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Items include a poster, signed paper plates, jersey, disc and program from Ultimate USA college championship."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:57:39.154Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9725"}},{"id":"viw_repositories_2_resources_9925","type":"collection","attributes":{"title":"William \u0026 Mary Workers Union Campaign","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9925#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe contents consist of a UE Leadership guide, ten filled-out petition sheets, union platforms, thirty sheets of handouts, blank petitions, payroll deduction forms, and a \"Protect W\u0026amp;M Jobs\" facemask.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9925#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9925","ead_ssi":"viw_repositories_2_resources_9925","_root_":"viw_repositories_2_resources_9925","_nest_parent_":"viw_repositories_2_resources_9925","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9925.xml","title_filing_ssi":"William \u0026 Mary Workers Union Campaign","title_ssm":["William \u0026 Mary Workers Union Campaign"],"title_tesim":["William \u0026 Mary Workers Union Campaign"],"unitdate_ssm":["2002-2020"],"unitdate_inclusive_ssm":["2002-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 437","/repositories/2/resources/9925"],"text":["UA 437","/repositories/2/resources/9925","William \u0026 Mary Workers Union Campaign","The items are in good condition.","Collection is open to all researchers. 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Around 2019 or 2020, they articulated their demands to the university."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Workers' Union Campaign, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["William \u0026 Mary Workers' Union Campaign, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe contents consist of a UE Leadership guide, ten filled-out petition sheets, union platforms, thirty sheets of handouts, blank petitions, payroll deduction forms, and a \"Protect W\u0026amp;M Jobs\" facemask.\u003c/p\u003e","\u003cp\u003eThe William \u0026amp; Mary Workers' Union demands included health insurance, a \"living wage\" or $28,000 per year for full-time and $15 per hour for part-time workers, guaranteed summer funding for all graduate workers, equal funding packages between masters and PhD program participants, tuition waivers for all graduate works, affordable parking, and free printing across campus for graduate works. 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The binder, or UE Leadership Guide, contains items such as organizational structure, expansion tips, communication guides, arbitration matters, union financing, negotiation, and other resources."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:09:31.066Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9925","ead_ssi":"viw_repositories_2_resources_9925","_root_":"viw_repositories_2_resources_9925","_nest_parent_":"viw_repositories_2_resources_9925","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9925.xml","title_filing_ssi":"William \u0026 Mary Workers Union Campaign","title_ssm":["William \u0026 Mary Workers Union Campaign"],"title_tesim":["William \u0026 Mary Workers Union Campaign"],"unitdate_ssm":["2002-2020"],"unitdate_inclusive_ssm":["2002-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 437","/repositories/2/resources/9925"],"text":["UA 437","/repositories/2/resources/9925","William \u0026 Mary Workers Union Campaign","The items are in good condition.","Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series: one consists of four legal-sized folders and the other contains 1 binder.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series: one consists of four legal-sized folders and the other contains 1 binder."],"bioghist_html_tesm":["\u003cp\u003eThe collection contains documents related to the William \u0026amp; Mary Workers' Union platform and their campaign materials. Around 2019 or 2020, they articulated their demands to the university.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection contains documents related to the William \u0026 Mary Workers' Union platform and their campaign materials. 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He served in the west, on the Ohio River, in companies commanded by Capt. Robert Cunningham and Capt. Adam Fisher. Some sources claim that he served in the Continental Army, in the Third Regiment of Light Dragoons, in which he was a Captain, but that was a different William Parsons, from Norfolk, VA.","The will contains provisions intended to free Parsons' slaves, although not right away.  The will was written in 1828 and he died in 1829.  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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Rockbridge Historical Society","First Baptist Church (Lexington, Va.)","Randolph Street Methodist Church (Lexington, Va.)","Lylburn Downing School (Lexington, Va.)","Washington Post Company","African-Americans.  Staunton, Virginia","Agricultural Society of Rockbridge","Agriculture","Rockbridge Farmers Exchange","John Deere Centennial","United Way of America","Lee Memorial Association","Lexington Fire Department (Lexington, Va.)","Virginia Cooperative Extension","Rockbridge County Cooperative Extension","Southern Association of Colleges and Schools","Blue Ridge CASA for Children","Washington and Lee University. Board of Trustees","The Roanoke Times","Washington and Lee University. University Library. Special Collections and Archives","Lexington Gazette. 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Permission for current members in good standing to access minutes from the last 20 years must be granted in advance in writing or email to spcoll@wm.edu by the current Regent or Recording Secretary. A current roster of Board members shall be provided by the Regent to the library at the change of each office term or when updates occur. ","\nExecutive Board Minutes may only be accessed by the current Regent or Recording Secretary. ","The current chapter Regent may make a written request to borrow material from the Williamsburg DAR collection two (2) times in a calendar year and/or at the new officer's induction meeting. Requests for a private viewing of materials in the Special Collections area of the library for special chapter events may be made in writing by the chapter regent to the Director of the Special Collections Research Center. 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","The current chapter Regent may make a written request to borrow material from the Williamsburg DAR collection two (2) times in a calendar year and/or at the new officer's induction meeting. Requests for a private viewing of materials in the Special Collections area of the library for special chapter events may be made in writing by the chapter regent to the Director of the Special Collections Research Center. "],"prefercite_html_tesm":["\u003cp\u003eDaughters of the American Revolution, Williamsburg Chapter records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Daughters of the American Revolution, Williamsburg Chapter records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eOriginal order has been maintained, materials are minimally processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order has been maintained, materials are minimally processed."],"scopecontent_html_tesm":["\u003cp\u003eIncludes chapter history albums and scrapbooks, special reports, Virginia DAR proceedings, Williamsburg DAR regular and executative meeting minutes, awards, commemorative banners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes chapter history albums and scrapbooks, special reports, Virginia DAR proceedings, Williamsburg DAR regular and executative meeting minutes, awards, commemorative banners."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:26:54.572Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8989_c08_c05"}},{"id":"viu_repositories_4_resources_1519","type":"collection","attributes":{"title":"William Taylor Baskett diaries","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_1519#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of seven diaries that William Taylor Baskett (1884-1972) created to document his life in 1903 and 1904, including his experiences as a University of Virginia School of Law student. 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School of Law","The donor has not imposed any restrctions on access to this collection. However, the University of Virginia Law Library prohibits researchers from accessing the original paper diaries, because they are in fragile condition. Digital copies of the diaries may be provided to researchers, and there are no access restrictions on any of the other materials.","William Taylor Baskett (1884-1972) was born in Baghdad, Kentucky, to James Simeon Baskett (1847-1889) and Julia Gwin Taylor Baskett (1855-1909). After his father's death, William moved with his family to Louisville, Kentucky, where he lived for most of his life. In 1903, William graduated from the Louisville Male High School, and in 1905, he graduated from the University of Virginia School of Law.","In 1917, after several years in private practice, William Taylor Baskett was appointed as the second assistant to Louisville's city attorney. 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It is flaking off in small pieces around the edges, and this deterioration has already led to the loss of some content in the diaries."],"userestrict_html_tesm":["\u003cp\u003eAny rights (including copyright and related rights to publicity and privacy) held by the donor were transferred to the University of Virginia in 2023. Permission to publish or reproduce materials in this collection must be secured from the University of Virginia Law Library. The diaries will enter the public domain, on June 1, 2042, seventy years after the death of their creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Any rights (including copyright and related rights to publicity and privacy) held by the donor were transferred to the University of Virginia in 2023. Permission to publish or reproduce materials in this collection must be secured from the University of Virginia Law Library. 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It is flaking off in small pieces around the edges, and this deterioration has already led to the loss of some content in the diaries."],"userestrict_html_tesm":["\u003cp\u003eAny rights (including copyright and related rights to publicity and privacy) held by the donor were transferred to the University of Virginia in 2023. Permission to publish or reproduce materials in this collection must be secured from the University of Virginia Law Library. The diaries will enter the public domain, on June 1, 2042, seventy years after the death of their creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Any rights (including copyright and related rights to publicity and privacy) held by the donor were transferred to the University of Virginia in 2023. Permission to publish or reproduce materials in this collection must be secured from the University of Virginia Law Library. 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Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-13T07:09:16.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_1519"}},{"id":"virmu_repositories_2_resources_6","type":"collection","attributes":{"title":"Willie Anne Wright Artist Archives (VA-02)","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6#creator","type":"document_value","attributes":{"value":"Wright, Willie Anne","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:07:54.616Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:07:54.616Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6"}},{"id":"viur_repositories_4_resources_154_c01_c01","type":"File","attributes":{"title":"Willis A. Shell","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003cspan\u003eRichmond Times-Dispatch\u003c/span\u003e, and newspaper clippings and a copy of the paperwork donating Shell's body to science.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_154_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_154_c01_c01","ref_ssm":["viur_repositories_4_resources_154_c01_c01"],"id":"viur_repositories_4_resources_154_c01_c01","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154_c01","parent_ssi":"viur_repositories_4_resources_154_c01","parent_ssim":["viur_repositories_4_resources_154","viur_repositories_4_resources_154_c01"],"parent_ids_ssim":["viur_repositories_4_resources_154","viur_repositories_4_resources_154_c01"],"parent_unittitles_ssm":["Willis \u0026 Eleanor Shell Collection","Personal Information"],"parent_unittitles_tesim":["Willis \u0026 Eleanor Shell Collection","Personal Information"],"text":["Willis \u0026 Eleanor Shell Collection","Personal Information","Willis A. Shell","Shell","box 1","folder 1","Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the  Richmond Times-Dispatch , and newspaper clippings and a copy of the paperwork donating  Shell 's body to science."],"title_filing_ssi":"Willis A. Shell","title_ssm":["Willis A. Shell"],"title_tesim":["Willis A. Shell"],"unitdate_inclusive_ssm":["1958-2020"],"normalized_date_ssm":["1958/2020"],"normalized_title_ssm":["Willis A. Shell"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"names_ssim":["Shell"],"famname_ssim":["Shell"],"containers_ssim":["box 1","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eFolder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the \u003ctitle\u003eRichmond Times-Dispatch\u003c/title\u003e, and newspaper clippings and a copy of the paperwork donating \u003cfamname\u003eShell\u003c/famname\u003e's body to science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder 1 contains items pertaining to Willis Shell, including obituaries, an advance photo print from the  Richmond Times-Dispatch , and newspaper clippings and a copy of the paperwork donating  Shell 's body to science."],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-01T00:11:35.825Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_154","ead_ssi":"viur_repositories_4_resources_154","_root_":"viur_repositories_4_resources_154","_nest_parent_":"viur_repositories_4_resources_154","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_154.xml","title_ssm":["Willis \u0026 Eleanor Shell Collection"],"title_tesim":["Willis \u0026 Eleanor Shell Collection"],"unitdate_ssm":["1952-1977"],"unitdate_bulk_ssim":["1952-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.47","/repositories/4/resources/154"],"text":["MS.47","/repositories/4/resources/154","Willis \u0026 Eleanor Shell Collection","Richmond (Va.)","Personal correspondence","Photographs","Pamphlets","Clippings","There are no restrictions on accessing material in this collection.","This collection is arranged into 3 series: \n Series 1: Personal Information Series 2: Print Matters Series 3: Christmas Cards","Willis Andrew Shell, Jr. , was born in  Lenoir, North Carolina  on  1 Jun 1905  to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married  Eleanor Roberts , with whom he would start the  Attic Press  from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the  William Byrd Press  from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in  September 1971  as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from  Parsons School of Design  and worked as an  illustrator  for the  Richmond New Leader , where she developed a regular art feature for the Sunday  Times-Dispatch  from 1935-1950.  ","His first handmade book was  The Night After Christmas . Willis and Eleanor worked together and separately on projects. For example, for the book  An Allegorical ABC Book About Father Junipero Serra , published in  1977 , Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was  David John Mays '  Edmund Pendleton , which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.  ","Due to their ties to the print and illustration community, the  Shell  collection also holds a variety of materials created by friends, including Christmas cards from both  David Clinger  and  Warren Chappell , both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. ","This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu.","MS-35 David Clinger Collection","The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The items within this collection pertain to Willis A. \u0026 Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.","University of Richmond ","Attic Press","William Byrd Press","Parsons School of Design","William Byrd Press (Richmond, VA)","Attic Press (Richmond, VA)","Shell","Shell, Willis Andrew, 1905-1989","Willis Andrew Shell, Jr.","Eleanor Roberts","David John Mays","David Clinger","Warren Chappell","Shell, Eleanor Roberts, -1974","English"],"unitid_tesim":["MS.47","/repositories/4/resources/154"],"normalized_title_ssm":["Willis \u0026 Eleanor Shell Collection"],"collection_title_tesim":["Willis \u0026 Eleanor Shell Collection"],"collection_ssim":["Willis \u0026 Eleanor Shell Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"creator_ssm":["Shell, Willis Andrew, 1905-1989"],"creator_ssim":["Shell, Willis Andrew, 1905-1989"],"creator_persname_ssim":["Shell, Willis Andrew, 1905-1989"],"creators_ssim":["Shell, Willis Andrew, 1905-1989"],"places_ssim":["Richmond (Va.)"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was donated by Margaret Roberts Thomas, niece of Eleanor Roberts Shell."],"access_subjects_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"access_subjects_ssm":["Personal correspondence","Photographs","Pamphlets","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs","Pamphlets","Clippings"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 3 series: \n\u003cul\u003e\n\u003cli\u003eSeries 1: Personal Information\u003c/li\u003e\n\u003cli\u003eSeries 2: Print Matters\u003c/li\u003e\n\u003cli\u003eSeries 3: Christmas Cards\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 3 series: \n Series 1: Personal Information Series 2: Print Matters Series 3: Christmas Cards"],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eWillis Andrew Shell, Jr.\u003c/persname\u003e, was born in \u003cgeogname\u003eLenoir, North Carolina\u003c/geogname\u003e on \u003cdate\u003e1 Jun 1905\u003c/date\u003e to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married \u003cpersname\u003eEleanor Roberts\u003c/persname\u003e, with whom he would start the \u003ccorpname\u003eAttic Press\u003c/corpname\u003e from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the \u003ccorpname\u003eWilliam Byrd Press\u003c/corpname\u003e from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in \u003cdate\u003eSeptember 1971\u003c/date\u003e as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from \u003ccorpname\u003eParsons School of Design\u003c/corpname\u003e and worked as an \u003coccupation\u003eillustrator\u003c/occupation\u003e for the \u003ctitle\u003eRichmond New Leader\u003c/title\u003e, where she developed a regular art feature for the Sunday \u003ctitle\u003eTimes-Dispatch\u003c/title\u003e from 1935-1950.  \u003c/p\u003e\n","\u003cp\u003eHis first handmade book was \u003ctitle\u003eThe Night After Christmas\u003c/title\u003e. Willis and Eleanor worked together and separately on projects. For example, for the book \u003ctitle\u003eAn Allegorical ABC Book About Father Junipero Serra\u003c/title\u003e, published in \u003cdate\u003e1977\u003c/date\u003e, Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was \u003cpersname\u003eDavid John Mays\u003c/persname\u003e' \u003ctitle\u003eEdmund Pendleton\u003c/title\u003e, which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.  \u003c/p\u003e\n","\u003cp\u003eDue to their ties to the print and illustration community, the \u003cfamname\u003eShell\u003c/famname\u003e collection also holds a variety of materials created by friends, including Christmas cards from both \u003cpersname\u003eDavid Clinger\u003c/persname\u003e and \u003cpersname\u003eWarren Chappell\u003c/persname\u003e, both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Willis Andrew Shell, Jr. , was born in  Lenoir, North Carolina  on  1 Jun 1905  to Willis Andrew Shell and Bertha Weathersbee Shell, who was a noted Tidewater artist from Norfolk, VA. He was a student at the University of Richmond in 1926, though it is not clear if he graduated. In 1938, Willis A. Shell married  Eleanor Roberts , with whom he would start the  Attic Press  from their home at 311 W. Franklin St. in Richmond, VA. While it is unclear how he managed to get his 2000-pound 1840 Washington hand press, a Christmas present from his wife, into the attic of his home, it stayed there until they moved in 1958 to 2113 Hanover Ave. in Richmond VA.  Besides co-owning and operating the Attic Press with Eleanor, Willis A. Shell also worked at the  William Byrd Press  from 1933-1971. He started at the William Byrd Press in February of 1933 as a salesman and then as a book designer, working there until he retired in  September 1971  as the Vice President in charge of sales for Richmond, VA. Eleanor graduated from  Parsons School of Design  and worked as an  illustrator  for the  Richmond New Leader , where she developed a regular art feature for the Sunday  Times-Dispatch  from 1935-1950.  ","His first handmade book was  The Night After Christmas . Willis and Eleanor worked together and separately on projects. For example, for the book  An Allegorical ABC Book About Father Junipero Serra , published in  1977 , Willis printed the book, and Eleanor provided the illustrations. A printing proof from this book is included in the collection. There are booklets and pamphlets from the Attic Press and the William Byrd Press included within this collection and over thirty other books and pamphlets from other publishers. In addition, this collection contains copies of the obituaries of Willis and Eleanor Shell, memories of Willis and Eleanor Shell written by her niece, Margaret Roberts Thomas, and ephemera, booklets, and pamphlets relating to Willis A. Shell and his publishing companies. Due to the quality of his work, Willis A. Shell quickly became a respected printer and illustrator. In 1952 he produced three of the five entries from Richmond, VA for a 1952 Southeastern Library Association competition. These five entries were part of the total of 16 volumes designated as the best in Southern book production. Another interesting proof in this collection is a book created in nine days for Colonial Williamsburg. The combination of Eleanor's reputation as an illustrator and Willis' unique book design and printing led to the commission from Colonial Williamsburg to produce a book about Williamsburg crafts to present to Queen Elizabeth during her 1954 visit. One book he designed while at William Byrd Press was  David John Mays '  Edmund Pendleton , which won a Pulitzer Prize. Shell was also a charter member of the Bibliographic Society of the University of Virginia. He also served as chairman of the Special Collections Committee at the Richmond Public Library and was a member of the Rotunda Club, the Advertising Federation of America, the Virginia Museum of Fine Arts, and the Virginia Historical Society. Eleanor was a member of the Woman's Club, the Friends of Richmond Public Library, the Virginia Bibliographical Society, and the Associates of the James Branch Cabell Library.  ","Due to their ties to the print and illustration community, the  Shell  collection also holds a variety of materials created by friends, including Christmas cards from both  David Clinger  and  Warren Chappell , both noted figures in their own fields and donors to the Galvin Rare Book Room collections. The Shell's Christmas cards, like many other ones in the collection, were completely handmade; each year, they would design, print, and illustrate each card. After a noted and remarkable life, Eleanor Shell passed away February 26, 1974, and Willis A. Shell, Jr. passed away on March 14, 1989. "],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-47, Willis \u0026amp; Eleanor Shell Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-47, Willis \u0026 Eleanor Shell Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eThis collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.\u003c/p\u003e","\u003cp\u003eAn item level inventory can be made available by reaching out to archives@richmond.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection arrived as a single unit with the majority of materials mixed together. The processor decided to separate by related materials and by chronological order with the Christmas cards.","An item level inventory can be made available by reaching out to archives@richmond.edu."],"relatedmaterial_html_tesm":["\u003cp\u003eMS-35 David Clinger Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-35 David Clinger Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Willis \u0026amp; Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Willis \u0026 Eleanor Shell Collection holds booklets, pamphlets, print proofs and other items relating to the illustrator and printer, Willis A. Shell, Jr., and his wife and business and artistic partner, Eleanor Roberts Shell. Shell, Jr., was a miniature bookmaker, illustrator, and printer from Richmond, VA. The Shells founded The Attic Press while Willis Shell, Jr., also worked at The William Byrd Press from 1933-1977. Materials include illustration mock-ups, print advertisements, Attic Press materials, and personal Christmas cards from friends and fellow illustrators, including David Clinger and Warren Chappell."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86a3585121957f4c302faa3b9b0cc017\"\u003eThe items within this collection pertain to Willis A. \u0026amp; Eleanor Shell. Both Willis and Eleanor were illustrators, and Willis specialized in designing and printing books and in miniature books.\u003c/abstract\u003e"],"abstract_tesim":["The items within this collection pertain to Willis A. \u0026 Eleanor Shell. 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