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Rare Books Room copy is edition 32 of 88 copies."],"corpname_ssim":["University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press"],"persname_ssim":["Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"names_ssim":["University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press","Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_6_resources_143","ead_ssi":"viur_repositories_6_resources_143","_root_":"viur_repositories_6_resources_143","_nest_parent_":"viur_repositories_6_resources_143","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_143.xml","title_ssm":["Book of hours"],"title_tesim":["Book of hours"],"unitdate_ssm":["2021"],"unitdate_other_ssim":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Book of hours, 2021"],"text":["Book of hours, 2021","BA-84","/repositories/6/resources/143","COVID-19 Pandemic, 2020- , in art","Specimens","Letterpress printing","Foil stamping","Art","Artists' Books","\"This book was printed using letterpress, digital and Risograph printing on Mohawk Superfine and Hahnemühle Bugra paper. Binding was completed at Flying Fish Press and Coyote Bones Press. Box designed and fabricated by Keri Miki-Lani Schroeder. Special thanks to Joseph Gage who did all the Risograph printing ... and to Craig Jensen for ... assistance with the foil stamping.\"--Colophon\n\nIn red cloth box stamped in bright blue. Opens with four triangle shaped flaps that meet in the middle. Printed paper label on spine.","\"Book of Hours was designed and created by Julie Chen \u0026 Keri Miki-Lani Schroeder. This long-distance collaboration, between California and Texas, took place during the 2020-21 pandemic. The format of Book of Hours is known as a blow book, a historical structure originally designed as a magic trick which allows the presenter to show completely different visual sequences of pages within the same book. Book of Hours contains 12 distinct sequences. The first and last sequences on each side of the book were designed by the two artists collaboratively, and the other eight sequences were designed individually by each artist. These different narratives exist concurrently within the same space and time of this book but are activated sequentially by the reader. The cone motif used throughout this book was inspired by the concept of the light cone which in general and special relativity denotes a single point in space and time.\" -- Flying Fish Press website.\n\nLimited edition of 88 copies, signed by both artists. Rare Books Room copy is edition 32 of 88 copies.","University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press","Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-","English"],"collection_title_tesim":["Book of hours, 2021"],"collection_ssim":["Book of hours, 2021"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-84","/repositories/6/resources/143"],"unitid_tesim":["BA-84","/repositories/6/resources/143"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Chen, Julie","Flying Fish Press","Coyote Bones Press","Schroeder, Keri Miki-Lani","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"creator_ssim":["Chen, Julie","Flying Fish Press","Coyote Bones Press","Schroeder, Keri Miki-Lani","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"creator_persname_ssim":["Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"creator_corpname_ssim":["University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press"],"creators_ssim":["Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-","University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press"],"access_subjects_ssim":["COVID-19 Pandemic, 2020- , in art","Specimens","Letterpress printing","Foil stamping","Art","Artists' Books"],"access_subjects_ssm":["COVID-19 Pandemic, 2020- , in art","Specimens","Letterpress printing","Foil stamping","Art","Artists' Books"],"has_online_content_ssim":["false"],"physdesc_tesim":["\"This book was printed using letterpress, digital and Risograph printing on Mohawk Superfine and Hahnemühle Bugra paper. Binding was completed at Flying Fish Press and Coyote Bones Press. Box designed and fabricated by Keri Miki-Lani Schroeder. Special thanks to Joseph Gage who did all the Risograph printing ... and to Craig Jensen for ... assistance with the foil stamping.\"--Colophon\n\nIn red cloth box stamped in bright blue. Opens with four triangle shaped flaps that meet in the middle. Printed paper label on spine."],"extent_ssm":["2 Items"],"extent_tesim":["2 Items"],"physfacet_tesim":["1 volume (unpaged) : color illustrations + box"],"dimensions_tesim":["28 cm"],"genreform_ssim":["Artists' Books"],"date_range_isim":[2021],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_3889733d760e60c84918dfe392bcff1a\"\u003e\"Book of Hours was designed and created by Julie Chen \u0026amp; Keri Miki-Lani Schroeder. This long-distance collaboration, between California and Texas, took place during the 2020-21 pandemic. The format of Book of Hours is known as a blow book, a historical structure originally designed as a magic trick which allows the presenter to show completely different visual sequences of pages within the same book. Book of Hours contains 12 distinct sequences. The first and last sequences on each side of the book were designed by the two artists collaboratively, and the other eight sequences were designed individually by each artist. These different narratives exist concurrently within the same space and time of this book but are activated sequentially by the reader. The cone motif used throughout this book was inspired by the concept of the light cone which in general and special relativity denotes a single point in space and time.\" -- Flying Fish Press website.\n\nLimited edition of 88 copies, signed by both artists. Rare Books Room copy is edition 32 of 88 copies.\u003c/materialspec\u003e\n    "],"materialspec_tesim":["\"Book of Hours was designed and created by Julie Chen \u0026 Keri Miki-Lani Schroeder. This long-distance collaboration, between California and Texas, took place during the 2020-21 pandemic. The format of Book of Hours is known as a blow book, a historical structure originally designed as a magic trick which allows the presenter to show completely different visual sequences of pages within the same book. Book of Hours contains 12 distinct sequences. The first and last sequences on each side of the book were designed by the two artists collaboratively, and the other eight sequences were designed individually by each artist. These different narratives exist concurrently within the same space and time of this book but are activated sequentially by the reader. The cone motif used throughout this book was inspired by the concept of the light cone which in general and special relativity denotes a single point in space and time.\" -- Flying Fish Press website.\n\nLimited edition of 88 copies, signed by both artists. Rare Books Room copy is edition 32 of 88 copies."],"corpname_ssim":["University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press"],"persname_ssim":["Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"names_ssim":["University of Richmond Book Arts Studio","Flying Fish Press","Coyote Bones Press","Chen, Julie","Schroeder, Keri Miki-Lani","Gage, Joseph","Jensen, Craig (Craig William), 1951-"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_143"}},{"id":"viur_repositories_4_resources_36","type":"collection","attributes":{"title":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#creator","type":"document_value","attributes":{"value":"Van Vechten, Carl, 1880-1964","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_36"}},{"id":"viur_repositories_4_resources_59","type":"collection","attributes":{"title":"Charles Meredith Civil War Imprint Collection, 1861/1865","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_59#creator","type":"document_value","attributes":{"value":"A. Meredith, John, 1814-1882","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_59#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_59#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_59","ead_ssi":"viur_repositories_4_resources_59","_root_":"viur_repositories_4_resources_59","_nest_parent_":"viur_repositories_4_resources_59","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_59.xml","title_ssm":["Charles Meredith Civil War Imprint Collection"],"title_tesim":["Charles Meredith Civil War Imprint Collection"],"unitdate_ssm":["1861-1865"],"unitdate_inclusive_ssm":["1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"text":["Charles Meredith Civil War Imprint Collection, 1861/1865","MS-45","/repositories/4/resources/59","Confederate States of America -- History","Broadsides","The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.","Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997","Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.","This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas.","The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.","The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.","University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","English\n."],"collection_title_tesim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"collection_ssim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-45","/repositories/4/resources/59"],"unitid_tesim":["MS-45","/repositories/4/resources/59"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Confederate States of America -- History"],"geogname_ssim":["Confederate States of America -- History"],"places_ssim":["Confederate States of America -- History"],"creator_ssm":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Meredith Collection was donated to the University of Richmond in 1977, given in memory of Charles V. Meredith and his son Bernard Meredith by Polly Brinton Meredith Young (widow of Bernard Meredith, then wife of Edwin P. Young). Charles Meredith was an 1871 graduate of the Richmond College School of Law and later a trustee of the College, as was his father. It was this association to the University that led Mrs. Young to donate the collection to Boatwright Library at the University of Richmond."],"access_subjects_ssim":["Broadsides"],"access_subjects_ssm":["Broadsides"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["1 Box."],"date_range_isim":[1861,1862,1863,1864,1865],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year."],"bibliography_html_tesm":["\u003cp\u003eLibrary of Virginia, \u003cemph render=\"italics\"\u003eRichmond Times Dispatch\u003c/emph\u003e, 9 Feb 1930 front page article\u003cbr\u003e\n\u003cemph render=\"italics\"\u003eDaily Press\u003c/emph\u003e, 13 Feb 1997\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997"],"bioghist_html_tesm":["\u003cp\u003eCharles Vivian Meredith (1850-1930)\u003c/p\u003e","\u003cp\u003eBorn into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.\u003c/p\u003e","\u003cp\u003ePolly B. Young (1910-1997)\u003c/p\u003e","\u003cp\u003ePolly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the \u003ca href=\"https://legacy.lib.utexas.edu/taro/ricewrc/00283/rice-00283.html\"\u003eConfederate Imprint Collection\u003c/a\u003e at the Woodson Research Center, Rice University, Houston, Texas.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas."],"scopecontent_html_tesm":["\u003cp\u003eThe Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.\u003c/p\u003e","\u003cp\u003eThe Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room."],"separatedmaterial_html_tesm":["\u003cp\u003eThe Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bd2dafc69f1d10aa12ebab59131d079\"\u003eThis collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA."],"corpname_ssim":["University of Richmond"],"persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"names_ssim":["University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"language_ssim":["English\n."],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_59","ead_ssi":"viur_repositories_4_resources_59","_root_":"viur_repositories_4_resources_59","_nest_parent_":"viur_repositories_4_resources_59","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_59.xml","title_ssm":["Charles Meredith Civil War Imprint Collection"],"title_tesim":["Charles Meredith Civil War Imprint Collection"],"unitdate_ssm":["1861-1865"],"unitdate_inclusive_ssm":["1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"text":["Charles Meredith Civil War Imprint Collection, 1861/1865","MS-45","/repositories/4/resources/59","Confederate States of America -- History","Broadsides","The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.","Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997","Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.","This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas.","The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.","The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.","University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","English\n."],"collection_title_tesim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"collection_ssim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-45","/repositories/4/resources/59"],"unitid_tesim":["MS-45","/repositories/4/resources/59"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Confederate States of America -- History"],"geogname_ssim":["Confederate States of America -- History"],"places_ssim":["Confederate States of America -- History"],"creator_ssm":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Meredith Collection was donated to the University of Richmond in 1977, given in memory of Charles V. Meredith and his son Bernard Meredith by Polly Brinton Meredith Young (widow of Bernard Meredith, then wife of Edwin P. Young). Charles Meredith was an 1871 graduate of the Richmond College School of Law and later a trustee of the College, as was his father. It was this association to the University that led Mrs. Young to donate the collection to Boatwright Library at the University of Richmond."],"access_subjects_ssim":["Broadsides"],"access_subjects_ssm":["Broadsides"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["1 Box."],"date_range_isim":[1861,1862,1863,1864,1865],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year."],"bibliography_html_tesm":["\u003cp\u003eLibrary of Virginia, \u003cemph render=\"italics\"\u003eRichmond Times Dispatch\u003c/emph\u003e, 9 Feb 1930 front page article\u003cbr\u003e\n\u003cemph render=\"italics\"\u003eDaily Press\u003c/emph\u003e, 13 Feb 1997\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997"],"bioghist_html_tesm":["\u003cp\u003eCharles Vivian Meredith (1850-1930)\u003c/p\u003e","\u003cp\u003eBorn into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.\u003c/p\u003e","\u003cp\u003ePolly B. Young (1910-1997)\u003c/p\u003e","\u003cp\u003ePolly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the \u003ca href=\"https://legacy.lib.utexas.edu/taro/ricewrc/00283/rice-00283.html\"\u003eConfederate Imprint Collection\u003c/a\u003e at the Woodson Research Center, Rice University, Houston, Texas.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas."],"scopecontent_html_tesm":["\u003cp\u003eThe Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.\u003c/p\u003e","\u003cp\u003eThe Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room."],"separatedmaterial_html_tesm":["\u003cp\u003eThe Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bd2dafc69f1d10aa12ebab59131d079\"\u003eThis collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA."],"corpname_ssim":["University of Richmond"],"persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"names_ssim":["University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"language_ssim":["English\n."],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_59"}},{"id":"viur_repositories_4_resources_58","type":"collection","attributes":{"title":"Cheryl Pierce Craddock Theater Design Collection, 1966/1983","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_58#creator","type":"document_value","attributes":{"value":"Pierce Craddock, Cheryl","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_58#abstract_or_scope","type":"document_value","attributes":{"value":"This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_58#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_58","ead_ssi":"viur_repositories_4_resources_58","_root_":"viur_repositories_4_resources_58","_nest_parent_":"viur_repositories_4_resources_58","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_58.xml","title_ssm":["Cheryl Pierce Craddock Theater Design Collection"],"title_tesim":["Cheryl Pierce Craddock Theater Design Collection"],"unitdate_ssm":["1966-1983"],"unitdate_inclusive_ssm":["1966-1983"],"normalized_date_ssm":["1966/1983"],"normalized_title_ssm":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"text":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","MS-42","/repositories/4/resources/58","Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)","This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.","Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.","MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks","This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.","University of Richmond","Pierce Craddock, Cheryl","English\n."],"collection_title_tesim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"collection_ssim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-42","/repositories/4/resources/58"],"unitid_tesim":["MS-42","/repositories/4/resources/58"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Pierce Craddock, Cheryl"],"creator_ssim":["Pierce Craddock, Cheryl"],"creator_persname_ssim":["Pierce Craddock, Cheryl"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Pierce Craddock, Cheryl","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred from the Department of Theatre and Dance at the University of Richmond to the library in 2015."],"access_subjects_ssim":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"access_subjects_ssm":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSeries 1: Costume Sketches, is arranged chronologically.\u003c/li\u003e\n\u003cli\u003eSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance."],"bioghist_html_tesm":["\u003cp\u003eUnfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available."],"prefercite_html_tesm":["\u003cp\u003e[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"\"\u003eMS-21 Jack Welsh Collection\u003c/a\u003e\u003cbr\u003e \n\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/53\"\u003eMS-29 Jack Welsh Scrapbooks\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.\u003c/p\u003e","\u003cp\u003eSeries I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026amp; Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026amp; Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.\u003c/p\u003e","\u003cp\u003eSeries II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_469b9dbb2e68ba13cecaea09de039b94\"\u003eThis collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Pierce Craddock, Cheryl"],"names_ssim":["University of Richmond","Pierce Craddock, Cheryl"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_58","ead_ssi":"viur_repositories_4_resources_58","_root_":"viur_repositories_4_resources_58","_nest_parent_":"viur_repositories_4_resources_58","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_58.xml","title_ssm":["Cheryl Pierce Craddock Theater Design Collection"],"title_tesim":["Cheryl Pierce Craddock Theater Design Collection"],"unitdate_ssm":["1966-1983"],"unitdate_inclusive_ssm":["1966-1983"],"normalized_date_ssm":["1966/1983"],"normalized_title_ssm":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"text":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","MS-42","/repositories/4/resources/58","Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)","This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.","Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.","MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks","This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.","University of Richmond","Pierce Craddock, Cheryl","English\n."],"collection_title_tesim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"collection_ssim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-42","/repositories/4/resources/58"],"unitid_tesim":["MS-42","/repositories/4/resources/58"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Pierce Craddock, Cheryl"],"creator_ssim":["Pierce Craddock, Cheryl"],"creator_persname_ssim":["Pierce Craddock, Cheryl"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Pierce Craddock, Cheryl","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred from the Department of Theatre and Dance at the University of Richmond to the library in 2015."],"access_subjects_ssim":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"access_subjects_ssm":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSeries 1: Costume Sketches, is arranged chronologically.\u003c/li\u003e\n\u003cli\u003eSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance."],"bioghist_html_tesm":["\u003cp\u003eUnfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available."],"prefercite_html_tesm":["\u003cp\u003e[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"\"\u003eMS-21 Jack Welsh Collection\u003c/a\u003e\u003cbr\u003e \n\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/53\"\u003eMS-29 Jack Welsh Scrapbooks\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.\u003c/p\u003e","\u003cp\u003eSeries I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026amp; Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026amp; Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.\u003c/p\u003e","\u003cp\u003eSeries II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. 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