{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=30\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=29\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=31\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=498\u0026view=list"},"meta":{"pages":{"current_page":30,"next_page":31,"prev_page":29,"total_pages":498,"limit_value":10,"offset_value":290,"total_count":4972,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_177_c04_c02_c01","type":"File","attributes":{"title":"Articles, Quotations, etc. kept by Jan Karon","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_177_c04_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c04_c02_c01","ref_ssm":["viu_repositories_3_resources_177_c04_c02_c01"],"id":"viu_repositories_3_resources_177_c04_c02_c01","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c04_c02","parent_ssi":"viu_repositories_3_resources_177_c04_c02","parent_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c04","viu_repositories_3_resources_177_c04_c02"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c04","viu_repositories_3_resources_177_c04_c02"],"parent_unittitles_ssm":["Jan Karon papers","Personal and Family Papers","Personal papers"],"parent_unittitles_tesim":["Jan Karon papers","Personal and Family Papers","Personal papers"],"text":["Jan Karon papers","Personal and Family Papers","Personal papers","Articles, Quotations, etc. kept by Jan Karon","box 84","folder 1"],"title_filing_ssi":"Articles, Quotations, etc. kept by Jan Karon","title_ssm":["Articles, Quotations, etc. kept by Jan Karon"],"title_tesim":["Articles, Quotations, etc. kept by Jan Karon"],"unitdate_inclusive_ssm":["1994-2015"],"normalized_date_ssm":["1994/2015"],"normalized_title_ssm":["Articles, Quotations, etc. kept by Jan Karon"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":577,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["box 84","folder 1"],"_nest_path_":"/components#3/components#1/components#0","timestamp":"2026-05-20T23:45:23.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_bulk_ssim":["1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"text":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Jan Karon papers","Esmont (Albemarle County, Va. : Dwelling)\t","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. ","The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont","Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.","There are no use restrictions.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"normalized_title_ssm":["Jan Karon papers"],"collection_title_tesim":["Jan Karon papers"],"collection_ssim":["Jan Karon papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)\t"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creators_ssim":["Karon, Jan (Janice), 1937-"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)\t"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe restricted files contain personally identifiable information and cannot be used by patrons.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use.","The restricted files contain personally identifiable information and cannot be used by patrons.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e\n","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e\n","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e\n","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e\n","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e\n","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e\n","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e","\u003cp\u003eAdditions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). ","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). ","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). ","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). ","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Additions 3 and 4 are arranged together in four subseries: Correspondence; Topical and Miscellany; Manuscripts and Related Material; and Audiovisual and Born-Digital Materials.","This addition to the Jan Karon papers has four subseries: Esmont papers; Correspondence, chiefly to Jan Karon; Family and Personal papers; and Restricted Files."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e\n","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e\n","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e\n","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e\n","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e\n","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e\n","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e\n","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e\n","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e\n","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e\n","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e\n","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  ","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. ","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. ","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the  \"Miami Herald\" , the  \"Charlotte Observer\" , and a stint in Central America for the  \"U.S. News and World Report\" .","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of  \"The Blowing Rocket\"  with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in  \"The Blowing Rocket\" . The ensuing two years of writing  the priest's story for  \"The Blowing Rocket\"  resulted in her first novel,   \"At Home in Mitford\" , published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels,  \"A Light in the Window\"  and  \"These High Green Hills\" , were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of  \"At Home in Mitford\"  by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of  \"At Home in Mitford\"  for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  ","In 2013,  \"Somewhere Safe with Somebody Good\" , which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016,  \"Come Rain or Come Shine\"  debuting at #1 on the  \"New York Times\"  list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in  \"The Charlotte Observer\" , August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"originalsloc_html_tesm":["\u003cp\u003eAll original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.\u003c/p\u003e","\u003cp\u003eAll original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["All original Barbara Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers.","All original Barbara Bush letters have been tranferred to the vault but copies have been kept in the Jan Karon papers.","All original Laura Bush letters have been transferred to the vault but copies have been retained in the Jan Karon papers."],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 16077, Jan Karon papers addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eThe born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.\u003c/p\u003e","\u003cp\u003ePreservation and Use copies have been created for these disks by the Accessioning Archivist.\u003c/p\u003e","\u003cp\u003eThree disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["The born-digital items are numbered differently between the original gift and the Jan Karon additions 3 and 4, due to a change in past and current practice. Currently the numbering sequence is specific to the collection, so the various disks are numbered Disk 1-92 within this latest addition to the Jan Karon papers.","Preservation and Use copies have been created for these disks by the Accessioning Archivist.","Three disks containing the appraisal for the artwork and antiques in the Esmont house were transferred and housed in Box 137 with other disks from earlier accessions."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e","\u003cp\u003eThese correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.\u003c/p\u003e","\u003cp\u003eInterviews can also be found in publicity files.\u003c/p\u003e","\u003cp\u003eAgents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.\u003c/p\u003e","\u003cp\u003eThese files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.\u003c/p\u003e","\u003cp\u003eThis file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.\u003c/p\u003e","\u003cp\u003eOther examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.\u003c/p\u003e","\u003cp\u003eWriter in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.\u003c/p\u003e","\u003cp\u003eFile includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"\u003c/p\u003e","\u003cp\u003eThis correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by Bishop Harvey, June 8, 2000.\u003c/p\u003e","\u003cp\u003eIncludes a sermon by him; McMillan assisted Jan Karon with questions about information used in \u003ctitle\u003eHome to Holly Springs\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eCorrespondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.\u003c/p\u003e","\u003cp\u003eIncludes a card featuring a watercolor of Esmont, October 30, 2003.\u003c/p\u003e","\u003cp\u003eNote that some greeting card folders will also contain thank you cards and postcards from friends and family.\u003c/p\u003e","\u003cp\u003eOne letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.\u003c/p\u003e","\u003cp\u003eIncludes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the \u003ctitle\u003eJan Karon's Mitford Cookbook \u0026amp; Kitchen Reader\u003c/title\u003e; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.\u003c/p\u003e","\u003cp\u003eAlso includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.\u003c/p\u003e","\u003cp\u003eIncludes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.\u003c/p\u003e","\u003cp\u003ePages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.\u003c/p\u003e","\u003cp\u003eAccompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book \u003ctitle\u003eMiss Fannie's Hat.\u003c/title\u003e Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"\u003c/p\u003e","\u003cp\u003eIncludes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.\u003c/p\u003e","\u003cp\u003eThis folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. \u003c/p\u003e\n","\u003cp\u003eThere are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).\u003c/p\u003e\n","\u003cp\u003eUpon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.\u003c/p\u003e\n","\u003cp\u003eOther Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"\u003c/p\u003e","\u003cp\u003eCorrespondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.\u003c/p\u003e","\u003cp\u003eThis addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. \u003c/p\u003e\n","\u003cp\u003eIn 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. \u003c/p\u003e\n","\u003cp\u003eAlso included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. \u003c/p\u003e\n","\u003cp\u003eIn addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. \u003c/p\u003e\n","\u003cp\u003eBox ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","These correspondents include Chelius Carter, Mary Ann Connell, Jean Ann Jones, Frances Gresham, Mary R. Minor, Maxine Moore, and Kathleen McMillan Lane; the correspondence with the Reverend Bruce McMillan has been filed with his folder in clergy correspondence.","Interviews can also be found in publicity files.","Agents include the Jeanne Drewsen Agency and Jennie Dunham. This folder is significant because it predates the Mitford series taking off and contains the advice of various editors and Jan's own musing about what to do.","These files chart the progress of the relationship between Jan Karon and her agent, from the beginning when Nancy Olson, Quail Ridge Books, Raleigh, North Carolina, referred Karon to Darhansoff (December 15, 1994 and January 18, 1995) and reveal many details about her literary career, including the transition from Lion Publishing to Penguin.","This file includes a proposal for Father Tim and Cynthia mysteries and a discussion of the publication of a journal.","Other examples of publicity written by Jan Karon can be found in the editorial correspondence associated with individual books in series one or the correspondence with publishers in this series.","Writer in Residence pieces by Jan Karon as published in the magazine; typed drafts are included in the two previous Victoria Magazine files, 1997-1998.","File includes the article describing a white tea held by Jan Karon at her Esmont home in \"Tea Time\" and \"A Room of Her Own\" in \"Victoria Magazine\"","This correspondence documents the publishing career of Jan Karon with Viking-Penguin and reveals the level of her involvement in decisions about illustrations and covers, promotion, advertising, and a host of other details. They will be most useful used in conjunction with the editorial correspondence that accompanies most book files in series one.","Includes a sermon by Bishop Harvey, June 8, 2000.","Includes a sermon by him; McMillan assisted Jan Karon with questions about information used in  Home to Holly Springs .","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Correspondents include Phillip B. Bush II, Deanna Dickinson, Jennifer Gray, Sheridan Hill, Lisa Knaack, Gina Cloer Martin, Heather D. Rice, Taja Setzer, Cecil Wilson, and Lina White.","Includes a card featuring a watercolor of Esmont, October 30, 2003.","Note that some greeting card folders will also contain thank you cards and postcards from friends and family.","One letter in particular, April 22, 1981, describes Jan Karon's journey to the faith that is expressed throughout her books and personal appearances.","Includes Mitford sketches and two prints of Presidents Ronald Reagan (2002) and George W. Bush by Adair (2003).","Correspondents include: Ann Baer, English author; Robin and Gerald Baliles (1940- ), former first lady and governor of Virginia; Rosalynn Carter (1927- ); Lynn A. Coffey, Appalachian folklorist; Kenneth Elzinga, professor and author (1942- ); North Carolina State Senator, Virginia Foxx (1943- ); Bill Gaither (1936- ) and Gloria Gaither (1942- ), singers and songwriters; Roxane Gilmore, professor and former first lady of Virginia; Renee Grisham, wife of John Grisham; U.S. Senator, Orrin G. Hatch (1934- ); Lady Bird Johnson, former first lady (1912-2007); Patricia Kluge (1948- ), former wife of John Kluge and vineyard owner; J.B. Lawrence, mayor of Blowing Rock, North Carolina, and Lynn Lawrence; Bill Leslie, musician; Calder Loth, architectural historian; and Tricia Thompson Lott, wife of Senator Lott.","Correspondents include:  Mark McEwen (1954- ), TV and radio personality; Martha S. McIntosh, editor of the  Jan Karon's Mitford Cookbook \u0026 Kitchen Reader ; Ruth Moose, author; Edmund Morris, author; Leanne Payne (1932-2015), author; Rose Bampton Pelletier (1907-2007), opera singer; Condoleeza Rice (1954- ), Secretary of State; Lynda Bird Johnson Robb (1944- ), former first lady of Virgina; Mark D. Rodgers, chief of staff for Senator Rick Santorum; Martha Sundquist, former first lady of Tennessee; Steve Wasserman; Martha Williamson; Lauren Winner, author; Anne R. Worrell; and Marly Youmans, author.","Also includes a letter from Harry M. Jacobs, Jr., May 6, 2005, and his wife, Bobbi Jacobs, July 6, 2014, to Jan Karon.","Includes information about a meeting held at Once Upon a Time, a bookstore in Montrose, California, in 1997.","Pages marked in \"At Home in Mitford\" include pages 3, 4, 5, 47, 68, 77, 101, 104, 114, 162, 181, 182, 207, 227, 234, 241, 259, 264, 281, 293, 297, 328, 354, 368, 373, 403, and 405.\nPages marked in \"A Common Life\" include page 6.\nPages marked in \"A New Song\" include pages 1, 34, 40, 45, 51, 67, 74, 78, 89, 117, 125, 161, 195, 206, 208, 212, 231, 235, 247, 253, 262, 263, 266, 267, 269, 285, 296, 297, 300, 385, and 399.\nPages marked in \"In This Mountain\" include pages 12, 41, 61, 80, 89, 91, 95, 97, 108, 124, 138, 139, 197, 240, 242, 262, 287, 302, 304, and 381.\nPages marked in \"Light from Heaven\" include pages 8, 15, 28, 39, 79, 106, 114, 144, 153, 213, 215, 234, 277, 366, and 383.\nPages marked in \"Shepherds Abiding\" include pages 18, 25, 88, 115, 127, 142, 164, and 245.\nPages marked in \"These High Green Hills\" include pages 2, 50, 71, 98, 102, 109, 147, 154, 158, 167, 209, 247, 259, 270, and 308.\nPages marked in \"My Hometown Growing Up in Holly Springs, Mississippi\" by Lois Swaney include pages 21, 46, 51, 59, 63, 67, 70, 88, 101, and 102.\nAlso present is a folder of inserts removed from the research books, 2006-2007.","Accompanied by notes from Jan Karon, dated October 19, 2014, \"These gloves were worn often by my grandmother, Miss Fannie, about whom I wrote the children's book  Miss Fannie's Hat.  Always wearing a smart hat and gloves, she was a faithful Methodist church-goer. She was also a faithful Democrat, though no hat was required.\"","Includes the launch of Jan Karon's facebook page (February 2014) and some facebook entries. Also chronicles her change of publishers.","This addition to MSS 16077 Jan Karon Papers contains personal and professional correspondence, and greeting cards; files and other documentation concerning the appraisal, purchase, ownership, operations and restoration of the Esmont house and estate by Jan Karon; correspondence concerning Karon's editorship of the magazine \"Response,\" including with Langston Hughes; event and memorial programs; photographs of Esmont, family and friends; invitations; fan mail; correspondence about donations and organizations; speeches or talks by Jan Karon; publicity and miscellany.","This folder contains eight items, including Jan Orth Karon's note explaining that Langston Hughes was the cousin of \"Response\" Assistant Editor, George Love. ","There are two postcards from Hughes to Jan Orth, as the editor of the magazine \"Response\" when she lived in Charlotte. Hughes expresses gladness that she is using his Chapel Hill piece, asks for six copies when it is published, sends her some photographs and biographical information, and mentions his cross-country tour (February 2, 1961). He thanks her for the copy of the magazine \"Response / 4\" and says it \"looks most attractive, and the contents intriguing\" (August 4, 1961).","Upon Hughes' return from California, in his letter of March 22, 1961, he thanks Orth for the six copies of \"Response / 3\" which he will then send to the institutions collecting his work. He describes the magazine issue as \"very handsome (and interesting)\" and says he likes \"the variety and format\" very much. He encloses a copy of \"Grandma\" (not present) for possible publication in a future issue.","Other Hughes items include: an undated photograph; a handbill for \"Black Nativity Gospel on Broadway\" by Langston Hughes with the typed note \"Festival of Two Worlds, Spoleto, Italy, June-July, 1962\"; a reprint of a short story autographed by Hughes, \"Sorrow for a Midget,\" published in \"The Literary Review\" and addressed \"For Orth\"; an undated advertisement for the record \"Tambourines to Glory\" with the word \"play\" circled and with his handwritten note \"Goes into rehearsal this week - Theatre Guild. L.H.\"","Correspondents include Jonathan Williams, John Haynes Holmes, Harvey Swados, Ralph McGill (publisher of \"The Atlanta Constitution\"), and               Sam Bradley.","This addition to the Jan Karon papers (MSS 16077)  primarily contains greeting cards and letters sent to the American novelist Jan Karon of Charlottesville, Virginia. The bulk of the cards present in this collection span the holiday seasons of 2020 and 2021. ","In 2021, Karon founded The Mitford Museum in her former elementary school in Hudson, North Carolina. A number of the greeting cards and letters included in this collection discuss the formation of this museum and its collections as well as an opening speech given by Jan Karon, invitations to parties, author visits, and lectures. ","Also included are condolence cards to Karon on the death of her daughter, Candance Freeland, in 2021. ","In addition to the greeting cards, the collection includes a sketchbook with drawings of flowers and places dated 1975, personal planning calendars for 2020 and 2021, recipe notebooks, photographs of gatherings from the 1980s and 1990s, magazine features of Jan Karon, \"Sanctuary of Beauty,\" an obituary for Candace Freeland and Jan Karon's step-father Barry Setzer, a poster highlighting the history of Esmont, which is a 100-acre estate in Albemarle County owned and restored by Karon, and a personal and beautifully illustrated book titled \"Donna: Life, Art, Garden, and Home\" about Donna Ernest. ","Box ViU2022-0119_001 contains correspondence from 2020 to 2021\nBox ViU2022-0119_002 contains correspondence from 2020 to 2022, notebooks, photographs, planners, sketchbooks and publications\nOversize Folder ViU2022-0119_001 contains the poster of Esmont"],"separatedmaterial_html_tesm":["\u003cp\u003eFour books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"\u003c/p\u003e","\u003cp\u003eTwo books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:\u003c/p\u003e\n","\u003cp\u003eGarden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)\u003c/p\u003e\n","\u003cp\u003e\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"\u003c/p\u003e","\u003cp\u003eThe DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Four books were separated from the collection and transferred to Rare Books for individual cataloging. These titles were a mass trade paperback copy of \"Shepherds Abiding,\" a paperback copy of \"To Be Where You are,\" and a hardback copy of \"Bathed In Prayer.\"","Two books were removed from this addition and transferred to the Rare Books Cataloger for individual handling:","Garden Club of Virginia Historic Garden Week \"Historic Southern Albemarle\" book with a copy of a sticky note \"Esmont on the tour in 2014, the year I sold it.\" (2014)","\"Donna Life - Art - Garden - Home\" with a preface by Jan Karon about her friend, Donna Ernst. Probably an advanced reader's copy (2019). Book came with a sticky note, \"This is not the final edition. This rough edition contains typos and incorrect paragraphing with several design changes as well. Delivered final copies 12/19.\"","The DVD, \"JJR 80th Celebration\" - Photographs of the 80th Birthday of Jerry J. Richardson which accompanied a letter (October 5, 2016) from Dana Robinson, executive assistant to the owner/founder of the Carolina Panthers, Jerry Richardson, has been separated from the letter and placed in Box 137 (Disk 93) with other disks. A digital copy has not been created at this time."],"userestrict_html_tesm":["\u003cp\u003eThere are no use restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no use restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Setzer family -- correspondence"],"famname_ssim":["Setzer family -- correspondence"],"persname_ssim":["Karon, Jan (Janice), 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:23.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_177_c04_c02_c01"}},{"id":"wvmturhc_repositories_2_resources_2161_c02_c02_c03","type":"File","attributes":{"title":"Articles regarding WVU, the Mountaineers, and Football, etc.","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2161_c02_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2161_c02_c02_c03","ref_ssm":["wvmturhc_repositories_2_resources_2161_c02_c02_c03"],"id":"wvmturhc_repositories_2_resources_2161_c02_c02_c03","ead_ssi":"wvmturhc_repositories_2_resources_2161","_root_":"wvmturhc_repositories_2_resources_2161","_nest_parent_":"wvmturhc_repositories_2_resources_2161_c02_c02","parent_ssi":"wvmturhc_repositories_2_resources_2161_c02_c02","parent_ssim":["wvmturhc_repositories_2_resources_2161","wvmturhc_repositories_2_resources_2161_c02","wvmturhc_repositories_2_resources_2161_c02_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2161","wvmturhc_repositories_2_resources_2161_c02","wvmturhc_repositories_2_resources_2161_c02_c02"],"parent_unittitles_ssm":["Rene A. Henry Papers","Series 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures","Articles"],"parent_unittitles_tesim":["Rene A. Henry Papers","Series 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures","Articles"],"text":["Rene A. Henry Papers","Series 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures","Articles","Articles regarding WVU, the Mountaineers, and Football, etc.","Box 1","Folder 8"],"title_filing_ssi":"Articles regarding WVU, the Mountaineers, and Football, etc.","title_ssm":["Articles regarding WVU, the Mountaineers, and Football, etc."],"title_tesim":["Articles regarding WVU, the Mountaineers, and Football, etc."],"unitdate_inclusive_ssm":["circa 2000-2015"],"normalized_date_ssm":["2000/2015"],"normalized_title_ssm":["Articles regarding WVU, the Mountaineers, and Football, etc."],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Rene A. Henry Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["Box 1","Folder 8"],"_nest_path_":"/components#1/components#1/components#2","timestamp":"2026-05-21T01:34:03.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2161","ead_ssi":"wvmturhc_repositories_2_resources_2161","_root_":"wvmturhc_repositories_2_resources_2161","_nest_parent_":"wvmturhc_repositories_2_resources_2161","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2161.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/203184","title_ssm":["Rene A. Henry Papers"],"title_tesim":["Rene A. Henry Papers"],"unitdate_ssm":["circa 1890-2025 and undated"],"unitdate_inclusive_ssm":["circa 1890-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161"],"text":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161","Rene A. Henry Papers","Charleston (W. Va.)","Winter Olympics","Olympics","Railroads -- West Virginia","Sports journalism","No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents).","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).","Series include: \nSeries 1. Initial Acquisition, 1950, 2013, and undated \nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated \nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016 \nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated \nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017 \nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material \nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated \nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated \nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated","This series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.","This series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.","This subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.","This subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.","This subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.","This subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.","This subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).","This series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.","This series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.","This series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.","Assorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled  West Virginia Kid  on the life of \"Hot Rod\" Hundley and a USB drive.","Assorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.","Assorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry.","Books authored by Rene A. Henry separated to the book collection: \nCommunicating In A Crisis: A Guide For Management; 2008 \nCustomer Service: The Cornerstone of Success; 2013 \nMarketing Public Relations; 1995 \nOffsides; 2001 \nThe Iron Indians; 2011 \nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","English \n.    "],"unitid_tesim":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161"],"normalized_title_ssm":["Rene A. Henry Papers"],"collection_title_tesim":["Rene A. Henry Papers"],"collection_ssim":["Rene A. Henry Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charleston (W. Va.)","Winter Olympics","Olympics"],"geogname_ssim":["Charleston (W. Va.)","Winter Olympics","Olympics"],"creator_ssm":["Henry, Rene A.","Henry, Rene A."],"creator_ssim":["Henry, Rene A.","Henry, Rene A."],"creator_persname_ssim":["Henry, Rene A.","Henry, Rene A."],"creators_ssim":["Henry, Rene A.","Henry, Rene A."],"places_ssim":["Charleston (W. Va.)","Winter Olympics","Olympics"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Railroads -- West Virginia","Sports journalism"],"access_subjects_ssm":["Railroads -- West Virginia","Sports journalism"],"has_online_content_ssim":["false"],"extent_ssm":["3.88 Linear Feet 2 document cases, 5 in. each; 5 document cases, 2.5 in. each; 1 record carton, 15 in.; 2 oversize flat storage boxes, 3.5 in. each; 2 oversize flat storage boxes, 1 in. each","2.26 Gigabytes 31 files, formats include .doc, .mht, .txt, .docx, .iso, .cue, .md5, .jpg"],"extent_tesim":["3.88 Linear Feet 2 document cases, 5 in. each; 5 document cases, 2.5 in. each; 1 record carton, 15 in.; 2 oversize flat storage boxes, 3.5 in. each; 2 oversize flat storage boxes, 1 in. each","2.26 Gigabytes 31 files, formats include .doc, .mht, .txt, .docx, .iso, .cue, .md5, .jpg"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eFrom the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):\u003c/p\u003e\n","\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003eHenry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e\n","\u003cp\u003eAdditional information on Rene Henry may be found on his website (link in External Documents).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026amp;M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Initial Acquisition, 1950, 2013, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated\u003clb\u003e\u003c/lb\u003e\nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016\u003clb\u003e\u003c/lb\u003e\nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated\u003c/p\u003e","\u003cp\u003eThis series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.\u003c/p\u003e","\u003cp\u003eThis series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.\u003c/p\u003e","\u003cp\u003eThis subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.\u003c/p\u003e","\u003cp\u003eThis subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.\u003c/p\u003e","\u003cp\u003eThis subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.\u003c/p\u003e","\u003cp\u003eThis subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.\u003c/p\u003e","\u003cp\u003eThis subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).\u003c/p\u003e","\u003cp\u003eThis series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.\u003c/p\u003e","\u003cp\u003eAssorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled \u003ctitle\u003e\u003cpart\u003eWest Virginia Kid\u003c/part\u003e\u003c/title\u003e on the life of \"Hot Rod\" Hundley and a USB drive.\u003c/p\u003e","\u003cp\u003eAssorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.\u003c/p\u003e","\u003cp\u003eAssorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).","Series include: \nSeries 1. Initial Acquisition, 1950, 2013, and undated \nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated \nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016 \nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated \nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017 \nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material \nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated \nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated \nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated","This series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.","This series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.","This subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.","This subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.","This subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.","This subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.","This subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).","This series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.","This series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.","This series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.","Assorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled  West Virginia Kid  on the life of \"Hot Rod\" Hundley and a USB drive.","Assorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.","Assorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks authored by Rene A. Henry separated to the book collection:\u003clb\u003e\u003c/lb\u003e\nCommunicating In A Crisis: A Guide For Management; 2008\u003clb\u003e\u003c/lb\u003e\nCustomer Service: The Cornerstone of Success; 2013\u003clb\u003e\u003c/lb\u003e\nMarketing Public Relations; 1995\u003clb\u003e\u003c/lb\u003e\nOffsides; 2001\u003clb\u003e\u003c/lb\u003e\nThe Iron Indians; 2011\u003clb\u003e\u003c/lb\u003e\nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books authored by Rene A. Henry separated to the book collection: \nCommunicating In A Crisis: A Guide For Management; 2008 \nCustomer Service: The Cornerstone of Success; 2013 \nMarketing Public Relations; 1995 \nOffsides; 2001 \nThe Iron Indians; 2011 \nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e3ce379534c1e734c27ba03db54666a\"\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.\u003c/abstract\u003e"],"abstract_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e571a1e292610aae3dd80994f62b6149\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","Henry, Rene A."],"names_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A."],"corpname_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)"],"persname_ssim":["Henry, Rene A."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:34:03.113Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2161_c02_c02_c03"}},{"id":"viw_repositories_2_resources_853_c01_c41","type":"Item","attributes":{"title":"'Articulating Ancestry': Braxton prepares scholars to engage","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_853_c01_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_853_c01_c41","ref_ssm":["viw_repositories_2_resources_853_c01_c41"],"id":"viw_repositories_2_resources_853_c01_c41","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853_c01","parent_ssi":"viw_repositories_2_resources_853_c01","parent_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c01"],"parent_ids_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c01"],"parent_unittitles_ssm":["University Archives Web Archive Collection","Academics"],"parent_unittitles_tesim":["University Archives Web Archive Collection","Academics"],"text":["University Archives Web Archive Collection","Academics","'Articulating Ancestry': Braxton prepares scholars to engage"],"title_filing_ssi":"'Articulating Ancestry': Braxton prepares scholars to engage","title_ssm":["'Articulating Ancestry': Braxton prepares scholars to engage"],"title_tesim":["'Articulating Ancestry': Braxton prepares scholars to engage"],"unitdate_inclusive_ssm":["2015-2019; 2021"],"normalized_date_ssm":["2015/2021"],"normalized_title_ssm":["'Articulating Ancestry': Braxton prepares scholars to engage"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Web Archive Collection"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2015,2016,2017,2018,2019,2020,2021],"_nest_path_":"/components#0/components#40","timestamp":"2026-05-21T11:35:34.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_853","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_853.xml","title_filing_ssi":"University Archives Web Archive Collection","title_ssm":["University Archives Web Archive Collection"],"title_tesim":["University Archives Web Archive Collection"],"unitdate_ssm":["2015-ongoing"],"unitdate_inclusive_ssm":["2015-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 392","/repositories/2/resources/853"],"text":["UA 392","/repositories/2/resources/853","University Archives Web Archive Collection","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni.","Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","A collection of harvested websites for the institutional history and records of The College of William and Mary.","Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science","English"],"unitid_tesim":["UA 392","/repositories/2/resources/853"],"normalized_title_ssm":["University Archives Web Archive Collection"],"collection_title_tesim":["University Archives Web Archive Collection"],"collection_ssim":["University Archives Web Archive Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Web harvesting with Archive-It."],"has_online_content_ssim":["false"],"extent_ssm":["351 Items"],"extent_tesim":["351 Items"],"date_range_isim":[2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Weaver Collection, and W\u0026M Alumni."],"scopecontent_html_tesm":["\u003cp\u003eWebsites for this collections were selected for their representation of the College of William \u0026amp; Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c7c5601f0895be13f28035aed98b5d0\"\u003eA collection of harvested websites for the institutional history and records of The College of William and Mary.\u003c/abstract\u003e"],"abstract_tesim":["A collection of harvested websites for the institutional history and records of The College of William and Mary."],"names_coll_ssim":["College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"names_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"corpname_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"language_ssim":["English"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T11:35:34.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_853_c01_c41"}},{"id":"viu_repositories_4_resources_1620_c06","type":"Series","attributes":{"title":"Artifacts and ephemera","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_1620_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1620_c06","ref_ssm":["viu_repositories_4_resources_1620_c06"],"id":"viu_repositories_4_resources_1620_c06","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","parent_ssi":"viu_repositories_4_resources_1620","parent_ssim":["viu_repositories_4_resources_1620"],"parent_ids_ssim":["viu_repositories_4_resources_1620"],"parent_unittitles_ssm":["Black Law Students Association, Virginia Law Chapter records"],"parent_unittitles_tesim":["Black Law Students Association, Virginia Law Chapter records"],"text":["Black Law Students Association, Virginia Law Chapter records","Artifacts and ephemera","There are no restrictions on access to the items in this series.","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"title_filing_ssi":"Artifacts and ephemera","title_ssm":["Artifacts and ephemera"],"title_tesim":["Artifacts and ephemera"],"unitdate_inclusive_ssm":["circa 1990-2020"],"normalized_date_ssm":["1990/2020"],"normalized_title_ssm":["Artifacts and ephemera"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":26,"parent_access_restrict_tesm":["There are no restrictions on access to the items in this collection."],"parent_access_terms_tesm":["Because of the nature of this collection, copyright status varies across the materials. 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Included are Art6 (2004-2015), ArtSpace (1990-2007), Hand Workshop (1991-1992), Henry Street Gallery (1987), Very Special Arts (1998-2000), and VMFA (1961)."],"title_filing_ssi":"Art Organizations","title_ssm":["Art Organizations"],"title_tesim":["Art Organizations"],"unitdate_inclusive_ssm":["1961-2015"],"normalized_date_ssm":["1961/2015"],"normalized_title_ssm":["Art Organizations"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["box SC-42 Box 1"],"scopecontent_html_tesm":["\u003cp\u003eThis file contains correspondence, grant applications, meeting minutes, articles, and ephemera pertaining to Henrietta's work with various Richmond art organizations. 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Included are Art6 (2004-2015), ArtSpace (1990-2007), Hand Workshop (1991-1992), Henry Street Gallery (1987), Very Special Arts (1998-2000), and VMFA (1961)."],"_nest_path_":"/components#1/components#0/components#1","timestamp":"2026-05-21T03:07:10.049Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15984","ead_ssi":"virmu_repositories_2_resources_15984","_root_":"virmu_repositories_2_resources_15984","_nest_parent_":"virmu_repositories_2_resources_15984","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15984.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15984","title_filing_ssi":"Near, Pinkney and Henrietta (SC-42)","title_ssm":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"title_tesim":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"unitdate_ssm":["1873-2020"],"unitdate_inclusive_ssm":["1873-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-42","/repositories/2/resources/15984"],"text":["SC-42","/repositories/2/resources/15984","Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)","Art museum curators.","Women artists.","Artists -- Virginia","The collection is open for research.","The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Pinkney Near, 1916-2002 Series 2 Henrietta Near, 1873-2020 Series 3 Pinkney and Henrietta Near, 1962-1966 Series 4 Artist Research Files, 1969-2011","Pinkney Longlois Near was born April 28, 1927, in Manhattan, New York. After graduating from St. Paul's School in 1944, Pinkney joined the U.S. Marine Corps., serving in the Pacific Theater during the Occupation of Japan from March 26, 1945-August 21, 1946. In 1950, Pinkney earned his Bachelor of Arts from Johns Hopkins University. On August 18, 1956, Pinkney married Henrietta. From 1954-1990, Pinkney served as a curator of VMFA, only leaving briefly to work as a curator at the Cincinnati Art Museum. Pinkney passed away August 29, 1990.","Henrietta Jane Near (née Lloyd) was born November 2, 1929, in Holyoke, Massachusetts. She first began exploring art in Hartford, Connecticut at the Hartford Art School. Henrietta graduated from Wellesley College in 1951 with a Bachelor of Fine Arts in Art History and a minor in Studio Art. She taught silkscreen painting at VMFA from 1980-1989 before moving on to teach drawing and pastel at the Hand Workshop from 1990-1992. Henrietta was an involved participant in Richmond's local art scene, exhibiting her art at the 1708 Gallery, Artspace Gallery, and the Henry Street Gallery, among others. Her artwork can be found in the collections of Randolph-Macon College, Virginia Wesleyan College, University of Virginia Hospital, and the Virginia Museum of Fine Arts, in addition to numerous private collections. ","The collection was packed and donated by Henrietta's estate in August 2023.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection's inclusive dates are 1873-2020, with the bulk of the material dating from 1970-2000. The collection consists of correspondence, financial records, ephemera, newspaper articles, and photographic materials depicting the lives and careers of Pinkney and Henrietta Near, as well as papers from their respective families.","This series documents the life and career of Pinkney Near.","This file contains correspondence, newspaper clippings, ephemera, and a miniature medallion pertaining to Pinkney's time at the VMFA.","This file contains correspondence, newspaper clippings, and ephemera pertaining to Pinkney's time at the Cincinnati Art Museum.","This file contains a baby book, birth certificate, bibliography, diplomas, report cards, among other materials pertaining to Pinkney's early life and education.","This file contains papers and cards documenting Pinkney's time in the Marine Corps.","This file contains ephemera, correspondence, and vital records pertaining to Pinkney's life.","This sub-series contains correspondence between Near family members, articles, and poetry written by Clifford Near, Pinkney's brother.","This series documents the life and career of Henrietta Near.","This file contains loan agreements, sale orders, correspondence, photographs, and articles pertaining to Henrietta's artwork.","This file contains correspondence, grant applications, meeting minutes, articles, and ephemera pertaining to Henrietta's work with various Richmond art organizations. Included are Art6 (2004-2015), ArtSpace (1990-2007), Hand Workshop (1991-1992), Henry Street Gallery (1987), Very Special Arts (1998-2000), and VMFA (1961).","This file contains correspondence, newspaper clippings, and articles about the topic of dance and Henrietta's dance career.","This sub-series contains correspondence, ephemera, and newspaper clippings that pertain to Henrietta's personal life and interests.","This sub-series contains correspondence and financial records that pertain to the finances of and donations made by Henrietta Near. Included in the institutions she donated to are the Bayly Art Museum and the Virginia Museum of Fine Arts, among others.","This sub-series contains correspondence, a book, ephemera, and photographs that pertain to the Lloyd family.","This series contains correspondence, photographs, and ephemera pertaining to the shared lives of Pinkney and Henrietta Near.","This series contains articles and ephemera pertaining to artists of interest to Pinkney and Henrietta Near.","A framed photograph of Pinkney in his military uniform has been stored separately from the rest of the collection.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the lives and careers of Pinkney Near, former curator of VMFA, and his wife, artist and art aficionado, Henrietta Near.","Virginia Museum of Fine Arts Archives","Near, Pinkney L., 1927-1990","Near, Henrietta.","English \n,        Latin \n.    "],"unitid_tesim":["SC-42","/repositories/2/resources/15984"],"normalized_title_ssm":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"collection_title_tesim":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"collection_ssim":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Near, Pinkney L., 1927-1990","Near, Henrietta.","Near, Henrietta."],"creator_ssim":["Near, Pinkney L., 1927-1990","Near, Henrietta.","Near, Henrietta."],"creator_persname_ssim":["Near, Pinkney L., 1927-1990","Near, Henrietta.","Near, Henrietta."],"creators_ssim":["Near, Pinkney L., 1927-1990","Near, Henrietta.","Near, Henrietta."],"access_terms_ssm":["Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art museum curators.","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Art museum curators.","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 4 boxes; 27 folders"],"extent_tesim":["2.5 Linear Feet 4 boxes; 27 folders"],"date_range_isim":[1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003ePinkney Near, 1916-2002\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHenrietta Near, 1873-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePinkney and Henrietta Near, 1962-1966\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eArtist Research Files, 1969-2011\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1 Pinkney Near, 1916-2002 Series 2 Henrietta Near, 1873-2020 Series 3 Pinkney and Henrietta Near, 1962-1966 Series 4 Artist Research Files, 1969-2011"],"bioghist_html_tesm":["\u003cp\u003ePinkney Longlois Near was born April 28, 1927, in Manhattan, New York. After graduating from St. Paul's School in 1944, Pinkney joined the U.S. Marine Corps., serving in the Pacific Theater during the Occupation of Japan from March 26, 1945-August 21, 1946. In 1950, Pinkney earned his Bachelor of Arts from Johns Hopkins University. On August 18, 1956, Pinkney married Henrietta. From 1954-1990, Pinkney served as a curator of VMFA, only leaving briefly to work as a curator at the Cincinnati Art Museum. Pinkney passed away August 29, 1990.\u003c/p\u003e\n","\u003cp\u003eHenrietta Jane Near (née Lloyd) was born November 2, 1929, in Holyoke, Massachusetts. She first began exploring art in Hartford, Connecticut at the Hartford Art School. Henrietta graduated from Wellesley College in 1951 with a Bachelor of Fine Arts in Art History and a minor in Studio Art. She taught silkscreen painting at VMFA from 1980-1989 before moving on to teach drawing and pastel at the Hand Workshop from 1990-1992. Henrietta was an involved participant in Richmond's local art scene, exhibiting her art at the 1708 Gallery, Artspace Gallery, and the Henry Street Gallery, among others. Her artwork can be found in the collections of Randolph-Macon College, Virginia Wesleyan College, University of Virginia Hospital, and the Virginia Museum of Fine Arts, in addition to numerous private collections. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pinkney Longlois Near was born April 28, 1927, in Manhattan, New York. After graduating from St. Paul's School in 1944, Pinkney joined the U.S. Marine Corps., serving in the Pacific Theater during the Occupation of Japan from March 26, 1945-August 21, 1946. In 1950, Pinkney earned his Bachelor of Arts from Johns Hopkins University. On August 18, 1956, Pinkney married Henrietta. From 1954-1990, Pinkney served as a curator of VMFA, only leaving briefly to work as a curator at the Cincinnati Art Museum. Pinkney passed away August 29, 1990.","Henrietta Jane Near (née Lloyd) was born November 2, 1929, in Holyoke, Massachusetts. She first began exploring art in Hartford, Connecticut at the Hartford Art School. Henrietta graduated from Wellesley College in 1951 with a Bachelor of Fine Arts in Art History and a minor in Studio Art. She taught silkscreen painting at VMFA from 1980-1989 before moving on to teach drawing and pastel at the Hand Workshop from 1990-1992. Henrietta was an involved participant in Richmond's local art scene, exhibiting her art at the 1708 Gallery, Artspace Gallery, and the Henry Street Gallery, among others. Her artwork can be found in the collections of Randolph-Macon College, Virginia Wesleyan College, University of Virginia Hospital, and the Virginia Museum of Fine Arts, in addition to numerous private collections. "],"custodhist_html_tesm":["\u003cp\u003eThe collection was packed and donated by Henrietta's estate in August 2023.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was packed and donated by Henrietta's estate in August 2023."],"prefercite_html_tesm":["\u003cp\u003ePinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42). Gift of Henrietta J. Near. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Pinkney Near Personal Papers and Henrietta Near Artist Archives (SC-42). Gift of Henrietta J. Near. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1873-2020, with the bulk of the material dating from 1970-2000. The collection consists of correspondence, financial records, ephemera, newspaper articles, and photographic materials depicting the lives and careers of Pinkney and Henrietta Near, as well as papers from their respective families.\u003c/p\u003e","\u003cp\u003eThis series documents the life and career of Pinkney Near.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, newspaper clippings, ephemera, and a miniature medallion pertaining to Pinkney's time at the VMFA.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, newspaper clippings, and ephemera pertaining to Pinkney's time at the Cincinnati Art Museum.\u003c/p\u003e","\u003cp\u003eThis file contains a baby book, birth certificate, bibliography, diplomas, report cards, among other materials pertaining to Pinkney's early life and education.\u003c/p\u003e","\u003cp\u003eThis file contains papers and cards documenting Pinkney's time in the Marine Corps.\u003c/p\u003e","\u003cp\u003eThis file contains ephemera, correspondence, and vital records pertaining to Pinkney's life.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence between Near family members, articles, and poetry written by Clifford Near, Pinkney's brother.\u003c/p\u003e","\u003cp\u003eThis series documents the life and career of Henrietta Near.\u003c/p\u003e","\u003cp\u003eThis file contains loan agreements, sale orders, correspondence, photographs, and articles pertaining to Henrietta's artwork.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, grant applications, meeting minutes, articles, and ephemera pertaining to Henrietta's work with various Richmond art organizations. Included are Art6 (2004-2015), ArtSpace (1990-2007), Hand Workshop (1991-1992), Henry Street Gallery (1987), Very Special Arts (1998-2000), and VMFA (1961).\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, newspaper clippings, and articles about the topic of dance and Henrietta's dance career.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence, ephemera, and newspaper clippings that pertain to Henrietta's personal life and interests.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence and financial records that pertain to the finances of and donations made by Henrietta Near. Included in the institutions she donated to are the Bayly Art Museum and the Virginia Museum of Fine Arts, among others.\u003c/p\u003e","\u003cp\u003eThis sub-series contains correspondence, a book, ephemera, and photographs that pertain to the Lloyd family.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, photographs, and ephemera pertaining to the shared lives of Pinkney and Henrietta Near.\u003c/p\u003e","\u003cp\u003eThis series contains articles and ephemera pertaining to artists of interest to Pinkney and Henrietta Near.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1873-2020, with the bulk of the material dating from 1970-2000. The collection consists of correspondence, financial records, ephemera, newspaper articles, and photographic materials depicting the lives and careers of Pinkney and Henrietta Near, as well as papers from their respective families.","This series documents the life and career of Pinkney Near.","This file contains correspondence, newspaper clippings, ephemera, and a miniature medallion pertaining to Pinkney's time at the VMFA.","This file contains correspondence, newspaper clippings, and ephemera pertaining to Pinkney's time at the Cincinnati Art Museum.","This file contains a baby book, birth certificate, bibliography, diplomas, report cards, among other materials pertaining to Pinkney's early life and education.","This file contains papers and cards documenting Pinkney's time in the Marine Corps.","This file contains ephemera, correspondence, and vital records pertaining to Pinkney's life.","This sub-series contains correspondence between Near family members, articles, and poetry written by Clifford Near, Pinkney's brother.","This series documents the life and career of Henrietta Near.","This file contains loan agreements, sale orders, correspondence, photographs, and articles pertaining to Henrietta's artwork.","This file contains correspondence, grant applications, meeting minutes, articles, and ephemera pertaining to Henrietta's work with various Richmond art organizations. Included are Art6 (2004-2015), ArtSpace (1990-2007), Hand Workshop (1991-1992), Henry Street Gallery (1987), Very Special Arts (1998-2000), and VMFA (1961).","This file contains correspondence, newspaper clippings, and articles about the topic of dance and Henrietta's dance career.","This sub-series contains correspondence, ephemera, and newspaper clippings that pertain to Henrietta's personal life and interests.","This sub-series contains correspondence and financial records that pertain to the finances of and donations made by Henrietta Near. Included in the institutions she donated to are the Bayly Art Museum and the Virginia Museum of Fine Arts, among others.","This sub-series contains correspondence, a book, ephemera, and photographs that pertain to the Lloyd family.","This series contains correspondence, photographs, and ephemera pertaining to the shared lives of Pinkney and Henrietta Near.","This series contains articles and ephemera pertaining to artists of interest to Pinkney and Henrietta Near."],"separatedmaterial_html_tesm":["\u003cp\u003eA framed photograph of Pinkney in his military uniform has been stored separately from the rest of the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A framed photograph of Pinkney in his military uniform has been stored separately from the rest of the collection."],"userestrict_html_tesm":["\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1cd6e60b6a6093df572b3bc99a2beed1\"\u003eThis collection documents the lives and careers of Pinkney Near, former curator of VMFA, and his wife, artist and art aficionado, Henrietta Near.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the lives and careers of Pinkney Near, former curator of VMFA, and his wife, artist and art aficionado, Henrietta Near."],"names_ssim":["Virginia Museum of Fine Arts Archives","Near, Pinkney L., 1927-1990","Near, Henrietta."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Near, Pinkney L., 1927-1990","Near, Henrietta.","Near, Henrietta."],"persname_ssim":["Near, Pinkney L., 1927-1990","Near, Henrietta."],"language_ssim":["English \n,        Latin \n.    "],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:07:10.049Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_15984_c02_c01_c02"}},{"id":"virmu_repositories_2_resources_6_c02_c28","type":"File","attributes":{"title":"Art Records (Sales, Exhibitions)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c02_c28","ref_ssm":["virmu_repositories_2_resources_6_c02_c28"],"id":"virmu_repositories_2_resources_6_c02_c28","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c02","parent_ssi":"virmu_repositories_2_resources_6_c02","parent_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c02"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation"],"text":["Willie Anne Wright Artist Archives (VA-02)","Series 2: Sales and Representation","Art Records (Sales, Exhibitions)","box VA-02 Box 7","folder VA02.02.0.027"],"title_filing_ssi":"Art Records (Sales, Exhibitions)","title_ssm":["Art Records (Sales, Exhibitions)"],"title_tesim":["Art Records (Sales, Exhibitions)"],"unitdate_inclusive_ssm":["2015-2018"],"normalized_date_ssm":["2015/2018"],"normalized_title_ssm":["Art Records (Sales, Exhibitions)"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":295,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2015,2016,2017,2018],"containers_ssim":["box VA-02 Box 7","folder VA02.02.0.027"],"_nest_path_":"/components#1/components#27","timestamp":"2026-05-21T03:48:32.418Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"text":["VA-02","/repositories/2/resources/6","Willie Anne Wright Artist Archives (VA-02)","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website .","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creators_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the  VMFA Collections Search website ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1 Exhibition Files, 1964-2021 Series 2 Sales and Representation, 1980-2020 Series 3 Working Files, 1958-2019 Series 4 Photography, 1966-2019 Series 5 Cameras, 1976-1978 Series 6 Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e\n","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e\n","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source:  Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.\u003c/p\u003e","\u003cp\u003eThis series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.\u003c/p\u003e","\u003cp\u003eThis series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Series Description","Series Description","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","This series is comprised of exhibition files for both solo and group shows for her paintings and photography that Wright participated in from 1964 to 2021. If no city is listed, then the location was Richmond. Wright also kept \"miscellaneous\" files for each decade as well as information about lectures, symposiums, and other events in which she participated.","This series is comprised of information about the sales of Wright's artwork and galleries that represented her from the 1980s up to 2020.","This series is comprised of various documents and objects in the Willie Anne Wright archive, spanning the years 1958-2019, that fall into the following categories: biographical information; artist and institution files; travel; teaching, lectures, and workshops; sketchbooks and notebooks; correspondence; research and notes; foundational materials; technical materials; writings and interviews.","This series comprises books and journals, magazines, and exhibition catalogues that feature Willie Anne Wright's work, interviews, or exhibition content, spanning the years 1944-2020."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"persname_ssim":["Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:48:32.418Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c02_c28"}},{"id":"wvmturhc_repositories_2_resources_1534_c03_c04","type":"Box","attributes":{"title":"Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1534_c03_c04","ref_ssm":["wvmturhc_repositories_2_resources_1534_c03_c04"],"id":"wvmturhc_repositories_2_resources_1534_c03_c04","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534_c03","parent_ssi":"wvmturhc_repositories_2_resources_1534_c03","parent_ssim":["wvmturhc_repositories_2_resources_1534","wvmturhc_repositories_2_resources_1534_c03"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1534","wvmturhc_repositories_2_resources_1534_c03"],"parent_unittitles_ssm":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers"],"parent_unittitles_tesim":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers"],"text":["Grace Martin Taylor, Artist, Papers","Addendum of 2018-10-30, Grace Martin Taylor Papers","Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","English .","Box 16"],"title_filing_ssi":"Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)","title_ssm":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"title_tesim":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"unitdate_inclusive_ssm":["1920–2017"],"normalized_date_ssm":["1920/2017"],"normalized_title_ssm":["Art-Related Material (clippings, correspondence, printed material, typescripts, notes, and more. Subjects include Taylor, her art, and Mellert's management of her art posthumously. Also includes one set of two typescripts about Taylor, and other biographical materials. Also includes material from Taylor's high school days.)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Grace Martin Taylor, Artist, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":117,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"language_ssim":["English ."],"containers_ssim":["Box 16"],"_nest_path_":"/components#2/components#3","timestamp":"2026-05-21T01:01:19.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1534","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1534.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195813","title_ssm":["Grace Martin Taylor, Artist, Papers"],"title_tesim":["Grace Martin Taylor, Artist, Papers"],"unitdate_ssm":["1904-2019"],"unitdate_inclusive_ssm":["1904-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"text":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534","Grace Martin Taylor, Artist, Papers","Art and artists","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.","3206, 4170","Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. ","\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  ","\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of  Who's Who , recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","English"],"unitid_tesim":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"normalized_title_ssm":["Grace Martin Taylor, Artist, Papers"],"collection_title_tesim":["Grace Martin Taylor, Artist, Papers"],"collection_ssim":["Grace Martin Taylor, Artist, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Taylor, Grace Martin, 1903-1995"],"creator_ssim":["Taylor, Grace Martin, 1903-1995"],"creator_persname_ssim":["Taylor, Grace Martin, 1903-1995"],"creators_ssim":["Taylor, Grace Martin, 1903-1995"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"extent_tesim":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eGrace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e\n","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"\u003c/p\u003e\n","\u003cp\u003e\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.\u003c/p\u003e\n","\u003cp\u003e\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e\n","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e","\u003cp\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of \u003ctitle\u003eWho's Who\u003c/title\u003e, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. ","\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  ","\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of  Who's Who , recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e"],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:01:19.947Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534_c03_c04"}},{"id":"virmu_repositories_2_resources_436_c02_c01","type":"File","attributes":{"title":"Art Sales","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_436_c02_c01","ref_ssm":["virmu_repositories_2_resources_436_c02_c01"],"id":"virmu_repositories_2_resources_436_c02_c01","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436_c02","parent_ssi":"virmu_repositories_2_resources_436_c02","parent_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_436","virmu_repositories_2_resources_436_c02"],"parent_unittitles_ssm":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation"],"parent_unittitles_tesim":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation"],"text":["Records of the Aaron Siskind Foundation (SC-38)","Series 2: Aaron Siskind Foundation","Art Sales","box SC-38 Box 1","This file contains print materials that document sales of Aaron Siskind's artwork."],"title_filing_ssi":"Art Sales","title_ssm":["Art Sales"],"title_tesim":["Art Sales"],"unitdate_inclusive_ssm":["1983-2017"],"normalized_date_ssm":["1983/2017"],"normalized_title_ssm":["Art Sales"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"extent_ssm":["1 folder"],"extent_tesim":["1 folder"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["box SC-38 Box 1"],"scopecontent_html_tesm":["\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file contains print materials that document sales of Aaron Siskind's artwork."],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T03:16:36.759Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_436","ead_ssi":"virmu_repositories_2_resources_436","_root_":"virmu_repositories_2_resources_436","_nest_parent_":"virmu_repositories_2_resources_436","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_436.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/436","title_filing_ssi":"Aaron Siskind Foundation (SC-38)","title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-38","/repositories/2/resources/436"],"text":["SC-38","/repositories/2/resources/436","Records of the Aaron Siskind Foundation (SC-38)","Nonprofit organizations","Photography, Abstract","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019","The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material","Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona","The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.","The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release .","Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona .","Original folder titles were retained when provided.","Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.","Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991","English \n.    "],"unitid_tesim":["SC-38","/repositories/2/resources/436"],"normalized_title_ssm":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_title_tesim":["Records of the Aaron Siskind Foundation (SC-38)"],"collection_ssim":["Records of the Aaron Siskind Foundation (SC-38)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creator_corpname_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"creators_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Nonprofit organizations","Photography, Abstract"],"access_subjects_ssm":["Nonprofit organizations","Photography, Abstract"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 4 boxes; 16 folders"],"extent_tesim":["1.5 Linear Feet 4 boxes; 16 folders"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eAaron Siskind, 1920-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eAaron Siskind Foundation, 1983-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Aaron Siskind, 1920-2020 Series 2 Aaron Siskind Foundation, 1983-2019"],"bibliography_html_tesm":["\u003cp\u003eThe VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=q5AbaJh7Tb/VMFA_LIB/X/60/502/X\"\u003ePandora\u003c/a\u003e. A sample of titles from this collection can be found below.\u003c/p\u003e","\u003cbibref\u003eAaron Siskind : mid-century modern First edition\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : another photographic reality First edition.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : order with the tensions continuing\u003c/bibref\u003e","\u003cbibref\u003eInterior drama : Aaron Siskind's photographs of the 1940s\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind 100 1st ed.\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : the fragmentation of language\u003c/bibref\u003e","\u003cbibref\u003eAaron Siskind : toward a personal vision 1935-1955\u003c/bibref\u003e","\u003cbibref\u003eHarlem photographs, 1932-1940\u003c/bibref\u003e","\u003cbibref\u003eBucks County : photographs of early architecture\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eExhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material\u003c/bibref\u003e","\u003cbibref\u003eArtist file : miscellaneous uncataloged material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["The VMFA Library possesses a large collection of Aaron Siskind catalogs made searchable on  Pandora . A sample of titles from this collection can be found below.","Aaron Siskind : mid-century modern First edition","Aaron Siskind : another photographic reality First edition.","Aaron Siskind","Aaron Siskind and Louis Sullivan : the Institute of Design Photo Section Project 1st ed.","Aaron Siskind : order with the tensions continuing","Interior drama : Aaron Siskind's photographs of the 1940s","Aaron Siskind 100 1st ed.","Aaron Siskind : the fragmentation of language","Aaron Siskind : toward a personal vision 1935-1955","Harlem photographs, 1932-1940","Bucks County : photographs of early architecture","Exhibition file : Aaron Siskind and abstract photography of the 1950s and 60s : miscellaneous uncataloged material","Exhibition file : Photographs by Aaron Siskind : miscellaneous uncataloged material","Artist file : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eAaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e by the Center for Creative Photography at The University of Arizona\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020. In addition, the Foundation worked to preserve and protect Siskind's artistic legacy, and fostered knowledge of and appreciation for his art through new books, exhibits, educational events and scholarly research.","Source:  Aaron Siskind Foundation collection  by the Center for Creative Photography at The University of Arizona"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Registration and Curatorial departments as materials were discovered from 2020-2022."],"odd_html_tesm":["\u003cp\u003eThe Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's \u003ca href=\"https://vmfa.museum/pressroom/news/vmfa-receives-8000-photographs-aaron-siskind-foundation/\"\u003epress release\u003c/a\u003e.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The Records of the Aaron Siskind Foundation (SC-38) represent part of the signifiant 2020 gift of over 8,000 photographs donated by the Foundation to VMFA. For further details on this gift, please refer to the museum's  press release ."],"originalsloc_html_tesm":["\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eOriginals of photocopied print materials are located at the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography at the University of Arizona\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Originals of photocopied print materials are located at the  Center for Creative Photography  at the University of Arizona.","Originals of photocopied print materials are located at the  Center for Creative Photography at the University of Arizona ."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia.","Records of the Aaron Siskind Foundation (SC-38). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal folder titles were retained when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original folder titles were retained when provided."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eAaron Siskind Foundation collection\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329?_gl=1*zhh2b*_ga*MjExODE1NTc0OC4xNjY4NzAwODU2*_ga_7PV3540XS3*MTY2ODcwMDg1Ni4xLjAuMTY2ODcwMDg1Ni42MC4wLjA.\"\u003eAaron Siskind archive\u003c/a\u003e at the Center for Creative Photography at The University of Arizona\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://www.aaa.si.edu/collections/aaron-siskind-papers-8470\"\u003eAaron Siskind papers, 1967-1977\u003c/a\u003e at the Smithsonian Archives of American Art\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://archives.lib.duke.edu/catalog/siskindaaron\"\u003eAaron Siskind photographs of Harlem, circa 1932-1941\u003c/a\u003e at the David M. Rubenstein Rare Book and Manuscript Library, Duke University\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://oac.cdlib.org/findaid/ark:/13030/c8n01dz9/\"\u003eGuide to the Aaron Siskind photographs M2582\u003c/a\u003e at the Online Archive of California\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Aaron Siskind Foundation collection  at the Center for Creative Photography at The University of Arizona","Aaron Siskind archive  at the Center for Creative Photography at The University of Arizona","Aaron Siskind papers, 1967-1977  at the Smithsonian Archives of American Art","Aaron Siskind photographs of Harlem, circa 1932-1941  at the David M. Rubenstein Rare Book and Manuscript Library, Duke University","Guide to the Aaron Siskind photographs M2582  at the Online Archive of California"],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the \u003ca href=\"https://ccp.arizona.edu/\"\u003eCenter for Creative Photography\u003c/a\u003e and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.\u003c/p\u003e","\u003cp\u003eThis series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the \u003ca href=\"https://aspace.ccp.arizona.edu/repositories/2/resources/329\"\u003eCenter for Creative Photography\u003c/a\u003e at the University of Arizona.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Siskind's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document Aaron Siskind's writings.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"\u003c/p\u003e","\u003cp\u003eThis file contains photographic materials that document the work of Aaron Siskind.\u003c/p\u003e","\u003cp\u003eThis series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document sales of Aaron Siskind's artwork.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.\u003c/p\u003e","\u003cp\u003eThis file contains pricing reports for Siskind artworks.\u003c/p\u003e","\u003cp\u003eThis file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.\u003c/p\u003e","\u003cp\u003eThis file contains the mission statement of the Aaron Siskind Foundation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020, and includes copies of Aaron Siskind's written works from the  Center for Creative Photography  and several original photographs by Siskind. Works in the collection include information on the organization's founding, bylaws, and art management, among other topics of interest. The collection's inclusive dates are 1920 to 2020. This collection contains articles, contact sheets, contracts, correspondence, media, photographs, printed materials, and reports.","This series contains essays, printed material, and photographs documenting the life and art of Aaron Siskind. Additionally, the series contains photocopies of original print materials held by the  Center for Creative Photography  at the University of Arizona.","This file contains print materials that document Siskind's life and career.","This file contains print materials that document Aaron Siskind's writings.","This file contains print materials that document the 2018 Fujifilm Square exhibition, \"Treasures of American Modern Photography: The Gilbert Collection.\"","This file contains print materials that document the 2020 Museum of Photographic Arts (MOPA) exhibition, \"Beyond the Frame: Aaron Siskind Photographs.\"","This file contains photographic materials that document the work of Aaron Siskind.","This series contains the correspondence, legal documents, and media of the Aaron Siskind Foundation. Materials within document the establishment of the foundation, its functions, and its dissolution.","This file contains print materials that document sales of Aaron Siskind's artwork.","This file contains print materials that document the creation of the Aaron Siskind Foundation through terms outlined in Siskind's will and in meetings with him.","This file contains print materials that document gifts made by the Aaron Siskind Foundation to artists and institutions.","This file contains print materials that document copyright assignments made by the Aaron Siskind Foundation and copyright requests made to the Foundation.","This file contains print materials that document the federal and state tax status of the Aaron Siskind Foundation.","This file contains print materials and CD's that document the Aaron Siskind Foundation's organization system for Siskind works in their care.","This file contains pricing reports for Siskind artworks.","This file contains the articles of incorporation and bylaws for the Aaron Siskind Foundation.","This file contains the mission statement of the Aaron Siskind Foundation."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/","In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad819fe67e8c4e98b4f28169b54e76c6\"\u003eThe collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020."],"names_coll_ssim":["Aaron Siskind Foundation","Aaron Siskind Foundation"],"names_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation","Siskind, Aaron, 1903-1991"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Aaron Siskind Foundation"],"persname_ssim":["Siskind, Aaron, 1903-1991"],"language_ssim":["English \n.    "],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:16:36.759Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_436_c02_c01"}},{"id":"virmu_repositories_2_resources_57_c02_c33","type":"Item","attributes":{"title":"Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_57_c02_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_57_c02_c33","ref_ssm":["virmu_repositories_2_resources_57_c02_c33"],"id":"virmu_repositories_2_resources_57_c02_c33","ead_ssi":"virmu_repositories_2_resources_57","_root_":"virmu_repositories_2_resources_57","_nest_parent_":"virmu_repositories_2_resources_57_c02","parent_ssi":"virmu_repositories_2_resources_57_c02","parent_ssim":["virmu_repositories_2_resources_57","virmu_repositories_2_resources_57_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_57","virmu_repositories_2_resources_57_c02"],"parent_unittitles_ssm":["Catalogs (PB-01)","Series 2: Other Catalogs"],"parent_unittitles_tesim":["Catalogs (PB-01)","Series 2: Other Catalogs"],"text":["Catalogs (PB-01)","Series 2: Other Catalogs","Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries","Shelf Publications Archive","Item PB01.02.2015.001"],"title_filing_ssi":"Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries","title_ssm":["Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries"],"title_tesim":["Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries"],"unitdate_other_ssim":["2015"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["Arts and Crafts, Art Nouveau, Art Deco: Selections from the Sydney and Frances Lewis Decorative Arts Galleries"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Catalogs (PB-01)"],"extent_ssm":["6 copies"],"extent_tesim":["6 copies"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":543,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2015],"containers_ssim":["Shelf Publications Archive","Item PB01.02.2015.001"],"_nest_path_":"/components#1/components#32","timestamp":"2026-05-21T03:38:56.900Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_57","ead_ssi":"virmu_repositories_2_resources_57","_root_":"virmu_repositories_2_resources_57","_nest_parent_":"virmu_repositories_2_resources_57","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_57.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/57","title_filing_ssi":"Catalogs (PB-01)","title_ssm":["Catalogs (PB-01)"],"title_tesim":["Catalogs (PB-01)"],"unitdate_ssm":["1936-2020"],"unitdate_inclusive_ssm":["1936-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PB-01","/repositories/2/resources/57"],"text":["PB-01","/repositories/2/resources/57","Catalogs (PB-01)","Art -- Virginia -- Richmond -- History","The collection is open for research.","The collection is organized into two series, and items are  arranged chronologically within each series.","Series 1 Exhibition Catalogs, 1936-2017 Series 2 Other Catalogs, 1938-2018","Copies of most catalogs are also available in the main Library collection or in the exhibition vertical files.","The collection was transferred from the Library. Accretions are added regularly when new materials are published.","Jury of Selection: John F. Carlson, Ernest Fiene","Foreword by George Allen Young. Jury of Selection: Louis W. Ballou, Thomas C. Colt, Jr., John J. Mattern, Dr. Frank M. Smart","Introduction by Alexander W. Weddell.","Jury of Selection: Edmund Archer, Frank Rehn","Foreword by Douglas Southall Freeman.","Includes \"A Monograph on the Burch-Schulze Collection\" by G. Watson James.","Includes \"An Appreciation of Gari Melchers\" by Bruce M. Donaldson.","Foreword by Nell Dorr. Jury of Selection: Louis M. Ballou, A. Aubrey Bodine, Dr. Frank M. Smart, Thomas C. Colt, Jr.","The Jury: Edward Hopper, Chairman, John Carroll, Daniel Garber, Charles Hopkinson, Bernard Karfiol","Jury of Selection: Louis Ballou, Arthur W. Rice, Dr. Frank P. Smart, Thomas C. Colt, Jr.","Jury of Selection: Peyton Boswell, Richard Lahey","Includes \"Katherine Rhoads\" by M. D. Gieberich","Includes \"Embajada de la Republica Argentina\" by Felipe A. Espil, Argentine Ambassador.","Foreword by Haden Hankins. Jury of Selection: Louis W. Ballou, Miles S. Masters, Dr. Frank P. Smart, Thomas C. Colt, Jr.","The Jury: Guy Pene duBois, Chairman, Paul Sample, Judson Smith, Antonio Martino, Frederic Taubes, Thomas C. Colt, Jr.","Includes \"Mr. Chrysler's Modern Art\" by Henry McBride.","Foreword by George Alexander Robertson. Jury of Selection: Marion A. Clarke, Hans van Weeren-Griek, Miles S. Masters, Lee M. Klinefelter, Louis W. Ballou, Thomas C. Colt, Jr.","Includes \"My Enjoyment in Sculpture\" by Concetta Scaravaglione.","Jury of Selection: Isabel Bishop, Alan Gruskin","Includes \"Introductory Critique\" and \"Robert Loftin Newman\" by Marchal E. Landgren. Includes \"Jerome Myers\" by Mrs. Jerome Myers.","Jury of Selection: Louis Ballou, Eleanor Parke Custis, Miles Masters","The Jury: Henry Mattson, Chairman, Francis Chapin, Jerry Farnsworth, Lamar Dodd, Fletcher Martin, Thomas C. Colt, Jr.","Biographical sketches by Marie Pietri and Carolyn Smith.","Includes \"Prentiss Taylor\" by Carl Zigrosser.","Includes \"Introduction\" by Herbert C. Lipscomb.","Jury of Selection: Carl Zigrosser, Harry Sternberg","Foreword by Emmet M. Frazer. Jury of Selection: Eleanor Parke Custis","The Jury: Clarence Carter, Chairman, Gladys Rockmore David, Andrew Wyeth, Beatrice von Keller","Foreword by Robert S. Armstrong. Salon Judge: E. V. Wenzell","Jury of Selection: Blake-More Godwin, Chairman, Philip Evergood, Kurt Roesch, Beatrice von Keller","Foreword by Emmet M. Frazer. Salon Judge: Woodrow Wilson","Introduction by E. Hutson.","Includes reprint of \"The Image in the Rock\" by Flannagan.","The Jury: Henry Varnum Poor, Chairman, Julien Binford, Louis Bosa, Henry Schnakenberg, Karl Zerbe, The Director [Thomas C. Colt, Jr.], Ex-officio; New York Alternates: Roland McKinney, Emily Genauer","Foreword by J. O. Fitzgerald, Jr., Salon Chairman. Jury of Selection: A. Aubrey Bodine","Most of the loans came from the collections of Frederic H. Morgan, Jr. and Lt. Commander Forrest H. Wells.","Jury of Selection and Award: Lamar Dodd, Yasuo Kuniyoshi, Reginald Marsh, Charles W. Smith, John W. Taylor","Jury of Selection and Award: Lamar Dodd, Yasuo Kuniyoshi, Reginald Marsh, Charles W. Smith, John W. Taylor","Foreword by Emmet Frazer. Jury of Selection: Dr. John P. Benus","\"William James Hubard 1807-1862\" by Helen G. McCormack.","Includes \"A Letter to a Friend on Modern Art,\" \"How the Collection Began,\" and \"Fundamentals\" by T. Catesby Jones.","The Jury: Alexander Brook, Chairman, Xavier Gonzalez, George L. K. Morris, Waldo Peirce, Hobson Pittman, The Director [Thomas C. Colt, Jr.], Ex-officio","Includes \"Teapots and Tea Caddies in the Lipton Collection\" by Helen Comstock.","Includes \"Design in Scandinavia\" by Gotthard Johansson.","Juror: Frederick Dwight Kirsch, Jr. Includes \"Americans, 1954\" by Dwight Kirsch.","Includes \"Virginia by Virginians\" by Arthur T. Lougee.","Foreword by John Rewald. Includes \"Degas: 'Petite Danseuse'\" by Sacha Guitry and \"Degas as his Family Knew Him\" by Jean Nepveu-Degas.","This catalog accompanied the exhibition \"Sunken Cities: Treasures of Ancient Egypt\".","This catalog accompanied the exhibition \"Virginia Arcadia: The Natural Bridge in American Art\".","This catalog accompanied the exhibition \"Man Ray: The Paris Years\".","This catalog accompanied the exhibition \"Tsherin Sherpa: Spirits\".","This catalog accompanied the exhibition \"Whistler to Cassatt: American Painters in France\".","This catalog accompanied the exhibition \"Storied Strings: The Guitar in American Art\".","The archives strives to retain a minimum of 5 copies of VMFA produced catalogs, 3 copies of catalogs produced outside the museum, and 1 copy of foreign language versions of catalogs. In many cases, additional copies are located in the main Library collection or in the exhibition vertical files.","30.1.1, 19.1.35, 19.1.25, 19.1.22, 19.1.20, 35.3.1, 30.1.2,","2005.74","37.8.2","37.15.2, 37.15.93, 37.15.94, 37.15.19","30.1.1, 30.1.2","38.6.1, 38.6.2, 38.6.3","38.3.1, 38.3.2","38.4.1","L.1.39.1, L.1.39.2, L.1.39.3, L.1.39.4, L.1.39.5, L.1.39.6, L.1.39.7, L.1.39.8, L.1.39.9, L.1.39.10, L.1.39.11, L.1.39.12, L.1.39.13","39.6.2, 39.6.3","39.3.1","39.9.1","56.1.1708","40.3.1, 40.6.2","37.7.1","40.7.1, 40.7.3","40.6.1, 40.6.2, 40.6.3, 40.6.4, 40.4.1","36.11.1","47.4.2","59.2","40.12.1","41.3.1","41.1.1","41.20.2, 41.20.3","40.17.1a-b, 41.9.1","41.4.3, 41.4.1, 41.4.4, 41.4.5","41.4.5","41.4.4","42.8.1, 44.16.2, 43.22.1, 2016.444","42.11.1","42.9.1, 42.9.3, 42.9.4","43.3.1","43.13.1, 43.14.1, 43.9.1, 43.7.1, 43.10.1, 45.17.1, 43.11.1","43.21.1, 43.21.2, 43.21.3","47.10.78","NA.1949.23","44.8.1, 44.8.2","44.14.1, 44.14.2, 44.14.3","45.4.4, 45.6.1, 45.7.1, 45.11.1, 45.4.5, 45.9.1, 45.17.1, 45.4.6, 45.4.7, 45.6.2","45.10.1, 45.10.3, 45.10.2, 47.3.1","45.15.1, 45.15.2, 45.15.3","46.15.1","46.16.1, 46.17.1, 46.17.2, 54.20.4, 54.20.5, 54.20.25, 54.20.31, FIC.147","46.9.1, 46.9.2, 46.9.3, 46.9.4, 46.9.5, 46.9.6, 46.9.7","46.30.1, 46.30.2, 46.30.3","46.9.6","45.10.1","48.9.2, 48.9.3, 48.9.4, 48.9.5, 48.9.6, 48.9.7, 48.9.8, 48.9.9, 48.9.10, 48.9.11, 48.9.12, 48.9.13, 48.9.14, 48.9.15, 48.9.16, 48.9.17, 48.9.18, 48.9.19, 48.9.20, 48.9.21, 48.9.22, 48.9.23","47.1.1, 71.48","47.9.2, 47.9.3, 47.9.4","41.14.1, 41.15.1, 41.15.2.1, 41.15.2.1-17, 41.15.2.2, 41.15.2.3, 41.15.2.4, 41.15.2.5, 41.15.2.6, 41.15.2.7, 41.15.2.8, 41.15.2.9, 41.15.2.10, 41.15.2.11, 41.15.2.12, 41.15.2.13, 41.15.2.14, 41.15.2.15, 41.15.2.16, 41.15.2.17, 41.15.3.1, 41.15.3.1-17, 41.15.3.2, 41.15.3.3, 41.15.3.4, 41.15.3.5, 41.15.3.6, 41.15.3.7, 41.15.3.8, 41.15.3.9, 41.15.3.10, 41.15.3.11, 41.15.3.12, 41.15.3.13, 41.15.3.14, 41.15.3.15, 41.15.3.16, 41.15.3.17, 41.15.3a, 41.17.1, 41.17.2, 46.3.1, 46.12.1, 46.27.1, 47.10.1, 47.10.2, 47.10.3, 47.10.4, 47.10.5, 47.10.6, 47.10.7, 47.10.8, 47.10.9, 47.10.10, 47.10.11, 47.10.12, 47.10.13, 47.10.14, 47.10.15, 47.10.16, 47.10.17, 47.10.18, 47.10.19, 47.10.20, 47.10.21, 47.10.22, 47.10.23, 47.10.24, 47.10.25, 47.10.26, 47.10.27, 47.10.28, 47.10.29, 47.10.30, 47.10.31, 47.10.32, 47.10.33, 47.10.34, 47.10.35, 47.10.36, 47.10.37, 47.10.38, 47.10.39, 47.10.40, 47.10.41, 47.10.42, 47.10.43, 47.10.44, 47.10.45, 47.10.46, 47.10.47, 47.10.48, 47.10.49, 47.10.50, 47.10.51, 47.10.52, 47.10.53, 47.10.54, 47.10.55, 47.10.56, 47.10.57, 47.10.65, 47.10.66, 47.10.67, 47.10.68, 47.10.69, 47.10.70, 47.10.71, 47.10.72, 47.10.73, 47.10.74, 47.10.75, 47.10.76, 47.10.77, 47.10.78, 47.10.79, 47.10.80, 47.10.81, 47.10.82, 47.10.83, 47.10.84, 47.10.85, 47.10.86, 47.10.88, 47.10.89, 47.10.90, 47.10.91, 47.10.92, 47.10.93, 47.10.94, 47.10.95, 47.10.96, 47.10.97, 47.10.98, 47.10.99, 47.11.1, 47.11.3a-b, 47.11.4, 47.11.5, 47.11.6, 47.11.7, 47.11.8, 47.11.9, 47.11.11, 47.11.12, 47.15.1, 47.15.2, 47.15.3, 47.15.4, 47.15.5, 47.15.6, 47.15.7, 47.15.8, 47.15.9, 47.15.10, 47.17.1, 47.17.2, 47.26.1, 47.26.2","48.8.1, 48.8.2, 48.8.3","19.1.20, 19.1.21, 19.1.22, 19.1.24, 19.1.25, 19.1.27, 19.1.29","49.18.4, 49.11.2, 49.11.6, 49.11.33, 49.11.34, 49.11.32, 49.11.38, 49.11.22, 50.3.1, 49.11.5, 49.11.19, 49.18.2, 49.11.31, 49.11.30, 49.15.9, 50.1, 49.18.3, 49.11.26, 49.11.27, 49.11.21, 42.2.2, 47.22.2","53.2","54.17","54.3.1, 54.3.2, 54.3.3","93.56, 93.62, 93.63","19.1.18, 38.4.1, 19.1.30, 37.21.1, 37.22.1, 37.22.2, 19.1.51, 19.1.10, 19.1.46, 35.3.1, 35.1.2, 19.1.5, 36.7.1, 37.17.1, 19.1.40, 35.1.8, 35.2.1, 19.1.35, 36.12.1, 19.1.8, 19.1.20, 19.1.21, 19.1.22, 19.1.24, 19.1.25, 19.1.27, 19.1.29, 19.1.39, 37.7.1, 37.10.1, 19.1.43, 19.1.42, 37.8.2, 36.4.1, 19.1.17, 37.8.1, 35.1.3, 19.1.1, 19.1.6, 35.1.7, 19.1.3, 19.1.45, 19.1.47, 19.1.32, 38.3.2, 30.1.1, 30.1.2, 56.1.1691, 19.1.2, 19.1.12, 19.1.15, 19.1.48, 37.12.1, 19.1.36, 19.1.14, 37.13.1, 37.13.2, 36.11.1, 19.1.13, 19.1.34, 19.1.9, 19.1.11, 35.1.1, 19.1.16, 19.1.28, 19.1.19, 35.7.1, 36.4.2, 35.4.1, 38.3.1, 19.1.31, 37.2.1, 19.1.4, 36.1.1, 35.1.10, 37.16.1, 19.1.33, 19.1.7, 19.1.44","The collection's inclusive dates are 1936-2020. The collection is comprised of published catalogs, and accretions are made continually as new materials are published or copies of older catalogs are discovered.","This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES). ","The identifier for each catalog is the same as the master exhibition number. ","This series is comprised of catalogs published by the Virginia Museum of Fine Arts, but not directly related to an exhibition. Most of the works focus on a particular area of the museum's collection, but others relate to the history of the museum or partnerships with other museums.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1940. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1941. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1946. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1947. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1950. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Organizing Committee for the Exhibition, Design in Scandinavia, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1938. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","The collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Catalogs","M. Knoedler and Co.","Jackson, Stonewall, 1824-1863","Degas, Edgar, 1834-1917","English \n.    "],"unitid_tesim":["PB-01","/repositories/2/resources/57"],"normalized_title_ssm":["Catalogs (PB-01)"],"collection_title_tesim":["Catalogs (PB-01)"],"collection_ssim":["Catalogs (PB-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art -- Virginia -- Richmond -- History"],"access_subjects_ssm":["Art -- Virginia -- Richmond -- History"],"has_online_content_ssim":["false"],"extent_ssm":["63.25 Linear Feet 2,453 items"],"extent_tesim":["63.25 Linear Feet 2,453 items"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are  arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Catalogs, 1936-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eOther Catalogs, 1938-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are  arranged chronologically within each series.","Series 1 Exhibition Catalogs, 1936-2017 Series 2 Other Catalogs, 1938-2018"],"bibliography_html_tesm":["\u003cbibref\u003eCopies of most catalogs are also available in the main Library collection or in the exhibition vertical files.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library"],"bibliography_tesim":["Copies of most catalogs are also available in the main Library collection or in the exhibition vertical files."],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Library. Accretions are added regularly when new materials are published.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred from the Library. Accretions are added regularly when new materials are published."],"odd_html_tesm":["\u003cp\u003eJury of Selection: John F. Carlson, Ernest Fiene\u003c/p\u003e","\u003cp\u003eForeword by George Allen Young. Jury of Selection: Louis W. Ballou, Thomas C. Colt, Jr., John J. Mattern, Dr. Frank M. Smart\u003c/p\u003e","\u003cp\u003eIntroduction by Alexander W. Weddell.\u003c/p\u003e","\u003cp\u003eJury of Selection: Edmund Archer, Frank Rehn\u003c/p\u003e","\u003cp\u003eForeword by Douglas Southall Freeman.\u003c/p\u003e","\u003cp\u003eIncludes \"A Monograph on the Burch-Schulze Collection\" by G. Watson James.\u003c/p\u003e","\u003cp\u003eIncludes \"An Appreciation of Gari Melchers\" by Bruce M. Donaldson.\u003c/p\u003e","\u003cp\u003eForeword by Nell Dorr. Jury of Selection: Louis M. Ballou, A. Aubrey Bodine, Dr. Frank M. Smart, Thomas C. Colt, Jr.\u003c/p\u003e","\u003cp\u003eThe Jury: Edward Hopper, Chairman, John Carroll, Daniel Garber, Charles Hopkinson, Bernard Karfiol\u003c/p\u003e","\u003cp\u003eJury of Selection: Louis Ballou, Arthur W. Rice, Dr. Frank P. Smart, Thomas C. Colt, Jr.\u003c/p\u003e","\u003cp\u003eJury of Selection: Peyton Boswell, Richard Lahey\u003c/p\u003e","\u003cp\u003eIncludes \"Katherine Rhoads\" by M. D. Gieberich\u003c/p\u003e","\u003cp\u003eIncludes \"Embajada de la Republica Argentina\" by Felipe A. Espil, Argentine Ambassador.\u003c/p\u003e","\u003cp\u003eForeword by Haden Hankins. Jury of Selection: Louis W. Ballou, Miles S. Masters, Dr. Frank P. Smart, Thomas C. Colt, Jr.\u003c/p\u003e","\u003cp\u003eThe Jury: Guy Pene duBois, Chairman, Paul Sample, Judson Smith, Antonio Martino, Frederic Taubes, Thomas C. 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Colt, Jr.\u003c/p\u003e","\u003cp\u003eBiographical sketches by Marie Pietri and Carolyn Smith.\u003c/p\u003e","\u003cp\u003eIncludes \"Prentiss Taylor\" by Carl Zigrosser.\u003c/p\u003e","\u003cp\u003eIncludes \"Introduction\" by Herbert C. Lipscomb.\u003c/p\u003e","\u003cp\u003eJury of Selection: Carl Zigrosser, Harry Sternberg\u003c/p\u003e","\u003cp\u003eForeword by Emmet M. Frazer. Jury of Selection: Eleanor Parke Custis\u003c/p\u003e","\u003cp\u003eThe Jury: Clarence Carter, Chairman, Gladys Rockmore David, Andrew Wyeth, Beatrice von Keller\u003c/p\u003e","\u003cp\u003eForeword by Robert S. Armstrong. Salon Judge: E. V. Wenzell\u003c/p\u003e","\u003cp\u003eJury of Selection: Blake-More Godwin, Chairman, Philip Evergood, Kurt Roesch, Beatrice von Keller\u003c/p\u003e","\u003cp\u003eForeword by Emmet M. Frazer. Salon Judge: Woodrow Wilson\u003c/p\u003e","\u003cp\u003eIntroduction by E. 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Includes \"Degas: 'Petite Danseuse'\" by Sacha Guitry and \"Degas as his Family Knew Him\" by Jean Nepveu-Degas.\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Sunken Cities: Treasures of Ancient Egypt\".\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Virginia Arcadia: The Natural Bridge in American Art\".\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Man Ray: The Paris Years\".\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Tsherin Sherpa: Spirits\".\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Whistler to Cassatt: American Painters in France\".\u003c/p\u003e","\u003cp\u003eThis catalog accompanied the exhibition \"Storied Strings: The Guitar in American Art\".\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Jury of Selection: John F. 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VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia.","Catalog Collection (PB-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe archives strives to retain a minimum of 5 copies of VMFA produced catalogs, 3 copies of catalogs produced outside the museum, and 1 copy of foreign language versions of catalogs. 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The collection is comprised of published catalogs, and accretions are made continually as new materials are published or copies of older catalogs are discovered.\u003c/p\u003e","\u003cp\u003eThis series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES). \u003c/p\u003e\n","\u003cp\u003eThe identifier for each catalog is the same as the master exhibition number. \u003c/p\u003e","\u003cp\u003eThis series is comprised of catalogs published by the Virginia Museum of Fine Arts, but not directly related to an exhibition. Most of the works focus on a particular area of the museum's collection, but others relate to the history of the museum or partnerships with other museums.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Series Description","Series Description"],"scopecontent_tesim":["The collection's inclusive dates are 1936-2020. The collection is comprised of published catalogs, and accretions are made continually as new materials are published or copies of older catalogs are discovered.","This series is comprised of catalogs published for exhibitions held at the Virginia Museum of Fine Arts. A small number of catalogs were used as texts to support an exhibition, but are not actual exhibition catalogs, such as publications about collectors, or publications created by the Smithsonian Institution Traveling Exhibition Service (SITES). ","The identifier for each catalog is the same as the master exhibition number. ","This series is comprised of catalogs published by the Virginia Museum of Fine Arts, but not directly related to an exhibition. Most of the works focus on a particular area of the museum's collection, but others relate to the history of the museum or partnerships with other museums."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1940. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1941. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1946. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1947. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1950. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Organizing Committee for the Exhibition, Design in Scandinavia, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/\u003c/p\u003e","\u003cp\u003e©Virginia Museum of Fine Arts, 1938. In Copyright: http://rightsstatements.org/vocab/InC/1.0/\u003c/p\u003e"],"userestrict_heading_ssm":["Publication","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1936. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1937. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1940. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1941. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1946. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1947. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1950. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Organizing Committee for the Exhibition, Design in Scandinavia, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","©Virginia Museum of Fine Arts, 1954. In Copyright: http://rightsstatements.org/vocab/InC/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/","©Virginia Museum of Fine Arts, 1938. In Copyright: http://rightsstatements.org/vocab/InC/1.0/"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7d1f89bfaf4bd29516bd5eaad170c45f\"\u003eThe collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection.\u003c/abstract\u003e"],"abstract_tesim":["The collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection."],"names_coll_ssim":["Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Catalogs"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Catalogs","M. Knoedler and Co.","Jackson, Stonewall, 1824-1863","Degas, Edgar, 1834-1917"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Catalogs","M. Knoedler and Co."],"persname_ssim":["Jackson, Stonewall, 1824-1863","Degas, Edgar, 1834-1917"],"language_ssim":["English \n.    "],"total_component_count_is":551,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:38:56.900Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_57_c02_c33"}},{"id":"wvmturhc_repositories_2_resources_1846_c04_c02_c15","type":"File","attributes":{"title":"Arts and Entertainment","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c04_c02_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1846_c04_c02_c15","ref_ssm":["wvmturhc_repositories_2_resources_1846_c04_c02_c15"],"id":"wvmturhc_repositories_2_resources_1846_c04_c02_c15","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846_c04_c02","parent_ssi":"wvmturhc_repositories_2_resources_1846_c04_c02","parent_ssim":["wvmturhc_repositories_2_resources_1846","wvmturhc_repositories_2_resources_1846_c04","wvmturhc_repositories_2_resources_1846_c04_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1846","wvmturhc_repositories_2_resources_1846_c04","wvmturhc_repositories_2_resources_1846_c04_c02"],"parent_unittitles_ssm":["Dr. Barbara Howe, Professor, Papers","Series 4. West Virginia University","Sub-Series 2. General"],"parent_unittitles_tesim":["Dr. Barbara Howe, Professor, Papers","Series 4. West Virginia University","Sub-Series 2. General"],"text":["Dr. Barbara Howe, Professor, Papers","Series 4. West Virginia University","Sub-Series 2. General","Arts and Entertainment","Box 13","Folder 9"],"title_filing_ssi":"Arts and Entertainment","title_ssm":["Arts and Entertainment"],"title_tesim":["Arts and Entertainment"],"unitdate_inclusive_ssm":["2014-2024"],"normalized_date_ssm":["2014/2024"],"normalized_title_ssm":["Arts and Entertainment"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":860,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["Box 13","Folder 9"],"_nest_path_":"/components#3/components#1/components#14","timestamp":"2026-05-24T23:32:20.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_bulk_ssim":["1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"text":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","Dr. Barbara Howe, Professor, Papers","Morgantown (W. Va.)","Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government.","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. ","Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.","This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Oversized material moved to A\u0026M 3469, Box 16, Folder 1","Oversized material moved to A\u0026M 3469, Box 23, Folder 1","Oversized material moved to A\u0026M 3469, Box 16, Folder 8","Oversized moved to A\u0026M 3469, Box 23, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 14","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 15, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 9","Oversized material moved to A\u0026M 3469, Box 24, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 11","Removed from A\u0026M 3469, Box 7, Folder 16","Removed from A\u0026M 3469, Box 7, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 3","Removed from A\u0026 3469, Box 7, Folder 8","Removed from A\u0026M 3469, Box 7, Folders 23 and 24","Removed from A\u0026M 3469, Box 7, Folder 34","Removed from A\u0026M 3469, Box 7, Folder 15","Removed from A\u0026M 3469, Box 7, Folder 30","Removed from A\u0026M 3469, Box 1, Folder 4","Removed from A\u0026M 3469, Box 7, Folder 14","Removed from A\u0026M 3469, Box 7, Folder 31","Oversized material moved to A\u0026M 3469, Box 23, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 5","Oversized material moved to A\u0026M 3469, Box 23, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 7","Oversized material moved to A\u0026M 3469, Folder 6","Oversized material moved to A\u0026M 3469, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 6","Oversized material moved to A\u0026M 3469, Box 21, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 22","Oversized material moved to A\u0026M 3469, Box 23, Folder 17","Oversized material moved to A\u0026M 3469, Box 16, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 20","Removed from A\u0026M 3469, Box 3, Folder 23","Removed from A\u0026M 3469, Box 3, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 32","Removed from A\u0026M 3469, Box 9, Folder 23","Removed from A\u0026M 3469, Box 6, Folder 1","Removed from A\u0026M 3469, Box 8, Folder 63","Removed from A\u0026M 3469, Box 6, Folder 4a-4c","Removed from A\u0026M 3469, Box 8, Folder 60-61","Removed from A\u0026M 3469, Box 3, Folder 14","Removed from A\u0026M 3469, Box 3, Folder 32","Removed from A\u0026M 3469, Box 3, Folder 29","Oversized material moved to A\u0026M 3469, Box 15, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 10","Oversized material moved to A\u0026M 3469, Box 21, Folder 11","Oversized moved to A\u0026M 3469, Box 21, Folder 12","Oversized material moved to A\u0026M 3469, Box 15, Folder 21","Oversized material moved to A\u0026M 3469, Box 23, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 14","Oversized material moved to A\u0026M 3469, Box 17, Folder 3","Oversized material moved to A\u0026M 3469, Box 22, Folder 3","Oversized material moved to A\u0026M 3469, Box 17, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 24","Oversized material moved to A\u0026M 3469, Box 15, Folder 25","Oversized material moved to A\u0026M 3469, Box 21. Folder 15","Removed from A\u0026M 3469, Box 9, Folder 67","Removed from A\u0026M 3469, Box 10, Folder 43","Removed from A\u0026M 3469, Box 10, Folder 50-51","Removed from A\u0026M 3469,  Box 6, Folder 26","Removed from A\u0026M 3469, Box 9, Folder 53","Removed from A\u0026M 3469, Box 10, Folder 25","Removed from A\u0026M 3469, Box 10, Folder 35","Removed from A\u0026M 3469, Box 9, Folder 21","Removed from A\u0026M 3469, Box 9, Folder 59","Removed from A\u0026M 3469, Box 9, Folder 60","Removed from A\u0026M 3469, Box 9, Folder 64","Removed from A\u0026M 3469, Box 9, Folder 71","Removed from A\u0026M 3469, Box 10, Folder 17","Removed from A\u0026M 3469, Box 10, Folder 56","Removed from A\u0026M 3469, Box 1, Folder 18","Removed from A\u0026M 3469, Box 10, Folder 31","Removed from A\u0026M 3469, Box 3, Folder 26a-26d","Removed from A\u0026M 3469, Box 9, Folder 68","Oversized material moved to A\u0026M 3469, Box 23, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 8","Oversized material moved to A\u0026M 3469, Box 17, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 7","Removed from A\u0026M 3469, Box 4, Folder 42","Removed from A\u0026M 3469, Box 11, Folder 16","Removed from A\u0026M 3469, Box 14, Folder 17","Removed from A\u0026M 3469, Box 1, Folder 15","Removed from A\u0026M 3469, Box 4, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 30","Removed from A\u0026M 3469, Box 6, Folder 52","Removed from A\u0026M 3469, Box 7, Folder 51","Oversized material moved to A\u0026M 3469, Box 15, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 19","Removed from A\u0026M 3469, Box 11, Folder 40","Oversized material moved to A\u0026M 3469, Box 15, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 30","Removed from A\u0026M 3469, Box 4, Folder 24","Removed from A\u0026M 3469, Box 11, Folder 93","Removed from A\u0026M 3469, Box 11, Folder 73","Oversized material moved to A\u0026M 3469, Box 17, Folder 9","Oversized material moved to A\u0026M 3469, Box 15, Folder 31","Oversized material moved to A\u0026M 3469, Box 15, Folder 32","Oversized material moved to A\u0026M 3469, Box 21, Folder 18","Oversized material moved to A\u0026M 3469, Box 15, Folder 33","Oversized material moved to A\u0026M 3469, Box 23, Folder 26","Removed from A\u0026M 3469, Box 12, Folder 8","Removed from A\u0026M 3469, Box 12, Folder 11","Removed from A\u0026M 3469, Box 12, Folder 73","Removed from A\u0026M 3469, Box 12, Folder 1","Removed from A\u0026M 3469, Box 12, Folder 68","Removed from A\u0026M 3469, Box 12, Folder 79","Oversized material moved to A\u0026M 3469, Box 15, Folder 11","Removed from A\u0026M 3469, Box 11, Folder 10","Oversized material moved to A\u0026M 3469, Box 23, Folder 3","Oversized material moved to A\u0026M 3469, Box 23, Folder 4","Oversized material moved to A\u0026M 3469, Box 16, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 3","Oversized material moved to A\u0026M 3469, Box 15, Folder 4","Oversized material moved to A\u0026M 3469, Box 21, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 4","Oversized material moved to A\u0026M 3469, Folder 1","Oversized material moved to A\u0026M 3469, Box 21, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 6","Oversized material moved to A\u0026M 3469, Box 16, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 13","Oversized material moved to A\u0026M 3469, Box 22, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 34","Removed from A\u0026M 3469, Box 3, Folder 2","Removed from A\u0026M 3469, Box 3, Folder 24","Removed from A\u0026M 3469, Box 3, Folder 35","Removed from A\u0026M 3469, Box 6, Folder 55","Removed from A\u0026M 3469, Box 13, Folder 5","Removed from A\u0026M 3469, Box 2, Folder 3","Removed from A\u0026M 3469, Box 2, Folder 8a-8l","Removed from A\u0026M 3469, Box 3, Folder 8","Removed from A\u0026M 3469, Box 3, Folder 33","Removed from A\u0026M 3469, Box 3, Folder 7","Removed from A\u0026M 3469, Box 3, Folder 15","Removed from A\u0026M 3469, Box 3, Folder 21","Removed from A\u0026M 3469, Box 2, Folder 7","Removed from A\u0026M 3469, Box 12, Folder 89a-89b","Removed from A\u0026M 3469, Box 1, Folder 39a-39f","Removed from A\u0026M 3469, Box 2, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 6","Oversized material moved to A\u0026M 3469, Box 23, Folder 6","Oversized material moved to A\u0026M 3469, Box 15, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 14","Oversized material moved to A\u0026M 3469, Box 15, Folder 35","Removed from A\u0026M 3469, Box 1, Folder 23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English \n.    "],"unitid_tesim":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers"],"collection_title_tesim":["Dr. Barbara Howe, Professor, Papers"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Howe, Barbara J.","West Virginia University"],"creator_ssim":["Howe, Barbara J.","West Virginia University"],"creator_persname_ssim":["Howe, Barbara J."],"creator_corpname_ssim":["West Virginia University"],"creators_ssim":["Howe, Barbara J.","West Virginia University"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University (WVU) Center for Women's Studies, Howe, Barbara, 2004 October 14","Gifts of Howe, Barbara, 2004-2008","Transfers from unknown entity, Howe, Barbara, 2012-2014","Gifts of Howe, Barbara, 2015-2025"],"access_subjects_ssim":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"access_subjects_ssm":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"extent_tesim":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"date_range_isim":[1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e\n","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: \u003c/p\u003e\n","\u003cp\u003eSeries 1. Environmental\u003c/p\u003e\n","\u003cp\u003eSeries 2. Historical / Cultural\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Business Directories, Maps, and Travel Guides\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 5. Oral Histories\u003c/p\u003e\n","\u003cp\u003eSeries 3. Socio-political\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Political Campaigns\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Local and State Government Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Non-Governmental Organizations \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Events / Programs\u003c/p\u003e\n","\u003cp\u003eSeries 4. West Virginia University \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e\n","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eContains one CD\u003c/p\u003e","\u003cp\u003eThis series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel\u003c/p\u003e","\u003cp\u003eThis sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.\u003c/p\u003e","\u003cp\u003eThis sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThis series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne DVD\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne VHS\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003ePapers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 8\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 23, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 24, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp; 3469, Box 7, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folders 23 and 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 22\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 17\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 4a-4c\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 60-61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 29\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 11\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 21, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 21\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 24\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 25\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21. Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 67\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 43\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 50-51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469,  Box 6, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 53\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 25\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 64\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 71\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 56\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 26a-26d\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 68\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 42\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 52\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 51\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 40\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 93\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 73\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 32\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 18\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 33\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 73\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 68\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 79\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 55\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 8a-8l\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 89a-89b\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 39a-39f\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 9a-9e\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 18\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Oversized material moved to A\u0026M 3469, Box 16, Folder 1","Oversized material moved to A\u0026M 3469, Box 23, Folder 1","Oversized material moved to A\u0026M 3469, Box 16, Folder 8","Oversized moved to A\u0026M 3469, Box 23, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 14","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 15, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 9","Oversized material moved to A\u0026M 3469, Box 24, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 11","Removed from A\u0026M 3469, Box 7, Folder 16","Removed from A\u0026M 3469, Box 7, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 3","Removed from A\u0026 3469, Box 7, Folder 8","Removed from A\u0026M 3469, Box 7, Folders 23 and 24","Removed from A\u0026M 3469, Box 7, Folder 34","Removed from A\u0026M 3469, Box 7, Folder 15","Removed from A\u0026M 3469, Box 7, Folder 30","Removed from A\u0026M 3469, Box 1, Folder 4","Removed from A\u0026M 3469, Box 7, Folder 14","Removed from A\u0026M 3469, Box 7, Folder 31","Oversized material moved to A\u0026M 3469, Box 23, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 5","Oversized material moved to A\u0026M 3469, Box 23, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 7","Oversized material moved to A\u0026M 3469, Folder 6","Oversized material moved to A\u0026M 3469, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 6","Oversized material moved to A\u0026M 3469, Box 21, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 22","Oversized material moved to A\u0026M 3469, Box 23, Folder 17","Oversized material moved to A\u0026M 3469, Box 16, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 20","Removed from A\u0026M 3469, Box 3, Folder 23","Removed from A\u0026M 3469, Box 3, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 32","Removed from A\u0026M 3469, Box 9, Folder 23","Removed from A\u0026M 3469, Box 6, Folder 1","Removed from A\u0026M 3469, Box 8, Folder 63","Removed from A\u0026M 3469, Box 6, Folder 4a-4c","Removed from A\u0026M 3469, Box 8, Folder 60-61","Removed from A\u0026M 3469, Box 3, Folder 14","Removed from A\u0026M 3469, Box 3, Folder 32","Removed from A\u0026M 3469, Box 3, Folder 29","Oversized material moved to A\u0026M 3469, Box 15, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 10","Oversized material moved to A\u0026M 3469, Box 21, Folder 11","Oversized moved to A\u0026M 3469, Box 21, Folder 12","Oversized material moved to A\u0026M 3469, Box 15, Folder 21","Oversized material moved to A\u0026M 3469, Box 23, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 14","Oversized material moved to A\u0026M 3469, Box 17, Folder 3","Oversized material moved to A\u0026M 3469, Box 22, Folder 3","Oversized material moved to A\u0026M 3469, Box 17, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 24","Oversized material moved to A\u0026M 3469, Box 15, Folder 25","Oversized material moved to A\u0026M 3469, Box 21. Folder 15","Removed from A\u0026M 3469, Box 9, Folder 67","Removed from A\u0026M 3469, Box 10, Folder 43","Removed from A\u0026M 3469, Box 10, Folder 50-51","Removed from A\u0026M 3469,  Box 6, Folder 26","Removed from A\u0026M 3469, Box 9, Folder 53","Removed from A\u0026M 3469, Box 10, Folder 25","Removed from A\u0026M 3469, Box 10, Folder 35","Removed from A\u0026M 3469, Box 9, Folder 21","Removed from A\u0026M 3469, Box 9, Folder 59","Removed from A\u0026M 3469, Box 9, Folder 60","Removed from A\u0026M 3469, Box 9, Folder 64","Removed from A\u0026M 3469, Box 9, Folder 71","Removed from A\u0026M 3469, Box 10, Folder 17","Removed from A\u0026M 3469, Box 10, Folder 56","Removed from A\u0026M 3469, Box 1, Folder 18","Removed from A\u0026M 3469, Box 10, Folder 31","Removed from A\u0026M 3469, Box 3, Folder 26a-26d","Removed from A\u0026M 3469, Box 9, Folder 68","Oversized material moved to A\u0026M 3469, Box 23, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 8","Oversized material moved to A\u0026M 3469, Box 17, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 7","Removed from A\u0026M 3469, Box 4, Folder 42","Removed from A\u0026M 3469, Box 11, Folder 16","Removed from A\u0026M 3469, Box 14, Folder 17","Removed from A\u0026M 3469, Box 1, Folder 15","Removed from A\u0026M 3469, Box 4, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 30","Removed from A\u0026M 3469, Box 6, Folder 52","Removed from A\u0026M 3469, Box 7, Folder 51","Oversized material moved to A\u0026M 3469, Box 15, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 19","Removed from A\u0026M 3469, Box 11, Folder 40","Oversized material moved to A\u0026M 3469, Box 15, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 30","Removed from A\u0026M 3469, Box 4, Folder 24","Removed from A\u0026M 3469, Box 11, Folder 93","Removed from A\u0026M 3469, Box 11, Folder 73","Oversized material moved to A\u0026M 3469, Box 17, Folder 9","Oversized material moved to A\u0026M 3469, Box 15, Folder 31","Oversized material moved to A\u0026M 3469, Box 15, Folder 32","Oversized material moved to A\u0026M 3469, Box 21, Folder 18","Oversized material moved to A\u0026M 3469, Box 15, Folder 33","Oversized material moved to A\u0026M 3469, Box 23, Folder 26","Removed from A\u0026M 3469, Box 12, Folder 8","Removed from A\u0026M 3469, Box 12, Folder 11","Removed from A\u0026M 3469, Box 12, Folder 73","Removed from A\u0026M 3469, Box 12, Folder 1","Removed from A\u0026M 3469, Box 12, Folder 68","Removed from A\u0026M 3469, Box 12, Folder 79","Oversized material moved to A\u0026M 3469, Box 15, Folder 11","Removed from A\u0026M 3469, Box 11, Folder 10","Oversized material moved to A\u0026M 3469, Box 23, Folder 3","Oversized material moved to A\u0026M 3469, Box 23, Folder 4","Oversized material moved to A\u0026M 3469, Box 16, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 3","Oversized material moved to A\u0026M 3469, Box 15, Folder 4","Oversized material moved to A\u0026M 3469, Box 21, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 4","Oversized material moved to A\u0026M 3469, Folder 1","Oversized material moved to A\u0026M 3469, Box 21, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 6","Oversized material moved to A\u0026M 3469, Box 16, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 13","Oversized material moved to A\u0026M 3469, Box 22, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 34","Removed from A\u0026M 3469, Box 3, Folder 2","Removed from A\u0026M 3469, Box 3, Folder 24","Removed from A\u0026M 3469, Box 3, Folder 35","Removed from A\u0026M 3469, Box 6, Folder 55","Removed from A\u0026M 3469, Box 13, Folder 5","Removed from A\u0026M 3469, Box 2, Folder 3","Removed from A\u0026M 3469, Box 2, Folder 8a-8l","Removed from A\u0026M 3469, Box 3, Folder 8","Removed from A\u0026M 3469, Box 3, Folder 33","Removed from A\u0026M 3469, Box 3, Folder 7","Removed from A\u0026M 3469, Box 3, Folder 15","Removed from A\u0026M 3469, Box 3, Folder 21","Removed from A\u0026M 3469, Box 2, Folder 7","Removed from A\u0026M 3469, Box 12, Folder 89a-89b","Removed from A\u0026M 3469, Box 1, Folder 39a-39f","Removed from A\u0026M 3469, Box 2, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 6","Oversized material moved to A\u0026M 3469, Box 23, Folder 6","Oversized material moved to A\u0026M 3469, Box 15, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 14","Oversized material moved to A\u0026M 3469, Box 15, Folder 35","Removed from A\u0026M 3469, Box 1, Folder 23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"persname_ssim":["Howe, Barbara J."],"language_ssim":["English \n.    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