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Acc. 1996.09","/repositories/2/resources/1434"],"text":["Mss. Acc. 1996.09","/repositories/2/resources/1434","Capital Club of Williamsburg Records","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Social life and customs","Minutes","Photographs","Rosters","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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The collection includes organizational histories, membership directories and rosters, meeting minutes, scrapbooks of club events, and other material.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["Mss. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in order of incoming accessions.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in order of incoming accessions."],"bioghist_html_tesm":["\u003cp\u003eThe Capital Club of Williamsburg (formerly named the Middle Plantation Club of Williamsburg) was begun by Rawls Byrd in 1966. The club was composed of men approaching or at retirement age and its purpose was to promote sociability, good fellowship and recreational activities. The organization's name was changed in 2020.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Capital Club of Williamsburg (formerly named the Middle Plantation Club of Williamsburg) was begun by Rawls Byrd in 1966. The club was composed of men approaching or at retirement age and its purpose was to promote sociability, good fellowship and recreational activities. The organization's name was changed in 2020."],"prefercite_html_tesm":["\u003cp\u003eCapital Club of Williamsburg Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Capital Club of Williamsburg Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Capital Club of Williamsburg (formerly named the Middle Plantation Club of Williamsburg), which was founded by Rawls Byrd in 1966. 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The collection includes organizational histories, membership directories and rosters, meeting minutes, scrapbooks of club events, and other material."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":29,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:25:14.176Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1434","ead_ssi":"viw_repositories_2_resources_1434","_root_":"viw_repositories_2_resources_1434","_nest_parent_":"viw_repositories_2_resources_1434","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1434.xml","title_filing_ssi":"Capital Club of Williamsburg Records","title_ssm":["Capital Club of Williamsburg Records"],"title_tesim":["Capital Club of Williamsburg Records"],"unitdate_ssm":["1960-2019","1970-2000"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_inclusive_ssm":["1960-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 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Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:00.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:33:00.545Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8527"}},{"id":"vircu_repositories_3_resources_364","type":"collection","attributes":{"title":"Carl F. Emswiller, Jr. papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_364#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_364#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_3_resources_364","ead_ssi":"vircu_repositories_3_resources_364","_root_":"vircu_repositories_3_resources_364","_nest_parent_":"vircu_repositories_3_resources_364","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_364.xml","title_filing_ssi":"Emswiller, Carl F., Jr., papers","title_ssm":["Carl F. Emswiller, Jr. papers"],"title_tesim":["Carl F. Emswiller, Jr. papers"],"unitdate_ssm":["1922-2009"],"unitdate_inclusive_ssm":["1922-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2011.Feb.02"],"text":["2011.Feb.02","Carl F. Emswiller, Jr. papers","Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions","The collection is open to research with the exception of some materials which are restricted under FERPA.","The collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible.","Carl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. ","In 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.","  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy."," Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000."," In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice."," The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection.","This collection was originally processed in 2016. One box of materials was inadvertently left out during that time. In 2018, these materials were incorporated into the previously processed collection. Much of the content was either loose, in unlabeled folders, or the label did not match the content of the folder, as was the case with the portion of the collection processed in 2016. Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. For preservation purposes the scrapbook was disassembled and the materials placed in a folder in the same order in which they were in the scrapbook. A photo album was also disassembled and the pages placed in a folder.","This collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.","The collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. ","There are no restrictions.","VCU Health Sciences Library","Virginia Commonwealth University. School of Pharmacy","Emswiller, Carl F., Jr., 1935-2009","English \n.    "],"unitid_tesim":["2011.Feb.02"],"normalized_title_ssm":["Carl F. Emswiller, Jr. papers"],"collection_title_tesim":["Carl F. Emswiller, Jr. papers"],"collection_ssim":["Carl F. Emswiller, Jr. papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of Jewell M. Emswiller of Leesburg, Virginia in 2011."],"access_subjects_ssim":["Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions"],"access_subjects_ssm":["Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions"],"has_online_content_ssim":["false"],"extent_ssm":["4.61 Linear Feet 8, 5\" doc cases; 1, 5\" doc case, legal; 1 flat clamshell"],"extent_tesim":["4.61 Linear Feet 8, 5\" doc cases; 1, 5\" doc case, legal; 1 flat clamshell"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research with the exception of some materials which are restricted under FERPA.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research with the exception of some materials which are restricted under FERPA."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible."],"bioghist_html_tesm":["\u003cp\u003eCarl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. \u003c/p\u003e\n","\u003cp\u003eIn 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.\u003c/p\u003e\n","\u003cp\u003e  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy.\u003c/p\u003e\n","\u003cp\u003e Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000.\u003c/p\u003e\n","\u003cp\u003e In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice.\u003c/p\u003e\n","\u003cp\u003e The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Carl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. ","In 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.","  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy."," Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000."," In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice."," The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection."],"prefercite_html_tesm":["\u003cp\u003eCarl F. Emswiller, Jr. papers, Accession # 2011.Feb.02, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Carl F. Emswiller, Jr. papers, Accession # 2011.Feb.02, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed in 2016. One box of materials was inadvertently left out during that time. In 2018, these materials were incorporated into the previously processed collection. Much of the content was either loose, in unlabeled folders, or the label did not match the content of the folder, as was the case with the portion of the collection processed in 2016. Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. For preservation purposes the scrapbook was disassembled and the materials placed in a folder in the same order in which they were in the scrapbook. A photo album was also disassembled and the pages placed in a folder.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed in 2016. One box of materials was inadvertently left out during that time. In 2018, these materials were incorporated into the previously processed collection. Much of the content was either loose, in unlabeled folders, or the label did not match the content of the folder, as was the case with the portion of the collection processed in 2016. Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. For preservation purposes the scrapbook was disassembled and the materials placed in a folder in the same order in which they were in the scrapbook. A photo album was also disassembled and the pages placed in a folder."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.","The collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. School of Pharmacy","Emswiller, Carl F., Jr., 1935-2009"],"names_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. School of Pharmacy","Emswiller, Carl F., Jr., 1935-2009"],"corpname_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. School of Pharmacy"],"persname_ssim":["Emswiller, Carl F., Jr., 1935-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:16.616Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_364","ead_ssi":"vircu_repositories_3_resources_364","_root_":"vircu_repositories_3_resources_364","_nest_parent_":"vircu_repositories_3_resources_364","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_364.xml","title_filing_ssi":"Emswiller, Carl F., Jr., papers","title_ssm":["Carl F. Emswiller, Jr. papers"],"title_tesim":["Carl F. Emswiller, Jr. papers"],"unitdate_ssm":["1922-2009"],"unitdate_inclusive_ssm":["1922-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2011.Feb.02"],"text":["2011.Feb.02","Carl F. Emswiller, Jr. papers","Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions","The collection is open to research with the exception of some materials which are restricted under FERPA.","The collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible.","Carl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. ","In 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.","  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy."," Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000."," In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice."," The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection.","This collection was originally processed in 2016. One box of materials was inadvertently left out during that time. In 2018, these materials were incorporated into the previously processed collection. Much of the content was either loose, in unlabeled folders, or the label did not match the content of the folder, as was the case with the portion of the collection processed in 2016. Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. For preservation purposes the scrapbook was disassembled and the materials placed in a folder in the same order in which they were in the scrapbook. A photo album was also disassembled and the pages placed in a folder.","This collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.","The collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. ","There are no restrictions.","VCU Health Sciences Library","Virginia Commonwealth University. School of Pharmacy","Emswiller, Carl F., Jr., 1935-2009","English \n.    "],"unitid_tesim":["2011.Feb.02"],"normalized_title_ssm":["Carl F. Emswiller, Jr. papers"],"collection_title_tesim":["Carl F. Emswiller, Jr. papers"],"collection_ssim":["Carl F. Emswiller, Jr. papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of Jewell M. Emswiller of Leesburg, Virginia in 2011."],"access_subjects_ssim":["Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions"],"access_subjects_ssm":["Pharmacy","Pharmacy -- Virginia -- history","Medicine -- Formulae, recipes, prescriptions"],"has_online_content_ssim":["false"],"extent_ssm":["4.61 Linear Feet 8, 5\" doc cases; 1, 5\" doc case, legal; 1 flat clamshell"],"extent_tesim":["4.61 Linear Feet 8, 5\" doc cases; 1, 5\" doc case, legal; 1 flat clamshell"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research with the exception of some materials which are restricted under FERPA.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open to research with the exception of some materials which are restricted under FERPA."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically with the correspondence arranged chronologically. Efforts were made to retain the original order where possible."],"bioghist_html_tesm":["\u003cp\u003eCarl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. \u003c/p\u003e\n","\u003cp\u003eIn 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.\u003c/p\u003e\n","\u003cp\u003e  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy.\u003c/p\u003e\n","\u003cp\u003e Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000.\u003c/p\u003e\n","\u003cp\u003e In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice.\u003c/p\u003e\n","\u003cp\u003e The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Carl F. Emswiller, Jr. was born in Washington, D.C. on October 21, 1935. He served in the U.S. Navy from 1953 to October 1957 as Aviation Storekeeper, First Class. Emswiller went on to attend the Medical College of Virginia, School of Pharmacy. He graduated with a B.S. in 1962. That same year he joined Eugene V. White at his ground breaking, office-based pharmacy in Berryville, Virginia, as an associate pharmacist. During this time he and White created one of the nation's first pharmaceutical care centers. This was a very innovative idea which eschewed the traditional pharmacy model in favor of a more patient focused pharmacy. ","In 1968, Emswiller purchased Edwards Drug Store in Leesburg, Virginia, where her continued to hone the patient-focused model. He moved his pharmacy in 1974 to a medical office building co-located with physicians and other health professionals. The office-based model eliminated the sale of commercial goods and was equipped with a private consulting room. Patient care services expanded to include patient medication record reviews as well as blood pressure, glucose, and cholesterol monitoring in collaboration with local physicians. This model of pharmacy service raised the pharmacist to the level of health care partner rather than simply a medication dispenser. Both White's and Emswiller's pharmacies served as examples for other pharmacists throughout the county.","  Emswiller was actively engaged with his profession as a member of various professional groups including the Northern Virginia Society of Pharmacists, the Virginia Pharmaceutical Association (currently known as the Virginia Pharmacists Association), the American Pharmaceutical Association (APhA, now known as the American Pharmacists Association), the American College of Apothecaries (ACA), the American Society of Hospital Pharmacists, the American Society of Consultant Pharmacists, the American Association of the Colleges of Pharmacy, and the National Association of Retail Druggist. He held numerous positions over the years in these groups such as the chair of the ACA, member of the APhA Board of Directors, and president of the Northern Virginia Society of Pharmacists, to name a few. Emswiller also served as an associate clinical instructor of Pharmacy at Virginia Commonwealth University, MCV campus for more than 25 years and also served as the chair of the Virginia State Board of Pharmacy."," Emswiller's innovation and dedication were recognized many times throughout his career. The most prestigious of the awards he received was the Remington Honor Medal in 1999, which is the profession of pharmacy's highest honor. Other awards include Virginia Pharmacist of the Year, 1981; the American Pharmaceutical Association's Daniel B. Smith Award, the highest honor given to a community pharmacist, 1983; Loudoun County Man of the Year, 1987; Outstanding Alumnus Award, MCV, Pharmacy Division, 1991; Virginia Pharmaceutical Association Outstanding Pharmacist Award, 1994; the Virginia Commonwealth University Alumni Star Award, 1999; and the American College of Apothecaries J. Leon Lascoff Memorial Award, 2000."," In 2000, Emswiller retired from his practice. He died on December 10, 2009. His wife Jewell, who also shared his passion and enthusiasm for collaborative, patient-centered pharmacy practice, endowed the Jewell and Carl Emswiller, Jr. Interprofessional Symposium, which was first held in 2013. The symposium is committed to educating health professional students and practitioners about providing meaningful patient care through innovative interprofessional practice."," The sources of information for this biography are Emswiller's bios and curriculum vitae found in this collection."],"prefercite_html_tesm":["\u003cp\u003eCarl F. Emswiller, Jr. papers, Accession # 2011.Feb.02, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Carl F. Emswiller, Jr. papers, Accession # 2011.Feb.02, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed in 2016. One box of materials was inadvertently left out during that time. In 2018, these materials were incorporated into the previously processed collection. Much of the content was either loose, in unlabeled folders, or the label did not match the content of the folder, as was the case with the portion of the collection processed in 2016. Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. 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Where it was clear that materials had been ordered and the kept together, the arrangement was kept (e.g., a folder for materials related to Eugene White, correspondence with a particular individual, etc.) Otherwise, like materials were group together and described in a manner to best facilitate access and use. For preservation purposes the scrapbook was disassembled and the materials placed in a folder in the same order in which they were in the scrapbook. A photo album was also disassembled and the pages placed in a folder."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.\u003c/p\u003e\n","\u003cp\u003eThe collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of correspondence, clippings, presentations, publications, photographs, speeches and other related materials. The items span Emswiller's 38 year career in pharmacy. There is a great deal of personal correspondence written to Emswiller by his colleagues and friends upon receipt of his many awards. The materials in the collection also provide insight into the evolvement of office-based, patient-centered pharmacy practices. This was a very innovative approach which spanned the transition from the traditional pharmacy of the early 20th century to the pharmacy model of the early 21st century.","The collection also includes some items of historical interest including Prohibition era prescriptions for whiskey and prescription preparation books from the late 19th to early 20th century. "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Commonwealth University. School of Pharmacy","Emswiller, Carl F., Jr., 1935-2009"],"names_ssim":["VCU Health Sciences Library","Virginia Commonwealth University. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:16.616Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_364"}},{"id":"wvmturhc_repositories_2_resources_6519","type":"collection","attributes":{"title":"Carlin Family Genealogy","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6519#creator","type":"document_value","attributes":{"value":"Toney, Virginia Simms","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6519#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eGenealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902). Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones. John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6519#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6519","ead_ssi":"wvmturhc_repositories_2_resources_6519","_root_":"wvmturhc_repositories_2_resources_6519","_nest_parent_":"wvmturhc_repositories_2_resources_6519","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6519.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199521","title_ssm":["Carlin Family Genealogy"],"title_tesim":["Carlin Family Genealogy"],"unitdate_ssm":["1886, ca. 2005-2015"],"unitdate_inclusive_ssm":["1886, ca. 2005-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519"],"text":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519","Carlin Family Genealogy","Genealogy - Marshall County.","No special access restriction applies.","Genealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Toney, Virginia Simms","English"],"unitid_tesim":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519"],"normalized_title_ssm":["Carlin Family Genealogy"],"collection_title_tesim":["Carlin Family Genealogy"],"collection_ssim":["Carlin Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Toney, Virginia Simms"],"creator_ssim":["Toney, Virginia Simms"],"creator_persname_ssim":["Toney, Virginia Simms"],"creators_ssim":["Toney, Virginia Simms"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy - Marshall County."],"access_subjects_ssm":["Genealogy - Marshall County."],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 8 pages (1 folder)"],"extent_tesim":[".01 Linear Feet 8 pages (1 folder)"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Carlin Family Genealogy, A\u0026amp;M 4419, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Carlin Family Genealogy, A\u0026M 4419, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ca1c79b85f066b175d3688a9395b1f38\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Toney, Virginia Simms"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Toney, Virginia Simms"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:09:50.593Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6519","ead_ssi":"wvmturhc_repositories_2_resources_6519","_root_":"wvmturhc_repositories_2_resources_6519","_nest_parent_":"wvmturhc_repositories_2_resources_6519","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6519.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199521","title_ssm":["Carlin Family Genealogy"],"title_tesim":["Carlin Family Genealogy"],"unitdate_ssm":["1886, ca. 2005-2015"],"unitdate_inclusive_ssm":["1886, ca. 2005-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519"],"text":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519","Carlin Family Genealogy","Genealogy - Marshall County.","No special access restriction applies.","Genealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Toney, Virginia Simms","English"],"unitid_tesim":["A\u0026M 4419","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6519"],"normalized_title_ssm":["Carlin Family Genealogy"],"collection_title_tesim":["Carlin Family Genealogy"],"collection_ssim":["Carlin Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Toney, Virginia Simms"],"creator_ssim":["Toney, Virginia Simms"],"creator_persname_ssim":["Toney, Virginia Simms"],"creators_ssim":["Toney, Virginia Simms"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy - Marshall County."],"access_subjects_ssm":["Genealogy - Marshall County."],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 8 pages (1 folder)"],"extent_tesim":[".01 Linear Feet 8 pages (1 folder)"],"date_range_isim":[1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Carlin Family Genealogy, A\u0026amp;M 4419, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Carlin Family Genealogy, A\u0026M 4419, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Genealogy traced back to Elmer Ellsworth Carlin (died August 1, 1909) and his wife Katherine Emmaline Porter (died July 22, 1902).  Contains photographs of Katherine, Elmer, and Elmer's father, John Carlin, as well as photographs of their headstones.  John Carlin was a leader of the West Virginia Grand Army of the Republic (GAR). Also contains three pages of genealogical information pertaining to Elmer, Katherine, and Elmer's parents, John Carlin and Anna Dean Lyeth. There is also a letter that Katherine Carlin sent to her father, Daniel Porter, from Wheeling, West Virginia (28 November 1886); it describes the health of her family and a labor strike happening at the time."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ca1c79b85f066b175d3688a9395b1f38\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Toney, Virginia Simms"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Toney, Virginia Simms"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:09:50.593Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6519"}},{"id":"vihart_repositories_4_resources_638","type":"collection","attributes":{"title":"Carol Barton papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638#creator","type":"document_value","attributes":{"value":"Barton, Carol June, 1954-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638#abstract_or_scope","type":"document_value","attributes":{"value":"The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"text":["SC 0274","/repositories/4/resources/638","Carol Barton papers","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"normalized_title_ssm":["Carol Barton papers"],"collection_title_tesim":["Carol Barton papers"],"collection_ssim":["Carol Barton papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creators_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work"],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e"],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"persname_ssim":["Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:57:55.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"text":["SC 0274","/repositories/4/resources/638","Carol Barton papers","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"normalized_title_ssm":["Carol Barton papers"],"collection_title_tesim":["Carol Barton papers"],"collection_ssim":["Carol Barton papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creators_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition,  Miliseconds to Milennia: The Art of Time, Hand Workshop , has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015 Projects and Research, 1975-2012 Ephemera and Personal Papers, 1979-2013 2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as  Books \u0026 Bookends: Science and the Artist's Book  (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks,  The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark , which was awarded the Bogliasco Fellowship in 2000,  Vision Shifts ,  Instructions for Assembly , and  Tunnel Map  are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book,  Beyond the Page  (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book,  Everyday Road Signs .","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work"],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings.  Ker-Bloom! , a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e"],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"corpname_ssim":["James Madison University Libraries Special Collections"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"persname_ssim":["Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:57:55.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638"}},{"id":"vifgm_repositories_2_resources_552","type":"collection","attributes":{"title":"Carol Berger Chicago performing arts playbills collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#creator","type":"document_value","attributes":{"value":"Berger, Carol","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. 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Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    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Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. 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There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:40.833Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. 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Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    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Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. 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EAD markup completed by Amy Blake in August 2018.","Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  .","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","There are no restrictions on personal use. 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EAD markup completed by Amy Blake in August 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. 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Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. 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Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English\n            \t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:46:57.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_bergerchicagoplaybills","ead_ssi":"vifgm_bergerchicagoplaybills","_root_":"vifgm_bergerchicagoplaybills","_nest_parent_":"vifgm_bergerchicagoplaybills","ead_source_url_ssi":"data/gmu/bergerchicagoplaybills.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/carolberger.html","title_filing_ssi":"Carol Berger Chicago performing arts playbills collections","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263"],"text":["C0263","Carol Berger Chicago performing arts playbills collection","Performing arts.","Theater--United States.","Theater.","Theater programs.","There are no access restrictions.","This collection is arranged by venue, followed by format. 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EAD markup completed by Amy Blake in August 2018.","Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  .","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","There are no restrictions on personal use. Permission to publish material from the Carol Berger Chicago performing arts playbills collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. 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EAD markup completed by Amy Blake in August 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other performing arts collections which include the \u003cextptr type=\"simple\" title=\"Virginia Nelson playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/nelson.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Charles Rodrigues playbills collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/rodriguesplaybills.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Broadway souvenir theatre programs collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/broadwayprograms.html\"\u003e\u003c/extptr\u003e, and the \u003cextptr type=\"simple\" title=\"Larry Schecker playbills and pamphlets collection\" show=\"new\" href=\"https://scrc.gmu.edu/finding_aids/schecker.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other performing arts collections which include the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eCarol B. Hannum Drawings of Dogs, 1997-2018, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol B. Hannum Drawings of Dogs, 1997-2018, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003e79 original ink sketches of dogs by Carol B. Hannum.  The works range in size and were illustrate different breeds and poses of the canine species.  Most drawings contain a date caption, breed of dog, if known, and the name of the dog.  Some are dogs owned by friends of the artist while others are labelled, \"neighborhood dog\" or \"rescue.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["79 original ink sketches of dogs by Carol B. Hannum.  The works range in size and were illustrate different breeds and poses of the canine species.  Most drawings contain a date caption, breed of dog, if known, and the name of the dog.  Some are dogs owned by friends of the artist while others are labelled, \"neighborhood dog\" or \"rescue.\""],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Hannum, Carol B."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Hannum, Carol B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:20:41.511Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8376"}},{"id":"viu_repositories_3_resources_1380","type":"collection","attributes":{"title":"Caroline Brandt papers","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1380#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains correspondence, clippings, newsletters, photographs, certificates, broadsides, catalogs, notes, lectures, appraisals, articles, DVDs, audio cassettes, and VHS tapes related to the Caroline Brandt's building of The McGehee Miniature Book Collection. 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