{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026page=13","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026page=12","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026page=14","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026page=120"},"meta":{"pages":{"current_page":13,"next_page":14,"prev_page":12,"total_pages":120,"limit_value":10,"offset_value":120,"total_count":1195,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_724_c02_c31","type":"File","attributes":{"title":"box 3, 2007/2008","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_724_c02_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_724_c02_c31","ref_ssm":["vihart_repositories_4_resources_724_c02_c31"],"id":"vihart_repositories_4_resources_724_c02_c31","ead_ssi":"vihart_repositories_4_resources_724","_root_":"vihart_repositories_4_resources_724","_nest_parent_":"vihart_repositories_4_resources_724_c02","parent_ssi":"vihart_repositories_4_resources_724_c02","parent_ssim":["Rockingham Bird Club records, 1975/2023","Newsletters, 1975/2023"],"parent_ids_ssim":["vihart_repositories_4_resources_724","vihart_repositories_4_resources_724_c02"],"title_filing_ssi":"box 3","title_ssm":["box 3"],"title_tesim":["box 3"],"normalized_title_ssm":["box 3, 2007/2008"],"text":["box 3, 2007/2008","Rockingham Bird Club records, 1975/2023","Newsletters, 1975/2023","box 3","folder 5"],"parent_unittitles_ssm":["Rockingham Bird Club records, 1975/2023","Newsletters, 1975/2023"],"parent_unittitles_tesim":["Rockingham Bird Club records, 1975/2023","Newsletters, 1975/2023"],"normalized_date_ssm":["2007/2008"],"unitdate_inclusive_ssm":["September 2007 - June 2008"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":54,"repository_ssim":["James Madison University"],"collection_ssim":["Rockingham Bird Club records, 1975/2023"],"containers_ssim":["box 3","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2007,2008],"_nest_path_":"/components#1/components#30","timestamp":"2026-06-23T06:58:12.526Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_724","ead_ssi":"vihart_repositories_4_resources_724","_root_":"vihart_repositories_4_resources_724","_nest_parent_":"vihart_repositories_4_resources_724","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_724.xml","title_ssm":["Rockingham Bird Club records"],"title_tesim":["Rockingham Bird Club records"],"unitdate_ssm":["1975-2023"],"unitdate_inclusive_ssm":["1975-2023"],"normalized_date_ssm":["1975/2023"],"normalized_title_ssm":["Rockingham Bird Club records, 1975/2023"],"text":["Rockingham Bird Club records, 1975/2023","SC 0352","/repositories/4/resources/724","Birds -- Virginia -- Rockingham County","Bird watching -- Virginia -- Rockingham County","Bird populations -- Virginia -- Rockingham County","Birds -- Identification -- Virginia -- Rockingham County","Administrative records","Scrapbooks","Newsletters","Minutes (administrative records)","Files (digital files)","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to paper copies, digital files of select meeting minutes and newsletters are available.","The collection is arranged in three series and further arranged chronologically. Exceptions to this arrangement were made within series to keep like groupings of records together. The newsletters are arranged chronologically and foldered according to volume number.","Established in 1974, the Rockingham Bird Club is a local chapter of the Virginia Society of Ornithology, Inc. The purpose of the club is to promote interest in the study of birds, and in the conservation of birds and other natural resources. With the exception of a summer hiatus, the club holds monthly meetings and publishes monthly newsletters. The American Goldfinch has been used as the club's emblem since its establishment and is the inspiration for the club newsletter, Goldfinch Gazette. Additional club activities include, or have previously included, publishing seasonal reports on bird sightings and bird activities, conducting Christmas bird counts, holding an annual bird seed sale, hosting speakers, and organizing field trips.","The club has published two editions of Birds of Rockingham County, in 1998 and 2022, respectively.","The collection comprises administrative files, founding documents, reports, membership lists, newsletters, meeting minutes, scrapbooks, ephemera, and photographs documenting the activities of the Rockingham Bird Club.","Series 1: Administrative Files comprises copies of the club's constitutions and by-laws, general and executive committee meeting minutes, membership lists, bird alert system telephone chains, seasonal reports documenting bird sightings and activities, brochures, and patches.","File consists of facsimile duplicates (photocopies) of the complete run of \"Changing Seasons\" reports and 1 digitized reference copy PDF.","Series 2: Newsletters includes the club's newsletter which was formally titled Goldfinch Gazette in December 1980. The newsletter includes information on monthly meetings and guest speakers, field trips, treasurer's reports, and other relevant news.","There are scattered missing issues throughout the series as well as a gap from September 1984 to January 1987. Researchers should refer to the scrapbooks for copies of newsletters not filed in this series.","Series 3: Scrapbooks comprises ten bound scrapbooks that include printed ephemera, newspaper clippings, photographs, correspondence, newsletters, and Christmas bird count lists.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The collection comprises administrative files, newsletters, meeting minutes, and scrapbooks documenting the activities of the Rockingham Bird Club.","James Madison University Libraries Special Collections","Rockingham Bird Club","Virginia Society of Ornithology","Fovargue, Art","English\n."],"collection_title_tesim":["Rockingham Bird Club records, 1975/2023"],"collection_ssim":["Rockingham Bird Club records, 1975/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0352","/repositories/4/resources/724"],"unitid_tesim":["SC 0352","/repositories/4/resources/724"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Rockingham Bird Club","Fovargue, Art"],"creator_ssim":["Rockingham Bird Club","Fovargue, Art"],"creator_persname_ssim":["Fovargue, Art"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Rockingham Bird Club","Virginia Society of Ornithology"],"creators_ssim":["Fovargue, Art","James Madison University Libraries Special Collections","Rockingham Bird Club","Virginia Society of Ornithology"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated by Art Fovargue, club historian and member, in February and March 2023. A third donation was made in December 2023."],"access_subjects_ssim":["Birds -- Virginia -- Rockingham County","Bird watching -- Virginia -- Rockingham County","Bird populations -- Virginia -- Rockingham County","Birds -- Identification -- Virginia -- Rockingham County","Administrative records","Scrapbooks","Newsletters","Minutes (administrative records)","Files (digital files)"],"access_subjects_ssm":["Birds -- Virginia -- Rockingham County","Bird watching -- Virginia -- Rockingham County","Bird populations -- Virginia -- Rockingham County","Birds -- Identification -- Virginia -- Rockingham County","Administrative records","Scrapbooks","Newsletters","Minutes (administrative records)","Files (digital files)"],"has_online_content_ssim":["false"],"extent_ssm":["2.47 cubic feet 5 boxes","102 Megabytes 273 files"],"extent_tesim":["2.47 cubic feet 5 boxes","102 Megabytes 273 files"],"genreform_ssim":["Administrative records","Scrapbooks","Newsletters","Minutes (administrative records)","Files (digital files)"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eIn addition to paper copies, digital files of select meeting minutes and newsletters are available.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["In addition to paper copies, digital files of select meeting minutes and newsletters are available."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series and further arranged chronologically. Exceptions to this arrangement were made within series to keep like groupings of records together. The newsletters are arranged chronologically and foldered according to volume number.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series and further arranged chronologically. Exceptions to this arrangement were made within series to keep like groupings of records together. The newsletters are arranged chronologically and foldered according to volume number."],"bioghist_html_tesm":["\u003cp\u003eEstablished in 1974, the Rockingham Bird Club is a local chapter of the Virginia Society of Ornithology, Inc. The purpose of the club is to promote interest in the study of birds, and in the conservation of birds and other natural resources. With the exception of a summer hiatus, the club holds monthly meetings and publishes monthly newsletters. The American Goldfinch has been used as the club's emblem since its establishment and is the inspiration for the club newsletter, Goldfinch Gazette. Additional club activities include, or have previously included, publishing seasonal reports on bird sightings and bird activities, conducting Christmas bird counts, holding an annual bird seed sale, hosting speakers, and organizing field trips.\u003c/p\u003e","\u003cp\u003eThe club has published two editions of \u003cemph render=\"italic\"\u003eBirds of Rockingham County\u003c/emph\u003e, in 1998 and 2022, respectively.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Established in 1974, the Rockingham Bird Club is a local chapter of the Virginia Society of Ornithology, Inc. The purpose of the club is to promote interest in the study of birds, and in the conservation of birds and other natural resources. With the exception of a summer hiatus, the club holds monthly meetings and publishes monthly newsletters. The American Goldfinch has been used as the club's emblem since its establishment and is the inspiration for the club newsletter, Goldfinch Gazette. Additional club activities include, or have previously included, publishing seasonal reports on bird sightings and bird activities, conducting Christmas bird counts, holding an annual bird seed sale, hosting speakers, and organizing field trips.","The club has published two editions of Birds of Rockingham County, in 1998 and 2022, respectively."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Rockingham Bird Club Records, 1975-2023, SC 0352, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Rockingham Bird Club Records, 1975-2023, SC 0352, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises administrative files, founding documents, reports, membership lists, newsletters, meeting minutes, scrapbooks, ephemera, and photographs documenting the activities of the Rockingham Bird Club.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Administrative Files comprises copies of the club's constitutions and by-laws, general and executive committee meeting minutes, membership lists, bird alert system telephone chains, seasonal reports documenting bird sightings and activities, brochures, and patches.\u003c/p\u003e","\u003cp\u003eFile consists of facsimile duplicates (photocopies) of the complete run of \"Changing Seasons\" reports and 1 digitized reference copy PDF.\u003c/p\u003e","\u003cp\u003eSeries 2: Newsletters includes the club's newsletter which was formally titled Goldfinch Gazette in December 1980. The newsletter includes information on monthly meetings and guest speakers, field trips, treasurer's reports, and other relevant news. \u003c/p\u003e","\u003cp\u003eThere are scattered missing issues throughout the series as well as a gap from September 1984 to January 1987. Researchers should refer to the scrapbooks for copies of newsletters not filed in this series.\u003c/p\u003e","\u003cp\u003eSeries 3: Scrapbooks comprises ten bound scrapbooks that include printed ephemera, newspaper clippings, photographs, correspondence, newsletters, and Christmas bird count lists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises administrative files, founding documents, reports, membership lists, newsletters, meeting minutes, scrapbooks, ephemera, and photographs documenting the activities of the Rockingham Bird Club.","Series 1: Administrative Files comprises copies of the club's constitutions and by-laws, general and executive committee meeting minutes, membership lists, bird alert system telephone chains, seasonal reports documenting bird sightings and activities, brochures, and patches.","File consists of facsimile duplicates (photocopies) of the complete run of \"Changing Seasons\" reports and 1 digitized reference copy PDF.","Series 2: Newsletters includes the club's newsletter which was formally titled Goldfinch Gazette in December 1980. The newsletter includes information on monthly meetings and guest speakers, field trips, treasurer's reports, and other relevant news.","There are scattered missing issues throughout the series as well as a gap from September 1984 to January 1987. Researchers should refer to the scrapbooks for copies of newsletters not filed in this series.","Series 3: Scrapbooks comprises ten bound scrapbooks that include printed ephemera, newspaper clippings, photographs, correspondence, newsletters, and Christmas bird count lists."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_18d499c403437c39d3f71b902466a6df\"\u003eThe collection comprises administrative files, newsletters, meeting minutes, and scrapbooks documenting the activities of the Rockingham Bird Club.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection comprises administrative files, newsletters, meeting minutes, and scrapbooks documenting the activities of the Rockingham Bird Club."],"corpname_ssim":["James Madison University Libraries Special Collections","Rockingham Bird Club","Virginia Society of Ornithology"],"names_coll_ssim":["Virginia Society of Ornithology","Fovargue, Art"],"persname_ssim":["Fovargue, Art"],"names_ssim":["James Madison University Libraries Special Collections","Rockingham Bird Club","Virginia Society of Ornithology","Fovargue, Art"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":80,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:58:12.526Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_724_c02_c31"}},{"id":"vihart_repositories_4_resources_743_c01_c22","type":"Item","attributes":{"title":"box 3, 2007/2008","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_743_c01_c22#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMajor events: Dennis Haskins Q\u0026amp;A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_743_c01_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_743_c01_c22","ref_ssm":["vihart_repositories_4_resources_743_c01_c22"],"id":"vihart_repositories_4_resources_743_c01_c22","ead_ssi":"vihart_repositories_4_resources_743","_root_":"vihart_repositories_4_resources_743","_nest_parent_":"vihart_repositories_4_resources_743_c01","parent_ssi":"vihart_repositories_4_resources_743_c01","parent_ssim":["University Program Board records, 1972/2023","Scrapbooks, 1972/2016"],"parent_ids_ssim":["vihart_repositories_4_resources_743","vihart_repositories_4_resources_743_c01"],"title_filing_ssi":"box 3","title_ssm":["box 3"],"title_tesim":["box 3"],"normalized_title_ssm":["box 3, 2007/2008"],"text":["box 3, 2007/2008","University Program Board records, 1972/2023","Scrapbooks, 1972/2016","box 3","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","Breuer, Jim, 1967-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace","Major events: Dennis Haskins Q\u0026A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show."],"parent_unittitles_ssm":["University Program Board records, 1972/2023","Scrapbooks, 1972/2016"],"parent_unittitles_tesim":["University Program Board records, 1972/2023","Scrapbooks, 1972/2016"],"normalized_date_ssm":["2007/2008"],"unitdate_inclusive_ssm":["2007-2008"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":23,"repository_ssim":["James Madison University"],"collection_ssim":["University Program Board records, 1972/2023"],"containers_ssim":["box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose."],"corpname_ssim":["Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)"],"persname_ssim":["Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","Breuer, Jim, 1967-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace"],"names_ssim":["Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","Breuer, Jim, 1967-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace"],"date_range_isim":[2007,2008],"scopecontent_html_tesm":["\u003cp\u003eMajor events: Dennis Haskins Q\u0026amp;A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Major events: Dennis Haskins Q\u0026A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show."],"_nest_path_":"/components#0/components#21","timestamp":"2026-06-23T06:58:12.526Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_743","ead_ssi":"vihart_repositories_4_resources_743","_root_":"vihart_repositories_4_resources_743","_nest_parent_":"vihart_repositories_4_resources_743","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_743.xml","title_ssm":["University Program Board records"],"title_tesim":["University Program Board records"],"unitdate_ssm":["1972-2023"],"unitdate_inclusive_ssm":["1972-2023"],"normalized_date_ssm":["1972/2023"],"normalized_title_ssm":["University Program Board records, 1972/2023"],"text":["University Program Board records, 1972/2023","UA 0063","/repositories/4/resources/743","College students","Student activities","Scrapbooks","Photographs","Posters","Newspaper clippings","Fliers (printed matter)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Handbook. Harrisonburg, Va. : Madison College, 1971.","The University Program Board (UPB) was first established as the Campus Program Board (CPB) in 1971. The name was updated in 1977 to coincide with the change from Madison College to James Madison University. The organization, as it was first conceived, was \"composed of students selected with the purpose of providing social, cultural, recreational, and educational activities on campus\" (Student Handbook, 1971). Those main tenets are largely in line with the current objectives of the University Program Board.","The University Program Board organized various types of events including concerts; comedy shows; talent shows; speakers and lecturers; movie showings; hypnotists; annual Kids Drop, You Shop holiday event; Madipalooza; collaborative programming with other university organizations; co-hosting Black Emphasis Week events; Spring Break sponsored trips; Late Night Breakfast; and more.","Over the years major events were held in Godwin Hall, Wilson Hall auditorium, Memorial Hall auditorium, Taylor Down Under (TDU), Convocation Center, and most recently Atlantic Union Bank Center.","Scrapbooks with unstable bindings or detached boards were stabilized.","The scrapbook pages were removed from the binding (3-ring binder) due to condition issues.","The collection comprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, trainings, retreats, and team building activities involving UPB staff and student employees are also documented.","The 26 scrapbooks include newspaper clippings, photographs, calendars, and ephemera (ticket stubs, backstage passes, etc.) for events hosted by the University Program Board. Typically, one scrapbook was created and is present for each academic year beginning in 1972. The scrapbooks also document behind-the-scenes activities of UPB staff and student employees including their attendance at the National Association for Campus Activities (NACA) annual conference, planning meetings, and casual gatherings. Letters to the editor and opinion pieces from The Breeze address dissatisaction with UPB programming including a lack of diversity in event offerings.","Additional materials include event posters and fliers (some autographed) and talent contracts for the Spring 2012 semester.","Major events: Jesus Christ Superstar performance by the original American touring company, The Association concert, The Guess Who concert, Norman Baker lecture, Robin Williams and \"Dakota Dave\" Hull concert, and Madness at Madison concert featuring The Crystals, Chubby Checker, Tommy James, The Happenings, Gary U.S. Bond, and The Dovells.","Major events: Jim Croce concert, Nikki Giovanni lecture, Jimmy Castor Bunch concert, Bob Katz lecture on JFK assassination conspiracy, Rare Earth concert, Flash Cadillac \u0026 the Continental Kids concert, The Muledeer and Moondog Medicine Show comedy act, Seals \u0026 Crofts concert, Serendipity Singers concert, Nitty Gritty Dirt Band concert, Dick Gregory lecture, and Rufus Thomas concert.","Major events: Three Dog Night concert, America concert, Hall and Oates concert, Pure Prairie League concert, Michael Murphey concert, Fleetwood Mac concert, Nitty Gritty Dirt Band concert, Gloria Gaynor disco revue, Tom Chapin concert, Average White Band concert, and Shirley Chisholm lecture.","Major events: New Riders of the Purple Sage concert, George Benson concert, Hall and Oates concert, Marshall Tucker Band concert, Atlanta Rhythm Section concert, Mother's Finest concert, Bonnie Raitt concert, Tom Chapin concert, Doobie Brothers concert, and Little Feat concert.","Includes news articles discussing a controversial review of the Homecoming Revue talent show which featured a performance by Delta Sigma Theta Sorority, Inc.","Major events: Count Basie concert, Grafton-Stovall Theater dedication, Boston with Sammy Hagar concert, Flying Burrito Brothers concert, Crown Heights Affair concert, Outlaws with Molly Hatchet concert, John Prine concert, Tom Chapin concert, Little River Band concert, Kenny Loggins concert, Chuck Mangione concert, Jimmy Buffett concert, and Marshall Tucker Band concert.","Includes news articles discussing calls for more diverse programming.","Major events: Dixie Dregs concert, Flamin' Oh's concert, Vincent Price lecture, Dizzy Gillespie concert, John Prine concert, Molly Hatchet concert, Julian Bond lecture, Pure Prairie League concert, and Pat Benatar concert.","Newspaper clippings discuss the establishment of UPB's minority affairs committee.","Major events: The Kinks concert, Betty Williams lecture, Second City comedy show, Gerald Ford lecture, Weird Al Yankovic concert, Dr. Ruth lecture, The Motels concert, and Thompson Twins concert.","Major events: Chuck Mangione concert, Hank Williams Jr. with Earl Thomas Conley concert, Hooters concert, Awareness Art Ensemble concert, Bob Hope lecture, Max Weinberg concert, Yolanda King lecture, .38 Special concert, and Hoodoo Gurus concert.","Major events: James Kilpatrick lecture, Jimmy Buffett concert, Hoodoo Gurus concert, Lou Rawls concert, Nikki Giovanni lecture, controversial showing of the X-rated movie Last Tango in Paris, and 10,000 Maniacs concert.","Major events: BoDeans concert, Steven Wright comedy show, Bruce Hornsby and the Range concert, UB40 concert, Gallagher comedy show, and Oliver North lecture.","Includes picture of Lou Rawls.","Major events: Edie Brickell \u0026 the New Bohemians concert, Little Feat concert, Marty Putz and Bertice Berry comedy show, New Potato Caboose concert, Adrian Belew concert, Yellowjackets concert, Jehan Sadat lecture, David Aikman lecture, Bobcat Goldthwait comedy show, Hoodoo Gurus concert, and Joe Clark lecture.","Major events: EU (Experience Unlimited) concert, Jeff Dunham ventriloquism show, Sarah Weddington lecture, Joe Piscopo performance, The Romantics concert, Robert Klein performance, and Public Enemy concert.","Major events: Toad the Wet Sprocket concert, Allman Brothers Band concert, Speech (rapper with Arrested Development) lecture, James Brown concert, Jane Elliott lecture, Carrot Top comedy show, Maya Angelou lecture, Dave Matthews Band concert, and Tom Deluca hypnosis and comedy show","Major events: MasterCard Acts: American Collegiate Talent Search.","Major events: Mark Rust concert, Matthew Sweet concert, Cornel West lecture, and  FeSKAval featuring Ruder Than You.","Major events: Wyclef Jean featuring Refugee Camp All-Stars concert, Norm Macdonald comedy show, Ben Harper concert, John Waters lecture, and Widespread Panic concert.","Photographs document an impromptu show by Wyclef Jean and John Forté at the Howard Johnson's Motor Lodge which was used as a dormitory.","Major events: campus visit by Tibetan monks, Fighting Gravity concert, Cracker concert, Spike Lee lecture, Third Eye Blind and Eve 6 concert, Busta Rhymes concert, Kweisi Mfume lecture, and Jim Breuer comedy show.","Major events: Vertical Horizon concert.","Major events: Black Eyed Peas concert, Gavin DeGraw concert, Paul Rusesabagina address and showing of Hotel Rwanda, Bruce Campbell appearance, Jimmy Eat World concert, and Mark Curry comedy show.","Major events: Ron Jeremy and Craig Gross debate, Guster concert, Recycled Percussion concert, Lupe Fiasco concert, and Ben Folds concert.","Major events: Dennis Haskins Q\u0026A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show.","Major events: Boys Like Girls concert and Jay McCarroll \"Trashion\" Show.","Major events: Corey Smith concert, Third Eye Blind concert, and Aziz Ansari comedy show.","Major events: B.o.B. concert, Sara Bareilles concert, Cartel concert, Wiz Khalifa concert, Arthur Moats lecture, Michael Ian Black comedy show, Andrew Jenks lecture, and Geoff LaTulippe lecture.","Compilation of photo booth pictures taken during a late night breakfast prior to the demolition of D-Hall (aka Gibbons Hall).","Includes multiple signed Flo Milli posters.","Some fliers are signed by the artists including several signed copies of Flo Milli's set list.","Files comprise evaluations, checklists, talent contracts, and budgets for events and programs.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.","Comprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, and team building activities involving UPB staff and student employees are also documented.","James Madison University Libraries Special Collections","University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students","Crystals (Musical group)","Happenings (Musical group)","Dovells (Musical group)","Guess Who (Musical group)","Association (Musical group)","Flash Cadillac (Musical group)","Jimmy Castor Bunch","Rare Earth (Musical group)","Nitty Gritty Dirt Band","Serendipity Singers","Seals \u0026 Crofts","Three Dog Night (Musical group)","America (Musical group)","Fleetwood Mac (Musical group)","Average White Band","Pure Prairie League (Musical group)","Hall and Oates","New Riders of the Purple Sage","Marshall Tucker Band","Atlanta Rhythm Section (Musical group)","Mother's Finest (Musical group)","Doobie Brothers","Little Feat (Musical group)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Flying Burrito Bros","Boston (Musical group)","Outlaws (Musical group)","Molly Hatchet (Musical group)","Crown Heights Affair (Musical group)","Little River Band","Dixie Dregs (Musical group)","Flamin' Oh's (Musical group)","Motels (Musical group)","Thompson Twins (Musical group)","Second City (Theater company)","Kinks (Musical group)","Hooters (Musical group)",".38 Special (Musical group)","Hoodoo Gurus (Musical group)","10,000 Maniacs (Musical group)","BoDeans (Musical group)","UB40 (Musical group)","Range (Musical group)","New Bohemians (Musical group)","New Potato Caboose (Musical group)","Yellowjackets (Musical group)","EU (Musical group)","Romantics (Musical group)","Public Enemy (Musical group)","Allman Brothers Band","Toad the Wet Sprocket (Musical group)","Dave Matthews Band","Ruder Than You (Musical group)","Refugee Camp All Stars","Widespread Panic (Musical group)","Fighting Gravity (Musical group)","Third Eye Blind (Musical group)","Eve 6 (Musical group)","Cracker (Musical group)","Vertical Horizon (Musical group)","Black Eyed Peas (Musical group)","Jimmy Eat World (Musical group)","Guster (Musical group)","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Boys Like Girls (Musical group)","Cartel (Musical group)","J. Geils Band","Happy the Man (Musical group)","Cash Cash (Musical group)","We the Kings (Musical group)","Bonds, Gary U. S., 1939-","James, Tommy, 1947-","Checker, Chubby, 1941-","Baker, Norman (Norman Leonard), 1928-2017","Giovanni, Nikki (1943-2024)","Croce, Jim, 1943-1973","Thomas, Rufus, 1917-2001","Gregory, Dick, 1932-2017","Chapin, Tom, 1945-","Murphey, Michael, 1945-","Gaynor, Gloria, 1949-","Chisholm, Shirley, 1924-2005","Benson, George, 1943-","Raitt, Bonnie (Bonnie Lynn), 1949-","Basie, Count, 1904-1984","Hagar, Sammy, 1947-","Loggins, Kenny, 1948-","Prine, John, 1946-","Mangione, Chuck, 1940-","Buffett, Jimmy (James William), 1946-","Bond, Julian (Horace Julian), 1940-2015","Price, Vincent, 1911-1993","Gillespie, Dizzy, 1917-1993","Benatar, Pat (1953-01-10)","Yankovic, Al, 1959-","Westheimer, Ruth K. (Ruth Karola), 1928-","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Williams, Betty (1943-05-22)","Williams, Hank, Jr., 1949-","Conley, Earl Thomas, 1941-2019","Hope, Bob, 1903-2003","Weinberg, Max, 1951-","King, Yolanda","Rawls, Lou, 1933-2006","Kilpatrick, James Jackson, 1920-2010","Gallagher (Leo Anthony), 1946-2022","North, Oliver, 1943-","Wright, Steven, 1955-","Hornsby, Bruce (Bruce Randall), 1954-","Brickell, Edie (Edie Arlisa), 1966-","Berry, Bertice, 1960-","Belew, Adrian, 1949-","Sādāt, Jīhān, 1933-2021","Aikman, David, 1944-","Goldthwait, Bob, 1962-","Dunham, Jeff, 1962-","Weddington, Sarah Ragle","Piscopo, Joe","Klein, Robert, 1942-","Angelou, Maya, 1928-2014","Speech, 1968-","Carrot Top, 1967-","Elliott, Jane, 1933-","Brown, James, 1933-2006","Rust, Mark","Sweet, Matthew, 1964-","West, Cornel (Cornel Ronald), 1953-","Macdonald, Norm (Norman Gene), 1959-2021","Jean, Wyclef, 1969-","Harper, Ben, 1969-","Waters, John (John Samuel), 1946-","Forté, John, (Musician)","Lee, Spike (1957-03-20)","Breuer, Jim, 1967-","Rhymes Busta, (Musician), 1972-","Mfume, Kweisi (1948-10-24)","DeGraw, Gavin, 1977-","Rusesabagina, Paul, 1954-","Campbell, Bruce (Bruce Lorne), 1958-","Jeremy, Ron (Ronald Jeremy), 1953-","Gross, Craig, 1975-","Fiasco, Lupe, 1982-","Folds, Ben, 1966-","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace","McCarroll, Jay, 1974-","Ansari, Aziz (Aziz Ishmael), 1983-","Smith, Corey, 1979-","Black, Michael Ian, 1971-","Bareilles, Sara (Sara Beth) (1979-12-07)","B.o.B., 1988-","Khalifa, Wiz, 1987-","LaTulippe, Geoff","Jenks, Andrew, 1986-","Yung Gravy","McCartney, Jesse, 1987-","Vine, Bryce, 1988-","Cummings, Burton (Burton L.), 1947-","Johnson, Michael, 1944-2017","Franzese, Daniel, 1978-","Cohen, Harlan, 1973-","Pharoah, Jay, 1987-","English"],"collection_title_tesim":["University Program Board records, 1972/2023"],"collection_ssim":["University Program Board records, 1972/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0063","/repositories/4/resources/743"],"unitid_tesim":["UA 0063","/repositories/4/resources/743"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["University Program Board. James Madison University","University Program Board. James Madison University"],"creator_ssim":["University Program Board. James Madison University","University Program Board. James Madison University"],"creator_persname_ssim":["Bonds, Gary U. S., 1939-","James, Tommy, 1947-","Checker, Chubby, 1941-","Baker, Norman (Norman Leonard), 1928-2017","Giovanni, Nikki (1943-2024)","Croce, Jim, 1943-1973","Thomas, Rufus, 1917-2001","Gregory, Dick, 1932-2017","Chapin, Tom, 1945-","Murphey, Michael, 1945-","Gaynor, Gloria, 1949-","Chisholm, Shirley, 1924-2005","Benson, George, 1943-","Raitt, Bonnie (Bonnie Lynn), 1949-","Basie, Count, 1904-1984","Hagar, Sammy, 1947-","Loggins, Kenny, 1948-","Prine, John, 1946-","Mangione, Chuck, 1940-","Buffett, Jimmy (James William), 1946-","Bond, Julian (Horace Julian), 1940-2015","Price, Vincent, 1911-1993","Gillespie, Dizzy, 1917-1993","Benatar, Pat (1953-01-10)","Yankovic, Al, 1959-","Westheimer, Ruth K. (Ruth Karola), 1928-","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Williams, Betty (1943-05-22)","Williams, Hank, Jr., 1949-","Conley, Earl Thomas, 1941-2019","Hope, Bob, 1903-2003","Weinberg, Max, 1951-","King, Yolanda","Rawls, Lou, 1933-2006","Kilpatrick, James Jackson, 1920-2010","Gallagher (Leo Anthony), 1946-2022","North, Oliver, 1943-","Wright, Steven, 1955-","Hornsby, Bruce (Bruce Randall), 1954-","Brickell, Edie (Edie Arlisa), 1966-","Berry, Bertice, 1960-","Belew, Adrian, 1949-","Sādāt, Jīhān, 1933-2021","Aikman, David, 1944-","Goldthwait, Bob, 1962-","Dunham, Jeff, 1962-","Weddington, Sarah Ragle","Piscopo, Joe","Klein, Robert, 1942-","Angelou, Maya, 1928-2014","Speech, 1968-","Carrot Top, 1967-","Elliott, Jane, 1933-","Brown, James, 1933-2006","Rust, Mark","Sweet, Matthew, 1964-","West, Cornel (Cornel Ronald), 1953-","Macdonald, Norm (Norman Gene), 1959-2021","Jean, Wyclef, 1969-","Harper, Ben, 1969-","Waters, John (John Samuel), 1946-","Forté, John, (Musician)","Lee, Spike (1957-03-20)","Breuer, Jim, 1967-","Rhymes Busta, (Musician), 1972-","Mfume, Kweisi (1948-10-24)","DeGraw, Gavin, 1977-","Rusesabagina, Paul, 1954-","Campbell, Bruce (Bruce Lorne), 1958-","Jeremy, Ron (Ronald Jeremy), 1953-","Gross, Craig, 1975-","Fiasco, Lupe, 1982-","Folds, Ben, 1966-","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace","McCarroll, Jay, 1974-","Ansari, Aziz (Aziz Ishmael), 1983-","Smith, Corey, 1979-","Black, Michael Ian, 1971-","Bareilles, Sara (Sara Beth) (1979-12-07)","B.o.B., 1988-","Khalifa, Wiz, 1987-","LaTulippe, Geoff","Jenks, Andrew, 1986-","Yung Gravy","McCartney, Jesse, 1987-","Vine, Bryce, 1988-","Cummings, Burton (Burton L.), 1947-","Johnson, Michael, 1944-2017","Franzese, Daniel, 1978-","Cohen, Harlan, 1973-","Pharoah, Jay, 1987-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students","Crystals (Musical group)","Happenings (Musical group)","Dovells (Musical group)","Guess Who (Musical group)","Association (Musical group)","Flash Cadillac (Musical group)","Jimmy Castor Bunch","Rare Earth (Musical group)","Nitty Gritty Dirt Band","Serendipity Singers","Seals \u0026 Crofts","Three Dog Night (Musical group)","America (Musical group)","Fleetwood Mac (Musical group)","Average White Band","Pure Prairie League (Musical group)","Hall and Oates","New Riders of the Purple Sage","Marshall Tucker Band","Atlanta Rhythm Section (Musical group)","Mother's Finest (Musical group)","Doobie Brothers","Little Feat (Musical group)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Flying Burrito Bros","Boston (Musical group)","Outlaws (Musical group)","Molly Hatchet (Musical group)","Crown Heights Affair (Musical group)","Little River Band","Dixie Dregs (Musical group)","Flamin' Oh's (Musical group)","Motels (Musical group)","Thompson Twins (Musical group)","Second City (Theater company)","Kinks (Musical group)","Hooters (Musical group)",".38 Special (Musical group)","Hoodoo Gurus (Musical group)","10,000 Maniacs (Musical group)","BoDeans (Musical group)","UB40 (Musical group)","Range (Musical group)","New Bohemians (Musical group)","New Potato Caboose (Musical group)","Yellowjackets (Musical group)","EU (Musical group)","Romantics (Musical group)","Public Enemy (Musical group)","Allman Brothers Band","Toad the Wet Sprocket (Musical group)","Dave Matthews Band","Ruder Than You (Musical group)","Refugee Camp All Stars","Widespread Panic (Musical group)","Fighting Gravity (Musical group)","Third Eye Blind (Musical group)","Eve 6 (Musical group)","Cracker (Musical group)","Vertical Horizon (Musical group)","Black Eyed Peas (Musical group)","Jimmy Eat World (Musical group)","Guster (Musical group)","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Boys Like Girls (Musical group)","Cartel (Musical group)","J. Geils Band","Happy the Man (Musical group)","Cash Cash (Musical group)","We the Kings (Musical group)"],"creators_ssim":["Bonds, Gary U. S., 1939-","James, Tommy, 1947-","Checker, Chubby, 1941-","Baker, Norman (Norman Leonard), 1928-2017","Giovanni, Nikki (1943-2024)","Croce, Jim, 1943-1973","Thomas, Rufus, 1917-2001","Gregory, Dick, 1932-2017","Chapin, Tom, 1945-","Murphey, Michael, 1945-","Gaynor, Gloria, 1949-","Chisholm, Shirley, 1924-2005","Benson, George, 1943-","Raitt, Bonnie (Bonnie Lynn), 1949-","Basie, Count, 1904-1984","Hagar, Sammy, 1947-","Loggins, Kenny, 1948-","Prine, John, 1946-","Mangione, Chuck, 1940-","Buffett, Jimmy (James William), 1946-","Bond, Julian (Horace Julian), 1940-2015","Price, Vincent, 1911-1993","Gillespie, Dizzy, 1917-1993","Benatar, Pat (1953-01-10)","Yankovic, Al, 1959-","Westheimer, Ruth K. (Ruth Karola), 1928-","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Williams, Betty (1943-05-22)","Williams, Hank, Jr., 1949-","Conley, Earl Thomas, 1941-2019","Hope, Bob, 1903-2003","Weinberg, Max, 1951-","King, Yolanda","Rawls, Lou, 1933-2006","Kilpatrick, James Jackson, 1920-2010","Gallagher (Leo Anthony), 1946-2022","North, Oliver, 1943-","Wright, Steven, 1955-","Hornsby, Bruce (Bruce Randall), 1954-","Brickell, Edie (Edie Arlisa), 1966-","Berry, Bertice, 1960-","Belew, Adrian, 1949-","Sādāt, Jīhān, 1933-2021","Aikman, David, 1944-","Goldthwait, Bob, 1962-","Dunham, Jeff, 1962-","Weddington, Sarah Ragle","Piscopo, Joe","Klein, Robert, 1942-","Angelou, Maya, 1928-2014","Speech, 1968-","Carrot Top, 1967-","Elliott, Jane, 1933-","Brown, James, 1933-2006","Rust, Mark","Sweet, Matthew, 1964-","West, Cornel (Cornel Ronald), 1953-","Macdonald, Norm (Norman Gene), 1959-2021","Jean, Wyclef, 1969-","Harper, Ben, 1969-","Waters, John (John Samuel), 1946-","Forté, John, (Musician)","Lee, Spike (1957-03-20)","Breuer, Jim, 1967-","Rhymes Busta, (Musician), 1972-","Mfume, Kweisi (1948-10-24)","DeGraw, Gavin, 1977-","Rusesabagina, Paul, 1954-","Campbell, Bruce (Bruce Lorne), 1958-","Jeremy, Ron (Ronald Jeremy), 1953-","Gross, Craig, 1975-","Fiasco, Lupe, 1982-","Folds, Ben, 1966-","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace","McCarroll, Jay, 1974-","Ansari, Aziz (Aziz Ishmael), 1983-","Smith, Corey, 1979-","Black, Michael Ian, 1971-","Bareilles, Sara (Sara Beth) (1979-12-07)","B.o.B., 1988-","Khalifa, Wiz, 1987-","LaTulippe, Geoff","Jenks, Andrew, 1986-","Yung Gravy","McCartney, Jesse, 1987-","Vine, Bryce, 1988-","Cummings, Burton (Burton L.), 1947-","Johnson, Michael, 1944-2017","Franzese, Daniel, 1978-","Cohen, Harlan, 1973-","Pharoah, Jay, 1987-","James Madison University Libraries Special Collections","University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students","Crystals (Musical group)","Happenings (Musical group)","Dovells (Musical group)","Guess Who (Musical group)","Association (Musical group)","Flash Cadillac (Musical group)","Jimmy Castor Bunch","Rare Earth (Musical group)","Nitty Gritty Dirt Band","Serendipity Singers","Seals \u0026 Crofts","Three Dog Night (Musical group)","America (Musical group)","Fleetwood Mac (Musical group)","Average White Band","Pure Prairie League (Musical group)","Hall and Oates","New Riders of the Purple Sage","Marshall Tucker Band","Atlanta Rhythm Section (Musical group)","Mother's Finest (Musical group)","Doobie Brothers","Little Feat (Musical group)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Flying Burrito Bros","Boston (Musical group)","Outlaws (Musical group)","Molly Hatchet (Musical group)","Crown Heights Affair (Musical group)","Little River Band","Dixie Dregs (Musical group)","Flamin' Oh's (Musical group)","Motels (Musical group)","Thompson Twins (Musical group)","Second City (Theater company)","Kinks (Musical group)","Hooters (Musical group)",".38 Special (Musical group)","Hoodoo Gurus (Musical group)","10,000 Maniacs (Musical group)","BoDeans (Musical group)","UB40 (Musical group)","Range (Musical group)","New Bohemians (Musical group)","New Potato Caboose (Musical group)","Yellowjackets (Musical group)","EU (Musical group)","Romantics (Musical group)","Public Enemy (Musical group)","Allman Brothers Band","Toad the Wet Sprocket (Musical group)","Dave Matthews Band","Ruder Than You (Musical group)","Refugee Camp All Stars","Widespread Panic (Musical group)","Fighting Gravity (Musical group)","Third Eye Blind (Musical group)","Eve 6 (Musical group)","Cracker (Musical group)","Vertical Horizon (Musical group)","Black Eyed Peas (Musical group)","Jimmy Eat World (Musical group)","Guster (Musical group)","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Boys Like Girls (Musical group)","Cartel (Musical group)","J. Geils Band","Happy the Man (Musical group)","Cash Cash (Musical group)","We the Kings (Musical group)"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose."],"acqinfo_ssim":["The collection was transferred to Special Collections on March 11, 2024 by the University Program Board. The transfer was facilitated by Mary Wright, Coordinator for Student Life at UPB."],"access_subjects_ssim":["College students","Student activities","Scrapbooks","Photographs","Posters","Newspaper clippings","Fliers (printed matter)"],"access_subjects_ssm":["College students","Student activities","Scrapbooks","Photographs","Posters","Newspaper clippings","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["4.9 cubic feet 6 boxes"],"extent_tesim":["4.9 cubic feet 6 boxes"],"genreform_ssim":["Scrapbooks","Photographs","Posters","Newspaper clippings","Fliers (printed matter)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"bibliography_html_tesm":["\u003cbibref\u003eHandbook. Harrisonburg, Va. : Madison College, 1971.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Handbook. Harrisonburg, Va. : Madison College, 1971."],"bioghist_html_tesm":["\u003cp\u003eThe University Program Board (UPB) was first established as the Campus Program Board (CPB) in 1971. The name was updated in 1977 to coincide with the change from Madison College to James Madison University. The organization, as it was first conceived, was \"composed of students selected with the purpose of providing social, cultural, recreational, and educational activities on campus\" (Student Handbook, 1971). Those main tenets are largely in line with the current objectives of the University Program Board. \u003c/p\u003e","\u003cp\u003eThe University Program Board organized various types of events including concerts; comedy shows; talent shows; speakers and lecturers; movie showings; hypnotists; annual Kids Drop, You Shop holiday event; Madipalooza; collaborative programming with other university organizations; co-hosting Black Emphasis Week events; Spring Break sponsored trips; Late Night Breakfast; and more.\u003c/p\u003e","\u003cp\u003eOver the years major events were held in Godwin Hall, Wilson Hall auditorium, Memorial Hall auditorium, Taylor Down Under (TDU), Convocation Center, and most recently Atlantic Union Bank Center.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The University Program Board (UPB) was first established as the Campus Program Board (CPB) in 1971. The name was updated in 1977 to coincide with the change from Madison College to James Madison University. The organization, as it was first conceived, was \"composed of students selected with the purpose of providing social, cultural, recreational, and educational activities on campus\" (Student Handbook, 1971). Those main tenets are largely in line with the current objectives of the University Program Board.","The University Program Board organized various types of events including concerts; comedy shows; talent shows; speakers and lecturers; movie showings; hypnotists; annual Kids Drop, You Shop holiday event; Madipalooza; collaborative programming with other university organizations; co-hosting Black Emphasis Week events; Spring Break sponsored trips; Late Night Breakfast; and more.","Over the years major events were held in Godwin Hall, Wilson Hall auditorium, Memorial Hall auditorium, Taylor Down Under (TDU), Convocation Center, and most recently Atlantic Union Bank Center."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], University Program Board Records, 1972-2023, UA 0063, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], University Program Board Records, 1972-2023, UA 0063, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eScrapbooks with unstable bindings or detached boards were stabilized.\u003c/p\u003e  ","\u003cp\u003eThe scrapbook pages were removed from the binding (3-ring binder) due to condition issues.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Scrapbooks with unstable bindings or detached boards were stabilized.","The scrapbook pages were removed from the binding (3-ring binder) due to condition issues."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, trainings, retreats, and team building activities involving UPB staff and student employees are also documented.\u003c/p\u003e","\u003cp\u003eThe 26 scrapbooks include newspaper clippings, photographs, calendars, and ephemera (ticket stubs, backstage passes, etc.) for events hosted by the University Program Board. Typically, one scrapbook was created and is present for each academic year beginning in 1972. The scrapbooks also document behind-the-scenes activities of UPB staff and student employees including their attendance at the National Association for Campus Activities (NACA) annual conference, planning meetings, and casual gatherings. Letters to the editor and opinion pieces from \u003cemph render=\"italic\"\u003eThe Breeze\u003c/emph\u003e address dissatisaction with UPB programming including a lack of diversity in event offerings.\u003c/p\u003e","\u003cp\u003eAdditional materials include event posters and fliers (some autographed) and talent contracts for the Spring 2012 semester.\u003c/p\u003e  ","\u003cp\u003eMajor events: Jesus Christ Superstar performance by the original American touring company, The Association concert, The Guess Who concert, Norman Baker lecture, Robin Williams and \"Dakota Dave\" Hull concert, and Madness at Madison concert featuring The Crystals, Chubby Checker, Tommy James, The Happenings, Gary U.S. Bond, and The Dovells.\u003c/p\u003e","\u003cp\u003eMajor events: Jim Croce concert, Nikki Giovanni lecture, Jimmy Castor Bunch concert, Bob Katz lecture on JFK assassination conspiracy, Rare Earth concert, Flash Cadillac \u0026amp; the Continental Kids concert, The Muledeer and Moondog Medicine Show comedy act, Seals \u0026amp; Crofts concert, Serendipity Singers concert, Nitty Gritty Dirt Band concert, Dick Gregory lecture, and Rufus Thomas concert.\u003c/p\u003e","\u003cp\u003eMajor events: Three Dog Night concert, America concert, Hall and Oates concert, Pure Prairie League concert, Michael Murphey concert, Fleetwood Mac concert, Nitty Gritty Dirt Band concert, Gloria Gaynor disco revue, Tom Chapin concert, Average White Band concert, and Shirley Chisholm lecture.\u003c/p\u003e","\u003cp\u003eMajor events: New Riders of the Purple Sage concert, George Benson concert, Hall and Oates concert, Marshall Tucker Band concert, Atlanta Rhythm Section concert, Mother's Finest concert, Bonnie Raitt concert, Tom Chapin concert, Doobie Brothers concert, and Little Feat concert.\u003c/p\u003e","\u003cp\u003eIncludes news articles discussing a controversial review of the Homecoming Revue talent show which featured a performance by Delta Sigma Theta Sorority, Inc.\u003c/p\u003e","\u003cp\u003eMajor events: Count Basie concert, Grafton-Stovall Theater dedication, Boston with Sammy Hagar concert, Flying Burrito Brothers concert, Crown Heights Affair concert, Outlaws with Molly Hatchet concert, John Prine concert, Tom Chapin concert, Little River Band concert, Kenny Loggins concert, Chuck Mangione concert, Jimmy Buffett concert, and Marshall Tucker Band concert.\u003c/p\u003e","\u003cp\u003eIncludes news articles discussing calls for more diverse programming.\u003c/p\u003e","\u003cp\u003eMajor events: Dixie Dregs concert, Flamin' Oh's concert, Vincent Price lecture, Dizzy Gillespie concert, John Prine concert, Molly Hatchet concert, Julian Bond lecture, Pure Prairie League concert, and Pat Benatar concert.\u003c/p\u003e","\u003cp\u003eNewspaper clippings discuss the establishment of UPB's minority affairs committee.\u003c/p\u003e","\u003cp\u003eMajor events: The Kinks concert, Betty Williams lecture, Second City comedy show, Gerald Ford lecture, Weird Al Yankovic concert, Dr. Ruth lecture, The Motels concert, and Thompson Twins concert.\u003c/p\u003e","\u003cp\u003eMajor events: Chuck Mangione concert, Hank Williams Jr. with Earl Thomas Conley concert, Hooters concert, Awareness Art Ensemble concert, Bob Hope lecture, Max Weinberg concert, Yolanda King lecture, .38 Special concert, and Hoodoo Gurus concert.\u003c/p\u003e","\u003cp\u003eMajor events: James Kilpatrick lecture, Jimmy Buffett concert, Hoodoo Gurus concert, Lou Rawls concert, Nikki Giovanni lecture, controversial showing of the X-rated movie \u003cemph render=\"italic\"\u003eLast Tango in Paris\u003c/emph\u003e, and 10,000 Maniacs concert.\u003c/p\u003e","\u003cp\u003eMajor events: BoDeans concert, Steven Wright comedy show, Bruce Hornsby and the Range concert, UB40 concert, Gallagher comedy show, and Oliver North lecture.\u003c/p\u003e","\u003cp\u003eIncludes picture of Lou Rawls.\u003c/p\u003e","\u003cp\u003eMajor events: Edie Brickell \u0026amp; the New Bohemians concert, Little Feat concert, Marty Putz and Bertice Berry comedy show, New Potato Caboose concert, Adrian Belew concert, Yellowjackets concert, Jehan Sadat lecture, David Aikman lecture, Bobcat Goldthwait comedy show, Hoodoo Gurus concert, and Joe Clark lecture.\u003c/p\u003e","\u003cp\u003eMajor events: EU (Experience Unlimited) concert, Jeff Dunham ventriloquism show, Sarah Weddington lecture, Joe Piscopo performance, The Romantics concert, Robert Klein performance, and Public Enemy concert.\u003c/p\u003e","\u003cp\u003eMajor events: Toad the Wet Sprocket concert, Allman Brothers Band concert, Speech (rapper with Arrested Development) lecture, James Brown concert, Jane Elliott lecture, Carrot Top comedy show, Maya Angelou lecture, Dave Matthews Band concert, and Tom Deluca hypnosis and comedy show\u003c/p\u003e","\u003cp\u003eMajor events: MasterCard Acts: American Collegiate Talent Search.\u003c/p\u003e","\u003cp\u003eMajor events: Mark Rust concert, Matthew Sweet concert, Cornel West lecture, and  FeSKAval featuring Ruder Than You.\u003c/p\u003e","\u003cp\u003eMajor events: Wyclef Jean featuring Refugee Camp All-Stars concert, Norm Macdonald comedy show, Ben Harper concert, John Waters lecture, and Widespread Panic concert.\u003c/p\u003e","\u003cp\u003ePhotographs document an impromptu show by Wyclef Jean and John Forté at the Howard Johnson's Motor Lodge which was used as a dormitory.\u003c/p\u003e","\u003cp\u003eMajor events: campus visit by Tibetan monks, Fighting Gravity concert, Cracker concert, Spike Lee lecture, Third Eye Blind and Eve 6 concert, Busta Rhymes concert, Kweisi Mfume lecture, and Jim Breuer comedy show.\u003c/p\u003e","\u003cp\u003eMajor events: Vertical Horizon concert.\u003c/p\u003e","\u003cp\u003eMajor events: Black Eyed Peas concert, Gavin DeGraw concert, Paul Rusesabagina address and showing of \u003cemph render=\"italic\"\u003eHotel Rwanda\u003c/emph\u003e, Bruce Campbell appearance, Jimmy Eat World concert, and Mark Curry comedy show.\u003c/p\u003e","\u003cp\u003eMajor events: Ron Jeremy and Craig Gross debate, Guster concert, Recycled Percussion concert, Lupe Fiasco concert, and Ben Folds concert.\u003c/p\u003e","\u003cp\u003eMajor events: Dennis Haskins Q\u0026amp;A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show.\u003c/p\u003e","\u003cp\u003eMajor events: Boys Like Girls concert and Jay McCarroll \"Trashion\" Show.\u003c/p\u003e","\u003cp\u003eMajor events: Corey Smith concert, Third Eye Blind concert, and Aziz Ansari comedy show.\u003c/p\u003e","\u003cp\u003eMajor events: B.o.B. concert, Sara Bareilles concert, Cartel concert, Wiz Khalifa concert, Arthur Moats lecture, Michael Ian Black comedy show, Andrew Jenks lecture, and Geoff LaTulippe lecture.\u003c/p\u003e","\u003cp\u003eCompilation of photo booth pictures taken during a late night breakfast prior to the demolition of D-Hall (aka Gibbons Hall).\u003c/p\u003e","\u003cp\u003eIncludes multiple signed Flo Milli posters.\u003c/p\u003e","\u003cp\u003eSome fliers are signed by the artists including several signed copies of Flo Milli's set list.\u003c/p\u003e","\u003cp\u003eFiles comprise evaluations, checklists, talent contracts, and budgets for events and programs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, trainings, retreats, and team building activities involving UPB staff and student employees are also documented.","The 26 scrapbooks include newspaper clippings, photographs, calendars, and ephemera (ticket stubs, backstage passes, etc.) for events hosted by the University Program Board. Typically, one scrapbook was created and is present for each academic year beginning in 1972. The scrapbooks also document behind-the-scenes activities of UPB staff and student employees including their attendance at the National Association for Campus Activities (NACA) annual conference, planning meetings, and casual gatherings. Letters to the editor and opinion pieces from The Breeze address dissatisaction with UPB programming including a lack of diversity in event offerings.","Additional materials include event posters and fliers (some autographed) and talent contracts for the Spring 2012 semester.","Major events: Jesus Christ Superstar performance by the original American touring company, The Association concert, The Guess Who concert, Norman Baker lecture, Robin Williams and \"Dakota Dave\" Hull concert, and Madness at Madison concert featuring The Crystals, Chubby Checker, Tommy James, The Happenings, Gary U.S. Bond, and The Dovells.","Major events: Jim Croce concert, Nikki Giovanni lecture, Jimmy Castor Bunch concert, Bob Katz lecture on JFK assassination conspiracy, Rare Earth concert, Flash Cadillac \u0026 the Continental Kids concert, The Muledeer and Moondog Medicine Show comedy act, Seals \u0026 Crofts concert, Serendipity Singers concert, Nitty Gritty Dirt Band concert, Dick Gregory lecture, and Rufus Thomas concert.","Major events: Three Dog Night concert, America concert, Hall and Oates concert, Pure Prairie League concert, Michael Murphey concert, Fleetwood Mac concert, Nitty Gritty Dirt Band concert, Gloria Gaynor disco revue, Tom Chapin concert, Average White Band concert, and Shirley Chisholm lecture.","Major events: New Riders of the Purple Sage concert, George Benson concert, Hall and Oates concert, Marshall Tucker Band concert, Atlanta Rhythm Section concert, Mother's Finest concert, Bonnie Raitt concert, Tom Chapin concert, Doobie Brothers concert, and Little Feat concert.","Includes news articles discussing a controversial review of the Homecoming Revue talent show which featured a performance by Delta Sigma Theta Sorority, Inc.","Major events: Count Basie concert, Grafton-Stovall Theater dedication, Boston with Sammy Hagar concert, Flying Burrito Brothers concert, Crown Heights Affair concert, Outlaws with Molly Hatchet concert, John Prine concert, Tom Chapin concert, Little River Band concert, Kenny Loggins concert, Chuck Mangione concert, Jimmy Buffett concert, and Marshall Tucker Band concert.","Includes news articles discussing calls for more diverse programming.","Major events: Dixie Dregs concert, Flamin' Oh's concert, Vincent Price lecture, Dizzy Gillespie concert, John Prine concert, Molly Hatchet concert, Julian Bond lecture, Pure Prairie League concert, and Pat Benatar concert.","Newspaper clippings discuss the establishment of UPB's minority affairs committee.","Major events: The Kinks concert, Betty Williams lecture, Second City comedy show, Gerald Ford lecture, Weird Al Yankovic concert, Dr. Ruth lecture, The Motels concert, and Thompson Twins concert.","Major events: Chuck Mangione concert, Hank Williams Jr. with Earl Thomas Conley concert, Hooters concert, Awareness Art Ensemble concert, Bob Hope lecture, Max Weinberg concert, Yolanda King lecture, .38 Special concert, and Hoodoo Gurus concert.","Major events: James Kilpatrick lecture, Jimmy Buffett concert, Hoodoo Gurus concert, Lou Rawls concert, Nikki Giovanni lecture, controversial showing of the X-rated movie Last Tango in Paris, and 10,000 Maniacs concert.","Major events: BoDeans concert, Steven Wright comedy show, Bruce Hornsby and the Range concert, UB40 concert, Gallagher comedy show, and Oliver North lecture.","Includes picture of Lou Rawls.","Major events: Edie Brickell \u0026 the New Bohemians concert, Little Feat concert, Marty Putz and Bertice Berry comedy show, New Potato Caboose concert, Adrian Belew concert, Yellowjackets concert, Jehan Sadat lecture, David Aikman lecture, Bobcat Goldthwait comedy show, Hoodoo Gurus concert, and Joe Clark lecture.","Major events: EU (Experience Unlimited) concert, Jeff Dunham ventriloquism show, Sarah Weddington lecture, Joe Piscopo performance, The Romantics concert, Robert Klein performance, and Public Enemy concert.","Major events: Toad the Wet Sprocket concert, Allman Brothers Band concert, Speech (rapper with Arrested Development) lecture, James Brown concert, Jane Elliott lecture, Carrot Top comedy show, Maya Angelou lecture, Dave Matthews Band concert, and Tom Deluca hypnosis and comedy show","Major events: MasterCard Acts: American Collegiate Talent Search.","Major events: Mark Rust concert, Matthew Sweet concert, Cornel West lecture, and  FeSKAval featuring Ruder Than You.","Major events: Wyclef Jean featuring Refugee Camp All-Stars concert, Norm Macdonald comedy show, Ben Harper concert, John Waters lecture, and Widespread Panic concert.","Photographs document an impromptu show by Wyclef Jean and John Forté at the Howard Johnson's Motor Lodge which was used as a dormitory.","Major events: campus visit by Tibetan monks, Fighting Gravity concert, Cracker concert, Spike Lee lecture, Third Eye Blind and Eve 6 concert, Busta Rhymes concert, Kweisi Mfume lecture, and Jim Breuer comedy show.","Major events: Vertical Horizon concert.","Major events: Black Eyed Peas concert, Gavin DeGraw concert, Paul Rusesabagina address and showing of Hotel Rwanda, Bruce Campbell appearance, Jimmy Eat World concert, and Mark Curry comedy show.","Major events: Ron Jeremy and Craig Gross debate, Guster concert, Recycled Percussion concert, Lupe Fiasco concert, and Ben Folds concert.","Major events: Dennis Haskins Q\u0026A, Gym Class Heroes concert, Cocoa Brown comedy show, Baron Vaughn comedy show, Rock the Vote event featuring Real World stars Jose Tapia and Robin Hibbard, Josh Gracin concert, Judson Laipply (famous for Evolution of Dance YouTube video) performance, Uganda Child Soldier Awareness Week speakers Grace Akallo and Betty Bigombe, Say Anything concert, Mae concert, T-Pain concert, and Jim Breuer comedy show.","Major events: Boys Like Girls concert and Jay McCarroll \"Trashion\" Show.","Major events: Corey Smith concert, Third Eye Blind concert, and Aziz Ansari comedy show.","Major events: B.o.B. concert, Sara Bareilles concert, Cartel concert, Wiz Khalifa concert, Arthur Moats lecture, Michael Ian Black comedy show, Andrew Jenks lecture, and Geoff LaTulippe lecture.","Compilation of photo booth pictures taken during a late night breakfast prior to the demolition of D-Hall (aka Gibbons Hall).","Includes multiple signed Flo Milli posters.","Some fliers are signed by the artists including several signed copies of Flo Milli's set list.","Files comprise evaluations, checklists, talent contracts, and budgets for events and programs."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a40ba6bbc2d4496823db72ee69e32823\"\u003eComprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, and team building activities involving UPB staff and student employees are also documented.\u003c/abstract\u003e\n    "],"abstract_tesim":["Comprises scrapbooks, posters, fliers, and paperwork documenting events, concerts, and activities organized by the University Program Board (UPB). Event preparation and tear down, meetings, and team building activities involving UPB staff and student employees are also documented."],"corpname_ssim":["James Madison University Libraries Special Collections","University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students","Crystals (Musical group)","Happenings (Musical group)","Dovells (Musical group)","Guess Who (Musical group)","Association (Musical group)","Flash Cadillac (Musical group)","Jimmy Castor Bunch","Rare Earth (Musical group)","Nitty Gritty Dirt Band","Serendipity Singers","Seals \u0026 Crofts","Three Dog Night (Musical group)","America (Musical group)","Fleetwood Mac (Musical group)","Average White Band","Pure Prairie League (Musical group)","Hall and Oates","New Riders of the Purple Sage","Marshall Tucker Band","Atlanta Rhythm Section (Musical group)","Mother's Finest (Musical group)","Doobie Brothers","Little Feat (Musical group)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Flying Burrito Bros","Boston (Musical group)","Outlaws (Musical group)","Molly Hatchet (Musical group)","Crown Heights Affair (Musical group)","Little River Band","Dixie Dregs (Musical group)","Flamin' Oh's (Musical group)","Motels (Musical group)","Thompson Twins (Musical group)","Second City (Theater company)","Kinks (Musical group)","Hooters (Musical group)",".38 Special (Musical group)","Hoodoo Gurus (Musical group)","10,000 Maniacs (Musical group)","BoDeans (Musical group)","UB40 (Musical group)","Range (Musical group)","New Bohemians (Musical group)","New Potato Caboose (Musical group)","Yellowjackets (Musical group)","EU (Musical group)","Romantics (Musical group)","Public Enemy (Musical group)","Allman Brothers Band","Toad the Wet Sprocket (Musical group)","Dave Matthews Band","Ruder Than You (Musical group)","Refugee Camp All Stars","Widespread Panic (Musical group)","Fighting Gravity (Musical group)","Third Eye Blind (Musical group)","Eve 6 (Musical group)","Cracker (Musical group)","Vertical Horizon (Musical group)","Black Eyed Peas (Musical group)","Jimmy Eat World (Musical group)","Guster (Musical group)","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Boys Like Girls (Musical group)","Cartel (Musical group)","J. Geils Band","Happy the Man (Musical group)","Cash Cash (Musical group)","We the Kings (Musical group)"],"names_coll_ssim":["University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students"],"persname_ssim":["Bonds, Gary U. S., 1939-","James, Tommy, 1947-","Checker, Chubby, 1941-","Baker, Norman (Norman Leonard), 1928-2017","Giovanni, Nikki (1943-2024)","Croce, Jim, 1943-1973","Thomas, Rufus, 1917-2001","Gregory, Dick, 1932-2017","Chapin, Tom, 1945-","Murphey, Michael, 1945-","Gaynor, Gloria, 1949-","Chisholm, Shirley, 1924-2005","Benson, George, 1943-","Raitt, Bonnie (Bonnie Lynn), 1949-","Basie, Count, 1904-1984","Hagar, Sammy, 1947-","Loggins, Kenny, 1948-","Prine, John, 1946-","Mangione, Chuck, 1940-","Buffett, Jimmy (James William), 1946-","Bond, Julian (Horace Julian), 1940-2015","Price, Vincent, 1911-1993","Gillespie, Dizzy, 1917-1993","Benatar, Pat (1953-01-10)","Yankovic, Al, 1959-","Westheimer, Ruth K. (Ruth Karola), 1928-","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Williams, Betty (1943-05-22)","Williams, Hank, Jr., 1949-","Conley, Earl Thomas, 1941-2019","Hope, Bob, 1903-2003","Weinberg, Max, 1951-","King, Yolanda","Rawls, Lou, 1933-2006","Kilpatrick, James Jackson, 1920-2010","Gallagher (Leo Anthony), 1946-2022","North, Oliver, 1943-","Wright, Steven, 1955-","Hornsby, Bruce (Bruce Randall), 1954-","Brickell, Edie (Edie Arlisa), 1966-","Berry, Bertice, 1960-","Belew, Adrian, 1949-","Sādāt, Jīhān, 1933-2021","Aikman, David, 1944-","Goldthwait, Bob, 1962-","Dunham, Jeff, 1962-","Weddington, Sarah Ragle","Piscopo, Joe","Klein, Robert, 1942-","Angelou, Maya, 1928-2014","Speech, 1968-","Carrot Top, 1967-","Elliott, Jane, 1933-","Brown, James, 1933-2006","Rust, Mark","Sweet, Matthew, 1964-","West, Cornel (Cornel Ronald), 1953-","Macdonald, Norm (Norman Gene), 1959-2021","Jean, Wyclef, 1969-","Harper, Ben, 1969-","Waters, John (John Samuel), 1946-","Forté, John, (Musician)","Lee, Spike (1957-03-20)","Breuer, Jim, 1967-","Rhymes Busta, (Musician), 1972-","Mfume, Kweisi (1948-10-24)","DeGraw, Gavin, 1977-","Rusesabagina, Paul, 1954-","Campbell, Bruce (Bruce Lorne), 1958-","Jeremy, Ron (Ronald Jeremy), 1953-","Gross, Craig, 1975-","Fiasco, Lupe, 1982-","Folds, Ben, 1966-","Gracin, Josh","Vaughn, Baron, 1980-","Brown, Cocoa, 1972-","Haskins, Dennis, 1950-","Gabbin, Joanne V. (Joanne Veal), 1946-","T-Pain, 1985-","Bigombe, Betty","Akallo, Grace","McCarroll, Jay, 1974-","Ansari, Aziz (Aziz Ishmael), 1983-","Smith, Corey, 1979-","Black, Michael Ian, 1971-","Bareilles, Sara (Sara Beth) (1979-12-07)","B.o.B., 1988-","Khalifa, Wiz, 1987-","LaTulippe, Geoff","Jenks, Andrew, 1986-","Yung Gravy","McCartney, Jesse, 1987-","Vine, Bryce, 1988-","Cummings, Burton (Burton L.), 1947-","Johnson, Michael, 1944-2017","Franzese, Daniel, 1978-","Cohen, Harlan, 1973-","Pharoah, Jay, 1987-"],"names_ssim":["James Madison University Libraries Special Collections","University Program Board. James Madison University","Madison College -- History","Madison College -- Students","James Madison University -- History","James Madison University -- Students","Crystals (Musical group)","Happenings (Musical group)","Dovells (Musical group)","Guess Who (Musical group)","Association (Musical group)","Flash Cadillac (Musical group)","Jimmy Castor Bunch","Rare Earth (Musical group)","Nitty Gritty Dirt Band","Serendipity Singers","Seals \u0026 Crofts","Three Dog Night (Musical group)","America (Musical group)","Fleetwood Mac (Musical group)","Average White Band","Pure Prairie League (Musical group)","Hall and Oates","New Riders of the Purple Sage","Marshall Tucker Band","Atlanta Rhythm Section (Musical group)","Mother's Finest (Musical group)","Doobie Brothers","Little Feat (Musical group)","Delta Sigma Theta Sorority, Inc.. Iota Alpha Chapter (1971-) (James Madison University, Harrisonburg, Va.)","Flying Burrito Bros","Boston (Musical group)","Outlaws (Musical group)","Molly Hatchet (Musical group)","Crown Heights Affair (Musical group)","Little River Band","Dixie Dregs (Musical group)","Flamin' Oh's (Musical group)","Motels (Musical group)","Thompson Twins (Musical group)","Second City (Theater company)","Kinks (Musical group)","Hooters (Musical group)",".38 Special (Musical group)","Hoodoo Gurus (Musical group)","10,000 Maniacs (Musical group)","BoDeans (Musical group)","UB40 (Musical group)","Range (Musical group)","New Bohemians (Musical group)","New Potato Caboose (Musical group)","Yellowjackets (Musical group)","EU (Musical group)","Romantics (Musical group)","Public Enemy (Musical group)","Allman Brothers Band","Toad the Wet Sprocket (Musical group)","Dave Matthews Band","Ruder Than You (Musical group)","Refugee Camp All Stars","Widespread Panic (Musical group)","Fighting Gravity (Musical group)","Third Eye Blind (Musical group)","Eve 6 (Musical group)","Cracker (Musical group)","Vertical Horizon (Musical group)","Black Eyed Peas (Musical group)","Jimmy Eat World (Musical group)","Guster (Musical group)","Rock the Vote","Gym Class Heroes (Musical group)","Mae (Musical group)","Say Anything (Musical group)","Boys Like Girls (Musical group)","Cartel (Musical group)","J. Geils Band","Happy the Man (Musical group)","Cash Cash (Musical group)","We the Kings (Musical group)","Bonds, Gary U. S., 1939-","James, Tommy, 1947-","Checker, Chubby, 1941-","Baker, Norman (Norman Leonard), 1928-2017","Giovanni, Nikki (1943-2024)","Croce, Jim, 1943-1973","Thomas, Rufus, 1917-2001","Gregory, Dick, 1932-2017","Chapin, Tom, 1945-","Murphey, Michael, 1945-","Gaynor, Gloria, 1949-","Chisholm, Shirley, 1924-2005","Benson, George, 1943-","Raitt, Bonnie (Bonnie Lynn), 1949-","Basie, Count, 1904-1984","Hagar, Sammy, 1947-","Loggins, Kenny, 1948-","Prine, John, 1946-","Mangione, Chuck, 1940-","Buffett, Jimmy (James William), 1946-","Bond, Julian (Horace Julian), 1940-2015","Price, Vincent, 1911-1993","Gillespie, Dizzy, 1917-1993","Benatar, Pat (1953-01-10)","Yankovic, Al, 1959-","Westheimer, Ruth K. (Ruth Karola), 1928-","Ford, Gerald R. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Physical copies of the Virginia Child Protection Newsletter are cataloged separately and are available upon request.","Some letters of a sensitive nature were removed by the transferring office pending approval for their inclusion with redaction. Location of letters are noted at the file level. Additionally, printouts of Google search results for \"Virginia Child Protection Newsletter\" or similar phrases were discarded. \"VCPN on the Web\" contained a grouping of materials termed \"mentions,\" \"other mentions,\" and \"reprints\" which comprised web citations (dead links), reprinted articles, etc. in which VCPN articles are mentioned, cited, or reprinted were not retained. 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Each newsletter focuses on one or more topics in child welfare and spotlights local organizations in Virginia that are dedicated to the issue's related topic. Topics included physical, sexual, and emotional abuse; missing children; and the impacts of drugs and alcohol. Some of the articles provide a survey of literature, address current and practice issues, or discuss grants for Virginia community projects. The VCPN was mailed to about 13,000 agencies and individuals in Virginia and across the United States.","Dr. Joann Hess Grayson joined James Madison University in 1975 through the Department of Psychology. In addition to her role as editor of the VCPN, she worked full-time as a professor and supervisor for Psychology 202- Introductory Field Work up until her retirement in 2011. At this time, Debbie Sturm, Professor in the Department of Graduate Psychology, became the new editor of the VCPN. As of 2023, VCPN is no longer in print.","Much of the collection was transferred in binders. 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These primarily contain congratulatory messages or questions about specific sources in regards to publishing the VCPN issues with correspondence focusing on questions before publication and consultations dealing with questions from subscribers of the newsletter. Requests comprise emails/forms that request back issues, reference lists, or permissions to reprint the article/newsletter in their own publication.","Reference lists contain bibliographies for each issue published and are arranged based on topic, not volume or issue number. Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. 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Some issues do contain a grant summary essay discussing the accomplishments of the year.","Volumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. 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As of 2023, VCPN is no longer in print.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administration History"],"bioghist_tesim":["The Virginia Child Protection Newsletter (VCPN) was originally published by the University of Virginia, with the support of the Bureau of Child Protective Services, Virginia Department of Welfare, beginning in 1974. In 1981, VCPN was transferred to James Madison University when Dr. Joann Grayson and student, Charlotte McNulty, won a bid from the Department of Social Services to take over the newsletter. Each newsletter focuses on one or more topics in child welfare and spotlights local organizations in Virginia that are dedicated to the issue's related topic. Topics included physical, sexual, and emotional abuse; missing children; and the impacts of drugs and alcohol. Some of the articles provide a survey of literature, address current and practice issues, or discuss grants for Virginia community projects. 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As of 2023, VCPN is no longer in print."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Virginia Child Protection Newsletter Records, 1927-2017, UA 0061, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Virginia Child Protection Newsletter Records, 1927-2017, UA 0061, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMuch of the collection was transferred in binders. Materials were removed and re-foldered according to original order and groupings.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the collection was transferred in binders. Materials were removed and re-foldered according to original order and groupings."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia child protection newsletter (Harrisonburg, Va.). (1981-). James Madison University, Center for Child Abuse Education, Psychology Dept.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia child protection newsletter (Harrisonburg, Va.). (1981-). James Madison University, Center for Child Abuse Education, Psychology Dept."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. 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Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. Similar to a bibliography, it documents the VCPN's presence on the internet through review citations, links to website mentions of the VCPN, and information on where they have been reprinted.\u003c/p\u003e","\u003cp\u003eYear-end reports contain summary reports for the VCPN issue year, typically starting July 1 and carrying on through June 30 of the following year. They're comprised primarily of complimentary notes, statistics on the number of subscribers, resource lists for places where their newsletter was reprinted or mentioned, and some years contain published copies of the VCPN issues. Similarly, grant summaries mostly comprise generated lists of the VCPN accomplishments including workshop and conference distribution and participation, publications, ongoing distributions, and correspondence. Some issues do contain a grant summary essay discussing the accomplishments of the year.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence and complimentary notes, requests for reference materials and back issues, reference lists for the sources used in each volume, year-end reports, grant summaries, and select physical copies of newsletters.","Correspondence for the collection ranges from complimentary notes to consultations related to the VCPN issues. These primarily contain congratulatory messages or questions about specific sources in regards to publishing the VCPN issues with correspondence focusing on questions before publication and consultations dealing with questions from subscribers of the newsletter. Requests comprise emails/forms that request back issues, reference lists, or permissions to reprint the article/newsletter in their own publication.","Reference lists contain bibliographies for each issue published and are arranged based on topic, not volume or issue number. Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. Similar to a bibliography, it documents the VCPN's presence on the internet through review citations, links to website mentions of the VCPN, and information on where they have been reprinted.","Year-end reports contain summary reports for the VCPN issue year, typically starting July 1 and carrying on through June 30 of the following year. They're comprised primarily of complimentary notes, statistics on the number of subscribers, resource lists for places where their newsletter was reprinted or mentioned, and some years contain published copies of the VCPN issues. Similarly, grant summaries mostly comprise generated lists of the VCPN accomplishments including workshop and conference distribution and participation, publications, ongoing distributions, and correspondence. Some issues do contain a grant summary essay discussing the accomplishments of the year."],"separatedmaterial_html_tesm":["\u003cp\u003eVolumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Volumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c3f7fda0728f285169e85d523221823a\"\u003eThe Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence, requests for reference materials and back issues, reference lists for each volume, year-end reports, and grant summaries.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence, requests for reference materials and back issues, reference lists for each volume, year-end reports, and grant summaries."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:58:12.526Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_715_c01_c02_c28"}},{"id":"vihart_repositories_4_resources_638_c01_c01_c18","type":"File","attributes":{"title":"box 4, 2007","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c01_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_638_c01_c01_c18","ref_ssm":["vihart_repositories_4_resources_638_c01_c01_c18"],"id":"vihart_repositories_4_resources_638_c01_c01_c18","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638_c01_c01","parent_ssi":"vihart_repositories_4_resources_638_c01_c01","parent_ssim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Exhibition catalogs"],"parent_ids_ssim":["vihart_repositories_4_resources_638","vihart_repositories_4_resources_638_c01","vihart_repositories_4_resources_638_c01_c01"],"title_filing_ssi":"box 4","title_ssm":["box 4"],"title_tesim":["box 4"],"normalized_title_ssm":["box 4, 2007"],"text":["box 4, 2007","Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Exhibition catalogs","box 4","folder 3"],"parent_unittitles_ssm":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Exhibition catalogs"],"parent_unittitles_tesim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Exhibition catalogs"],"normalized_date_ssm":["2007"],"unitdate_other_ssim":["2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":20,"repository_ssim":["James Madison University"],"collection_ssim":["Carol Barton papers, 1973/2020"],"containers_ssim":["box 4","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2007],"_nest_path_":"/components#0/components#0/components#17","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"normalized_date_ssm":["1973/2020"],"normalized_title_ssm":["Carol Barton papers, 1973/2020"],"text":["Carol Barton papers, 1973/2020","SC 0274","/repositories/4/resources/638","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained.","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"collection_title_tesim":["Carol Barton papers, 1973/2020"],"collection_ssim":["Carol Barton papers, 1973/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Barton, Carol June, 1954-","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e\n    ","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e\n    ","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e  ","\u003cp\u003eMaterial groupings and the bulk of the folder titles were supplied by the donor.\u003c/p\u003e","\u003cp\u003eDuplicate copies of printed materials already held by Special Collections were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained."],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.\u003c/p\u003e","\u003cp\u003eThroughout her career, Carol Barton has been celebrated in numerous articles and journals: \u003cemph render=\"italic\"\u003eThe Bone Folder\u003c/emph\u003e (2000 \u0026amp; 2009), \"Surface: New Form/New Function\" (review by Carol Barton), \u003cemph render=\"italic\"\u003eThe Smithsonian Associates\u003c/emph\u003e (August 2001), \"Ancient Sichuan's Artistic Treasures\", \u003cemph render=\"italic\"\u003eValley Art Association Newsletter\u003c/emph\u003e (May-June 1999), and \u003cemph render=\"italic\"\u003eThe Washington Print Club Quarterly\u003c/emph\u003e (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in newspaper articles, online publications, and reviews such as \u003cemph render=\"italic\"\u003eThe Washington Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSmithsonian Associates\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eBoston Globe\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e (1998) contains process plans, mock-ups, large scale prints, and photographs. \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e (2001) includes sample pieces, planning materials, and templates for \u003cemph render=\"italic\"\u003eThe Lookout\u003c/emph\u003e. As well, the book \u003cemph render=\"italic\"\u003eLa Torre e le Carceri di Palazzo Ducale\u003c/emph\u003e served as direct inspiration for \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e. Barton's first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), contains hand cut master sheets. \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e (1988) contains a prototype of the book's binding, planning for the first five pages of \u003cemph render=\"italic\"\u003eSeparations\u003c/emph\u003e, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. \u003cemph render=\"italic\"\u003eLoom\u003c/emph\u003e (1989) contains design prototypes, steel plates, and text copy and print. \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e (1988) contains planning for \u003cemph render=\"italic\"\u003eMap #1 Europe/Africa/Asia\u003c/emph\u003e in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.\u003c/p\u003e","\u003cp\u003eResearchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.\u003c/p\u003e","\u003cp\u003ePrototypes of \u003cemph render=\"italic\"\u003ePocket Paper Engineer Volume 3\u003c/emph\u003e are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in promotional materials regarding her work in: \u003cemph render=\"italic\"\u003eVisual Icons, Small Works: The Gallery at Studio B\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eArt on the Page: A Selection of Artists' Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eOrihon \u0026amp; More: Books By Artists\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUnder Cover: Book Arts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBeyond Reading\u003c/emph\u003e, \u003cemph render=\"italic\"\u003e[Book] Art: Handmade Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBook For[u]ms\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer\u003c/emph\u003e, Washington University Libraries Special Collections, and \u003cemph render=\"italic\"\u003eMining the Lloyd\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.\u003c/p\u003e","\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cemph render=\"italic\"\u003eLand Forms and Air Currents\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon\u003c/p\u003e","\u003cp\u003eNumbered 5/26.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Barton, Carol June, 1954-"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c01_c18"}},{"id":"vihart_repositories_4_resources_715_c01_c02_c29","type":"File","attributes":{"title":"box 4, 2007/2017","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_715_c01_c02_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_715_c01_c02_c29","ref_ssm":["vihart_repositories_4_resources_715_c01_c02_c29"],"id":"vihart_repositories_4_resources_715_c01_c02_c29","ead_ssi":"vihart_repositories_4_resources_715","_root_":"vihart_repositories_4_resources_715","_nest_parent_":"vihart_repositories_4_resources_715_c01_c02","parent_ssi":"vihart_repositories_4_resources_715_c01_c02","parent_ssim":["Virginia Child Protection Newsletter records, 1927/2017","Correspondence and Requests, 1981/2017","Requests for Reprints and Back Issues, 1981/2017"],"parent_ids_ssim":["vihart_repositories_4_resources_715","vihart_repositories_4_resources_715_c01","vihart_repositories_4_resources_715_c01_c02"],"title_filing_ssi":"box 4","title_ssm":["box 4"],"title_tesim":["box 4"],"normalized_title_ssm":["box 4, 2007/2017"],"text":["box 4, 2007/2017","Virginia Child Protection Newsletter records, 1927/2017","Correspondence and Requests, 1981/2017","Requests for Reprints and Back Issues, 1981/2017","box 4","folder 6"],"parent_unittitles_ssm":["Virginia Child Protection Newsletter records, 1927/2017","Correspondence and Requests, 1981/2017","Requests for Reprints and Back Issues, 1981/2017"],"parent_unittitles_tesim":["Virginia Child Protection Newsletter records, 1927/2017","Correspondence and Requests, 1981/2017","Requests for Reprints and Back Issues, 1981/2017"],"normalized_date_ssm":["2007/2017"],"unitdate_inclusive_ssm":["16 August 2007- 17 April, 2017"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":42,"repository_ssim":["James Madison University"],"collection_ssim":["Virginia Child Protection Newsletter records, 1927/2017"],"containers_ssim":["box 4","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#0/components#1/components#28","timestamp":"2026-06-23T06:58:12.526Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_715","ead_ssi":"vihart_repositories_4_resources_715","_root_":"vihart_repositories_4_resources_715","_nest_parent_":"vihart_repositories_4_resources_715","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_715.xml","title_ssm":["Virginia Child Protection Newsletter records"],"title_tesim":["Virginia Child Protection Newsletter records"],"unitdate_ssm":["1927-2017"],"unitdate_inclusive_ssm":["1927-2017"],"normalized_date_ssm":["1927/2017"],"normalized_title_ssm":["Virginia Child Protection Newsletter records, 1927/2017"],"text":["Virginia Child Protection Newsletter records, 1927/2017","UA 0061","Child abuse -- Virginia -- Periodicals","Abused children -- Services for -- Virginia -- Periodicals","Child Welfare -- Virginia -- Periodicals","Missing children -- Virginia -- Periodicals","Newsletters","Letters (correspondence)","Bibliographies","Annual reports","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Physical copies of the Virginia Child Protection Newsletter are cataloged separately and are available upon request.","Some letters of a sensitive nature were removed by the transferring office pending approval for their inclusion with redaction. Location of letters are noted at the file level. Additionally, printouts of Google search results for \"Virginia Child Protection Newsletter\" or similar phrases were discarded. \"VCPN on the Web\" contained a grouping of materials termed \"mentions,\" \"other mentions,\" and \"reprints\" which comprised web citations (dead links), reprinted articles, etc. in which VCPN articles are mentioned, cited, or reprinted were not retained. Reference lists of the reprinted articles, etc. were retained and filed under the Reference Lists series. CDs and floppy disks comprising draft articles and graphics printed in the physical newsletters were discarded as well.","Series 1: Correspondence and Requests, 1981- 2017","Subseries 1.1: Correspondence and Complimentary Notes","Subseries 1.2: Requests for Reprints and Back Issues","Series 2: Reference Lists, 1927-2010","Series 3: Year-end Reports and Grant Summaries, 1990-2010","The Virginia Child Protection Newsletter (VCPN) was originally published by the University of Virginia, with the support of the Bureau of Child Protective Services, Virginia Department of Welfare, beginning in 1974. In 1981, VCPN was transferred to James Madison University when Dr. Joann Grayson and student, Charlotte McNulty, won a bid from the Department of Social Services to take over the newsletter. Each newsletter focuses on one or more topics in child welfare and spotlights local organizations in Virginia that are dedicated to the issue's related topic. Topics included physical, sexual, and emotional abuse; missing children; and the impacts of drugs and alcohol. Some of the articles provide a survey of literature, address current and practice issues, or discuss grants for Virginia community projects. The VCPN was mailed to about 13,000 agencies and individuals in Virginia and across the United States.","Dr. Joann Hess Grayson joined James Madison University in 1975 through the Department of Psychology. In addition to her role as editor of the VCPN, she worked full-time as a professor and supervisor for Psychology 202- Introductory Field Work up until her retirement in 2011. At this time, Debbie Sturm, Professor in the Department of Graduate Psychology, became the new editor of the VCPN. As of 2023, VCPN is no longer in print.","Much of the collection was transferred in binders. Materials were removed and re-foldered according to original order and groupings.","Virginia child protection newsletter (Harrisonburg, Va.). (1981-). James Madison University, Center for Child Abuse Education, Psychology Dept.","The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence and complimentary notes, requests for reference materials and back issues, reference lists for the sources used in each volume, year-end reports, grant summaries, and select physical copies of newsletters.","Correspondence for the collection ranges from complimentary notes to consultations related to the VCPN issues. These primarily contain congratulatory messages or questions about specific sources in regards to publishing the VCPN issues with correspondence focusing on questions before publication and consultations dealing with questions from subscribers of the newsletter. Requests comprise emails/forms that request back issues, reference lists, or permissions to reprint the article/newsletter in their own publication.","Reference lists contain bibliographies for each issue published and are arranged based on topic, not volume or issue number. Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. Similar to a bibliography, it documents the VCPN's presence on the internet through review citations, links to website mentions of the VCPN, and information on where they have been reprinted.","Year-end reports contain summary reports for the VCPN issue year, typically starting July 1 and carrying on through June 30 of the following year. They're comprised primarily of complimentary notes, statistics on the number of subscribers, resource lists for places where their newsletter was reprinted or mentioned, and some years contain published copies of the VCPN issues. Similarly, grant summaries mostly comprise generated lists of the VCPN accomplishments including workshop and conference distribution and participation, publications, ongoing distributions, and correspondence. Some issues do contain a grant summary essay discussing the accomplishments of the year.","Volumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence, requests for reference materials and back issues, reference lists for each volume, year-end reports, and grant summaries.","James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education","English\n."],"collection_title_tesim":["Virginia Child Protection Newsletter records, 1927/2017"],"collection_ssim":["Virginia Child Protection Newsletter records, 1927/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0061"],"unitid_tesim":["UA 0061"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Department of Psychology. Center for Child Abuse Education"],"creator_ssim":["James Madison University. Department of Psychology. Center for Child Abuse Education"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"creators_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Dr. Joann Grayson, professor and psychologist from JMU's Department of Psychology, transferred the bulk of the collection on April 5, 2017. There were then additional transfers in April and May 2017, one of which included two boxes from Wanda Baker."],"access_subjects_ssim":["Child abuse -- Virginia -- Periodicals","Abused children -- Services for -- Virginia -- Periodicals","Child Welfare -- Virginia -- Periodicals","Missing children -- Virginia -- Periodicals","Newsletters","Letters (correspondence)","Bibliographies","Annual reports"],"access_subjects_ssm":["Child abuse -- Virginia -- Periodicals","Abused children -- Services for -- Virginia -- Periodicals","Child Welfare -- Virginia -- Periodicals","Missing children -- Virginia -- Periodicals","Newsletters","Letters (correspondence)","Bibliographies","Annual reports"],"has_online_content_ssim":["false"],"extent_ssm":["2.48 cubic feet 8 boxes"],"extent_tesim":["2.48 cubic feet 8 boxes"],"genreform_ssim":["Newsletters","Letters (correspondence)","Bibliographies","Annual reports"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003ePhysical copies of the Virginia Child Protection Newsletter are cataloged separately and are available upon request.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Physical copies of the Virginia Child Protection Newsletter are cataloged separately and are available upon request."],"appraisal_html_tesm":["\u003cp\u003eSome letters of a sensitive nature were removed by the transferring office pending approval for their inclusion with redaction. Location of letters are noted at the file level. Additionally, printouts of Google search results for \"Virginia Child Protection Newsletter\" or similar phrases were discarded. \"VCPN on the Web\" contained a grouping of materials termed \"mentions,\" \"other mentions,\" and \"reprints\" which comprised web citations (dead links), reprinted articles, etc. in which VCPN articles are mentioned, cited, or reprinted were not retained. Reference lists of the reprinted articles, etc. were retained and filed under the Reference Lists series. CDs and floppy disks comprising draft articles and graphics printed in the physical newsletters were discarded as well.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Some letters of a sensitive nature were removed by the transferring office pending approval for their inclusion with redaction. Location of letters are noted at the file level. Additionally, printouts of Google search results for \"Virginia Child Protection Newsletter\" or similar phrases were discarded. \"VCPN on the Web\" contained a grouping of materials termed \"mentions,\" \"other mentions,\" and \"reprints\" which comprised web citations (dead links), reprinted articles, etc. in which VCPN articles are mentioned, cited, or reprinted were not retained. Reference lists of the reprinted articles, etc. were retained and filed under the Reference Lists series. CDs and floppy disks comprising draft articles and graphics printed in the physical newsletters were discarded as well."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Correspondence and Requests, 1981- 2017\u003c/p\u003e\n","\u003cp\u003eSubseries 1.1: Correspondence and Complimentary Notes\u003c/p\u003e\n","\u003cp\u003eSubseries 1.2: Requests for Reprints and Back Issues\u003c/p\u003e\n","\u003cp\u003eSeries 2: Reference Lists, 1927-2010\u003c/p\u003e\n","\u003cp\u003eSeries 3: Year-end Reports and Grant Summaries, 1990-2010\u003c/p\u003e\nAll series are arranged chronologically with the exception of Reference Lists, which are arranged alphabetically based on topic.  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Correspondence and Requests, 1981- 2017","Subseries 1.1: Correspondence and Complimentary Notes","Subseries 1.2: Requests for Reprints and Back Issues","Series 2: Reference Lists, 1927-2010","Series 3: Year-end Reports and Grant Summaries, 1990-2010"],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Child Protection Newsletter (VCPN) was originally published by the University of Virginia, with the support of the Bureau of Child Protective Services, Virginia Department of Welfare, beginning in 1974. In 1981, VCPN was transferred to James Madison University when Dr. Joann Grayson and student, Charlotte McNulty, won a bid from the Department of Social Services to take over the newsletter. Each newsletter focuses on one or more topics in child welfare and spotlights local organizations in Virginia that are dedicated to the issue's related topic. Topics included physical, sexual, and emotional abuse; missing children; and the impacts of drugs and alcohol. Some of the articles provide a survey of literature, address current and practice issues, or discuss grants for Virginia community projects. The VCPN was mailed to about 13,000 agencies and individuals in Virginia and across the United States.\u003c/p\u003e","\u003cp\u003eDr. Joann Hess Grayson joined James Madison University in 1975 through the Department of Psychology. In addition to her role as editor of the VCPN, she worked full-time as a professor and supervisor for Psychology 202- Introductory Field Work up until her retirement in 2011. At this time, Debbie Sturm, Professor in the Department of Graduate Psychology, became the new editor of the VCPN. As of 2023, VCPN is no longer in print.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administration History"],"bioghist_tesim":["The Virginia Child Protection Newsletter (VCPN) was originally published by the University of Virginia, with the support of the Bureau of Child Protective Services, Virginia Department of Welfare, beginning in 1974. In 1981, VCPN was transferred to James Madison University when Dr. Joann Grayson and student, Charlotte McNulty, won a bid from the Department of Social Services to take over the newsletter. Each newsletter focuses on one or more topics in child welfare and spotlights local organizations in Virginia that are dedicated to the issue's related topic. Topics included physical, sexual, and emotional abuse; missing children; and the impacts of drugs and alcohol. Some of the articles provide a survey of literature, address current and practice issues, or discuss grants for Virginia community projects. The VCPN was mailed to about 13,000 agencies and individuals in Virginia and across the United States.","Dr. Joann Hess Grayson joined James Madison University in 1975 through the Department of Psychology. In addition to her role as editor of the VCPN, she worked full-time as a professor and supervisor for Psychology 202- Introductory Field Work up until her retirement in 2011. At this time, Debbie Sturm, Professor in the Department of Graduate Psychology, became the new editor of the VCPN. As of 2023, VCPN is no longer in print."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Virginia Child Protection Newsletter Records, 1927-2017, UA 0061, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Virginia Child Protection Newsletter Records, 1927-2017, UA 0061, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eMuch of the collection was transferred in binders. Materials were removed and re-foldered according to original order and groupings.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the collection was transferred in binders. Materials were removed and re-foldered according to original order and groupings."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia child protection newsletter (Harrisonburg, Va.). (1981-). James Madison University, Center for Child Abuse Education, Psychology Dept.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia child protection newsletter (Harrisonburg, Va.). (1981-). James Madison University, Center for Child Abuse Education, Psychology Dept."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence and complimentary notes, requests for reference materials and back issues, reference lists for the sources used in each volume, year-end reports, grant summaries, and select physical copies of newsletters.\u003c/p\u003e  ","\u003cp\u003eCorrespondence for the collection ranges from complimentary notes to consultations related to the VCPN issues. These primarily contain congratulatory messages or questions about specific sources in regards to publishing the VCPN issues with correspondence focusing on questions before publication and consultations dealing with questions from subscribers of the newsletter. Requests comprise emails/forms that request back issues, reference lists, or permissions to reprint the article/newsletter in their own publication.\u003c/p\u003e","\u003cp\u003eReference lists contain bibliographies for each issue published and are arranged based on topic, not volume or issue number. Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. Similar to a bibliography, it documents the VCPN's presence on the internet through review citations, links to website mentions of the VCPN, and information on where they have been reprinted.\u003c/p\u003e","\u003cp\u003eYear-end reports contain summary reports for the VCPN issue year, typically starting July 1 and carrying on through June 30 of the following year. They're comprised primarily of complimentary notes, statistics on the number of subscribers, resource lists for places where their newsletter was reprinted or mentioned, and some years contain published copies of the VCPN issues. Similarly, grant summaries mostly comprise generated lists of the VCPN accomplishments including workshop and conference distribution and participation, publications, ongoing distributions, and correspondence. Some issues do contain a grant summary essay discussing the accomplishments of the year.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence and complimentary notes, requests for reference materials and back issues, reference lists for the sources used in each volume, year-end reports, grant summaries, and select physical copies of newsletters.","Correspondence for the collection ranges from complimentary notes to consultations related to the VCPN issues. These primarily contain congratulatory messages or questions about specific sources in regards to publishing the VCPN issues with correspondence focusing on questions before publication and consultations dealing with questions from subscribers of the newsletter. Requests comprise emails/forms that request back issues, reference lists, or permissions to reprint the article/newsletter in their own publication.","Reference lists contain bibliographies for each issue published and are arranged based on topic, not volume or issue number. Additionally, because they are separated based on content, there are overlapping bibliographies for certain issues. \"VCPN on the Web,\" a subgroup within the series of Reference Lists, also contains various bibliographic information. Similar to a bibliography, it documents the VCPN's presence on the internet through review citations, links to website mentions of the VCPN, and information on where they have been reprinted.","Year-end reports contain summary reports for the VCPN issue year, typically starting July 1 and carrying on through June 30 of the following year. They're comprised primarily of complimentary notes, statistics on the number of subscribers, resource lists for places where their newsletter was reprinted or mentioned, and some years contain published copies of the VCPN issues. Similarly, grant summaries mostly comprise generated lists of the VCPN accomplishments including workshop and conference distribution and participation, publications, ongoing distributions, and correspondence. Some issues do contain a grant summary essay discussing the accomplishments of the year."],"separatedmaterial_html_tesm":["\u003cp\u003eVolumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Volumes 1-3 of Child Abuse and Neglect: The Problem and Its Management were separated and catalogued."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c3f7fda0728f285169e85d523221823a\"\u003eThe Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence, requests for reference materials and back issues, reference lists for each volume, year-end reports, and grant summaries.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Virginia Child Protection Newsletter (VCPN) Records, 1927-2017, comprise eight boxes of materials related to the publication and distribution of the newsletter. The collection contains correspondence, requests for reference materials and back issues, reference lists for each volume, year-end reports, and grant summaries."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Department of Psychology. Center for Child Abuse Education"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:58:12.526Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_715_c01_c02_c29"}},{"id":"vihart_repositories_4_resources_638_c01_c03_c01","type":"File","attributes":{"title":"box 5, 1992/2010","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_638_c01_c03_c01","ref_ssm":["vihart_repositories_4_resources_638_c01_c03_c01"],"id":"vihart_repositories_4_resources_638_c01_c03_c01","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638_c01_c03","parent_ssi":"vihart_repositories_4_resources_638_c01_c03","parent_ssim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Promotional materials"],"parent_ids_ssim":["vihart_repositories_4_resources_638","vihart_repositories_4_resources_638_c01","vihart_repositories_4_resources_638_c01_c03"],"title_filing_ssi":"box 5","title_ssm":["box 5"],"title_tesim":["box 5"],"normalized_title_ssm":["box 5, 1992/2010"],"text":["box 5, 1992/2010","Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Promotional materials","box 5","folder 9"],"parent_unittitles_ssm":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Promotional materials"],"parent_unittitles_tesim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Promotional materials"],"normalized_date_ssm":["1992/2010"],"unitdate_inclusive_ssm":["1992-2010"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":35,"repository_ssim":["James Madison University"],"collection_ssim":["Carol Barton papers, 1973/2020"],"containers_ssim":["box 5","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"_nest_path_":"/components#0/components#2/components#0","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"normalized_date_ssm":["1973/2020"],"normalized_title_ssm":["Carol Barton papers, 1973/2020"],"text":["Carol Barton papers, 1973/2020","SC 0274","/repositories/4/resources/638","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained.","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"collection_title_tesim":["Carol Barton papers, 1973/2020"],"collection_ssim":["Carol Barton papers, 1973/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Barton, Carol June, 1954-","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e\n    ","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e\n    ","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e  ","\u003cp\u003eMaterial groupings and the bulk of the folder titles were supplied by the donor.\u003c/p\u003e","\u003cp\u003eDuplicate copies of printed materials already held by Special Collections were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained."],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.\u003c/p\u003e","\u003cp\u003eThroughout her career, Carol Barton has been celebrated in numerous articles and journals: \u003cemph render=\"italic\"\u003eThe Bone Folder\u003c/emph\u003e (2000 \u0026amp; 2009), \"Surface: New Form/New Function\" (review by Carol Barton), \u003cemph render=\"italic\"\u003eThe Smithsonian Associates\u003c/emph\u003e (August 2001), \"Ancient Sichuan's Artistic Treasures\", \u003cemph render=\"italic\"\u003eValley Art Association Newsletter\u003c/emph\u003e (May-June 1999), and \u003cemph render=\"italic\"\u003eThe Washington Print Club Quarterly\u003c/emph\u003e (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in newspaper articles, online publications, and reviews such as \u003cemph render=\"italic\"\u003eThe Washington Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSmithsonian Associates\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eBoston Globe\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e (1998) contains process plans, mock-ups, large scale prints, and photographs. \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e (2001) includes sample pieces, planning materials, and templates for \u003cemph render=\"italic\"\u003eThe Lookout\u003c/emph\u003e. As well, the book \u003cemph render=\"italic\"\u003eLa Torre e le Carceri di Palazzo Ducale\u003c/emph\u003e served as direct inspiration for \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e. Barton's first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), contains hand cut master sheets. \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e (1988) contains a prototype of the book's binding, planning for the first five pages of \u003cemph render=\"italic\"\u003eSeparations\u003c/emph\u003e, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. \u003cemph render=\"italic\"\u003eLoom\u003c/emph\u003e (1989) contains design prototypes, steel plates, and text copy and print. \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e (1988) contains planning for \u003cemph render=\"italic\"\u003eMap #1 Europe/Africa/Asia\u003c/emph\u003e in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.\u003c/p\u003e","\u003cp\u003eResearchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.\u003c/p\u003e","\u003cp\u003ePrototypes of \u003cemph render=\"italic\"\u003ePocket Paper Engineer Volume 3\u003c/emph\u003e are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in promotional materials regarding her work in: \u003cemph render=\"italic\"\u003eVisual Icons, Small Works: The Gallery at Studio B\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eArt on the Page: A Selection of Artists' Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eOrihon \u0026amp; More: Books By Artists\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUnder Cover: Book Arts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBeyond Reading\u003c/emph\u003e, \u003cemph render=\"italic\"\u003e[Book] Art: Handmade Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBook For[u]ms\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer\u003c/emph\u003e, Washington University Libraries Special Collections, and \u003cemph render=\"italic\"\u003eMining the Lloyd\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.\u003c/p\u003e","\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cemph render=\"italic\"\u003eLand Forms and Air Currents\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon\u003c/p\u003e","\u003cp\u003eNumbered 5/26.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Barton, Carol June, 1954-"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c03_c01"}},{"id":"vihart_repositories_4_resources_632_c04_c01_c08","type":"File","attributes":{"title":"box 5, 2000/2010","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_632_c04_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_632_c04_c01_c08","ref_ssm":["vihart_repositories_4_resources_632_c04_c01_c08"],"id":"vihart_repositories_4_resources_632_c04_c01_c08","ead_ssi":"vihart_repositories_4_resources_632","_root_":"vihart_repositories_4_resources_632","_nest_parent_":"vihart_repositories_4_resources_632_c04_c01","parent_ssi":"vihart_repositories_4_resources_632_c04_c01","parent_ssim":["Robert James Sullivan Jr. papers, 1920/2013","Scrapbooks and Newspaper, 1945/2012","Newspaper clippings"],"parent_ids_ssim":["vihart_repositories_4_resources_632","vihart_repositories_4_resources_632_c04","vihart_repositories_4_resources_632_c04_c01"],"title_filing_ssi":"box 5","title_ssm":["box 5"],"title_tesim":["box 5"],"normalized_title_ssm":["box 5, 2000/2010"],"text":["box 5, 2000/2010","Robert James Sullivan Jr. papers, 1920/2013","Scrapbooks and Newspaper, 1945/2012","Newspaper clippings","box 5","folder 9"],"parent_unittitles_ssm":["Robert James Sullivan Jr. papers, 1920/2013","Scrapbooks and Newspaper, 1945/2012","Newspaper clippings"],"parent_unittitles_tesim":["Robert James Sullivan Jr. papers, 1920/2013","Scrapbooks and Newspaper, 1945/2012","Newspaper clippings"],"normalized_date_ssm":["2000/2010"],"unitdate_inclusive_ssm":["2000-2010"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":124,"repository_ssim":["James Madison University"],"collection_ssim":["Robert James Sullivan Jr. papers, 1920/2013"],"containers_ssim":["box 5","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"_nest_path_":"/components#3/components#0/components#7","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_632","ead_ssi":"vihart_repositories_4_resources_632","_root_":"vihart_repositories_4_resources_632","_nest_parent_":"vihart_repositories_4_resources_632","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_632.xml","title_ssm":["Robert James Sullivan Jr. papers"],"title_tesim":["Robert James Sullivan Jr. papers"],"unitdate_ssm":["circa 1930-2013"],"unitdate_inclusive_ssm":["circa 1930-2013"],"normalized_date_ssm":["1920/2013"],"normalized_title_ssm":["Robert James Sullivan Jr. papers, 1920/2013"],"text":["Robert James Sullivan Jr. papers, 1920/2013","SC 0003","/repositories/4/resources/632","Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local","City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/).","The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.","Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.","When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.","SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"","The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","English"],"collection_title_tesim":["Robert James Sullivan Jr. papers, 1920/2013"],"collection_ssim":["Robert James Sullivan Jr. papers, 1920/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0003","/repositories/4/resources/632"],"unitid_tesim":["SC 0003","/repositories/4/resources/632"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"geogname_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"places_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"creator_ssm":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"creators_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Kathleen Sullivan, wife of Robert James Sullivan Jr., in two separate donations in April 2014 and August 2015."],"access_subjects_ssim":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"access_subjects_ssm":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"has_online_content_ssim":["false"],"extent_ssm":["8.53 cubic feet 12 boxes, 4 flat files"],"extent_tesim":["8.53 cubic feet 12 boxes, 4 flat files"],"genreform_ssim":["Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/)."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eReports, 1946-1992\u003c/item\u003e\n      \u003citem\u003eCity of Harrisonburg, 1958-2012\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1952-2013\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Newspaper, 1945-2012\u003c/item\u003e\n      \u003citem\u003eMaps, 1958-2003\u003c/item\u003e\n      \u003citem\u003ePhotographs and Slides, circa 1930-2012\u003c/item\u003e\n    \u003c/list\u003e\n  ","\u003cp\u003eArranged topically.\u003c/p\u003e","\u003cp\u003eArranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically."],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.\u003c/p\u003e","\u003cp\u003eSullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.\u003c/p\u003e","\u003cp\u003eKnown locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.\u003c/p\u003e","\u003cp\u003eSullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWhen this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eSdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.\u003c/p\u003e","\u003cp\u003eThe Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.\u003c/p\u003e  ","\u003cp\u003eArranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.\u003c/p\u003e","\u003cp\u003eSubseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.\u003c/p\u003e","\u003cp\u003eSubseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.\u003c/p\u003e","\u003cp\u003eArranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.\u003c/p\u003e","\u003cp\u003eArranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"\u003c/p\u003e","\u003cp\u003eArranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.\u003c/p\u003e","\u003cp\u003eThe maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.\u003c/p\u003e","\u003cp\u003eBroad Street, Mason Street, N. Main Street\u003c/p\u003e","\u003cp\u003eBroad Street, E. Gay St.\u003c/p\u003e","\u003cp\u003eN. Mason St, Rock St.\u003c/p\u003e","\u003cp\u003eEffinger St., Broad St.\u003c/p\u003e","\u003cp\u003eN. Mason, E. Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., E. Rock St.\u003c/p\u003e","\u003cp\u003eThis series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.\u003c/p\u003e","\u003cp\u003e\nAll slides have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.\u003c/p\u003e","\u003cp\u003eMost slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"\u003c/p\u003e","\u003cp\u003eIncludes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"\u003c/p\u003e","\u003cp\u003eHarrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower\u003c/p\u003e","\u003cp\u003eTwo aerials of Harrisonburg and one of JMU.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5eed26077b3b31ac9a220ace1de85622\"\u003eThe Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"names_coll_ssim":["Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Kathleen"],"persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_632_c04_c01_c08"}},{"id":"vihart_repositories_4_resources_638_c01_c02_c06","type":"File","attributes":{"title":"box 5, 2007","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c02_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_638_c01_c02_c06","ref_ssm":["vihart_repositories_4_resources_638_c01_c02_c06"],"id":"vihart_repositories_4_resources_638_c01_c02_c06","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638_c01_c02","parent_ssi":"vihart_repositories_4_resources_638_c01_c02","parent_ssim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Book catalogs"],"parent_ids_ssim":["vihart_repositories_4_resources_638","vihart_repositories_4_resources_638_c01","vihart_repositories_4_resources_638_c01_c02"],"title_filing_ssi":"box 5","title_ssm":["box 5"],"title_tesim":["box 5"],"normalized_title_ssm":["box 5, 2007"],"text":["box 5, 2007","Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Book catalogs","box 5","folder 6"],"parent_unittitles_ssm":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Book catalogs"],"parent_unittitles_tesim":["Carol Barton papers, 1973/2020","Printed materials, 1973/2015","Book catalogs"],"normalized_date_ssm":["2007"],"unitdate_other_ssim":["2007"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":32,"repository_ssim":["James Madison University"],"collection_ssim":["Carol Barton papers, 1973/2020"],"containers_ssim":["box 5","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2007],"_nest_path_":"/components#0/components#1/components#5","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_638","ead_ssi":"vihart_repositories_4_resources_638","_root_":"vihart_repositories_4_resources_638","_nest_parent_":"vihart_repositories_4_resources_638","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_638.xml","title_ssm":["Carol Barton papers"],"title_tesim":["Carol Barton papers"],"unitdate_ssm":["1973-2020"],"unitdate_inclusive_ssm":["1973-2020"],"normalized_date_ssm":["1973/2020"],"normalized_title_ssm":["Carol Barton papers, 1973/2020"],"text":["Carol Barton papers, 1973/2020","SC 0274","/repositories/4/resources/638","Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.","The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020","Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.","Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.","The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained.","Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.","The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26.","Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.","James Madison University Libraries Special Collections","Barton, Carol June, 1954-","English"],"collection_title_tesim":["Carol Barton papers, 1973/2020"],"collection_ssim":["Carol Barton papers, 1973/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0274","/repositories/4/resources/638"],"unitid_tesim":["SC 0274","/repositories/4/resources/638"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"creator_persname_ssim":["Barton, Carol June, 1954-"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Barton, Carol June, 1954-","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Carol Barton on March 23, 2017. Manuscript material was also received as part of a 2015 acquisition of Carol Barton's personal and teaching collection of pop-up and artists' books. That material was incorporated into this collection. Barton made an additional donation of materials in October 2022 (accessioned in 2023)."],"access_subjects_ssim":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"access_subjects_ssm":["Artists' books","Pop-up books","Toy and movable books","Paper work","Cut-out craft","Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"has_online_content_ssim":["false"],"extent_ssm":["7.47 cubic feet 20 boxes, 1 flat file"],"extent_tesim":["7.47 cubic feet 20 boxes, 1 flat file"],"genreform_ssim":["Manuscripts (documents)","Letters (correspondence)","exhibition catalogs","Printed Ephemera","Promotional materials","Newspaper clippings","Prototypes (object genre)","Movable books"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eIn addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["In addition to analog manuscript material, Carol Barton transferred three digital audio files of podcasts on which she had been a guest including Santa Fe Radio Café (March 17, 2008), Book Artists and Poets (July 15, 2009), and Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library. These files were not retained and not incorporated into the collection. Select items were discarded from the collection due to preservation concerns, deterioration, duplicates, or preexisting damage."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, \u003cemph render=\"italic\"\u003eMiliseconds to Milennia: The Art of Time, Hand Workshop\u003c/emph\u003e, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePrinted Materials, 1973-2015\u003c/item\u003e\n      \u003citem\u003eProjects and Research, 1975-2012\u003c/item\u003e\n      \u003citem\u003eEphemera and Personal Papers, 1979-2013\u003c/item\u003e\n      \u003citem\u003e2023-0404 Accession, 2009-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. In the 'Exhibition Catalogs, 1993 (folder 2 of 2)', a digital floppy disk of Barton's exhibition, Miliseconds to Milennia: The Art of Time, Hand Workshop, has been placed in this folder. The floppy disk is a copy of an old Word Perfect file.","Printed Materials, 1973-2015\n      Projects and Research, 1975-2012\n      Ephemera and Personal Papers, 1979-2013\n      2023-0404 Accession, 2009-2020"],"bibliography_html_tesm":["\u003cbibref\u003eGrace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.\u003c/bibref\u003e\n    ","\u003cbibref\u003eBarton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.\u003c/bibref\u003e\n    ","\u003cbibref\u003eNational Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Grace Barth, Liana Bayne, and Caroline Hamby. \"History of Pop-up and Movable Books, About This Exhibit.\" Carol Barton Collection, JMU Special Collections. Accessed September, 2018, https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about.","Barton, Carol. \"Popular Kinetics Press.\" Accessed September, 2018. https://www.popularkinetics.com/.","National Museum of Women. \"About the Artist, Carol Barton\". Accessed September 2018. https://nmwa.org/explore/artist-profiles/carol-june-barton."],"bioghist_html_tesm":["\u003cp\u003eCarol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as \u003cemph render=\"italic\"\u003eBooks \u0026amp; Bookends: Science and the Artist's Book\u003c/emph\u003e (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark\u003c/emph\u003e, which was awarded the Bogliasco Fellowship in 2000, \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026amp; Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eIn 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carol Barton, born on June 3, 1954 in St. Louis, Missouri, is an accomplished book artist, paper engineer, educator, and curator who has exhibited internationally (The Smithsonian Institution, Library of Congress, Museum of Modern Art, Victoria and Albert Museum in London) and has curated shows such as Books \u0026 Bookends: Science and the Artist's Book (Smithsonian). Inspired by reading, historical references, functional objects, architecture, and other artists' book, Barton is best known for her interactive workbooks, The Pocket Paper Engineer. Five Luminous Towers: Books to Read in the Dark, which was awarded the Bogliasco Fellowship in 2000, Vision Shifts, Instructions for Assembly, and Tunnel Map are other major works. A graduate of Washington University School of Fine Arts (1976), Barton has served as a faculty member at the University of the Arts in Philadelphia and the Corcoran College of Art \u0026 Design and has taught at the elementary and high school level. In 1977, Barton moved to Washington D.C. to work for the Glen Echo Park Arts Center. Through her time there and through the promotion of artists' books by local art group, The Writer's Center, Barton learned pre-press skills that allowed her to print her own work. She was later offered a small grant to produce her own artists' books. Having grown up as the daughter of a diesel engine mechanic, Barton's love for structural and mechanical elements was formed as she grew up building and playing with construction games and tinker toys. Movable books, better known as pop-ups, were not a part of her childhood. However, after the success of her first book, Beyond the Page (1981), Barton began a two year study of pop-up and movable books at the Dibner Rare Book Library and the Library of Congress to find early examples of dimensional and movable books. This research most likely resulted in her 1988 publication of her tunnel book, Everyday Road Signs.","In 1992, Barton served as James Madison University's first Wampler Visiting Professor of Fine Art and has intermittently served as a visiting artist and professor. JMU Libraries acquired Barton's collection of artists' and movable books in 2015, and in March 2017 Barton returned to JMU as a guest lecturer for the Carrier Library Special Collections Speaker Series. The event was marked with Barton discussing her career and work; as well as, facilitating a book arts workshop with the Intermediate book arts students, and ending with a public lecture and reception in the Duke Hall Gallery Court."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Carol Barton Papers, 1973-2020, SC 0274, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work\u003c/p\u003e  ","\u003cp\u003eMaterial groupings and the bulk of the folder titles were supplied by the donor.\u003c/p\u003e","\u003cp\u003eDuplicate copies of printed materials already held by Special Collections were not retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["The papers were originally stored in 14 boxes and 2 oversize file folders. Upon acquisition the collection did not have a specified arrangement. The collection is arranged based on like materials and topics. Items that were not pertinent to the collection such as duplicates or papers not pertaining to Carol Barton were discarded. In some cases only representative samples of materials were retained that best exemplify Barton's work","Material groupings and the bulk of the folder titles were supplied by the donor.","Duplicate copies of printed materials already held by Special Collections were not retained."],"relatedmaterial_html_tesm":["\u003cp\u003eCarol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Carol Barton's personal and teaching collection of movable books and artists' books, which were acquired separately from her papers, are cataloged individually and are housed in the James Madison University's Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.\u003c/p\u003e","\u003cp\u003eThroughout her career, Carol Barton has been celebrated in numerous articles and journals: \u003cemph render=\"italic\"\u003eThe Bone Folder\u003c/emph\u003e (2000 \u0026amp; 2009), \"Surface: New Form/New Function\" (review by Carol Barton), \u003cemph render=\"italic\"\u003eThe Smithsonian Associates\u003c/emph\u003e (August 2001), \"Ancient Sichuan's Artistic Treasures\", \u003cemph render=\"italic\"\u003eValley Art Association Newsletter\u003c/emph\u003e (May-June 1999), and \u003cemph render=\"italic\"\u003eThe Washington Print Club Quarterly\u003c/emph\u003e (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in newspaper articles, online publications, and reviews such as \u003cemph render=\"italic\"\u003eThe Washington Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSmithsonian Associates\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eBoston Globe\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. \u003cemph render=\"italic\"\u003eInstructions for Assembly\u003c/emph\u003e (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. \u003cemph render=\"italic\"\u003eVision Shifts\u003c/emph\u003e (1998) contains process plans, mock-ups, large scale prints, and photographs. \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e (2001) includes sample pieces, planning materials, and templates for \u003cemph render=\"italic\"\u003eThe Lookout\u003c/emph\u003e. As well, the book \u003cemph render=\"italic\"\u003eLa Torre e le Carceri di Palazzo Ducale\u003c/emph\u003e served as direct inspiration for \u003cemph render=\"italic\"\u003eFive Luminous Towers: A Book to Read in the Dark\u003c/emph\u003e. Barton's first book, \u003cemph render=\"italic\"\u003eBeyond the Page\u003c/emph\u003e (1981), contains hand cut master sheets. \u003cemph render=\"italic\"\u003eEveryday Road Signs\u003c/emph\u003e (1988) contains a prototype of the book's binding, planning for the first five pages of \u003cemph render=\"italic\"\u003eSeparations\u003c/emph\u003e, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. \u003cemph render=\"italic\"\u003eLoom\u003c/emph\u003e (1989) contains design prototypes, steel plates, and text copy and print. \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e (1988) contains planning for \u003cemph render=\"italic\"\u003eMap #1 Europe/Africa/Asia\u003c/emph\u003e in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for \u003cemph render=\"italic\"\u003eTunnel Map\u003c/emph\u003e include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.\u003c/p\u003e","\u003cp\u003eResearchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.\u003c/p\u003e","\u003cp\u003ePrototypes of \u003cemph render=\"italic\"\u003ePocket Paper Engineer Volume 3\u003c/emph\u003e are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"\u003c/p\u003e","\u003cp\u003eBarton has also been referenced in promotional materials regarding her work in: \u003cemph render=\"italic\"\u003eVisual Icons, Small Works: The Gallery at Studio B\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eArt on the Page: A Selection of Artists' Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eOrihon \u0026amp; More: Books By Artists\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUnder Cover: Book Arts\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBeyond Reading\u003c/emph\u003e, \u003cemph render=\"italic\"\u003e[Book] Art: Handmade Books\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBook For[u]ms\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Pocket Paper Engineer\u003c/emph\u003e, Washington University Libraries Special Collections, and \u003cemph render=\"italic\"\u003eMining the Lloyd\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSeries 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.\u003c/p\u003e","\u003cp\u003eThe series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book \u003cemph render=\"italic\"\u003eLand Forms and Air Currents\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon\u003c/p\u003e","\u003cp\u003eNumbered 5/26.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carol Barton Papers, 1973-2020, include catalogues, letters, printed materials, journals, special publications, interviews, artist statements, artist projects, and project plans throughout the donor's career. The collection includes teaching tools, personal research, practice and planning, and commemoration of events in which Barton participated.","Series 1: Printed Materials, 1973-2015, comprises various exhibition catalogs, book catalogs, gallery cards, articles, journals, interviews, artist statements and pamphlets for workshops that Barton taught.","Throughout her career, Carol Barton has been celebrated in numerous articles and journals: The Bone Folder (2000 \u0026 2009), \"Surface: New Form/New Function\" (review by Carol Barton), The Smithsonian Associates (August 2001), \"Ancient Sichuan's Artistic Treasures\", Valley Art Association Newsletter (May-June 1999), and The Washington Print Club Quarterly (Barton is featured on pages 6-9) are examples included within the Carol Barton Papers.","Barton has also been referenced in newspaper articles, online publications, and reviews such as The Washington Times, New York Times, Smithsonian Associates, and Boston Globe.","Series 2: Projects and Research, 1975-2012, contains Barton's professional projects, project planning, and items used for project research. Instructions for Assembly (1993) contains process plans, mock-ups, instructions, patents used for inspiration, and process materials. Vision Shifts (1998) contains process plans, mock-ups, large scale prints, and photographs. Five Luminous Towers: A Book to Read in the Dark (2001) includes sample pieces, planning materials, and templates for The Lookout. As well, the book La Torre e le Carceri di Palazzo Ducale served as direct inspiration for Five Luminous Towers: A Book to Read in the Dark. Barton's first book, Beyond the Page (1981), contains hand cut master sheets. Everyday Road Signs (1988) contains a prototype of the book's binding, planning for the first five pages of Separations, sample material for page six, negatives, text copy for the opening page, and print prototypes for a page. Loom (1989) contains design prototypes, steel plates, and text copy and print. Tunnel Map (1988) contains planning for Map #1 Europe/Africa/Asia in a blue separation, page design plans, book cover design plans, and the first set of unused map film originals. Page design plans for Tunnel Map include: page 2 for North/South America, page 3 for Africa/Europe, page 4 for North/South America, page 5 for North/South America and Africa/Europe, and page 6 for Africa/Europe and North/South America.","Researchers should note that dates for Carol Barton's plans/prototypes are approximate and based on the year the specific project was published.","Prototypes of Pocket Paper Engineer Volume 3 are housed with a related promotional poster. The poster is for \"a visiting artist lecture sponsored by the MFA Book Arts/Printmaking Program at the University of the Arts (Philadelphia).\"","Barton has also been referenced in promotional materials regarding her work in: Visual Icons, Small Works: The Gallery at Studio B, Art on the Page: A Selection of Artists' Books, Orihon \u0026 More: Books By Artists, Under Cover: Book Arts, Beyond Reading, [Book] Art: Handmade Books, Book For[u]ms, The Pocket Paper Engineer, Washington University Libraries Special Collections, and Mining the Lloyd.","Series 3: Ephemera and Personal Papers, 1979-2013, contains personal papers and ephemera Barton received and collected over the course of her career. Her personal papers include correspondence between friends, colleagues, students, and galleries. The ephemeral items include awards and items of personal interests such as flip-books, magnets, promotional pop-ups, etc.","The series primarily comprises proofs, prototypes, draft components, and pre-production materials for Barton's 2014 artists' book Land Forms and Air Currents.","\"Land Forms and Air Currents' was produced over the course of the years 2012 through 2014. Original artworks were done in gouache and watercolor, then scanned and adjusted in Adobe Photoshop. Layout was done using Adobe InDesign, and an edition of 25 copies was produced on an Epson Photo R2880 printer. Pop-up forms were cut using a Silhouette Cameo cutter and were hand-assembled by the artist. Fonts in the book are Verlag Book and Bell MT. Papers are Strathmore acid-free 100 lb. bristol and Strathmore acid-free 80 lb. drawing\"--Colophon","Numbered 5/26."],"separatedmaterial_html_tesm":["\u003cp\u003eNumerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. \u003cemph render=\"italic\"\u003eKer-Bloom!\u003c/emph\u003e, a series of art publications, were also separated and cataloged.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Numerous books, artists' books, toys, and publications were pulled from the collection, cataloged individually, and added to Special Collections' rare book holdings. Ker-Bloom!, a series of art publications, were also separated and cataloged."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d8e790c8752baf58256cbedb902ee64\"\u003eThe Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol Barton Papers contain printed materials, letters, brochures, and primary materials as well as items that document professional endeavors, artistic processes, and personal items of book artist, paper engineer, teacher, and curator, Carol Barton."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Barton, Carol June, 1954-"],"names_coll_ssim":["Barton, Carol June, 1954-","Barton, Carol June, 1954-"],"names_ssim":["James Madison University Libraries Special Collections","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":162,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_638_c01_c02_c06"}},{"id":"vihart_repositories_4_resources_212","type":"collection","attributes":{"title":"Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212#creator","type":"document_value","attributes":{"value":"Flota, Brian, Dr., 1975-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212#abstract_or_scope","type":"document_value","attributes":{"value":"With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_212","ead_ssi":"vihart_repositories_4_resources_212","_root_":"vihart_repositories_4_resources_212","_nest_parent_":"vihart_repositories_4_resources_212","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_212.xml","title_ssm":["Bradley and Brian Flota comic book collection"],"title_tesim":["Bradley and Brian Flota comic book collection"],"unitdate_ssm":["1952-2008","1960-1999"],"unitdate_inclusive_ssm":["1952-2008"],"unitdate_bulk_ssim":["1960-1999"],"normalized_date_ssm":["1952/2008, bulk 1960/1999"],"normalized_title_ssm":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"text":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999","SC 0032","/repositories/4/resources/212","Comic books, strips, etc.","comic books","Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection","This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.","Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.","In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.","The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","James Madison University Libraries Special Collections","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","English"],"collection_title_tesim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"collection_ssim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0032","/repositories/4/resources/212"],"unitid_tesim":["SC 0032","/repositories/4/resources/212"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_ssim":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_persname_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Brian Flota donated his personal collection of approximately 2,700 comic books in March 2015. In July 2016, Brian Flota donated his father, Bradley Flota's collection of approximately 7,000 comic books."],"access_subjects_ssim":["Comic books, strips, etc.","comic books"],"access_subjects_ssm":["Comic books, strips, etc.","comic books"],"has_online_content_ssim":["false"],"extent_ssm":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"extent_tesim":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"genreform_ssim":["comic books"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe comic books are arranged alphabetically by title, in the following series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eBradley Flota comic book collection\u003c/item\u003e\n      \u003citem\u003eBrian Flota comic book collection\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection"],"bioghist_html_tesm":["\u003cp\u003eThis collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).\u003c/p\u003e","\u003cp\u003eBradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026amp;M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.\u003c/p\u003e","\u003cp\u003eThough Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently. \u003c/p\u003e","\u003cp\u003eBrian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.\u003c/p\u003e","\u003cp\u003eBrian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011."],"custodhist_html_tesm":["\u003cp\u003eComics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008."],"otherfindaid_html_tesm":["\u003cp\u003eA complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://cdn1.lib.jmu.edu/wp-content/uploads/SC0032BradleyandBrianFlotaComic.xlsx\"\u003eexcel spreadsheet\u003c/extref\u003e.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Inventory"],"otherfindaid_tesim":["A complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an excel spreadsheet."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders."],"scopecontent_html_tesm":["\u003cp\u003eThe Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/p\u003e","\u003cp\u003eBox 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.\u003c/p\u003e","\u003cp\u003eThe inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.\u003c/p\u003e  ","\u003cp\u003eApproximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.\u003c/p\u003e","\u003cp\u003eApproximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.\u003c/p\u003e","\u003cp\u003eThis box contains the following comic books:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlien: The Illustrated Story\u003c/item\u003e\u003citem\u003eBatman 3-D\u003c/item\u003e\u003citem\u003eCages\u003c/item\u003e\u003citem\u003eHeavy Metal\u003c/item\u003e\u003citem\u003eMeteor Man\u003c/item\u003e\u003citem\u003eSimpson's Comics and Stories\u003c/item\u003e\u003citem\u003eVoodoo Child: The Illustrated Legend of Jimi Hendrix\u003c/item\u003e\u003c/list\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix"],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d1745f45aa31ce50bf89a37a7dda09ae\"\u003eWith over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/abstract\u003e\n    "],"abstract_tesim":["With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"names_coll_ssim":["Flota, Brian, Dr., 1975-"],"names_ssim":["James Madison University Libraries Special Collections","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:12.722Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_212","ead_ssi":"vihart_repositories_4_resources_212","_root_":"vihart_repositories_4_resources_212","_nest_parent_":"vihart_repositories_4_resources_212","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_212.xml","title_ssm":["Bradley and Brian Flota comic book collection"],"title_tesim":["Bradley and Brian Flota comic book collection"],"unitdate_ssm":["1952-2008","1960-1999"],"unitdate_inclusive_ssm":["1952-2008"],"unitdate_bulk_ssim":["1960-1999"],"normalized_date_ssm":["1952/2008, bulk 1960/1999"],"normalized_title_ssm":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"text":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999","SC 0032","/repositories/4/resources/212","Comic books, strips, etc.","comic books","Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection","This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.","Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.","In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.","The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","James Madison University Libraries Special Collections","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","English"],"collection_title_tesim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"collection_ssim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0032","/repositories/4/resources/212"],"unitid_tesim":["SC 0032","/repositories/4/resources/212"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_ssim":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_persname_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Brian Flota donated his personal collection of approximately 2,700 comic books in March 2015. In July 2016, Brian Flota donated his father, Bradley Flota's collection of approximately 7,000 comic books."],"access_subjects_ssim":["Comic books, strips, etc.","comic books"],"access_subjects_ssm":["Comic books, strips, etc.","comic books"],"has_online_content_ssim":["false"],"extent_ssm":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"extent_tesim":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"genreform_ssim":["comic books"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe comic books are arranged alphabetically by title, in the following series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eBradley Flota comic book collection\u003c/item\u003e\n      \u003citem\u003eBrian Flota comic book collection\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection"],"bioghist_html_tesm":["\u003cp\u003eThis collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).\u003c/p\u003e","\u003cp\u003eBradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026amp;M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.\u003c/p\u003e","\u003cp\u003eThough Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently. \u003c/p\u003e","\u003cp\u003eBrian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.\u003c/p\u003e","\u003cp\u003eBrian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011."],"custodhist_html_tesm":["\u003cp\u003eComics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008."],"otherfindaid_html_tesm":["\u003cp\u003eA complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://cdn1.lib.jmu.edu/wp-content/uploads/SC0032BradleyandBrianFlotaComic.xlsx\"\u003eexcel spreadsheet\u003c/extref\u003e.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Inventory"],"otherfindaid_tesim":["A complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an excel spreadsheet."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders."],"scopecontent_html_tesm":["\u003cp\u003eThe Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/p\u003e","\u003cp\u003eBox 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.\u003c/p\u003e","\u003cp\u003eThe inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.\u003c/p\u003e  ","\u003cp\u003eApproximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.\u003c/p\u003e","\u003cp\u003eApproximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.\u003c/p\u003e","\u003cp\u003eThis box contains the following comic books:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlien: The Illustrated Story\u003c/item\u003e\u003citem\u003eBatman 3-D\u003c/item\u003e\u003citem\u003eCages\u003c/item\u003e\u003citem\u003eHeavy Metal\u003c/item\u003e\u003citem\u003eMeteor Man\u003c/item\u003e\u003citem\u003eSimpson's Comics and Stories\u003c/item\u003e\u003citem\u003eVoodoo Child: The Illustrated Legend of Jimi Hendrix\u003c/item\u003e\u003c/list\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix"],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d1745f45aa31ce50bf89a37a7dda09ae\"\u003eWith over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/abstract\u003e\n    "],"abstract_tesim":["With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"names_coll_ssim":["Flota, Brian, Dr., 1975-"],"names_ssim":["James Madison University Libraries Special Collections","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:12.722Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212"}},{"id":"vihart_repositories_4_resources_212_c01","type":"Series","attributes":{"title":"Bradley Flota, 1968/2008","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eApproximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_212_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_212_c01","ref_ssm":["vihart_repositories_4_resources_212_c01"],"id":"vihart_repositories_4_resources_212_c01","ead_ssi":"vihart_repositories_4_resources_212","_root_":"vihart_repositories_4_resources_212","_nest_parent_":"vihart_repositories_4_resources_212","parent_ssi":"vihart_repositories_4_resources_212","parent_ssim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"parent_ids_ssim":["vihart_repositories_4_resources_212"],"title_filing_ssi":"Bradley Flota","title_ssm":["Bradley Flota"],"title_tesim":["Bradley Flota"],"normalized_title_ssm":["Bradley Flota, 1968/2008"],"text":["Bradley Flota, 1968/2008","Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999","Flota, Bradley, 1948-2015","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008."],"parent_unittitles_ssm":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"parent_unittitles_tesim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"normalized_date_ssm":["1968/2008"],"unitdate_inclusive_ssm":["1968-2008"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["James Madison University"],"collection_ssim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"extent_ssm":["57 boxes"],"extent_tesim":["57 boxes"],"creator_ssim":["Flota, Bradley, 1948-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":56,"parent_access_restrict_tesm":["Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"persname_ssim":["Flota, Bradley, 1948-2015"],"names_ssim":["Flota, Bradley, 1948-2015"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eApproximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008."],"_nest_path_":"/components#0","timestamp":"2026-06-23T06:57:12.722Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_212","ead_ssi":"vihart_repositories_4_resources_212","_root_":"vihart_repositories_4_resources_212","_nest_parent_":"vihart_repositories_4_resources_212","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_212.xml","title_ssm":["Bradley and Brian Flota comic book collection"],"title_tesim":["Bradley and Brian Flota comic book collection"],"unitdate_ssm":["1952-2008","1960-1999"],"unitdate_inclusive_ssm":["1952-2008"],"unitdate_bulk_ssim":["1960-1999"],"normalized_date_ssm":["1952/2008, bulk 1960/1999"],"normalized_title_ssm":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"text":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999","SC 0032","/repositories/4/resources/212","Comic books, strips, etc.","comic books","Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection","This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.","Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.","In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.","The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","James Madison University Libraries Special Collections","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","English"],"collection_title_tesim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"collection_ssim":["Bradley and Brian Flota comic book collection, 1952/2008, bulk 1960/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0032","/repositories/4/resources/212"],"unitid_tesim":["SC 0032","/repositories/4/resources/212"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_ssim":["Flota, Brian, Dr., 1975-","Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_persname_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Flota, Brian, Dr., 1975-","Flota, Bradley, 1948-2015","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Brian Flota donated his personal collection of approximately 2,700 comic books in March 2015. In July 2016, Brian Flota donated his father, Bradley Flota's collection of approximately 7,000 comic books."],"access_subjects_ssim":["Comic books, strips, etc.","comic books"],"access_subjects_ssm":["Comic books, strips, etc.","comic books"],"has_online_content_ssim":["false"],"extent_ssm":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"extent_tesim":["59.8 cubic feet 70 comic book boxes, 1 manuscript box"],"genreform_ssim":["comic books"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection open to research. Please be aware collection contains mature content. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe comic books are arranged alphabetically by title, in the following series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eBradley Flota comic book collection\u003c/item\u003e\n      \u003citem\u003eBrian Flota comic book collection\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The comic books are arranged alphabetically by title, in the following series:","Bradley Flota comic book collection\n      Brian Flota comic book collection"],"bioghist_html_tesm":["\u003cp\u003eThis collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).\u003c/p\u003e","\u003cp\u003eBradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026amp;M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.\u003c/p\u003e","\u003cp\u003eThough Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently. \u003c/p\u003e","\u003cp\u003eBrian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.\u003c/p\u003e","\u003cp\u003eBrian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection was assembled by Dr. Brian Flota, Humanities Librarian at James Madison University, and his father, Bradley Flota (1948-2015).","Bradley Flota graduated from Mount Vernon (Illinois) Township High School in 1966 and served in the United States Army from 1970 to 1972. He was also a musician, contributing vocals and guitar intermittently to The TimeActions, who became A\u0026M Records recording artists, Head East, from 1969 to 1973. He was a police officer for the Mount Vernon Police Department from 1974 to 1998, serving as a D.A.R.E. (Drug Abuse Resistance Education) officer for the last eight years of his career with the department.","Though Bradley Flota had been collecting comic books since childhood, those collections would fall out of his possession. He gave his young son Brian a selection of about one hundred comics in 1983, which formed the basis of Brian's collection. In 1985, Bradley Flota began collecting the comics that make up this collection. He collected comics voraciously from 1985 to 1997. From that time until 2008, he collected more infrequently.","Brian Flota began collecting in earnest in 1987 at the age of eleven, eventually amassing around 2,700 comics when he ceased collecting around 1998. Of those 2,700 comics, Brian Flota donated a portion of the collection to the University of California, Riverside prior to his donation to JMU Special Collections in 2015.","Brian Flota holds his MS in Library and Information Sciences from the University of Illinois at Urbana-Champaign, his Ph.D. in American Literature from The George Washington University, and his B.A. in English from the University of California, Riverside. He is also the co-editor ofThe Politics of Post-9/11 Music, published by Ashgate in 2011."],"custodhist_html_tesm":["\u003cp\u003eComics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Comics in each series were the personal collections of the donor, Brian Flota, and his father, Bradley Flota, collected during the years 1985-2008."],"otherfindaid_html_tesm":["\u003cp\u003eA complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://cdn1.lib.jmu.edu/wp-content/uploads/SC0032BradleyandBrianFlotaComic.xlsx\"\u003eexcel spreadsheet\u003c/extref\u003e.\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Inventory"],"otherfindaid_tesim":["A complete inventory of all comic titles and corresponding issues found within the Bradley and Brian Flota comic book collection is available as an excel spreadsheet."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Bradley and Brian Flota Comic Book Collection, 1952-2008, SC 0032, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["In the original accession, Brian Flota kept all comics within their original plastic sleeve and with the cardboard backing that came with each comic. On the backs of each cardboard insert, Flota wrote title and issue details and periodically noted the value of each comic over time. For long-term preservation, each comic was removed from the plastic sleeve and the cardboard backing was discarded. A sampling of the boards was kept at the end of the collection to document how Brian Flota kept and cared for his comic books. Currently, each comic book item is stored individually in acid-free paper folders."],"scopecontent_html_tesm":["\u003cp\u003eThe Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/p\u003e","\u003cp\u003eBox 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.\u003c/p\u003e","\u003cp\u003eThe inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.\u003c/p\u003e  ","\u003cp\u003eApproximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.\u003c/p\u003e","\u003cp\u003eApproximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.\u003c/p\u003e","\u003cp\u003eThis box contains the following comic books:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlien: The Illustrated Story\u003c/item\u003e\u003citem\u003eBatman 3-D\u003c/item\u003e\u003citem\u003eCages\u003c/item\u003e\u003citem\u003eHeavy Metal\u003c/item\u003e\u003citem\u003eMeteor Man\u003c/item\u003e\u003citem\u003eSimpson's Comics and Stories\u003c/item\u003e\u003citem\u003eVoodoo Child: The Illustrated Legend of Jimi Hendrix\u003c/item\u003e\u003c/list\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Bradley and Brian Flota Comic Book Collection consists of 59.8 cubic feet of over 9,700 comics from the years 1952-2008. Although it is largely comprised of comic books, the collection also includes a TV guide from the 1990s, children's magazines from Walt Disney, and a few other materials from independent publishers. There is a wide range of comic book genres between the years 1952-2008. However, the majority of the issues were released in or near to the 1980s, just before and while Brian Flota was actively collecting the materials. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.","Box 71 contains oversized comics, a copy of the cardboard backing for the first comic in the collection, and an issue of Justice League of America from June 1974.","The inventory consists of an alphabetical listing of the comic books, dates, issue numbers, and publisher information for each title. Also included are notes from the donor, indicating special issues or items of note within the collection.","Approximately 7,000 individual comic books published between 1968-2008. All comics within this series were collected by Bradley Flota, beginning in the year 1985 until 2008.","Approximately 2,700 individual comic books published between 1952-1998. All comics within this series were collected by Brian Flota, beginning in the year 1987 until 1998.","This box contains the following comic books:","Alien: The Illustrated StoryBatman 3-DCagesHeavy MetalMeteor ManSimpson's Comics and StoriesVoodoo Child: The Illustrated Legend of Jimi Hendrix"],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d1745f45aa31ce50bf89a37a7dda09ae\"\u003eWith over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. Some major publishers in this collection include Marvel Comics, DC Comics, and Dark Horse Comics.\u003c/abstract\u003e\n    "],"abstract_tesim":["With over 9,700 comic books, this collection consists of a wide selection of comic book and magazine genres from independent publishers as well as major publishers. 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