{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University","next":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026page=790"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":790,"limit_value":10,"offset_value":0,"total_count":7891,"first_page?":true,"last_page?":false}},"data":[{"id":"vino_repositories_5_resources_66_c02_c07_c01_c01","type":"Item","attributes":{"title":"09/06/01 #1","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_66_c02_c07_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_66_c02_c07_c01_c01","ref_ssm":["vino_repositories_5_resources_66_c02_c07_c01_c01"],"id":"vino_repositories_5_resources_66_c02_c07_c01_c01","ead_ssi":"vino_repositories_5_resources_66","_root_":"vino_repositories_5_resources_66","_nest_parent_":"vino_repositories_5_resources_66_c02_c07_c01","parent_ssi":"vino_repositories_5_resources_66_c02_c07_c01","parent_ssim":["vino_repositories_5_resources_66","vino_repositories_5_resources_66_c02","vino_repositories_5_resources_66_c02_c07","vino_repositories_5_resources_66_c02_c07_c01"],"parent_ids_ssim":["vino_repositories_5_resources_66","vino_repositories_5_resources_66_c02","vino_repositories_5_resources_66_c02_c07","vino_repositories_5_resources_66_c02_c07_c01"],"parent_unittitles_ssm":["Virginia Symphony Orchestra Records","Series II: Multimedia","Sub-Series G: Microcassettes","Box 78"],"parent_unittitles_tesim":["Virginia Symphony Orchestra Records","Series II: Multimedia","Sub-Series G: Microcassettes","Box 78"],"text":["Virginia Symphony Orchestra Records","Series II: Multimedia","Sub-Series G: Microcassettes","Box 78","09/06/01 #1","box 78"],"title_filing_ssi":"09/06/01 #1","title_ssm":["09/06/01 #1"],"title_tesim":["09/06/01 #1"],"unitdate_other_ssim":["2001 September 6"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["09/06/01 #1"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Symphony Orchestra Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1833,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[2001],"containers_ssim":["box 78"],"prefercite_html_tesm":["\u003cp\u003e09/06/01 #1, 2001 September 6, Box 78, Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["09/06/01 #1, 2001 September 6, Box 78, Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#1/components#6/components#0/components#0","timestamp":"2026-04-30T21:40:26.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_66","ead_ssi":"vino_repositories_5_resources_66","_root_":"vino_repositories_5_resources_66","_nest_parent_":"vino_repositories_5_resources_66","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_66.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Virginia Symphony Orchestra","title_ssm":["Virginia Symphony Orchestra Records"],"title_tesim":["Virginia Symphony Orchestra Records"],"unitdate_ssm":["1921-2020, undated","Date acquired: 04/02/2004"],"unitdate_inclusive_ssm":["1921-2020, undated"],"unitdate_other_ssim":["Date acquired: 04/02/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 81-A"],"text":["MG 81-A","Virginia Symphony Orchestra Records","Arts--Virginia","Orchestral musicians--Virginia","Orchestral music--Virginia","programs (documents)","letters (correspondence)","minutes (administrative records)","Open to researchers without restrictions.","Future accruals expected.","The collection is organized into three series: Series I: Organizational Records; Series II: Multimedia; and Series III: Oversize.","The Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. 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A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. 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","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections.","This collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. 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At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,\u003cemph render=\"italic\"\u003e Lobgesang.  \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIn the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.\u003c/p\u003e\n","\u003cp\u003eAt the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.\u003c/p\u003e\n","\u003cp\u003eRussell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.\u003c/p\u003e\n","\u003cp\u003eIn the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.\u003c/p\u003e\n","\u003cp\u003eA major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.\u003c/p\u003e\n","\u003cp\u003eNote written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. 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A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.","In the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.","A major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.","Note written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). \u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). ","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.\u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f76ee0c0400ad3177948b4d0cb76c33a\"\u003eConsists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs.\u003c/abstract\u003e"],"abstract_tesim":["Consists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs."],"names_coll_ssim":["Virginia Symphony"],"names_ssim":["ODU Community Collections","Virginia Symphony"],"corpname_ssim":["ODU Community Collections","Virginia Symphony"],"language_ssim":["English \n.    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At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,  Lobgesang.  ","In the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.","In the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.","A major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.","Note written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018.","Virginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). 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At that time, the Norfolk Civic Symphony Orchestra was the only symphony between Baltimore and Atlanta. The original ensemble of about 40 volunteer members grew so rapidly that balanced instrumentation was achieved during the 1921-22 season. By 1926 the ensemble had played under the direction of five conductors: W. Henry Baker, Bart Wirtz, Arthur Fickenscher, and Frank L. Delpino, in addition to the first conductor, Walter Edward Howe.  Among the milestones of this early period were the formation of The Norfolk Orchestral Association, Inc. and performance of the first choral work, the Mendelssohn Symphony No. 2,\u003cemph render=\"italic\"\u003e Lobgesang.  \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIn the pre-World War II period, many \"Firsts\" took place with the orchestra.  An admission charge was first instituted in 1929; until then an offering had been taken at the door to finance the symphony's operation. 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The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.\u003c/p\u003e\n","\u003cp\u003eIn the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.\u003c/p\u003e\n","\u003cp\u003eA major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.\u003c/p\u003e\n","\u003cp\u003eNote written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Norfolk Civic Symphony Orchestra, the historical antecedent of the Virginia Symphony, played its inaugural concert on April 21, 1921 under the direction of Walter Edward Howe, the orchestra's first conductor. 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A Women's Committee was appointed, and in 1935 it conducted the first organized membership campaign for season subscriptions.  With the 1934 arrival of Henry Cowles Whitehead to conduct the symphony, concertos began to be performed regularly.  The first Young People's Concert was presented to 1,500 school children in 1936, initiating a tradition which continued until interrupted by World War II.","At the time of Edgar Schenkman's arrival to direct the symphony in 1948, the orchestra had grown into a semi-professional group poised to perform at a higher professional level.  Because he was hired to direct the Civic Chorus as well as the orchestra, the organizations merged to become the Norfolk Symphony and Choral Association in 1949, and regular performances of choral works were programmed.  In the Schenkman era (1948-1966), the women's group officially became the Women's Auxiliary; a Youth Orchestra was founded; a Community Music School was established; and a trust to benefit the symphony was established in the Norfolk Foundation.","Russell Stanger became the music director in 1966 and held the position until 1980.  He appointed the first African-American orchestra member in 1966 and organized a new choral group, the Tidewater Choral Association in 1967.  Chrysler Hall was opened in 1972, and the symphony began performing in the new hall. The symphony was not a fulltime professional orchestra at this time, and in 1972, the Norfolk Musicians Union staged a month-long strike, which was settled for base pay of $1,000 for 60 concerts and rehearsals annually.  During this period, the difficulty of recruiting and retaining professional musicians was first acknowledged, attributed to the fact that the positions did not offer fulltime employment.","In the 1970s and 80s, a series of mergers took place or came under investigation.  Merger with the Peninsula Symphony was investigated in 1972 and took place finally in 1979.  The symphony and the Virginia Opera investigated a joint contract with musicians in 1976.  The current organization, officially named the Virginia Orchestra Group, was formed in 1979 from a merger of the Virginia Philharmonic (previously named the Norfolk Symphony), the Peninsula Symphony, and the Virginia Beach Pops.  Later, in 1989, a study was done to assess the viability of merging the Norfolk and Richmond symphonies.","A major advance was made in 1985 when many of the musicians were offered a three-year contract placing them on salary for the first time.  This was a central element in the board's process to upgrade the orchestra.  After short directing tenures of Richard Williams (1980-1986) and Winston Dan Vogel (1986-1990), JoAnn Falletta was appointed conductor and music director of the Virginia Symphony in 1991.  Since then the orchestra has released several recordings and has performed both in Carnegie Hall and the Kennedy Center.  It is recognized now as one of the nation's leading regional symphony orchestras.","Note written by Dr. Jean Major, University Librarian Emeritus and Virginia Symphony League Archivist, November 2005"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Symphony Orchestra Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from June 2017 to January 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). \u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Foundation Records (MG 81-B); Virginia Symphony League Records (MG 81-C); Virginia Symphony Society of Greater Williamsburg Records (MG 81-D). ","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.\u003c/p\u003e\n","\u003cp\u003eOral history interviews with key musicians and local supporters of the \u003cextref href=\"http://dc.lib.odu.edu/cdm/landingpage/collection/vsooh\"\u003eVirginia Symphony Orchestra\u003c/extref\u003e have been digitized and are available in the Old Dominion University Digital Collections.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of materials related to the Virginia Symphony Orchestra and its predecessors, including its board of directors, committees, conductors, and musicians. Some of the records include administrative materials, correspondence, publicity, new clippings, newsletters, concert programs, calendars, photographs, multimedia, reports, contracts, financial records, and membership information.","Oral history interviews with key musicians and local supporters of the  Virginia Symphony Orchestra  have been digitized and are available in the Old Dominion University Digital Collections."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f76ee0c0400ad3177948b4d0cb76c33a\"\u003eConsists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs.\u003c/abstract\u003e"],"abstract_tesim":["Consists of the Virginia Symphony Orchestra organizational archives, the Virginia Symphony Board archives, artifacts concerning premieres and other notable performances, and season programs."],"names_coll_ssim":["Virginia Symphony"],"names_ssim":["ODU Community Collections","Virginia Symphony"],"corpname_ssim":["ODU Community Collections","Virginia Symphony"],"language_ssim":["English \n.    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Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82","101 Number One Hit Records-Disc One-Beautiful Music Company","Oversize Box 82"],"title_filing_ssi":"101 Number One Hit Records-Disc One-Beautiful Music Company","title_ssm":["101 Number One Hit Records-Disc One-Beautiful Music Company"],"title_tesim":["101 Number One Hit Records-Disc One-Beautiful Music Company"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["101 Number One Hit Records-Disc One-Beautiful Music Company"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":350,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1990],"containers_ssim":["Oversize Box 82"],"prefercite_html_tesm":["\u003cp\u003e101 Number One Hit Records-Disc One-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["101 Number One Hit Records-Disc One-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#0/components#0/components#3","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. 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Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c04"}},{"id":"vino_repositories_5_resources_79_c08_c01_c01_c06","type":"Item","attributes":{"title":"101 Number One Hit Records-Disc Three-Beautiful Music Company","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c01_c01_c06","ref_ssm":["vino_repositories_5_resources_79_c08_c01_c01_c06"],"id":"vino_repositories_5_resources_79_c08_c01_c01_c06","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c01","vino_repositories_5_resources_79_c08_c01_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c01","vino_repositories_5_resources_79_c08_c01_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82","101 Number One Hit Records-Disc Three-Beautiful Music Company","Oversize Box 82"],"title_filing_ssi":"101 Number One Hit Records-Disc Three-Beautiful Music Company","title_ssm":["101 Number One Hit Records-Disc Three-Beautiful Music Company"],"title_tesim":["101 Number One Hit Records-Disc Three-Beautiful Music Company"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["101 Number One Hit Records-Disc Three-Beautiful Music Company"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":352,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1990],"containers_ssim":["Oversize Box 82"],"prefercite_html_tesm":["\u003cp\u003e101 Number One Hit Records-Disc Three-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["101 Number One Hit Records-Disc Three-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#0/components#0/components#5","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. 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Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c06"}},{"id":"vino_repositories_5_resources_79_c08_c01_c01_c05","type":"Item","attributes":{"title":"101 Number One Hit Records-Disc Two-Beautiful Music Company","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c01_c01_c05","ref_ssm":["vino_repositories_5_resources_79_c08_c01_c01_c05"],"id":"vino_repositories_5_resources_79_c08_c01_c01_c05","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssi":"vino_repositories_5_resources_79_c08_c01_c01","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c01","vino_repositories_5_resources_79_c08_c01_c01"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c01","vino_repositories_5_resources_79_c08_c01_c01"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series A: Compact Discs","Oversize Box 82","101 Number One Hit Records-Disc Two-Beautiful Music Company","Oversize Box 82"],"title_filing_ssi":"101 Number One Hit Records-Disc Two-Beautiful Music Company","title_ssm":["101 Number One Hit Records-Disc Two-Beautiful Music Company"],"title_tesim":["101 Number One Hit Records-Disc Two-Beautiful Music Company"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["101 Number One Hit Records-Disc Two-Beautiful Music Company"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":351,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"date_range_isim":[1990],"containers_ssim":["Oversize Box 82"],"prefercite_html_tesm":["\u003cp\u003e101 Number One Hit Records-Disc Two-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["101 Number One Hit Records-Disc Two-Beautiful Music Company, 1990, Oversize Box 82, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#7/components#0/components#0/components#4","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. 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Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. 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Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c01_c01_c05"}},{"id":"vino_repositories_5_resources_79_c08_c07_c05_c03","type":"Item","attributes":{"title":"10\" Audio Reel Tape-Church Street Five","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTrack Listing Inside Container\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c07_c05_c03","ref_ssm":["vino_repositories_5_resources_79_c08_c07_c05_c03"],"id":"vino_repositories_5_resources_79_c08_c07_c05_c03","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssi":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102","10\" Audio Reel Tape-Church Street Five","box 102","Track Listing Inside Container"],"title_filing_ssi":"10\" Audio Reel Tape-Church Street Five","title_ssm":["10\" Audio Reel Tape-Church Street Five"],"title_tesim":["10\" Audio Reel Tape-Church Street Five"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["10\" Audio Reel Tape-Church Street Five"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":992,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 102"],"prefercite_html_tesm":["\u003cp\u003e10\" Audio Reel Tape-Church Street Five, undated, Box 102, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["10\" Audio Reel Tape-Church Street Five, undated, Box 102, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eTrack Listing Inside Container\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Track Listing Inside Container"],"_nest_path_":"/components#7/components#6/components#4/components#2","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. 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At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. 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Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. 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He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. 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Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. 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At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. 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Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c02"}},{"id":"vino_repositories_5_resources_79_c08_c07_c05_c09","type":"Item","attributes":{"title":"10\" Audio Reel Tape-Gary U.S. Bonds","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c09#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTrack listing Rewritten on Container Cover\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c07_c05_c09","ref_ssm":["vino_repositories_5_resources_79_c08_c07_c05_c09"],"id":"vino_repositories_5_resources_79_c08_c07_c05_c09","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssi":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. 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Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c09"}},{"id":"vino_repositories_5_resources_79_c08_c07_c05_c10","type":"Item","attributes":{"title":"10\" Audio Reel Tape-Gary U.S. Bonds","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c10#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTrack listing Rewritten on Container Cover\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_79_c08_c07_c05_c10","ref_ssm":["vino_repositories_5_resources_79_c08_c07_c05_c10"],"id":"vino_repositories_5_resources_79_c08_c07_c05_c10","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssi":"vino_repositories_5_resources_79_c08_c07_c05","parent_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_ids_ssim":["vino_repositories_5_resources_79","vino_repositories_5_resources_79_c08","vino_repositories_5_resources_79_c08_c07","vino_repositories_5_resources_79_c08_c07_c05"],"parent_unittitles_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102"],"parent_unittitles_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102"],"text":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Series VIII: Audio Visual","Sub-Series G: Master Tapes","Box 102","10\" Audio Reel Tape-Gary U.S. Bonds","box 102","Track listing Rewritten on Container Cover"],"title_filing_ssi":"10\" Audio Reel Tape-Gary U.S. Bonds","title_ssm":["10\" Audio Reel Tape-Gary U.S. Bonds"],"title_tesim":["10\" Audio Reel Tape-Gary U.S. Bonds"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["10\" Audio Reel Tape-Gary U.S. Bonds"],"component_level_isim":[4],"repository_ssim":["Old Dominion University"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":999,"parent_access_restrict_tesm":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"containers_ssim":["box 102"],"prefercite_html_tesm":["\u003cp\u003e10\" Audio Reel Tape-Gary U.S. Bonds, undated, Box 102, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["10\" Audio Reel Tape-Gary U.S. Bonds, undated, Box 102, Frank and Carmela Guida/Rockmasters International Network, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eTrack listing Rewritten on Container Cover\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Track listing Rewritten on Container Cover"],"_nest_path_":"/components#7/components#6/components#4/components#9","timestamp":"2026-04-30T21:41:17.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_79","ead_ssi":"vino_repositories_5_resources_79","_root_":"vino_repositories_5_resources_79","_nest_parent_":"vino_repositories_5_resources_79","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_79.xml","aspace_url_ssi":"Archon Finding Aid location","title_filing_ssi":"Guida, Frank and Carmela Guida/Rockmasters International Network Inc.","title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"unitdate_ssm":["1940-2008, undated","1960-1985","Date acquired: 07/21/2017"],"unitdate_bulk_ssim":["1960-1985"],"unitdate_inclusive_ssm":["1940-2008, undated"],"unitdate_other_ssim":["Date acquired: 07/21/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 128","/repositories/5/resources/79"],"text":["MG 128","/repositories/5/resources/79","Frank and Carmela Guida/Rockmasters International Network, Inc. Collection","Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans","Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information.","The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.","Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich","Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.","This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.","The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.","ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)","English Italian"],"unitid_tesim":["MG 128","/repositories/5/resources/79"],"normalized_title_ssm":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_title_tesim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"collection_ssim":["Frank and Carmela Guida/Rockmasters International Network, Inc. Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creator_persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"creators_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"acqinfo_ssim":["Gift of Rockmasters International Network, Inc., courtesy of the Guida children, Anne T. Kent, Lydia M. McHenry, and Joseph F. Guida","Acc. 2017.012 was received by Special Collections and University from the donor via movers on 7/21/2017."],"access_subjects_ssim":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"access_subjects_ssm":["Sound recording executives and procedures","Composers","Playwrights","Authors--United States","Rock music--Virginia--Norfolk","Civic leaders--Virginia--Norfolk","Italian-Americans"],"has_online_content_ssim":["false"],"extent_ssm":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"extent_tesim":["128.60 Linear Feet","74 Hollinger document cases, 7 record center cartons, 12 oversize boxes, and 32 audiovisual boxes boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2017],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are closed until January 1, 2033. Please consult a staff member for further information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection are closed until January 1, 2033. Please consult a staff member for further information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into ten series: Series I: Personal; Series II: Rockmasters International Network Inc.; Series III: Songs; Series IV: Certificates; Series V: Contracts; Series VI: Royalties; Series VII: Court Cases; Series VIII: Audiovisual; Series IX: Memorabilia; and Series X: Artifacts and Equipment."],"bioghist_html_tesm":["\u003cp\u003eFrank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.\u003c/p\u003e\n","\u003cp\u003eFrank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026amp;B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.\u003c/p\u003e\n","\u003cp\u003eFrank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.\u003c/p\u003e\n","\u003cp\u003eNote written by Madeline Dietrich\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frank Guida and his wife Carmela T. \"Millie\" Guida were prominent figures in the Norfolk arts and business communities in the latter half of the 20th century. Frank is most remembered for his work as a music composer and producer and for creating what he dubbed the \"Norfolk Sound,\" which characterized a number of hit records from the early 1960s featuring Jimmy Soul, Gary U.S. Bonds, and other artists.","Frank J. Guida was born in Palermo, Sicily on May 26, 1922. At age two, his family immigrated to the West Bronx neighborhood of New York City where he grew up.  Millie (born Carmela Teresa Addesso on Sept. 11, 1924) who also grew up in New York City and graduated from Evander Childs High School. While in school, she attracted the attention of her teachers for her extraordinary singing voice and was strongly encouraged to study voice at New York's Juilliard School of Music, but World War II and marriage put her on a different path. She and Frank were married in 1942 and soon after Frank enlisted in the US Army. He was stationed at Port of Spain, Trinidad, where became interested in calypso music and performed as the \"Calypso Kid\" in the USO. After the war, he returned to NYC and continued his singing career performing at calypso clubs in New York's Harlem neighborhood. The Guidas moved to Norfolk in 1953 and opened Frankie's Birdland, a popular record store featuring jazz, R\u0026B and pop music records. Beyond that Frank was active in the local music scene promoting and managing musical acts and ultimately opening a series of recording studios. He had a Friday Night radio show on local station WLOW and hosted Frankie's Jazz Workshop on WTOV-TV Channel 27. He owned several record labels including Legrand and S.P.Q.R. He was an advocate for the local and national Italian American community, a business leader, and at times an outspoken commentator of Norfolk's City Council. For his work in promoting cultural and business ties between the United States and Italy, he was awarded the title of \"Cavaliere\" by the Italian Republic. After raising a family and living a fulfilling career in Norfolk Frank passed away on May 19, 2007. Millie passed the following year on March 20, 2008.","Frank Guida's career as a hit-maker began in 1959 when he co-wrote the song \"High School U.S.A.\" with Joe Royster and recorded it with Tommy Facenda on vocals. The song reached #28 on the Billboard Hot 100 later that year. But it was the following year that Guida rose to greater notoriety as a producer with the release of \"New Orleans\" featuring Gary U.S. Bonds and which introduced Guida's characteristic overmodulated sound to the world. \"New Orleans\" reached #5 on the Billboard Hot 100 in the summer of 1960, and in 1961 Guida had his first #1 hit with \"Quarter to Three\" (Gary U.S. Bonds). Guida and Bonds had several more Billboard hits in 1961-1962. Guida again had a #1 hit in 1963 with \"If You Wanna Be Happy\" co-written by Joe Royster and Millie Guida and featuring Jimmy Soul on vocals. Frank's achievements in the arts, business, and cross-cultural endeavors made him a true Renaissance man, a description that would have pleased him given his life-long admiration of Leonardo DaVinci.","Note written by Madeline Dietrich"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Frank and Carmela Guida/Rockmasters International, Inc. Collection, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Mona Farrow, Kathleen Smith, and Madeline Dietrich from July 2016 through May 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains both the personal papers of Frank and Carmela Guida, as well as the records of Frank's music business, including Rockmasters International Network Inc. The bulk of the collection consists of the records related to Rockmasters International Network, Inc. and includes correspondence, administrative records, photographs of artists and Guida's record stores, audiovisual material produced by Guida, and recording equipment used by Guida while recording the music he produced. The rest of the collection consists of the personal papers of the Guidas including corresponence, their involvement in the Italian-American Community, and plays and other writings authored by Frank Guida."],"abstract_html_tesm":["\u003cabstract id=\"aspace_117ebc98b796fc1ba94521c1db2cd862\" label=\"Abstract\"\u003eThe collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains administrative documents, publications, articles, research materials, technical manuals, photographs, audio-visual items, and recording equipment in regard to Frank J. Guida, his community service, creative endeavors and his work in creating the \"Norfolk Sound.\" Most of the material dates from the 1960s to the 1980s."],"names_coll_ssim":["Rockmasters International Network Inc.","Guida, Frank (1922-2007)"],"names_ssim":["ODU Community Collections","Rockmasters International Network Inc.","Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"corpname_ssim":["ODU Community Collections","Rockmasters International Network Inc."],"persname_ssim":["Guida, Frank (1922-2007)","Guida, Carmela T. (1924-2008)"],"language_ssim":["English Italian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1246,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:41:17.996Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_79_c08_c07_c05_c10"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":7891},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Albert S. 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