{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026facet.page=2\u0026page=60719","prev":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026facet.page=2\u0026page=60718","next":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026facet.page=2\u0026page=60720","last":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026facet.page=2\u0026page=60728"},"meta":{"pages":{"current_page":60719,"next_page":60720,"prev_page":60718,"total_pages":60728,"limit_value":10,"offset_value":607180,"total_count":607276,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_6402_c03_c101","type":"Item","attributes":{"title":"Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6402_c03_c101#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6402_c03_c101","ref_ssm":["wvmturhc_repositories_2_resources_6402_c03_c101"],"id":"wvmturhc_repositories_2_resources_6402_c03_c101","ead_ssi":"wvmturhc_repositories_2_resources_6402","_root_":"wvmturhc_repositories_2_resources_6402","_nest_parent_":"wvmturhc_repositories_2_resources_6402_c03","parent_ssi":"wvmturhc_repositories_2_resources_6402_c03","parent_ssim":["wvmturhc_repositories_2_resources_6402","wvmturhc_repositories_2_resources_6402_c03"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6402","wvmturhc_repositories_2_resources_6402_c03"],"parent_unittitles_ssm":["West Virginia University, President E. Gordon Gee, Speeches and Other Material","Series 3. Ohio State University, Speeches, news articles, and editorials"],"parent_unittitles_tesim":["West Virginia University, President E. Gordon Gee, Speeches and Other Material","Series 3. Ohio State University, Speeches, news articles, and editorials"],"text":["West Virginia University, President E. Gordon Gee, Speeches and Other Material","Series 3. Ohio State University, Speeches, news articles, and editorials","Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)","English .","Box 1b","Folder 18"],"title_filing_ssi":"Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)","title_ssm":["Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)"],"title_tesim":["Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)"],"unitdate_other_ssim":["1991/05/04"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["Zollinger Surgical Society Meeting Welcome sponsored by the Zollinger Alumni Association (including briefing and script)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":172,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1991],"language_ssim":["English ."],"containers_ssim":["Box 1b","Folder 18"],"_nest_path_":"/components#2/components#100","timestamp":"2026-05-21T01:25:50.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6402","ead_ssi":"wvmturhc_repositories_2_resources_6402","_root_":"wvmturhc_repositories_2_resources_6402","_nest_parent_":"wvmturhc_repositories_2_resources_6402","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6402.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210447","title_ssm":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"title_tesim":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"unitdate_ssm":["1979-2013 May"],"unitdate_inclusive_ssm":["1979-2013 May"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5246","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6402"],"text":["A\u0026M 5246","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6402","West Virginia University, President E. Gordon Gee, Speeches and Other Material","Speeches, addresses, etc","Universities and colleges","West Virginia University. Presidency","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The original paper versions of all material in this collection pertaining to Gee's administrations at Ohio State University are held by the Ohio State University Archives ( Guide to the Ohio State University, Office of the President (Elwood Gordon Gee (First Administration)) Records, 1990-2003  and  Guide to the Ohio State University, Office of the President (Elwood Gordon Gee (Second Administration)) Records, 1988-2014 ).","Copies of speeches given by Dr. Gee during his various terms as President of West Virginia University (1981-1985; 2014-2025), the University of Colorado (1985-1990), Ohio State University (1990-1998; 2007-2013), Brown University (1998-2000), and as Chancellor of Vanderbilt University (2000-2007). This collection also includes news articles spawned from Gee's speeches, pre-event briefings, and correspondence related to Gee's speeches. Many speeches have digital copies available.","The Addendum of 2020 April includes assorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University.","The Addendum of 2025 June 20 includes assorted speeches given by Gee while at West Virginia University, the University of Colorado at Boulder, and Brown University.","These speeches were given by Gee during his first term as President of West Virginia University.","This series includes official correspondence written by Gee and speeches given by Gee during his term as President of the University of Colorado. \nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" or \"questions and responses\" or attached to a specific event.","This series includes speeches, news articles, and editorials from and about Gee during his first term as president of Ohio State University (1990-1998). \nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" \"talking points,\" or \"questions and responses\" or attached to a specific event.","This series includes speeches given by Gee before and during his term as President of Brown University (1998-2000).","This series includes speeches given by Gee during his term as Chancellor of Vanderbilt University.","This series includes speeches made by Gee during his second term as President of Ohio State University (2007-2013).","Assorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University","Four binders of speech transcripts given at West Virginia University, at the University of Colorado at Boulder, and at Brown University.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Gee, E. Gordon (Elwood Gordon), 1944-","English \n.    "],"unitid_tesim":["A\u0026M 5246","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6402"],"normalized_title_ssm":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"collection_title_tesim":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"collection_ssim":["West Virginia University, President E. Gordon Gee, Speeches and Other Material"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Gee, E. Gordon (Elwood Gordon), 1944-"],"creator_ssim":["Gee, E. Gordon (Elwood Gordon), 1944-"],"creator_persname_ssim":["Gee, E. Gordon (Elwood Gordon), 1944-"],"creators_ssim":["Gee, E. Gordon (Elwood Gordon), 1944-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Speeches, addresses, etc","Universities and colleges","West Virginia University. Presidency"],"access_subjects_ssm":["Speeches, addresses, etc","Universities and colleges","West Virginia University. Presidency"],"has_online_content_ssim":["false"],"extent_ssm":["8.75 Linear Feet 2 document cases, 2.5 in. each; 2 document cases, 5 in. each; 6 record cartons, 15 in. each","0.2 Gigabytes 93 .pdf files"],"extent_tesim":["8.75 Linear Feet 2 document cases, 2.5 in. each; 2 document cases, 5 in. each; 6 record cartons, 15 in. each","0.2 Gigabytes 93 .pdf files"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"originalsloc_html_tesm":["\u003cp\u003eThe original paper versions of all material in this collection pertaining to Gee's administrations at Ohio State University are held by the Ohio State University Archives (\u003ca href=\"https://library.osu.edu/finding-aids/ead/UA/RG.3.L.xml\" target=\"_blank\"\u003eGuide to the Ohio State University, Office of the President (Elwood Gordon Gee (First Administration)) Records, 1990-2003\u003c/a\u003e and \u003ca href=\"https://library.osu.edu/finding-aids/ead/UA/RG.3.O.xml\" target=\"_blank\"\u003eGuide to the Ohio State University, Office of the President (Elwood Gordon Gee (Second Administration)) Records, 1988-2014\u003c/a\u003e).\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The original paper versions of all material in this collection pertaining to Gee's administrations at Ohio State University are held by the Ohio State University Archives ( Guide to the Ohio State University, Office of the President (Elwood Gordon Gee (First Administration)) Records, 1990-2003  and  Guide to the Ohio State University, Office of the President (Elwood Gordon Gee (Second Administration)) Records, 1988-2014 )."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, President E. Gordon Gee, Speeches and Other Material, A\u0026amp;M 5246, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, President E. Gordon Gee, Speeches and Other Material, A\u0026M 5246, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCopies of speeches given by Dr. Gee during his various terms as President of West Virginia University (1981-1985; 2014-2025), the University of Colorado (1985-1990), Ohio State University (1990-1998; 2007-2013), Brown University (1998-2000), and as Chancellor of Vanderbilt University (2000-2007). This collection also includes news articles spawned from Gee's speeches, pre-event briefings, and correspondence related to Gee's speeches. Many speeches have digital copies available.\u003c/p\u003e\n","\u003cp\u003eThe Addendum of 2020 April includes assorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University.\u003c/p\u003e\n","\u003cp\u003eThe Addendum of 2025 June 20 includes assorted speeches given by Gee while at West Virginia University, the University of Colorado at Boulder, and Brown University.\u003c/p\u003e","\u003cp\u003eThese speeches were given by Gee during his first term as President of West Virginia University.\u003c/p\u003e","\u003cp\u003eThis series includes official correspondence written by Gee and speeches given by Gee during his term as President of the University of Colorado.\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" or \"questions and responses\" or attached to a specific event.\u003c/p\u003e","\u003cp\u003eThis series includes speeches, news articles, and editorials from and about Gee during his first term as president of Ohio State University (1990-1998).\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" \"talking points,\" or \"questions and responses\" or attached to a specific event.\u003c/p\u003e","\u003cp\u003eThis series includes speeches given by Gee before and during his term as President of Brown University (1998-2000).\u003c/p\u003e","\u003cp\u003eThis series includes speeches given by Gee during his term as Chancellor of Vanderbilt University.\u003c/p\u003e","\u003cp\u003eThis series includes speeches made by Gee during his second term as President of Ohio State University (2007-2013).\u003c/p\u003e","\u003cp\u003eAssorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University\u003c/p\u003e","\u003cp\u003eFour binders of speech transcripts given at West Virginia University, at the University of Colorado at Boulder, and at Brown University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Copies of speeches given by Dr. Gee during his various terms as President of West Virginia University (1981-1985; 2014-2025), the University of Colorado (1985-1990), Ohio State University (1990-1998; 2007-2013), Brown University (1998-2000), and as Chancellor of Vanderbilt University (2000-2007). This collection also includes news articles spawned from Gee's speeches, pre-event briefings, and correspondence related to Gee's speeches. Many speeches have digital copies available.","The Addendum of 2020 April includes assorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University.","The Addendum of 2025 June 20 includes assorted speeches given by Gee while at West Virginia University, the University of Colorado at Boulder, and Brown University.","These speeches were given by Gee during his first term as President of West Virginia University.","This series includes official correspondence written by Gee and speeches given by Gee during his term as President of the University of Colorado. \nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" or \"questions and responses\" or attached to a specific event.","This series includes speeches, news articles, and editorials from and about Gee during his first term as president of Ohio State University (1990-1998). \nAll speeches are either labelled as \"remarks,\" \"speech,\" \"lecture,\" \"address,\" \"talking points,\" or \"questions and responses\" or attached to a specific event.","This series includes speeches given by Gee before and during his term as President of Brown University (1998-2000).","This series includes speeches given by Gee during his term as Chancellor of Vanderbilt University.","This series includes speeches made by Gee during his second term as President of Ohio State University (2007-2013).","Assorted speeches, event descriptions, and other material documenting Gee's first and second terms as President of Ohio State University","Four binders of speech transcripts given at West Virginia University, at the University of Colorado at Boulder, and at Brown University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9e2fa218bde7b5fcd0c6192dd702d601\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Gee, E. Gordon (Elwood Gordon), 1944-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Gee, E. Gordon (Elwood Gordon), 1944-"],"persname_ssim":["Gee, E. Gordon (Elwood Gordon), 1944-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":531,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:25:50.657Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6402_c03_c101"}},{"id":"viu_viu03947_c04_c04_c06","type":"Item","attributes":{"title":"Zolnay bust of Edgar Allan Poe\nn.d.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOne mounted photograph. Two envelopes contain negative film. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu03947_c04_c04_c06","ref_ssm":["viu_viu03947_c04_c04_c06"],"id":"viu_viu03947_c04_c04_c06","ead_ssi":"viu_viu03947","_root_":"viu_viu03947","_nest_parent_":"viu_viu03947_c04_c04","parent_ssi":"viu_viu03947_c04_c04","parent_ssim":["viu_viu03947","viu_viu03947_c04","viu_viu03947_c04_c04"],"parent_ids_ssim":["viu_viu03947","viu_viu03947_c04","viu_viu03947_c04_c04"],"parent_unittitles_ssm":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals"],"parent_unittitles_tesim":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals"],"text":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals","Zolnay bust of Edgar Allan Poe\nn.d.","5 items. Photographs, printed material, negatives.","box-folder 2:59","One mounted photograph. Two envelopes contain negative film.\n"],"title_filing_ssi":"Zolnay bust of Edgar Allan Poe\n n.d.\n","title_ssm":["Zolnay bust of Edgar Allan Poe\nn.d."],"title_tesim":["Zolnay bust of Edgar Allan Poe\nn.d."],"normalized_title_ssm":["Zolnay bust of Edgar Allan Poe\nn.d."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Edgar Allan Poe"],"physdesc_tesim":["5 items. Photographs, printed material, negatives."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":121,"containers_ssim":["box-folder 2:59"],"scopecontent_html_tesm":["\u003cp\u003eOne mounted photograph. Two envelopes contain negative film.\n\u003c/p\u003e"],"scopecontent_tesim":["One mounted photograph. Two envelopes contain negative film.\n"],"_nest_path_":"/components#3/components#3/components#5","timestamp":"2026-05-21T12:18:17.220Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu03947","ead_ssi":"viu_viu03947","_root_":"viu_viu03947","_nest_parent_":"viu_viu03947","ead_source_url_ssi":"data/uva-sc/viu03947.xml","title_ssm":["Papers of Edgar Allan Poe"],"title_tesim":["Papers of Edgar Allan Poe"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Multiple numbers\n"],"text":["Multiple numbers\n","Papers of Edgar Allan Poe","This collection consists of ca. 270 items.","There are no restrictions.\n","This collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n","#38-135\n","Born January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n","Novelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n","First prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n","Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n","Poe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n","Over the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n","While Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n","The Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n","Correspondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n","Included in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n","Miscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n","The photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n","Page from\n Literary Criticism on Richard H. Horne's Chaucer Modernized,\n  mentioning his own\n Al Aaraaf.\n #3857\n","\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n #38-135\n","Copy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n #3857\n","Written in the hand of the Editor of\n Minerva\n , including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n","Regarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n #3857-d\n","With photocopy.\n #4610\n","With photocopy.\n #3857\n","Parke-Bernet folder with penciled note '937.' With photocopy.\n #3857\n","With photocopy.\n #4610\n","With photocopy.\n #3857-c\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","#3857\n","#3857-d\n","Includes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n #8795\n","#6012-b\n","#4647\n","Includes transcription, photograph copy, and description. Barrow Process.\n #3857\n","#3857\n","Mounted.\n #3857-a\n","Poe, [Philadelphia] writes to the New York publishers enclosing an article for the  Democratic Review.  He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in  Graham's magazine. #14478\n","#4610\n","Negative Photostat.\n #3857-d\n","\"Counterfeit\" written in pencil in top right corner.\n #3857-d\n","Presented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n","Includes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n #38-135\n","Regarding \"Stylus.\"\n #5153-a\n","Includes note by Mrs. Richmond to Mr. Ingram.\n #38-135\n","Ostrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n #3857-c\n","Photograph.\n #3857\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","#3857-d\n","Notated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n #3857-d\n","Included Photographic reproductions and photostat copies.\n #38-623\n","mounted in large framed item,\n #1018-k\n","#3857-d\n","#3857\n","#3857-d\n","Cover and page 53. Photostats.\n #3857-d\n","Photograph.\n #3857-d\n","First page of printed edition. Photograph.\n #3857-d\n","Photograph of newspaper article.\n #3857\n","Poem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n #3857-b\n","R. G. Tietze engraving.\n","Also includes photocopy of an article from the\n Baltimore Sun Times Magazine,\n  Sep. 19, 1982, re the Painter daguerreotype.\n #38-135\n","Thompson variant of this is known (1981) to be at Columbia University.\n","Includes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n #38-135,\n #38-138,\n #6577,\n #8824-p\n","#38-135\n","Engraving by Frederick Warne \u0026 Company.\n #38-135\n","Includes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n #7055,\n #7838-a\n","Includes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026 H.T. Anthony \u0026 Co., 591 Broadway, New York.\n #38-135,\n #7838-a\n","#7838-a\n","UVa Art index 635.\n #10116-e\n","Includes related correspondence and negative photostat.\n","#7838-a\n","Received from Charleston, S. C. Museum, July 1923.\n","See Barrett-Poe oversize box for larger print.\n #38-135\n","Includes 2 black and white 8x10 photographic reproductions. #10686.\n","See Barrett-Poe oversize for larger print. Mounted.\n #38-135\n .\n","#6577\n","Original owned by Walter Pasko.\n","#7838-a\n","#RG-5/7/2.762\n","#38-135\n","#38-135\n ,\n #6577\n","#7838-a\n","Published in\n Graham's Magazine\n , 1845.\n #38-135\n","#7838-a\n","\"An unpublished portrait from a painting on copper. Artist unknown.\"\n","#7838-a\n","#RG-23/34/1.411\n","Includes related correspondence and negative photostat.\n","Based on photograph of Stella by E. A. Lewis.\n #38-135\n","Autographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n","#9477\n","#6577\n","#3857-d\n","#10251\n","Verso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n","#6526-k\n ,\n #38-135\n","#38-135-a\n","Signed by Edouard Manet. With two photostats of original.\n #38-135\n","#59\n","Two copies.\n #10251\n","#38-135\n","#10602, item 11\n","Published by J. C. Buttre.\n #10213-b\n","#38-135\n","#RG-23/34/1.411\n","#7838-a\n","#3565-a\n","\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n","#38-135\n ,\n #3565-a\n","Mounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n","One mounted photograph. Two envelopes contain negative film.\n","Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n","#38-135\n","#38-135\n","#9405-f\n","#4178-a\n","#6577\n","#38-135\n","#3857-d\n","3 images atttached to one loose-leaf page. Annotated.\n #3857-d\n","Two copies.\n","#2253\n","Based on photograph taken in 1869.\n #38-135\n","Two copies of engraving; newsclipping of partial John H. Ingram quotation.\n #38-135\n","#38-135\n","#957-b\n","See the \n             \n            University of Virginia Library’s use policy.","English\n"],"unitid_tesim":["Multiple numbers\n"],"normalized_title_ssm":["Papers of Edgar Allan Poe"],"collection_title_tesim":["Papers of Edgar Allan Poe"],"collection_ssim":["Papers of Edgar Allan Poe"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["#38-135: Purchase, March 17, 1922 #38-623: Gift, 1900. #59: Gift, July 30, 1938 #957-b: Gift, 1922 #1018-k: Deposit, November 2, 1988 #1083: Transferred to RG-23/34/1.411. Deposit, March 21, 1941 #2253: Gift,\nMarch 29, 1988 #3565-a: Gift, March 26, 1973 #3857: Gift, January 16, 1952 #3857-a: Deposit, April 23, 1960. Gift July 1, 1991 #3857-b: Gift, April 30, 1960. #3857-c: Purchase, December 3, 1965. #3857-d: Deposit,\nFebruary 4, 1966. Gift July 1, 1991 #3857-e: Purchase, June 3, 1965. #4610: January 26, 1954 #4647: Deposit, February 22, 1954 #5153-a: Withdrawn, December 21, 1998 #6012-b: Gift, May 15, 1968 #6577: Gift, August\n8, 1961 #7838-a: Archival Transfer, November 29, 1973 #8795: Purchase, February 2, 1968 #8824-p: Gift, January 17, 1973 #9477: Gift, May 7, 1970 #10116-e: Gift, April 20, 1978 #10213-b: Purchase, 1977/1978 #10251:\nPurchase, October 19, 1977 #10686: No information #14478: Purchase, December 16, 2008.\n"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of ca. 270 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#38-135\n\u003c/num\u003e\n                \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n","#38-135\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n\u003c/p\u003e","\u003cp\u003eNovelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n\u003c/p\u003e","\u003cp\u003eFirst prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n\u003c/p\u003e","\u003cp\u003ePoe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n\u003c/p\u003e","\u003cp\u003ePoe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n\u003c/p\u003e","\u003cp\u003eOver the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n\u003c/p\u003e","\u003cp\u003eWhile Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information\n"],"bioghist_tesim":["Born January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n","Novelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n","First prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n","Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n","Poe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n","Over the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n","While Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n"],"prefercite_html_tesm":["\u003cp\u003e[Title], Accession #[ ], Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e"],"prefercite_tesim":["[Title], Accession #[ ], Special Collections, University of Virginia Library, Charlottesville, Va.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n\u003c/p\u003e","\u003cp\u003eCorrespondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n\u003c/p\u003e","\u003cp\u003eIncluded in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n\u003c/p\u003e","\u003cp\u003eMiscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n\u003c/p\u003e","\u003cp\u003eThe photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n\u003c/p\u003e","\u003cp\u003ePage from\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eLiterary Criticism on Richard H. Horne's Chaucer Modernized,\n\u003c/title\u003e mentioning his own\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eAl Aaraaf.\n\u003c/title\u003e\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eCopy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWritten in the hand of the Editor of\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMinerva\n\u003c/title\u003e, including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n\u003c/p\u003e","\u003cp\u003eRegarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#4610\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eParke-Bernet folder with penciled note '937.' With photocopy.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#4610\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#3857-c\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eIncludes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#6012-b\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#4647\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eIncludes transcription, photograph copy, and description. Barrow Process.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eMounted.\n\u003cnum\u003e#3857-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePoe, [Philadelphia] writes to the New York publishers enclosing an article for the \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eDemocratic Review.\u003c/title\u003e He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eGraham's magazine.\u003c/title\u003e\u003cnum\u003e#14478\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#4610\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eNegative Photostat.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\"Counterfeit\" written in pencil in top right corner.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePresented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n\u003c/p\u003e","\u003cp\u003eIncludes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding \"Stylus.\"\n\u003cnum\u003e#5153-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes note by Mrs. Richmond to Mr. Ingram.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eOstrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n\u003cnum\u003e#3857-c\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eNotated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncluded Photographic reproductions and photostat copies.\n\u003cnum\u003e#38-623\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003emounted in large framed item,\n\u003cnum\u003e#1018-k\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eCover and page 53. Photostats.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eFirst page of printed edition. Photograph.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph of newspaper article.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePoem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n\u003cnum\u003e#3857-b\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eR. G. Tietze engraving.\n\u003c/p\u003e","\u003cp\u003eAlso includes photocopy of an article from the\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBaltimore Sun Times Magazine,\n\u003c/title\u003e Sep. 19, 1982, re the Painter daguerreotype.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eThompson variant of this is known (1981) to be at Columbia University.\n\u003c/p\u003e","\u003cp\u003eIncludes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n\u003cnum\u003e#38-135,\n\u003c/num\u003e\u003cnum\u003e#38-138,\n\u003c/num\u003e\u003cnum\u003e#6577,\n\u003c/num\u003e\u003cnum\u003e#8824-p\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#38-135\n\u003c/num\u003e\n                \u003c/p\u003e","\u003cp\u003eEngraving by Frederick Warne \u0026amp; Company.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n\u003cnum\u003e#7055,\n\u003c/num\u003e\u003cnum\u003e#7838-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026amp; H.T. Anthony \u0026amp; Co., 591 Broadway, New York.\n\u003cnum\u003e#38-135,\n\u003c/num\u003e\u003cnum\u003e#7838-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#7838-a\n\u003c/num\u003e\n                \u003c/p\u003e","\u003cp\u003eUVa Art index 635.\n\u003cnum\u003e#10116-e\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes related correspondence and negative photostat.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eReceived from Charleston, S. C. Museum, July 1923.\n\u003c/p\u003e","\u003cp\u003eSee Barrett-Poe oversize box for larger print.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes 2 black and white 8x10 photographic reproductions. #10686.\n\u003c/p\u003e","\u003cp\u003eSee Barrett-Poe oversize for larger print. Mounted.\n\u003cnum\u003e#38-135\n\u003c/num\u003e.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eOriginal owned by Walter Pasko.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-5/7/2.762\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#38-135\n\u003c/num\u003e,\n\u003cnum\u003e#6577\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003ePublished in\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eGraham's Magazine\n\u003c/title\u003e, 1845.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\"An unpublished portrait from a painting on copper. Artist unknown.\"\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-23/34/1.411\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eIncludes related correspondence and negative photostat.\n\u003c/p\u003e","\u003cp\u003eBased on photograph of Stella by E. A. Lewis.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eAutographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#9477\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3857-d\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#10251\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eVerso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n\u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#6526-k\n\u003c/num\u003e,\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eSigned by Edouard Manet. With two photostats of original.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#59\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eTwo copies.\n\u003cnum\u003e#10251\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#10602, item 11\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003ePublished by J. C. Buttre.\n\u003cnum\u003e#10213-b\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-23/34/1.411\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3565-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n\u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#38-135\n\u003c/num\u003e,\n\u003cnum\u003e#3565-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eMounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n\u003c/p\u003e","\u003cp\u003eOne mounted photograph. Two envelopes contain negative film.\n\u003c/p\u003e","\u003cp\u003eIncludes articles regarding Zolnay bust,\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe's Bust has 2 Plaster Companions\n\u003c/title\u003e and\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe Memorial Exercises\n\u003c/title\u003e from the\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eUniversity of Virginia Alumni Bulletin,\u003c/title\u003e 1899.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#9405-f\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#4178-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3857-d\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e3 images atttached to one loose-leaf page. Annotated.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eTwo copies.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#2253\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eBased on photograph taken in 1869.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eTwo copies of engraving; newsclipping of partial John H. Ingram quotation.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003e#38-135\n\u003c/title\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#957-b\n\u003c/num\u003e\n              \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n","Correspondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n","Included in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n","Miscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n","The photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n","Page from\n Literary Criticism on Richard H. Horne's Chaucer Modernized,\n  mentioning his own\n Al Aaraaf.\n #3857\n","\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n #38-135\n","Copy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n #3857\n","Written in the hand of the Editor of\n Minerva\n , including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n","Regarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n #3857-d\n","With photocopy.\n #4610\n","With photocopy.\n #3857\n","Parke-Bernet folder with penciled note '937.' With photocopy.\n #3857\n","With photocopy.\n #4610\n","With photocopy.\n #3857-c\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","#3857\n","#3857-d\n","Includes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n #8795\n","#6012-b\n","#4647\n","Includes transcription, photograph copy, and description. Barrow Process.\n #3857\n","#3857\n","Mounted.\n #3857-a\n","Poe, [Philadelphia] writes to the New York publishers enclosing an article for the  Democratic Review.  He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in  Graham's magazine. #14478\n","#4610\n","Negative Photostat.\n #3857-d\n","\"Counterfeit\" written in pencil in top right corner.\n #3857-d\n","Presented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n","Includes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n #38-135\n","Regarding \"Stylus.\"\n #5153-a\n","Includes note by Mrs. Richmond to Mr. Ingram.\n #38-135\n","Ostrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n #3857-c\n","Photograph.\n #3857\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","#3857-d\n","Notated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n #3857-d\n","Included Photographic reproductions and photostat copies.\n #38-623\n","mounted in large framed item,\n #1018-k\n","#3857-d\n","#3857\n","#3857-d\n","Cover and page 53. Photostats.\n #3857-d\n","Photograph.\n #3857-d\n","First page of printed edition. Photograph.\n #3857-d\n","Photograph of newspaper article.\n #3857\n","Poem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n #3857-b\n","R. G. Tietze engraving.\n","Also includes photocopy of an article from the\n Baltimore Sun Times Magazine,\n  Sep. 19, 1982, re the Painter daguerreotype.\n #38-135\n","Thompson variant of this is known (1981) to be at Columbia University.\n","Includes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n #38-135,\n #38-138,\n #6577,\n #8824-p\n","#38-135\n","Engraving by Frederick Warne \u0026 Company.\n #38-135\n","Includes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n #7055,\n #7838-a\n","Includes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026 H.T. Anthony \u0026 Co., 591 Broadway, New York.\n #38-135,\n #7838-a\n","#7838-a\n","UVa Art index 635.\n #10116-e\n","Includes related correspondence and negative photostat.\n","#7838-a\n","Received from Charleston, S. C. Museum, July 1923.\n","See Barrett-Poe oversize box for larger print.\n #38-135\n","Includes 2 black and white 8x10 photographic reproductions. #10686.\n","See Barrett-Poe oversize for larger print. Mounted.\n #38-135\n .\n","#6577\n","Original owned by Walter Pasko.\n","#7838-a\n","#RG-5/7/2.762\n","#38-135\n","#38-135\n ,\n #6577\n","#7838-a\n","Published in\n Graham's Magazine\n , 1845.\n #38-135\n","#7838-a\n","\"An unpublished portrait from a painting on copper. Artist unknown.\"\n","#7838-a\n","#RG-23/34/1.411\n","Includes related correspondence and negative photostat.\n","Based on photograph of Stella by E. A. Lewis.\n #38-135\n","Autographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n","#9477\n","#6577\n","#3857-d\n","#10251\n","Verso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n","#6526-k\n ,\n #38-135\n","#38-135-a\n","Signed by Edouard Manet. With two photostats of original.\n #38-135\n","#59\n","Two copies.\n #10251\n","#38-135\n","#10602, item 11\n","Published by J. C. Buttre.\n #10213-b\n","#38-135\n","#RG-23/34/1.411\n","#7838-a\n","#3565-a\n","\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n","#38-135\n ,\n #3565-a\n","Mounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n","One mounted photograph. Two envelopes contain negative film.\n","Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n","#38-135\n","#38-135\n","#9405-f\n","#4178-a\n","#6577\n","#38-135\n","#3857-d\n","3 images atttached to one loose-leaf page. Annotated.\n #3857-d\n","Two copies.\n","#2253\n","Based on photograph taken in 1869.\n #38-135\n","Two copies of engraving; newsclipping of partial John H. Ingram quotation.\n #38-135\n","#38-135\n","#957-b\n"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"language_ssim":["English\n"],"total_component_count_is":138,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:18:17.220Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c06"}},{"id":"viu_viu03947_c04_c04_c07","type":"Item","attributes":{"title":"Zolnay bust of Edgar Allan Poe\nn.d.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes articles regarding Zolnay bust, \u003cspan type=\"simple\"\u003e\"Poe's Bust has 2 Plaster Companions \"\u003c/span\u003e and \u003cspan type=\"simple\"\u003e\"Poe Memorial Exercises \"\u003c/span\u003e from the \u003cem type=\"simple\"\u003eUniversity of Virginia Alumni Bulletin,\u003c/em\u003e 1899. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu03947_c04_c04_c07","ref_ssm":["viu_viu03947_c04_c04_c07"],"id":"viu_viu03947_c04_c04_c07","ead_ssi":"viu_viu03947","_root_":"viu_viu03947","_nest_parent_":"viu_viu03947_c04_c04","parent_ssi":"viu_viu03947_c04_c04","parent_ssim":["viu_viu03947","viu_viu03947_c04","viu_viu03947_c04_c04"],"parent_ids_ssim":["viu_viu03947","viu_viu03947_c04","viu_viu03947_c04_c04"],"parent_unittitles_ssm":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals"],"parent_unittitles_tesim":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals"],"text":["Papers of Edgar Allan Poe","Series IV: Photographs, Prints and Illustrative Material","Statues, Busts, Monuments, Medals","Zolnay bust of Edgar Allan Poe\nn.d.","5 items. Photographs, printed material.","box-folder 2:60","Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n"],"title_filing_ssi":"Zolnay bust of Edgar Allan Poe\n n.d.\n","title_ssm":["Zolnay bust of Edgar Allan Poe\nn.d."],"title_tesim":["Zolnay bust of Edgar Allan Poe\nn.d."],"normalized_title_ssm":["Zolnay bust of Edgar Allan Poe\nn.d."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of Edgar Allan Poe"],"physdesc_tesim":["5 items. Photographs, printed material."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":122,"containers_ssim":["box-folder 2:60"],"scopecontent_html_tesm":["\u003cp\u003eIncludes articles regarding Zolnay bust,\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe's Bust has 2 Plaster Companions\n\u003c/title\u003e and\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe Memorial Exercises\n\u003c/title\u003e from the\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eUniversity of Virginia Alumni Bulletin,\u003c/title\u003e 1899.\n\u003c/p\u003e"],"scopecontent_tesim":["Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n"],"_nest_path_":"/components#3/components#3/components#6","timestamp":"2026-05-21T12:18:17.220Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu03947","ead_ssi":"viu_viu03947","_root_":"viu_viu03947","_nest_parent_":"viu_viu03947","ead_source_url_ssi":"data/uva-sc/viu03947.xml","title_ssm":["Papers of Edgar Allan Poe"],"title_tesim":["Papers of Edgar Allan Poe"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Multiple numbers\n"],"text":["Multiple numbers\n","Papers of Edgar Allan Poe","This collection consists of ca. 270 items.","There are no restrictions.\n","This collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n","#38-135\n","Born January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n","Novelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n","First prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n","Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n","Poe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n","Over the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n","While Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n","The Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n","Correspondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n","Included in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n","Miscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n","The photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n","Page from\n Literary Criticism on Richard H. Horne's Chaucer Modernized,\n  mentioning his own\n Al Aaraaf.\n #3857\n","\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n #38-135\n","Copy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n #3857\n","Written in the hand of the Editor of\n Minerva\n , including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n","Regarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n #3857-d\n","With photocopy.\n #4610\n","With photocopy.\n #3857\n","Parke-Bernet folder with penciled note '937.' With photocopy.\n #3857\n","With photocopy.\n #4610\n","With photocopy.\n #3857-c\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","#3857\n","#3857-d\n","Includes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n #8795\n","#6012-b\n","#4647\n","Includes transcription, photograph copy, and description. Barrow Process.\n #3857\n","#3857\n","Mounted.\n #3857-a\n","Poe, [Philadelphia] writes to the New York publishers enclosing an article for the  Democratic Review.  He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in  Graham's magazine. #14478\n","#4610\n","Negative Photostat.\n #3857-d\n","\"Counterfeit\" written in pencil in top right corner.\n #3857-d\n","Presented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n","Includes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n #38-135\n","Regarding \"Stylus.\"\n #5153-a\n","Includes note by Mrs. Richmond to Mr. Ingram.\n #38-135\n","Ostrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n #3857-c\n","Photograph.\n #3857\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","#3857-d\n","Notated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n #3857-d\n","Included Photographic reproductions and photostat copies.\n #38-623\n","mounted in large framed item,\n #1018-k\n","#3857-d\n","#3857\n","#3857-d\n","Cover and page 53. Photostats.\n #3857-d\n","Photograph.\n #3857-d\n","First page of printed edition. Photograph.\n #3857-d\n","Photograph of newspaper article.\n #3857\n","Poem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n #3857-b\n","R. G. Tietze engraving.\n","Also includes photocopy of an article from the\n Baltimore Sun Times Magazine,\n  Sep. 19, 1982, re the Painter daguerreotype.\n #38-135\n","Thompson variant of this is known (1981) to be at Columbia University.\n","Includes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n #38-135,\n #38-138,\n #6577,\n #8824-p\n","#38-135\n","Engraving by Frederick Warne \u0026 Company.\n #38-135\n","Includes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n #7055,\n #7838-a\n","Includes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026 H.T. Anthony \u0026 Co., 591 Broadway, New York.\n #38-135,\n #7838-a\n","#7838-a\n","UVa Art index 635.\n #10116-e\n","Includes related correspondence and negative photostat.\n","#7838-a\n","Received from Charleston, S. C. Museum, July 1923.\n","See Barrett-Poe oversize box for larger print.\n #38-135\n","Includes 2 black and white 8x10 photographic reproductions. #10686.\n","See Barrett-Poe oversize for larger print. Mounted.\n #38-135\n .\n","#6577\n","Original owned by Walter Pasko.\n","#7838-a\n","#RG-5/7/2.762\n","#38-135\n","#38-135\n ,\n #6577\n","#7838-a\n","Published in\n Graham's Magazine\n , 1845.\n #38-135\n","#7838-a\n","\"An unpublished portrait from a painting on copper. Artist unknown.\"\n","#7838-a\n","#RG-23/34/1.411\n","Includes related correspondence and negative photostat.\n","Based on photograph of Stella by E. A. Lewis.\n #38-135\n","Autographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n","#9477\n","#6577\n","#3857-d\n","#10251\n","Verso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n","#6526-k\n ,\n #38-135\n","#38-135-a\n","Signed by Edouard Manet. With two photostats of original.\n #38-135\n","#59\n","Two copies.\n #10251\n","#38-135\n","#10602, item 11\n","Published by J. C. Buttre.\n #10213-b\n","#38-135\n","#RG-23/34/1.411\n","#7838-a\n","#3565-a\n","\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n","#38-135\n ,\n #3565-a\n","Mounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n","One mounted photograph. Two envelopes contain negative film.\n","Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n","#38-135\n","#38-135\n","#9405-f\n","#4178-a\n","#6577\n","#38-135\n","#3857-d\n","3 images atttached to one loose-leaf page. Annotated.\n #3857-d\n","Two copies.\n","#2253\n","Based on photograph taken in 1869.\n #38-135\n","Two copies of engraving; newsclipping of partial John H. Ingram quotation.\n #38-135\n","#38-135\n","#957-b\n","See the \n             \n            University of Virginia Library’s use policy.","English\n"],"unitid_tesim":["Multiple numbers\n"],"normalized_title_ssm":["Papers of Edgar Allan Poe"],"collection_title_tesim":["Papers of Edgar Allan Poe"],"collection_ssim":["Papers of Edgar Allan Poe"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["#38-135: Purchase, March 17, 1922 #38-623: Gift, 1900. #59: Gift, July 30, 1938 #957-b: Gift, 1922 #1018-k: Deposit, November 2, 1988 #1083: Transferred to RG-23/34/1.411. Deposit, March 21, 1941 #2253: Gift,\nMarch 29, 1988 #3565-a: Gift, March 26, 1973 #3857: Gift, January 16, 1952 #3857-a: Deposit, April 23, 1960. Gift July 1, 1991 #3857-b: Gift, April 30, 1960. #3857-c: Purchase, December 3, 1965. #3857-d: Deposit,\nFebruary 4, 1966. Gift July 1, 1991 #3857-e: Purchase, June 3, 1965. #4610: January 26, 1954 #4647: Deposit, February 22, 1954 #5153-a: Withdrawn, December 21, 1998 #6012-b: Gift, May 15, 1968 #6577: Gift, August\n8, 1961 #7838-a: Archival Transfer, November 29, 1973 #8795: Purchase, February 2, 1968 #8824-p: Gift, January 17, 1973 #9477: Gift, May 7, 1970 #10116-e: Gift, April 20, 1978 #10213-b: Purchase, 1977/1978 #10251:\nPurchase, October 19, 1977 #10686: No information #14478: Purchase, December 16, 2008.\n"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of ca. 270 items."],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#38-135\n\u003c/num\u003e\n                \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is arranged in four series: Series I: Literary Manuscripts. Series II: Correspondence. Series III: Miscellaneous Documents. Series IV: Photographs, Prints and Illustrative Material.\n","#38-135\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n\u003c/p\u003e","\u003cp\u003eNovelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n\u003c/p\u003e","\u003cp\u003eFirst prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n\u003c/p\u003e","\u003cp\u003ePoe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n\u003c/p\u003e","\u003cp\u003ePoe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n\u003c/p\u003e","\u003cp\u003eOver the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n\u003c/p\u003e","\u003cp\u003eWhile Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information\n"],"bioghist_tesim":["Born January 19, 1809, in Boston, Mass.; died from complications related to a brain lesion, October 7, 1849, in Baltimore, Md.; buried in Westminster Presbyterian Churchyard, Baltimore; son of David, Jr. (a\nlawyer-turned actor; died 1811) and Elizabeth (an English actress; maiden name, Arnold; died 1811) Poe; unofficially adopted, 1811, by John (a tobacco merchant) and Frances Allan; married Virginia Clemm (a\ncousin), May 16, 1836 (died, 1847). Education: Attended Manor House School, Stoke Newington, England, 1815-20, University of Virginia, 1826, and United States Military Academy at West Point, 1830-31.\n","Novelist, critic, short story writer, and poet. Southern Literary Messenger, Richmond, Va., staff member, 1835-36, assistant editor, 1836-37; Burlington Gentleman's Magazine, Philadelphia, PA, co-editor, 1839-\n40; Graham's Lady's and Gentleman's Magazine, literary editor, 1841-42; Evening Mirror, New York City, staff member, 1845; Broadway Journal, editor and owner, 1845-46. Military service: Enlisted in the United\nStates Army under name Edgar A. Perry, 1827; became regimental sergeant-major, 1829; discharged, 1829.\n","First prize (fiction), Baltimore Saturday Visiter [sic], 1833, for \"MS. Found in a Bottle\"; first prize (fiction), Philadelphia Dollar Newspaper, 1843, for \"The Gold Bug.\"\n","Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short\nform in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the \"art for art's sake\" movement in nineteenth-\ncentury European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities, Poe focused his criticism on the specifics of style and construction that contributed\nto a work's effectiveness or failure. In his own work, he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly\ninfluenced the French Symbolists of the late nineteenth century, who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance\nin literary history.\n","Poe's father and mother were professional actors who at the time of his birth were members of a repertory company in Boston. Before Poe was three years old both of his parents died, and he was raised in the\nhome of John Allan, a prosperous exporter from Richmond, Virginia, who never legally adopted his foster son. As a boy, Poe attended the best schools available, and was admitted to the University of Virginia at\nCharlottesville in 1825. While there he distinguished himself academically but was forced to leave after less than a year because of bad debts and inadequate financial support from Allan. Poe's relationship with\nAllan disintegrated upon his return to Richmond in 1827, and soon after Poe left for Boston, where he enlisted in the army and also published his first poetry collection, Tamerlane, and Other Poems. The volume\nwent unnoticed by readers and reviewers, and a second collection, Al Aaraaf, Tamerlane, and Minor Poems, received only slightly more attention when it appeared in 1829. That same year Poe was honorably discharged\nfrom the army, having attained the rank of regimental sergeant major, and was then admitted to the United States Military Academy at West Point. However, because Allan would neither provide his foster son with\nsufficient funds to maintain himself as a cadet nor give the consent necessary to resign from the Academy, Poe gained a dismissal by ignoring his duties and violating regulations. He subsequently went to New York\nCity, where Poems, his third collection of verse, was published in 1831, and then to Baltimore, where he lived at the home of his aunt, Mrs. Maria Clemm.\n","Over the next few years Poe's first short stories appeared in the Philadelphia Saturday Courier and his \"MS. Found in a Bottle\" won a cash prize for best story in the Baltimore Saturday Visitor. Nevertheless,\nPoe was still not earning enough to live independently, nor did Allan's death in 1834 provide him with a legacy. The following year, however, his financial problems were temporarily alleviated when he accepted an\neditorship at The Southern Literary Messenger in Richmond, bringing with him his aunt and his twelve-year-old cousin Virginia, whom he married in 1836. The Southern Literary Messenger was the first of several\njournals Poe would direct over the next ten years and through which he rose to prominence as a leading man of letters in America. Poe made himself known not only as a superlative author of poetry and fiction, but\nalso as a literary critic whose level of imagination and insight had hitherto been unapproached in American literature.\n","While Poe's writings gained attention in the late 1830s and early 1840s, the profits from his work remained meager, and he supported himself by editing Burton's Gentleman's Magazine and Graham's Magazine in\nPhiladelphia and the Broadway Journal in New York City. After his wife's death from tuberculosis in 1847, Poe became involved in a number of romantic affairs. It was while he prepared for his second marriage that\nPoe, for reasons unknown, arrived in Baltimore in late September of 1849. On October 3, he was discovered in a state of semi-consciousness; he died four days later without regaining the necessary lucidity to\nexplain what had happened during the last days of his life.\n"],"prefercite_html_tesm":["\u003cp\u003e[Title], Accession #[ ], Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e"],"prefercite_tesim":["[Title], Accession #[ ], Special Collections, University of Virginia Library, Charlottesville, Va.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n\u003c/p\u003e","\u003cp\u003eCorrespondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n\u003c/p\u003e","\u003cp\u003eIncluded in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n\u003c/p\u003e","\u003cp\u003eMiscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n\u003c/p\u003e","\u003cp\u003eThe photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n\u003c/p\u003e","\u003cp\u003ePage from\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eLiterary Criticism on Richard H. Horne's Chaucer Modernized,\n\u003c/title\u003e mentioning his own\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eAl Aaraaf.\n\u003c/title\u003e\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eCopy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWritten in the hand of the Editor of\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eMinerva\n\u003c/title\u003e, including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n\u003c/p\u003e","\u003cp\u003eRegarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#4610\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eParke-Bernet folder with penciled note '937.' With photocopy.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#4610\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eWith photocopy.\n\u003cnum\u003e#3857-c\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eIncludes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#6012-b\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#4647\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eIncludes transcription, photograph copy, and description. Barrow Process.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eMounted.\n\u003cnum\u003e#3857-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePoe, [Philadelphia] writes to the New York publishers enclosing an article for the \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eDemocratic Review.\u003c/title\u003e He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eGraham's magazine.\u003c/title\u003e\u003cnum\u003e#14478\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#4610\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eNegative Photostat.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\"Counterfeit\" written in pencil in top right corner.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePresented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n\u003c/p\u003e","\u003cp\u003eIncludes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding \"Stylus.\"\n\u003cnum\u003e#5153-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes note by Mrs. Richmond to Mr. Ingram.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eOstrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n\u003cnum\u003e#3857-c\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eRegarding Edgar Allan Poe biography.\n\u003cnum\u003e#8795\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eNotated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncluded Photographic reproductions and photostat copies.\n\u003cnum\u003e#38-623\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003emounted in large framed item,\n\u003cnum\u003e#1018-k\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003e\n              \u003cnum\u003e#3857-d\n\u003c/num\u003e\n            \u003c/p\u003e","\u003cp\u003eCover and page 53. Photostats.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eFirst page of printed edition. Photograph.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePhotograph of newspaper article.\n\u003cnum\u003e#3857\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003ePoem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n\u003cnum\u003e#3857-b\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eR. G. Tietze engraving.\n\u003c/p\u003e","\u003cp\u003eAlso includes photocopy of an article from the\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBaltimore Sun Times Magazine,\n\u003c/title\u003e Sep. 19, 1982, re the Painter daguerreotype.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eThompson variant of this is known (1981) to be at Columbia University.\n\u003c/p\u003e","\u003cp\u003eIncludes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n\u003cnum\u003e#38-135,\n\u003c/num\u003e\u003cnum\u003e#38-138,\n\u003c/num\u003e\u003cnum\u003e#6577,\n\u003c/num\u003e\u003cnum\u003e#8824-p\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#38-135\n\u003c/num\u003e\n                \u003c/p\u003e","\u003cp\u003eEngraving by Frederick Warne \u0026amp; Company.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n\u003cnum\u003e#7055,\n\u003c/num\u003e\u003cnum\u003e#7838-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026amp; H.T. Anthony \u0026amp; Co., 591 Broadway, New York.\n\u003cnum\u003e#38-135,\n\u003c/num\u003e\u003cnum\u003e#7838-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                  \u003cnum\u003e#7838-a\n\u003c/num\u003e\n                \u003c/p\u003e","\u003cp\u003eUVa Art index 635.\n\u003cnum\u003e#10116-e\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes related correspondence and negative photostat.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eReceived from Charleston, S. C. Museum, July 1923.\n\u003c/p\u003e","\u003cp\u003eSee Barrett-Poe oversize box for larger print.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eIncludes 2 black and white 8x10 photographic reproductions. #10686.\n\u003c/p\u003e","\u003cp\u003eSee Barrett-Poe oversize for larger print. Mounted.\n\u003cnum\u003e#38-135\n\u003c/num\u003e.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eOriginal owned by Walter Pasko.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-5/7/2.762\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#38-135\n\u003c/num\u003e,\n\u003cnum\u003e#6577\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003ePublished in\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eGraham's Magazine\n\u003c/title\u003e, 1845.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\"An unpublished portrait from a painting on copper. Artist unknown.\"\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-23/34/1.411\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eIncludes related correspondence and negative photostat.\n\u003c/p\u003e","\u003cp\u003eBased on photograph of Stella by E. A. Lewis.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eAutographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#9477\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3857-d\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#10251\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eVerso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n\u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#6526-k\n\u003c/num\u003e,\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eSigned by Edouard Manet. With two photostats of original.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#59\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eTwo copies.\n\u003cnum\u003e#10251\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#10602, item 11\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003ePublished by J. C. Buttre.\n\u003cnum\u003e#10213-b\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#RG-23/34/1.411\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#7838-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3565-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n\u003c/p\u003e","\u003cp\u003e\u003cnum\u003e#38-135\n\u003c/num\u003e,\n\u003cnum\u003e#3565-a\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eMounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n\u003c/p\u003e","\u003cp\u003eOne mounted photograph. Two envelopes contain negative film.\n\u003c/p\u003e","\u003cp\u003eIncludes articles regarding Zolnay bust,\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe's Bust has 2 Plaster Companions\n\u003c/title\u003e and\n\u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003ePoe Memorial Exercises\n\u003c/title\u003e from the\n\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eUniversity of Virginia Alumni Bulletin,\u003c/title\u003e 1899.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#9405-f\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#4178-a\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#6577\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#38-135\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#3857-d\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003e3 images atttached to one loose-leaf page. Annotated.\n\u003cnum\u003e#3857-d\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eTwo copies.\n\u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#2253\n\u003c/num\u003e\n              \u003c/p\u003e","\u003cp\u003eBased on photograph taken in 1869.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003eTwo copies of engraving; newsclipping of partial John H. Ingram quotation.\n\u003cnum\u003e#38-135\n\u003c/num\u003e\u003c/p\u003e","\u003cp\u003e\n                \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003e#38-135\n\u003c/title\u003e\n              \u003c/p\u003e","\u003cp\u003e\n                \u003cnum\u003e#957-b\n\u003c/num\u003e\n              \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Papers of Edgar Allen Poe consist of literary manuscripts, correspondence, miscellaneous documents, and numerous prints and engravings. Correspondence includes family and business matters, some dealing with\npublication matters. There are also letters from Maria Clemm, mother of Virginia Clemm, discussing Edgar Allen Poe and Virginia Clemm.\n","Correspondents include: Mary A. Benjamin, Maria Clemm, George W. Eveleth, James A. Harrison, John Pendleton Kennedy, June E. Locke, Charles G. Percival, Edgar Allen Poe, Annie L. Richmond, J. H. Whitty, Laura\nStedman, and Thomas W. White.\n","Included in literary manuscripts is an article by Edgar Allen Poe, entitled \"The Rationale of Verse,\" in which he explicates his own poem, \"Al Aaraaf.\" Also are Edgar Allen Poe's corrections of a play by\nEstella Lewis and hand-written copies of her poems. Two poems by William Henry Poe, the brother of Edgar Allen Poe, are also included, which are handwritten by the editor of Minerva.\n","Miscellaneous Documents, or Series III, contains two promissory notes, receipts, and Jefferson Society Minutes in the hand of Edgar Allen Poe.\n","The photographs, prints and illustrative material includes copies the major daguerreotypes of Edgar Allen Poe (\"McKee,\" \"Painter,\" \"Pratt,\" \"Stella,\" \"Ultima Thule,\" \"West Point,\" and \"Whitehurst\") as well as\nimages of persons and places associated with his work.\n","Page from\n Literary Criticism on Richard H. Horne's Chaucer Modernized,\n  mentioning his own\n Al Aaraaf.\n #3857\n","\"These corrections and the note in pencil on the last page are Poe's in his hand writing - Estella.\" Silked.\n #38-135\n","Copy of a stanza of Mrs. S. A. Lewis' poem by Edgar Allan Poe.\n #3857\n","Written in the hand of the Editor of\n Minerva\n , including two poems by William Henry Poe, brother of Edgar Allan Poe, with a biographical note regarding the life of William Henry Poe. #8795\n","Regarding authenticity of Poe painting. See James A. Harrison correspondence and Laura Stedman correspondence.\n #3857-d\n","With photocopy.\n #4610\n","With photocopy.\n #3857\n","Parke-Bernet folder with penciled note '937.' With photocopy.\n #3857\n","With photocopy.\n #4610\n","With photocopy.\n #3857-c\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","Regarding Edgar Allan Poe painting; see Mary A. Benjamin correspondence, folder 3.\n #3857-d\n","#3857\n","#3857-d\n","Includes Edgar Allan Poe's hand-written notation on top left of correspondence and text of Edgar Allan Poe's reply. Extreme mold-damage.\n #8795\n","#6012-b\n","#4647\n","Includes transcription, photograph copy, and description. Barrow Process.\n #3857\n","#3857\n","Mounted.\n #3857-a\n","Poe, [Philadelphia] writes to the New York publishers enclosing an article for the  Democratic Review.  He is \"desperately pushed for money\" and would like the usual sum in payment before the 21st. He apologizes for his drunken behavior when in New York and blames the juleps forced on him by [William Ross] Wallace. He discusses his review of Rufus Dawes' poetry which was later published in  Graham's magazine. #14478\n","#4610\n","Negative Photostat.\n #3857-d\n","\"Counterfeit\" written in pencil in top right corner.\n #3857-d\n","Presented to the Poe Alcove by Prof. James A. Harrison, 1900. #38-623\n","Includes note by John Ingram in pen on top of copy: \"This must be burnt. JHI.\" Includes transcription and negative photostat.\n #38-135\n","Regarding \"Stylus.\"\n #5153-a\n","Includes note by Mrs. Richmond to Mr. Ingram.\n #38-135\n","Ostrom, item 307-a in supplement. Ostrom gives this a conjectural date of [March 1 (?), 1849] and conjectures that the addressee is Annie L. Richmond [?]. Mounted.\n #3857-c\n","Photograph.\n #3857\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","Regarding Edgar Allan Poe biography.\n #8795\n","#3857-d\n","Notated in pencil at bottom of letter: \"Editor of Southern Lit. Mess.; Poe's employer, 1835-1836.\"\n #3857-d\n","Included Photographic reproductions and photostat copies.\n #38-623\n","mounted in large framed item,\n #1018-k\n","#3857-d\n","#3857\n","#3857-d\n","Cover and page 53. Photostats.\n #3857-d\n","Photograph.\n #3857-d\n","First page of printed edition. Photograph.\n #3857-d\n","Photograph of newspaper article.\n #3857\n","Poem read at the University of Virginia Poe Centennial Celebration, 1909. Housed in red slipcase. \"Presented to the University of Virginia on the occasion of the Dedication of the Clifton Waller Barrett Library\nof American Literature April 30, 1960.\"\n #3857-b\n","R. G. Tietze engraving.\n","Also includes photocopy of an article from the\n Baltimore Sun Times Magazine,\n  Sep. 19, 1982, re the Painter daguerreotype.\n #38-135\n","Thompson variant of this is known (1981) to be at Columbia University.\n","Includes portrait by Oscar Halling; engraving by Robert Lee Traylor; engraving by Frederick T. Stuart.\n #38-135,\n #38-138,\n #6577,\n #8824-p\n","#38-135\n","Engraving by Frederick Warne \u0026 Company.\n #38-135\n","Includes 1 carte de visite by Manchester Bros., Westminster Street, Providence, R.I.\n #7055,\n #7838-a\n","Includes Timothy Cole engraving, A. G. Learned engraving, and Eugene Perry engraving. Also includes 1 carte de visite of Brady pose , published by E. \u0026 H.T. Anthony \u0026 Co., 591 Broadway, New York.\n #38-135,\n #7838-a\n","#7838-a\n","UVa Art index 635.\n #10116-e\n","Includes related correspondence and negative photostat.\n","#7838-a\n","Received from Charleston, S. C. Museum, July 1923.\n","See Barrett-Poe oversize box for larger print.\n #38-135\n","Includes 2 black and white 8x10 photographic reproductions. #10686.\n","See Barrett-Poe oversize for larger print. Mounted.\n #38-135\n .\n","#6577\n","Original owned by Walter Pasko.\n","#7838-a\n","#RG-5/7/2.762\n","#38-135\n","#38-135\n ,\n #6577\n","#7838-a\n","Published in\n Graham's Magazine\n , 1845.\n #38-135\n","#7838-a\n","\"An unpublished portrait from a painting on copper. Artist unknown.\"\n","#7838-a\n","#RG-23/34/1.411\n","Includes related correspondence and negative photostat.\n","Based on photograph of Stella by E. A. Lewis.\n #38-135\n","Autographed note on verso: \"Presented to me by Mrs. Campbell at the meeting of the Edgar Allan Poe Society, Times Square Theater, N.Y. April 24, 1921. C.A.S.\"\n","#9477\n","#6577\n","#3857-d\n","#10251\n","Verso: \"From Guido Bruno, Washington Square, N.Y. April 1915.\"\n","#6526-k\n ,\n #38-135\n","#38-135-a\n","Signed by Edouard Manet. With two photostats of original.\n #38-135\n","#59\n","Two copies.\n #10251\n","#38-135\n","#10602, item 11\n","Published by J. C. Buttre.\n #10213-b\n","#38-135\n","#RG-23/34/1.411\n","#7838-a\n","#3565-a\n","\"dedicated October 20, 1921 in Wyman Park, Baltimore. Unveiling address by Dr. C. Alphonso Smith.\" Mounted on 2 cardboard backings. 1 photograph is not attached.\n","#38-135\n ,\n #3565-a\n","Mounted. Two signatures: Edmund J. Quinn and Robert B. [Kegereiz?].\n","One mounted photograph. Two envelopes contain negative film.\n","Includes articles regarding Zolnay bust,\n Poe's Bust has 2 Plaster Companions\n  and\n Poe Memorial Exercises\n  from the\n University of Virginia Alumni Bulletin,  1899.\n","#38-135\n","#38-135\n","#9405-f\n","#4178-a\n","#6577\n","#38-135\n","#3857-d\n","3 images atttached to one loose-leaf page. Annotated.\n #3857-d\n","Two copies.\n","#2253\n","Based on photograph taken in 1869.\n #38-135\n","Two copies of engraving; newsclipping of partial John H. Ingram quotation.\n #38-135\n","#38-135\n","#957-b\n"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"language_ssim":["English\n"],"total_component_count_is":138,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:18:17.220Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu03947_c04_c04_c07"}},{"id":"viu_viu00421_c02_c01","type":"Item","attributes":{"title":"Zona Gale","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_viu00421_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e[Full front view at middle-age, seated; 1795 stamped on verso.]\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu00421_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00421_c02_c01","ref_ssm":["viu_viu00421_c02_c01"],"id":"viu_viu00421_c02_c01","ead_ssi":"viu_viu00421","_root_":"viu_viu00421","_nest_parent_":"viu_viu00421_c02","parent_ssi":"viu_viu00421_c02","parent_ssim":["viu_viu00421","viu_viu00421_c02"],"parent_ids_ssim":["viu_viu00421","viu_viu00421_c02"],"parent_unittitles_ssm":["Zona Gale Collection \n         1914-1937","Photograph"],"parent_unittitles_tesim":["Zona Gale Collection \n         1914-1937","Photograph"],"text":["Zona Gale Collection \n         1914-1937","Photograph","Zona Gale","Zona Gale","[Full front view at middle-age, seated; 1795\n                  stamped on verso.]"],"title_filing_ssi":"Zona Gale","title_ssm":["Zona Gale"],"title_tesim":["Zona Gale"],"unitdate_other_ssim":["n. d."],"normalized_title_ssm":["Zona Gale"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Zona Gale Collection \n         1914-1937"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4,"names_ssim":["Zona Gale"],"persname_ssim":["Zona Gale"],"scopecontent_html_tesm":["\u003cp\u003e[Full front view at middle-age, seated; 1795\n                  stamped on verso.]\u003c/p\u003e"],"scopecontent_tesim":["[Full front view at middle-age, seated; 1795\n                  stamped on verso.]"],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T12:19:07.628Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00421","ead_ssi":"viu_viu00421","_root_":"viu_viu00421","_nest_parent_":"viu_viu00421","ead_source_url_ssi":"data/uva-sc/viu00421.xml","title_ssm":["Zona Gale Collection \n         1914-1937"],"title_tesim":["Zona Gale Collection \n         1914-1937"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["7763"],"text":["7763","Zona Gale Collection \n         1914-1937","2 items","Collection is open to research.","Funded in part by a grant from the National Endowment\n            for the Humanities","[The deacons at supper; short description of the\n                  scene.]","[Full front view at middle-age, seated; 1795\n                  stamped on verso.]","See the \n             \n            University of Virginia Library’s use policy.","","University of Virginia. Library. Special\n            Collections Dept.","Zona Gale","English"],"unitid_tesim":["7763"],"normalized_title_ssm":["Zona Gale Collection \n         1914-1937"],"collection_title_tesim":["Zona Gale Collection \n         1914-1937"],"collection_ssim":["Zona Gale Collection \n         1914-1937"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":[""],"creator_ssim":[""],"acqinfo_ssim":["Deposit \n             1964 Dec 2"],"has_online_content_ssim":["false"],"physdesc_tesim":["2 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"prefercite_html_tesm":["\u003cp\u003eZona Gale\n            Collection, Accession 7763, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e"],"prefercite_tesim":["Zona Gale\n            Collection, Accession 7763, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e"],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003e[The deacons at supper; short description of the\n                  scene.]\u003c/p\u003e","\u003cp\u003e[Full front view at middle-age, seated; 1795\n                  stamped on verso.]\u003c/p\u003e"],"scopecontent_tesim":["[The deacons at supper; short description of the\n                  scene.]","[Full front view at middle-age, seated; 1795\n                  stamped on verso.]"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n             \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc/\u003e"],"physloc_tesim":[""],"names_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Zona Gale"],"corpname_ssim":["University of Virginia. Library. 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