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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#0/components#0/components#17","timestamp":"2026-04-30T22:10:15.256Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:15.256Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18"}},{"id":"viu_viu03374_c02_c17","type":"Subseries","attributes":{"title":"Coaching and Training sub-committee Minutes","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu03374_c02_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu03374_c02_c17","ref_ssm":["viu_viu03374_c02_c17"],"id":"viu_viu03374_c02_c17","ead_ssi":"viu_viu03374","_root_":"viu_viu03374","_nest_parent_":"viu_viu03374_c02","parent_ssi":"viu_viu03374_c02","parent_ssim":["viu_viu03374","viu_viu03374_c02"],"parent_ids_ssim":["viu_viu03374","viu_viu03374_c02"],"parent_unittitles_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes"],"parent_unittitles_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes"],"text":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes","Coaching and Training sub-committee Minutes"],"title_filing_ssi":"Coaching and Training sub-committee Minutes","title_ssm":["Coaching and Training sub-committee Minutes"],"title_tesim":["Coaching and Training sub-committee Minutes"],"unitdate_inclusive_ssm":["2008-2012"],"normalized_date_ssm":["2008/2012"],"normalized_title_ssm":["Coaching and Training sub-committee Minutes"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"extent_ssm":["45 digital files"],"extent_tesim":["45 digital files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":25,"date_range_isim":[2008,2009,2010,2011,2012],"_nest_path_":"/components#1/components#16","timestamp":"2026-05-01T02:18:19.044Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu03374","ead_ssi":"viu_viu03374","_root_":"viu_viu03374","_nest_parent_":"viu_viu03374","ead_source_url_ssi":"data/uva-sc/viu03374.xml","title_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"title_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["15490"],"text":["15490","Charlottesville Derby Dames Records \n      \n     20078-2012","This collection\n     consists of ca. 12,700 items.","The Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.","The idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.","The league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.","The Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.","Timeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.","November 14, 2007: First practice at the National Guard Armory","June 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean","October 31, 2008: Dames host their first event: Masquerade Brawl","November 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.","April 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall","November 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament","December 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization","The Charlottesville Derby Dames records include approximately 1,100 electronic documents, primarily in Word, Excel, PDF, and JPEG formats, outlining the formation of the team and its \n    operation. An additional 12,750 digital photographs and videos are also included, as well as captures of the Dames’ website and facebook circa December 2012.","The collection covers the earliest organizational efforts of this non-profit athletic organization in 2007 and include items like meeting minutes and event planning records, rosters, \n    flyers, programs and other promotional materials, bylaws and policies. All Dames use pseudonyms when referring to each other (\"derby names\"), therefore supplementary documentation of \n    actual names as well as a history of events are included.","In addition, the team has donated a small collection of physical flyers, programs, and any other media appearances (primarily newspaper or magazines with articles) from the years 2011 and 2012.","The electronic documents contained in this collection were transferred through multiple electronic systems before arriving in the custody of the University of Virginia. \n    Transfers prior to arriving at the archive have resulted in modifying the date of creation or last modification. In particular, many documents were copied from a Yahoo! \n    message board in January of 2011 to a shared GoogleDocs drive, resulting in a date of creation of January 27, 2011. In some cases the date of the electronic document will \n    appear to be out of the scope of the collection because of a file system characteristic (such as having been created in 1979) and should not be trusted. When the approximate \n    dates of the materials are known, these are indicated in the finding aid.","English"],"unitid_tesim":["15490"],"normalized_title_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"collection_title_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"collection_ssim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n     consists of ca. 12,700 items."],"bioghist_html_tesm":["\u003cp\u003eThe Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.\u003c/p\u003e","\u003cp\u003eThe idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.\u003c/p\u003e","\u003cp\u003eThe league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.\u003c/p\u003e","\u003cp\u003eThe Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.\u003c/p\u003e","\u003cp\u003eTimeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.\u003c/p\u003e","\u003cp\u003eNovember 14, 2007: First practice at the National Guard Armory\u003c/p\u003e","\u003cp\u003eJune 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean\u003c/p\u003e","\u003cp\u003eOctober 31, 2008: Dames host their first event: Masquerade Brawl\u003c/p\u003e","\u003cp\u003eNovember 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.\u003c/p\u003e","\u003cp\u003eApril 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall\u003c/p\u003e","\u003cp\u003eNovember 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament\u003c/p\u003e","\u003cp\u003eDecember 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.","The idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.","The league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.","The Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.","Timeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.","November 14, 2007: First practice at the National Guard Armory","June 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean","October 31, 2008: Dames host their first event: Masquerade Brawl","November 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.","April 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall","November 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament","December 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization"],"scopecontent_html_tesm":["\u003cp\u003eThe Charlottesville Derby Dames records include approximately 1,100 electronic documents, primarily in Word, Excel, PDF, and JPEG formats, outlining the formation of the team and its \n    operation. An additional 12,750 digital photographs and videos are also included, as well as captures of the Dames’ website and facebook circa December 2012.\u003c/p\u003e","\u003cp\u003eThe collection covers the earliest organizational efforts of this non-profit athletic organization in 2007 and include items like meeting minutes and event planning records, rosters, \n    flyers, programs and other promotional materials, bylaws and policies. All Dames use pseudonyms when referring to each other (\"derby names\"), therefore supplementary documentation of \n    actual names as well as a history of events are included.\u003c/p\u003e","\u003cp\u003eIn addition, the team has donated a small collection of physical flyers, programs, and any other media appearances (primarily newspaper or magazines with articles) from the years 2011 and 2012.\u003c/p\u003e","\u003cp\u003eThe electronic documents contained in this collection were transferred through multiple electronic systems before arriving in the custody of the University of Virginia. \n    Transfers prior to arriving at the archive have resulted in modifying the date of creation or last modification. In particular, many documents were copied from a Yahoo! \n    message board in January of 2011 to a shared GoogleDocs drive, resulting in a date of creation of January 27, 2011. In some cases the date of the electronic document will \n    appear to be out of the scope of the collection because of a file system characteristic (such as having been created in 1979) and should not be trusted. When the approximate \n    dates of the materials are known, these are indicated in the finding aid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["The Charlottesville Derby Dames records include approximately 1,100 electronic documents, primarily in Word, Excel, PDF, and JPEG formats, outlining the formation of the team and its \n    operation. An additional 12,750 digital photographs and videos are also included, as well as captures of the Dames’ website and facebook circa December 2012.","The collection covers the earliest organizational efforts of this non-profit athletic organization in 2007 and include items like meeting minutes and event planning records, rosters, \n    flyers, programs and other promotional materials, bylaws and policies. All Dames use pseudonyms when referring to each other (\"derby names\"), therefore supplementary documentation of \n    actual names as well as a history of events are included.","In addition, the team has donated a small collection of physical flyers, programs, and any other media appearances (primarily newspaper or magazines with articles) from the years 2011 and 2012.","The electronic documents contained in this collection were transferred through multiple electronic systems before arriving in the custody of the University of Virginia. \n    Transfers prior to arriving at the archive have resulted in modifying the date of creation or last modification. In particular, many documents were copied from a Yahoo! \n    message board in January of 2011 to a shared GoogleDocs drive, resulting in a date of creation of January 27, 2011. In some cases the date of the electronic document will \n    appear to be out of the scope of the collection because of a file system characteristic (such as having been created in 1979) and should not be trusted. When the approximate \n    dates of the materials are known, these are indicated in the finding aid."],"language_ssim":["English"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T02:18:19.044Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_viu03374_c02_c17"}},{"id":"vihart_repositories_4_resources_488_c03_c46","type":"Subseries","attributes":{"title":"Collegiate Summit","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488_c03_c46#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c03_c46","ref_ssm":["vihart_repositories_4_resources_488_c03_c46"],"id":"vihart_repositories_4_resources_488_c03_c46","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c03","parent_ssi":"vihart_repositories_4_resources_488_c03","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c03"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c03"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Events, Programs, and Workshops"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Events, Programs, and Workshops"],"text":["Furious Flower Poetry Center Records","Events, Programs, and Workshops","Collegiate Summit"],"title_filing_ssi":"Collegiate Summit","title_ssm":["Collegiate Summit"],"title_tesim":["Collegiate Summit"],"unitdate_bulk_ssim":["2012"],"unitdate_inclusive_ssm":["2011-2016"],"normalized_date_ssm":["2011/2016, bulk 2012"],"normalized_title_ssm":["Collegiate Summit"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":357,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2011,2012,2013,2014,2015,2016],"_nest_path_":"/components#2/components#45","timestamp":"2026-04-30T23:00:23.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015"],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. 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","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. 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He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:15.256Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c02"}},{"id":"viw_repositories_2_resources_9853_c02_c05","type":"Subseries","attributes":{"title":"\"Comic Invoices\" Binder 5","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c02_c05","ref_ssm":["viw_repositories_2_resources_9853_c02_c05"],"id":"viw_repositories_2_resources_9853_c02_c05","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c02","parent_ssi":"viw_repositories_2_resources_9853_c02","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c02"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 2: Collecting Records"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 2: Collecting Records"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 2: Collecting Records","\"Comic Invoices\" Binder 5"],"title_filing_ssi":"\"Comic Invoices\" Binder 5","title_ssm":["\"Comic Invoices\" Binder 5"],"title_tesim":["\"Comic Invoices\" Binder 5"],"unitdate_inclusive_ssm":["2002-2019"],"normalized_date_ssm":["2002/2019"],"normalized_title_ssm":["\"Comic Invoices\" Binder 5"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":219,"parent_access_restrict_tesm":["Collection is open to all researchers. 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Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:10:15.256Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c02_c05"}},{"id":"wvmturhc_repositories_2_resources_1630_c03_c01","type":"Subseries","attributes":{"title":"Commemoration of Stephens's Career","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of \u003cspan\u003eIn Wheeling\u003c/span\u003e magazine featuring an article about the city's architectural history.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1630_c03_c01","ref_ssm":["wvmturhc_repositories_2_resources_1630_c03_c01"],"id":"wvmturhc_repositories_2_resources_1630_c03_c01","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630_c03","parent_ssi":"wvmturhc_repositories_2_resources_1630_c03","parent_ssim":["wvmturhc_repositories_2_resources_1630","wvmturhc_repositories_2_resources_1630_c03"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1630","wvmturhc_repositories_2_resources_1630_c03"],"parent_unittitles_ssm":["Faris, Faris, and Stephens, Architects, Records","Series 3. Addendum of 2015 October 12"],"parent_unittitles_tesim":["Faris, Faris, and Stephens, Architects, Records","Series 3. Addendum of 2015 October 12"],"text":["Faris, Faris, and Stephens, Architects, Records","Series 3. Addendum of 2015 October 12","Commemoration of Stephens's Career","Box 237","Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of  In Wheeling  magazine featuring an article about the city's architectural history."],"title_filing_ssi":"Commemoration of Stephens's Career","title_ssm":["Commemoration of Stephens's Career"],"title_tesim":["Commemoration of Stephens's Career"],"unitdate_inclusive_ssm":["1985-2013"],"normalized_date_ssm":["1985/2013"],"normalized_title_ssm":["Commemoration of Stephens's Career"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Faris, Faris, and Stephens, Architects, Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1743,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"containers_ssim":["Box 237"],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of \u003ctitle\u003e\u003cpart\u003eIn Wheeling\u003c/part\u003e\u003c/title\u003e magazine featuring an article about the city's architectural history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of  In Wheeling  magazine featuring an article about the city's architectural history."],"_nest_path_":"/components#2/components#0","timestamp":"2026-04-30T23:23:30.867Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1630","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1630.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195905","title_ssm":["Faris, Faris, and Stephens, Architects, Records"],"title_tesim":["Faris, Faris, and Stephens, Architects, Records"],"unitdate_ssm":["ca. 1890-2013"],"unitdate_inclusive_ssm":["ca. 1890-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630"],"text":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630","Faris, Faris, and Stephens, Architects, Records","Architects and architecture","No special access restriction applies.","Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.","The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders. \nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.","The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania. Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned. Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request. Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University. Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","English \n.    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Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026amp; Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026amp; Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026amp; Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.\u003c/p\u003e\n","\u003cp\u003eFrederic P. Faris\u003c/p\u003e\n","\u003cp\u003eFrederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.\u003c/p\u003e\n","\u003cp\u003eTracy Ralston Stephens\u003c/p\u003e\n","\u003cp\u003eTracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026amp; Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026amp;M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe A\u0026amp;M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026amp;M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders.\u003clb\u003e\u003c/lb\u003e\nThe A\u0026amp;M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Additional Inventory Information"],"processinfo_tesim":["The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders. \nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania. Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned. Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request. Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University. Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43c454a56dc9309e6b4ebd4fbc4147f3\"\u003eIncludes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.\u003c/abstract\u003e"],"abstract_tesim":["Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7ab2f871816bafe59a91acbb26d44ffa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Stephens, Tracy R."],"persname_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1756,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:23:30.867Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c03_c01"}},{"id":"vilxv_repositories_3_resources_633_c02_c02","type":"Subseries","attributes":{"title":"Committees","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_633_c02_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_633_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_633_c02_c02","ref_ssm":["vilxv_repositories_3_resources_633_c02_c02"],"id":"vilxv_repositories_3_resources_633_c02_c02","ead_ssi":"vilxv_repositories_3_resources_633","_root_":"vilxv_repositories_3_resources_633","_nest_parent_":"vilxv_repositories_3_resources_633_c02","parent_ssi":"vilxv_repositories_3_resources_633_c02","parent_ssim":["vilxv_repositories_3_resources_633","vilxv_repositories_3_resources_633_c02"],"parent_ids_ssim":["vilxv_repositories_3_resources_633","vilxv_repositories_3_resources_633_c02"],"parent_unittitles_ssm":["Intercollegiate Athletics records","Athletic administrative records"],"parent_unittitles_tesim":["Intercollegiate Athletics records","Athletic administrative records"],"text":["Intercollegiate Athletics records","Athletic administrative records","Committees","Virginia Military Institute—Athletics","Meetings","Minutes","This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017)."],"title_filing_ssi":"Committees","title_ssm":["Committees"],"title_tesim":["Committees"],"unitdate_inclusive_ssm":["2008-2017"],"normalized_date_ssm":["2008/2017"],"normalized_title_ssm":["Committees"],"component_level_isim":[2],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Intercollegiate Athletics records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":41,"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"access_subjects_ssim":["Virginia Military Institute—Athletics","Meetings","Minutes"],"access_subjects_ssm":["Virginia Military Institute—Athletics","Meetings","Minutes"],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains records related to the VMI Committee on Athletics (dated 2012-2017) and the NCAA Academic Progress Rate and Academic Improvement Plan Committee (dated 2008-2017)."],"_nest_path_":"/components#1/components#1","timestamp":"2026-04-30T22:56:26.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_633","ead_ssi":"vilxv_repositories_3_resources_633","_root_":"vilxv_repositories_3_resources_633","_nest_parent_":"vilxv_repositories_3_resources_633","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_633.xml","title_ssm":["Intercollegiate Athletics records"],"title_tesim":["Intercollegiate Athletics records"],"unitdate_ssm":["1920's-ongoing"],"unitdate_inclusive_ssm":["1920's-ongoing"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["RG.09.Records","/repositories/3/resources/633"],"text":["RG.09.Records","/repositories/3/resources/633","Intercollegiate Athletics records","Virginia Military Institute—Athletics","Materials documenting the history of major (football, basketball) and other sports.  Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.","Archives stacks, Record Group 09, Athletics","Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics","English"],"unitid_tesim":["RG.09.Records","/repositories/3/resources/633"],"normalized_title_ssm":["Intercollegiate Athletics records"],"collection_title_tesim":["Intercollegiate Athletics records"],"collection_ssim":["Intercollegiate Athletics records"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creator_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creator_corpname_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"creators_ssim":["Virginia Military Institute. Department of Intercollegiate Athletics"],"access_subjects_ssim":["Virginia Military Institute—Athletics"],"access_subjects_ssm":["Virginia Military Institute—Athletics"],"has_online_content_ssim":["false"],"extent_ssm":["30 cubic feet"],"extent_tesim":["30 cubic feet"],"date_range_isim":[1920],"scopecontent_html_tesm":["\u003cp\u003eMaterials documenting the history of major (football, basketball) and other sports.  Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials documenting the history of major (football, basketball) and other sports.  Includes historical athletic Association minutes; printed material such as programs and media guides; emphemera; research material on athletic history used by Thomas W. Davis for his book; and other material documenting the history of intercollegiate athletics at VMI."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f9e735b9939d4789fe2a6bb51ad6c3d3\"\u003eArchives stacks, Record Group 09, Athletics\u003c/physloc\u003e"],"physloc_tesim":["Archives stacks, Record Group 09, Athletics"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Department of Intercollegiate Athletics"],"language_ssim":["English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:56:26.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_633_c02_c02"}},{"id":"viu_viu03374_c02_c04","type":"Subseries","attributes":{"title":"Community Relations Committee Minutes","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_viu03374_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu03374_c02_c04","ref_ssm":["viu_viu03374_c02_c04"],"id":"viu_viu03374_c02_c04","ead_ssi":"viu_viu03374","_root_":"viu_viu03374","_nest_parent_":"viu_viu03374_c02","parent_ssi":"viu_viu03374_c02","parent_ssim":["viu_viu03374","viu_viu03374_c02"],"parent_ids_ssim":["viu_viu03374","viu_viu03374_c02"],"parent_unittitles_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes"],"parent_unittitles_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes"],"text":["Charlottesville Derby Dames Records \n      \n     20078-2012","Series II: Committee Documents and Meeting Minutes","Community Relations Committee Minutes"],"title_filing_ssi":"Community Relations Committee Minutes","title_ssm":["Community Relations Committee Minutes"],"title_tesim":["Community Relations Committee Minutes"],"unitdate_inclusive_ssm":["2008-2012"],"normalized_date_ssm":["2008/2012"],"normalized_title_ssm":["Community Relations Committee Minutes"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"extent_ssm":["17 digital files"],"extent_tesim":["17 digital files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":9,"date_range_isim":[2008,2009,2010,2011,2012],"_nest_path_":"/components#1/components#3","timestamp":"2026-05-01T02:18:19.044Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu03374","ead_ssi":"viu_viu03374","_root_":"viu_viu03374","_nest_parent_":"viu_viu03374","ead_source_url_ssi":"data/uva-sc/viu03374.xml","title_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"title_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["15490"],"text":["15490","Charlottesville Derby Dames Records \n      \n     20078-2012","This collection\n     consists of ca. 12,700 items.","The Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.","The idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.","The league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.","The Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.","Timeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.","November 14, 2007: First practice at the National Guard Armory","June 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean","October 31, 2008: Dames host their first event: Masquerade Brawl","November 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.","April 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall","November 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament","December 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization","The Charlottesville Derby Dames records include approximately 1,100 electronic documents, primarily in Word, Excel, PDF, and JPEG formats, outlining the formation of the team and its \n    operation. An additional 12,750 digital photographs and videos are also included, as well as captures of the Dames’ website and facebook circa December 2012.","The collection covers the earliest organizational efforts of this non-profit athletic organization in 2007 and include items like meeting minutes and event planning records, rosters, \n    flyers, programs and other promotional materials, bylaws and policies. All Dames use pseudonyms when referring to each other (\"derby names\"), therefore supplementary documentation of \n    actual names as well as a history of events are included.","In addition, the team has donated a small collection of physical flyers, programs, and any other media appearances (primarily newspaper or magazines with articles) from the years 2011 and 2012.","The electronic documents contained in this collection were transferred through multiple electronic systems before arriving in the custody of the University of Virginia. \n    Transfers prior to arriving at the archive have resulted in modifying the date of creation or last modification. In particular, many documents were copied from a Yahoo! \n    message board in January of 2011 to a shared GoogleDocs drive, resulting in a date of creation of January 27, 2011. In some cases the date of the electronic document will \n    appear to be out of the scope of the collection because of a file system characteristic (such as having been created in 1979) and should not be trusted. When the approximate \n    dates of the materials are known, these are indicated in the finding aid.","English"],"unitid_tesim":["15490"],"normalized_title_ssm":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"collection_title_tesim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"collection_ssim":["Charlottesville Derby Dames Records \n      \n     20078-2012"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n     consists of ca. 12,700 items."],"bioghist_html_tesm":["\u003cp\u003eThe Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.\u003c/p\u003e","\u003cp\u003eThe idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.\u003c/p\u003e","\u003cp\u003eThe league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.\u003c/p\u003e","\u003cp\u003eThe Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.\u003c/p\u003e","\u003cp\u003eTimeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.\u003c/p\u003e","\u003cp\u003eNovember 14, 2007: First practice at the National Guard Armory\u003c/p\u003e","\u003cp\u003eJune 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean\u003c/p\u003e","\u003cp\u003eOctober 31, 2008: Dames host their first event: Masquerade Brawl\u003c/p\u003e","\u003cp\u003eNovember 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.\u003c/p\u003e","\u003cp\u003eApril 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall\u003c/p\u003e","\u003cp\u003eNovember 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament\u003c/p\u003e","\u003cp\u003eDecember 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The Charlottesville Derby Dames are Charlottesville’s first and only skater-run, flat track roller derby league. The Dames’ mission is to promote sportsmanship and community by \n    providing an alternative form of fitness and entertainment to the women and men of Charlottesville and surrounding counties.","The idea to form a derby team in Charlottesville began back in 2007 with founding members Jessika Daver and Phenol Barbie Doll. By October of that year the Dames had \n    recruited more team members and began to practice. The Dames made their public debut in 2008 when three CDD members (Little Miss Pissed, MatilDa Molish, Dark and Stormy) played in Commotion by the Ocean, a roller derby event in Virginia Beach. In 2009 the Dames hosted their first home bout, Daylight Slayings, featuring Charlottesville Derby Dames v. Northside Stranglers at Expoland.","The league has steadily grown to around 60 members. As of January 2011, the league grew to two bouting teams drafted for skill equality at the start of the \n    season, generally referred to as \"split teams\" (the Downtown Maulers and the Blue Ridge Bombshells), plus a travel team comprised of reliable, devoted, and skilled \n    skaters (the All-Stars). By the end of 2012, the team added a second travel team (now known as the Belmont Bruisers) and elected to keep the split teams primarily for \n    intraleague scrimmages. In addition, the league comprises many trainers, coaches, refs, NSOs, and non-skating members. The Dames became members of the Women's Flat \n    Track Derby Association (WFTDA) in December 2012.","The Dames are active in the local community and donate portions of the proceeds from their bouts and events to local charities and engage in other community events.","Timeline January 25, 2007: First interest meeting for a roller derby team held at Atomic Burrito.","November 14, 2007: First practice at the National Guard Armory","June 8, 2008: Three members of the Dames play in their first bout: Commotion by the Ocean","October 31, 2008: Dames host their first event: Masquerade Brawl","November 1, 2009: Dames host their first home bout: Daylight Slayings held at Augusta Expo in Fishersville, Va.","April 30, 2011: Dames host their first bout at the Main Street Arena, on Charlottesville's Downtown Mall: Brawl on the Mall","November 11, 2010:Dames featured on season premiere of Charlottesville Inside Out August 5, 2011: Dames host the first annual Virginia is for Shovers Tournament","December 13, 2012: Dames become members of the Women's Flat Track Derby Association after a year-long apprenticeship with the organization"],"scopecontent_html_tesm":["\u003cp\u003eThe Charlottesville Derby Dames records include approximately 1,100 electronic documents, primarily in Word, Excel, PDF, and JPEG formats, outlining the formation of the team and its \n    operation. An additional 12,750 digital photographs and videos are also included, as well as captures of the Dames’ website and facebook circa December 2012.\u003c/p\u003e","\u003cp\u003eThe collection covers the earliest organizational efforts of this non-profit athletic organization in 2007 and include items like meeting minutes and event planning records, rosters, \n    flyers, programs and other promotional materials, bylaws and policies. 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