{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026page=44","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026page=43","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026page=45","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026page=49"},"meta":{"pages":{"current_page":44,"next_page":45,"prev_page":43,"total_pages":49,"limit_value":10,"offset_value":430,"total_count":490,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_3429_c01_c539","type":"File","attributes":{"title":"Title IV Administration, Washington DC","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3429_c01_c539#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3429_c01_c539","ref_ssm":["viblbv_repositories_2_resources_3429_c01_c539"],"id":"viblbv_repositories_2_resources_3429_c01_c539","ead_ssi":"viblbv_repositories_2_resources_3429","_root_":"viblbv_repositories_2_resources_3429","_nest_parent_":"viblbv_repositories_2_resources_3429_c01","parent_ssi":"viblbv_repositories_2_resources_3429_c01","parent_ssim":["viblbv_repositories_2_resources_3429","viblbv_repositories_2_resources_3429_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_3429","viblbv_repositories_2_resources_3429_c01"],"parent_unittitles_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files"],"parent_unittitles_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files"],"text":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Series I: Subject Files","Title IV Administration, Washington DC","box 11","folder 57"],"title_filing_ssi":"Title IV Administration, Washington DC","title_ssm":["Title IV Administration, Washington DC"],"title_tesim":["Title IV Administration, Washington DC"],"unitdate_inclusive_ssm":["2012-09-10-2012-09-14"],"normalized_date_ssm":["2012"],"normalized_title_ssm":["Title IV Administration, Washington DC"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":540,"parent_access_restrict_tesm":["The collection is open for research, except box 19, which is restricted."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2012],"containers_ssim":["box 11","folder 57"],"_nest_path_":"/components#0/components#538","timestamp":"2026-04-30T23:44:04.976Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3429","ead_ssi":"viblbv_repositories_2_resources_3429","_root_":"viblbv_repositories_2_resources_3429","_nest_parent_":"viblbv_repositories_2_resources_3429","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3429.xml","title_filing_ssi":"Johnson, Cynda Ann, Records of the Office of the Dean of Virginia Tech Carilion School of Medicine","title_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"title_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"unitdate_ssm":["2008-2018"],"unitdate_inclusive_ssm":["2008-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.46.01.01"],"text":["RG.46.01.01","Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson","Faculty and staff","Medicine","University History","University Archives","The collection is open for research, except box 19, which is restricted.","This collection is organized by type into the following series:","Series I: Subject Files, which is arranged alphabetically Series II: Publications Series III: Plaques Series IV: Personal Items","Cynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.","Johnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.","Source:","Cynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019.","The guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019.","The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. ","Series I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.","Series II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. ","Series III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. ","Series IV: Personal Items includes Johnson's personal papers, cards, and correspondence.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"unitid_tesim":["RG.46.01.01"],"normalized_title_ssm":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"collection_title_tesim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"collection_ssim":["Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 was transferred to Special Collections and University Archives in 2019."],"access_subjects_ssim":["Faculty and staff","Medicine","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Medicine","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["24.3 Cubic Feet 19 boxes"],"extent_tesim":["24.3 Cubic Feet 19 boxes"],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except box 19, which is restricted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except box 19, which is restricted."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Subject Files, which is arranged alphabetically\u003c/item\u003e\n\u003citem\u003eSeries II: Publications\u003c/item\u003e\n\u003citem\u003eSeries III: Plaques\u003c/item\u003e\n\u003citem\u003eSeries IV: Personal Items\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type into the following series:","Series I: Subject Files, which is arranged alphabetically Series II: Publications Series III: Plaques Series IV: Personal Items"],"bioghist_html_tesm":["\u003cp\u003eCynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.\u003c/p\u003e\n","\u003cp\u003eJohnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://vtnews.vt.edu/articles/2019/04/vtcsom-cyndajohnsonemerita.html\" target=\"_blank\"\u003eCynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Cynda Ann Johnson became the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM) in 2008. During her tenure, VTCSOM became the ninth accredited college at the university. All graduating classes earned 100% match rate to residency programs and exceeded the national mean score on Step 1 and Step 2 licensing exams. She also established the first Department of Interprofessionalism within U.S. medical schools.","Johnson earned her bachelor's from Stanford University, master's in business administration from the University of Kansas, and M.D. from the University of California, Los Angeles. She was professor and head of the Department of Family Medicine, professor in the Department of Community and Behavioral Medicine, and director of the Family Care Center at the University Iowa. She then served as dean of the Brody School of Medicine and Sr. Associate Vice Chancellor for Clinical and Translational Research  at East Carolina University, where she also led the development of the Center for Health Disparities Research.","Source:","Cynda Ann Johnson honored with emerita status, Virginia Tech News, April 22, 2019."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson, RG 46/1/1 commenced in July 2019 and completed in August 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. \u003c/p\u003e\n","\u003cp\u003eSeries I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. \u003c/p\u003e\n","\u003cp\u003eSeries III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Items includes Johnson's personal papers, cards, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Records of the Office of the Dean of Virginia Tech Carilion School of Medicine, Cynda Ann Johnson contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes four series, dating 2008 through 2018. ","Series I: Subject Files contain office information, travel information, and the School of Medicine's class information. The series also contains a flash drive, which is currently restricted.","Series II: Publications includes some reports and magazines published by Carilion as well as by local magazines, foundations, or other medical schools. ","Series III: Plaques includes an award to VTCSOM for program excellence for 2015-2016 and a proclamation from Carlion Clinic about International Clean Hands Week 2010. ","Series IV: Personal Items includes Johnson's personal papers, cards, and correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d50cab7303d65d0bc8d125055cc932bd\" label=\"Abstract\"\u003eThis collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains office files from Cynda Ann Johnson, the founding dean of the Virginia Tech Carilion School of Medicine (VTCSOM). This collection includes office information, travel information, the School of Medicine's class information, reports and magazines, plaques, and personal papers, cards, and correspondence."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":857,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:44:04.976Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3429_c01_c539"}},{"id":"viblbv_repositories_2_resources_3185_c13_c01","type":"File","attributes":{"title":"Titles beginning with A-E","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c13_c01","ref_ssm":["viblbv_repositories_2_resources_3185_c13_c01"],"id":"viblbv_repositories_2_resources_3185_c13_c01","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c13","parent_ssi":"viblbv_repositories_2_resources_3185_c13","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"text":["Melinda E. Pittman Theatrical Collection","Sheet Music","Titles beginning with A-E","English .","box 2","folder 39"],"title_filing_ssi":"Titles beginning with A-E","title_ssm":["Titles beginning with A-E"],"title_tesim":["Titles beginning with A-E"],"unitdate_inclusive_ssm":["1984-2012"],"normalized_date_ssm":["1984/2012"],"normalized_title_ssm":["Titles beginning with A-E"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":163,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 2","folder 39"],"_nest_path_":"/components#12/components#0","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c01"}},{"id":"viblbv_repositories_2_resources_3185_c13_c02","type":"File","attributes":{"title":"Titles beginning with F-H","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c13_c02","ref_ssm":["viblbv_repositories_2_resources_3185_c13_c02"],"id":"viblbv_repositories_2_resources_3185_c13_c02","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c13","parent_ssi":"viblbv_repositories_2_resources_3185_c13","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"text":["Melinda E. Pittman Theatrical Collection","Sheet Music","Titles beginning with F-H","English .","box 2","folder 40"],"title_filing_ssi":"Titles beginning with F-H","title_ssm":["Titles beginning with F-H"],"title_tesim":["Titles beginning with F-H"],"unitdate_inclusive_ssm":["1984-2012"],"normalized_date_ssm":["1984/2012"],"normalized_title_ssm":["Titles beginning with F-H"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":164,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 2","folder 40"],"_nest_path_":"/components#12/components#1","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c02"}},{"id":"viblbv_repositories_2_resources_3185_c13_c03","type":"File","attributes":{"title":"Titles beginning with I-L","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c13_c03","ref_ssm":["viblbv_repositories_2_resources_3185_c13_c03"],"id":"viblbv_repositories_2_resources_3185_c13_c03","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c13","parent_ssi":"viblbv_repositories_2_resources_3185_c13","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"text":["Melinda E. Pittman Theatrical Collection","Sheet Music","Titles beginning with I-L","English .","box 2","folder 41"],"title_filing_ssi":"Titles beginning with I-L","title_ssm":["Titles beginning with I-L"],"title_tesim":["Titles beginning with I-L"],"unitdate_inclusive_ssm":["1984-2012"],"normalized_date_ssm":["1984/2012"],"normalized_title_ssm":["Titles beginning with I-L"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":165,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 2","folder 41"],"_nest_path_":"/components#12/components#2","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c03"}},{"id":"viblbv_repositories_2_resources_3185_c13_c04","type":"File","attributes":{"title":"Titles beginning with M-S","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c13_c04","ref_ssm":["viblbv_repositories_2_resources_3185_c13_c04"],"id":"viblbv_repositories_2_resources_3185_c13_c04","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c13","parent_ssi":"viblbv_repositories_2_resources_3185_c13","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"text":["Melinda E. Pittman Theatrical Collection","Sheet Music","Titles beginning with M-S","English .","box 3","folder 1"],"title_filing_ssi":"Titles beginning with M-S","title_ssm":["Titles beginning with M-S"],"title_tesim":["Titles beginning with M-S"],"unitdate_inclusive_ssm":["1984-2012"],"normalized_date_ssm":["1984/2012"],"normalized_title_ssm":["Titles beginning with M-S"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":166,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 3","folder 1"],"_nest_path_":"/components#12/components#3","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c04"}},{"id":"viblbv_repositories_2_resources_3185_c13_c05","type":"File","attributes":{"title":"Titles beginning with T-Y","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3185_c13_c05","ref_ssm":["viblbv_repositories_2_resources_3185_c13_c05"],"id":"viblbv_repositories_2_resources_3185_c13_c05","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185_c13","parent_ssi":"viblbv_repositories_2_resources_3185_c13","parent_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_3185","viblbv_repositories_2_resources_3185_c13"],"parent_unittitles_ssm":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"parent_unittitles_tesim":["Melinda E. Pittman Theatrical Collection","Sheet Music"],"text":["Melinda E. Pittman Theatrical Collection","Sheet Music","Titles beginning with T-Y","English .","box 3","folder 2"],"title_filing_ssi":"Titles beginning with T-Y","title_ssm":["Titles beginning with T-Y"],"title_tesim":["Titles beginning with T-Y"],"unitdate_inclusive_ssm":["1984-2012"],"normalized_date_ssm":["1984/2012"],"normalized_title_ssm":["Titles beginning with T-Y"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":167,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 3","folder 2"],"_nest_path_":"/components#12/components#4","timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185_c13_c05"}},{"id":"viblbv_repositories_2_resources_3442","type":"collection","attributes":{"title":"T. Marshall Hahn, Jr., Papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3442#abstract_or_scope","type":"document_value","attributes":{"value":"The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3442#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3442","ead_ssi":"viblbv_repositories_2_resources_3442","_root_":"viblbv_repositories_2_resources_3442","_nest_parent_":"viblbv_repositories_2_resources_3442","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3442.xml","title_filing_ssi":"Hahn, T. Marshall, Jr., Papers","title_ssm":["T. Marshall Hahn, Jr., Papers"],"title_tesim":["T. Marshall Hahn, Jr., Papers"],"unitdate_ssm":["1994, 1997, 2016, undated"],"unitdate_inclusive_ssm":["1994, 1997, 2016, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.041"],"text":["Ms.2019.041","T. Marshall Hahn, Jr., Papers","Faculty and staff","University Archives","University History","Businesspeople","The collection is open for research.","The collection is arranged chronologically with undated material at the end.","T. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. ","In 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). During his tenure, he was influential in obtaining university status and changing the institution's name to Virginia Polytechnic Institute and State University in 1970. Hahn expanded female enrollment by severing ties with Radford University, which served as the Women's Division of VPI from 1944 until 1964. He was also an advocate of the Virginia Community College System, with Virginia Tech becoming the first college or university to accept community college students without loss of credit. Additionally, the university dropped the mandatory military requirement for male students, created several colleges, and expanded the arts programs. ","Hahn resigned from the university in 1974, becoming the executive vice president of the Georgia Pacific Corporation (GP). In 1976, he was promoted to president and 1983 became chief executive office, which he served as until his retirement in 1993. He led the company's takeover of Great Northern Nekooska, making in the largest paper manufacturer in the U.S. at the time.","T. Marshall Hahn, Jr., married Margaret Louise \"Peggy\" Lee in 1948, and the couple had three children. ","Source:","In memoriam: Virginia Tech President Emeritus T. Marshall Hahn Jr. , Virginia Tech News, May 30, 2016.","The guide to the T. Marshall Hahn, Jr., Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the T. Marshall Hahn, Jr., Papers was completed in November 2019.","See also the  Records of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11  from his tenure as President of Virginia Tech.","The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.","Special Collections and University Archives, Virginia Tech","Hahn, T. Marshall, Jr. (Thomas Marshall), 1926-2016","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.041"],"normalized_title_ssm":["T. Marshall Hahn, Jr., Papers"],"collection_title_tesim":["T. Marshall Hahn, Jr., Papers"],"collection_ssim":["T. Marshall Hahn, Jr., Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2019."],"access_subjects_ssim":["Faculty and staff","University Archives","University History","Businesspeople"],"access_subjects_ssm":["Faculty and staff","University Archives","University History","Businesspeople"],"has_online_content_ssim":["false"],"extent_ssm":["0.7 Cubic Feet 1 box and 1 oversize folder"],"extent_tesim":["0.7 Cubic Feet 1 box and 1 oversize folder"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material at the end.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material at the end."],"bioghist_html_tesm":["\u003cp\u003eT. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. \u003c/p\u003e\n","\u003cp\u003eIn 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). During his tenure, he was influential in obtaining university status and changing the institution's name to Virginia Polytechnic Institute and State University in 1970. Hahn expanded female enrollment by severing ties with Radford University, which served as the Women's Division of VPI from 1944 until 1964. He was also an advocate of the Virginia Community College System, with Virginia Tech becoming the first college or university to accept community college students without loss of credit. Additionally, the university dropped the mandatory military requirement for male students, created several colleges, and expanded the arts programs. \u003c/p\u003e\n","\u003cp\u003eHahn resigned from the university in 1974, becoming the executive vice president of the Georgia Pacific Corporation (GP). In 1976, he was promoted to president and 1983 became chief executive office, which he served as until his retirement in 1993. He led the company's takeover of Great Northern Nekooska, making in the largest paper manufacturer in the U.S. at the time.\u003c/p\u003e\n","\u003cp\u003eT. Marshall Hahn, Jr., married Margaret Louise \"Peggy\" Lee in 1948, and the couple had three children. \u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://vtnews.vt.edu/articles/2016/05/hahnmemoriam.html\" target=\"_blank\"\u003eIn memoriam: Virginia Tech President Emeritus T. Marshall Hahn Jr.\u003c/a\u003e, Virginia Tech News, May 30, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["T. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. ","In 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). During his tenure, he was influential in obtaining university status and changing the institution's name to Virginia Polytechnic Institute and State University in 1970. Hahn expanded female enrollment by severing ties with Radford University, which served as the Women's Division of VPI from 1944 until 1964. He was also an advocate of the Virginia Community College System, with Virginia Tech becoming the first college or university to accept community college students without loss of credit. Additionally, the university dropped the mandatory military requirement for male students, created several colleges, and expanded the arts programs. ","Hahn resigned from the university in 1974, becoming the executive vice president of the Georgia Pacific Corporation (GP). In 1976, he was promoted to president and 1983 became chief executive office, which he served as until his retirement in 1993. He led the company's takeover of Great Northern Nekooska, making in the largest paper manufacturer in the U.S. at the time.","T. Marshall Hahn, Jr., married Margaret Louise \"Peggy\" Lee in 1948, and the couple had three children. ","Source:","In memoriam: Virginia Tech President Emeritus T. Marshall Hahn Jr. , Virginia Tech News, May 30, 2016."],"odd_html_tesm":["\u003cp\u003eThe guide to the T. Marshall Hahn, Jr., Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the T. Marshall Hahn, Jr., Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], T. Marshall Hahn, Jr., Papers, Ms2019-041, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], T. Marshall Hahn, Jr., Papers, Ms2019-041, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the T. Marshall Hahn, Jr., Papers was completed in November 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the T. Marshall Hahn, Jr., Papers was completed in November 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3442.xml\" target=\"_blank\"\u003eRecords of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11\u003c/a\u003e from his tenure as President of Virginia Tech.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Records of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11  from his tenure as President of Virginia Tech."],"scopecontent_html_tesm":["\u003cp\u003eThe T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_114b3d000b21f0c2fda77a11e705645d\" label=\"Abstract\"\u003eThe T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.\u003c/abstract\u003e"],"abstract_tesim":["The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hahn, T. Marshall, Jr. (Thomas Marshall), 1926-2016"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Hahn, T. Marshall, Jr. (Thomas Marshall), 1926-2016"],"persname_ssim":["Hahn, T. Marshall, Jr. (Thomas Marshall), 1926-2016"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:37:16.326Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3442","ead_ssi":"viblbv_repositories_2_resources_3442","_root_":"viblbv_repositories_2_resources_3442","_nest_parent_":"viblbv_repositories_2_resources_3442","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3442.xml","title_filing_ssi":"Hahn, T. Marshall, Jr., Papers","title_ssm":["T. Marshall Hahn, Jr., Papers"],"title_tesim":["T. Marshall Hahn, Jr., Papers"],"unitdate_ssm":["1994, 1997, 2016, undated"],"unitdate_inclusive_ssm":["1994, 1997, 2016, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.041"],"text":["Ms.2019.041","T. Marshall Hahn, Jr., Papers","Faculty and staff","University Archives","University History","Businesspeople","The collection is open for research.","The collection is arranged chronologically with undated material at the end.","T. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. ","In 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). During his tenure, he was influential in obtaining university status and changing the institution's name to Virginia Polytechnic Institute and State University in 1970. Hahn expanded female enrollment by severing ties with Radford University, which served as the Women's Division of VPI from 1944 until 1964. He was also an advocate of the Virginia Community College System, with Virginia Tech becoming the first college or university to accept community college students without loss of credit. Additionally, the university dropped the mandatory military requirement for male students, created several colleges, and expanded the arts programs. ","Hahn resigned from the university in 1974, becoming the executive vice president of the Georgia Pacific Corporation (GP). In 1976, he was promoted to president and 1983 became chief executive office, which he served as until his retirement in 1993. He led the company's takeover of Great Northern Nekooska, making in the largest paper manufacturer in the U.S. at the time.","T. Marshall Hahn, Jr., married Margaret Louise \"Peggy\" Lee in 1948, and the couple had three children. ","Source:","In memoriam: Virginia Tech President Emeritus T. Marshall Hahn Jr. , Virginia Tech News, May 30, 2016.","The guide to the T. Marshall Hahn, Jr., Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the T. Marshall Hahn, Jr., Papers was completed in November 2019.","See also the  Records of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11  from his tenure as President of Virginia Tech.","The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. 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","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2019."],"access_subjects_ssim":["Faculty and staff","University Archives","University History","Businesspeople"],"access_subjects_ssm":["Faculty and staff","University Archives","University History","Businesspeople"],"has_online_content_ssim":["false"],"extent_ssm":["0.7 Cubic Feet 1 box and 1 oversize folder"],"extent_tesim":["0.7 Cubic Feet 1 box and 1 oversize folder"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material at the end.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material at the end."],"bioghist_html_tesm":["\u003cp\u003eT. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. \u003c/p\u003e\n","\u003cp\u003eIn 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). During his tenure, he was influential in obtaining university status and changing the institution's name to Virginia Polytechnic Institute and State University in 1970. Hahn expanded female enrollment by severing ties with Radford University, which served as the Women's Division of VPI from 1944 until 1964. He was also an advocate of the Virginia Community College System, with Virginia Tech becoming the first college or university to accept community college students without loss of credit. Additionally, the university dropped the mandatory military requirement for male students, created several colleges, and expanded the arts programs. \u003c/p\u003e\n","\u003cp\u003eHahn resigned from the university in 1974, becoming the executive vice president of the Georgia Pacific Corporation (GP). In 1976, he was promoted to president and 1983 became chief executive office, which he served as until his retirement in 1993. He led the company's takeover of Great Northern Nekooska, making in the largest paper manufacturer in the U.S. at the time.\u003c/p\u003e\n","\u003cp\u003eT. Marshall Hahn, Jr., married Margaret Louise \"Peggy\" Lee in 1948, and the couple had three children. \u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://vtnews.vt.edu/articles/2016/05/hahnmemoriam.html\" target=\"_blank\"\u003eIn memoriam: Virginia Tech President Emeritus T. Marshall Hahn Jr.\u003c/a\u003e, Virginia Tech News, May 30, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["T. Marshall Hahn, Jr. (1926-2016) served as the 11th president of Virginia Tech and CEO of the Georgia Pacific Corporation. Hahn earned a B.S. in physics from the University of Kentucky at the age of 18, served two years in the U.S. Navy, and received his Ph.D. in physics from the Massachusetts Institute of Technology (MIT) at 23. In 1954, Hahn joined Virginia Tech as the head of the Department of Physics. ","In 1962, Hahn became the 11th president of Virginia Polytechnic Insitute (VPI). 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Marshall Hahn, Jr., Papers was completed in November 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the T. Marshall Hahn, Jr., Papers was completed in November 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3442.xml\" target=\"_blank\"\u003eRecords of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11\u003c/a\u003e from his tenure as President of Virginia Tech.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Records of the Office of the President, T. Marshall Hahn, Jr., 1962-1974, RG 2/11  from his tenure as President of Virginia Tech."],"scopecontent_html_tesm":["\u003cp\u003eThe T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_114b3d000b21f0c2fda77a11e705645d\" label=\"Abstract\"\u003eThe T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time.\u003c/abstract\u003e"],"abstract_tesim":["The T. Marshall Hahn, Jr., Papers, Ms2019-041, document the business career of Hahn after leaving Virginia Tech. Items include a 1994 invirtation and guestbook for his retirement dinner as CEO of George Pacific Corporation (GP), and an undated watercolor portrait of Hahn, several other people, and the activities of GP. There is a 1997 resolution of appreciation for Hahn from Coca-Cola Enterprises, Inc., for which he was a board member. The collection also contains a program for his memorial service in 2016 and the remarks made at the service by Timothy Sands, president of Virginia Tech at the time."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hahn, T. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2012],"_nest_path_":"/components#6","timestamp":"2026-04-30T23:31:57.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"text":["Ms.2001.045","Milka Bliznakov Prize Records","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001 , Claire Bonney,  The Work and Life of Adrienne Gorska .","2002, Elizabeth Birmingham,   Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies .","2003, Barbara Nadel, Security Design: Achieving Transparency in Civic Architecture  and Ozlem Erkarslan,  Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah,  un-housing performance : The Heart of PQ  and Janet Stoyel,  Sonicloth . ","2005, Carmen Alonso Espegel,  Heroines of the Space ,  Isabel Bauer,  Architekturstudentinnen der Weimarer Republik , and Bobbye Tigerman,  'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office .","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation,  Against All Odds: MIT's Pioneering Women of Landscape Architecture  by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz,  Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America   and Despina Stratigakos,  A Woman's Berlin ","2008, Milka Bliznakov Prize, Commendation, Lori Brown,  feminist practices  [exhibition].","2009, Patrick Lee Lucan,  Sarah Hunter Kelly: Designing the House of Good Taste .","2010, Inge Schaefer Horton,  Early Women Architects of the San Francisco Bay Area\n .","2011, Lindsay Nencheck,  Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis .","2012, Andrea J. Merrett,  Feminism in American Architecture: Organizing: 1972-1975  .","2013, Robert Holton,  Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide .","2014, Meredith Sattler,  Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS) .","2015, Claire Bonney Brüllman,  The Work and Life of Adrienne Gorska  and Sarah Rafson,  CARY (Chicks in Architecture Refuse to Yield) .","2016, Ines Moisset,  Women Architects on the Web  and Tanja Poppelreuter,  Refugee and émigré female architects before 1940 .","2017, Rixt Hoekstra,  Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)  and Kirat Kaur Pandher (Student Prize),  Indian Architects: A Proposal for Directed Expansion .","2018, Alex Bala,  Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy .","2019, Eva Alvarez and Carlos Gomez,  Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA .","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz,  Decolonizing the Archive: Mapping the IAWA's Global South Female Architects .","2023, Lori Brown, FAIA, and Karen Burns,  Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide .","2024, Fabio Marino,  Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California .","2025, Caitlin Charlet,  Drawing the Unseen: Architectural Narratives of Women Who Shaped Space .","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the  IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the  IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D. ","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C. ","Sokolina, Anna P.","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.045"],"normalized_title_ssm":["Milka Bliznakov Prize Records"],"collection_title_tesim":["Milka Bliznakov Prize Records"],"collection_ssim":["Milka Bliznakov Prize Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\n\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. 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Dodge.\u003c/p\u003e","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001 , Claire Bonney,  The Work and Life of Adrienne Gorska .","2002, Elizabeth Birmingham,   Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies .","2003, Barbara Nadel, Security Design: Achieving Transparency in Civic Architecture  and Ozlem Erkarslan,  Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah,  un-housing performance : The Heart of PQ  and Janet Stoyel,  Sonicloth . ","2005, Carmen Alonso Espegel,  Heroines of the Space ,  Isabel Bauer,  Architekturstudentinnen der Weimarer Republik , and Bobbye Tigerman,  'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office .","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation,  Against All Odds: MIT's Pioneering Women of Landscape Architecture  by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz,  Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America   and Despina Stratigakos,  A Woman's Berlin ","2008, Milka Bliznakov Prize, Commendation, Lori Brown,  feminist practices  [exhibition].","2009, Patrick Lee Lucan,  Sarah Hunter Kelly: Designing the House of Good Taste .","2010, Inge Schaefer Horton,  Early Women Architects of the San Francisco Bay Area\n .","2011, Lindsay Nencheck,  Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis .","2012, Andrea J. Merrett,  Feminism in American Architecture: Organizing: 1972-1975  .","2013, Robert Holton,  Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide .","2014, Meredith Sattler,  Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS) .","2015, Claire Bonney Brüllman,  The Work and Life of Adrienne Gorska  and Sarah Rafson,  CARY (Chicks in Architecture Refuse to Yield) .","2016, Ines Moisset,  Women Architects on the Web  and Tanja Poppelreuter,  Refugee and émigré female architects before 1940 .","2017, Rixt Hoekstra,  Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)  and Kirat Kaur Pandher (Student Prize),  Indian Architects: A Proposal for Directed Expansion .","2018, Alex Bala,  Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy .","2019, Eva Alvarez and Carlos Gomez,  Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA .","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz,  Decolonizing the Archive: Mapping the IAWA's Global South Female Architects .","2023, Lori Brown, FAIA, and Karen Burns,  Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide .","2024, Fabio Marino,  Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California .","2025, Caitlin Charlet,  Drawing the Unseen: Architectural Narratives of Women Who Shaped Space ."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the  IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the  IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e"],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D. ","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C. ","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D. ","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C. ","Sokolina, Anna P."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D. ","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C. ","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:57.046Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177_c07"}},{"id":"viblbv_repositories_2_resources_3257_c04_c23","type":"File","attributes":{"title":"University Chartered Student Organizations (UCSO) Funds Handling Policy","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3257_c04_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3257_c04_c23","ref_ssm":["viblbv_repositories_2_resources_3257_c04_c23"],"id":"viblbv_repositories_2_resources_3257_c04_c23","ead_ssi":"viblbv_repositories_2_resources_3257","_root_":"viblbv_repositories_2_resources_3257","_nest_parent_":"viblbv_repositories_2_resources_3257_c04","parent_ssi":"viblbv_repositories_2_resources_3257_c04","parent_ssim":["viblbv_repositories_2_resources_3257","viblbv_repositories_2_resources_3257_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_3257","viblbv_repositories_2_resources_3257_c04"],"parent_unittitles_ssm":["Records of HokiePRIDE","Series IV: Finances"],"parent_unittitles_tesim":["Records of HokiePRIDE","Series IV: Finances"],"text":["Records of HokiePRIDE","Series IV: Finances","University Chartered Student Organizations (UCSO) Funds Handling Policy","English .","box 4","folder 5"],"title_filing_ssi":"University Chartered Student Organizations (UCSO) Funds Handling Policy","title_ssm":["University Chartered Student Organizations (UCSO) Funds Handling Policy"],"title_tesim":["University Chartered Student Organizations (UCSO) Funds Handling Policy"],"unitdate_inclusive_ssm":["2012-2013"],"normalized_date_ssm":["2012/2013"],"normalized_title_ssm":["University Chartered Student Organizations (UCSO) Funds Handling Policy"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of HokiePRIDE"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":121,"parent_access_restrict_tesm":["Collection is open for research. Access to unredacted HokiePRIDE Library circulation records is restricted. Contact Special Collections for more information."],"parent_access_terms_tesm":["Permission to publish material from Records of HokiePRIDE must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[2012,2013],"language_ssim":["English ."],"containers_ssim":["box 4","folder 5"],"_nest_path_":"/components#3/components#22","timestamp":"2026-04-30T23:32:44.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3257","ead_ssi":"viblbv_repositories_2_resources_3257","_root_":"viblbv_repositories_2_resources_3257","_nest_parent_":"viblbv_repositories_2_resources_3257","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3257.xml","title_filing_ssi":"HokiePRIDE, Records of ","title_ssm":["Records of HokiePRIDE"],"title_tesim":["Records of HokiePRIDE"],"unitdate_ssm":["1971-2015","1995-2013"],"unitdate_bulk_ssim":["1995-2013"],"unitdate_inclusive_ssm":["1971-2015"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.31.14.15"],"text":["RG.31.14.15","Records of HokiePRIDE","LGBTQ history","Sexual minorities","University Archives","University History","Collection is open for research. Access to unredacted HokiePRIDE Library circulation records is restricted. Contact Special Collections for more information.","The records are divided into four sections reflecting the major groupings present when the records were received from HokiePRIDE. Folder titles are those supplied by HokiePRIDE for the majority of folders, especially those in the Office and Resource Center Records, and the Resources.","I: Officer papers , includes papers from the President, Vice President of the Interior, Vice President of the Exterior, Gay Awareness Week Chair, AIDS Awareness Week Chair, Webmaster, and Films Chair. It also includes applications for these positions and handbooks on programming and meeting materials from the Commission on Student Affairs meetings from 2008-2013.","II: Office and Resource Center Records , includes resource center sign-in sheets and library circulation records, copies of political action petitions, documentation of hate incidents on campus, Safe Zone materials, copies of the HokiePRIDE constitution, event planning documentation, event flyers, and more.","III: Resources , includes copies of various resources that were maintained in the HokiePRIDE resource center office for the use of members of the campus community. These include pamphlets and other documentation on a variety of sexuality and gender topics and organizational information for groups such as PFLAG, the Human Rights Campaign, the National Organization for Women, and the Roanoke Diversity Center.","IV: Finances , includes budget requests and accounting records for HokiePRIDE from 1995/1996 through 2014/2015 and budget requests for other student organizations from 2012/2013 to 2013/2014.","HokiePRIDE was originally founded in 1985 as Lambda Horizons (sometimes written as Lambda Horizon). In 1994, the group was renamed the Lesbian, Gay, and Bisexual Alliance (LGBA). Then, in 1999, the name was changed again to Lesbian, Gay, Bisexual, and Transgender Alliance (LGBTA). In 2014 the name changed once more to the current name, HokiePRIDE.","HokiePRIDE was the second officially recognized LGBTQIA+ student group formed at Virginia Tech following the Gay Alliance of Virginia Tech (GAVT) in 1971. It also followed three unofficial groups: the Gay Liberation Front (GLF) in 1970, the Gay Student Union (GSU) in 1975, and the Gay Student Alliance (GSA) in 1976.","The early goals of HokiePRIDE included providing a place on campus for gay and lesbian members of the university community to meet without judgement, helping educate the campus community about homosexuality, and creating a positive image of gay and lesbian people. Over time, the group's mission expanded to include advocacy for everyone under the societally defined umbrella of LGBTQIA+, including bisexual, asexual, pansexual, transgender, and intersex people.","The group implemented multiple programs on campus to advocate on behalf of the LGBTQIA+ population including Gay Awareness Week, AIDS Awareness Week, National Coming Out Day, Freedom to Marry Day, Pride Week, advocacy for hate crimes legislation, and the organization of Safe Line, Safe Watch, the Safe Zone program, and more.","For more information on the current organization, see their website:  http://www.hokiepride.org.vt.edu/","The processing, arrangement, and description of the Records of HokiePRIDE records commenced in December 2016 and completed in April 2018.","The Records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance. The records consist of papers from the organization's officers, handbooks on programming and organizational operations for student groups, office records from the HokiePRIDE office and the original LGBT Resource Center (circa 2000s), event planning information, resource pamphlets, organizational marketing information, and directories that were available to visitors to the HokiePRIDE offices, and copies of organizational budgetary requests and financial accounting documentation. See the Arrangement note for additional information on the contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","Appalachian Heritage , vol. 34, no. 3, Summer 2006\n Soft Shorts  by Anna Van Evera, 1992\n Homosexuality and The Bible  by Walter Wink, 1996","The following materials were removed from the collection and added to the University Archives:","The Bugle , 2002 (Virginia Tech yearbook)","Permission to publish material from Records of HokiePRIDE must be obtained from Special Collections, Virginia Tech.","The records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance, including officer papers, office records,  event planning information, resource pamphlets and directories, and copies of budgetary requests and accounting records.","Special Collections and University Archives, Virginia Tech","HokiePRIDE","Virginia Polytechnic Institute and State University (1970-)","English \n.    "],"unitid_tesim":["RG.31.14.15"],"normalized_title_ssm":["Records of HokiePRIDE"],"collection_title_tesim":["Records of HokiePRIDE"],"collection_ssim":["Records of HokiePRIDE"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["HokiePRIDE"],"creator_ssim":["HokiePRIDE"],"creator_corpname_ssim":["HokiePRIDE"],"creators_ssim":["HokiePRIDE"],"access_terms_ssm":["Permission to publish material from Records of HokiePRIDE must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Records of HokiePRIDE records were donated to Special Collections in 2016."],"access_subjects_ssim":["LGBTQ history","Sexual minorities","University Archives","University History"],"access_subjects_ssm":["LGBTQ history","Sexual minorities","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Cubic Feet 4 boxes, 1 folder, 2 oversize folders"],"extent_tesim":["3.5 Cubic Feet 4 boxes, 1 folder, 2 oversize folders"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Access to unredacted HokiePRIDE Library circulation records is restricted. Contact Special Collections for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Access to unredacted HokiePRIDE Library circulation records is restricted. Contact Special Collections for more information."],"arrangement_html_tesm":["\u003cp\u003eThe records are divided into four sections reflecting the major groupings present when the records were received from HokiePRIDE. Folder titles are those supplied by HokiePRIDE for the majority of folders, especially those in the Office and Resource Center Records, and the Resources.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eI: Officer papers\u003c/emph\u003e, includes papers from the President, Vice President of the Interior, Vice President of the Exterior, Gay Awareness Week Chair, AIDS Awareness Week Chair, Webmaster, and Films Chair. It also includes applications for these positions and handbooks on programming and meeting materials from the Commission on Student Affairs meetings from 2008-2013.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eII: Office and Resource Center Records\u003c/emph\u003e, includes resource center sign-in sheets and library circulation records, copies of political action petitions, documentation of hate incidents on campus, Safe Zone materials, copies of the HokiePRIDE constitution, event planning documentation, event flyers, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eIII: Resources\u003c/emph\u003e, includes copies of various resources that were maintained in the HokiePRIDE resource center office for the use of members of the campus community. These include pamphlets and other documentation on a variety of sexuality and gender topics and organizational information for groups such as PFLAG, the Human Rights Campaign, the National Organization for Women, and the Roanoke Diversity Center.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eIV: Finances\u003c/emph\u003e, includes budget requests and accounting records for HokiePRIDE from 1995/1996 through 2014/2015 and budget requests for other student organizations from 2012/2013 to 2013/2014.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The records are divided into four sections reflecting the major groupings present when the records were received from HokiePRIDE. Folder titles are those supplied by HokiePRIDE for the majority of folders, especially those in the Office and Resource Center Records, and the Resources.","I: Officer papers , includes papers from the President, Vice President of the Interior, Vice President of the Exterior, Gay Awareness Week Chair, AIDS Awareness Week Chair, Webmaster, and Films Chair. It also includes applications for these positions and handbooks on programming and meeting materials from the Commission on Student Affairs meetings from 2008-2013.","II: Office and Resource Center Records , includes resource center sign-in sheets and library circulation records, copies of political action petitions, documentation of hate incidents on campus, Safe Zone materials, copies of the HokiePRIDE constitution, event planning documentation, event flyers, and more.","III: Resources , includes copies of various resources that were maintained in the HokiePRIDE resource center office for the use of members of the campus community. These include pamphlets and other documentation on a variety of sexuality and gender topics and organizational information for groups such as PFLAG, the Human Rights Campaign, the National Organization for Women, and the Roanoke Diversity Center.","IV: Finances , includes budget requests and accounting records for HokiePRIDE from 1995/1996 through 2014/2015 and budget requests for other student organizations from 2012/2013 to 2013/2014."],"bioghist_html_tesm":["\u003cp\u003eHokiePRIDE was originally founded in 1985 as Lambda Horizons (sometimes written as Lambda Horizon). In 1994, the group was renamed the Lesbian, Gay, and Bisexual Alliance (LGBA). Then, in 1999, the name was changed again to Lesbian, Gay, Bisexual, and Transgender Alliance (LGBTA). In 2014 the name changed once more to the current name, HokiePRIDE.\u003c/p\u003e\n","\u003cp\u003eHokiePRIDE was the second officially recognized LGBTQIA+ student group formed at Virginia Tech following the Gay Alliance of Virginia Tech (GAVT) in 1971. It also followed three unofficial groups: the Gay Liberation Front (GLF) in 1970, the Gay Student Union (GSU) in 1975, and the Gay Student Alliance (GSA) in 1976.\u003c/p\u003e\n","\u003cp\u003eThe early goals of HokiePRIDE included providing a place on campus for gay and lesbian members of the university community to meet without judgement, helping educate the campus community about homosexuality, and creating a positive image of gay and lesbian people. Over time, the group's mission expanded to include advocacy for everyone under the societally defined umbrella of LGBTQIA+, including bisexual, asexual, pansexual, transgender, and intersex people.\u003c/p\u003e\n","\u003cp\u003eThe group implemented multiple programs on campus to advocate on behalf of the LGBTQIA+ population including Gay Awareness Week, AIDS Awareness Week, National Coming Out Day, Freedom to Marry Day, Pride Week, advocacy for hate crimes legislation, and the organization of Safe Line, Safe Watch, the Safe Zone program, and more.\u003c/p\u003e\n","\u003cp\u003eFor more information on the current organization, see their website: \u003cextref actuate=\"onRequest\" href=\"http://www.hokiepride.org.vt.edu/\" show=\"new\"\u003ehttp://www.hokiepride.org.vt.edu/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["HokiePRIDE was originally founded in 1985 as Lambda Horizons (sometimes written as Lambda Horizon). In 1994, the group was renamed the Lesbian, Gay, and Bisexual Alliance (LGBA). Then, in 1999, the name was changed again to Lesbian, Gay, Bisexual, and Transgender Alliance (LGBTA). In 2014 the name changed once more to the current name, HokiePRIDE.","HokiePRIDE was the second officially recognized LGBTQIA+ student group formed at Virginia Tech following the Gay Alliance of Virginia Tech (GAVT) in 1971. It also followed three unofficial groups: the Gay Liberation Front (GLF) in 1970, the Gay Student Union (GSU) in 1975, and the Gay Student Alliance (GSA) in 1976.","The early goals of HokiePRIDE included providing a place on campus for gay and lesbian members of the university community to meet without judgement, helping educate the campus community about homosexuality, and creating a positive image of gay and lesbian people. Over time, the group's mission expanded to include advocacy for everyone under the societally defined umbrella of LGBTQIA+, including bisexual, asexual, pansexual, transgender, and intersex people.","The group implemented multiple programs on campus to advocate on behalf of the LGBTQIA+ population including Gay Awareness Week, AIDS Awareness Week, National Coming Out Day, Freedom to Marry Day, Pride Week, advocacy for hate crimes legislation, and the organization of Safe Line, Safe Watch, the Safe Zone program, and more.","For more information on the current organization, see their website:  http://www.hokiepride.org.vt.edu/"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Records of HokiePRIDE records, RG 31/14/15, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Records of HokiePRIDE records, RG 31/14/15, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of HokiePRIDE records commenced in December 2016 and completed in April 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of HokiePRIDE records commenced in December 2016 and completed in April 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe Records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance. The records consist of papers from the organization's officers, handbooks on programming and organizational operations for student groups, office records from the HokiePRIDE office and the original LGBT Resource Center (circa 2000s), event planning information, resource pamphlets, organizational marketing information, and directories that were available to visitors to the HokiePRIDE offices, and copies of organizational budgetary requests and financial accounting documentation. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance. The records consist of papers from the organization's officers, handbooks on programming and organizational operations for student groups, office records from the HokiePRIDE office and the original LGBT Resource Center (circa 2000s), event planning information, resource pamphlets, organizational marketing information, and directories that were available to visitors to the HokiePRIDE offices, and copies of organizational budgetary requests and financial accounting documentation. See the Arrangement note for additional information on the contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eAppalachian Heritage\u003c/emph\u003e, vol. 34, no. 3, Summer 2006\n\u003cemph render=\"italic\"\u003eSoft Shorts\u003c/emph\u003e by Anna Van Evera, 1992\n\u003cemph render=\"italic\"\u003eHomosexuality and The Bible\u003c/emph\u003e by Walter Wink, 1996\u003c/p\u003e\n","\u003cp\u003eThe following materials were removed from the collection and added to the University Archives:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Bugle\u003c/emph\u003e, 2002 (Virginia Tech yearbook)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","Appalachian Heritage , vol. 34, no. 3, Summer 2006\n Soft Shorts  by Anna Van Evera, 1992\n Homosexuality and The Bible  by Walter Wink, 1996","The following materials were removed from the collection and added to the University Archives:","The Bugle , 2002 (Virginia Tech yearbook)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Records of HokiePRIDE must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Records of HokiePRIDE must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_24ad7ad6d222a4d11adaa11e03e5deb7\" label=\"Abstract\"\u003eThe records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance, including officer papers, office records,  event planning information, resource pamphlets and directories, and copies of budgetary requests and accounting records.\u003c/abstract\u003e"],"abstract_tesim":["The records of HokiePRIDE records include materials from the HokiePRIDE student group including items from all of its named iterations: Lambda Horizions; Lesbian, Gay, Bisexual Alliance; and Lesbian, Gay, Bisexual, and Transgender Alliance, including officer papers, office records,  event planning information, resource pamphlets and directories, and copies of budgetary requests and accounting records."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","HokiePRIDE","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","HokiePRIDE","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["English \n.    "],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:32:44.292Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3257_c04_c23"}},{"id":"viblbv_repositories_2_resources_3397_c01_c04_c01","type":"File","attributes":{"title":"University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3397_c01_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3397_c01_c04_c01","ref_ssm":["viblbv_repositories_2_resources_3397_c01_c04_c01"],"id":"viblbv_repositories_2_resources_3397_c01_c04_c01","ead_ssi":"viblbv_repositories_2_resources_3397","_root_":"viblbv_repositories_2_resources_3397","_nest_parent_":"viblbv_repositories_2_resources_3397_c01_c04","parent_ssi":"viblbv_repositories_2_resources_3397_c01_c04","parent_ssim":["viblbv_repositories_2_resources_3397","viblbv_repositories_2_resources_3397_c01","viblbv_repositories_2_resources_3397_c01_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_3397","viblbv_repositories_2_resources_3397_c01","viblbv_repositories_2_resources_3397_c01_c04"],"parent_unittitles_ssm":["Records of the Virginia Tech Black Organizations Council","Series 1: Operational Records","Subseries 4: Financial Records"],"parent_unittitles_tesim":["Records of the Virginia Tech Black Organizations Council","Series 1: Operational Records","Subseries 4: Financial Records"],"text":["Records of the Virginia Tech Black Organizations Council","Series 1: Operational Records","Subseries 4: Financial Records","University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy","box 1","folder 14"],"title_filing_ssi":"University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy","title_ssm":["University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy"],"title_tesim":["University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy"],"unitdate_inclusive_ssm":["2010-2016"],"normalized_date_ssm":["2010/2016"],"normalized_title_ssm":["University Chartered Student Organization (UCSO) Budget Manager Workshop, Funds Handling Policy"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Virginia Tech Black Organizations Council"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":24,"parent_access_restrict_tesm":["The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016],"containers_ssim":["box 1","folder 14"],"_nest_path_":"/components#0/components#3/components#0","timestamp":"2026-04-30T23:46:03.292Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3397","ead_ssi":"viblbv_repositories_2_resources_3397","_root_":"viblbv_repositories_2_resources_3397","_nest_parent_":"viblbv_repositories_2_resources_3397","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3397.xml","title_filing_ssi":"Virginia Tech Black Organizations Council, Records of the","title_ssm":["Records of the Virginia Tech Black Organizations Council"],"title_tesim":["Records of the Virginia Tech Black Organizations Council"],"unitdate_ssm":["1982-2017"],"unitdate_inclusive_ssm":["1982-2017"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.08.02.06e"],"text":["RG.08.02.06e","Records of the Virginia Tech Black Organizations Council","African Americans -- History","University Archives","University History","The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted.","The collections has been divided into six series.","Series 1: Operational Records   includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.","Subseries 1: Administrative Files  includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.","Subseries 2: Meeting Agendas and Minutes  includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.","Subseries 3: Photographs  includes an organizational scrapbook and a digital record of photographs of organization members and events.","Subseries 4: Financial Records  includes budget requests and other financial records.","Series 2: Member Organizations  includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.","Subseries 1: Black Graduate Student Organization  includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.","Series 3: Other Campus Organizations  includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.","Series 4: Events  includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.","Subseries 1: Afrikan Awareness Weekend  includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.","Subseries 2: Asian American Student Union  includes videos and photographs of events hosted by the Asian American Student Union.","Subseries 3: Black History Month  includes videos and photographs of Black History Month events.","Subseries 4: Black Student Leadership  includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.","Subseries 5: Celebration of Diversity  includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.","Subseries 6: Donning of the Kente  includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.","Subseries 7: Filipino-American Student Association Culture Night  includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.","Subseries 8: State of the Black Union  includes documentation and student feedback posters related to the State of the Black Union event.","Subseries 9: Other Events  includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.","Series 5: Presentations and Resources  includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.","Series 6: Black Cultural Center and Multicultural Center  includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.","Subseries 1: Displays  includes mounted photographs from center displays and photographs of displays set up by the centers.","Subseries 2: Internal and External Views  includes internal and external photographs of the two centers.","Subseries 3: Faculty, Staff, and Students  includes photographs of people who are associated with the centers.","From the Black Organizations Council:\n \nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n","Source: Black Organizations Council, GobblerConnect webpage,  https://gobblerconnect.vt.edu/organization/BOC .","The guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019.","This collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters.","Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)","English \n.    "],"unitid_tesim":["RG.08.02.06e"],"normalized_title_ssm":["Records of the Virginia Tech Black Organizations Council"],"collection_title_tesim":["Records of the Virginia Tech Black Organizations Council"],"collection_ssim":["Records of the Virginia Tech Black Organizations Council"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Black Organizations Council"],"creator_ssim":["Black Organizations Council"],"creator_corpname_ssim":["Black Organizations Council"],"creators_ssim":["Black Organizations Council"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Virginia Tech Black Organizations Council were transferred to Special Collections and University Archives in 2017."],"access_subjects_ssim":["African Americans -- History","University Archives","University History"],"access_subjects_ssm":["African Americans -- History","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["5.7 Cubic Feet 11 boxes, 3 oversize folders"],"extent_tesim":["5.7 Cubic Feet 11 boxes, 3 oversize folders"],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access  "],"accessrestrict_tesim":["The collection is open for research. However, access to unredacted BOC and BGSO administrative records is restricted."],"arrangement_html_tesm":["\u003cp\u003eThe collections has been divided into six series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 1: Operational Records \u003c/b\u003e includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Administrative Files\u003c/b\u003e includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Meeting Agendas and Minutes\u003c/b\u003e includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Photographs\u003c/b\u003e includes an organizational scrapbook and a digital record of photographs of organization members and events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 4: Financial Records\u003c/b\u003e includes budget requests and other financial records.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 2: Member Organizations\u003c/b\u003e includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Black Graduate Student Organization\u003c/b\u003e includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 3: Other Campus Organizations\u003c/b\u003e includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 4: Events\u003c/b\u003e includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Afrikan Awareness Weekend\u003c/b\u003e includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Asian American Student Union\u003c/b\u003e includes videos and photographs of events hosted by the Asian American Student Union.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Black History Month\u003c/b\u003e includes videos and photographs of Black History Month events.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 4: Black Student Leadership\u003c/b\u003e includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 5: Celebration of Diversity\u003c/b\u003e includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 6: Donning of the Kente\u003c/b\u003e includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 7: Filipino-American Student Association Culture Night\u003c/b\u003e includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 8: State of the Black Union\u003c/b\u003e includes documentation and student feedback posters related to the State of the Black Union event.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 9: Other Events\u003c/b\u003e includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 5: Presentations and Resources\u003c/b\u003e includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries 6: Black Cultural Center and Multicultural Center\u003c/b\u003e includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 1: Displays\u003c/b\u003e includes mounted photographs from center displays and photographs of displays set up by the centers.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 2: Internal and External Views\u003c/b\u003e includes internal and external photographs of the two centers.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSubseries 3: Faculty, Staff, and Students\u003c/b\u003e includes photographs of people who are associated with the centers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collections has been divided into six series.","Series 1: Operational Records   includes documents related to the running of the Black Organizations Council. This series is divided into four subseries: administrative files, meeting agendas and minutes, photographs, and financial records.","Subseries 1: Administrative Files  includes the organiation's constitution, information about its constitutent member organizations, policies and guidelines, officer elections paperwork, meeting sign-in sheets, and other administrative information.","Subseries 2: Meeting Agendas and Minutes  includes the minutes of general body and executive board meetings, the campus programming committee, and meetings with president Steger.","Subseries 3: Photographs  includes an organizational scrapbook and a digital record of photographs of organization members and events.","Subseries 4: Financial Records  includes budget requests and other financial records.","Series 2: Member Organizations  includes photographs and other records related to student organizations that were members of the Black Organizations Council. This series has one subseries: Black Graduate Student Organization.","Subseries 1: Black Graduate Student Organization  includes photographs, administrative papers, event flyers, and other materials about the Black Graduate Student Organization.","Series 3: Other Campus Organizations  includes constitutions from the Jewish Student Union, University Council, and Student Budget Board as well as materials about the Interfraternity Council, the Asian American Student Union, and the Cultural Centers Advisory Committee.","Series 4: Events  includes information about event planning by the Black Organizations Council, videos and photographs of events hosted in whole or in part by the Black Organizations Council, and videos and photographs of events hosted by other campus organizations. This series has nine subseries: Afrikan Awareness Weekend, Asian American Student Union, Black History Month, Black Student Leadership, Celebration of Diversity, Donning of the Kente, Filipino-American Student Association Culture Night, State of the Black Union, and Other Events.","Subseries 1: Afrikan Awareness Weekend  includes videos of the 1990 and 1991 Afrikan Awareness Weekend events.","Subseries 2: Asian American Student Union  includes videos and photographs of events hosted by the Asian American Student Union.","Subseries 3: Black History Month  includes videos and photographs of Black History Month events.","Subseries 4: Black Student Leadership  includes photographs of the 1999 Student Leadership Institute and the 2002 Carroll F. S. Hardy National Black Student Leadership Development Conference.","Subseries 5: Celebration of Diversity  includes videos and photographs of the Celebration of Diversity event, primarily those held on September 12, 2001 and September 11, 2002.","Subseries 6: Donning of the Kente  includes a video, photographs, programs, registrations forms, and other planning records related to the Donning of the Kente graduation event.","Subseries 7: Filipino-American Student Association Culture Night  includes videos of the Filipino-American Student Association's Culture Nights from 1997 and 1998.","Subseries 8: State of the Black Union  includes documentation and student feedback posters related to the State of the Black Union event.","Subseries 9: Other Events  includes videos, photographs, and documents related to other events including An African American Food Taste, Black Organizations Showcase, Black Student Preview, Ebony Affair, Hispanic Heritage Month, Kwanzaa, Million Man March, Relay for Life, Safe Zone Reception, Virginia Nations Pow Wow, White Ribbon Campaign, and others.","Series 5: Presentations and Resources  includes research from presentations given by members of the Black Organizations Council and materials maintained by the Black Organizations Council as resources for its membership.","Series 6: Black Cultural Center and Multicultural Center  includes photographs of these two centers. This series has three subseries: Displays, Internal and External Views, and Faculty, Staff, and Students.","Subseries 1: Displays  includes mounted photographs from center displays and photographs of displays set up by the centers.","Subseries 2: Internal and External Views  includes internal and external photographs of the two centers.","Subseries 3: Faculty, Staff, and Students  includes photographs of people who are associated with the centers."],"bioghist_html_tesm":["\u003cp\u003eFrom the Black Organizations Council:\n\u003cblockquote\u003e\nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Black Organizations Council, GobblerConnect webpage, \u003ca target=\"_blank\" href=\"https://gobblerconnect.vt.edu/organization/BOC\"\u003ehttps://gobblerconnect.vt.edu/organization/BOC\u003c/a\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["From the Black Organizations Council:\n \nFounded on the Virginia Tech campus in 1985, the Black Organizations Council (BOC) is the umbrella and resource body for the Black student organizations. BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. BOC also serves as a liaison between the administration, university organizations, and the Black community, provides a forum for the exchange of ideas and dissemination of information, promotes the Black organizations individually and collectively, coordinates events which require the participation of all entities of the Black community and supports the development of campus camaraderie within the university community. BOC has a mission of being the governing, representing, and coordinating body for the primarily African American student organizations. We will also provide activism and advocacy, while meeting the challenge of the social and political forces affecting the Black community. We encourage each representative organization to empower themselves to create a paradigm in the area of leadership and service in the community.\n","Source: Black Organizations Council, GobblerConnect webpage,  https://gobblerconnect.vt.edu/organization/BOC ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Virginia Tech Black Organizations Council by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Tech Black Organizations Council, RG 8/2/6e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Tech Black Organizations Council, RG 8/2/6e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Virginia Tech Black Organizations Council commenced in April 2018 and was completed in December 2019."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains video cassette tapes of events and programs relating to the Black community at Virginia Tech and programs of other minority groups. It also contains 3 boxes of pictures of events and programs relating to minority groups at Virginia Tech. The events documented include Black History Month programs, the Donning of the Kente ceremony, Multicultural Center events, Hispanic Heritage Month, Asian American Student Union cultural heritage programs, book signings, and guest speakers. There are also pictures of various faculty, staff, and students. Additionally, the collection contains flyers and calendars from the Black Organizations Council and related organizations, a binder of slides of paintings, drawings, and portraits, accounting documents, a history of events booklet, and folders of records, minutes, and other documents."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab2705488f3cb295771d3d4020753f35\" label=\"Abstract\"\u003eThe Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The Black Organizations Council (BOC) was founded on the Virginia Tech campus in 1985, and is the umbrella and resource body for the Black student organizations. According to the organization, BOC serves to ensure the betterment of the Black community through providing a unified voice for the Black community in a university population where the Black community lacks adequate representation. The collection includes documents, photos, VHS tapes, and posters."],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Black Organizations Council","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["English \n.    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