{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026page=408","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026page=407","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026page=409","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026page=417"},"meta":{"pages":{"current_page":408,"next_page":409,"prev_page":407,"total_pages":417,"limit_value":10,"offset_value":4070,"total_count":4165,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_7045_c01_c10","type":"File","attributes":{"title":"West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7045_c01_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_7045_c01_c10","ref_ssm":["wvmturhc_repositories_2_resources_7045_c01_c10"],"id":"wvmturhc_repositories_2_resources_7045_c01_c10","ead_ssi":"wvmturhc_repositories_2_resources_7045","_root_":"wvmturhc_repositories_2_resources_7045","_nest_parent_":"wvmturhc_repositories_2_resources_7045_c01","parent_ssi":"wvmturhc_repositories_2_resources_7045_c01","parent_ssim":["wvmturhc_repositories_2_resources_7045","wvmturhc_repositories_2_resources_7045_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_7045","wvmturhc_repositories_2_resources_7045_c01"],"parent_unittitles_ssm":["Sally Jane Brown, Artist, Collection","Series 1. 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Exhibitions and Programs","West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet","Box 1","Folder 15"],"title_filing_ssi":"West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet","title_ssm":["West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet"],"title_tesim":["West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet"],"unitdate_inclusive_ssm":["2013-2015"],"normalized_date_ssm":["2013/2015"],"normalized_title_ssm":["West Virginia University (WVU) - Art Museum of WVU - Groundbreaking and Dedication - Leaflet and Pamphlet"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Sally Jane Brown, Artist, Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":11,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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Her artwork—including drawing, painting, and performance—explores womanhood, motherhood, and the body.","Sally has exhibited her work in spaces nationally and in the United Kingdom. She has won two awards for illustration for  Intimates and Fools  and  Leaves of Absence , both with poetry by Laura Madeline Wiseman. Her writing has been published in  Hyperallergic ,  Women's Art Journal , and  Artslant , among others. She has curated group shows in Omaha, Nashville, Pittsburgh, and Morgantown.","Sally holds a Bachelor of Arts-Studio Art, a Master of Public Administration, and Master of Arts-Art History and Feminist Theory. She is a member of the College Art Association National Committee on Women in the Arts, edited the online journal  Les Femmes Folles , and currently serves as Curator for West Virginia University Libraries, art editor for  Thimble Literary Magazine , and contributing writer to Borshch of Art  Discover Database . Born in Oregon, she spent most of her upbringing in Omaha, Nebraska, and currently lives in Morgantown with her two children and her cat, Chalupa.","\nBiographical / Historical Note From: ","Brown, S. (n.d.).  About . Sally Jane Brown. https://sallyjanebrown.com/about. ","Sally Jane Brown formerly went by \"Sally Brown Deskins\". This biographical note is accurate as of 2025 January. ","This collection contains materials collected or created by Sally Jane Brown in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia. Brown formerly went by \"Sally Brown Deskins\", which is apparent in several of her art pieces and exhibitions. The collection is divided into two series:","Series 1. Exhibitions: This series contains materials collected or created by Sally Jane Brown that are related to art exhibitions and showcases in West Virginia, especially those focused on women, between 1959 and 2020. It primarily consists of exhibition leaflets and pamphlets, but also contains posters, a notebook, newspaper clippings, correspondence, and exhibition publications. Some exhibitions feature Sally Jane Brown as an artist, while others do not. Box 3 contains an addendum of 2024/12/01","Series 2. Art Publications: This series contains general art publications collected and created by Sally Jane Brown between 2001 and 2022. It includes publications from  First American Art , the Huntington Museum of Art's  Members Magazine ,  Mom Egg Review , and  Woman's Art Journal . Also included are materials from Brown's work with Les Femmes Folles, a woman-focused art publication, and one zine created by Brown. Box 3 contains an addendum of 2024/12/01.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","This collection contains materials collected or created by Sally Jane Brown, a feminist artist, in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Brown, Sally Jane","English \n.    "],"unitid_tesim":["A\u0026M 5285","Archival Resource Key","/repositories/2/resources/7045"],"normalized_title_ssm":["Sally Jane Brown, Artist, Collection"],"collection_title_tesim":["Sally Jane Brown, Artist, Collection"],"collection_ssim":["Sally Jane Brown, Artist, Collection"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Brown, Sally Jane","Brown, Sally Jane"],"creator_ssim":["Brown, Sally Jane","Brown, Sally Jane"],"creator_persname_ssim":["Brown, Sally Jane","Brown, Sally Jane"],"creators_ssim":["Brown, Sally Jane","Brown, Sally Jane"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Brown, Sally Jane, 2022 October 10","Gift of Brown, Sally Jane, 2023 December 01"],"access_subjects_ssim":["West Virginia Feminist Activist Collection","Women and the arts","Art, American -- 20th century -- Exhibitions","Art, American -- 21st century -- Exhibitions"],"access_subjects_ssm":["West Virginia Feminist Activist Collection","Women and the arts","Art, American -- 20th century -- Exhibitions","Art, American -- 21st century -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["1.13 Linear Feet 1 ft. 1.5 in. (1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1 in.; rolled storage box, 5 in.)"],"extent_tesim":["1.13 Linear Feet 1 ft. 1.5 in. (1 document case, 5 in.; 1 document case, 2.5 in.; 1 flat storage box, 1 in.; rolled storage box, 5 in.)"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eSally Brown (formerly Deskins) is an artist, curator and writer currently based in Morgantown, West Virginia. Her artwork—including drawing, painting, and performance—explores womanhood, motherhood, and the body.\u003c/p\u003e\n","\u003cp\u003eSally has exhibited her work in spaces nationally and in the United Kingdom. She has won two awards for illustration for \u003ctitle\u003eIntimates and Fools\u003c/title\u003e and \u003ctitle\u003eLeaves of Absence\u003c/title\u003e, both with poetry by Laura Madeline Wiseman. Her writing has been published in \u003ctitle\u003eHyperallergic\u003c/title\u003e, \u003ctitle\u003eWomen's Art Journal\u003c/title\u003e, and \u003ctitle\u003eArtslant\u003c/title\u003e, among others. She has curated group shows in Omaha, Nashville, Pittsburgh, and Morgantown.\u003c/p\u003e\n","\u003cp\u003eSally holds a Bachelor of Arts-Studio Art, a Master of Public Administration, and Master of Arts-Art History and Feminist Theory. She is a member of the College Art Association National Committee on Women in the Arts, edited the online journal \u003ctitle\u003eLes Femmes Folles\u003c/title\u003e, and currently serves as Curator for West Virginia University Libraries, art editor for \u003ctitle\u003eThimble Literary Magazine\u003c/title\u003e, and contributing writer to Borshch of Art \u003ctitle\u003eDiscover Database\u003c/title\u003e. Born in Oregon, she spent most of her upbringing in Omaha, Nebraska, and currently lives in Morgantown with her two children and her cat, Chalupa.\u003c/p\u003e\n","\u003cp\u003e\nBiographical / Historical Note From: \u003c/p\u003e\n","\u003cp\u003eBrown, S. (n.d.). \u003ctitle\u003eAbout\u003c/title\u003e. Sally Jane Brown. https://sallyjanebrown.com/about. \u003c/p\u003e\n","\u003cp\u003eSally Jane Brown formerly went by \"Sally Brown Deskins\". This biographical note is accurate as of 2025 January. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally Brown (formerly Deskins) is an artist, curator and writer currently based in Morgantown, West Virginia. Her artwork—including drawing, painting, and performance—explores womanhood, motherhood, and the body.","Sally has exhibited her work in spaces nationally and in the United Kingdom. She has won two awards for illustration for  Intimates and Fools  and  Leaves of Absence , both with poetry by Laura Madeline Wiseman. Her writing has been published in  Hyperallergic ,  Women's Art Journal , and  Artslant , among others. She has curated group shows in Omaha, Nashville, Pittsburgh, and Morgantown.","Sally holds a Bachelor of Arts-Studio Art, a Master of Public Administration, and Master of Arts-Art History and Feminist Theory. She is a member of the College Art Association National Committee on Women in the Arts, edited the online journal  Les Femmes Folles , and currently serves as Curator for West Virginia University Libraries, art editor for  Thimble Literary Magazine , and contributing writer to Borshch of Art  Discover Database . Born in Oregon, she spent most of her upbringing in Omaha, Nebraska, and currently lives in Morgantown with her two children and her cat, Chalupa.","\nBiographical / Historical Note From: ","Brown, S. (n.d.).  About . Sally Jane Brown. https://sallyjanebrown.com/about. ","Sally Jane Brown formerly went by \"Sally Brown Deskins\". This biographical note is accurate as of 2025 January. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sally Jane Brown, Artist, Collection, A\u0026amp;M 5285, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sally Jane Brown, Artist, Collection, A\u0026M 5285, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials collected or created by Sally Jane Brown in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia. Brown formerly went by \"Sally Brown Deskins\", which is apparent in several of her art pieces and exhibitions. The collection is divided into two series:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Exhibitions: This series contains materials collected or created by Sally Jane Brown that are related to art exhibitions and showcases in West Virginia, especially those focused on women, between 1959 and 2020. It primarily consists of exhibition leaflets and pamphlets, but also contains posters, a notebook, newspaper clippings, correspondence, and exhibition publications. Some exhibitions feature Sally Jane Brown as an artist, while others do not. Box 3 contains an addendum of 2024/12/01\u003c/p\u003e\n","\u003cp\u003eSeries 2. Art Publications: This series contains general art publications collected and created by Sally Jane Brown between 2001 and 2022. It includes publications from \u003ctitle\u003eFirst American Art\u003c/title\u003e, the Huntington Museum of Art's \u003ctitle\u003eMembers Magazine\u003c/title\u003e, \u003ctitle\u003eMom Egg Review\u003c/title\u003e, and \u003ctitle\u003eWoman's Art Journal\u003c/title\u003e. Also included are materials from Brown's work with Les Femmes Folles, a woman-focused art publication, and one zine created by Brown. Box 3 contains an addendum of 2024/12/01.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials collected or created by Sally Jane Brown in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia. Brown formerly went by \"Sally Brown Deskins\", which is apparent in several of her art pieces and exhibitions. The collection is divided into two series:","Series 1. Exhibitions: This series contains materials collected or created by Sally Jane Brown that are related to art exhibitions and showcases in West Virginia, especially those focused on women, between 1959 and 2020. It primarily consists of exhibition leaflets and pamphlets, but also contains posters, a notebook, newspaper clippings, correspondence, and exhibition publications. Some exhibitions feature Sally Jane Brown as an artist, while others do not. Box 3 contains an addendum of 2024/12/01","Series 2. Art Publications: This series contains general art publications collected and created by Sally Jane Brown between 2001 and 2022. It includes publications from  First American Art , the Huntington Museum of Art's  Members Magazine ,  Mom Egg Review , and  Woman's Art Journal . Also included are materials from Brown's work with Les Femmes Folles, a woman-focused art publication, and one zine created by Brown. Box 3 contains an addendum of 2024/12/01."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a974cb50ec0f917f6f9da369613026db\"\u003eThis collection contains materials collected or created by Sally Jane Brown, a feminist artist, in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials collected or created by Sally Jane Brown, a feminist artist, in relation to art exhibitions and showcases, particularly women-focused ones in West Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_592b504a71b16a8bf5b60ef5f963ea57\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Brown, Sally Jane"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Brown, Sally Jane"],"persname_ssim":["Brown, Sally Jane"],"language_ssim":["English \n.    "],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:13:40.819Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7045_c01_c10"}},{"id":"wvmturhc_repositories_2_resources_6768_c02_c02","type":"File","attributes":{"title":"West Virginia Women Work (WVWW)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6768_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6768_c02_c02","ref_ssm":["wvmturhc_repositories_2_resources_6768_c02_c02"],"id":"wvmturhc_repositories_2_resources_6768_c02_c02","ead_ssi":"wvmturhc_repositories_2_resources_6768","_root_":"wvmturhc_repositories_2_resources_6768","_nest_parent_":"wvmturhc_repositories_2_resources_6768_c02","parent_ssi":"wvmturhc_repositories_2_resources_6768_c02","parent_ssim":["wvmturhc_repositories_2_resources_6768","wvmturhc_repositories_2_resources_6768_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6768","wvmturhc_repositories_2_resources_6768_c02"],"parent_unittitles_ssm":["Christine Weiss Daugherty Papers","Series 2. Women's Employment"],"parent_unittitles_tesim":["Christine Weiss Daugherty Papers","Series 2. Women's Employment"],"text":["Christine Weiss Daugherty Papers","Series 2. Women's Employment","West Virginia Women Work (WVWW)","Box 1","Folder 6"],"title_filing_ssi":"West Virginia Women Work (WVWW)","title_ssm":["West Virginia Women Work (WVWW)"],"title_tesim":["West Virginia Women Work (WVWW)"],"unitdate_inclusive_ssm":["2007-2013 and undated"],"normalized_date_ssm":["2007/2013"],"normalized_title_ssm":["West Virginia Women Work (WVWW)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Christine Weiss Daugherty Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["Material in box 4, folder 26 is restricted for 50 years after the latest date of creation due to the presence of student works. It may be accessed in 2071. ","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013],"containers_ssim":["Box 1","Folder 6"],"_nest_path_":"/components#1/components#1","timestamp":"2026-04-30T23:05:55.068Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6768","ead_ssi":"wvmturhc_repositories_2_resources_6768","_root_":"wvmturhc_repositories_2_resources_6768","_nest_parent_":"wvmturhc_repositories_2_resources_6768","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6768.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206139","title_ssm":["Christine Weiss Daugherty Papers"],"title_tesim":["Christine Weiss Daugherty Papers"],"unitdate_ssm":["1930-2021 and undated","1972-2020"],"unitdate_bulk_ssim":["1972-2020"],"unitdate_inclusive_ssm":["1930-2021 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4509","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6768"],"text":["A\u0026M 4509","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6768","Christine Weiss Daugherty Papers","Nonprofit organizations","Rural development","Women -- Employment","Women in community organization","Women in rural development","West Virginia Feminist Activist Collection","Material in box 4, folder 26 is restricted for 50 years after the latest date of creation due to the presence of student works. It may be accessed in 2071. ","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Christine Weiss Daugherty is an advocate in issues related to women's economic equality, rural economic development, and non-profit management. The content of this collection reflects Daugherty's varied professional and avocational background. Early in her career, she ran Garretts Bend Pottery Studio (1972-1979), which was located on Great Oak Farm in Lincoln County, West Virginia. Great Oak Farm was a non-profit camp for low income Appalacian youth founded by Daugherty and her then husband, Dr. Robert (Bob) Weiss, which Daugtery was active with until the 1990s. From 1979-1988, she was the executive director of Women and Employment (later, Center for Economic Options) which advocated for career advancement for women in West Virginia. In 1988, she became the senior project associate with the Ms. Foundation for Women. ","Beginning in 1988, she started Rural Strategies, a consulting firm specializing in rural economic development and women and community economic development. From 1990-1993, she had a fellowship with the Kellogg International Leadership Program that facilitated her travel to international destinations. ","She served as interim co-director of the West Virginia University Center for Women's Studies for the academic year 1992-1993 and earned her Regents B.A. from West Virginia State College in 1994. In 1996, she was named senior program advisor to the Volunteers in Overseas Cooperative Assistance (VOCA/VOKA) Rural Development Project in Slovakia which lasted 3 years. In addition, she has participated in numerous other projects and volunteer organizations. She has received multiple awards for her activist work, including the Katherine Coleman Goble Johnson Women Making History Award.","A\u0026M 4357, Great Oak Farm Records","This collection includes materials pertaining to Christine Weiss Daugherty and her work with women's economic development, rural economic development, non-profit management, and international development. ","Materials include correspondence, photographs, newspaper clippings, resumes, a diploma, magazines, books, pamphlets, notes, contact lists, journals, scrapbooks, research materials, interviews, family history materials, economic reports, newsletters, and CDs. The collection is divided into five series. There is some overlap between the series, especially concerning Daugherty's work with the Kellogg Foundation and international economic development.","Series 1. Christine Weiss Daugherty Life and Achievements: This series contains materials produced and collected by Christine Weiss Daugherty pertaining to her family history, personal life, and professional achievements from 1954-2021. Prominent topics include a family biography, personal photographs and correspondence, interview with Daugherty, and news articles featuring Daugherty. The types of materials included are CDs, resumes, family biography, photographs, a diploma, awards, correspondence, notes, interview, papers, and newspaper clippings. Materials can be found in boxes 1, 2, 3, 4, and 5.","Series 2. Women and Employment: This series contains materials produced and collected by Christine Weiss Daugherty related to work she did for women's economic rights in West Virginia and abroad from 1974-2013. Prominent topics include women working in coal mines and women's job creation. The types of materials included are notes, flyers, newspaper clippings, books, photographs, and scrapbooks. Materials can be found in boxes 1, 2, 3, and 5.","Series 3. International Development: This series contains materials produced and collected by Christine Weiss Daugherty related to her work as an advocate for economic development abroad. Prominent topics include notes from her work in Slovakia, Ghana, India, Kenya, and Tunisia from 1985-2008. The types of materials included are notes, newspaper clippings, journals, pamphlets, books, and photographs. Materials can be found in boxes 1, 2, 4, and 5.","Series 4. Kellogg Foundation: This series contains materials produced and collected by Christine Weiss Daugherty related to her work with the Kellogg Foundation from 1990-1993. The materials span from 1983-2020. Prominent topics include international development, community organizing, and work in consulting. The types of materials included are notes, correspondence, research materials, pamphlets, contact lists, economic reports, and newspaper clippings. Materials can be found in boxes 1, 4, and 5.","Series 5. Appalachia Activism: This series contains materials produced and collected by Christine Weiss Daugherty related to activist work she did in West Virginia and Appalachia from 1981-2018. The types of materials included are journals, newspaper clippings, notes, reports, books, and correspondence. Materials can be found in boxes 2, 3, and 4.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","WVU. Libraries. West Virginia and Regional History Collection","Daugherty, Christine Weiss, 1938-","Moore, Elisabeth","English \n.    "],"unitid_tesim":["A\u0026M 4509","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6768"],"normalized_title_ssm":["Christine Weiss Daugherty Papers"],"collection_title_tesim":["Christine Weiss Daugherty Papers"],"collection_ssim":["Christine Weiss Daugherty Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Daugherty, Christine Weiss, 1938-","Moore, Elisabeth","WVU. Libraries. West Virginia and Regional History Collection"],"creator_ssim":["Daugherty, Christine Weiss, 1938-","Moore, Elisabeth","WVU. Libraries. West Virginia and Regional History Collection"],"creator_persname_ssim":["Daugherty, Christine Weiss, 1938-","Moore, Elisabeth"],"creator_corpname_ssim":["WVU. Libraries. West Virginia and Regional History Collection"],"creators_ssim":["Daugherty, Christine Weiss, 1938-","Moore, Elisabeth","WVU. Libraries. West Virginia and Regional History Collection"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Weiss, Christine Daugherty, 2019 August 22, 2020 August 28, 2022 August.","Acquired by WVU, Libraries, West Virginia and Regional History Center, 2022 March 15."],"access_subjects_ssim":["Nonprofit organizations","Rural development","Women -- Employment","Women in community organization","Women in rural development","West Virginia Feminist Activist Collection"],"access_subjects_ssm":["Nonprofit organizations","Rural development","Women -- Employment","Women in community organization","Women in rural development","West Virginia Feminist Activist Collection"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 2 record cartons, 15 in. each; 2 document cases, 5 in. each; 2 flat storage boxes, 1 in. each","0.847 Gigabytes 1. wav file"],"extent_tesim":["3.5 Linear Feet 2 record cartons, 15 in. each; 2 document cases, 5 in. each; 2 flat storage boxes, 1 in. each","0.847 Gigabytes 1. wav file"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eMaterial in box 4, folder 26 is restricted for 50 years after the latest date of creation due to the presence of student works. It may be accessed in 2071. \u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Material in box 4, folder 26 is restricted for 50 years after the latest date of creation due to the presence of student works. It may be accessed in 2071. ","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eChristine Weiss Daugherty is an advocate in issues related to women's economic equality, rural economic development, and non-profit management. The content of this collection reflects Daugherty's varied professional and avocational background. Early in her career, she ran Garretts Bend Pottery Studio (1972-1979), which was located on Great Oak Farm in Lincoln County, West Virginia. Great Oak Farm was a non-profit camp for low income Appalacian youth founded by Daugherty and her then husband, Dr. Robert (Bob) Weiss, which Daugtery was active with until the 1990s. From 1979-1988, she was the executive director of Women and Employment (later, Center for Economic Options) which advocated for career advancement for women in West Virginia. In 1988, she became the senior project associate with the Ms. Foundation for Women. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1988, she started Rural Strategies, a consulting firm specializing in rural economic development and women and community economic development. From 1990-1993, she had a fellowship with the Kellogg International Leadership Program that facilitated her travel to international destinations. \u003c/p\u003e\n","\u003cp\u003eShe served as interim co-director of the West Virginia University Center for Women's Studies for the academic year 1992-1993 and earned her Regents B.A. from West Virginia State College in 1994. In 1996, she was named senior program advisor to the Volunteers in Overseas Cooperative Assistance (VOCA/VOKA) Rural Development Project in Slovakia which lasted 3 years. In addition, she has participated in numerous other projects and volunteer organizations. She has received multiple awards for her activist work, including the Katherine Coleman Goble Johnson Women Making History Award.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Christine Weiss Daugherty is an advocate in issues related to women's economic equality, rural economic development, and non-profit management. The content of this collection reflects Daugherty's varied professional and avocational background. Early in her career, she ran Garretts Bend Pottery Studio (1972-1979), which was located on Great Oak Farm in Lincoln County, West Virginia. Great Oak Farm was a non-profit camp for low income Appalacian youth founded by Daugherty and her then husband, Dr. Robert (Bob) Weiss, which Daugtery was active with until the 1990s. From 1979-1988, she was the executive director of Women and Employment (later, Center for Economic Options) which advocated for career advancement for women in West Virginia. In 1988, she became the senior project associate with the Ms. Foundation for Women. ","Beginning in 1988, she started Rural Strategies, a consulting firm specializing in rural economic development and women and community economic development. From 1990-1993, she had a fellowship with the Kellogg International Leadership Program that facilitated her travel to international destinations. ","She served as interim co-director of the West Virginia University Center for Women's Studies for the academic year 1992-1993 and earned her Regents B.A. from West Virginia State College in 1994. In 1996, she was named senior program advisor to the Volunteers in Overseas Cooperative Assistance (VOCA/VOKA) Rural Development Project in Slovakia which lasted 3 years. In addition, she has participated in numerous other projects and volunteer organizations. She has received multiple awards for her activist work, including the Katherine Coleman Goble Johnson Women Making History Award."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Christine Weiss Daugherty Papers, A\u0026amp;M 4509, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Christine Weiss Daugherty Papers, A\u0026M 4509, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA\u0026amp;M 4357, Great Oak Farm Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A\u0026M 4357, Great Oak Farm Records"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes materials pertaining to Christine Weiss Daugherty and her work with women's economic development, rural economic development, non-profit management, and international development. \u003c/p\u003e\n","\u003cp\u003eMaterials include correspondence, photographs, newspaper clippings, resumes, a diploma, magazines, books, pamphlets, notes, contact lists, journals, scrapbooks, research materials, interviews, family history materials, economic reports, newsletters, and CDs. The collection is divided into five series. There is some overlap between the series, especially concerning Daugherty's work with the Kellogg Foundation and international economic development.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Christine Weiss Daugherty Life and Achievements: This series contains materials produced and collected by Christine Weiss Daugherty pertaining to her family history, personal life, and professional achievements from 1954-2021. Prominent topics include a family biography, personal photographs and correspondence, interview with Daugherty, and news articles featuring Daugherty. The types of materials included are CDs, resumes, family biography, photographs, a diploma, awards, correspondence, notes, interview, papers, and newspaper clippings. Materials can be found in boxes 1, 2, 3, 4, and 5.\u003c/p\u003e\n","\u003cp\u003eSeries 2. Women and Employment: This series contains materials produced and collected by Christine Weiss Daugherty related to work she did for women's economic rights in West Virginia and abroad from 1974-2013. Prominent topics include women working in coal mines and women's job creation. The types of materials included are notes, flyers, newspaper clippings, books, photographs, and scrapbooks. Materials can be found in boxes 1, 2, 3, and 5.\u003c/p\u003e\n","\u003cp\u003eSeries 3. International Development: This series contains materials produced and collected by Christine Weiss Daugherty related to her work as an advocate for economic development abroad. Prominent topics include notes from her work in Slovakia, Ghana, India, Kenya, and Tunisia from 1985-2008. The types of materials included are notes, newspaper clippings, journals, pamphlets, books, and photographs. Materials can be found in boxes 1, 2, 4, and 5.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Kellogg Foundation: This series contains materials produced and collected by Christine Weiss Daugherty related to her work with the Kellogg Foundation from 1990-1993. The materials span from 1983-2020. Prominent topics include international development, community organizing, and work in consulting. The types of materials included are notes, correspondence, research materials, pamphlets, contact lists, economic reports, and newspaper clippings. Materials can be found in boxes 1, 4, and 5.\u003c/p\u003e\n","\u003cp\u003eSeries 5. Appalachia Activism: This series contains materials produced and collected by Christine Weiss Daugherty related to activist work she did in West Virginia and Appalachia from 1981-2018. The types of materials included are journals, newspaper clippings, notes, reports, books, and correspondence. Materials can be found in boxes 2, 3, and 4.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes materials pertaining to Christine Weiss Daugherty and her work with women's economic development, rural economic development, non-profit management, and international development. ","Materials include correspondence, photographs, newspaper clippings, resumes, a diploma, magazines, books, pamphlets, notes, contact lists, journals, scrapbooks, research materials, interviews, family history materials, economic reports, newsletters, and CDs. The collection is divided into five series. There is some overlap between the series, especially concerning Daugherty's work with the Kellogg Foundation and international economic development.","Series 1. Christine Weiss Daugherty Life and Achievements: This series contains materials produced and collected by Christine Weiss Daugherty pertaining to her family history, personal life, and professional achievements from 1954-2021. Prominent topics include a family biography, personal photographs and correspondence, interview with Daugherty, and news articles featuring Daugherty. The types of materials included are CDs, resumes, family biography, photographs, a diploma, awards, correspondence, notes, interview, papers, and newspaper clippings. Materials can be found in boxes 1, 2, 3, 4, and 5.","Series 2. Women and Employment: This series contains materials produced and collected by Christine Weiss Daugherty related to work she did for women's economic rights in West Virginia and abroad from 1974-2013. Prominent topics include women working in coal mines and women's job creation. The types of materials included are notes, flyers, newspaper clippings, books, photographs, and scrapbooks. Materials can be found in boxes 1, 2, 3, and 5.","Series 3. International Development: This series contains materials produced and collected by Christine Weiss Daugherty related to her work as an advocate for economic development abroad. Prominent topics include notes from her work in Slovakia, Ghana, India, Kenya, and Tunisia from 1985-2008. The types of materials included are notes, newspaper clippings, journals, pamphlets, books, and photographs. Materials can be found in boxes 1, 2, 4, and 5.","Series 4. Kellogg Foundation: This series contains materials produced and collected by Christine Weiss Daugherty related to her work with the Kellogg Foundation from 1990-1993. The materials span from 1983-2020. Prominent topics include international development, community organizing, and work in consulting. The types of materials included are notes, correspondence, research materials, pamphlets, contact lists, economic reports, and newspaper clippings. Materials can be found in boxes 1, 4, and 5.","Series 5. Appalachia Activism: This series contains materials produced and collected by Christine Weiss Daugherty related to activist work she did in West Virginia and Appalachia from 1981-2018. The types of materials included are journals, newspaper clippings, notes, reports, books, and correspondence. Materials can be found in boxes 2, 3, and 4."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8675e55a0842fb2823703fba8fdc485d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["WVU. Libraries. West Virginia and Regional History Collection","Daugherty, Christine Weiss, 1938-","Daugherty, Christine Weiss, 1938-"],"names_ssim":["West Virginia and Regional History Center","WVU. Libraries. 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Sorors completed notecards using the prompt \"What Does Delta Sigma Theta Mean to You?\" and affixed to the banner.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_741_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_741_c10","ref_ssm":["vihart_repositories_4_resources_741_c10"],"id":"vihart_repositories_4_resources_741_c10","ead_ssi":"vihart_repositories_4_resources_741","_root_":"vihart_repositories_4_resources_741","_nest_parent_":"vihart_repositories_4_resources_741","parent_ssi":"vihart_repositories_4_resources_741","parent_ssim":["vihart_repositories_4_resources_741"],"parent_ids_ssim":["vihart_repositories_4_resources_741"],"parent_unittitles_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"parent_unittitles_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"text":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection","\"What Does Delta Sigma Theta Mean to You\" notecards","box 1","folder 10","Six notecards originally attached to a paper banner for Delta Sigma Theta's (100th?) Founder's Day. Sorors completed notecards using the prompt \"What Does Delta Sigma Theta Mean to You?\" and affixed to the banner."],"title_filing_ssi":"\"What Does Delta Sigma Theta Mean to You\" notecards","title_ssm":["\"What Does Delta Sigma Theta Mean to You\" notecards"],"title_tesim":["\"What Does Delta Sigma Theta Mean to You\" notecards"],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["\"What Does Delta Sigma Theta Mean to You\" notecards"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2013],"containers_ssim":["box 1","folder 10"],"scopecontent_html_tesm":["\u003cp\u003eSix notecards originally attached to a paper banner for Delta Sigma Theta's (100th?) Founder's Day. Sorors completed notecards using the prompt \"What Does Delta Sigma Theta Mean to You?\" and affixed to the banner.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Six notecards originally attached to a paper banner for Delta Sigma Theta's (100th?) Founder's Day. Sorors completed notecards using the prompt \"What Does Delta Sigma Theta Mean to You?\" and affixed to the banner."],"_nest_path_":"/components#9","timestamp":"2026-04-30T23:00:30.805Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_741","ead_ssi":"vihart_repositories_4_resources_741","_root_":"vihart_repositories_4_resources_741","_nest_parent_":"vihart_repositories_4_resources_741","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_741.xml","title_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"title_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"unitdate_ssm":["1973-2018"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0062","/repositories/4/resources/741"],"text":["UA 0062","/repositories/4/resources/741","Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection","African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia","Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope.","Founded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.","Delta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands.","Francine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.","Items without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.","The assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. ","Many of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.","The 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.","Notecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.","Framed items were removed from their frames and, when appropriate, the frames were discarded.","The three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. ","The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.","Photograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.","The collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.","Three optical media disks contain audio and video production elements likely used for public performances or step shows.","The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022.","James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017","English"],"unitid_tesim":["UA 0062","/repositories/4/resources/741"],"normalized_title_ssm":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"collection_title_tesim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"collection_ssim":["Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_persname_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany"],"creator_corpname_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)"],"creators_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)"],"access_terms_ssm":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Materials in this collection were compiled by Francine Toliver Edwards, member of the Iota Alpha 50th Committee and Chair of Historical Digital Archiving, over the course of the year prior to the 50th anniversary weekend celebration held April 29-May 1, 2022 at James Madison University. At the conclusion of the anniversary weekend, Tiffany Whitfield, member of the Iota Alpha 50th Committee and Chair of Communications \u0026 Education, donated the compiled collection to Special Collections on May 1, 2022."],"access_subjects_ssim":["African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"access_subjects_ssm":["African American college students -- Societies, etc. -- History","Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies -- Virginia -- Harrisonburg","African American Greek letter societies","African American college students","Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":["7.03 cubic feet 10 boxes","108 Megabytes 5 files","2 sound discs (CD)","1 videodiscs (DVD)"],"extent_tesim":["7.03 cubic feet 10 boxes","108 Megabytes 5 files","2 sound discs (CD)","1 videodiscs (DVD)"],"genreform_ssim":["Clothing","Scrapbooks","Photographs","Photograph albums","Banners","Hats","Memorabilia"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Optical media is unavailable pending processing. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["A 2007 chemistry text book was not retained due to lack of research value and it being out of collecting scope."],"bioghist_html_tesm":["\u003cp\u003eFounded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.\u003c/p\u003e\n","\u003cp\u003eDelta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Founded on December 11, 1971, the Iota Alpha chapter of Delta Sigma Theta Sorority, Inc. was the first Black Greek letter organization established at James Madison University (then Madison College). Iota Alpha's eleven charter members were: Patricia Gibson, Saranna Tucker, Karen Washington, Adrian Vaughn, Betty Toliver, Janis Smith, Deborah Winfree, Sandra Johnson, Joyce Richeson, Estelia \"DeDe\" Jackson, and Barbara Coleman.","Delta Sigma Theta is a service-oriented sorority that emphasizes its Five-Point Programmatic Thrust which comprises economic development, educational development, community and international development, housing and urban development and mental health. The sorority's official colors are crimson and cream and its mascot is the elephant. Members are referred to as sorors. In photographs, sorors are frequently pictured making the triangle sign with their hands."],"custodhist_html_tesm":["\u003cp\u003eFrancine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.\u003c/p\u003e\n","\u003cp\u003eItems without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.\u003c/p\u003e\n","\u003cp\u003eThe assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. \u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Francine Toliver Edwards solicited content from Iota Alpha sorors that would form an archival collection documenting the history, members, and activities of the Iota Alpha Chapter of Delta Sigma Theta Sorority, Inc. from its charter in 1971 to the present. Materials in this assembled collection originate from many different creators, all sorors and members of the Iota Alpha chapter.","Items without documented individual creators/donors were donated to the chapter at various points in the past and held in storage by the sorority prior to their being donated to Special Collections as part of the 50th anniversary collection.","The assembled collection was exhibited during the anniversary weekend at the April 30 legacy gala held at James Madison University's Hall of Presidents, and additional items were added to the collection by attendees. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection, 1973-2018, UA 0062, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Delta Sigma Theta Sorority, Inc. Iota Alpha Chapter 50th anniversary collection, 1973-2018, UA 0062, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMany of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.\u003c/p\u003e","\u003cp\u003eThe 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.\u003c/p\u003e","\u003cp\u003eNotecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.\u003c/p\u003e","\u003cp\u003eFramed items were removed from their frames and, when appropriate, the frames were discarded.\u003c/p\u003e","\u003cp\u003eThe three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Many of the items were accompanied by a slip of paper identifying the item and its donor. Those papers were retained with their respective items.","The 20th anniversary banner was treated to remove newspaper that was stuck to the back of the sheet.","Notecards written using the prompt \"What Does Delta Sigma Theta Mean to You\" were originally attached to a paper banner created in celebration of the sorority's 100th Founders Day. Due to its deteriorating physical condition, the banner was discarded. The notecards were retained.","Framed items were removed from their frames and, when appropriate, the frames were discarded.","The three optical media disks underwent an initial review for content but were not fully processed and are therefore not immediately available to researchers. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.\u003c/p\u003e\n","\u003cp\u003ePhotograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.\u003c/p\u003e\n","\u003cp\u003eThree optical media disks contain audio and video production elements likely used for public performances or step shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which it celebrated in May 2022.","Photograph albums and scrapbooks document community service activities and fundraisers, Adopt-A-Highway trash clean-up, car washes, probate (new member presentation), parties and formal events, fashion shows, commencement, picnics and cookouts, national convention, and step shows. Newspaper clippings, new members lists with their respective line names, and event programs are also included.","The collection also includes pieces of clothing - varsity jackets, hats, t-shirts - with Delta Sigma Theta branding. Objects and memorabilia include a trophy, banner, pillows, paddles, and a customized Delta Sigma Theta doll.","Three optical media disks contain audio and video production elements likely used for public performances or step shows."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests for certain items in this collection have been transferred to the James Madison University Special Collections Library. The copyright interests for other items have not been transferred. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae77600cd393dbd8c6828dae654f0de6\"\u003eThe collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of materials, primarily photographs, scrapbooks, memorabilia, and clothing, compiled and collected by members of Delta Sigma Theta Sorority, Inc. Iota Alpha chapter. The materials were donated on the occasion of the chapter's 50th anniversary which they celebrated in May 2022."],"names_coll_ssim":["Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany"],"names_ssim":["James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History","Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017"],"corpname_ssim":["James Madison University Libraries Special Collections","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.) -- History"],"persname_ssim":["Edwards, Francine Toliver","Whitfield, Tiffany","Fears, Kimberly Taylor","Parker, Monica L.","Janifer, Ericka","Jones-Quartey, Naa Kwale","McGill, Sabrina Settles","Reed, Deanna","Johnson, Deborah Tompkins","Gabbin, Joanne V. (Joanne Veal), 1946-","Stevens, Kimberly","Rountree, Jasmine","Foster, Stephaney","Carney, DeDe Jackson","Terrell, Arnella C.","Anthony, Pamela, 1971-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:00:30.805Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_741_c10"}},{"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c115","type":"File","attributes":{"title":"Wheeling Hall of Fame","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c115#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02_c115","ref_ssm":["wvmturhc_repositories_2_resources_1846_c02_c02_c115"],"id":"wvmturhc_repositories_2_resources_1846_c02_c02_c115","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssi":"wvmturhc_repositories_2_resources_1846_c02_c02","parent_ssim":["wvmturhc_repositories_2_resources_1846","wvmturhc_repositories_2_resources_1846_c02","wvmturhc_repositories_2_resources_1846_c02_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1846","wvmturhc_repositories_2_resources_1846_c02","wvmturhc_repositories_2_resources_1846_c02_c02"],"parent_unittitles_ssm":["Dr. Barbara Howe, Professor, Papers","Series 2. Historical / Cultural","Sub-Series 2. Organizations"],"parent_unittitles_tesim":["Dr. Barbara Howe, Professor, Papers","Series 2. Historical / Cultural","Sub-Series 2. Organizations"],"text":["Dr. Barbara Howe, Professor, Papers","Series 2. Historical / Cultural","Sub-Series 2. Organizations","Wheeling Hall of Fame","Box 10","Folder 67"],"title_filing_ssi":"Wheeling Hall of Fame","title_ssm":["Wheeling Hall of Fame"],"title_tesim":["Wheeling Hall of Fame"],"unitdate_inclusive_ssm":["2006-2017"],"normalized_date_ssm":["2006/2017"],"normalized_title_ssm":["Wheeling Hall of Fame"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":393,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["Box 10","Folder 67"],"_nest_path_":"/components#1/components#1/components#114","timestamp":"2026-04-30T23:04:00.515Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_bulk_ssim":["1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"text":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","Dr. Barbara Howe, Professor, Papers","Morgantown (W. Va.)","Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government.","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. ","Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.","This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English \n.    "],"unitid_tesim":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers"],"collection_title_tesim":["Dr. Barbara Howe, Professor, Papers"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Howe, Barbara J.","West Virginia University"],"creator_ssim":["Howe, Barbara J.","West Virginia University"],"creator_persname_ssim":["Howe, Barbara J."],"creator_corpname_ssim":["West Virginia University"],"creators_ssim":["Howe, Barbara J.","West Virginia University"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University (WVU) Center for Women's Studies, Howe, Barbara, 2004 October 14","Gifts of Howe, Barbara, 2004-2008","Transfers from unknown entity, Howe, Barbara, 2012-2014","Gifts of Howe, Barbara, 2015-2025"],"access_subjects_ssim":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"access_subjects_ssm":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"extent_tesim":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"date_range_isim":[1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e\n","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: \u003c/p\u003e\n","\u003cp\u003eSeries 1. Environmental\u003c/p\u003e\n","\u003cp\u003eSeries 2. Historical / Cultural\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Business Directories, Maps, and Travel Guides\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 5. Oral Histories\u003c/p\u003e\n","\u003cp\u003eSeries 3. Socio-political\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Political Campaigns\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Local and State Government Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Non-Governmental Organizations \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Events / Programs\u003c/p\u003e\n","\u003cp\u003eSeries 4. West Virginia University \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e\n","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. 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","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"persname_ssim":["Howe, Barbara J."],"language_ssim":["English \n.    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","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English \n.    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"],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e\n","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. 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"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. 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It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"persname_ssim":["Howe, Barbara J."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":957,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:04:00.515Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c02_c02_c120"}},{"id":"vihdsc_repositories_2_resources_2_c05_c10_c20","type":"File","attributes":{"title":"\"When Not to Get Involved\" editorial","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c10_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c05_c10_c20","ref_ssm":["vihdsc_repositories_2_resources_2_c05_c10_c20"],"id":"vihdsc_repositories_2_resources_2_c05_c10_c20","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c05_c10","parent_ssi":"vihdsc_repositories_2_resources_2_c05_c10","parent_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05","vihdsc_repositories_2_resources_2_c05_c10"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c05","vihdsc_repositories_2_resources_2_c05_c10"],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers","Series V: Speeches and Writings by Sam Wilson","Speeches and Writings: 2009 June 24 - Miscellaneous C"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers","Series V: Speeches and Writings by Sam Wilson","Speeches and Writings: 2009 June 24 - Miscellaneous C"],"text":["Samuel Vaughan Wilson Papers","Series V: Speeches and Writings by Sam Wilson","Speeches and Writings: 2009 June 24 - Miscellaneous C","\"When Not to Get Involved\" editorial","Box 10","folder 20"],"title_filing_ssi":"\"When Not to Get Involved\" editorial","title_ssm":["\"When Not to Get Involved\" editorial"],"title_tesim":["\"When Not to Get Involved\" editorial"],"unitdate_other_ssim":["2013 December 2"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["\"When Not to Get Involved\" editorial"],"component_level_isim":[3],"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2306,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[2013],"containers_ssim":["Box 10","folder 20"],"_nest_path_":"/components#4/components#9/components#19","timestamp":"2026-05-01T00:12:27.583Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"text":["SC.000101","Samuel Vaughan Wilson Papers","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English \n.    "],"unitid_tesim":["SC.000101"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers"],"collection_title_tesim":["Samuel Vaughan Wilson Papers"],"collection_ssim":["Samuel Vaughan Wilson Papers"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  \u003c/p\u003e\n","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e\n","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e\n","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e\n","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e\n","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e\n","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  \u003c/p\u003e\n","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e\n","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e\n","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e\n","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English \n.    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Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[2013],"containers_ssim":["Box 10","folder 15"],"_nest_path_":"/components#4/components#9/components#14","timestamp":"2026-05-01T00:12:27.583Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"text":["SC.000101","Samuel Vaughan Wilson Papers","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English \n.    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The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. 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Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  \u003c/p\u003e\n","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e\n","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e\n","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e\n","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e\n","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e\n","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  \u003c/p\u003e\n","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e\n","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e\n","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e\n","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:12:27.583Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c05_c10_c15"}},{"id":"vino_repositories_5_resources_63_c10_c23_c01","type":"File","attributes":{"title":"Wigs and Makeup I","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c23_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_63_c10_c23_c01","ref_ssm":["vino_repositories_5_resources_63_c10_c23_c01"],"id":"vino_repositories_5_resources_63_c10_c23_c01","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63_c10_c23","parent_ssi":"vino_repositories_5_resources_63_c10_c23","parent_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c23"],"parent_ids_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c23"],"parent_unittitles_ssm":["Virginia Opera Records","Series X: Opera Production Books","Box 72"],"parent_unittitles_tesim":["Virginia Opera Records","Series X: Opera Production Books","Box 72"],"text":["Virginia Opera Records","Series X: Opera Production Books","Box 72","Wigs and Makeup I","box 72"],"title_filing_ssi":"Wigs and Makeup I","title_ssm":["Wigs and Makeup I"],"title_tesim":["Wigs and Makeup I"],"unitdate_inclusive_ssm":["2012-2013"],"normalized_date_ssm":["2012/2013"],"normalized_title_ssm":["Wigs and Makeup I"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Opera Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":806,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[2012,2013],"containers_ssim":["box 72"],"prefercite_html_tesm":["\u003cp\u003eWigs and Makeup I, 2012-2013, Box 72, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Wigs and Makeup I, 2012-2013, Box 72, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#9/components#22/components#0","timestamp":"2026-04-30T21:47:05.634Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.","Virginia Symphony Orchestra Records (MG 81-A).","The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild","English"],"unitid_tesim":["MG 85","/repositories/5/resources/63"],"normalized_title_ssm":["Virginia Opera Records"],"collection_title_tesim":["Virginia Opera Records"],"collection_ssim":["Virginia Opera Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Opera Association"],"creator_ssim":["Virginia Opera Association"],"creator_corpname_ssim":["Virginia Opera Association"],"creators_ssim":["Virginia Opera Association"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2006-05"],"access_subjects_ssim":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"access_subjects_ssm":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"has_online_content_ssim":["false"],"extent_ssm":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"extent_tesim":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eMaterial is added to the collection periodically.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Material is added to the collection periodically."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. \u003c/p\u003e\n","\u003cp\u003eVenues \u003c/p\u003e\n","\u003cp\u003eThe Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild \u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.\u003c/p\u003e\n","\u003cp\u003eEducation and Outreach \u003c/p\u003e\n","\u003cp\u003eThe Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. \u003c/p\u003e\n","\u003cp\u003ePrograms include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.\u003c/p\u003e\n","\u003cp\u003eAlso offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. \u003c/p\u003e\n","\u003cp\u003e\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. 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The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0915f82b33ce42e5fee28245423eb92c\" label=\"Abstract\"\u003eConsists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.\u003c/abstract\u003e"],"abstract_tesim":["Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters."],"names_coll_ssim":["Lyric Opera of Virginia","Virginia Opera Guild","Virginia Opera Association"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:47:05.634Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c23_c01"}},{"id":"vino_repositories_5_resources_63_c10_c26_c01","type":"File","attributes":{"title":"Wigs and Makeup I","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c26_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vino_repositories_5_resources_63_c10_c26_c01","ref_ssm":["vino_repositories_5_resources_63_c10_c26_c01"],"id":"vino_repositories_5_resources_63_c10_c26_c01","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63_c10_c26","parent_ssi":"vino_repositories_5_resources_63_c10_c26","parent_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c26"],"parent_ids_ssim":["vino_repositories_5_resources_63","vino_repositories_5_resources_63_c10","vino_repositories_5_resources_63_c10_c26"],"parent_unittitles_ssm":["Virginia Opera Records","Series X: Opera Production Books","Box 75"],"parent_unittitles_tesim":["Virginia Opera Records","Series X: Opera Production Books","Box 75"],"text":["Virginia Opera Records","Series X: Opera Production Books","Box 75","Wigs and Makeup I","box 75"],"title_filing_ssi":"Wigs and Makeup I","title_ssm":["Wigs and Makeup I"],"title_tesim":["Wigs and Makeup I"],"unitdate_inclusive_ssm":["2013-2014"],"normalized_date_ssm":["2013/2014"],"normalized_title_ssm":["Wigs and Makeup I"],"component_level_isim":[3],"repository_ssim":["Old Dominion University"],"collection_ssim":["Virginia Opera Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":812,"parent_access_restrict_tesm":["Open to researchers without restrictions."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"date_range_isim":[2013,2014],"containers_ssim":["box 75"],"prefercite_html_tesm":["\u003cp\u003eWigs and Makeup I, 2013-2014, Box 75, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Wigs and Makeup I, 2013-2014, Box 75, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#9/components#25/components#0","timestamp":"2026-04-30T21:47:05.634Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. 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Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. 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","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. 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","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Orchestra Records (MG 81-A).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Orchestra Records (MG 81-A)."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. 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