{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=50","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=49","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=51","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026page=52"},"meta":{"pages":{"current_page":50,"next_page":51,"prev_page":49,"total_pages":52,"limit_value":10,"offset_value":490,"total_count":517,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_6_c05_c02","type":"Sub-Series","attributes":{"title":"Sub-Series 6.2: Exhibition Catalogues, 1985/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c02","ref_ssm":["virmu_repositories_2_resources_6_c05_c02"],"id":"virmu_repositories_2_resources_6_c05_c02","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05","parent_ssi":"virmu_repositories_2_resources_6_c05","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05"],"title_filing_ssi":"Sub-Series 6.2: Exhibition Catalogues","title_ssm":["Sub-Series 6.2: Exhibition Catalogues"],"title_tesim":["Sub-Series 6.2: Exhibition Catalogues"],"normalized_title_ssm":["Sub-Series 6.2: Exhibition Catalogues, 1985/2012"],"text":["Sub-Series 6.2: Exhibition Catalogues, 1985/2012","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020","Virginia Museum of Fine Arts"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"normalized_date_ssm":["1985/2012"],"unitdate_inclusive_ssm":["1985-2012"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":669,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"corpname_ssim":["Virginia Museum of Fine Arts"],"names_ssim":["Virginia Museum of Fine Arts"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#4/components#1","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c02"}},{"id":"virmu_repositories_2_resources_6_c05_c03","type":"Sub-Series","attributes":{"title":"Sub-Series 6.3: Magazines, 1944/2020","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_6_c05_c03","ref_ssm":["virmu_repositories_2_resources_6_c05_c03"],"id":"virmu_repositories_2_resources_6_c05_c03","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6_c05","parent_ssi":"virmu_repositories_2_resources_6_c05","parent_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"parent_ids_ssim":["virmu_repositories_2_resources_6","virmu_repositories_2_resources_6_c05"],"title_filing_ssi":"Sub-Series 6.3: Magazines","title_ssm":["Sub-Series 6.3: Magazines"],"title_tesim":["Sub-Series 6.3: Magazines"],"normalized_title_ssm":["Sub-Series 6.3: Magazines, 1944/2020"],"text":["Sub-Series 6.3: Magazines, 1944/2020","Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"parent_unittitles_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"parent_unittitles_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","Series 6: Publications, 1944/2020"],"normalized_date_ssm":["1944/2020"],"unitdate_inclusive_ssm":["1944-2020"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":678,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"parent_access_restrict_tesm":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"_nest_path_":"/components#4/components#2","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_6","ead_ssi":"virmu_repositories_2_resources_6","_root_":"virmu_repositories_2_resources_6","_nest_parent_":"virmu_repositories_2_resources_6","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_6.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/6","title_filing_ssi":"Wright, Willie Anne (VA-02)","title_ssm":["Willie Anne Wright Artist Archives (VA-02)"],"title_tesim":["Willie Anne Wright Artist Archives (VA-02)"],"unitdate_ssm":["1944-2021"],"unitdate_inclusive_ssm":["1944-2021"],"normalized_date_ssm":["1944/2021"],"normalized_title_ssm":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"text":["Willie Anne Wright Artist Archives (VA-02), 1944/2021","VA-02","/repositories/2/resources/6","Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia","The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website.","The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020","Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography","The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.","Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.","The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne","English"],"collection_title_tesim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"collection_ssim":["Willie Anne Wright Artist Archives (VA-02), 1944/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-02","/repositories/2/resources/6"],"unitid_tesim":["VA-02","/repositories/2/resources/6"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wright, Willie Anne","Wright, Willie Anne"],"creator_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"creator_persname_ssim":["Wright, Willie Anne"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wright, Willie Anne","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"access_subjects_ssm":["Photography, Pinhole","Photography, Artistic -- Exhibitions","Photography, Artistic","Photography--History--20th century","Photography--History--21st century","Women artists.","Artists -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes 47 boxes; 724 folders"],"extent_tesim":["47 boxes 47 boxes; 724 folders"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome items have been digitized and they can be accessed through the \u003ca href=\"https://www.vmfa.museum/wp-subsite/archives/willie-anne-wright-artist-archive-va-02/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some items have been digitized and they can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are arranged chronologically within each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1964-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eSales and Representation, 1980-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWorking Files, 1958-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography, 1966-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eCameras, 1976-1978\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePublications, 1944-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are arranged chronologically within each series.","Series 1\n        Exhibition Files, 1964-2021\n      \n      \n        Series 2\n        Sales and Representation, 1980-2020\n      \n      \n        Series 3\n        Working Files, 1958-2019\n      \n      \n        Series 4\n        Photography, 1966-2019\n      \n      \n        Series 5\n        Cameras, 1976-1978\n      \n      \n        Series 6\n        Publications, 1944-2020"],"bioghist_html_tesm":["\u003cp\u003eWillie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.\u003c/p\u003e","\u003cp\u003eWright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"\u003c/p\u003e","\u003cp\u003eWright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"http://www.willieannewright.com/About/\"\u003eWillie Anne Wright: Lensless Photography\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Willie Anne Wright is a native and resident of Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU.","Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography, pinhole and photogram, have been exhibited nationally and internationally, and have been included among numerous publications such as \"Art News,\" \"The Oxford American,\" \"Le Stenope,\" and \"The Book of Alternative Processes.\"","Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.","Source: Willie Anne Wright: Lensless Photography"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Willie Anne Wright in August 2016.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Willie Anne Wright in August 2016."],"prefercite_html_tesm":["\u003cp\u003eWillie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Willie Anne Wright Artist Archives (VA-02). Gift of Willie Anne Wright. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eOriginal order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Original order and folder titles were retained during processing. Social security numbers were redacted on exhibition contracts, photocopied for the collection and originals then destroyed. Copies of checks were destroyed as the financial transactions were documented elsewhere in the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1944-2020, with the bulk of the material dating from 1964-2003. The collection is comprised of correspondence, checklists, invitations, posters, handbills, photographs, publications, press clippings, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Wright assigned to the VMFA Archives all of her available rights of copyright in the materials. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_516b4ecedbf97f6fe98a57e3f94b4136\"\u003eThe collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wright, Willie Anne"],"names_coll_ssim":["Wright, Willie Anne","Wright, Willie Anne"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wright, Willie Anne"],"language_ssim":["English"],"total_component_count_is":703,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_6_c05_c03"}},{"id":"virmu_repositories_2_resources_465_c07_c01","type":"Sub-Series","attributes":{"title":"Sub-Series 7.1: Poughkeepsie/Kingston, 1917/2018","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_465_c07_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_465_c07_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_465_c07_c01","ref_ssm":["virmu_repositories_2_resources_465_c07_c01"],"id":"virmu_repositories_2_resources_465_c07_c01","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465_c07","parent_ssi":"virmu_repositories_2_resources_465_c07","parent_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","Series 7: New York, 1917/2018"],"parent_ids_ssim":["virmu_repositories_2_resources_465","virmu_repositories_2_resources_465_c07"],"title_filing_ssi":"Sub-Series 7.1: Poughkeepsie/Kingston","title_ssm":["Sub-Series 7.1: Poughkeepsie/Kingston"],"title_tesim":["Sub-Series 7.1: Poughkeepsie/Kingston"],"normalized_title_ssm":["Sub-Series 7.1: Poughkeepsie/Kingston, 1917/2018"],"text":["Sub-Series 7.1: Poughkeepsie/Kingston, 1917/2018","Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","Series 7: New York, 1917/2018","box VA-12 Box 8","VA-12 File 2","English","This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York."],"parent_unittitles_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","Series 7: New York, 1917/2018"],"parent_unittitles_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","Series 7: New York, 1917/2018"],"normalized_date_ssm":["1917/2018"],"unitdate_inclusive_ssm":["1917-2018"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":270,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"extent_ssm":["2 boxes","2 folders"],"extent_tesim":["2 boxes","2 folders"],"containers_ssim":["box VA-12 Box 8","VA-12 File 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"language_ssim":["English"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains material collected by Wigfall related to the history and landscape of the Poughkeepsie/Kingston areas of New York."],"_nest_path_":"/components#6/components#0","timestamp":"2026-08-14T22:42:01.770Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_465","ead_ssi":"virmu_repositories_2_resources_465","_root_":"virmu_repositories_2_resources_465","_nest_parent_":"virmu_repositories_2_resources_465","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_465.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/465","title_filing_ssi":"Wigfall, Benjamin (VA-12)","title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"normalized_date_ssm":["1880/2023"],"normalized_title_ssm":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"text":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023","VA-12","/repositories/2/resources/465","Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints).","The collection is open for research.","The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020","Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.","The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.","In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.","The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","English"],"collection_title_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"collection_ssim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-12","/repositories/2/resources/465"],"unitid_tesim":["VA-12","/repositories/2/resources/465"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"creator_persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"access_subjects_ssm":["Art, American","Art, American -- 20th century -- Virginia","Painting -- 20th century","Prints -- Technique","Woodcuts (prints).","Etchings (prints)."],"has_online_content_ssim":["false"],"extent_ssm":["21.875 Linear Feet 50 boxes; 63 folders"],"extent_tesim":["21.875 Linear Feet 50 boxes; 63 folders"],"genreform_ssim":["Woodcuts (prints).","Etchings (prints)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBenjamin L. Wigfall, 1944-2023\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eMary Carter Wigfall, 1949-2017\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eWigfall Family Records, 1944-2014\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCommunications Village, 1880-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eWatermark/Cargo Gallery, 1969-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eMigrant Children's Center, 1965-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNew York, 1917-2018\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003eArt and Printmaking, 1951-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003ePhotography Projects - Communications Village, 1970s-2000s\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eOther Artists and Friends, 1949-2020\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 10 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series.","Series 1\n        Benjamin L. Wigfall, 1944-2023\n      \n      \n        Series 2\n        Mary Carter Wigfall, 1949-2017\n      \n      \n        Series 3\n        Wigfall Family Records, 1944-2014\n      \n      \n        Series 4\n        Communications Village, 1880-1980\n      \n      \n        Series 5\n        Watermark/Cargo Gallery, 1969-2004\n      \n      \n        Series 6\n        Migrant Children's Center, 1965-1999\n      \n      \n        Series 7\n        New York, 1917-2018\n      \n      \n        Series 8\n        Art and Printmaking, 1951-1993\n      \n      \n        Series 9\n        Photography Projects - Communications Village, 1970s-2000s\n      \n      \n        Series 10\n        Other Artists and Friends, 1949-2020"],"bioghist_html_tesm":["\u003cp\u003eBenjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy. \u003c/p\u003e","\u003cp\u003eAfter receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design. \u003c/p\u003e","\u003cp\u003eWigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Benjamin Leroy Wigfall was born on November 17th, 1930 in Richmond, VA to parents James Andrew and Willie Cogena Wigfall. Wigfall attended the segregated George Mason Elementary School in Richmond until 1944, and moved to Armstrong High School (also segregated) for his secondary education until 1948. Armstrong High School is where Wigfall began to grow artistically, with the help of his senior-year art teacher, Stafford W. Evans, who introduced him to the VMFA. After high school, Wigfall attended Hampton Institute (now University) in 1948, taking part of his first year for a medical leave of absence due to his epilepsy.","After receiving his Bachelor in Art Education from Hampton Institute in 1953, Wigfall transferred to Yale University in order to continue his graduate studies in 1954. During this time, he also took another leave of absence to teach at Hampton Institute as an Art Educator. Wigfall re-entered Yale in 1958, and finished with his Master of Fine Arts from Yale University's Department of Design.","Wigfall went on to found both Communications Village Ltd., a community arts center in Kingston, NY, and the Watermark/Cargo Gallery, a contemporary and African art gallery also in Kingston, New York."],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated by the artist's estate in December 2022. It was packed at Wigfall's home and studio in New Paltz, New York in September 2022."],"prefercite_html_tesm":["\u003cp\u003eBenjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers (VA-12). Gift of Michael Gino Wigfall and Gia Oke-Bello. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.\u003c/p\u003e","\u003cp\u003eItem-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2021, the museum was awarded a grant from the National Endowment for the Humanities to fund 9 months of work for a graduate level intern during the 2022-2023 academic year. From October 2022 to June 2023, Nuelle Johnson performed all of the processing, description, rehousing and select digitization for the collection.","Item-level cataloging completed by Nuelle Johnson will continue to be added and updated in ArchivesSpace by Archivist Emily Johnson."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1880-2023, with the bulk of the material dating from the 1940s-1970s. The collection is comprised of correspondence, ephemera, publications, prints, slides, woodblocks, metal plates, photographs, certificates, financial documents, and more related to the life and work of both Benjamin L. Wigfall and Mary C. Wigfall."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Benjamin Wigfall Estate. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4aa27f66a6c0c2bf8444280ed5caacf4\"\u003eThe collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"names_coll_ssim":["Wigfall, Benjamin L., 1930-2017","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Wigfall, Benjamin L., 1930-2017","Wigfall, Mary Carter, 1932-2020","Peebles, Jesse","Van Dyke, Vera","Hotton, Julia","Fitzgerald, George","VanDerzee, Betty Royal","Hatcher, Lester","Scott, Edward","Carpenter, Larry","Van Dyke, Michael","Gordon, Martin","Howell, Kenny","Drake, Alfreda","Easter, Sonia","Barnes, Phyllis","Washington, Debbie","Washington, Dawn","Hunt, Val","Peebles, Vanella","Lewis, Jackie","Wade, Melrin","Lewis, Margaret Wade","Van Dyke, Sharon","Easter, Yvonne Thomas","Renner, Frank","Jackson, Annie","Raleigh, Henry","Crichlow, Ernest, 1914-2005.","Washington, Leroy","Washington, Dennis","Johnson, George H. Ben, 1888-1970."],"language_ssim":["English"],"total_component_count_is":397,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:42:01.770Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_465_c07_c01"}},{"id":"virmu_repositories_2_resources_224_c07_c01","type":"Sub-Series","attributes":{"title":"Sub-Series 7.1: Workspaces, 1954/2010","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_224_c07_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_224_c07_c01","ref_ssm":["virmu_repositories_2_resources_224_c07_c01"],"id":"virmu_repositories_2_resources_224_c07_c01","ead_ssi":"virmu_repositories_2_resources_224","_root_":"virmu_repositories_2_resources_224","_nest_parent_":"virmu_repositories_2_resources_224_c07","parent_ssi":"virmu_repositories_2_resources_224_c07","parent_ssim":["Records of the Buildings and Grounds Department (RG-06), 1936/2010","Series 7: Museum Interiors, 1950/2010"],"parent_ids_ssim":["virmu_repositories_2_resources_224","virmu_repositories_2_resources_224_c07"],"title_filing_ssi":"Sub-Series 7.1: Workspaces","title_ssm":["Sub-Series 7.1: Workspaces"],"title_tesim":["Sub-Series 7.1: Workspaces"],"normalized_title_ssm":["Sub-Series 7.1: Workspaces, 1954/2010"],"text":["Sub-Series 7.1: Workspaces, 1954/2010","Records of the Buildings and Grounds Department (RG-06), 1936/2010","Series 7: Museum Interiors, 1950/2010","35mm color slides; digital image contact sheets; black and white film contact sheets; 8x10 and 5x7 black and white photographs; 4x6 color photographs.","Binder RG-06-07 Binder 47"],"parent_unittitles_ssm":["Records of the Buildings and Grounds Department (RG-06), 1936/2010","Series 7: Museum Interiors, 1950/2010"],"parent_unittitles_tesim":["Records of the Buildings and Grounds Department (RG-06), 1936/2010","Series 7: Museum Interiors, 1950/2010"],"normalized_date_ssm":["1954/2010"],"unitdate_inclusive_ssm":["1954-2010"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":983,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Buildings and Grounds Department (RG-06), 1936/2010"],"physdesc_tesim":["35mm color slides; digital image contact sheets; black and white film contact sheets; 8x10 and 5x7 black and white photographs; 4x6 color photographs."],"containers_ssim":["Binder RG-06-07 Binder 47"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is minimally processed and restricted. Both Museum staff and the public may need written permission from the Director to view certain restricted records.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"_nest_path_":"/components#6/components#0","timestamp":"2026-08-14T22:40:21.394Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_224","ead_ssi":"virmu_repositories_2_resources_224","_root_":"virmu_repositories_2_resources_224","_nest_parent_":"virmu_repositories_2_resources_224","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_224.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/224","title_filing_ssi":"Buildings and Grounds (RG-06)","title_ssm":["Records of the Buildings and Grounds Department (RG-06)"],"title_tesim":["Records of the Buildings and Grounds Department (RG-06)"],"unitdate_ssm":["1936-2010 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1936-2010 [minimally processed; subject to change]"],"normalized_date_ssm":["1936/2010"],"normalized_title_ssm":["Records of the Buildings and Grounds Department (RG-06), 1936/2010"],"text":["Records of the Buildings and Grounds Department (RG-06), 1936/2010","RG-06","/repositories/2/resources/224","The collection is minimally processed and restricted. Both Museum staff and the public may need written permission from the Director to view certain restricted records.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into three series but is minimally processed. Series 1.5 and 2 have boxes which are unprocessed. Folder level inventories may be added as they are completed.","Series 1\n        Major Building Projects, 1950-1989, undated\n      \n      \n        Series 2\n        General Files, 1978-2001, undated\n      \n      \n        Series 3\n        Plans, 1967-1984, undated","The collection was transferred from the Buildings and Grounds Department through periodic deposits.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","English"],"collection_title_tesim":["Records of the Buildings and Grounds Department (RG-06), 1936/2010"],"collection_ssim":["Records of the Buildings and Grounds Department (RG-06), 1936/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-06","/repositories/2/resources/224"],"unitid_tesim":["RG-06","/repositories/2/resources/224"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["46.25 Linear Feet 54 boxes; 935 folders and 7 non-inventoried boxes; 51 binders (photo)"],"extent_tesim":["46.25 Linear Feet 54 boxes; 935 folders and 7 non-inventoried boxes; 51 binders (photo)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed and restricted. Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed and restricted. Both Museum staff and the public may need written permission from the Director to view certain restricted records.","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series but is minimally processed. Series 1.5 and 2 have boxes which are unprocessed. Folder level inventories may be added as they are completed.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eMajor Building Projects, 1950-1989, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eGeneral Files, 1978-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePlans, 1967-1984, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series but is minimally processed. Series 1.5 and 2 have boxes which are unprocessed. Folder level inventories may be added as they are completed.","Series 1\n        Major Building Projects, 1950-1989, undated\n      \n      \n        Series 2\n        General Files, 1978-2001, undated\n      \n      \n        Series 3\n        Plans, 1967-1984, undated"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Buildings and Grounds Department through periodic deposits.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Buildings and Grounds Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Buildings and Grounds Department (RG-06). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Records of the Buildings and Grounds Department (RG-06). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art museums--Virginia.","Nonprofit organizations","Art, American -- 20th century -- Virginia","Museum Outreach Programs."],"access_subjects_ssm":["Art museums--Virginia.","Nonprofit organizations","Art, American -- 20th century -- Virginia","Museum Outreach Programs."],"has_online_content_ssim":["false"],"extent_ssm":["11 Linear Feet 45 binders"],"extent_tesim":["11 Linear Feet 45 binders"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eOpen for Research\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for Research"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 15 series but is unprocessed OR minimally processed.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 15 series but is unprocessed OR minimally processed."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Museum Organizations Department (PH-04). VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Records of the Museum Organizations Department (PH-04). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the visual history of the various VMFA's organizations and related organizations, such as: Council, Fellows, Legislative Events, Patrons, Members, Donors, Trustees, Friends of Art, and VIPs. The content primarily consists of event photographs, portraits, and photographs of the museum's interior, and comprises photographic prints, slides, and related ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the visual history of the various VMFA's organizations and related organizations, such as: Council, Fellows, Legislative Events, Patrons, Members, Donors, Trustees, Friends of Art, and VIPs. The content primarily consists of event photographs, portraits, and photographs of the museum's interior, and comprises photographic prints, slides, and related ephemera."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_13465727ab54efe0dce1e193ee2d671a\"\u003eThis collection documents the visual history of the various events put on by VMFA Museum Organizations for the years 1935-2016, comprising photographic prints, slides, programs, and related ephemera for museum organizations, including: Friends of Art, Museum Council, Community Affairs, Patrons, Trustees, and more.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the visual history of the various events put on by VMFA Museum Organizations for the years 1935-2016, comprising photographic prints, slides, programs, and related ephemera for museum organizations, including: Friends of Art, Museum Council, Community Affairs, Patrons, Trustees, and more."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English\n."],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:21.394Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_15995_c09_c02"}},{"id":"virmu_repositories_2_resources_371_c02_c05","type":"Sub-Series","attributes":{"title":"Sub-Series: Bessie Harvey, 1984/2019","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains an article and photographs documenting the life and artwork of Bessie Harvey.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_371_c02_c05","ref_ssm":["virmu_repositories_2_resources_371_c02_c05"],"id":"virmu_repositories_2_resources_371_c02_c05","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371_c02","parent_ssi":"virmu_repositories_2_resources_371_c02","parent_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_371","virmu_repositories_2_resources_371_c02"],"title_filing_ssi":"Sub-Series: Bessie Harvey","title_ssm":["Sub-Series: Bessie Harvey"],"title_tesim":["Sub-Series: Bessie Harvey"],"normalized_title_ssm":["Sub-Series: Bessie Harvey, 1984/2019"],"text":["Sub-Series: Bessie Harvey, 1984/2019","Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019","box VA-07 Box 3","Binder VA-07 Box 4","This sub-series contains an article and photographs documenting the life and artwork of Bessie Harvey."],"parent_unittitles_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_unittitles_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"normalized_date_ssm":["1984/2019"],"unitdate_inclusive_ssm":["1984-2019"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":7,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"containers_ssim":["box VA-07 Box 3","Binder VA-07 Box 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains an article and photographs documenting the life and artwork of Bessie Harvey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains an article and photographs documenting the life and artwork of Bessie Harvey."],"_nest_path_":"/components#1/components#4","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_371","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_371.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/371","title_filing_ssi":"Perry, Regenia (VA-07)","title_ssm":["Regenia A. Perry Personal Papers (VA-07)"],"title_tesim":["Regenia A. Perry Personal Papers (VA-07)"],"unitdate_ssm":["1907-2019"],"unitdate_inclusive_ssm":["1907-2019"],"normalized_date_ssm":["1907/2019"],"normalized_title_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"text":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","VA-07","/repositories/2/resources/371","African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019","Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material","Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University","The collection was donated to the VMFA Archives by Regenia Perry in 2021.","Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.","A large collection of her papers are located at Emory University.","The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","English\n."],"collection_title_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-07","/repositories/2/resources/371"],"unitid_tesim":["VA-07","/repositories/2/resources/371"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Perry, Regenia","Perry, Regenia"],"creator_ssim":["Perry, Regenia","Perry, Regenia"],"creator_persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"creators_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"access_subjects_ssm":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 8 boxes; 17 folders"],"extent_tesim":["2 Linear Feet 8 boxes; 17 folders"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBiographical, 1941-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtists, 1907-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019"],"bibliography_html_tesm":["\u003cbibref\u003eFree within ourselves : African-American artists in the collection of the National Museum of American Art\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhat it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog\u003c/bibref\u003e\n    ","\u003cbibref\u003eArt of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979\u003c/bibref\u003e\n    ","\u003cbibref\u003eImpact '79 : Afro-American women artists\u003c/bibref\u003e\n    ","\u003cbibref\u003eSelections of nineteenth-century Afro-American art\u003c/bibref\u003e\n  ","\u003cbibref\u003eSubject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Subject File"],"bibliography_tesim":["Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eRegenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eRegenia Perry papers finding aid\u003c/a\u003e by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Regenia Perry in 2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Regenia Perry in 2021."],"prefercite_html_tesm":["\u003cp\u003eRegenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Regenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003ePublications were removed and added to the VMFA Library's holdings. Titles include \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=D7n6ydb8N7/VMFA_LIB/X/9\"\u003e\"Tales of the conjure woman\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=Ajup9qURMW/VMFA_LIB/X/9\"\u003e\"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=qUyW4HeM8x/VMFA_LIB/X/9\"\u003e\"Harriet Powers's Bible quilts\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=0pi1RQtmQb/VMFA_LIB/X/9\"\u003e\"Astonishment and power: Kongo minkisi: the art of Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=tt5e9qKmLX/VMFA_LIB/X/9\"\u003e\"Free within ourselves: African-American artists in the collection of the National Museum of American Art\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=pfMLTwFluN/VMFA_LIB/X/9\"\u003e\"Hidden heritage: Afro-American art, 1800-1950\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=UW7swpJpcB/VMFA_LIB/X/9\"\u003e\"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\"\u003c/a\u003e, and \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=CRWJ8a1TBl/VMFA_LIB/X/9\"\u003e\"Between the lines: 70 drawings and 7 essays\"\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eOriginal newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders."],"relatedmaterial_html_tesm":["\u003cp\u003eA large collection of her papers are located at \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eEmory University\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large collection of her papers are located at Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c795df4bbab371f6ab4a825c6c75b55\"\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"names_coll_ssim":["Perry, Regenia","Perry, Regenia"],"names_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:29.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c05"}},{"id":"virmu_repositories_2_resources_371_c02_c18","type":"Sub-Series","attributes":{"title":"Sub-Series: James VanDerZee, 1907/2018","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c18#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains articles and ephemera about James VanDerZee in addition to photographic materials such as negatives, reprints, and photographs taken by VanDerZee. Subjects include the Virginia Period, Harlem, VanDerZee and his family, and Regenia Perry.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_371_c02_c18","ref_ssm":["virmu_repositories_2_resources_371_c02_c18"],"id":"virmu_repositories_2_resources_371_c02_c18","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371_c02","parent_ssi":"virmu_repositories_2_resources_371_c02","parent_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_371","virmu_repositories_2_resources_371_c02"],"title_filing_ssi":"Sub-Series: James VanDerZee","title_ssm":["Sub-Series: James VanDerZee"],"title_tesim":["Sub-Series: James VanDerZee"],"normalized_title_ssm":["Sub-Series: James VanDerZee, 1907/2018"],"text":["Sub-Series: James VanDerZee, 1907/2018","Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019","box VA-07 Box 3","Binder VA-07 Box 6","Oversize VA-07 Box 7","This sub-series contains articles and ephemera about James VanDerZee in addition to photographic materials such as negatives, reprints, and photographs taken by VanDerZee. Subjects include the Virginia Period, Harlem, VanDerZee and his family, and Regenia Perry."],"parent_unittitles_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_unittitles_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"normalized_date_ssm":["1907/2018"],"unitdate_inclusive_ssm":["1907-2018"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":33,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"containers_ssim":["box VA-07 Box 3","Binder VA-07 Box 6","Oversize VA-07 Box 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains articles and ephemera about James VanDerZee in addition to photographic materials such as negatives, reprints, and photographs taken by VanDerZee. Subjects include the Virginia Period, Harlem, VanDerZee and his family, and Regenia Perry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains articles and ephemera about James VanDerZee in addition to photographic materials such as negatives, reprints, and photographs taken by VanDerZee. Subjects include the Virginia Period, Harlem, VanDerZee and his family, and Regenia Perry."],"_nest_path_":"/components#1/components#17","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_371","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_371.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/371","title_filing_ssi":"Perry, Regenia (VA-07)","title_ssm":["Regenia A. Perry Personal Papers (VA-07)"],"title_tesim":["Regenia A. Perry Personal Papers (VA-07)"],"unitdate_ssm":["1907-2019"],"unitdate_inclusive_ssm":["1907-2019"],"normalized_date_ssm":["1907/2019"],"normalized_title_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"text":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","VA-07","/repositories/2/resources/371","African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019","Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material","Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University","The collection was donated to the VMFA Archives by Regenia Perry in 2021.","Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.","A large collection of her papers are located at Emory University.","The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","English\n."],"collection_title_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-07","/repositories/2/resources/371"],"unitid_tesim":["VA-07","/repositories/2/resources/371"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Perry, Regenia","Perry, Regenia"],"creator_ssim":["Perry, Regenia","Perry, Regenia"],"creator_persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"creators_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"access_subjects_ssm":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 8 boxes; 17 folders"],"extent_tesim":["2 Linear Feet 8 boxes; 17 folders"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBiographical, 1941-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtists, 1907-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019"],"bibliography_html_tesm":["\u003cbibref\u003eFree within ourselves : African-American artists in the collection of the National Museum of American Art\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhat it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog\u003c/bibref\u003e\n    ","\u003cbibref\u003eArt of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979\u003c/bibref\u003e\n    ","\u003cbibref\u003eImpact '79 : Afro-American women artists\u003c/bibref\u003e\n    ","\u003cbibref\u003eSelections of nineteenth-century Afro-American art\u003c/bibref\u003e\n  ","\u003cbibref\u003eSubject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Subject File"],"bibliography_tesim":["Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eRegenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eRegenia Perry papers finding aid\u003c/a\u003e by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Regenia Perry in 2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Regenia Perry in 2021."],"prefercite_html_tesm":["\u003cp\u003eRegenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Regenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003ePublications were removed and added to the VMFA Library's holdings. Titles include \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=D7n6ydb8N7/VMFA_LIB/X/9\"\u003e\"Tales of the conjure woman\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=Ajup9qURMW/VMFA_LIB/X/9\"\u003e\"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=qUyW4HeM8x/VMFA_LIB/X/9\"\u003e\"Harriet Powers's Bible quilts\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=0pi1RQtmQb/VMFA_LIB/X/9\"\u003e\"Astonishment and power: Kongo minkisi: the art of Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=tt5e9qKmLX/VMFA_LIB/X/9\"\u003e\"Free within ourselves: African-American artists in the collection of the National Museum of American Art\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=pfMLTwFluN/VMFA_LIB/X/9\"\u003e\"Hidden heritage: Afro-American art, 1800-1950\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=UW7swpJpcB/VMFA_LIB/X/9\"\u003e\"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\"\u003c/a\u003e, and \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=CRWJ8a1TBl/VMFA_LIB/X/9\"\u003e\"Between the lines: 70 drawings and 7 essays\"\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eOriginal newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders."],"relatedmaterial_html_tesm":["\u003cp\u003eA large collection of her papers are located at \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eEmory University\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large collection of her papers are located at Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c795df4bbab371f6ab4a825c6c75b55\"\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"names_coll_ssim":["Perry, Regenia","Perry, Regenia"],"names_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:40:29.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c18"}},{"id":"virmu_repositories_2_resources_371_c02_c17","type":"Sub-Series","attributes":{"title":"Sub-Series: Renée Stout, 1980/2018","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c17#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_371_c02_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_371_c02_c17","ref_ssm":["virmu_repositories_2_resources_371_c02_c17"],"id":"virmu_repositories_2_resources_371_c02_c17","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371_c02","parent_ssi":"virmu_repositories_2_resources_371_c02","parent_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_ids_ssim":["virmu_repositories_2_resources_371","virmu_repositories_2_resources_371_c02"],"title_filing_ssi":"Sub-Series: Renée Stout","title_ssm":["Sub-Series: Renée Stout"],"title_tesim":["Sub-Series: Renée Stout"],"normalized_title_ssm":["Sub-Series: Renée Stout, 1980/2018"],"text":["Sub-Series: Renée Stout, 1980/2018","Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019","box VA-07 Box 3","Binder VA-07 Box 4","Binder VA-07 Box 5","Oversize VA-07 Box 7","This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout."],"parent_unittitles_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"parent_unittitles_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","Series 2: Artists, 1907/2019"],"normalized_date_ssm":["1980/2018"],"unitdate_inclusive_ssm":["1980-2018"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":32,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"extent_ssm":["4 boxes"],"extent_tesim":["4 boxes"],"containers_ssim":["box VA-07 Box 3","Binder VA-07 Box 4","Binder VA-07 Box 5","Oversize VA-07 Box 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This sub-series contains articles, ephemera, and photographs documenting the life and artwork of Renée Stout."],"_nest_path_":"/components#1/components#16","timestamp":"2026-08-14T22:40:29.647Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_371","ead_ssi":"virmu_repositories_2_resources_371","_root_":"virmu_repositories_2_resources_371","_nest_parent_":"virmu_repositories_2_resources_371","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_371.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/371","title_filing_ssi":"Perry, Regenia (VA-07)","title_ssm":["Regenia A. Perry Personal Papers (VA-07)"],"title_tesim":["Regenia A. Perry Personal Papers (VA-07)"],"unitdate_ssm":["1907-2019"],"unitdate_inclusive_ssm":["1907-2019"],"normalized_date_ssm":["1907/2019"],"normalized_title_ssm":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"text":["Regenia A. Perry Personal Papers (VA-07), 1907/2019","VA-07","/repositories/2/resources/371","African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting","The collection is open for research.","The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019","Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material","Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University","The collection was donated to the VMFA Archives by Regenia Perry in 2021.","Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.","A large collection of her papers are located at Emory University.","The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)","Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","English\n."],"collection_title_tesim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"collection_ssim":["Regenia A. Perry Personal Papers (VA-07), 1907/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-07","/repositories/2/resources/371"],"unitid_tesim":["VA-07","/repositories/2/resources/371"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Perry, Regenia","Perry, Regenia"],"creator_ssim":["Perry, Regenia","Perry, Regenia"],"creator_persname_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"creators_ssim":["Perry, Regenia","Morgan, Gertrude, Sister, 1900-1980","Grace, Stephanie","Weinraub, Bernard, 1939-","Clines, Francis X., 1938-2022","Virginia Museum of Fine Arts Archives","Times-picayune","Preservation Hall (New Orleans, La.)","New York Times company","Park Avenue Armory (Organization)"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"access_subjects_ssm":["African American folk art","Women art collectors","Women art historians","Art historians as collectors","Art -- Collectors and collecting"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 8 boxes; 17 folders"],"extent_tesim":["2 Linear Feet 8 boxes; 17 folders"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eBiographical, 1941-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtists, 1907-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 2 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series. Sub-series are arranged alphabetically by artists' surnames.","Series 1\n        Biographical, 1941-2015\n      \n      \n        Series 2\n        Artists, 1907-2019"],"bibliography_html_tesm":["\u003cbibref\u003eFree within ourselves : African-American artists in the collection of the National Museum of American Art\u003c/bibref\u003e\n    ","\u003cbibref\u003eWhat it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog\u003c/bibref\u003e\n    ","\u003cbibref\u003eArt of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979\u003c/bibref\u003e\n    ","\u003cbibref\u003eImpact '79 : Afro-American women artists\u003c/bibref\u003e\n    ","\u003cbibref\u003eSelections of nineteenth-century Afro-American art\u003c/bibref\u003e\n  ","\u003cbibref\u003eSubject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Subject File"],"bibliography_tesim":["Free within ourselves : African-American artists in the collection of the National Museum of American Art","What it is : Black American folk art from the collection of Regenia Perry, October 6-27, 1982 : catalog","Art of the Kuba : Selected works from the William H. Sheppard Collection, Hampton Institute, Hampton, Virginia, November 20 - December 20, 1979","Impact '79 : Afro-American women artists","Selections of nineteenth-century Afro-American art","Subject file : Collections and collectors - Private - Perry, Regenia : miscellaneous uncataloged material"],"bioghist_html_tesm":["\u003cp\u003eRegenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.\u003c/p\u003e","\u003cp\u003eSource: \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eRegenia Perry papers finding aid\u003c/a\u003e by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Regenia Alfreda Perry, African American art historian, was born in 1941 in Virgilina, Virginia. She received a Bachelor of Science degree from Virginia State College (now Virginia State University) in 1961, and went to Western Reserve University (now Case Western Reserve University) in Cleveland, Ohio, where she received a Ph.D. in Art History in 1966. Perry is the first African American woman to hold doctorates in art history and American art. She has published books on African American art, including James Van Der Zee, Photographer (1973), The Folk Tradition in Black American Art (1975), Black Folk Art in America (with John Beardsley, 1982), and Harriet Powers Bible Quilts (1994). She also has taught at numerous colleges and universities, including Howard University (Washington, D.C.), though the majority of her professorial career was spent at Virginia Commonwealth University (Richmond, Virginia). Perry also founded Raven Arts, an art consulting firm that represents African American folk artists.","Source: Regenia Perry papers finding aid by the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Regenia Perry in 2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Regenia Perry in 2021."],"prefercite_html_tesm":["\u003cp\u003eRegenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Regenia Perry Personal Papers (VA-07). Gift of Regenia Perry. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003ePublications were removed and added to the VMFA Library's holdings. Titles include \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=D7n6ydb8N7/VMFA_LIB/X/9\"\u003e\"Tales of the conjure woman\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=Ajup9qURMW/VMFA_LIB/X/9\"\u003e\"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=qUyW4HeM8x/VMFA_LIB/X/9\"\u003e\"Harriet Powers's Bible quilts\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=0pi1RQtmQb/VMFA_LIB/X/9\"\u003e\"Astonishment and power: Kongo minkisi: the art of Renée Stout\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=tt5e9qKmLX/VMFA_LIB/X/9\"\u003e\"Free within ourselves: African-American artists in the collection of the National Museum of American Art\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=pfMLTwFluN/VMFA_LIB/X/9\"\u003e\"Hidden heritage: Afro-American art, 1800-1950\"\u003c/a\u003e, \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=UW7swpJpcB/VMFA_LIB/X/9\"\u003e\"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\"\u003c/a\u003e, and \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/?ps=CRWJ8a1TBl/VMFA_LIB/X/9\"\u003e\"Between the lines: 70 drawings and 7 essays\"\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eOriginal newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Publications were removed and added to the VMFA Library's holdings. Titles include \"Tales of the conjure woman\", \"Dear Robert, I'll see you at the crossroads: a project by Renée Stout\", \"Harriet Powers's Bible quilts\", \"Astonishment and power: Kongo minkisi: the art of Renée Stout\", \"Free within ourselves: African-American artists in the collection of the National Museum of American Art\", \"Hidden heritage: Afro-American art, 1800-1950\", \"Something to keep you warm: the Roland Freeman Collection of Black American quilts from the Mississippi Heartland\", and \"Between the lines: 70 drawings and 7 essays\".","Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders."],"relatedmaterial_html_tesm":["\u003cp\u003eA large collection of her papers are located at \u003ca href=\"https://findingaids.library.emory.edu/documents/perry1312/printable/\"\u003eEmory University\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large collection of her papers are located at Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry. The collection's inclusive dates are 1907-2019, with the bulk of the material dating from the 1970s-1990s. This collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Perry assigned to the VMFA Archives all of her available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c795df4bbab371f6ab4a825c6c75b55\"\u003eThe collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. In addition to her work as a professor, Dr. Perry served as a guest curator for The Metropolitan Museum's \"Selection of Nineteenth-Century Afro-American Art,\" the first comprehensive exhibition of African American art at the museum.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents the life, work, and research interests of Dr. Regenia Perry (1941-), an African American art historian. Dr. Perry is the first African American woman to hold doctorates in art history and American art, and has focused her career on researching and collecting African American folk art. 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