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1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c60#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_622_c01_c60","ref_ssm":["vifgm_repositories_2_resources_622_c01_c60"],"id":"vifgm_repositories_2_resources_622_c01_c60","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622_c01","parent_ssi":"vifgm_repositories_2_resources_622_c01","parent_ssim":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"parent_ids_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"title_filing_ssi":"110 In the Shade - 70 Girls 70","title_ssm":["110 In the Shade - 70 Girls 70"],"title_tesim":["110 In the Shade - 70 Girls 70"],"normalized_title_ssm":["110 In the Shade - 70 Girls 70, 1969/2010"],"text":["110 In the Shade - 70 Girls 70, 1969/2010","Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017","box 12","folder 4","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991."],"parent_unittitles_ssm":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"parent_unittitles_tesim":["Martin Cohen theater collection, 1816/2017","Series 1: Playbills, 1936/2017"],"normalized_date_ssm":["1969/2010"],"unitdate_inclusive_ssm":["1969-2010"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":61,"repository_ssim":["George Mason University"],"collection_ssim":["Martin Cohen theater collection, 1816/2017"],"containers_ssim":["box 12","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991."],"_nest_path_":"/components#0/components#59","timestamp":"2026-07-23T21:21:08.504Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"normalized_date_ssm":["1816/2017"],"normalized_title_ssm":["Martin Cohen theater collection, 1816/2017"],"text":["Martin Cohen theater collection, 1816/2017","C0335","/repositories/2/resources/622","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series\n      Series 1: Playbills, 1936-2017 (Boxes 1-12)\n      Series 2: Sheet Music, 1912-1969 (Boxes 12-13)\n      Series 3: Personal Papers, 1915-1996 (Boxes 13-14)\n      Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\n      Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022.","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the , the , the , and the .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"collection_title_tesim":["Martin Cohen theater collection, 1816/2017"],"collection_ssim":["Martin Cohen theater collection, 1816/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Cohen, Martin B.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series\n      Series 1: Playbills, 1936-2017 (Boxes 1-12)\n      Series 2: Sheet Music, 1912-1969 (Boxes 12-13)\n      Series 3: Personal Papers, 1915-1996 (Boxes 13-14)\n      Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\n      Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022.","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the , the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Cohen, Martin B."],"names_coll_ssim":["Cohen, Martin B."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:08.504Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c60"}},{"id":"viu_repositories_3_resources_177_c09_c04_c72","type":"Item","attributes":{"title":"\"11/10/05 – Backup of My Documents\", 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_177_c09_c04_c72#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_177_c09_c04_c72","ref_ssm":["viu_repositories_3_resources_177_c09_c04_c72"],"id":"viu_repositories_3_resources_177_c09_c04_c72","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177_c09_c04","parent_ssi":"viu_repositories_3_resources_177_c09_c04","parent_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Born-Digital Materials"],"parent_ids_ssim":["viu_repositories_3_resources_177","viu_repositories_3_resources_177_c09","viu_repositories_3_resources_177_c09_c04"],"title_filing_ssi":"\"11/10/05 – Backup of My Documents\"","title_ssm":["\"11/10/05 – Backup of My Documents\""],"title_tesim":["\"11/10/05 – Backup of My Documents\""],"normalized_title_ssm":["\"11/10/05 – Backup of My Documents\", 2005"],"text":["\"11/10/05 – Backup of My Documents\", 2005","Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Born-Digital Materials","box 137","Digital_container 83"],"parent_unittitles_ssm":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Born-Digital Materials"],"parent_unittitles_tesim":["Jan Karon papers, 1918/2018, bulk 1964/2018","Jan Karon additions 3 and 4","Born-Digital Materials"],"normalized_date_ssm":["2005"],"unitdate_other_ssim":["2005 November 10"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":1119,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"extent_ssm":["1 items"],"extent_tesim":["1 items"],"containers_ssim":["box 137","Digital_container 83"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["There are no use restrictions."],"date_range_isim":[2005],"_nest_path_":"/components#8/components#3/components#71","timestamp":"2026-07-23T21:40:48.019Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_177","ead_ssi":"viu_repositories_3_resources_177","_root_":"viu_repositories_3_resources_177","_nest_parent_":"viu_repositories_3_resources_177","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_177.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133789","title_filing_ssi":"Karon, Jan, papers","title_ssm":["Jan Karon papers"],"title_tesim":["Jan Karon papers"],"unitdate_ssm":["1918-2018","1964-2018"],"unitdate_inclusive_ssm":["1918-2018"],"unitdate_bulk_ssim":["1964-2018"],"normalized_date_ssm":["1918/2018, bulk 1964/2018"],"normalized_title_ssm":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"text":["Jan Karon papers, 1918/2018, bulk 1964/2018","MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177","Esmont (Albemarle County, Va. : Dwelling)","Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising","This collection is open for research use.","The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43).","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3).","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3).","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113).","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.","Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region.","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm.","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \"Miami Herald\", the \"Charlotte Observer\", and a stint in Central America for the \"U.S. News and World Report\".","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of \"The Blowing Rocket\" with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \"The Blowing Rocket\". The ensuing two years of writing  the priest's story for \"The Blowing Rocket\" resulted in her first novel,  \"At Home in Mitford\", published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels, \"A Light in the Window\" and \"These High Green Hills\", were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \"At Home in Mitford\" by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \"At Home in Mitford\" for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.","In 2013, \"Somewhere Safe with Somebody Good\", which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \"Come Rain or Come Shine\" debuting at #1 on the \"New York Times\" list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \"The Charlotte Observer\", August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon","There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request.","The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence","Karon, Jan (Janice), 1937-","English"],"collection_title_tesim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"collection_ssim":["Jan Karon papers, 1918/2018, bulk 1964/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"unitid_tesim":["MSS 16077","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/177"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Esmont (Albemarle County, Va. : Dwelling)"],"geogname_ssim":["Esmont (Albemarle County, Va. : Dwelling)"],"places_ssim":["Esmont (Albemarle County, Va. : Dwelling)"],"creator_ssm":["Karon, Jan (Janice), 1937-"],"creator_ssim":["Karon, Jan (Janice), 1937-"],"creator_persname_ssim":["Karon, Jan (Janice), 1937-"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creator_famname_ssim":["Setzer family -- correspondence"],"creators_ssim":["Karon, Jan (Janice), 1937-","Albert and Shirley Small Special Collections Library","Setzer family -- correspondence"],"acqinfo_ssim":["The Jan Karon papers were given to the University of Virginia Library on October 2, 2014, by Jan Karon."],"access_subjects_ssim":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"access_subjects_ssm":["Mitford (N.C. : Imaginary place)--Fiction","Authors and publishers","Novelists, American","Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"extent_tesim":["66 Cubic Feet 120 legal document boxes, 3 oversize boxes, 17 oversize folders"],"physfacet_tesim":["17 audio cassettes, 26 videocassettes, 46 disks, and 2 hard drives."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43). \u003c/p\u003e","\u003cp\u003eSeries III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3). \u003c/p\u003e","\u003cp\u003eSeries IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3). \u003c/p\u003e","\u003cp\u003eSeries V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).\u003c/p\u003e","\u003cp\u003eSeries VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).\u003c/p\u003e","\u003cp\u003eSeries VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113). \u003c/p\u003e","\u003cp\u003eSeries VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Jan Karon papers are organized into eight series. Series I consists of manuscripts and book related material, including illustrations, book jackets and covers, reviews, editorial files, radio plays, stage plays, page proofs, and galleys (Boxes 1-26 and Oversize boxes 1, 3). Series II consists of reader mail from fans (Boxes 27-43).","Series III contains the professional correspondence and papers of Jan Karon concerning the publication of her books, including files with publishers, arrangements and publicity for public appearances, press clippings, and interviews (Boxes 44-59, oversize folder 17 and oversize boxes 1 and 3).","Series IV consists of personal and family papers and is further separated into two subseries,subseries A: personal and family correspondence (Boxes 59-83), including greeting cards and invitations, with frequent correspondents having an individual folder and subseries B: personal papers of Jan Karon, including calendar diaries, journals, personal notes, and related material (Boxes 84-86 and Oversize box 3).","Series V includes materials relating to her advertising career, including the North Carolina tourism campaign (Boxes 87-90 and Oversize box 1).","Series VI contains topical files, including organizations, newsletters, travel files, Mitford general files, and research files Boxes 90-100).","Series VII consists of records about the purchase and restoration of her historic home \"Esmont\" in Ablemarle County, Virginia, including architectural drawings in Subseries A (Oversize folders 1-16 and Oversize boxes 2-3) and papers and photographs in Subseries B (Boxes 101-113).","Series VIII comprises the last series and consists of artifacts, miscellany, audiovisual and born-digital material (Boxes 114-120). This series is arranged in four subseries: Subseries A: Artifacts, chiefly concerning the Second International Mitford Homecoming; Subseries B: Albums and Volumes;Subseries C: Books Influential in the Life of Jan Karon; and Subseries D: Audiovisual and Born Digital Material."],"bioghist_html_tesm":["\u003cp\u003eJan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.  \u003c/p\u003e","\u003cp\u003eAt fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region. \u003c/p\u003e","\u003cp\u003eKaron's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.\u003c/p\u003e","\u003cp\u003eDuring the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.\u003c/p\u003e","\u003cp\u003eAfter their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm. \u003c/p\u003e","\u003cp\u003eShe became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.\u003c/p\u003e","\u003cp\u003eHer daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \u003ctitle\u003e\"Miami Herald\"\u003c/title\u003e, the \u003ctitle\u003e\"Charlotte Observer\"\u003c/title\u003e, and a stint in Central America for the \u003ctitle\u003e\"U.S. News and World Report\"\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIn order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.\u003c/p\u003e","\u003cp\u003eSoon, she approached the editor of \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e. The ensuing two years of writing  the priest's story for \u003ctitle\u003e\"The Blowing Rocket\"\u003c/title\u003e resulted in her first novel,  \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e, published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.\u003c/p\u003e","\u003cp\u003eThe second and third Mitford novels, \u003ctitle\u003e\"A Light in the Window\"\u003c/title\u003e and \u003ctitle\u003e\"These High Green Hills\"\u003c/title\u003e, were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.\u003c/p\u003e","\u003cp\u003eJan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \u003ctitle\u003e\"At Home in Mitford\"\u003c/title\u003e for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.  \u003c/p\u003e","\u003cp\u003eIn 2013, \u003ctitle\u003e\"Somewhere Safe with Somebody Good\"\u003c/title\u003e, which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \u003ctitle\u003e\"Come Rain or Come Shine\"\u003c/title\u003e debuting at #1 on the \u003ctitle\u003e\"New York Times\"\u003c/title\u003e list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.\u003c/p\u003e","\u003cp\u003eFor more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \u003ctitle\u003e\"The Charlotte Observer\"\u003c/title\u003e, August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Jan Karon was born on March 14, 1937 in Lenoir, North Carolina, to Robert Cecil Wilson (1914-1977) and Wanda Lee Wilson (1921- ) and was named Janice Meredith after the title of a popular novel. She and her younger sister, Brenda, lived as children with her grandparents, Monroe Ivy Cloer and Fannie Bush Cloer, on their farm outside Hudson, North Carolina. Both sisters later moved to Charlotte, North Carolina to join their mother who had married Toby Setzer, the owner of a hosiery knitting business.","At fourteen, Karon married Robert Bryan Freeland (1932-1995) in Charlotte and had one daughter, Candace Rae Freeland, in 1952. Her advertising career began at the age of eighteen, at Walter J. Klein Company, one of the first advertising agencies in the region.","Karon's marriage to Robert Freeland ended in divorce and in her early twenties, Karon married a Duke Power chemist, Bill Orth, and became active in the Charlotte Little Theater, the Mint Museum Drama Guild, and in local social and political issues. She was one of four white women who marched in an early civil rights protest, led by the Reverend Sydney Freeman, along Charlotte's North Tyron Street.","During the late sixties, she and Orth divorced. Karon then married Arthur Karon, a clothing salesman who moved the family to Berkeley, California, where they lived for three years.","After their marriage ended, Karon returned to Charlotte, North Carolina, and begun working again in advertising. Her dismissal from a Charlotte TV production company in 1982 precipitated what she called the 'proverbial dark night of the soul.' Karon returned to the faith taught her as a child by her grandmother. She began attending Charlotte's interdenominational Calvary Church, and worked as a free-lance copywriter until her move to Raleigh, North Carolina, in 1983, where she joined McKinney and Silver, an internationally renowned advertising firm.","She became an award- winning creative vice-president at McKinney, working on cruise line and airline accounts. There she won, with art director Michael Winslow, the coveted Steven E. Kelly Award, the print advertising equivalent of the Academy Award. Semi-finalists included British Airways, Harley-Davidson, and Waterford Crystal.","Her daughter, Candace Freeland, pursued photojournalism, winning numerous awards with the \"Miami Herald\", the \"Charlotte Observer\", and a stint in Central America for the \"U.S. News and World Report\".","In order to pursue her dream of writing a novel, Karon left her advertising career and, at age fifty, bought a house in the small mountain town of Blowing Rock, North Carolina, where she supported  her dream with freelance advertising work.","Soon, she approached the editor of \"The Blowing Rocket\" with a couple of chapters featuring an Episcopal priest named Tim Kavanagh, which he urged her to run in \"The Blowing Rocket\". The ensuing two years of writing  the priest's story for \"The Blowing Rocket\" resulted in her first novel,  \"At Home in Mitford\", published in paper by a small publishing house in the Midwest. Twenty years after its initial release in paper, the novel appeared in its 85th printing, in a new, 20th anniversary hardcover edition, from Penguin-Random House, the world's largest trade publisher.","The second and third Mitford novels, \"A Light in the Window\" and \"These High Green Hills\", were published by the same house, with limited marketing and distribution. Karon took the promotion of her books into her own hands, cold-selling them to bookstores and befriending bookstore owners. In Raleigh, bookseller Nancy Olson of Quail Ridge Books, was given a copy of \"At Home in Mitford\" by Mary Richardson, Karon's Raleigh neighbor and friend. Olson admired the work and in 1996 introduced Karon to literary agent Liz Darhansoff. Darhansoff showed the  Karon books to Carolyn Carlson at Penguin, and a long and fruitful relationship began. At this writing (2016), Karon has published twenty-two works of fiction and non-fiction,  with sales estimated at more than 40 million, not including foreign sales in nineteen countries. Karon is currently published by G.P. Putnam's Sons, an imprint of Penguin-Random House; her editor is Christine Pepe.","Jan Karon has won much recognition for her work. Among these are three nominations by the American Booksellers Association of \"At Home in Mitford\" for Best Book of the Year for three consecutive years (1996-1998) – a one-time-only occurrence in the Association's history to date.","In 2013, \"Somewhere Safe with Somebody Good\", which spent seventeen weeks on the New York Times bestseller list, was given the Library of Virginia's Best Fiction of the Year award. In 2015, Karon received The Library of Virginia's Lifetime Achievement Award. And in 2016, \"Come Rain or Come Shine\" debuting at #1 on the \"New York Times\" list, was the recipient of the 2016 Christy Award. A further recognition is the designation of Jan Karon as a lay Canon for the Arts in the Episcopal Diocese of Quincy.  For more information about honors and awards, see box 44 of this collection.","For more information about Jan Karon and her books, see the publicity – press files in boxes 55-56 of this collection, a long article in \"The Charlotte Observer\", August 14, 2005, her facebook page https://www.facebook.com/JanKaron/ and website http://www.mitfordbooks.com/ , as well as her Wikipedia entry: https://en.wikipedia.org/wiki/Jan_Karon"],"phystech_html_tesm":["\u003cp\u003eThere are two hard drives in this collection that are currently unavailable.\u003c/p\u003e","\u003cp\u003ePlease contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request. \u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["There are two hard drives in this collection that are currently unavailable.","Please contact Special Collections via our online form, https://small.library.virginia.edu/services/reference-request/, to request access.  Please allow for a minimum of two weeks to process this request."],"prefercite_html_tesm":["\u003cp\u003eMSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16077 Jan Karon papers, box #, folder #, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; photographs; artifacts; audiovisual material; and born-digital material, including disks and hard drives.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Jan Karon papers (66 cubic feet; 1918-2018) contain Mitford book typescripts and galleys; materials related to Ms. Karon's publishing career  and her relationship with her agent and publisher; letters and fan mail from readers, arranged by month and year only;   memorabilia; professional and personal correspondence; reviews and press publicity; research related to Karon's novels; files related to charitable organizations and boards; architectural drawings of Esmont Farm; files and journals related to the purchase, restoration, and running of historic Esmont Farm, Albemarle County, Virginia, by Karon; personal and family papers; files pertaining to Jan Karon's advertising career, particularly the North Carolina tourism campaign for McKinney and Silver; 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He began his art career in 1955, drawing cartoons and illustrations for Adelaide's The Advertiser newspaper. In 1964, Oliphant moved to the United States and became the cartoonist at the Denver Post, and by 1965 his work was syndicated internationally by the Los Angeles Times Syndicate. Oliphant was awarded the Pulitzer Prize for Editorial Cartooning in 1967. In 1975 he moved to the Washington Star and joined the Universal Press Syndicate. In 1979 Oliphant was naturalized as an American citizen. When the Star went out of business in 1981, Oliphant decided to remain independent, living off the earnings from his syndication. He was the first political cartoonist in the twentieth century to work independently from a home newspaper, a situation that provided him with significant independence from editorial control. By 1983 Oliphant was the most widely syndicated American political cartoonist, with his work appearing in more than 500 newspapers. His body of work focuses mostly on American and global politics and culture; he is particularly known for his caricatures of American presidents and other world leaders. While he is most well known as a political cartoonist, over the course of his career Oliphant also produced dozens of bronze sculptures, along with many other drawings and paintings. He retired in 2015.","Patrick Oliphant passed away on July 13, 2026 in Santa Fe, NM.","Source: Wikipedia contributors. \"Pat Oliphant.\" Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 16 Jan. 2022. Web. 18 Jan. 2022.","Drawings of varying size, political cartoons, sculpture, books, framed items, scrapbooks, sketchbooks, slides, video tapes, and news clippings.","The Patrick Oliphant artwork and papers collection contains materials documenting the life and work of artist Patrick Oliphant. It covers his career as a political cartoonist from 1955 to 2015, including thousands of original cartoon drawings. It also includes examples of his other artistic works, like sculptures, sketches, paintings, lithographs, and other drawings. Oliphant's artwork, especially the political cartoons, cover a wide variety of political and cultural topics, both in the United States and across the globe and could be useful to researchers interested in many aspects of political and social history in the second half of the 20th century.","The collection also includes materials that provide insight into the creation and promotion of exhibits of Oliphant's work, travel and speaking engagements, and business papers documenting sales of his artwork. It contains personal papers and correspondence, including a large number of letters from the public. Photographs also provide insight into the creation and promotion of Oliphant's pieces. The collection also contains audiovisual materials, consisting mostly of interviews with Oliphant.","This collection is protected by copyright and/or related rights. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. 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You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. 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This book and these papers are an invaluable resource for researchers."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. 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