversize drawings from personal and professional projects, and a few artifacts. As more materials are processed, additional series and subseries will be published. Other portions of the collection may be available for research--contact Special Collections (specref@vt.edu) for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture","Currie, Leonard J. (Leonard James), 1913-1996"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Currie, Leonard J. (Leonard James), 1913-1996"],"language_ssim":["The materials in this collection are predominantly written in English and Spanish. However, some papers also contain German, Russian, and French."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":334,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:08.321Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2315_c01_c01_c02"}},{"id":"vilxv_repositories_3_resources_730","type":"collection","attributes":{"title":"Bomb (VMI Yearbook)","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_730#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eKnown as The Bomb, the yearbook was first published in 1885. After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_730#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxv_repositories_3_resources_730","ead_ssi":"vilxv_repositories_3_resources_730","_root_":"vilxv_repositories_3_resources_730","_nest_parent_":"vilxv_repositories_3_resources_730","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_730.xml","title_ssm":["Bomb (VMI Yearbook)"],"title_tesim":["Bomb (VMI Yearbook)"],"unitdate_ssm":["1885; 1895 - [ongoing]"],"unitdate_inclusive_ssm":["1885; 1895 - [ongoing]"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["RG.06.Bomb","/repositories/3/resources/730"],"text":["RG.06.Bomb","/repositories/3/resources/730","Bomb (VMI Yearbook)","Virginia Military Institute—Publications","Publications","Yearbooks","There are no restrictions","This text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\"","Yearbooks from 1885 through 2010 are available online","Known as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946.","Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives stacks, Record Group 06, Publications","Virginia Military Institute Archives","English"],"unitid_tesim":["RG.06.Bomb","/repositories/3/resources/730"],"normalized_title_ssm":["Bomb (VMI Yearbook)"],"collection_title_tesim":["Bomb (VMI Yearbook)"],"collection_ssim":["Bomb (VMI Yearbook)"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"access_terms_ssm":["Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Publications","Publications","Yearbooks"],"access_subjects_ssm":["Virginia Military Institute—Publications","Publications","Yearbooks"],"has_online_content_ssim":["false"],"extent_ssm":["80 cubic feet"],"extent_tesim":["80 cubic feet"],"genreform_ssim":["Publications","Yearbooks"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003clegalstatus id=\"aspace_3b4fa79700a7499e334c229c159d1f9a\"\u003eThis text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\"\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","This text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\""],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/search/collection/p15821coll17Yearbooks%20from%201885-2010%20are%20available%20online\"\u003eYearbooks from 1885 through 2010 are available online\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["Yearbooks from 1885 through 2010 are available online"],"prefercite_html_tesm":["\u003cp\u003eVirginia Military Institute Archives.  Cadet Publications.  The Bomb.\u003c/p\u003e"],"prefercite_tesim":["Virginia Military Institute Archives.  Cadet Publications.  The Bomb."],"scopecontent_html_tesm":["\u003cp\u003eKnown as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Known as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946."],"userestrict_html_tesm":["\u003cp\u003ePublication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bae5464b7811fc8d8f293bd03931f794\"\u003eArchives stacks, Record Group 06, Publications\u003c/physloc\u003e"],"physloc_tesim":["Archives stacks, Record Group 06, Publications"],"names_ssim":["Virginia Military Institute Archives"],"corpname_ssim":["Virginia Military Institute Archives"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:56:07.089Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_730","ead_ssi":"vilxv_repositories_3_resources_730","_root_":"vilxv_repositories_3_resources_730","_nest_parent_":"vilxv_repositories_3_resources_730","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_730.xml","title_ssm":["Bomb (VMI Yearbook)"],"title_tesim":["Bomb (VMI Yearbook)"],"unitdate_ssm":["1885; 1895 - [ongoing]"],"unitdate_inclusive_ssm":["1885; 1895 - [ongoing]"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["RG.06.Bomb","/repositories/3/resources/730"],"text":["RG.06.Bomb","/repositories/3/resources/730","Bomb (VMI Yearbook)","Virginia Military Institute—Publications","Publications","Yearbooks","There are no restrictions","This text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\"","Yearbooks from 1885 through 2010 are available online","Known as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946.","Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives stacks, Record Group 06, Publications","Virginia Military Institute Archives","English"],"unitid_tesim":["RG.06.Bomb","/repositories/3/resources/730"],"normalized_title_ssm":["Bomb (VMI Yearbook)"],"collection_title_tesim":["Bomb (VMI Yearbook)"],"collection_ssim":["Bomb (VMI Yearbook)"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"access_terms_ssm":["Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Publications","Publications","Yearbooks"],"access_subjects_ssm":["Virginia Military Institute—Publications","Publications","Yearbooks"],"has_online_content_ssim":["false"],"extent_ssm":["80 cubic feet"],"extent_tesim":["80 cubic feet"],"genreform_ssim":["Publications","Yearbooks"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003clegalstatus id=\"aspace_3b4fa79700a7499e334c229c159d1f9a\"\u003eThis text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\"\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","This text was provided by the Cadet Publications Board when the yearbooks were placed online. \"The views expressed within The Cadet newspaper and The Bomb yearbook as cadet publications are not necessarily the views of the Cadet Publications Board, Inc., or the Virginia Military Institute, but rather those of the cadet editors-in-chief of the publication or of those individuals who expressed their views in print. Cadet editors-in-chief have the authority to make all decisions related to content of their cadet publication and are responsible for the accuracy and appropriateness of the content. Any cadet publication or expression by a cadet therein, is not considered to be an expression of VMI policy, nor is it supported or condoned by VMI. The Cadet Publications Board, Inc., does not exercise editorial control or have censorship rights with regard to the content--written, drawn, photographed or displayed in any other media format--of cadet publications. The Cadet Publications Board, Inc., or any of its members, does not make any warranty, expressed or implied, or assume any legal liability or responsibility for the civility, appropriateness, accuracy, completeness, or usefulness of any information, product, or process disclosed, or represents that its use would not infringe privately owned rights.\""],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/search/collection/p15821coll17Yearbooks%20from%201885-2010%20are%20available%20online\"\u003eYearbooks from 1885 through 2010 are available online\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["Yearbooks from 1885 through 2010 are available online"],"prefercite_html_tesm":["\u003cp\u003eVirginia Military Institute Archives.  Cadet Publications.  The Bomb.\u003c/p\u003e"],"prefercite_tesim":["Virginia Military Institute Archives.  Cadet Publications.  The Bomb."],"scopecontent_html_tesm":["\u003cp\u003eKnown as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Known as The Bomb, the yearbook was first published in 1885.  After a nine year hiatus, it has been published continuously since 1895, with the exception of 1945 and 1946."],"userestrict_html_tesm":["\u003cp\u003ePublication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Publication collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bae5464b7811fc8d8f293bd03931f794\"\u003eArchives stacks, Record Group 06, Publications\u003c/physloc\u003e"],"physloc_tesim":["Archives stacks, Record Group 06, Publications"],"names_ssim":["Virginia Military Institute Archives"],"corpname_ssim":["Virginia Military Institute Archives"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:56:07.089Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_730"}},{"id":"vihart_repositories_4_resources_638_c01_c02","type":"Subgroup","attributes":{"title":"Book catalogs","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_638_c01_c02","ref_ssm":["vihart_repositories_4_resources_638_c01_c02"],"id":"vihart_repositories_4_resources_638_c01_c02","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638_c01","parent_ssi":"vihart_repositories_4_resources_638_c01","parent_ssim":["vihart_repositories_4_resources_638","vihart_repositories_4_resources_638_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_638","vihart_repositories_4_resources_638_c01"],"parent_unittitles_ssm":["Carol Barton papers","Printed materials"],"parent_unittitles_tesim":["Carol Barton papers","Printed materials"],"text":["Carol Barton papers","Printed materials","Book catalogs"],"title_filing_ssi":"Book catalogs","title_ssm":["Book catalogs"],"title_tesim":["Book catalogs"],"normalized_title_ssm":["Book catalogs"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Carol Barton papers"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Subgroup"],"level_ssim":["Subgroup"],"sort_isi":26,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#0/components#1","timestamp":"2026-04-30T22:57:55.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"text":["SC 0274","/repositories/4/resources/638","Carol Barton papers","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"normalized_title_ssm":["Carol Barton papers"],"collection_title_tesim":["Carol Barton papers"],"collection_ssim":["Carol Barton papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creators_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. 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Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work"],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. 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He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. 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","These material were orginally acquired by the Fralin Art Museum. The materials were brought to the museum for study related to the 1988 retrospective exhibition of the artist. A number of paintings, drawings and other works were donated to the museum in 1985, 1988, 1999, and 2011. The archive was also given with the intent that it would become part of the UVA Library."],"access_subjects_ssim":["Arts"],"access_subjects_ssm":["Arts"],"has_online_content_ssim":["false"],"physdesc_tesim":["fair"],"extent_ssm":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"extent_tesim":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. 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Davies, Ernest Lawson, and Maurice Prendergast.) \u003c/p\u003e\n","\u003cp\u003eBarber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. 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Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16530, John Barber papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16530, John Barber papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber."],"names_ssim":["Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Barber , John, 1893-1965"],"language_ssim":["English French Italian German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:40:41.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050_c07_c07"}},{"id":"viasr_repositories_2_resources_28_c30","type":"Subgroup","attributes":{"title":"Bound Basketball Scorebooks (1942-1980s)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viasr_repositories_2_resources_28_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_28_c30","ref_ssm":["viasr_repositories_2_resources_28_c30"],"id":"viasr_repositories_2_resources_28_c30","ead_ssi":"viasr_repositories_2_resources_28","_root_":"viasr_repositories_2_resources_28","_nest_parent_":"viasr_repositories_2_resources_28","parent_ssi":"viasr_repositories_2_resources_28","parent_ssim":["viasr_repositories_2_resources_28"],"parent_ids_ssim":["viasr_repositories_2_resources_28"],"parent_unittitles_ssm":["Athletics"],"parent_unittitles_tesim":["Athletics"],"text":["Athletics","Bound Basketball Scorebooks (1942-1980s)","Men's Basketball","Athletic Scoring, Box Scores, and Recordkeeping"],"title_filing_ssi":"Bound Basketball Scorebooks (1942-1980s)","title_ssm":["Bound Basketball Scorebooks (1942-1980s)"],"title_tesim":["Bound Basketball Scorebooks (1942-1980s)"],"normalized_title_ssm":["Bound Basketball Scorebooks (1942-1980s)"],"component_level_isim":[1],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["Athletics"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subgroup"],"level_ssim":["Subgroup"],"sort_isi":71,"access_subjects_ssim":["Men's Basketball","Athletic Scoring, Box Scores, and Recordkeeping"],"access_subjects_ssm":["Men's Basketball","Athletic Scoring, Box Scores, and Recordkeeping"],"_nest_path_":"/components#29","timestamp":"2026-04-30T23:25:58.249Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_28","ead_ssi":"viasr_repositories_2_resources_28","_root_":"viasr_repositories_2_resources_28","_nest_parent_":"viasr_repositories_2_resources_28","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_28.xml","title_ssm":["Athletics"],"title_tesim":["Athletics"],"unitdate_ssm":["1830-2025"],"unitdate_inclusive_ssm":["1830-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00025"],"text":["RMC.00025","Athletics","Women's Basketball","Men's Basketball","Football","Baseball","Men's Golf","Men's Lacrosse","Men's Soccer","Men's Swimming","Men's Tennis","Men's Volleyball","Softball","Field Hockey","Women's Golf","Women's Lacrosse","Women's Soccer","Women's Swimming","Women's Tennis","Women's Volleyball","Dance/Cheer","Equestrian","RMC Athletics","Coed Sports","Club Sports","Junior Varsity and Varsity Athletics","Continental Volleyball Conference (CVC)","Old Dominion Athletic Conference (ODAC)","National Collegiate Athletics Association (NCAA)","Track and Field and Cross Country","Randolph Macon College Athletics participates in the Old Dominion Athletic Conference and is part of the National Collegiate Athletic Association Division III athletics, as well as the Continental Volleyball Conference.","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    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