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Their primary goal is to advance care for children, adolescents, and young adults with kidney disease through advocacy, education, research, and workforce development. Members of the ASPN comprise of pediatric nephrologists and affiliated health care professionals whose primary goals are to promote optimal care for children with kidney disease through advocacy, education and research; and to disseminate advances in clinical practice and scientific investigation.","The list of current and past presidents of the ASPN is:","Meredith Atkinson, MD 2024-2026\nJodi Smith, MD 2022-2024\nMichael Somers, MD 2020-2022\nPatrick Brophy, MD 2018-2020\nLarry Greenbaum, MD 2016-2018\nVictoria F. Norwood, MD 2014-2016\nJoseph T. Flynn, MD, MS 2012-2014\nH. William Schnaper, MD 2010-2012\nLisa M. Satlin, MD 2008-2010\nSharon P. Andreoli, MD 2006-2008\nSandra L. Watkins, MD 2004-2006\nEllis D. Avner, MD 2002-2004\nFrederick J. Kaskel, MD, Ph.D 2000-2002\nAaron Friedman, MD 1998-2000\nEileen D. Brewer, MD 1998\nCraig B. Langman, MD 1997\nF. Bruder Stapleton,MD 1996\nJean Robillard, MD 1995\nJulie Ingelfinger, MD 1994\nBilly Arant, MD 1993\nRobert Chevalier, MD 1992\nPedro Jose, MD 1991\nBarbara Cole, MD 1990\nNorman Siegel, MD 1989\nIra Griefer, MD 1988\nRussell Chesney, MD 1987\nRichard Fine, MD 1986\nAlan Gruskin, MD 1985\nMichael Bailie, MD 1984\nPaul McEnery, MD 1983\nAdrian Spitzer, MD 1982\nJohn Lewy, MD 1981\nFred Smith, MD 1980\nAlan Robson, MD 1979\nRobert Vernier, MD 1978\nLuther Travis, MD 1977\nChet Edelmann, MD 1976\nMalcolm Holliday, MD 1975\nClark West, MD 1974\nPhilip Calcagno, MD 1973\nWallace McCrory, MD 1972\nHenry Barnett, MD 1971\nJack Metcoff, MD 1970\nWalter Heymann, MD 1969","The ASPN website has been crawled by the Internet Archive since 2017 and has over 190 captures. Please see https://web.archive.org/web/20170601000000*/http://aspneph.org/ to access those captured crawls.","This collection consists of materials that chronicle the business dealings of the American Society of Pediatric Nephrology (ASPN) as well as the professional work of some of its members from ca. 1955-2022. Documents include but are not limited to correspondence, administrative records, planning and event materials, newspaper clippings, and photographs. The materials also include CD-ROM discs, VHS tapes, and cassette tapes containing photographs, email correspondence, audio and video recordings of events and lectures, event and planning materials, and other professional documentation related to the ASPN. In addition, the accession contains professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William Segar,  Chester Edelmann, Billy Arant, and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines.","The Administrative series includes financial documents, meeting minutes, membership records, annual meeting records, committee and council records, and photographs. Some of these materials are found in digital formats such as cassette tapes, VHS tapes, and compact discs.","The Publications series includes materials published by the ASPN, such as board review coursebooks, newsletters, and conference programs. Also included are correspondence related to these materials, as well as conference programs sponsored by external professional development organizations in the field of nephrology.","The Subject Files series consists of professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William E. Segar, Chester M. Edelmann, Billy S. Arant Jr., and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines. In addition, there are other biographies of persons affiliated with the ASPN in this series, along with singular publications and a calorie slide rule.","Web crawling is managed through the Internet Archive's Archive-It service. The item contains web archives preserved as WARC files. They must be accessed though web archival replay tools such as the \"Wayback Machine.\" The Digital Object link here directs you to files hosted by the Internet Archive, but you may also request WARC files.","Claude Moore Health Sciences Library","English\n      Swedish"],"collection_title_tesim":["American Society of Pediatric Nephrology records, 1955/2022"],"collection_ssim":["American Society of Pediatric Nephrology records, 1955/2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.90","Archival Resource Key","/repositories/7/resources/1663"],"unitid_tesim":["MS.90","Archival Resource Key","/repositories/7/resources/1663"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"has_online_content_ssim":["false"],"physdesc_tesim":["Materials are in good condition."],"extent_ssm":["7.625 Linear Feet (11 containers)"],"extent_tesim":["7.625 Linear Feet (11 containers)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eSeries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series is arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Series is arranged alphabetically.","This series is arranged alphabetically.","This series is arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1969, the American Society of Pediatric Nephrology (ASPN) is the leading voice of pediatric nephrology in North America. Their primary goal is to advance care for children, adolescents, and young adults with kidney disease through advocacy, education, research, and workforce development. Members of the ASPN comprise of pediatric nephrologists and affiliated health care professionals whose primary goals are to promote optimal care for children with kidney disease through advocacy, education and research; and to disseminate advances in clinical practice and scientific investigation.\u003c/p\u003e","\u003cp\u003eThe list of current and past presidents of the ASPN is:\u003c/p\u003e","\u003cp\u003eMeredith Atkinson, MD 2024-2026\nJodi Smith, MD 2022-2024\nMichael Somers, MD 2020-2022\nPatrick Brophy, MD 2018-2020\nLarry Greenbaum, MD 2016-2018\nVictoria F. Norwood, MD 2014-2016\nJoseph T. Flynn, MD, MS 2012-2014\nH. William Schnaper, MD 2010-2012\nLisa M. Satlin, MD 2008-2010\nSharon P. Andreoli, MD 2006-2008\nSandra L. Watkins, MD 2004-2006\nEllis D. Avner, MD 2002-2004\nFrederick J. Kaskel, MD, Ph.D 2000-2002\nAaron Friedman, MD 1998-2000\nEileen D. Brewer, MD 1998\nCraig B. Langman, MD 1997\nF. Bruder Stapleton,MD 1996\nJean Robillard, MD 1995\nJulie Ingelfinger, MD 1994\nBilly Arant, MD 1993\nRobert Chevalier, MD 1992\nPedro Jose, MD 1991\nBarbara Cole, MD 1990\nNorman Siegel, MD 1989\nIra Griefer, MD 1988\nRussell Chesney, MD 1987\nRichard Fine, MD 1986\nAlan Gruskin, MD 1985\nMichael Bailie, MD 1984\nPaul McEnery, MD 1983\nAdrian Spitzer, MD 1982\nJohn Lewy, MD 1981\nFred Smith, MD 1980\nAlan Robson, MD 1979\nRobert Vernier, MD 1978\nLuther Travis, MD 1977\nChet Edelmann, MD 1976\nMalcolm Holliday, MD 1975\nClark West, MD 1974\nPhilip Calcagno, MD 1973\nWallace McCrory, MD 1972\nHenry Barnett, MD 1971\nJack Metcoff, MD 1970\nWalter Heymann, MD 1969\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Founded in 1969, the American Society of Pediatric Nephrology (ASPN) is the leading voice of pediatric nephrology in North America. Their primary goal is to advance care for children, adolescents, and young adults with kidney disease through advocacy, education, research, and workforce development. Members of the ASPN comprise of pediatric nephrologists and affiliated health care professionals whose primary goals are to promote optimal care for children with kidney disease through advocacy, education and research; and to disseminate advances in clinical practice and scientific investigation.","The list of current and past presidents of the ASPN is:","Meredith Atkinson, MD 2024-2026\nJodi Smith, MD 2022-2024\nMichael Somers, MD 2020-2022\nPatrick Brophy, MD 2018-2020\nLarry Greenbaum, MD 2016-2018\nVictoria F. Norwood, MD 2014-2016\nJoseph T. Flynn, MD, MS 2012-2014\nH. William Schnaper, MD 2010-2012\nLisa M. Satlin, MD 2008-2010\nSharon P. Andreoli, MD 2006-2008\nSandra L. Watkins, MD 2004-2006\nEllis D. Avner, MD 2002-2004\nFrederick J. Kaskel, MD, Ph.D 2000-2002\nAaron Friedman, MD 1998-2000\nEileen D. Brewer, MD 1998\nCraig B. Langman, MD 1997\nF. Bruder Stapleton,MD 1996\nJean Robillard, MD 1995\nJulie Ingelfinger, MD 1994\nBilly Arant, MD 1993\nRobert Chevalier, MD 1992\nPedro Jose, MD 1991\nBarbara Cole, MD 1990\nNorman Siegel, MD 1989\nIra Griefer, MD 1988\nRussell Chesney, MD 1987\nRichard Fine, MD 1986\nAlan Gruskin, MD 1985\nMichael Bailie, MD 1984\nPaul McEnery, MD 1983\nAdrian Spitzer, MD 1982\nJohn Lewy, MD 1981\nFred Smith, MD 1980\nAlan Robson, MD 1979\nRobert Vernier, MD 1978\nLuther Travis, MD 1977\nChet Edelmann, MD 1976\nMalcolm Holliday, MD 1975\nClark West, MD 1974\nPhilip Calcagno, MD 1973\nWallace McCrory, MD 1972\nHenry Barnett, MD 1971\nJack Metcoff, MD 1970\nWalter Heymann, MD 1969"],"relatedmaterial_html_tesm":["\u003cp\u003eThe ASPN website has been crawled by the Internet Archive since 2017 and has over 190 captures. Please see https://web.archive.org/web/20170601000000*/http://aspneph.org/ to access those captured crawls.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The ASPN website has been crawled by the Internet Archive since 2017 and has over 190 captures. Please see https://web.archive.org/web/20170601000000*/http://aspneph.org/ to access those captured crawls."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of materials that chronicle the business dealings of the American Society of Pediatric Nephrology (ASPN) as well as the professional work of some of its members from ca. 1955-2022. Documents include but are not limited to correspondence, administrative records, planning and event materials, newspaper clippings, and photographs. The materials also include CD-ROM discs, VHS tapes, and cassette tapes containing photographs, email correspondence, audio and video recordings of events and lectures, event and planning materials, and other professional documentation related to the ASPN. In addition, the accession contains professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William Segar,  Chester Edelmann, Billy Arant, and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines.\u003c/p\u003e  ","\u003cp\u003eThe Administrative series includes financial documents, meeting minutes, membership records, annual meeting records, committee and council records, and photographs. Some of these materials are found in digital formats such as cassette tapes, VHS tapes, and compact discs.\u003c/p\u003e","\u003cp\u003eThe Publications series includes materials published by the ASPN, such as board review coursebooks, newsletters, and conference programs. Also included are correspondence related to these materials, as well as conference programs sponsored by external professional development organizations in the field of nephrology.\u003c/p\u003e","\u003cp\u003eThe Subject Files series consists of professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William E. Segar, Chester M. Edelmann, Billy S. Arant Jr., and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines. In addition, there are other biographies of persons affiliated with the ASPN in this series, along with singular publications and a calorie slide rule.\u003c/p\u003e","\u003cp\u003eWeb crawling is managed through the Internet Archive's Archive-It service. The item contains web archives preserved as WARC files. They must be accessed though web archival replay tools such as the \"Wayback Machine.\" The Digital Object link here directs you to files hosted by the Internet Archive, but you may also request WARC files.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of materials that chronicle the business dealings of the American Society of Pediatric Nephrology (ASPN) as well as the professional work of some of its members from ca. 1955-2022. Documents include but are not limited to correspondence, administrative records, planning and event materials, newspaper clippings, and photographs. The materials also include CD-ROM discs, VHS tapes, and cassette tapes containing photographs, email correspondence, audio and video recordings of events and lectures, event and planning materials, and other professional documentation related to the ASPN. In addition, the accession contains professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William Segar,  Chester Edelmann, Billy Arant, and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines.","The Administrative series includes financial documents, meeting minutes, membership records, annual meeting records, committee and council records, and photographs. Some of these materials are found in digital formats such as cassette tapes, VHS tapes, and compact discs.","The Publications series includes materials published by the ASPN, such as board review coursebooks, newsletters, and conference programs. Also included are correspondence related to these materials, as well as conference programs sponsored by external professional development organizations in the field of nephrology.","The Subject Files series consists of professional papers of individuals affiliated with the ASPN: Jose Strauss, Adrian Spitzer, William E. Segar, Chester M. Edelmann, Billy S. Arant Jr., and F. Bruder Stapleton. Professional papers include but are not limited to publications, correspondence, photographs, article drafts, and research outlines. In addition, there are other biographies of persons affiliated with the ASPN in this series, along with singular publications and a calorie slide rule.","Web crawling is managed through the Internet Archive's Archive-It service. The item contains web archives preserved as WARC files. They must be accessed though web archival replay tools such as the \"Wayback Machine.\" The Digital Object link here directs you to files hosted by the Internet Archive, but you may also request WARC files."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English\n      Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":186,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_1663_c03_c03"}},{"id":"viblbv_repositories_2_resources_4047_c01_c101","type":"File","attributes":{"title":"Advance Correspondence, 2003/2016","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4047_c01_c101#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4047_c01_c101","ref_ssm":["viblbv_repositories_2_resources_4047_c01_c101"],"id":"viblbv_repositories_2_resources_4047_c01_c101","ead_ssi":"viblbv_repositories_2_resources_4047","_root_":"viblbv_repositories_2_resources_4047","_nest_parent_":"viblbv_repositories_2_resources_4047_c01","parent_ssi":"viblbv_repositories_2_resources_4047_c01","parent_ssim":["Records of the Office of Faculty Affairs, 1995/2016","Records of AdvanceVT, 1995/2016"],"parent_ids_ssim":["viblbv_repositories_2_resources_4047","viblbv_repositories_2_resources_4047_c01"],"title_filing_ssi":"Advance Correspondence","title_ssm":["Advance Correspondence"],"title_tesim":["Advance Correspondence"],"normalized_title_ssm":["Advance Correspondence, 2003/2016"],"text":["Advance Correspondence, 2003/2016","Records of the Office of Faculty Affairs, 1995/2016","Records of AdvanceVT, 1995/2016","box 4","folder 4"],"parent_unittitles_ssm":["Records of the Office of Faculty Affairs, 1995/2016","Records of AdvanceVT, 1995/2016"],"parent_unittitles_tesim":["Records of the Office of Faculty Affairs, 1995/2016","Records of AdvanceVT, 1995/2016"],"normalized_date_ssm":["2003/2016"],"unitdate_inclusive_ssm":["2003-2016"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":102,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of Faculty Affairs, 1995/2016"],"containers_ssim":["box 4","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#0/components#100","timestamp":"2026-06-23T06:49:11.469Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4047","ead_ssi":"viblbv_repositories_2_resources_4047","_root_":"viblbv_repositories_2_resources_4047","_nest_parent_":"viblbv_repositories_2_resources_4047","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4047.xml","title_filing_ssi":"Office of Faculty Affairs, Records of the","title_ssm":["Records of the Office of Faculty Affairs"],"title_tesim":["Records of the Office of Faculty Affairs"],"unitdate_ssm":["1995-2016"],"unitdate_inclusive_ssm":["1995-2016"],"normalized_date_ssm":["1995/2016"],"normalized_title_ssm":["Records of the Office of Faculty Affairs, 1995/2016"],"text":["Records of the Office of Faculty Affairs, 1995/2016","RG.05.19","/repositories/2/resources/4047","The collection is open for research.","The collection is open for research.","Materials in this collection have been arranged in folders as they were originally given to Special Collections.","The guide to the Records of the Office of Faculty Affairs by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The guide to the Records of AdvanceVT by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","This collection contains cassette tapes, VHS tapes, and CDs that have not been digitized. Researchers may access these materials by visiting the Special Collections and University Archives reading room. You may also contact us for more information about how to request digitization and/or online access to materials.","This folder contains materials in the form of VHS tapes.","This folder contains materials in the form of cassettes and mini cassettes.","This folder contains materials in the form of CDs.","This record group may contain additional unprocessed materials not represented in the finding aid. Please contact Special Collections and University Archives for more information.","The Records of AdvanceVT were processed in April 2023.","The processing, arrangement, and description of the Records of AdvanceVT was completed in April 2023. An additional folder of materials (DVDs and MiniDVs) was added in October 2023.","See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. Finding aid available online.","There may also be newspaper clippings relating to AdvanceVT in the RG 5/19 vertical files.","This collection contains various materials from the records of AdvanceVT. Materials include meeting notes, proposals, budgets, grant applications, surveys, research and publications by the organization. An accession from September 2023 includes several DVDs and mini DVs of presentations, videos, and graphics related to AdvanceVT.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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AdvanceVT"],"access_terms_ssm":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"has_online_content_ssim":["false"],"extent_ssm":["7.2 Cubic Feet 6 boxes"],"extent_tesim":["7.2 Cubic Feet 6 boxes"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  ","\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection have been arranged in folders as they were originally given to Special Collections.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection have been arranged in folders as they were originally given to Special Collections."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of Faculty Affairs by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  ","\u003cp\u003eThe guide to the Records of AdvanceVT by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of Faculty Affairs by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The guide to the Records of AdvanceVT by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"phystech_html_tesm":["\u003cp\u003eThis collection contains cassette tapes, VHS tapes, and CDs that have not been digitized. Researchers may access these materials by visiting the Special Collections and University Archives reading room. You may also contact us for more information about how to request digitization and/or online access to materials.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of VHS tapes.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of cassettes and mini cassettes.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of CDs.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["This collection contains cassette tapes, VHS tapes, and CDs that have not been digitized. Researchers may access these materials by visiting the Special Collections and University Archives reading room. You may also contact us for more information about how to request digitization and/or online access to materials.","This folder contains materials in the form of VHS tapes.","This folder contains materials in the form of cassettes and mini cassettes.","This folder contains materials in the form of CDs."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of AdvanceVT, 1995-2016, RG 5/19/01, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of AdvanceVT, 1995-2016, RG 5/19/01, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThis record group may contain additional unprocessed materials not represented in the finding aid. 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An additional folder of materials (DVDs and MiniDVs) was added in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/resources/3101\"\u003eFinding aid\u003c/a\u003e available online. \u003c/p\u003e","\u003cp\u003eThere may also be newspaper clippings relating to AdvanceVT in the \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/archival_objects/91556\"\u003eRG 5/19 vertical files\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  ","\u003cp\u003eThe collection is in the public domain.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Reproduction and Use"],"userestrict_tesim":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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An additional folder of materials (DVDs and MiniDVs) was added in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/resources/3101\"\u003eFinding aid\u003c/a\u003e available online. \u003c/p\u003e","\u003cp\u003eThere may also be newspaper clippings relating to AdvanceVT in the \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/archival_objects/91556\"\u003eRG 5/19 vertical files\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. 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An additional folder of materials (DVDs and MiniDVs) was added in October 2023.","See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. Finding aid available online.","There may also be newspaper clippings relating to AdvanceVT in the RG 5/19 vertical files.","This collection contains various materials from the records of AdvanceVT. Materials include meeting notes, proposals, budgets, grant applications, surveys, research and publications by the organization. An accession from September 2023 includes several DVDs and mini DVs of presentations, videos, and graphics related to AdvanceVT.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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AdvanceVT"],"access_terms_ssm":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. 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An additional folder of materials (DVDs and MiniDVs) was added in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/resources/3101\"\u003eFinding aid\u003c/a\u003e available online. \u003c/p\u003e","\u003cp\u003eThere may also be newspaper clippings relating to AdvanceVT in the \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/archival_objects/91556\"\u003eRG 5/19 vertical files\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Reproduction and Use"],"userestrict_tesim":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"has_online_content_ssim":["false"],"extent_ssm":["7.2 Cubic Feet 6 boxes"],"extent_tesim":["7.2 Cubic Feet 6 boxes"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  ","\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection have been arranged in folders as they were originally given to Special Collections.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection have been arranged in folders as they were originally given to Special Collections."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of Faculty Affairs by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  ","\u003cp\u003eThe guide to the Records of AdvanceVT by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of Faculty Affairs by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The guide to the Records of AdvanceVT by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"phystech_html_tesm":["\u003cp\u003eThis collection contains cassette tapes, VHS tapes, and CDs that have not been digitized. 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Please contact Special Collections and University Archives for more information. \u003c/p\u003e","\u003cp\u003eThe Records of AdvanceVT were processed in April 2023.\u003c/p\u003e  ","\u003cp\u003eThe processing, arrangement, and description of the Records of AdvanceVT was completed in April 2023. An additional folder of materials (DVDs and MiniDVs) was added in October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This record group may contain additional unprocessed materials not represented in the finding aid. Please contact Special Collections and University Archives for more information.","The Records of AdvanceVT were processed in April 2023.","The processing, arrangement, and description of the Records of AdvanceVT was completed in April 2023. An additional folder of materials (DVDs and MiniDVs) was added in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/resources/3101\"\u003eFinding aid\u003c/a\u003e available online. \u003c/p\u003e","\u003cp\u003eThere may also be newspaper clippings relating to AdvanceVT in the \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/archival_objects/91556\"\u003eRG 5/19 vertical files\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  ","\u003cp\u003eThe collection is in the public domain.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Reproduction and Use"],"userestrict_tesim":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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AdvanceVT"],"access_terms_ssm":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. 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Researchers may access these materials by visiting the Special Collections and University Archives reading room. You may also contact us for more information about how to request digitization and/or online access to materials.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of VHS tapes.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of cassettes and mini cassettes.\u003c/p\u003e","\u003cp\u003eThis folder contains materials in the form of CDs.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["This collection contains cassette tapes, VHS tapes, and CDs that have not been digitized. Researchers may access these materials by visiting the Special Collections and University Archives reading room. 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An additional folder of materials (DVDs and MiniDVs) was added in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/resources/3101\"\u003eFinding aid\u003c/a\u003e available online. \u003c/p\u003e","\u003cp\u003eThere may also be newspaper clippings relating to AdvanceVT in the \u003ca href=\"https://aspace.lib.vt.edu/repositories/2/archival_objects/91556\"\u003eRG 5/19 vertical files\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also RG 05/01/10a, Records of the Office of the Associate Provost, Patricia Hyer, which includes reports and records from the AdvanceVT program from 2002 to 2009. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  ","\u003cp\u003eThe collection is in the public domain.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Reproduction and Use"],"userestrict_tesim":["The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is in the public domain.","Reproduction or digitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. AdvanceVT"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. AdvanceVT"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. AdvanceVT"],"language_ssim":["Records in this collection are in English."],"total_component_count_is":163,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:49:11.469Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4047_c01_c85"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c05_c16","type":"File","attributes":{"title":"Advertisements, 2009/2016","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c05_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c05_c16","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c05_c16"],"id":"viw_repositories_2_resources_9853_c01_c02_c05_c16","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02_c05","parent_ssi":"viw_repositories_2_resources_9853_c01_c02_c05","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02","viw_repositories_2_resources_9853_c01_c02_c05"],"title_filing_ssi":"Advertisements","title_ssm":["Advertisements"],"title_tesim":["Advertisements"],"normalized_title_ssm":["Advertisements, 2009/2016"],"text":["Advertisements, 2009/2016","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017","Box 24","folder 150"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017"],"normalized_date_ssm":["2009/2016"],"unitdate_inclusive_ssm":["2009-2016"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":177,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Box 24","folder 150"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#0/components#1/components#4/components#15","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c05_c16"}},{"id":"wvmturhc_repositories_2_resources_4940_c21_c03","type":"File","attributes":{"title":"Advocacy, Legislative, and Other Papers and Records, 1998/2017","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4940_c21_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4940_c21_c03","ref_ssm":["wvmturhc_repositories_2_resources_4940_c21_c03"],"id":"wvmturhc_repositories_2_resources_4940_c21_c03","ead_ssi":"wvmturhc_repositories_2_resources_4940","_root_":"wvmturhc_repositories_2_resources_4940","_nest_parent_":"wvmturhc_repositories_2_resources_4940_c21","parent_ssi":"wvmturhc_repositories_2_resources_4940_c21","parent_ssim":["West Virginia Music Educators Association Records, 1925/2017","Addendum of 2016/11/14, West Virginia Music Educators Association Records and Recordings, 1959/2016"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4940","wvmturhc_repositories_2_resources_4940_c21"],"title_filing_ssi":"Advocacy, Legislative, and Other Papers and Records","title_ssm":["Advocacy, Legislative, and Other Papers and Records"],"title_tesim":["Advocacy, Legislative, and Other Papers and Records"],"normalized_title_ssm":["Advocacy, Legislative, and Other Papers and Records, 1998/2017"],"text":["Advocacy, Legislative, and Other Papers and Records, 1998/2017","West Virginia Music Educators Association Records, 1925/2017","Addendum of 2016/11/14, West Virginia Music Educators Association Records and Recordings, 1959/2016","Box 47","English."],"parent_unittitles_ssm":["West Virginia Music Educators Association Records, 1925/2017","Addendum of 2016/11/14, West Virginia Music Educators Association Records and Recordings, 1959/2016"],"parent_unittitles_tesim":["West Virginia Music Educators Association Records, 1925/2017","Addendum of 2016/11/14, West Virginia Music Educators Association Records and Recordings, 1959/2016"],"normalized_date_ssm":["1998/2017"],"unitdate_inclusive_ssm":["1998-2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":63,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia Music Educators Association Records, 1925/2017"],"containers_ssim":["Box 47"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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SEE ALSO Schools.","Music and musicians. SEE ALSO Folk music","No special access restriction applies.","Records of the West Virginia Music Educators Association (WVMEA), including minutes, correspondence, reports, programs, and other records documenting the administration, conferences, and divisions (such as bandmasters, vocal, orchestra, etc.) of the organization.  There are also project files, historical files, and audio-visual material. Prior to 1936 this association was the Music Section of the State Education Association.","Addendum of 2006/10/21 includes WVMEA records from 1985-2005.","Addendum of 2007/10/22 is comprised of records from the various organizations affiliated with the WVMEA and divisions of the WVMEA, like the West Virginia Bandmasters' Association, the West Virginia Vocal Music Association, the West Virginia Solo and Ensemble Festivals, and Notes A Tempo, the WVMEA's publication, ca. 1935-2008.","Addendum of 2012/06/29 includes the records of the West Virginia Music Teachers Association (2003-2008).","Addendum of 2016/11/04 includes various recordings of performance groups from the 2012 and 2016 WVMEA Conferences, Executive Board records (ca. 1959-2007), and other assorted paperwork (1998-2017).","Addendum of 2017/02/24 features motion pictures of performances on DVD (2014-2015).","Addendum of 2017/07/17 includes two boxes of records of the West Virginia All-State Children's Chorus, American String Teachers Association, West Virginia Chapter, and the West Virginia General Music Society; materials include conference records, programs, and audiovisual material (av in box 2); ca. 1968-2017.","This series contains documents pertaining to the West Virginia Music Educators Association including meeting minutes and affiliate reports.","This series includes papers donated by past presidents of the West Virginia Music Educators Association, comprised of correspondence, reports, Executive Board meeting minutes, membership reports, conference paperwork and programs, and other similar types of records.","This series includes the records of the West Virginia Vocal Music Association, a division of the West Virginia Music Educators' Association for directors of vocal music and fine arts programs in West Virginia, from 1963-1992.","This series contains the records of the Orchestra Directors Association from 1963-1990, including some records of the American String Teachers Association.","This series includes correspondence, membership lists, and minutes books of the West Virginia College Music Educators from 1944-1990.","This series (in several folders) includes records, minutes, and correspondence from the West Virginia County Music Directors from 1963-1990 (scattered dating).","This series includes records, correspondence, and performance programs from the West Virginia Solo and Ensemble Festivals from 1963-1990.","This series includes records records and correspondence from the West Virginia Society for General Music, an affiliate of the West Virginia Music Educators Association focusing on general music education, and other records regarding elementary school and general music education in West Virginia.","This series includes records and correspondence from the Piano Division of the West Virginia Music Educators Association from 1963-1992.","This series includes records, correspondence, and membership lists of the Collegiate Division of the West Virginia Music Educators Association, a group for students in music education programs in West Virginia colleges, from 1967-1990.","This series includes records and correspondence regarding multicultural awareness as taught and supported by the West Virginia Music Educators Association from 1982-1992.","This series includes records and papers regarding the support for music composition by the West Virginia Music Educators Association from 1973-1990.","This series includes records, papers, and correspondence from the Music in Our Schools Week committee (now Music in Our Schools Month) of the West Virginia Music Educators Association from 1975-1991.","This series includes correspondence, articles, records, and copies of Notes A Tempo, the publication of the West Virginia Music Educators Association from 1946-1991.","This series includes correspondence and records of the West Virginia Music Educators Association's Historians, predominantly John Puffenbarger,  records regarding the WVMEA's Research Division, records regarding the donation and contents of this collection, and scores for several compositions for band by William Prunty, a composer and WVMEA member from Fairmont, WV.","This addendum includes records, correspondence, newspaper clippings, and performance programs from conferences and festivals from the West Virginia Music Educators Association from 1985-2005.","This addendum includes Executive Board Secretary's minutes (1935-1995), records from various affiliate organizations and divisions within the WVMEA (i.e. the WV Bandmasters' Association, the WV Vocal Association, and Music in Our Schools Month) (1930-2007), and recordings from various All-State and Honors choirs, bands, and orchestras (1983-2003) from the WVMEA In-Service Conferences.","This addendum includes records, meeting minutes, and other papers from the West Virginia Music Teachers Association, a state chapter of the Music Teachers National Association, from 2003-2008. Also included in this addendum is an unboxed commemorative plaque from the Music Teachers National Association recognizing the WVMTA's 40 years of affiliation as of 11/03/2006.","This addendum includes recordings of various All-State and Honors groups from the 2012 and 2016 West Virginia Music Educators Association In-Service Conferences, WVMEA Executive Board records and paperwork (1959-2007), other paperwork and newspaper clippings related to advocacy, Music in Our Schools Month, WVMEA's legislative concerns, and Continuing Music Education (1998-2017). Also included is an oversize folder containing folios with articles on continuing music education and on the pros and cons of block scheduling (1998), a 2015 WVMEA In-Service Conference poster, and two proclamations from the Governor of West Virginia announcing Music in West Virginia Schools Week (2004) and Arts in West Virginia Schools Month (2005).","This addendum includes video recordings on DVD of the All-State and Honors performance groups from the 2014 and 2015 West Virginia Music Educators Association's In-Service Conferences.","This addendum includes programs and recordings of the West Virginia All-State Children's Chorus of the West Virginia Music Educators Association's (WVMEA) In-Service Conferences (1989-2017), programs and records from the 2017 WVMEA In-Service Conference, programs, records, and other material from the West Virginia chapter of the American String Teachers Association (1988-2017), double LP vinyl record recordings of various All-State and Honors performing groups from WVMEA's In-Service Conferences (1968-1981), and a collection of VHS tapes collated by the West Virginia Society for General Music (ca. 1980-1999).","Permission to publish or reproduce is required from the copyright holder. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Education. SEE ALSO Schools.","Music and musicians. SEE ALSO Folk music"],"access_subjects_ssm":["Education. SEE ALSO Schools.","Music and musicians. SEE ALSO Folk music"],"has_online_content_ssim":["false"],"extent_ssm":["28.6 Linear Feet 28 ft. 6 3/4 in. (31 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (10 record cartons, 15 in. each); (1 record carton, 17 in.); (8 small flat storage boxes, 3 in. each); (1 unboxed plaque, 1 1/2 in.); (1 oversize folder, 1/4 in.)"],"extent_tesim":["28.6 Linear Feet 28 ft. 6 3/4 in. 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Also included is an oversize folder containing folios with articles on continuing music education and on the pros and cons of block scheduling (1998), a 2015 WVMEA In-Service Conference poster, and two proclamations from the Governor of West Virginia announcing Music in West Virginia Schools Week (2004) and Arts in West Virginia Schools Month (2005).\u003c/p\u003e","\u003cp\u003eThis addendum includes video recordings on DVD of the All-State and Honors performance groups from the 2014 and 2015 West Virginia Music Educators Association's In-Service Conferences.\u003c/p\u003e","\u003cp\u003eThis addendum includes programs and recordings of the West Virginia All-State Children's Chorus of the West Virginia Music Educators Association's (WVMEA) In-Service Conferences (1989-2017), programs and records from the 2017 WVMEA In-Service Conference, programs, records, and other material from the West Virginia chapter of the American String Teachers Association (1988-2017), double LP vinyl record recordings of various All-State and Honors performing groups from WVMEA's In-Service Conferences (1968-1981), and a collection of VHS tapes collated by the West Virginia Society for General Music (ca. 1980-1999).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the West Virginia Music Educators Association (WVMEA), including minutes, correspondence, reports, programs, and other records documenting the administration, conferences, and divisions (such as bandmasters, vocal, orchestra, etc.) of the organization.  There are also project files, historical files, and audio-visual material. Prior to 1936 this association was the Music Section of the State Education Association.","Addendum of 2006/10/21 includes WVMEA records from 1985-2005.","Addendum of 2007/10/22 is comprised of records from the various organizations affiliated with the WVMEA and divisions of the WVMEA, like the West Virginia Bandmasters' Association, the West Virginia Vocal Music Association, the West Virginia Solo and Ensemble Festivals, and Notes A Tempo, the WVMEA's publication, ca. 1935-2008.","Addendum of 2012/06/29 includes the records of the West Virginia Music Teachers Association (2003-2008).","Addendum of 2016/11/04 includes various recordings of performance groups from the 2012 and 2016 WVMEA Conferences, Executive Board records (ca. 1959-2007), and other assorted paperwork (1998-2017).","Addendum of 2017/02/24 features motion pictures of performances on DVD (2014-2015).","Addendum of 2017/07/17 includes two boxes of records of the West Virginia All-State Children's Chorus, American String Teachers Association, West Virginia Chapter, and the West Virginia General Music Society; materials include conference records, programs, and audiovisual material (av in box 2); ca. 1968-2017.","This series contains documents pertaining to the West Virginia Music Educators Association including meeting minutes and affiliate reports.","This series includes papers donated by past presidents of the West Virginia Music Educators Association, comprised of correspondence, reports, Executive Board meeting minutes, membership reports, conference paperwork and programs, and other similar types of records.","This series includes the records of the West Virginia Vocal Music Association, a division of the West Virginia Music Educators' Association for directors of vocal music and fine arts programs in West Virginia, from 1963-1992.","This series contains the records of the Orchestra Directors Association from 1963-1990, including some records of the American String Teachers Association.","This series includes correspondence, membership lists, and minutes books of the West Virginia College Music Educators from 1944-1990.","This series (in several folders) includes records, minutes, and correspondence from the West Virginia County Music Directors from 1963-1990 (scattered dating).","This series includes records, correspondence, and performance programs from the West Virginia Solo and Ensemble Festivals from 1963-1990.","This series includes records records and correspondence from the West Virginia Society for General Music, an affiliate of the West Virginia Music Educators Association focusing on general music education, and other records regarding elementary school and general music education in West Virginia.","This series includes records and correspondence from the Piano Division of the West Virginia Music Educators Association from 1963-1992.","This series includes records, correspondence, and membership lists of the Collegiate Division of the West Virginia Music Educators Association, a group for students in music education programs in West Virginia colleges, from 1967-1990.","This series includes records and correspondence regarding multicultural awareness as taught and supported by the West Virginia Music Educators Association from 1982-1992.","This series includes records and papers regarding the support for music composition by the West Virginia Music Educators Association from 1973-1990.","This series includes records, papers, and correspondence from the Music in Our Schools Week committee (now Music in Our Schools Month) of the West Virginia Music Educators Association from 1975-1991.","This series includes correspondence, articles, records, and copies of Notes A Tempo, the publication of the West Virginia Music Educators Association from 1946-1991.","This series includes correspondence and records of the West Virginia Music Educators Association's Historians, predominantly John Puffenbarger,  records regarding the WVMEA's Research Division, records regarding the donation and contents of this collection, and scores for several compositions for band by William Prunty, a composer and WVMEA member from Fairmont, WV.","This addendum includes records, correspondence, newspaper clippings, and performance programs from conferences and festivals from the West Virginia Music Educators Association from 1985-2005.","This addendum includes Executive Board Secretary's minutes (1935-1995), records from various affiliate organizations and divisions within the WVMEA (i.e. the WV Bandmasters' Association, the WV Vocal Association, and Music in Our Schools Month) (1930-2007), and recordings from various All-State and Honors choirs, bands, and orchestras (1983-2003) from the WVMEA In-Service Conferences.","This addendum includes records, meeting minutes, and other papers from the West Virginia Music Teachers Association, a state chapter of the Music Teachers National Association, from 2003-2008. Also included in this addendum is an unboxed commemorative plaque from the Music Teachers National Association recognizing the WVMTA's 40 years of affiliation as of 11/03/2006.","This addendum includes recordings of various All-State and Honors groups from the 2012 and 2016 West Virginia Music Educators Association In-Service Conferences, WVMEA Executive Board records and paperwork (1959-2007), other paperwork and newspaper clippings related to advocacy, Music in Our Schools Month, WVMEA's legislative concerns, and Continuing Music Education (1998-2017). Also included is an oversize folder containing folios with articles on continuing music education and on the pros and cons of block scheduling (1998), a 2015 WVMEA In-Service Conference poster, and two proclamations from the Governor of West Virginia announcing Music in West Virginia Schools Week (2004) and Arts in West Virginia Schools Month (2005).","This addendum includes video recordings on DVD of the All-State and Honors performance groups from the 2014 and 2015 West Virginia Music Educators Association's In-Service Conferences.","This addendum includes programs and recordings of the West Virginia All-State Children's Chorus of the West Virginia Music Educators Association's (WVMEA) In-Service Conferences (1989-2017), programs and records from the 2017 WVMEA In-Service Conference, programs, records, and other material from the West Virginia chapter of the American String Teachers Association (1988-2017), double LP vinyl record recordings of various All-State and Honors performing groups from WVMEA's In-Service Conferences (1968-1981), and a collection of VHS tapes collated by the West Virginia Society for General Music (ca. 1980-1999)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_67fd9ec6aee72239795277fee60b08d9\"\u003eRecords of the West Virginia Music Educators Association (WVMEA), including minutes, correspondence, reports, programs, and other records documenting the administration, conferences, and divisions (such as bandmasters, vocal, orchestra, etc.) of the organization.  There are also project files, historical files, and audio-visual material. Prior to 1936 this association was the Music Section of the State Education Association.\u003c/abstract\u003e\n    "],"abstract_tesim":["Records of the West Virginia Music Educators Association (WVMEA), including minutes, correspondence, reports, programs, and other records documenting the administration, conferences, and divisions (such as bandmasters, vocal, orchestra, etc.) of the organization.  There are also project files, historical files, and audio-visual material. Prior to 1936 this association was the Music Section of the State Education Association."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c65dbbde3646bdde1b1cea815bd7008b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia Music Educators Association"],"names_coll_ssim":["West Virginia Music Educators Association","Brown, Cliff."],"persname_ssim":["Brown, Cliff."],"names_ssim":["West Virginia and Regional History Center","West Virginia Music Educators Association","Brown, Cliff."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4940_c21_c03"}},{"id":"vifgm_repositories_2_resources_622_c01_c19","type":"File","attributes":{"title":"A Flag is Born - Forbidden Broadway, 1961/2016","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c19#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_622_c01_c19","ref_ssm":["vifgm_repositories_2_resources_622_c01_c19"],"id":"vifgm_repositories_2_resources_622_c01_c19","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622_c01","parent_ssi":"vifgm_repositories_2_resources_622_c01","parent_ssim":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"parent_ids_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"title_filing_ssi":"A Flag is Born - Forbidden Broadway","title_ssm":["A Flag is Born - Forbidden Broadway"],"title_tesim":["A Flag is Born - Forbidden Broadway"],"normalized_title_ssm":["A Flag is Born - Forbidden Broadway, 1961/2016"],"text":["A Flag is Born - Forbidden Broadway, 1961/2016","Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017","box 4","folder 3","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000."],"parent_unittitles_ssm":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"parent_unittitles_tesim":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"normalized_date_ssm":["1961/2016"],"unitdate_inclusive_ssm":["1961-2016"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":20,"repository_ssim":["George Mason University"],"collection_ssim":["Martin Cohen theater collection, 1816/2017"],"containers_ssim":["box 4","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"scopecontent_html_tesm":["\u003cp\u003eA Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000."],"_nest_path_":"/components#0/components#18","timestamp":"2026-06-23T06:55:22.308Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"normalized_date_ssm":["1816/2017"],"normalized_title_ssm":["Martin Cohen theater collection, 1816/2017"],"text":["Martin Cohen theater collection, 1816/2017","C0335","/repositories/2/resources/622","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series\n      Series 1: Playbills, 1936-2017 (Boxes 1-12)\n      Series 2: Sheet Music, 1912-1969 (Boxes 12-13)\n      Series 3: Personal Papers, 1915-1996 (Boxes 13-14)\n      Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\n      Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022.","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the , the , the , and the .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"collection_title_tesim":["Martin Cohen theater collection, 1816/2017"],"collection_ssim":["Martin Cohen theater collection, 1816/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Cohen, Martin B.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series\n      Series 1: Playbills, 1936-2017 (Boxes 1-12)\n      Series 2: Sheet Music, 1912-1969 (Boxes 12-13)\n      Series 3: Personal Papers, 1915-1996 (Boxes 13-14)\n      Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\n      Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022.","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the , the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e  ","\u003cp\u003eThe Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.\u003c/p\u003e","\u003cp\u003eAngels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.\u003c/p\u003e","\u003cp\u003eAnything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.\u003c/p\u003e","\u003cp\u003eAugust Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.\u003c/p\u003e","\u003cp\u003eBarrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.\u003c/p\u003e","\u003cp\u003eBelafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.\u003c/p\u003e","\u003cp\u003eThe Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026amp; Bess, 1981.\u003c/p\u003e","\u003cp\u003eBreaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026amp; Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.\u003c/p\u003e","\u003cp\u003eCabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026amp; Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026amp; Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.\u003c/p\u003e","\u003cp\u003eThe Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.\u003c/p\u003e","\u003cp\u003eCats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.\u003c/p\u003e","\u003cp\u003eCleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.\u003c/p\u003e","\u003cp\u003eThe Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.\u003c/p\u003e","\u003cp\u003eThe Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026amp; Sylvia: A Musical Love Story, September-October 2001; Danny \u0026amp; Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.\u003c/p\u003e","\u003cp\u003eDo Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.\u003c/p\u003e","\u003cp\u003eEastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.\u003c/p\u003e","\u003cp\u003eThe City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026amp; Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.\u003c/p\u003e","\u003cp\u003eA Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.\u003c/p\u003e","\u003cp\u003eForbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.\u003c/p\u003e","\u003cp\u003eGalileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026amp; Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.\u003c/p\u003e","\u003cp\u003eGrand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.\u003c/p\u003e","\u003cp\u003eHadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.\u003c/p\u003e","\u003cp\u003eThe Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.\u003c/p\u003e","\u003cp\u003eThe History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.\u003c/p\u003e","\u003cp\u003eThe Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.\u003c/p\u003e","\u003cp\u003eAn Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.\u003c/p\u003e","\u003cp\u003eJacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.\u003c/p\u003e","\u003cp\u003eKafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.\u003c/p\u003e","\u003cp\u003eLa Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.\u003c/p\u003e","\u003cp\u003eLes Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.\u003c/p\u003e","\u003cp\u003eA Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.\u003c/p\u003e","\u003cp\u003eMacbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026amp; Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026amp; Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.\u003c/p\u003e","\u003cp\u003eMetropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026amp; Honey, 1968; Milk \u0026amp; Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026amp; Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.\u003c/p\u003e","\u003cp\u003eMostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.\u003c/p\u003e","\u003cp\u003eMy Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.\u003c/p\u003e","\u003cp\u003eThe Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.\u003c/p\u003e","\u003cp\u003eNixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.\u003c/p\u003e","\u003cp\u003eOh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.\u003c/p\u003e","\u003cp\u003eOne Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026amp; Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.\u003c/p\u003e","\u003cp\u003eA Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.\u003c/p\u003e","\u003cp\u003eThe Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.\u003c/p\u003e","\u003cp\u003eThe Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.\u003c/p\u003e","\u003cp\u003eRadio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.\u003c/p\u003e","\u003cp\u003eThe Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026amp; Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.\u003c/p\u003e","\u003cp\u003eThe Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.\u003c/p\u003e","\u003cp\u003eSabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.\u003c/p\u003e","\u003cp\u003eSeparate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.\u003c/p\u003e","\u003cp\u003eShirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.\u003c/p\u003e","\u003cp\u003eSly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.\u003c/p\u003e","\u003cp\u003eSteel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.\u003c/p\u003e","\u003cp\u003eSwansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.\u003c/p\u003e","\u003cp\u003eThe Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.\u003c/p\u003e","\u003cp\u003eTime Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.\u003c/p\u003e","\u003cp\u003eUncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.\u003c/p\u003e","\u003cp\u003eWaiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.\u003c/p\u003e","\u003cp\u003eWhen She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.\u003c/p\u003e","\u003cp\u003eThe Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026amp; Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.\u003c/p\u003e","\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e","\u003cp\u003eClyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.\u003c/p\u003e","\u003cp\u003eAlmost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.\u003c/p\u003e","\u003cp\u003eLarry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eCzech poster for \u003citalic\u003eCharlie Chan in London.\u003c/italic\u003e\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of brown face.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eFrench poster available in this collection.\u003c/p\u003e","\u003cp\u003eContent warning: Racist imagery.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003e\"Magia Negra\" Translates to \"Black Magic\" in English.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eEnglish language poster available in the collection.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBrownie Target Six-20 and Brownie Target Six-16.\u003c/p\u003e","\u003cp\u003eCan be used with the glass lantern slides in Box 18.\u003c/p\u003e","\u003cp\u003eSlides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Cohen, Martin B."],"names_coll_ssim":["Cohen, Martin B."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:22.308Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c19"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":10},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":615},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":198},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":19},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":200},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":74},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":163},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Radford University","value":"Radford University","hits":12},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Radford+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":87},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024, 2024","value":"1x1 Japan Exhibition Materials, 1965-2024, 2024","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024%2C+2024\u0026f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300), 1969/1995","value":"ALIVE (ALexandrians InVolved Ecumenically) Records (MS300), 1969/1995","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=ALIVE+%28ALexandrians+InVolved+Ecumenically%29+Records+%28MS300%29%2C+1969%2F1995\u0026f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Academic Affairs: Academic Program Reviews, 1976/2018, bulk 1992/2018","value":"Academic Affairs: Academic Program Reviews, 1976/2018, bulk 1992/2018","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Affairs%3A+Academic+Program+Reviews%2C+1976%2F2018%2C+bulk+1992%2F2018\u0026f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Academic Departments  - Record Group 9","value":"Academic Departments  - Record Group 9","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Academic+Departments++-+Record+Group+9\u0026f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Across the Way Productions, Inc., \n2002-2016","value":"Across the Way Productions, Inc., \n2002-2016","hits":12},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Across+the+Way+Productions%2C+Inc.%2C+%0A2002-2016\u0026f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Alexander G. Gilliam collection of University of Virginia history papers, 1921/2019","value":"Alexander G. 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