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He attended Liberty Hall Academy and later was a trustee of Washington College. Johnston was a prosperous farmer by the time the American Revolution began. In 1776, he was appointed a captain in the county militia. Johnston's company actively patrolled against Indian uprisings, and, in 1781, participated in the Virginia campaign which led to Lord Cornwallis' surrender. Representing Augusta County in the House of Delegates from 1778 to 1791, Johnston was chair of the House committee on religion and helped pass the \"act for establishing religious freedom\" in 1786. After he moved to Rockbridge County, Virginia, in 1792, he represented that county in the House of Delegates in 1792 and 1797-1798. An opponent of paper money, and a proponent of court reform and payment of British debts, Johnston supported the federal Constitution in 1788. As Augusta County's representative to the ratifying convention, he was influential in having his section of the state unanimously vote for ratification. In the 1790s, Johnston was interested in connecting Virginia's western rivers to the Potomac River. Johnston owned three plantations in Rockbridge County, one in Augusta County, and lands in Kentucky. He married Ann Robertson (d. 1818), and they had eleven children. He died 7 January 1800 in Rockbridge County.\" - Library of Virginia","The Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. Correspondents include family members and notable Virginians of his era. The collection also includes correspondence received by Thomas and James Johnston. In addition to correspondence, the collection includes resolutions, bills, petitions, and notices of or concerning the Virginia Assembly during Johnston's tenure as a delegate from Augusta County (1778-1792) and Rockbridge County (1797-1798). 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He died 7 January 1800 in Rockbridge County.\" - Library of Virginia"],"odd_heading_ssm":["Conservation"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Zechariah Johnston Papers, WLU Coll 0006, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThe Zechariah Johnston papers includes personal, business, political correspondence to and from Zechariah Johnston. 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","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00092#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00092","ead_ssi":"vifgm_vifgm00092","_root_":"vifgm_vifgm00092","_nest_parent_":"vifgm_vifgm00092","ead_source_url_ssi":"data/gmu/vifgm00092.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Zelda Fichandler papers\n"],"title_tesim":["Zelda Fichandler papers\n"],"unitdate_ssm":["1950-2000\n"],"unitdate_inclusive_ssm":["1950-2000\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0010\n"],"text":["C0010\n","Zelda Fichandler papers","Theater--Washington (D.C.)","Organized by folder.\n","Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n","\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n","\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n","\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","George Mason University.  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Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n","\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n","\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n","\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler\n"],"corpname_ssim":["George Mason University.  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Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n","\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n","\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n","\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","George Mason University.  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Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n","\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n","\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n","\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n","\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Zelda Fichandler\n"],"language_ssim":["English\n"],"total_component_count_is":2919,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:58:02.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00092"}},{"id":"viw_repositories_2_resources_8539","type":"collection","attributes":{"title":"Zelda Haus Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8539#creator","type":"document_value","attributes":{"value":"Haus, Zelda","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8539#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University. Haus attended Marion Junior College, a woman's college, from 1923 to 1925. While there she took part in numerous religiously focused organizations such as the Lutheran League. These organizations focused on both domestic issues and international issues such as the Armenian Genocide. In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania. While there she devoted much of her time to attaining her teacher's certificate. Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8539#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8539","ead_ssi":"viw_repositories_2_resources_8539","_root_":"viw_repositories_2_resources_8539","_nest_parent_":"viw_repositories_2_resources_8539","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8539.xml","title_filing_ssi":"Haus, Zelda Papers","title_ssm":["Zelda Haus Papers"],"title_tesim":["Zelda Haus Papers"],"unitdate_ssm":["1922-1927"],"unitdate_inclusive_ssm":["1922-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2008.134A","/repositories/2/resources/8539"],"text":["Mss. Acc. 2008.134A","/repositories/2/resources/8539","Zelda Haus Papers","Armenian genocide, 1915-1923","Education--Virginia--History--20th century","Report cards","Women college students","Women--Education--Virginia--History","Women--Pennsylvania--History","Correspondence","Pamphlets","Postcards","Receipts (financial records)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927.","Daughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","The Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America","Haus, Zelda","English"],"unitid_tesim":["Mss. Acc. 2008.134A","/repositories/2/resources/8539"],"normalized_title_ssm":["Zelda Haus Papers"],"collection_title_tesim":["Zelda Haus Papers"],"collection_ssim":["Zelda Haus Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Haus, Zelda"],"creator_ssim":["Haus, Zelda"],"creator_famname_ssim":["Haus, Zelda"],"creators_ssim":["Haus, Zelda"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase."],"access_subjects_ssim":["Armenian genocide, 1915-1923","Education--Virginia--History--20th century","Report cards","Women college students","Women--Education--Virginia--History","Women--Pennsylvania--History","Correspondence","Pamphlets","Postcards","Receipts (financial records)"],"access_subjects_ssm":["Armenian genocide, 1915-1923","Education--Virginia--History--20th century","Report cards","Women college students","Women--Education--Virginia--History","Women--Pennsylvania--History","Correspondence","Pamphlets","Postcards","Receipts (financial records)"],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet"],"extent_tesim":["0.40 Linear Feet"],"genreform_ssim":["Correspondence","Pamphlets","Postcards","Receipts (financial records)"],"date_range_isim":[1922,1923,1924,1925,1926,1927],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927."],"bioghist_html_tesm":["\u003cp\u003eDaughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Haus,_Zelda\" title=\"Haus, Zelda\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Daughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eZelda Haus Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Zelda Haus Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America"],"names_ssim":["Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America","Haus, Zelda"],"corpname_ssim":["Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America"],"famname_ssim":["Haus, Zelda"],"language_ssim":["English"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-14T10:03:30.078Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8539","ead_ssi":"viw_repositories_2_resources_8539","_root_":"viw_repositories_2_resources_8539","_nest_parent_":"viw_repositories_2_resources_8539","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8539.xml","title_filing_ssi":"Haus, Zelda Papers","title_ssm":["Zelda Haus Papers"],"title_tesim":["Zelda Haus Papers"],"unitdate_ssm":["1922-1927"],"unitdate_inclusive_ssm":["1922-1927"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 2008.134A","/repositories/2/resources/8539"],"text":["Mss. Acc. 2008.134A","/repositories/2/resources/8539","Zelda Haus Papers","Armenian genocide, 1915-1923","Education--Virginia--History--20th century","Report cards","Women college students","Women--Education--Virginia--History","Women--Pennsylvania--History","Correspondence","Pamphlets","Postcards","Receipts (financial records)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927.","Daughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","The Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America","Haus, Zelda","English"],"unitid_tesim":["Mss. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into three series: Series 1: Correspondence, 1922-1927; Series 2: Other Materials, 1923-1927; Series 3: Empty Envelopes, 1923-1927."],"bioghist_html_tesm":["\u003cp\u003eDaughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Haus,_Zelda\" title=\"Haus, Zelda\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Daughter of Rev. and Mrs. L. Raymond Haus, Zelda Haus attended Marion Junior College in Marion, Virginia from 1923 to 1926. While there, she took an active role in various religiously focused student organizations. She then attended Susquehanna University in Selinsgrove, Pennsylvania from 1926 to 1927, where she devoted much of her time to attaining her teaching certificate. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eZelda Haus Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Zelda Haus Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zelda Haus Papers cover her time at both Marion Junior College and Susquehanna University.  Haus attended Marion Junior College, a woman's college, from 1923 to 1925.  While there she took part in numerous religiously focused organizations such as the Lutheran League.  These organizations focused on both domestic issues and international issues such as the Armenian Genocide.  In 1925, Haus enrolled in Susquehanna University, located on the banks of the Susquehanna River in Selinsgrove, Pennsylvania.  While there she devoted much of her time to attaining her teacher's certificate.  Haus maintained regular correspondence with her family, particularly her mother, and friends throughout this time period."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America"],"names_ssim":["Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America","Haus, Zelda"],"corpname_ssim":["Special Collections Research Center","Marion College, Junior (Marion, Va.)","Susquehanna University, Selinsgrove, Pa.","Women's Missionary Society of the United Lutheran Church in America"],"famname_ssim":["Haus, Zelda"],"language_ssim":["English"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-14T10:03:30.078Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8539"}},{"id":"vino_repositories_5_resources_233","type":"collection","attributes":{"title":"Zelda J. Miller Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_233#creator","type":"document_value","attributes":{"value":"Miller, Zelda J. (-1998)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_233#abstract_or_scope","type":"document_value","attributes":{"value":"Zelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. 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Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. 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The family moved to Richmond while she was a teenager and she attended Richmond public schools. Kingoff graduated from Marjorie Webster Junior College in 1952 and from Sally Tompkins School of Nursing in 1963. She married Martin Stanford Nordlinger (1930-2002) 24 December 1963. Zelda Kingoff Nordlinger was a lobbyist to the Virginia general assembly from 1971 to 1976, a free lance writer, and active in the women's movement. She was a co-founder of the Richmond chapter of the National Organization for Women in 1971. Nordlinger was also active in the National Women's Political Caucus and the Virginia Women's Political Caucus. Nordlinger had two children from a previous marriage and two daughters with Martin Nordlinger. Zelda Kingoff Nordlinger died 18 March 2008 in Richmond, Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Zelda Kingoff was born 19 January 1932 in Greenville, South Carolina, to Joseph Kingoff and Alice Heiner Kingoff. 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