{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=4"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":4,"limit_value":10,"offset_value":0,"total_count":36,"first_page?":true,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_8983_c03_c02","type":"Sub-Series","attributes":{"title":"Acc. 2012.398, 1961/2012","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8983_c03_c02","ref_ssm":["viw_repositories_2_resources_8983_c03_c02"],"id":"viw_repositories_2_resources_8983_c03_c02","ead_ssi":"viw_repositories_2_resources_8983","_root_":"viw_repositories_2_resources_8983","_nest_parent_":"viw_repositories_2_resources_8983_c03","parent_ssi":"viw_repositories_2_resources_8983_c03","parent_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"parent_ids_ssim":["viw_repositories_2_resources_8983","viw_repositories_2_resources_8983_c03"],"title_filing_ssi":"Acc. 2012.398","title_ssm":["Acc. 2012.398"],"title_tesim":["Acc. 2012.398"],"normalized_title_ssm":["Acc. 2012.398, 1961/2012"],"text":["Acc. 2012.398, 1961/2012","Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008","box 9","Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30."],"parent_unittitles_ssm":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"parent_unittitles_tesim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"normalized_date_ssm":["1961/2012"],"unitdate_inclusive_ssm":["1961-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":164,"repository_ssim":["College of William and Mary"],"collection_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"containers_ssim":["box 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_html_tesm":["\u003cp\u003eContains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30."],"_nest_path_":"/components#2/components#1","timestamp":"2026-06-23T07:48:00.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8983","ead_ssi":"viw_repositories_2_resources_8983","_root_":"viw_repositories_2_resources_8983","_nest_parent_":"viw_repositories_2_resources_8983","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8983.xml","title_filing_ssi":"Hawthorne, Randall S. Papers","title_ssm":["Randall S. Hawthorne Papers"],"title_tesim":["Randall S. Hawthorne Papers"],"unitdate_ssm":["1935-2014","1980-2000"],"unitdate_inclusive_ssm":["1935-2014"],"unitdate_bulk_ssim":["1980-2000"],"normalized_date_ssm":["1935/2014, bulk 1980/2000"],"normalized_title_ssm":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"text":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","UA 5.144","/repositories/2/resources/8983","Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future additions to the collection are expected.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Randall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Acc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.","Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014.","Athletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13).","This collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.","Material is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.","This series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.","This series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.","This series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.","The bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.","Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.","Contains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.","Contains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.","Contains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.","Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.","Mix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026 M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae","Hawthorne, Randall S.","English"],"collection_title_tesim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"collection_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.144","/repositories/2/resources/8983"],"unitid_tesim":["UA 5.144","/repositories/2/resources/8983"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Hawthorne, Randall S.","Dept. of Athletics"],"creator_ssim":["Hawthorne, Randall S.","Dept. of Athletics"],"creator_persname_ssim":["Hawthorne, Randall S."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"creators_ssim":["Hawthorne, Randall S.","Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets"],"access_subjects_ssm":["Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets"],"has_online_content_ssim":["false"],"extent_ssm":["9.60 Linear Feet"],"extent_tesim":["9.60 Linear Feet"],"genreform_ssim":["Negatives","Photographs","Programs","Tickets"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture additions to the collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future additions to the collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eRandall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Randall_S._Hawthorne\" title=\"Randall S. Hawthorne\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Randall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eRandall S. Hawthorne Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Randall S. Hawthorne Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.\u003c/p\u003e","\u003cp\u003e Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.","Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eAthletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Athletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.\u003c/p\u003e","\u003cp\u003eMaterial is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.\u003c/p\u003e  ","\u003cp\u003eThis series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.\u003c/p\u003e","\u003cp\u003eThis series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.\u003c/p\u003e","\u003cp\u003eThe bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.\u003c/p\u003e","\u003cp\u003eContains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.\u003c/p\u003e","\u003cp\u003eContains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.\u003c/p\u003e","\u003cp\u003eContains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.\u003c/p\u003e","\u003cp\u003eContains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.\u003c/p\u003e","\u003cp\u003eContains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.\u003c/p\u003e","\u003cp\u003eMix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.\u003c/p\u003e","\u003cp\u003eA bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.\u003c/p\u003e","\u003cp\u003eArtifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026amp; M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)\u003c/p\u003e","\u003cp\u003eA poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.","Material is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.","This series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.","This series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.","This series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.","The bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.","Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.","Contains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.","Contains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.","Contains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.","Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.","Mix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026 M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013."],"separatedmaterial_html_tesm":["\u003cp\u003eA bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.\u003c/p\u003e","\u003cp\u003e Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026amp;M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)\u003c/p\u003e","\u003cp\u003e A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"names_coll_ssim":["College of William and Mary--Alumni and alumnae"],"persname_ssim":["Hawthorne, Randall S."],"names_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae","Hawthorne, Randall S."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:00.651Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c02"}},{"id":"viw_repositories_2_resources_8983_c03_c06","type":"Sub-Series","attributes":{"title":"Acc. 2014.061, 1949/2014","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8983_c03_c06","ref_ssm":["viw_repositories_2_resources_8983_c03_c06"],"id":"viw_repositories_2_resources_8983_c03_c06","ead_ssi":"viw_repositories_2_resources_8983","_root_":"viw_repositories_2_resources_8983","_nest_parent_":"viw_repositories_2_resources_8983_c03","parent_ssi":"viw_repositories_2_resources_8983_c03","parent_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"parent_ids_ssim":["viw_repositories_2_resources_8983","viw_repositories_2_resources_8983_c03"],"title_filing_ssi":"Acc. 2014.061","title_ssm":["Acc. 2014.061"],"title_tesim":["Acc. 2014.061"],"normalized_title_ssm":["Acc. 2014.061, 1949/2014"],"text":["Acc. 2014.061, 1949/2014","Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008","box 10","Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014."],"parent_unittitles_ssm":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"parent_unittitles_tesim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","Series 3: Ongoing Accessions, 1944/2008"],"normalized_date_ssm":["1949/2014"],"unitdate_inclusive_ssm":["1949-2014"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":168,"repository_ssim":["College of William and Mary"],"collection_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"containers_ssim":["box 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"scopecontent_html_tesm":["\u003cp\u003eContains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014."],"_nest_path_":"/components#2/components#5","timestamp":"2026-06-23T07:48:00.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8983","ead_ssi":"viw_repositories_2_resources_8983","_root_":"viw_repositories_2_resources_8983","_nest_parent_":"viw_repositories_2_resources_8983","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8983.xml","title_filing_ssi":"Hawthorne, Randall S. Papers","title_ssm":["Randall S. Hawthorne Papers"],"title_tesim":["Randall S. Hawthorne Papers"],"unitdate_ssm":["1935-2014","1980-2000"],"unitdate_inclusive_ssm":["1935-2014"],"unitdate_bulk_ssim":["1980-2000"],"normalized_date_ssm":["1935/2014, bulk 1980/2000"],"normalized_title_ssm":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"text":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","UA 5.144","/repositories/2/resources/8983","Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future additions to the collection are expected.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Randall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Acc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.","Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014.","Athletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13).","This collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.","Material is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.","This series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.","This series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.","This series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.","The bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.","Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.","Contains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.","Contains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.","Contains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.","Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.","Mix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026 M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae","Hawthorne, Randall S.","English"],"collection_title_tesim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"collection_ssim":["Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.144","/repositories/2/resources/8983"],"unitid_tesim":["UA 5.144","/repositories/2/resources/8983"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Hawthorne, Randall S.","Dept. of Athletics"],"creator_ssim":["Hawthorne, Randall S.","Dept. of Athletics"],"creator_persname_ssim":["Hawthorne, Randall S."],"creator_corpname_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"creators_ssim":["Hawthorne, Randall S.","Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets"],"access_subjects_ssm":["Athletics--Cross Country","Athletics--Track","College of William and Mary--Students","Olympic Games (26th : 1996 : Atlanta, Ga.)--Programs.","Olympics--Participation, American","Negatives","Photographs","Programs","Tickets"],"has_online_content_ssim":["false"],"extent_ssm":["9.60 Linear Feet"],"extent_tesim":["9.60 Linear Feet"],"genreform_ssim":["Negatives","Photographs","Programs","Tickets"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture additions to the collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future additions to the collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eRandall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Randall_S._Hawthorne\" title=\"Randall S. Hawthorne\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Randall S. (Randy) Hawthorne was a student at the College of William and Mary from 1963 to 1967, graduating with a Bachelor of Arts degree. He went on to obtain his J.D. in 1970 and a M.L.T. in 1971, both from the College of William and Mary. In 1970, he was commissioned as a Second Lieutenant, U.S. Army Reserve. After leaving William and Mary, he served in the U.S. Army and eventually worked in a private accounting practice in Williamsburg, Virginia. Hawthorne remained connected to track and field at William and Mary after graduation, creating Track Talk, a newsletter for William and Mary track alumni in 1976, as well as raising funds to benefit the track and field program. In 2008, Hawthorne was awarded the William and Mary Alumni Medallion, given by the William and Mary Alumni Association for his service and dedication to the College. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eRandall S. Hawthorne Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Randall S. Hawthorne Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.\u003c/p\u003e","\u003cp\u003e Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2010.679 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2010.699 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in November 2010. Acc. 2011.029 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2011. Collection was arranged and described by Ashley Hughes, SCRC Staff, in January-June 2011 and Jon Katora, SCRC Staff, in October- 2011.","Acc. 2012.398 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012. Acc. 2013.198 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013. Acc. 2013.231 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2014.002 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2014. Acc. 2014.061 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in May 2014."],"relatedmaterial_html_tesm":["\u003cp\u003eAthletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Athletics Department Records (UA 181); University Archives Photograph Collection (UA 8); University Archives Faculty-Alumni File Collection (UA 10); University Archives Artifact Collection (UA 13)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.\u003c/p\u003e","\u003cp\u003eMaterial is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.\u003c/p\u003e  ","\u003cp\u003eThis series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.\u003c/p\u003e","\u003cp\u003eThis series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.\u003c/p\u003e","\u003cp\u003eThe bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.\u003c/p\u003e","\u003cp\u003eContains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.\u003c/p\u003e","\u003cp\u003eContains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.\u003c/p\u003e","\u003cp\u003eContains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.\u003c/p\u003e","\u003cp\u003eContains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.\u003c/p\u003e","\u003cp\u003eContains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.\u003c/p\u003e","\u003cp\u003eMix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.\u003c/p\u003e","\u003cp\u003eA bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.\u003c/p\u003e","\u003cp\u003eArtifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026amp; M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)\u003c/p\u003e","\u003cp\u003eA poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains athletic programs, brochures, photographs, tickets and other material collected by Randall S. Hawthorne, class of 1967, documenting the track and field and cross country programs, and to a lesser extent football at the College of William and Mary. The bulk of the collection consists of track and field programs including the Colonial Relays, Penn Relays, and the Colonial Athletic Association Championships. The collection also includes color and black and white photographs featuring the College of William and Mary men's and women's track and cross country teams. The photographs feature individual shots of runners as well as the team at various meets, including the Colonial Relays and the Colonial Athletic Association Championships. Annual brochures for the track and field and cross country teams at the College, containing information about the team's schedule, roster, and facts about William and Mary athletics, are also part of the collection. The collection also holds track programs from the 1996 Olympics Games in Atlanta and William and Mary football programs from the 1950s and 1960s.","Material is added to the collection on an ongoing basis. Please see Series 3 for additions to the collection that have not been interfiled.","This series consists of athletic programs, clippings, brochures, and other publications related to cross country and track, mostly featuring the teams from the College of William and Mary.","This series consists of black and white as well as color photographs of track and field and cross country meets. The bulk of the photographs feature members of the mens and womens teams from the College of William and Mary at meets such as the Penn Relays, the Colonial Relays, and the Colonial Athletic Association Championships.","This series consists of accessions that have not been integrated into the existing collection. Please consult a staff member for further assistance.","The bulk of this accession contains photographs and clippings related to the track and cross country teams at the College of William and Mary. Both the mens and womens track and cross country teams are represented. Also included in the accession are William and Mary football programs, publications from the Colonial Williamburg Foundation from the 1980s, and publications related to the 300th Anniversary of the College of William and Mary from circa 1993.","Contains football programs from William and Mary games against George Washington in 1961 and 1963; Program and results from the 2012 NCAA Cross Country Championships in Louisville, Kentucky; Program from the 2012 CAA Cross Country Championships in Williamsburg, Virginia; Program for the 11 Annual Spider Alumni Open cross country meet in Richmond, Virginia on September 1, 2012; and a manuscript written by G. Curtis Jones about the death of his son Peter G. Jones, who ran cross country and track for William and Mary from 1967-1971, at the age of 30.","Contains William and Mary football programs from the 10/21/1944 game against Richmond Airforce Base; 10/2/1954 game against Pennsylvania; 10/19/1963 game against Virginia Tech; 9/26/1964 game against Navy; and the 10/9/1965 game against Navy.","Contains results for William and Mary freshman cross country team meet rusults from 1963, 1965-1967, as well as an autographed copy of High School Runners, Fall 2000, signed by Alan Webb, the first high school runner to break the 4 minute mile.","Contains programs and results from the 2013 NCAA Cross Country Championships in Terre Haute, Indiana, as well as a program from the Colonial Athletic Association Championships at Cockeysville, Maryland.","Contains programs, tickets, and other material related to the football and track teams at the College of William and Mary. Also included is a program from the 68th Annual Portsmouth Sports Club Jamboree in January 2014.","Mix of sleeves with just negatives, and sleeves with negatives and photographs.  Many photographs sleeves are labeled with the name and date of the event.  One bundle labeled as \"unknown.\"  3 small containers of slides, dated and with name of event.","A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W \u0026 M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013."],"separatedmaterial_html_tesm":["\u003cp\u003eA bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.\u003c/p\u003e","\u003cp\u003e Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026amp;M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)\u003c/p\u003e","\u003cp\u003e A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["A bib number used by a runner was pulled from this collection and was added to the University Archives Artifact Collection (UA 13) on 3/11/2011.","Artifacts have been separated and transferred to the University Archives Artifact Collection (UA 13). Artifacts with descriptions include W\u0026M Tribe Club Window Decals (UA 2010.679.01ab), Athletics department protest T-shirt (UA 2014.061.01)","A poster for the William and Mary game versus Virginia Polytechnical Institute in the Holiday Bowl sometime between 1946 and 1950 was pulled from this collection and added to the University Archives Poster Collection on 8/06/2013."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae"],"names_coll_ssim":["College of William and Mary--Alumni and alumnae"],"persname_ssim":["Hawthorne, Randall S."],"names_ssim":["Special Collections Research Center","Dept. of Athletics","College of William and Mary--Alumni and alumnae","Hawthorne, Randall S."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:00.651Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8983_c03_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c02","type":"Sub-Series","attributes":{"title":"Articles \u0026 Summaries, 1800/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c02","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c02"],"id":"viw_repositories_2_resources_9853_c01_c02_c02","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02","parent_ssi":"viw_repositories_2_resources_9853_c01_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02"],"title_filing_ssi":"Articles \u0026 Summaries","title_ssm":["Articles \u0026 Summaries"],"title_tesim":["Articles \u0026 Summaries"],"normalized_title_ssm":["Articles \u0026 Summaries, 1800/2012"],"text":["Articles \u0026 Summaries, 1800/2012","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"normalized_date_ssm":["1800/2012"],"unitdate_inclusive_ssm":["1800s-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":127,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#1/components#1","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c02"}},{"id":"viw_repositories_2_resources_9853_c01_c02_c05","type":"Sub-Series","attributes":{"title":"\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c02_c05","ref_ssm":["viw_repositories_2_resources_9853_c01_c02_c05"],"id":"viw_repositories_2_resources_9853_c01_c02_c05","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c02","parent_ssi":"viw_repositories_2_resources_9853_c01_c02","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c02"],"title_filing_ssi":"\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\"","title_ssm":["\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\""],"title_tesim":["\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\""],"normalized_title_ssm":["\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017"],"text":["\"Blacks in Comic Search (updating) to Aquire Research: Books, Magazines, Newspapers, Animation, Comic Books\", 1899/2017","Richard Wright collection, 1806/2017","Series 1: Research files","Research notes","Arrangement and titles of folders are retained from Wright."],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","Research notes"],"normalized_date_ssm":["1899/2017"],"unitdate_inclusive_ssm":["1899-2017"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":161,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":18,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"scopecontent_html_tesm":["\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Arrangement and titles of folders are retained from Wright."],"_nest_path_":"/components#0/components#1/components#4","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c02_c05"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c03","type":"Sub-Series","attributes":{"title":"\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1, 2004/2015","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c03","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c03"],"id":"viw_repositories_2_resources_9853_c01_c01_c03","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1","title_ssm":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1"],"title_tesim":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1"],"normalized_title_ssm":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1, 2004/2015"],"text":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 1, 2004/2015","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","Binder in a box 3"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["2004/2015"],"unitdate_inclusive_ssm":["2004-2015"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":5,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Binder in a box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#0/components#0/components#2","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c03"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c04","type":"Sub-Series","attributes":{"title":"\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2, 2003/2014","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c04","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c04"],"id":"viw_repositories_2_resources_9853_c01_c01_c04","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2","title_ssm":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2"],"title_tesim":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2"],"normalized_title_ssm":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2, 2003/2014"],"text":["\"Blacks in Comics: Search (Updating) to Aquire Research Prints C+I\" Part 2, 2003/2014","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","Binder in a box 4"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["2003/2014"],"unitdate_inclusive_ssm":["2003-2014"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":6,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Binder in a box 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c04"}},{"id":"viw_repositories_2_resources_695_c04_c12","type":"Sub-Series","attributes":{"title":"Cabell Family Papers (Mss. Acc. 2012.193), 2012","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695_c04_c12#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695_c04_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_695_c04_c12","ref_ssm":["viw_repositories_2_resources_695_c04_c12"],"id":"viw_repositories_2_resources_695_c04_c12","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695_c04","parent_ssi":"viw_repositories_2_resources_695_c04","parent_ssim":["Manuscripts Audiovisual Collection, 1920/2013","Digital Video Discs (DVD)"],"parent_ids_ssim":["viw_repositories_2_resources_695","viw_repositories_2_resources_695_c04"],"title_filing_ssi":"Cabell Family Papers (Mss. Acc. 2012.193)","title_ssm":["Cabell Family Papers (Mss. Acc. 2012.193)"],"title_tesim":["Cabell Family Papers (Mss. Acc. 2012.193)"],"normalized_title_ssm":["Cabell Family Papers (Mss. Acc. 2012.193), 2012"],"text":["Cabell Family Papers (Mss. Acc. 2012.193), 2012","Manuscripts Audiovisual Collection, 1920/2013","Digital Video Discs (DVD)","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus."],"parent_unittitles_ssm":["Manuscripts Audiovisual Collection, 1920/2013","Digital Video Discs (DVD)"],"parent_unittitles_tesim":["Manuscripts Audiovisual Collection, 1920/2013","Digital Video Discs (DVD)"],"normalized_date_ssm":["2012"],"unitdate_inclusive_ssm":["2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":806,"repository_ssim":["College of William and Mary"],"collection_ssim":["Manuscripts Audiovisual Collection, 1920/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2012],"scopecontent_html_tesm":["\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus."],"_nest_path_":"/components#3/components#11","timestamp":"2026-06-23T07:44:41.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_695","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_695.xml","title_filing_ssi":"Audiovisual, Manuscripts Collection","title_ssm":["Manuscripts Audiovisual Collection"],"title_tesim":["Manuscripts Audiovisual Collection"],"unitdate_ssm":["1920-2013"],"unitdate_inclusive_ssm":["1920-2013"],"normalized_date_ssm":["1920/2013"],"normalized_title_ssm":["Manuscripts Audiovisual Collection, 1920/2013"],"text":["Manuscripts Audiovisual Collection, 1920/2013","01/Mss. 1.04","/repositories/2/resources/695","Audiocassettes","DVDs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.","The physical condition of some audiovisual formats may restrict access to the original recordings.","Special equipment is required to listen to or view audiovisual recordings.","The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case.","Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.","Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.","Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Manuscripts Audiovisual Collection, 1920/2013"],"collection_ssim":["Manuscripts Audiovisual Collection, 1920/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 1.04","/repositories/2/resources/695"],"unitid_tesim":["01/Mss. 1.04","/repositories/2/resources/695"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Audiocassettes","DVDs","Video recordings"],"access_subjects_ssm":["Audiocassettes","DVDs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear Feet"],"extent_tesim":["20.0 Linear Feet"],"genreform_ssim":["Audiocassettes","DVDs","Video recordings"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"custodhist_html_tesm":["\u003cp\u003eMany of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known."],"phystech_html_tesm":["\u003cp\u003eThe physical condition of some audiovisual formats may restrict access to the original recordings.\u003c/p\u003e","\u003cp\u003e Special equipment is required to listen to or view audiovisual recordings.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The physical condition of some audiovisual formats may restrict access to the original recordings.","Special equipment is required to listen to or view audiovisual recordings."],"prefercite_html_tesm":["\u003cp\u003eManuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Manuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e  ","\u003cp\u003eContains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS Tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne Betamax tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS show.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape, performed at Deutsches Theater, Berlin.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne oversize VHS tape.  Stored at the end of Series 1.\u003c/p\u003e","\u003cp\u003eRunning time 13:34. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.\u003c/p\u003e","\u003cp\u003eTwo U-matic tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRunning time 30 min. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see audio cassette tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eJive.  C-SPAN.  One VHS tape.\u003c/p\u003e","\u003cp\u003eBerlin, NYC.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eMarketing video with cassette tape which was to be placed with video. One VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.\u003c/p\u003e","\u003cp\u003e1 VHS tape, running time 18 min.\u003c/p\u003e","\u003cp\u003eOne VHS tape, running time 12 min.\u003c/p\u003e","\u003cp\u003eOne VHS Tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVirginia Senate District 3, VA Delegates District 96 \u0026amp; 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eProduced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne oversized VHS tape.  Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne Betacam tape with two WWE wrestlers.\u003c/p\u003e","\u003cp\u003eThis accession also includes an oversize video tape and a cassette tape.\u003c/p\u003e","\u003cp\u003eRunning time 63 minutes. One VHS tape.\u003c/p\u003e","\u003cp\u003eRedford. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Kanew Company. Tape Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape. 1 hr 37 min.\u003c/p\u003e","\u003cp\u003eLength: 11:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eStarring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRoughcut. Viewing cassette. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSesame Street. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Lifetime Channel. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eDub. One VHS tape.\u003c/p\u003e","\u003cp\u003eGreta Cammermeyer - Prime Time Live. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. 60 sec. One VHS tape.\u003c/p\u003e","\u003cp\u003eRough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.\u003c/p\u003e","\u003cp\u003eEntertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eLos Angeles Coverage. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eGuests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eAvid Cut. RT: 11:03. One VHS tape.\u003c/p\u003e","\u003cp\u003eTRT - 45:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eIncludes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.\u003c/p\u003e","\u003cp\u003eTrailers. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eNightline. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Featurette. Length: 5:59. One VHS tape.\u003c/p\u003e","\u003cp\u003eHosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.\u003c/p\u003e","\u003cp\u003eWinner Communications. 105:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eSarajevo Package. One VHS tape.\u003c/p\u003e","\u003cp\u003eSubject - Sarajevo. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSizzle Piece v. 5. TRT: 3:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.\u003c/p\u003e","\u003cp\u003eABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eABC Hollywood. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTRT : 59:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eMaster Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003ePress Tour. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll. Running Time 9:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eRabbit Ears Productions. 30 mins. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.\u003c/p\u003e","\u003cp\u003eScott Mauro Entertainment. 12:36. One VHS tape.\u003c/p\u003e","\u003cp\u003eEP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVideocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eBasil Rathbone.  Dupont Theatre.  Two Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes. For more, see Sub-Series 6.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eChapel of the Wren Building, at the College of William and Mary. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAccession number 1990-36. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eRecorded interviews on James City County history.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eFour Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. See Doris Wildenburger.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. No transcripts, cassette dated 12/8/87.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 3.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eJeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e80 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eSvec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Run time 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning time 20 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning times 20min and 30 min, respectively. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer Frank Shatz. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eSix Cassette Tapes.\u003c/p\u003e","\u003cp\u003eJack \u0026amp; Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFifty-four audio cassette tapes of interviews by James A. Bill.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAustin, TX. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003ePrinceton. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York City. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eCambridge, MA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape interview possibly covering the Iran-Contra affair.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eReves Center Global Forum, 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRead by Scott Martin. Two cassette tapes.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  20 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eRecorded by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eTelephone Interview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviews on cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape. For more, see B side of tape 52.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eBy League of Women Voters. Williamsburg Public Library. One cassette tape.\u003c/p\u003e","\u003cp\u003eFour cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFive cassette tapes with music for common year (?).\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4089 and GC-4088. One cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4107 and GC-4085. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Nine cassette tapes.\u003c/p\u003e","\u003cp\u003eInterview at the Reves Center with Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eAudio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThe radio broadcast for \"NPR Playhouse.\"  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Thirteen tapes.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  Running time 10 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 45 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eAudiocassette tapes of piano performances by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOne audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAudiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eTapes are closed.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. The tape is approximately 30 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eThree CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePiano, 1816, owned by William \u0026amp; Mary, 2003. Conservation by John Watson \u0026amp; Louis Dolive, Colonial Williamsburg. One CD.\u003c/p\u003e","\u003cp\u003eRecordings of Claudia Stevens' piano concerts, including programs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eTwo CDs related to Jamestown Commemorative Postage Stamp.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eInaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.\u003c/p\u003e","\u003cp\u003eWith Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.\u003c/p\u003e","\u003cp\u003eWith Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eBranch Fields, with Ruth Easterling Winters. One CD.\u003c/p\u003e","\u003cp\u003eWith Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.\u003c/p\u003e","\u003cp\u003eWith Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.\u003c/p\u003e","\u003cp\u003eCD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eFive Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.\u003c/p\u003e","\u003cp\u003eTwo unopened CDs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eIn PDF format. One CD.\u003c/p\u003e","\u003cp\u003eApril 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2007. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eMemorial Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePerformed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.\u003c/p\u003e","\u003cp\u003eRecording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.\u003c/p\u003e","\u003cp\u003eOne compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.\u003c/p\u003e","\u003cp\u003ePlayed on the organ of Bruton Parish Church by James Darling, organist.\u003c/p\u003e","\u003cp\u003eTwo copies of a DVD on John Marshall. Running time 29 min.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD case.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eMeredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eIda Green Arena Theater. Item 12. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHerbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eRecorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eA solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eBaltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eA film by Julia Melchoir and Sebastian Denhardt. One DVD.\u003c/p\u003e","\u003cp\u003eAt St. John's Kirk, Perth, Scotland. One DVD.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFormat is Word Perfect 5.1. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eWHRA\u003c/p\u003e","\u003cp\u003eTwo 3.5 inch floppy disks.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFour disks with office files.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePictures, files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003ePresident's files.\u003c/p\u003e","\u003cp\u003eBrochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eLWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eNewsletter and labels, invitations and flyers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eBoard meetings, agenda, letter. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePolicies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Must be played with wooden \"Kacti\" needle. One record.\u003c/p\u003e","\u003cp\u003eAn example of material distributed during political campaigns. One 33 rpm disk.\u003c/p\u003e","\u003cp\u003eBy R. B. Tisdale. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eSongs: Ballet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore - Bouree - Fireworks. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eCountry dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.\u003c/p\u003e","\u003cp\u003eSowers \u0026amp; Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eSide 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Rainy Night. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eBallet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRecorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk. Damaged.\u003c/p\u003e","\u003cp\u003eDave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.\u003c/p\u003e","\u003cp\u003eOne 78 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eGeorge Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eRoanoke, Va.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRichmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eThree 33 1/3 rpm disks.\u003c/p\u003e","\u003cp\u003ePolitical Anns. Open \u0026amp; Closing included.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eJosé Iturbi, pianist.  One disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eTwo records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.\u003c/p\u003e","\u003cp\u003eTransferred from the music library.\u003c/p\u003e","\u003cp\u003eSoundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.\u003c/p\u003e","\u003cp\u003eScope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.\u003c/p\u003e","\u003cp\u003eA musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.\u003c/p\u003e","\u003cp\u003eEleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.\u003c/p\u003e","\u003cp\u003eSoundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.\u003c/p\u003e","\u003cp\u003eAlbum by Perry Como. Case signed by the artist. One record.\u003c/p\u003e","\u003cp\u003eThe Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.\u003c/p\u003e","\u003cp\u003eRecording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.\u003c/p\u003e","\u003cp\u003e\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.\u003c/p\u003e","\u003cp\u003eDirected by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record\u003c/p\u003e","\u003cp\u003eNarrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.\u003c/p\u003e","\u003cp\u003ePerformed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eState Capitol. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.\u003c/p\u003e","\u003cp\u003eTwo 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eProbably belonging to Mary M. Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eRadford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eReel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.\u003c/p\u003e","\u003cp\u003eBox 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 2. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 3. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 4. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 5. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 6. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 7. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 8. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 9. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 10. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eCollection is CLOSED.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eFives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot.  7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. One reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono master, one reel.\u003c/p\u003e","\u003cp\u003eReel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003ePortions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eProgram includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eConducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eContains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"\u003c/p\u003e","\u003cp\u003eScope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.\u003c/p\u003e","\u003cp\u003eOne 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel audiotape labeled Mine workers monologues...European History.\u003c/p\u003e","\u003cp\u003eCould have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.\u003c/p\u003e","\u003cp\u003eNo sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.\u003c/p\u003e","\u003cp\u003eRun time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.\u003c/p\u003e","\u003cp\u003eRun time 1 minute. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel.\u003c/p\u003e","\u003cp\u003eRun time 30 seconds. One 16mm color video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePresented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eTV video reel, black and white with sound.  One 50 mm oversize video reel.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eRunning time 15 minutes.  One 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eNo good - damaged. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eShipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eFrom 2005.38 addition. One small reel to reel video tape in plastic case.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case."],"separatedmaterial_html_tesm":["\u003cp\u003eAudiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.\u003c/p\u003e","\u003cp\u003e Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.\u003c/p\u003e","\u003cp\u003e Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.","Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.","Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1000,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:44:41.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695_c04_c12"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c05","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Black Artists Research\" Part 1, 1922/2015","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c05","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c05"],"id":"viw_repositories_2_resources_9853_c01_c01_c05","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Black Artists Research\" Part 1","title_ssm":["\"Clean Fun: Black Artists Research\" Part 1"],"title_tesim":["\"Clean Fun: Black Artists Research\" Part 1"],"normalized_title_ssm":["\"Clean Fun: Black Artists Research\" Part 1, 1922/2015"],"text":["\"Clean Fun: Black Artists Research\" Part 1, 1922/2015","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","Binder in a box 5"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1922/2015"],"unitdate_inclusive_ssm":["1922-2015"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":7,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Binder in a box 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c05"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c06","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Black Artists Research\" Part 2, 1992/2014","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Black Artists Research\" Part 2","title_ssm":["\"Clean Fun: Black Artists Research\" Part 2"],"title_tesim":["\"Clean Fun: Black Artists Research\" Part 2"],"normalized_title_ssm":["\"Clean Fun: Black Artists Research\" Part 2, 1992/2014"],"text":["\"Clean Fun: Black Artists Research\" Part 2, 1992/2014","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015","Binder in a box 6"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1992/2014"],"unitdate_inclusive_ssm":["1992-2014"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":8,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"containers_ssim":["Binder in a box 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"_nest_path_":"/components#0/components#0/components#5","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09","type":"Sub-Series","attributes":{"title":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09"],"id":"viw_repositories_2_resources_9853_c01_c01_c09","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01","parent_ssi":"viw_repositories_2_resources_9853_c01_c01","parent_ssim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01"],"title_filing_ssi":"\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"title_tesim":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"normalized_title_ssm":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012"],"text":["\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard, 1859/2012","Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_ssm":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"parent_unittitles_tesim":["Richard Wright collection, 1806/2017","Series 1: Research files","\"Clean Fun: Blacks in Comics\", 1809/2015"],"normalized_date_ssm":["1859/2012"],"unitdate_inclusive_ssm":["1859-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[3],"sort_isi":19,"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright collection, 1806/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#0/components#8","timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":36},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alumni Association Records, 1833/2014, bulk 1950/2005","value":"Alumni Association Records, 1833/2014, bulk 1950/2005","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alumni+Association+Records%2C+1833%2F2014%2C+bulk+1950%2F2005\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Claudia Stevens papers, 1967/2023","value":"Claudia Stevens papers, 1967/2023","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Claudia+Stevens+papers%2C+1967%2F2023\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Dean of Arts and Sciences records, 1926/2012","value":"Dean of Arts and Sciences records, 1926/2012","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Dean+of+Arts+and+Sciences+records%2C+1926%2F2012\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Manuscripts Audiovisual Collection, 1920/2013","value":"Manuscripts Audiovisual Collection, 1920/2013","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Manuscripts+Audiovisual+Collection%2C+1920%2F2013\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","value":"Randall S. Hawthorne Papers, 1935/2014, bulk 1980/2000","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Randall+S.+Hawthorne+Papers%2C+1935%2F2014%2C+bulk+1980%2F2000\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Rene A. Henry papers, 1953/2017","value":"Rene A. Henry papers, 1953/2017","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Rene+A.+Henry+papers%2C+1953%2F2017\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Richard Wright collection, 1806/2017","value":"Richard Wright collection, 1806/2017","hits":15},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Richard+Wright+collection%2C+1806%2F2017\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Tom Baker papers, 1962/2018","value":"Tom Baker papers, 1962/2018","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Baker+papers%2C+1962%2F2018\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"William 'Bill\" Ross Schermerhorn papers, 1980/2022","value":"William 'Bill\" Ross Schermerhorn papers, 1980/2022","hits":9},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=William+%27Bill%22+Ross+Schermerhorn+papers%2C+1980%2F2022\u0026f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1800","value":"1800","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1800\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1801","value":"1801","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1801\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1802","value":"1802","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1802\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1803","value":"1803","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1803\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1804","value":"1804","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1804\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1805","value":"1805","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1805\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1806","value":"1806","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1806\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1807","value":"1807","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1808","value":"1808","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1808\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1809","value":"1809","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1809\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1810","value":"1810","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Bdate_range%5D%5B%5D=1810\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Sub-series","value":"Sub-series","hits":36},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All 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