{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=File\u0026page=228","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=File\u0026page=227","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=File\u0026page=229","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=File\u0026page=232"},"meta":{"pages":{"current_page":228,"next_page":229,"prev_page":227,"total_pages":232,"limit_value":10,"offset_value":2270,"total_count":2319,"first_page?":false,"last_page?":false}},"data":[{"id":"vino_repositories_5_resources_63_c10_c33_c01","type":"File","attributes":{"title":"Wigs and Makeup II","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c33_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_63_c10_c33_c01","ref_ssm":["vino_repositories_5_resources_63_c10_c33_c01"],"id":"vino_repositories_5_resources_63_c10_c33_c01","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63_c10_c33","parent_ssi":"vino_repositories_5_resources_63_c10_c33","parent_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c33"],"parent_ids_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c33"],"parent_unittitles_ssm":["Virginia Opera Records","Series X: Opera Production Books","Box 82"],"parent_unittitles_tesim":["Virginia Opera Records","Series X: Opera Production Books","Box 82"],"text":["Virginia Opera Records","Series X: Opera Production Books","Box 82","Wigs and Makeup II","box 82"],"title_filing_ssi":"Wigs and Makeup II","title_ssm":["Wigs and Makeup II"],"title_tesim":["Wigs and Makeup II"],"unitdate_inclusive_ssm":["2016-2017"],"normalized_date_ssm":["2016/2017"],"normalized_title_ssm":["Wigs and Makeup II"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Opera Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":826,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[2016,2017],"containers_ssim":["box 82"],"prefercite_html_tesm":["\u003cp\u003eWigs and Makeup II, 2016-2017, Box 82, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Wigs and Makeup II, 2016-2017, Box 82, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#9/components#32/components#0","timestamp":"2026-04-30T21:47:05.634Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.","Virginia Symphony Orchestra Records (MG 81-A).","The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. 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Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. \u003c/p\u003e\n","\u003cp\u003eVenues \u003c/p\u003e\n","\u003cp\u003eThe Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild \u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.\u003c/p\u003e\n","\u003cp\u003eEducation and Outreach \u003c/p\u003e\n","\u003cp\u003eThe Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. \u003c/p\u003e\n","\u003cp\u003ePrograms include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.\u003c/p\u003e\n","\u003cp\u003eAlso offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. \u003c/p\u003e\n","\u003cp\u003e\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Orchestra Records (MG 81-A).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Orchestra Records (MG 81-A)."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0915f82b33ce42e5fee28245423eb92c\" label=\"Abstract\"\u003eConsists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.\u003c/abstract\u003e"],"abstract_tesim":["Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters."],"names_coll_ssim":["Lyric Opera of Virginia","Virginia Opera Guild","Virginia Opera Association"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:47:05.634Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c33_c01"}},{"id":"viw_repositories_2_resources_76_c02_c03_c128","type":"File","attributes":{"title":"William and Mary Theatre and Dance Season","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_76_c02_c03_c128#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_76_c02_c03_c128","ref_ssm":["viw_repositories_2_resources_76_c02_c03_c128"],"id":"viw_repositories_2_resources_76_c02_c03_c128","ead_ssi":"viw_repositories_2_resources_76","_root_":"viw_repositories_2_resources_76","_nest_parent_":"viw_repositories_2_resources_76_c02_c03","parent_ssi":"viw_repositories_2_resources_76_c02_c03","parent_ssim":["viw_repositories_2_resources_76","viw_repositories_2_resources_76_c02","viw_repositories_2_resources_76_c02_c03"],"parent_ids_ssim":["viw_repositories_2_resources_76","viw_repositories_2_resources_76_c02","viw_repositories_2_resources_76_c02_c03"],"parent_unittitles_ssm":["Department of Theatre, Speech, and Dance records","Series 2: Theatre Programs","Box 3 (Series 2)"],"parent_unittitles_tesim":["Department of Theatre, Speech, and Dance records","Series 2: Theatre Programs","Box 3 (Series 2)"],"text":["Department of Theatre, Speech, and Dance records","Series 2: Theatre Programs","Box 3 (Series 2)","William and Mary Theatre and Dance Season","Box 3","Folder 128"],"title_filing_ssi":"William and Mary Theatre and Dance Season","title_ssm":["William and Mary Theatre and Dance Season"],"title_tesim":["William and Mary Theatre and Dance Season"],"unitdate_inclusive_ssm":["2015- 2016"],"normalized_date_ssm":["2015/2016"],"normalized_title_ssm":["William and Mary Theatre and Dance Season"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Department of Theatre, Speech, and Dance records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":822,"parent_access_restrict_tesm":["The collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2015,2016],"containers_ssim":["Box 3","Folder 128"],"_nest_path_":"/components#1/components#2/components#127","timestamp":"2026-04-30T22:14:13.758Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_76","ead_ssi":"viw_repositories_2_resources_76","_root_":"viw_repositories_2_resources_76","_nest_parent_":"viw_repositories_2_resources_76","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_76.xml","title_filing_ssi":"Department of Theatre, Speech, and Dance records","title_ssm":["Department of Theatre, Speech, and Dance records"],"title_tesim":["Department of Theatre, Speech, and Dance records"],"unitdate_ssm":["1920-ongoing"],"unitdate_inclusive_ssm":["1920-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 59","/repositories/2/resources/76"],"text":["UA 59","/repositories/2/resources/76","Department of Theatre, Speech, and Dance records","Student Plays","Class materials","Correspondence","Fliers (printed matter)","Manuscripts (document genre)","Photographs","Plays (document genre)","Programs","Reports","Sound Recordings","Typescripts","The collection is open to all researchers. Some portions of the collection are not completely arranged, described, and rehoused. Release forms for oral histories in Series 11 are available with the transcriptions or the donor file. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","This collection is currently being arranged and described. Please consult a staff member for assistance."," This collection is arranged into six series: Series 1: Administrative Records; Series 2: Theatre Programs; Series 3: Virginia Shakespeare Festival; Series 4: Scripts and Playbooks; Series 5: Grassroots Theatre Oral History Project; Series 6: Photographs; Series 7: Dance Program.","William and Mary boasts one of the oldest and most reputable theatre programs in the United States. The discipline of dance was formally established at William and Mary in 1941 by Professor Grace Felker through the Modern Dance Club and its subset of advanced students known as Orchesis. In 2000, Professors Roby and Sherman retired, and that fall, the Dance Program moved to the Department of Theatre, Speech and Dance where it continues to flourish.","The following series are stored offsite: 7,8, 12-17. Please consult staff for assistance."," Access to the original audiotape recordings in Series 5 may be limited due to the condition of the original recordings. Consult a staff member in advance of visiting the SCRC to use the collection to discuss the use of these items.","Acc. 2008.162 accessioned from the backlog on 12/12/2008 by Amy C. Schindler, University Archivist. Steven Bookman, University Archives Specialist, and Nathaniel Baako, SCRC Staff,  began arranging and describing the collection in June 2009. Emily Eklund, SCRC Staff, arranged and described accession 2005.005 in September 2009-April 2010. Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011.","William and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections."," Information about related materials is available at http://guides.swem.wm.edu/wm","The records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project.","Two audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. 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Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections.\u003c/p\u003e\n","\u003cp\u003e Information about related materials is available at http://guides.swem.wm.edu/wm\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections."," Information about related materials is available at http://guides.swem.wm.edu/wm"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. 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B."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis","Thorne, Thomas Elston"],"names_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. 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Consult a staff member in advance of visiting the SCRC to use the collection to discuss the use of these items."],"prefercite_html_tesm":["\u003cp\u003eDepartment of Theatre, Speech, and Dance records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Department of Theatre, Speech, and Dance records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2008.162 accessioned from the backlog on 12/12/2008 by Amy C. Schindler, University Archivist. Steven Bookman, University Archives Specialist, and Nathaniel Baako, SCRC Staff,  began arranging and describing the collection in June 2009. Emily Eklund, SCRC Staff, arranged and described accession 2005.005 in September 2009-April 2010. 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Acc. 2011.291 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eWilliam and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections.\u003c/p\u003e\n","\u003cp\u003e Information about related materials is available at http://guides.swem.wm.edu/wm\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["William and Mary Theatre Records (UA 67); Althea Hunt Papers (UA 6.028); Howard Scammon Drama Prize Winners Collection (UA 52); University Archives Audiovisual, Photograph, Artifact, Subject, Bound Volume and Poster Collections."," Information about related materials is available at http://guides.swem.wm.edu/wm"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the Department of Theatre, Speech, and Dance at the College of William and Mary holds material from the early 20th century to the present. The collection includes departmental administrative records, programs, scripts and playbooks, photographs, posters, as well as material from the Virginia Shakespeare Festival and the Grassroots Theatre Oral History Project."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Two audio cassette tapes of the Howard Scammon Roast and two unidentified VHS videotapes were removed from Acc. 2005.005 on 6/10/2009 and were made part of the University Archives Audiovisual Collection (UA 58); posters from productions by the department were pulled from this collection on 6/22/2009 and were added to the University Archives Poster Collection (UA 13).\nPosters from 2016.170 were separated for flattening and can be found in the designated area in Pav. B."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Theatre, Speech, and Dance","Student Organizations--Orchesis","Thorne, Thomas Elston"],"names_ssim":["Special Collections Research Center","Dept. of Theatre, Speech, and Dance","College of William and Mary. 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A Special Collections Research Center staff member must review the collection for restricted material before any researchers may use the collection. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which William \u0026 Mary assumes no responsibility.","The Office of the President W. Taylor Reveley III records includes four series: Series I. Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials.","W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. 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Correspondence, Series II. Subject Files, Series III.Artifacts and oversize materials and Series IV.Restricted materials.","W. Taylor Reveley, III (Walter Taylor Reveley, III) was the twenty-seventh president of William \u0026 Mary from 2008-2018. He served as the interim president of William \u0026 Mary after the resignation of President Gene R. Nichol on February 12, 2008, and was appointed President by the Board of Visitors on September 5, 2008. Reveley was the first interim president since Benjamin S. Ewell to be named President of William \u0026 Mary. From 1998 to 2008, Reveley served as dean of William \u0026 Mary's Marshall–Wythe School of Law and was the John Stewart Bryan Professor of Jurisprudence at the Law School.","Reveley received his A.B. in politics from Princeton University's Woodrow Wilson School of Public and International Affairs in 1965. Afterward, he attended law school at the University of Virginia, receiving his Juris Doctorate (JD) in 1968, and clerked for Justice William J. Brennan, Jr. in 1969. He has  studied and written about the constitutional division of the war powers between the President and Congress of the United States. Reveley is the author of War Powers of the President and Congress: Who Holds the Arrows and Olive Branch? (University of Virginia Press, 1981).","Before joining William \u0026 Mary, Reveley practiced law for many years at Hunton \u0026 Williams, specializing in energy matters, specifically involving commercial nuclear power. He was the managing partner of the firm for nine years. Reveley has also spent a significant amount of time on non-profit organizations, serving on many education and cultural boards, including Princeton University, the Union Theological Seminary in Virginia, St. Christopher's School, Andrew W. 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"],"prefercite_html_tesm":["\u003cp\u003eDaughters of the American Revolution, Williamsburg Chapter records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Daughters of the American Revolution, Williamsburg Chapter records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eOriginal order has been maintained, materials are minimally processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order has been maintained, materials are minimally processed."],"scopecontent_html_tesm":["\u003cp\u003eIncludes chapter history albums and scrapbooks, special reports, Virginia DAR proceedings, Williamsburg DAR regular and executative meeting minutes, awards, commemorative banners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes chapter history albums and scrapbooks, special reports, Virginia DAR proceedings, Williamsburg DAR regular and executative meeting minutes, awards, commemorative banners."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:26:54.572Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8989_c08_c05"}},{"id":"viw_repositories_2_resources_9805_c01_c02_c20","type":"File","attributes":{"title":"Williamsburg Corrosponces and invoice","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c01_c02_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c01_c02_c20","ref_ssm":["viw_repositories_2_resources_9805_c01_c02_c20"],"id":"viw_repositories_2_resources_9805_c01_c02_c20","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c01_c02","parent_ssi":"viw_repositories_2_resources_9805_c01_c02","parent_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c01","viw_repositories_2_resources_9805_c01_c02"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c01","viw_repositories_2_resources_9805_c01_c02"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers","Series I. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. 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