{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=6","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=8","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=52"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":52,"limit_value":10,"offset_value":60,"total_count":515,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_643_c03_c03_c04","type":"File","attributes":{"title":"Board retreat, 2000/2009","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_643_c03_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_643_c03_c03_c04","ref_ssm":["vircu_repositories_5_resources_643_c03_c03_c04"],"id":"vircu_repositories_5_resources_643_c03_c03_c04","ead_ssi":"vircu_repositories_5_resources_643","_root_":"vircu_repositories_5_resources_643","_nest_parent_":"vircu_repositories_5_resources_643_c03_c03","parent_ssi":"vircu_repositories_5_resources_643_c03_c03","parent_ssim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019","Series 3 - Committee materials, minutes, and reports","Series 3.3 - 2000-2009"],"parent_ids_ssim":["vircu_repositories_5_resources_643","vircu_repositories_5_resources_643_c03","vircu_repositories_5_resources_643_c03_c03"],"title_filing_ssi":"Board retreat","title_ssm":["Board retreat"],"title_tesim":["Board retreat"],"normalized_title_ssm":["Board retreat, 2000/2009"],"text":["Board retreat, 2000/2009","Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019","Series 3 - Committee materials, minutes, and reports","Series 3.3 - 2000-2009","box 2","folder 36"],"parent_unittitles_ssm":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019","Series 3 - Committee materials, minutes, and reports","Series 3.3 - 2000-2009"],"parent_unittitles_tesim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019","Series 3 - Committee materials, minutes, and reports","Series 3.3 - 2000-2009"],"normalized_date_ssm":["2000/2009"],"unitdate_inclusive_ssm":["2000-2009"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":75,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019"],"containers_ssim":["box 2","folder 36"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"_nest_path_":"/components#2/components#2/components#3","timestamp":"2026-06-23T07:07:16.781Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_643","ead_ssi":"vircu_repositories_5_resources_643","_root_":"vircu_repositories_5_resources_643","_nest_parent_":"vircu_repositories_5_resources_643","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_643.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/643","title_filing_ssi":"Virginia Association for Adult and Continuing Education (VAACE) records","title_ssm":["Virginia Association for Adult and Continuing Education (VAACE) records"],"title_tesim":["Virginia Association for Adult and Continuing Education (VAACE) records"],"unitdate_ssm":["1964-2019"],"unitdate_inclusive_ssm":["1964-2019"],"normalized_date_ssm":["1964/2019"],"normalized_title_ssm":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019"],"text":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019","M 572","/repositories/5/resources/643","Adult education teachers -- Societies, etc. -- Virginia","Adult education -- Societies, etc. -- Virginia","Continuing education -- Societies, etc. -- Virginia","administrative records","Correspondence","newsletters","The collection is open to research.","Upon donation, the collection was largely arranged by the year or decade in which the materials were created. The exceptions to this included materials in the Organizational History (the foldering for this series was maintained), Presidents' Files series (which were in separate binders), as well as the photos in the Photos series (which were in two photo albums).\n\nFolders in Series 1 and 6 are arranged alphabetically. Series 2 is organized chronologically based on presidential term. Series 3-5 contain sub-series based on date of creation. and folders within these sub-series are arranged alphabetically.","Series list\n      \n        Series 1\n         Organizational History\n      \n      \n        Series 2\n        Presidents' Files\n      \n      \n        Series 3\n         Committee materials, minutes, and reports\n      \n      \n        Subseries 3.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 3.2\n        1990-1999\n      \n      \n        Subseries 3.3\n        2000-2009\n      \n      \n        Subseries 3.4\n        2010-2019\n      \n      \n        Series 4\n        Correspondence\n      \n      \n        Subseries 4.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 4.2\n        1990-1999\n      \n      \n        Subseries 4.3 \n        2000-2009\n      \n      \n        Subseries 4.4\n         2010-2019\n      \n      \n        Series 5 \n        Outreach and education\n      \n      \n        Subseries 5.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 5.2 \n        1990-1999\n      \n      \n        Subseries 5.3\n        2000-2009\n      \n      \n        Subseries 5.4 \n        2010-2019\n      \n      \n        Series 6\n        Photos\n      \n      \n        Series 7\n        Newsclippings","The Virginia Adult Association for Adult and Continuing Education (VAACE), originally called the Adult Education Association of Virginia (AEAV) was founded on October 12, 1951 at a conference sponsored by University of Virginia. Some of the original founding members of the organization were members of the Southeastern Adult Education Association (SAEA) who had attended an SAEA conference held in Charlottesville, VA, in 1950. VAACE was a racially diverse organization since its founding and its organizing committee included at least one Black educator, Dr. Margaret Dabney, who later was the Dean of Teacher Education at Virginia State University.","Since 1973, VAACE has worked to educate its members on the legislative process and the importance of working to shape legislation that would impact adult and continuing education. In 1984, members advocated for a new constitution for the organization that would allow for the creation of interest groups in order to have the authority (and organizational backing) to advocate for legislative change and advance other aims. At the same time, the organization changed its name to the Virginia Association for Adult and Continuing Education.","VAACE continues to serve as a professional organization for adult educators in Virginia through advocacy work, leadership, and by providing professional development opportunities.","The Virginia Association for Adult and Continuing Education (VAACE) records includes administrative records (including meeting minutes, committee documents, reports, member lists, and presidents' files), correspondence (including letters, emails, and memoranda), outreach and education materials (including conference schedules, newsletters, information and fact sheets, results of studies, and other reports), and some photographs.","The earliest item in the collection was created in 1964 (13 years after the organization was founded), although the bulk of the collection was created between 1990 and 2010. The collection contains a good run of organizational newsletters, conference schedules, leadership meeting minutes, membership directories/rosters, and financial documentation. While there are some committee reports and other committee documentation, their representation in the collection is fairly inconsistent.","There are no restrictions.","VCU James Branch Cabell Library","Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia","English"],"collection_title_tesim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019"],"collection_ssim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 572","/repositories/5/resources/643"],"unitid_tesim":["M 572","/repositories/5/resources/643"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Virginia Association for Adult and Continuing Education"],"creator_ssim":["Virginia Association for Adult and Continuing Education"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia"],"creators_ssim":["VCU James Branch Cabell Library","Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Virginia Association for Adult and Continuing Education by Sandy Parker, VAACE Historian, 2018 and 2022."],"access_subjects_ssim":["Adult education teachers -- Societies, etc. -- Virginia","Adult education -- Societies, etc. -- Virginia","Continuing education -- Societies, etc. -- Virginia","administrative records","Correspondence","newsletters"],"access_subjects_ssm":["Adult education teachers -- Societies, etc. -- Virginia","Adult education -- Societies, etc. -- Virginia","Continuing education -- Societies, etc. -- Virginia","administrative records","Correspondence","newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["4.33 Linear Feet 4 record storage boxes"],"extent_tesim":["4.33 Linear Feet 4 record storage boxes"],"physfacet_tesim":["Collection includes color photograph prints"],"genreform_ssim":["administrative records","Correspondence","newsletters"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eUpon donation, the collection was largely arranged by the year or decade in which the materials were created. The exceptions to this included materials in the Organizational History (the foldering for this series was maintained), Presidents' Files series (which were in separate binders), as well as the photos in the Photos series (which were in two photo albums).\n\u003cbr\u003e\u003cbr\u003e\nFolders in Series 1 and 6 are arranged alphabetically. Series 2 is organized chronologically based on presidential term. Series 3-5 contain sub-series based on date of creation. and folders within these sub-series are arranged alphabetically.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eSeries list\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003e Organizational History\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePresidents' Files\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003e Committee materials, minutes, and reports\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 3.1\u003c/label\u003e\n        \u003citem\u003eEarly Years: 1960s-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 3.2\u003c/label\u003e\n        \u003citem\u003e1990-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 3.3\u003c/label\u003e\n        \u003citem\u003e2000-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 3.4\u003c/label\u003e\n        \u003citem\u003e2010-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eCorrespondence\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 4.1\u003c/label\u003e\n        \u003citem\u003eEarly Years: 1960s-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 4.2\u003c/label\u003e\n        \u003citem\u003e1990-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 4.3 \u003c/label\u003e\n        \u003citem\u003e2000-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 4.4\u003c/label\u003e\n        \u003citem\u003e 2010-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5 \u003c/label\u003e\n        \u003citem\u003eOutreach and education\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 5.1\u003c/label\u003e\n        \u003citem\u003eEarly Years: 1960s-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 5.2 \u003c/label\u003e\n        \u003citem\u003e1990-1999\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 5.3\u003c/label\u003e\n        \u003citem\u003e2000-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSubseries 5.4 \u003c/label\u003e\n        \u003citem\u003e2010-2019\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotos\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eNewsclippings\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Upon donation, the collection was largely arranged by the year or decade in which the materials were created. The exceptions to this included materials in the Organizational History (the foldering for this series was maintained), Presidents' Files series (which were in separate binders), as well as the photos in the Photos series (which were in two photo albums).\n\nFolders in Series 1 and 6 are arranged alphabetically. Series 2 is organized chronologically based on presidential term. Series 3-5 contain sub-series based on date of creation. and folders within these sub-series are arranged alphabetically.","Series list\n      \n        Series 1\n         Organizational History\n      \n      \n        Series 2\n        Presidents' Files\n      \n      \n        Series 3\n         Committee materials, minutes, and reports\n      \n      \n        Subseries 3.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 3.2\n        1990-1999\n      \n      \n        Subseries 3.3\n        2000-2009\n      \n      \n        Subseries 3.4\n        2010-2019\n      \n      \n        Series 4\n        Correspondence\n      \n      \n        Subseries 4.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 4.2\n        1990-1999\n      \n      \n        Subseries 4.3 \n        2000-2009\n      \n      \n        Subseries 4.4\n         2010-2019\n      \n      \n        Series 5 \n        Outreach and education\n      \n      \n        Subseries 5.1\n        Early Years: 1960s-1989\n      \n      \n        Subseries 5.2 \n        1990-1999\n      \n      \n        Subseries 5.3\n        2000-2009\n      \n      \n        Subseries 5.4 \n        2010-2019\n      \n      \n        Series 6\n        Photos\n      \n      \n        Series 7\n        Newsclippings"],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Adult Association for Adult and Continuing Education (VAACE), originally called the Adult Education Association of Virginia (AEAV) was founded on October 12, 1951 at a conference sponsored by University of Virginia. Some of the original founding members of the organization were members of the Southeastern Adult Education Association (SAEA) who had attended an SAEA conference held in Charlottesville, VA, in 1950. VAACE was a racially diverse organization since its founding and its organizing committee included at least one Black educator, Dr. Margaret Dabney, who later was the Dean of Teacher Education at Virginia State University.\u003c/p\u003e","\u003cp\u003eSince 1973, VAACE has worked to educate its members on the legislative process and the importance of working to shape legislation that would impact adult and continuing education. In 1984, members advocated for a new constitution for the organization that would allow for the creation of interest groups in order to have the authority (and organizational backing) to advocate for legislative change and advance other aims. At the same time, the organization changed its name to the Virginia Association for Adult and Continuing Education.\u003c/p\u003e","\u003cp\u003eVAACE continues to serve as a professional organization for adult educators in Virginia through advocacy work, leadership, and by providing professional development opportunities.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["The Virginia Adult Association for Adult and Continuing Education (VAACE), originally called the Adult Education Association of Virginia (AEAV) was founded on October 12, 1951 at a conference sponsored by University of Virginia. Some of the original founding members of the organization were members of the Southeastern Adult Education Association (SAEA) who had attended an SAEA conference held in Charlottesville, VA, in 1950. VAACE was a racially diverse organization since its founding and its organizing committee included at least one Black educator, Dr. Margaret Dabney, who later was the Dean of Teacher Education at Virginia State University.","Since 1973, VAACE has worked to educate its members on the legislative process and the importance of working to shape legislation that would impact adult and continuing education. In 1984, members advocated for a new constitution for the organization that would allow for the creation of interest groups in order to have the authority (and organizational backing) to advocate for legislative change and advance other aims. At the same time, the organization changed its name to the Virginia Association for Adult and Continuing Education.","VAACE continues to serve as a professional organization for adult educators in Virginia through advocacy work, leadership, and by providing professional development opportunities."],"prefercite_html_tesm":["\u003cp\u003eVirginia Association for Adult and Continuing Education (VAACE) records, 1964-2019, Collection # M 572, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Virginia Association for Adult and Continuing Education (VAACE) records, 1964-2019, Collection # M 572, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Virginia Association for Adult and Continuing Education (VAACE) records includes administrative records (including meeting minutes, committee documents, reports, member lists, and presidents' files), correspondence (including letters, emails, and memoranda), outreach and education materials (including conference schedules, newsletters, information and fact sheets, results of studies, and other reports), and some photographs. \u003c/p\u003e","\u003cp\u003eThe earliest item in the collection was created in 1964 (13 years after the organization was founded), although the bulk of the collection was created between 1990 and 2010. The collection contains a good run of organizational newsletters, conference schedules, leadership meeting minutes, membership directories/rosters, and financial documentation. While there are some committee reports and other committee documentation, their representation in the collection is fairly inconsistent.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Virginia Association for Adult and Continuing Education (VAACE) records includes administrative records (including meeting minutes, committee documents, reports, member lists, and presidents' files), correspondence (including letters, emails, and memoranda), outreach and education materials (including conference schedules, newsletters, information and fact sheets, results of studies, and other reports), and some photographs.","The earliest item in the collection was created in 1964 (13 years after the organization was founded), although the bulk of the collection was created between 1990 and 2010. The collection contains a good run of organizational newsletters, conference schedules, leadership meeting minutes, membership directories/rosters, and financial documentation. While there are some committee reports and other committee documentation, their representation in the collection is fairly inconsistent."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia"],"names_coll_ssim":["Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia"],"names_ssim":["VCU James Branch Cabell Library","Virginia Association for Adult and Continuing Education","Adult Education Association of Virginia"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":179,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_643_c03_c03_c04"}},{"id":"vircu_repositories_5_resources_647","type":"collection","attributes":{"title":"Bob Gorman GWAR and Richmond flyer collection, 1992/2016","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_647#creator","type":"document_value","attributes":{"value":"Gorman, Bob (Artist)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_647#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_647#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_647","ead_ssi":"vircu_repositories_5_resources_647","_root_":"vircu_repositories_5_resources_647","_nest_parent_":"vircu_repositories_5_resources_647","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_647.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/647","title_filing_ssi":"Gorman, Bob, GWAR and Richmond flyer collection","title_ssm":["Bob Gorman GWAR and Richmond flyer collection"],"title_tesim":["Bob Gorman GWAR and Richmond flyer collection"],"unitdate_ssm":["1992-2016"],"unitdate_inclusive_ssm":["1992-2016"],"normalized_date_ssm":["1992/2016"],"normalized_title_ssm":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"text":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016","M 574","/repositories/5/resources/647","Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera","Robert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department.","Since 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.","[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.","In a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025).","Collection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.","The majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.","Poster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.","Poster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.","Poster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.","Poster shows a skull with braces and an exposed brain stuck full of nails.","Poster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.","Poster shows a zombie crawling out of a grave.","Black and white poster with orange accents depicting  GWAR members in a swirling vortex.","Poster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.","Poster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.","Poster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.","Poster features GWAR's \"Violence has Arrived\" album cover.","Poster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.","Poster of GWAR's \"Live From Mt. Fuji\" album cover.","Double-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.","Print features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"","Coffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.","Poster featuring artwork from the \"Bloody Pit of Horror\" album cover.","Poster of a horned skeleton wearing an apron that reads \"grill ghoul\".","Poster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"","Poster features a horned skeleton grilling a steak and a severed arm.","Poster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.","Poster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.","Poster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.","Poster features an illustration of an atomic bomb going off.","Poster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.","Poster features a skull/octopus creature, printed in black, grey, purple, and green.","Poster features a horned creature wearing spiked bracers and wielding a large scythe.","VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)","English"],"collection_title_tesim":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"collection_ssim":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 574","/repositories/5/resources/647"],"unitid_tesim":["M 574","/repositories/5/resources/647"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Gorman, Bob (Artist)","Gorman, Bob (Artist)"],"creator_ssim":["Gorman, Bob (Artist)","Gorman, Bob (Artist)"],"creator_persname_ssim":["Gorman, Bob (Artist)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"creators_ssim":["Gorman, Bob (Artist)","VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"acqinfo_ssim":["Gift of Robert \"Bob\" Gorman, 2018."],"access_subjects_ssim":["Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera"],"access_subjects_ssm":["Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["1.6 Linear Feet 1 oversize folder in a print box housing multiple collections"],"extent_tesim":["1.6 Linear Feet 1 oversize folder in a print box housing multiple collections"],"genreform_ssim":["Music posters","posters","fliers (printed matter)","printed ephemera"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department. \u003c/p\u003e","\u003cp\u003eSince 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.\u003c/p\u003e","\u003cp\u003e\n[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.\u003c/p\u003e","\u003cp\u003eIn a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Robert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department.","Since 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.","[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.","In a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025)."],"prefercite_html_tesm":["\u003cp\u003eBob Gorman GWAR and Richmond flyer collection, 1992-2016, Collection # M 574, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Bob Gorman GWAR and Richmond flyer collection, 1992-2016, Collection # M 574, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.\u003c/p\u003e","\u003cp\u003eThe majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.\u003c/p\u003e  ","\u003cp\u003ePoster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.\u003c/p\u003e","\u003cp\u003ePoster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.\u003c/p\u003e","\u003cp\u003ePoster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.\u003c/p\u003e","\u003cp\u003ePoster shows a skull with braces and an exposed brain stuck full of nails.\u003c/p\u003e","\u003cp\u003ePoster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.\u003c/p\u003e","\u003cp\u003ePoster shows a zombie crawling out of a grave.\u003c/p\u003e","\u003cp\u003eBlack and white poster with orange accents depicting  GWAR members in a swirling vortex.\u003c/p\u003e","\u003cp\u003ePoster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.\u003c/p\u003e","\u003cp\u003ePoster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.\u003c/p\u003e","\u003cp\u003ePoster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.\u003c/p\u003e","\u003cp\u003ePoster features GWAR's \"Violence has Arrived\" album cover.\u003c/p\u003e","\u003cp\u003ePoster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.\u003c/p\u003e","\u003cp\u003ePoster of GWAR's \"Live From Mt. Fuji\" album cover.\u003c/p\u003e","\u003cp\u003eDouble-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.\u003c/p\u003e","\u003cp\u003ePrint features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"\u003c/p\u003e","\u003cp\u003eCoffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.\u003c/p\u003e","\u003cp\u003ePoster featuring artwork from the \"Bloody Pit of Horror\" album cover.\u003c/p\u003e","\u003cp\u003ePoster of a horned skeleton wearing an apron that reads \"grill ghoul\".\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton grilling a steak and a severed arm.\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.\u003c/p\u003e","\u003cp\u003ePoster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.\u003c/p\u003e","\u003cp\u003ePoster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.\u003c/p\u003e","\u003cp\u003ePoster features an illustration of an atomic bomb going off.\u003c/p\u003e","\u003cp\u003ePoster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.\u003c/p\u003e","\u003cp\u003ePoster features a skull/octopus creature, printed in black, grey, purple, and green.\u003c/p\u003e","\u003cp\u003ePoster features a horned creature wearing spiked bracers and wielding a large scythe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.","The majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.","Poster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.","Poster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.","Poster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.","Poster shows a skull with braces and an exposed brain stuck full of nails.","Poster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.","Poster shows a zombie crawling out of a grave.","Black and white poster with orange accents depicting  GWAR members in a swirling vortex.","Poster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.","Poster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.","Poster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.","Poster features GWAR's \"Violence has Arrived\" album cover.","Poster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.","Poster of GWAR's \"Live From Mt. Fuji\" album cover.","Double-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.","Print features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"","Coffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.","Poster featuring artwork from the \"Bloody Pit of Horror\" album cover.","Poster of a horned skeleton wearing an apron that reads \"grill ghoul\".","Poster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"","Poster features a horned skeleton grilling a steak and a severed arm.","Poster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.","Poster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.","Poster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.","Poster features an illustration of an atomic bomb going off.","Poster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.","Poster features a skull/octopus creature, printed in black, grey, purple, and green.","Poster features a horned creature wearing spiked bracers and wielding a large scythe."],"corpname_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"names_coll_ssim":["GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)"],"persname_ssim":["Gorman, Bob (Artist)"],"names_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_647","ead_ssi":"vircu_repositories_5_resources_647","_root_":"vircu_repositories_5_resources_647","_nest_parent_":"vircu_repositories_5_resources_647","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_647.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/647","title_filing_ssi":"Gorman, Bob, GWAR and Richmond flyer collection","title_ssm":["Bob Gorman GWAR and Richmond flyer collection"],"title_tesim":["Bob Gorman GWAR and Richmond flyer collection"],"unitdate_ssm":["1992-2016"],"unitdate_inclusive_ssm":["1992-2016"],"normalized_date_ssm":["1992/2016"],"normalized_title_ssm":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"text":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016","M 574","/repositories/5/resources/647","Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera","Robert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department.","Since 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.","[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.","In a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025).","Collection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.","The majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.","Poster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.","Poster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.","Poster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.","Poster shows a skull with braces and an exposed brain stuck full of nails.","Poster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.","Poster shows a zombie crawling out of a grave.","Black and white poster with orange accents depicting  GWAR members in a swirling vortex.","Poster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.","Poster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.","Poster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.","Poster features GWAR's \"Violence has Arrived\" album cover.","Poster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.","Poster of GWAR's \"Live From Mt. Fuji\" album cover.","Double-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.","Print features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"","Coffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.","Poster featuring artwork from the \"Bloody Pit of Horror\" album cover.","Poster of a horned skeleton wearing an apron that reads \"grill ghoul\".","Poster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"","Poster features a horned skeleton grilling a steak and a severed arm.","Poster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.","Poster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.","Poster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.","Poster features an illustration of an atomic bomb going off.","Poster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.","Poster features a skull/octopus creature, printed in black, grey, purple, and green.","Poster features a horned creature wearing spiked bracers and wielding a large scythe.","VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)","English"],"collection_title_tesim":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"collection_ssim":["Bob Gorman GWAR and Richmond flyer collection, 1992/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 574","/repositories/5/resources/647"],"unitid_tesim":["M 574","/repositories/5/resources/647"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Gorman, Bob (Artist)","Gorman, Bob (Artist)"],"creator_ssim":["Gorman, Bob (Artist)","Gorman, Bob (Artist)"],"creator_persname_ssim":["Gorman, Bob (Artist)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"creators_ssim":["Gorman, Bob (Artist)","VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"acqinfo_ssim":["Gift of Robert \"Bob\" Gorman, 2018."],"access_subjects_ssim":["Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera"],"access_subjects_ssm":["Heavy metal (Music) -- Virginia -- Richmond","Rock groups -- Virginia -- Richmond","Music posters","posters","fliers (printed matter)","printed ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["1.6 Linear Feet 1 oversize folder in a print box housing multiple collections"],"extent_tesim":["1.6 Linear Feet 1 oversize folder in a print box housing multiple collections"],"genreform_ssim":["Music posters","posters","fliers (printed matter)","printed ephemera"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department. \u003c/p\u003e","\u003cp\u003eSince 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.\u003c/p\u003e","\u003cp\u003e\n[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.\u003c/p\u003e","\u003cp\u003eIn a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Robert \"Bob\" Gorman has been working with GWAR, a heavy metal band with science fiction and mythological themes and a rotating line-up of musicians formed in Richmond, VA, since 1988. At first, his work consisted of prop fabrication and live character roles. Later, his contributions expanded to include stage management, and since 1997, he has served as the shop foreman for the fabrication department.","Since 1988, Gorman has also been heavily involved in an artist collective, production company, and independent record label named \"Slave Pit\" that was founded in 1984 and originally housed in the Richmond Dairy building in Jackson Ward in Richmond, Virginia. [1] Gorman has been a contributing writer, penciler, inker, and colorist for Slave Pit's self-published \"Slave Pit Funnies.\" Besides GWAR, the collective also worked with Death Piggy, Dave Brockie Experience, X-Cops, Locus Factor, and Mensrea.","[1] - This collective of mostly (or entirely) white artists chose to name their company \"Slave Pit\" when, in the 1840s and 1850s, Richmond was the largest market for the sale of enslaved people in the upper South, and the Jackson Ward area they operated out of is a historically Black neighborhood that white business owners and the Virginia General Assembly disenfranchised through red lining, strategic condemnation of thousands of houses and apartments, and by building a highway through the middle of the neighborhood in the 1950s.","In a 2015 TEDxRVA Talk titled \"GWAR and Regional Identity in Richmond, VA,\" Michael Bishop (a GWAR bassist and singer) discussed the name of the production company. In it, he argued that the collective's use of the word \"slave\" was meant as a \"DIY ethic of punk rock\" and \"voluntary devotion to art\" that \"represents the freedom to create.\" However, he also stated that \"we can't divorce that word from the concept of slavery, especially not in Richmond, Virginia,\" and that the name \"betrays privilege, it betrays GWAR identity in that in our narrative, slavery is an option, just like it was an option for us to live and work in Jackson Ward, and it might not have been that way for the other people who lived there.\" Although the record label is now named \"Pit Records,\" the name for the artist collective and production company has not been changed (as of July 2025)."],"prefercite_html_tesm":["\u003cp\u003eBob Gorman GWAR and Richmond flyer collection, 1992-2016, Collection # M 574, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Bob Gorman GWAR and Richmond flyer collection, 1992-2016, Collection # M 574, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.\u003c/p\u003e","\u003cp\u003eThe majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.\u003c/p\u003e  ","\u003cp\u003ePoster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.\u003c/p\u003e","\u003cp\u003ePoster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.\u003c/p\u003e","\u003cp\u003ePoster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.\u003c/p\u003e","\u003cp\u003ePoster shows a skull with braces and an exposed brain stuck full of nails.\u003c/p\u003e","\u003cp\u003ePoster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.\u003c/p\u003e","\u003cp\u003ePoster shows a zombie crawling out of a grave.\u003c/p\u003e","\u003cp\u003eBlack and white poster with orange accents depicting  GWAR members in a swirling vortex.\u003c/p\u003e","\u003cp\u003ePoster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.\u003c/p\u003e","\u003cp\u003ePoster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.\u003c/p\u003e","\u003cp\u003ePoster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.\u003c/p\u003e","\u003cp\u003ePoster features GWAR's \"Violence has Arrived\" album cover.\u003c/p\u003e","\u003cp\u003ePoster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.\u003c/p\u003e","\u003cp\u003ePoster of GWAR's \"Live From Mt. Fuji\" album cover.\u003c/p\u003e","\u003cp\u003eDouble-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.\u003c/p\u003e","\u003cp\u003ePrint features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"\u003c/p\u003e","\u003cp\u003eCoffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.\u003c/p\u003e","\u003cp\u003ePoster featuring artwork from the \"Bloody Pit of Horror\" album cover.\u003c/p\u003e","\u003cp\u003ePoster of a horned skeleton wearing an apron that reads \"grill ghoul\".\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton grilling a steak and a severed arm.\u003c/p\u003e","\u003cp\u003ePoster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.\u003c/p\u003e","\u003cp\u003ePoster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.\u003c/p\u003e","\u003cp\u003ePoster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.\u003c/p\u003e","\u003cp\u003ePoster features an illustration of an atomic bomb going off.\u003c/p\u003e","\u003cp\u003ePoster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.\u003c/p\u003e","\u003cp\u003ePoster features a skull/octopus creature, printed in black, grey, purple, and green.\u003c/p\u003e","\u003cp\u003ePoster features a horned creature wearing spiked bracers and wielding a large scythe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection includes original art by Bob Gorman; promotional flyers from Metal Blade Records on GWAR shows and album releases, as well as other acts signed to Metal Blade Records; promotional flyers for events at Hardywood Brewery, and two Richmond newspapers discussing GWAR.","The majority of the collection materials were created in the early 2000s, with some materials created as far back as 1992 and as late as 2016.","Poster consists of a decapitated head wearing a beret with various pens, pencils, and paint brushes stabbed through it. The words \"The 'art' of\" are written on a banner at the top of the print, with the word \"GWAR\" appearing illustrated in blood at the bottom.","Poster features a coat of arms with a welding helmet, bicycle crankset on a wrench, crossed paintbrush and hammer, and fish on it.","Poster shows a zombie standing outside and wearing a striped shirt while holding a beer can in one hand and a hammer in the other.","Poster shows a skull with braces and an exposed brain stuck full of nails.","Poster shows an alien/monster in armor, driving a two-wheeled vehicle made out of a bong.","Poster shows a zombie crawling out of a grave.","Black and white poster with orange accents depicting  GWAR members in a swirling vortex.","Poster has an American flag-themed background with a figure in a purple suit with gold chains smoking a cigarette and pointing a gun.","Poster is printed with a blue and white background and red text reading \"X-COPS\" in the crosshairs, evoking imagery from the show Cops.","Poster is printed in orange, yellow, green, and black. It features green plastic toy soldiers lined up in a row, with two being melted with a match and stabbed by two children. The print is numbered 291 out of 510 by the artist Marco Almera.","Poster features GWAR's \"Violence has Arrived\" album cover.","Poster advertises 3 GWAR DVDs and 1 CD avaiable for purchase.","Poster of GWAR's \"Live From Mt. Fuji\" album cover.","Double-sided poster featuring GWAR's \"Beyond Hell\" album cover on one side and a photo of the band on the reverse.","Print features a black shield, warhammer, and axe on white paper. Numbered 233 out of 289 with the initials \"CP.\"","Coffee-stained poster print in red, white, and blue featuring a horned alien/monster wearing a spiked headband or diadem.","Poster featuring artwork from the \"Bloody Pit of Horror\" album cover.","Poster of a horned skeleton wearing an apron that reads \"grill ghoul\".","Poster features a horned skeleton half-submerged in water wearing an apron that reads \"Eat Meat.\"","Poster features a horned skeleton grilling a steak and a severed arm.","Poster features a horned skeleton wielding a bloody meat cleaver at a woman labeled with cuts of meat.","Poster features a skeleton wearing a hazmat suit and stirring a bubbling vat of liquid.","Poster features an illustration of a winged and horned skeleton standing in what appears to be a large cauldron full of heads.","Poster features an illustration of an atomic bomb going off.","Poster features a greyscale image (presumably) from the film Streetmuse: Kenya with an individual holding up a skull mask over their face.","Poster features a skull/octopus creature, printed in black, grey, purple, and green.","Poster features a horned creature wearing spiked bracers and wielding a large scythe."],"corpname_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)"],"names_coll_ssim":["GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)"],"persname_ssim":["Gorman, Bob (Artist)"],"names_ssim":["VCU James Branch Cabell Library","GWAR (Musical group)","Metal Blade Records (Firm)","Gorman, Bob (Artist)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_647"}},{"id":"vircu_repositories_5_resources_582","type":"collection","attributes":{"title":"Bonnie Atwood papers, 1968/2005","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_582#creator","type":"document_value","attributes":{"value":"Atwood, Bonnie","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_582#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_582#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_582","ead_ssi":"vircu_repositories_5_resources_582","_root_":"vircu_repositories_5_resources_582","_nest_parent_":"vircu_repositories_5_resources_582","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_582.xml","title_filing_ssi":"Atwood, Bonnie, papers","title_ssm":["Bonnie Atwood papers"],"title_tesim":["Bonnie Atwood papers"],"unitdate_ssm":["1968-2005"],"unitdate_inclusive_ssm":["1968-2005"],"normalized_date_ssm":["1968/2005"],"normalized_title_ssm":["Bonnie Atwood papers, 1968/2005"],"text":["Bonnie Atwood papers, 1968/2005","M 520","/repositories/5/resources/582","Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States","The collection is open for research.","The collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005.","Bonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers.","After the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications.","In 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources:","Bonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America.  (Weblink)","\"Bonnie Atwood named 2016 Communicator of Achievement.\" Virginia Professional Communicators . 2016.  (Article Link)","The Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.","Series 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.","The majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.","An additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.","The flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.","Series 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. While the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.","The series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers Alice, Broadside, Guardian, and Quicksilver Times. Additionally, the series contains one-off issues of other alternative publications such as the first issue of Off Our Backs, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as The Ragged Edge and Mouth Magazine, written to raise awareness about living with physical and mental disabilities.","A first printing copy of the one-shot underground comic It Ain't Me, Babe has been removed from the collection and cataloged separately.","A copy of the LP record Message to the Grass Roots from Malcom X has been removed from the collection and cataloged separately.","There are no restrictions.","VCU James Branch Cabell Library","Atwood, Bonnie","English\n."],"collection_title_tesim":["Bonnie Atwood papers, 1968/2005"],"collection_ssim":["Bonnie Atwood papers, 1968/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 520","/repositories/5/resources/582"],"unitid_tesim":["M 520","/repositories/5/resources/582"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Atwood, Bonnie","Atwood, Bonnie"],"creator_ssim":["Atwood, Bonnie","Atwood, Bonnie"],"creator_persname_ssim":["Atwood, Bonnie"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Atwood, Bonnie","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Bonnie Atwood in 2014."],"access_subjects_ssim":["Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States"],"access_subjects_ssm":["Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["5.43 Linear Feet"],"extent_tesim":["5.43 Linear Feet"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005."],"bioghist_html_tesm":["\u003cp\u003eBonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers. \u003c/p\u003e","\u003cp\u003eAfter the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications. \u003c/p\u003e","\u003cp\u003eIn 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources: \u003c/p\u003e","\u003cp\u003eBonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America. \u003cextref href=\"https://www.veteranfeministsofamerica.org/legacy/BONNIE%20ATWOOD.htm\"\u003e (Weblink)\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Bonnie Atwood named 2016 Communicator of Achievement.\" \u003ctitle\u003eVirginia Professional Communicators \u003c/title\u003e. 2016. \u003cextref href=\"http://vapc.org/news/bonnie-atwood-named-2016-communicator-achievement/\"\u003e (Article Link)\u003c/extref\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Bonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers.","After the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications.","In 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources:","Bonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America.  (Weblink)","\"Bonnie Atwood named 2016 Communicator of Achievement.\" Virginia Professional Communicators . 2016.  (Article Link)"],"prefercite_html_tesm":["\u003cp\u003eBonnie Atwood papers, 1965-2005, Collection # M 520, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Bonnie Atwood papers, 1965-2005, Collection # M 520, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eSeries 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.\u003c/p\u003e","\u003cp\u003eThe majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eAn additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.\u003c/p\u003e","\u003cp\u003eSeries 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. \u003cemph\u003eWhile\u003c/emph\u003e the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.\u003c/p\u003e","\u003cp\u003eThe series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers \u003ctitle\u003eAlice\u003c/title\u003e, \u003ctitle\u003eBroadside\u003c/title\u003e, \u003ctitle\u003eGuardian\u003c/title\u003e, and \u003ctitle\u003eQuicksilver Times\u003c/title\u003e. Additionally, the series contains one-off issues of other alternative publications such as the first issue of \u003ctitle\u003eOff Our Backs\u003c/title\u003e, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as \u003ctitle\u003eThe Ragged Edge\u003c/title\u003e and \u003ctitle\u003eMouth Magazine\u003c/title\u003e, written to raise awareness about living with physical and mental disabilities.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.","Series 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.","The majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.","An additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.","The flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.","Series 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. While the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.","The series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers Alice, Broadside, Guardian, and Quicksilver Times. Additionally, the series contains one-off issues of other alternative publications such as the first issue of Off Our Backs, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as The Ragged Edge and Mouth Magazine, written to raise awareness about living with physical and mental disabilities."],"separatedmaterial_html_tesm":["\u003cp\u003eA first printing copy of the one-shot underground comic \u003ctitle\u003eIt Ain't Me, Babe\u003c/title\u003e has been removed from the collection and cataloged separately.\u003c/p\u003e","\u003cp\u003eA copy of the LP record \u003ctitle\u003eMessage to the Grass Roots from Malcom X\u003c/title\u003e has been removed from the collection and cataloged separately. \u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A first printing copy of the one-shot underground comic It Ain't Me, Babe has been removed from the collection and cataloged separately.","A copy of the LP record Message to the Grass Roots from Malcom X has been removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Atwood, Bonnie"],"names_coll_ssim":["Atwood, Bonnie"],"names_ssim":["VCU James Branch Cabell Library","Atwood, Bonnie"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":46,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_582","ead_ssi":"vircu_repositories_5_resources_582","_root_":"vircu_repositories_5_resources_582","_nest_parent_":"vircu_repositories_5_resources_582","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_582.xml","title_filing_ssi":"Atwood, Bonnie, papers","title_ssm":["Bonnie Atwood papers"],"title_tesim":["Bonnie Atwood papers"],"unitdate_ssm":["1968-2005"],"unitdate_inclusive_ssm":["1968-2005"],"normalized_date_ssm":["1968/2005"],"normalized_title_ssm":["Bonnie Atwood papers, 1968/2005"],"text":["Bonnie Atwood papers, 1968/2005","M 520","/repositories/5/resources/582","Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States","The collection is open for research.","The collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005.","Bonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers.","After the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications.","In 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources:","Bonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America.  (Weblink)","\"Bonnie Atwood named 2016 Communicator of Achievement.\" Virginia Professional Communicators . 2016.  (Article Link)","The Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.","Series 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.","The majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.","An additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.","The flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.","Series 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. While the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.","The series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers Alice, Broadside, Guardian, and Quicksilver Times. Additionally, the series contains one-off issues of other alternative publications such as the first issue of Off Our Backs, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as The Ragged Edge and Mouth Magazine, written to raise awareness about living with physical and mental disabilities.","A first printing copy of the one-shot underground comic It Ain't Me, Babe has been removed from the collection and cataloged separately.","A copy of the LP record Message to the Grass Roots from Malcom X has been removed from the collection and cataloged separately.","There are no restrictions.","VCU James Branch Cabell Library","Atwood, Bonnie","English\n."],"collection_title_tesim":["Bonnie Atwood papers, 1968/2005"],"collection_ssim":["Bonnie Atwood papers, 1968/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 520","/repositories/5/resources/582"],"unitid_tesim":["M 520","/repositories/5/resources/582"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Atwood, Bonnie","Atwood, Bonnie"],"creator_ssim":["Atwood, Bonnie","Atwood, Bonnie"],"creator_persname_ssim":["Atwood, Bonnie"],"creator_corpname_ssim":["VCU James Branch Cabell Library"],"creators_ssim":["Atwood, Bonnie","VCU James Branch Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Bonnie Atwood in 2014."],"access_subjects_ssim":["Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States"],"access_subjects_ssm":["Feminists","Sexual minorities","Women's rights","Underground press publications","Women's rights -- History -- 20th century -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["5.43 Linear Feet"],"extent_tesim":["5.43 Linear Feet"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: Series 1: Subject Files, 1966-2001 and Series 2: Alternative News Publications and Magazines, 1971-2005."],"bioghist_html_tesm":["\u003cp\u003eBonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers. \u003c/p\u003e","\u003cp\u003eAfter the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications. \u003c/p\u003e","\u003cp\u003eIn 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources: \u003c/p\u003e","\u003cp\u003eBonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America. \u003cextref href=\"https://www.veteranfeministsofamerica.org/legacy/BONNIE%20ATWOOD.htm\"\u003e (Weblink)\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\"Bonnie Atwood named 2016 Communicator of Achievement.\" \u003ctitle\u003eVirginia Professional Communicators \u003c/title\u003e. 2016. \u003cextref href=\"http://vapc.org/news/bonnie-atwood-named-2016-communicator-achievement/\"\u003e (Article Link)\u003c/extref\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Bonnie Atwood is a feminist lobbyist, author, and activist from Virginia, primarily active from the 1970s to the present. Her efforts include advocating for the rights of women as homemakers and protesting the Catholic annulment system. Atwood was born in Arlington, Virginia in 1947. She attended George Mason College (now George Mason University) in Fairfax, Virginia in the 1960s where she studied psychology. During her time at George Mason College, Atwood joined classes at the Institute for Policy Studies (IPS) in Washington, DC.  While there, she became involved in various activist causes such as the women's movement, the Vietnam peace movement, and the Civil Rights movement by collaborating in think tanks and alternative newspapers.","After the classes at IPS ended, Atwood and her classmates continued to meet, calling themselves the Washington Women's Liberation group. Some members spun off into other groups such as Off Our Backs, The Furies, and The Witches. These groups created alternative news publications focusing on their core beliefs. Atwood wrote articles and pamphlets for consciousness-raising efforts to contribute to several of these publications.","In 1980, Atwood moved to Richmond, Virginia where she worked as a freelance writer for the Richmond Times-Dispatch while raising her child. During that period, Atwood became involved in advocacy groups for the support of women's rights in the marriage annulment process practiced by the Catholic Church. In 1993, she attended law school at the University of Richmond, focusing on disability law. While attending the university, Atwood wrote for the school newspaper's etiquette column. She graduated with a Juris Doctor degree in 1996. Rather than pursue a legal practice, Atwood became a professional lobbyist for various clients, including the Virginia Federation of Food Banks, Virginia Girl Scout Legislative Coalition, American Red Cross, Speech-Language-Hearing Association and Virginia Association for Marriage and Family Therapy. In 2003, Atwood published her book, In the Field of Honor: Stories of Virginia Veterans, a compilation of interviews with veterans from multiple branches of the United States military. Today, she continues to act as a lobbyist for the Virginia Retired Teachers Association and the Virginia Association for Marriage and Family Therapy.\nSources:","Bonnie Atwood - Early Women's Liberationis, Lawyer, Writer. Veteran Feminists of America.  (Weblink)","\"Bonnie Atwood named 2016 Communicator of Achievement.\" Virginia Professional Communicators . 2016.  (Article Link)"],"prefercite_html_tesm":["\u003cp\u003eBonnie Atwood papers, 1965-2005, Collection # M 520, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Bonnie Atwood papers, 1965-2005, Collection # M 520, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eSeries 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.\u003c/p\u003e","\u003cp\u003eThe majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eAn additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.\u003c/p\u003e","\u003cp\u003eSeries 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. \u003cemph\u003eWhile\u003c/emph\u003e the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.\u003c/p\u003e","\u003cp\u003eThe series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers \u003ctitle\u003eAlice\u003c/title\u003e, \u003ctitle\u003eBroadside\u003c/title\u003e, \u003ctitle\u003eGuardian\u003c/title\u003e, and \u003ctitle\u003eQuicksilver Times\u003c/title\u003e. Additionally, the series contains one-off issues of other alternative publications such as the first issue of \u003ctitle\u003eOff Our Backs\u003c/title\u003e, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as \u003ctitle\u003eThe Ragged Edge\u003c/title\u003e and \u003ctitle\u003eMouth Magazine\u003c/title\u003e, written to raise awareness about living with physical and mental disabilities.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bonnie Atwood papers, 1965-2005, is a collection of research and reference materials used by Virginia feminist Bonnie Atwood. The papers provide insight into the beliefs and methodologies of grassroots second-wave feminist activists during the 1960s and 1970s.","Series 1: Subject Files, 1965-2001: The bulk of the collection is comprised of subject files collected by Atwood, which reflect her interests and areas of advocacy. The primary focuses of the materials  are feminism, civil rights, and anti-war movements.","The majority of the subject files relate to Atwood's involvement in feminist causes. The files pertain to women's health, women's history, women in the news, and general feminist theory and are primarily in the  form of pamphlets, essays, newsletters, and flyers. Files related to specific feminist groups and goals Atwood supported include the International Institute for Women's Studies in Northern Virginia, the Virginia Foundation for Women, and the Washington Women's Liberation Bulletin which all operated to educate women on the core concepts of second-wave feminism in the 1960s and 1970s.","An additional theme represented in Atwood's subject files is anti-war material. Included are studies and informational pamphlets exploring the effects of the Vietnam War and the draft on society, as well as material promoting protests and legislative action against the war. Correspondence included in the series is primarily with Virginia congressmen requesting action regarding the Vietnam War.","The flyers within the collection represent a wide range of topics and events which Atwood supported. Most of them promote local protests and demonstrations in the Northern Virginia and Richmond areas, while others are informational in nature to raise awareness of feminist or anti-war causes.","Series 2: Alternative News Publications and Magazines, 1969-2005: Atwood's collection also contains various issues of alternative press publications.  Many of the publications focus primarily on the promotion of non-traditional radical activism. Topics include women's liberation, anti-war, and anti-government columns. While the collection does not include full runs of the publications, the issues kept by Atwood reflect her opinions on these topics.","The series includes sporadic  consecutive issues for the years 1969-1970 for the alternative newspapers Alice, Broadside, Guardian, and Quicksilver Times. Additionally, the series contains one-off issues of other alternative publications such as the first issue of Off Our Backs, a feminist and lesbian focused news publication which includes subjects that today would be described as LGBTQ+. Also found in this series are activist magazines, such as The Ragged Edge and Mouth Magazine, written to raise awareness about living with physical and mental disabilities."],"separatedmaterial_html_tesm":["\u003cp\u003eA first printing copy of the one-shot underground comic \u003ctitle\u003eIt Ain't Me, Babe\u003c/title\u003e has been removed from the collection and cataloged separately.\u003c/p\u003e","\u003cp\u003eA copy of the LP record \u003ctitle\u003eMessage to the Grass Roots from Malcom X\u003c/title\u003e has been removed from the collection and cataloged separately. \u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A first printing copy of the one-shot underground comic It Ain't Me, Babe has been removed from the collection and cataloged separately.","A copy of the LP record Message to the Grass Roots from Malcom X has been removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library"],"persname_ssim":["Atwood, Bonnie"],"names_coll_ssim":["Atwood, Bonnie"],"names_ssim":["VCU James Branch Cabell Library","Atwood, Bonnie"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":46,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_582"}},{"id":"vircu_repositories_5_resources_162_c12_c14","type":"File","attributes":{"title":"Boston Marriage, David Mamet, Clippings, 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_162_c12_c14","ref_ssm":["vircu_repositories_5_resources_162_c12_c14"],"id":"vircu_repositories_5_resources_162_c12_c14","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162_c12","parent_ssi":"vircu_repositories_5_resources_162_c12","parent_ssim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_ids_ssim":["vircu_repositories_5_resources_162","vircu_repositories_5_resources_162_c12"],"title_filing_ssi":"Boston Marriage, David Mamet, Clippings","title_ssm":["Boston Marriage, David Mamet, Clippings"],"title_tesim":["Boston Marriage, David Mamet, Clippings"],"normalized_title_ssm":["Boston Marriage, David Mamet, Clippings, 2005"],"text":["Boston Marriage, David Mamet, Clippings, 2005","Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005","box 3"],"parent_unittitles_ssm":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_unittitles_tesim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"normalized_date_ssm":["2005"],"unitdate_other_ssim":["March 20, 2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":229,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"containers_ssim":["box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[2005],"_nest_path_":"/components#11/components#13","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_162","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_162.xml","title_filing_ssi":"Richmond Triangle Players","title_ssm":["Richmond Triangle Players records"],"title_tesim":["Richmond Triangle Players records"],"unitdate_ssm":["1993-2007"],"unitdate_inclusive_ssm":["1993-2007"],"normalized_date_ssm":["1993/2007"],"normalized_title_ssm":["Richmond Triangle Players records, 1993/2007"],"text":["Richmond Triangle Players records, 1993/2007","M 347","/repositories/5/resources/162","Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers.","Collection open for research.","The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.","In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.","For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.","This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.","VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)","English"],"collection_title_tesim":["Richmond Triangle Players records, 1993/2007"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 347","/repositories/5/resources/162"],"unitid_tesim":["M 347","/repositories/5/resources/162"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Triangle Players (Theater company)"],"creator_ssim":["Richmond Triangle Players (Theater company)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"creators_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"access_subjects_ssim":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"access_subjects_ssm":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"has_online_content_ssim":["false"],"extent_ssm":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"extent_tesim":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials."],"bioghist_html_tesm":["\u003cp\u003eIn 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called \u003ctitle\u003eSafe Sex\u003c/title\u003e based on Harvey Fierstein's trilogy. Fierstein gave special permission to add \u003ctitle\u003eForget Him\u003c/title\u003e which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production. \u003c/p\u003e","\u003cp\u003eIn the early years, RTP focused on AIDS related shows including\u003ctitle\u003e As Is\u003c/title\u003e by William Hoffman, \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens\u003c/title\u003e by Bill Russell and Steven Dietz's \u003ctitle\u003eLonely Planet\u003c/title\u003e. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships."],"prefercite_html_tesm":["\u003cp\u003eRichmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eFor other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the \u003ctitle\u003eRichmond Times Dispatch\u003c/title\u003e or \u003ctitle\u003eStyle Weekly Magazine\u003c/title\u003e. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like \u003ctitle\u003eTen Percent Revue\u003c/title\u003e and \u003ctitle\u003eLisbon Traviata\u003c/title\u003e attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens,\u003c/title\u003e and Steve Moore's \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eHomophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced \u003ctitle\u003eThe Laramie Project\u003c/title\u003e in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. \u003ctitle\u003eStop Kiss\u003c/title\u003e by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.\u003c/p\u003e","\u003cp\u003eOther prominent themes in RTPs productions include gay/lesbian relationships (\u003ctitle\u003eThe Most Fabulous Story Ever Told\u003c/title\u003e,\u003ctitle\u003e The Judas Kiss\u003c/title\u003e, and \u003ctitle\u003eTaken In\u003c/title\u003e) and growing up gay (\u003ctitle\u003eHysterical Blindness\u003c/title\u003e and \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. \u003ctitle\u003eMy Left Breast\u003c/title\u003e is about one woman's struggle with breast cancer and \u003ctitle\u003eThe Last Session\u003c/title\u003e chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.\u003c/p\u003e","\u003cp\u003eAnother important element of this collection is several Virginia gay/lesbian periodicals (\u003ctitle\u003eOut in Virginia\u003c/title\u003e, \u003ctitle\u003eOut and About\u003c/title\u003e, \u003ctitle\u003eThe Virginia Gayzette\u003c/title\u003e). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"names_coll_ssim":["Richmond Triangle Players (Theater company)"],"names_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c14"}},{"id":"vircu_repositories_5_resources_162_c12_c15","type":"File","attributes":{"title":"Boston Marriage, David Mamet, Correspondence, 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_162_c12_c15","ref_ssm":["vircu_repositories_5_resources_162_c12_c15"],"id":"vircu_repositories_5_resources_162_c12_c15","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162_c12","parent_ssi":"vircu_repositories_5_resources_162_c12","parent_ssim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_ids_ssim":["vircu_repositories_5_resources_162","vircu_repositories_5_resources_162_c12"],"title_filing_ssi":"Boston Marriage, David Mamet, Correspondence","title_ssm":["Boston Marriage, David Mamet, Correspondence"],"title_tesim":["Boston Marriage, David Mamet, Correspondence"],"normalized_title_ssm":["Boston Marriage, David Mamet, Correspondence, 2005"],"text":["Boston Marriage, David Mamet, Correspondence, 2005","Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005","box 3"],"parent_unittitles_ssm":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_unittitles_tesim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"normalized_date_ssm":["2005"],"unitdate_other_ssim":["March 20, 2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":230,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"containers_ssim":["box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[2005],"_nest_path_":"/components#11/components#14","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_162","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_162.xml","title_filing_ssi":"Richmond Triangle Players","title_ssm":["Richmond Triangle Players records"],"title_tesim":["Richmond Triangle Players records"],"unitdate_ssm":["1993-2007"],"unitdate_inclusive_ssm":["1993-2007"],"normalized_date_ssm":["1993/2007"],"normalized_title_ssm":["Richmond Triangle Players records, 1993/2007"],"text":["Richmond Triangle Players records, 1993/2007","M 347","/repositories/5/resources/162","Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers.","Collection open for research.","The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.","In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.","For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.","This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.","VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)","English"],"collection_title_tesim":["Richmond Triangle Players records, 1993/2007"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 347","/repositories/5/resources/162"],"unitid_tesim":["M 347","/repositories/5/resources/162"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Triangle Players (Theater company)"],"creator_ssim":["Richmond Triangle Players (Theater company)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"creators_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"access_subjects_ssim":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"access_subjects_ssm":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"has_online_content_ssim":["false"],"extent_ssm":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"extent_tesim":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials."],"bioghist_html_tesm":["\u003cp\u003eIn 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called \u003ctitle\u003eSafe Sex\u003c/title\u003e based on Harvey Fierstein's trilogy. Fierstein gave special permission to add \u003ctitle\u003eForget Him\u003c/title\u003e which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production. \u003c/p\u003e","\u003cp\u003eIn the early years, RTP focused on AIDS related shows including\u003ctitle\u003e As Is\u003c/title\u003e by William Hoffman, \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens\u003c/title\u003e by Bill Russell and Steven Dietz's \u003ctitle\u003eLonely Planet\u003c/title\u003e. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships."],"prefercite_html_tesm":["\u003cp\u003eRichmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eFor other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the \u003ctitle\u003eRichmond Times Dispatch\u003c/title\u003e or \u003ctitle\u003eStyle Weekly Magazine\u003c/title\u003e. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like \u003ctitle\u003eTen Percent Revue\u003c/title\u003e and \u003ctitle\u003eLisbon Traviata\u003c/title\u003e attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens,\u003c/title\u003e and Steve Moore's \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eHomophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced \u003ctitle\u003eThe Laramie Project\u003c/title\u003e in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. \u003ctitle\u003eStop Kiss\u003c/title\u003e by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.\u003c/p\u003e","\u003cp\u003eOther prominent themes in RTPs productions include gay/lesbian relationships (\u003ctitle\u003eThe Most Fabulous Story Ever Told\u003c/title\u003e,\u003ctitle\u003e The Judas Kiss\u003c/title\u003e, and \u003ctitle\u003eTaken In\u003c/title\u003e) and growing up gay (\u003ctitle\u003eHysterical Blindness\u003c/title\u003e and \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. \u003ctitle\u003eMy Left Breast\u003c/title\u003e is about one woman's struggle with breast cancer and \u003ctitle\u003eThe Last Session\u003c/title\u003e chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.\u003c/p\u003e","\u003cp\u003eAnother important element of this collection is several Virginia gay/lesbian periodicals (\u003ctitle\u003eOut in Virginia\u003c/title\u003e, \u003ctitle\u003eOut and About\u003c/title\u003e, \u003ctitle\u003eThe Virginia Gayzette\u003c/title\u003e). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"names_coll_ssim":["Richmond Triangle Players (Theater company)"],"names_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c15"}},{"id":"vircu_repositories_5_resources_162_c12_c16","type":"File","attributes":{"title":"Boston Marriage, David Mamet,  Photographs, 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_162_c12_c16","ref_ssm":["vircu_repositories_5_resources_162_c12_c16"],"id":"vircu_repositories_5_resources_162_c12_c16","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162_c12","parent_ssi":"vircu_repositories_5_resources_162_c12","parent_ssim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_ids_ssim":["vircu_repositories_5_resources_162","vircu_repositories_5_resources_162_c12"],"title_filing_ssi":"Boston Marriage, David Mamet,  Photographs","title_ssm":["Boston Marriage, David Mamet,  Photographs"],"title_tesim":["Boston Marriage, David Mamet,  Photographs"],"normalized_title_ssm":["Boston Marriage, David Mamet,  Photographs, 2005"],"text":["Boston Marriage, David Mamet,  Photographs, 2005","Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005","box 3"],"parent_unittitles_ssm":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_unittitles_tesim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"normalized_date_ssm":["2005"],"unitdate_other_ssim":["March 20, 2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":231,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"containers_ssim":["box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[2005],"_nest_path_":"/components#11/components#15","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_162","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_162.xml","title_filing_ssi":"Richmond Triangle Players","title_ssm":["Richmond Triangle Players records"],"title_tesim":["Richmond Triangle Players records"],"unitdate_ssm":["1993-2007"],"unitdate_inclusive_ssm":["1993-2007"],"normalized_date_ssm":["1993/2007"],"normalized_title_ssm":["Richmond Triangle Players records, 1993/2007"],"text":["Richmond Triangle Players records, 1993/2007","M 347","/repositories/5/resources/162","Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers.","Collection open for research.","The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.","In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.","For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.","This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.","VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)","English"],"collection_title_tesim":["Richmond Triangle Players records, 1993/2007"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 347","/repositories/5/resources/162"],"unitid_tesim":["M 347","/repositories/5/resources/162"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Triangle Players (Theater company)"],"creator_ssim":["Richmond Triangle Players (Theater company)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"creators_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"access_subjects_ssim":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"access_subjects_ssm":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"has_online_content_ssim":["false"],"extent_ssm":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"extent_tesim":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials."],"bioghist_html_tesm":["\u003cp\u003eIn 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called \u003ctitle\u003eSafe Sex\u003c/title\u003e based on Harvey Fierstein's trilogy. Fierstein gave special permission to add \u003ctitle\u003eForget Him\u003c/title\u003e which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production. \u003c/p\u003e","\u003cp\u003eIn the early years, RTP focused on AIDS related shows including\u003ctitle\u003e As Is\u003c/title\u003e by William Hoffman, \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens\u003c/title\u003e by Bill Russell and Steven Dietz's \u003ctitle\u003eLonely Planet\u003c/title\u003e. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships."],"prefercite_html_tesm":["\u003cp\u003eRichmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eFor other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the \u003ctitle\u003eRichmond Times Dispatch\u003c/title\u003e or \u003ctitle\u003eStyle Weekly Magazine\u003c/title\u003e. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like \u003ctitle\u003eTen Percent Revue\u003c/title\u003e and \u003ctitle\u003eLisbon Traviata\u003c/title\u003e attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens,\u003c/title\u003e and Steve Moore's \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eHomophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced \u003ctitle\u003eThe Laramie Project\u003c/title\u003e in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. \u003ctitle\u003eStop Kiss\u003c/title\u003e by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.\u003c/p\u003e","\u003cp\u003eOther prominent themes in RTPs productions include gay/lesbian relationships (\u003ctitle\u003eThe Most Fabulous Story Ever Told\u003c/title\u003e,\u003ctitle\u003e The Judas Kiss\u003c/title\u003e, and \u003ctitle\u003eTaken In\u003c/title\u003e) and growing up gay (\u003ctitle\u003eHysterical Blindness\u003c/title\u003e and \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. \u003ctitle\u003eMy Left Breast\u003c/title\u003e is about one woman's struggle with breast cancer and \u003ctitle\u003eThe Last Session\u003c/title\u003e chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.\u003c/p\u003e","\u003cp\u003eAnother important element of this collection is several Virginia gay/lesbian periodicals (\u003ctitle\u003eOut in Virginia\u003c/title\u003e, \u003ctitle\u003eOut and About\u003c/title\u003e, \u003ctitle\u003eThe Virginia Gayzette\u003c/title\u003e). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"names_coll_ssim":["Richmond Triangle Players (Theater company)"],"names_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c16"}},{"id":"vircu_repositories_5_resources_162_c12_c17","type":"File","attributes":{"title":"Boston Marriage, David Mamet, Programs, 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_162_c12_c17","ref_ssm":["vircu_repositories_5_resources_162_c12_c17"],"id":"vircu_repositories_5_resources_162_c12_c17","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162_c12","parent_ssi":"vircu_repositories_5_resources_162_c12","parent_ssim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_ids_ssim":["vircu_repositories_5_resources_162","vircu_repositories_5_resources_162_c12"],"title_filing_ssi":"Boston Marriage, David Mamet, Programs","title_ssm":["Boston Marriage, David Mamet, Programs"],"title_tesim":["Boston Marriage, David Mamet, Programs"],"normalized_title_ssm":["Boston Marriage, David Mamet, Programs, 2005"],"text":["Boston Marriage, David Mamet, Programs, 2005","Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005","box 3"],"parent_unittitles_ssm":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"parent_unittitles_tesim":["Richmond Triangle Players records, 1993/2007","Season 12, 2004/2005"],"normalized_date_ssm":["2005"],"unitdate_other_ssim":["March 20, 2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":232,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"containers_ssim":["box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection open for research."],"date_range_isim":[2005],"_nest_path_":"/components#11/components#16","timestamp":"2026-06-23T07:07:00.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_162","ead_ssi":"vircu_repositories_5_resources_162","_root_":"vircu_repositories_5_resources_162","_nest_parent_":"vircu_repositories_5_resources_162","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_162.xml","title_filing_ssi":"Richmond Triangle Players","title_ssm":["Richmond Triangle Players records"],"title_tesim":["Richmond Triangle Players records"],"unitdate_ssm":["1993-2007"],"unitdate_inclusive_ssm":["1993-2007"],"normalized_date_ssm":["1993/2007"],"normalized_title_ssm":["Richmond Triangle Players records, 1993/2007"],"text":["Richmond Triangle Players records, 1993/2007","M 347","/repositories/5/resources/162","Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers.","Collection open for research.","The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.","In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.","For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.","This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.","VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)","English"],"collection_title_tesim":["Richmond Triangle Players records, 1993/2007"],"collection_ssim":["Richmond Triangle Players records, 1993/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 347","/repositories/5/resources/162"],"unitid_tesim":["M 347","/repositories/5/resources/162"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond Triangle Players (Theater company)"],"creator_ssim":["Richmond Triangle Players (Theater company)"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"creators_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"access_subjects_ssim":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"access_subjects_ssm":["Gay theater -- Virginia -- Richmond.","Theater -- Virginia -- Richmond.","Gay activists -- Virginia -- Richmond","Theatrical companies -- Virginia -- Richmond","Gay newspapers."],"has_online_content_ssim":["false"],"extent_ssm":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"extent_tesim":["3.69 Linear Feet 4 boxes (2 record cartons, 1 letter document box, 1 print box), and oversize materials in a map case drawer (not counted towards extent)"],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open for research."],"arrangement_html_tesm":["\u003cp\u003eThe contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The contents of this collection are arranged chronologically by season, and according to the opening date of each production. The periodicals are arranged alphabetically following the production materials."],"bioghist_html_tesm":["\u003cp\u003eIn 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called \u003ctitle\u003eSafe Sex\u003c/title\u003e based on Harvey Fierstein's trilogy. Fierstein gave special permission to add \u003ctitle\u003eForget Him\u003c/title\u003e which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production. \u003c/p\u003e","\u003cp\u003eIn the early years, RTP focused on AIDS related shows including\u003ctitle\u003e As Is\u003c/title\u003e by William Hoffman, \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens\u003c/title\u003e by Bill Russell and Steven Dietz's \u003ctitle\u003eLonely Planet\u003c/title\u003e. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["In 1992, Marchcus Miller, Steve J. Earle and Mike Gooding produced a three night run of one act plays called Safe Sex based on Harvey Fierstein's trilogy. Fierstein gave special permission to add Forget Him which he had never let anyone else produce. The objective was to raise money for the AIDS crisis, which after 10 years of incubation in big cities, was then reaching serious proportions and looming large in the consciousness of Richmond. Richmond Triangle Players (RTP) were formed from this first production.","In the early years, RTP focused on AIDS related shows including As Is by William Hoffman, Elegies for Angels, Punks, and Raging Queens by Bill Russell and Steven Dietz's Lonely Planet. The intention was to make the company and its productions inclusive, bringing in new directors, and to offer opportunities to aspiring artists and playwrights. RTP efforts at consciousness-raising have expanded to plays dealing with the Gay experience in many forms: breast cancer, diversity, aging and dying, and almost always dealing with relationships."],"prefercite_html_tesm":["\u003cp\u003eRichmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Triangle Players Archives, Collection Number M 347, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eFor other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For other information about Richmond and HIV/AIDS, see Fan Free Clinic collection, M 344.\nFor other Virginia-area LGBTQ+ publications and newspapers, as well as other materials from the Richmond Triangle Players, see Central Virginia gay and lesbian publications collection, M 334."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the \u003ctitle\u003eRichmond Times Dispatch\u003c/title\u003e or \u003ctitle\u003eStyle Weekly Magazine\u003c/title\u003e. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like \u003ctitle\u003eTen Percent Revue\u003c/title\u003e and \u003ctitle\u003eLisbon Traviata\u003c/title\u003e attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include \u003ctitle\u003eElegies for Angels, Punks, and Raging Queens,\u003c/title\u003e and Steve Moore's \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eHomophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced \u003ctitle\u003eThe Laramie Project\u003c/title\u003e in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. \u003ctitle\u003eStop Kiss\u003c/title\u003e by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.\u003c/p\u003e","\u003cp\u003eOther prominent themes in RTPs productions include gay/lesbian relationships (\u003ctitle\u003eThe Most Fabulous Story Ever Told\u003c/title\u003e,\u003ctitle\u003e The Judas Kiss\u003c/title\u003e, and \u003ctitle\u003eTaken In\u003c/title\u003e) and growing up gay (\u003ctitle\u003eHysterical Blindness\u003c/title\u003e and \u003ctitle\u003eI Never Knew Oz Was in Color\u003c/title\u003e). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. \u003ctitle\u003eMy Left Breast\u003c/title\u003e is about one woman's struggle with breast cancer and \u003ctitle\u003eThe Last Session\u003c/title\u003e chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.\u003c/p\u003e","\u003cp\u003eAnother important element of this collection is several Virginia gay/lesbian periodicals (\u003ctitle\u003eOut in Virginia\u003c/title\u003e, \u003ctitle\u003eOut and About\u003c/title\u003e, \u003ctitle\u003eThe Virginia Gayzette\u003c/title\u003e). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is mostly composed of photographic and ephemeral material relating to the various productions that Richmond Triangle Players (RTP) have undertaken from 1993-2007. This includes advertisements, programs, and photos, and reviews. Most of the reviews were done by representatives from either the Richmond Times Dispatch or Style Weekly Magazine. Despite the lack of administrative records, the collection is rich in other ways. There is material related to a broad range of topics, from AIDS and gay/lesbian related issues to local (Richmond) personalities. Some of the first productions staged by RTP dealt with the AIDS crisis; shows like Ten Percent Revue and Lisbon Traviata attempted to shed light on this important aspect of gay experience. Other shows with a focus on AIDS include Elegies for Angels, Punks, and Raging Queens, and Steve Moore's I Never Knew Oz Was in Color.","Homophobia is another theme that RTP address in their programming. The Richmond Triangle Players produced The Laramie Project in conjunction with another Richmond theatre group (Barksdale Theatre). The play focuses on the reactions of residents of the small town of Laramie, Wyoming to the brutal murder of gay college student, Matthew Shepard. Stop Kiss by Diana Son tells the story of a young woman who was attacked after she was seen kissing another woman.","Other prominent themes in RTPs productions include gay/lesbian relationships (The Most Fabulous Story Ever Told, The Judas Kiss, and Taken In) and growing up gay (Hysterical Blindness and I Never Knew Oz Was in Color). Despite a large number of productions devoted to gay/lesbian themes, RTP does not focus solely on these. My Left Breast is about one woman's struggle with breast cancer and The Last Session chronicles the experiences of a self-proclaimed sex addict. Important locals within the collection include comedian Steve Moore and actress Marchy Sue Carroll.","Another important element of this collection is several Virginia gay/lesbian periodicals (Out in Virginia, Out and About, The Virginia Gayzette). These date from throughout the 1990s. Items of interest contained within them include gay reaction to Bill Clinton's first presidential campaign, the impact of AIDS on the gay community, as well as guides to gay establishments in the Richmond and Hampton Roads areas."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"names_coll_ssim":["Richmond Triangle Players (Theater company)"],"names_ssim":["VCU James Branch Cabell Library","Richmond Triangle Players (Theater company)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:00.221Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_162_c12_c17"}},{"id":"vircu_repositories_5_resources_142_c08_c1657","type":"File","attributes":{"title":"box 123, 2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1657#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_142_c08_c1657","ref_ssm":["vircu_repositories_5_resources_142_c08_c1657"],"id":"vircu_repositories_5_resources_142_c08_c1657","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142_c08","parent_ssi":"vircu_repositories_5_resources_142_c08","parent_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_ids_ssim":["vircu_repositories_5_resources_142","vircu_repositories_5_resources_142_c08"],"title_filing_ssi":"box 123","title_ssm":["box 123"],"title_tesim":["box 123"],"normalized_title_ssm":["box 123, 2005"],"text":["box 123, 2005","Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994","box 123"],"parent_unittitles_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_unittitles_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"normalized_date_ssm":["2005"],"unitdate_inclusive_ssm":["Order of St. John, 2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2540,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"containers_ssim":["box 123"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for use without restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2005],"_nest_path_":"/components#7/components#1656","timestamp":"2026-06-23T07:06:46.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_142","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_142.xml","title_filing_ssi":"McClenahan, Mary Tyler Freeman Cheek, papers","title_ssm":["Mary Tyler Freeman Cheek McClenahan papers"],"title_tesim":["Mary Tyler Freeman Cheek McClenahan papers"],"unitdate_ssm":["1930-1999"],"unitdate_inclusive_ssm":["1930-1999"],"normalized_date_ssm":["1930/1999"],"normalized_title_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"text":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","M 302","/repositories/5/resources/142","Richmond (Va.) -- Social life and customs -- 20th century","Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open for use without restrictions.","The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).","Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University","The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests","There are no restrictions.","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","English"],"collection_title_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 302","/repositories/5/resources/142"],"unitid_tesim":["M 302","/repositories/5/resources/142"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Social life and customs -- 20th century"],"geogname_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"places_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"creator_ssm":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"creators_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was a gift to Special Collections and Archives from Mrs. McClenahan in April 1994. Additional materials were added in 1996 and in 2000."],"access_subjects_ssim":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for use without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]\u003c/p\u003e","\u003cp\u003eSeries I--Correspondence (1933-1993)\u003c/p\u003e","\u003cp\u003eSeries II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)\u003c/p\u003e","\u003cp\u003eSeries III--Other organizations (1951-1993)\u003c/p\u003e","\u003cp\u003eSeries IV--Speeches and Articles (1955-1993)\u003c/p\u003e","\u003cp\u003eSeries V--Politics (1985-1993)\u003c/p\u003e","\u003cp\u003eSeries VI--Schools, Colleges and Universities (1948-1993)\u003c/p\u003e","\u003cp\u003eSeries VII--St. Pauls' Episcopal Church (1937-1992)\u003c/p\u003e","\u003cp\u003eSeries VIII--Alphabetical Files (1935-1993)\u003c/p\u003e","\u003cp\u003eNote: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998)."],"bioghist_html_tesm":["\u003cp\u003eMary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.\u003c/p\u003e","\u003cp\u003eBorn in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.\u003c/p\u003e","\u003cp\u003eAfter college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.\u003c/p\u003e","\u003cp\u003eMrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSome of the organizations Mrs. McClenahan has been associated with include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMember, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClubs include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAwards Mrs. McClenahan has received include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eRichmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994) \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eHonorary Degrees Mrs. McClenahan has received: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDoctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University"],"prefercite_html_tesm":["\u003cp\u003eBox/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.\u003c/p\u003e","\u003cp\u003eThe organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026amp; Archives. Please ask a staff member for more information.\u003c/p\u003e","\u003cp\u003eThe collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"names_coll_ssim":["St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"names_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2899,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:06:46.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1657"}},{"id":"vircu_repositories_5_resources_142_c08_c1718","type":"File","attributes":{"title":"box 124, 1998/2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1718#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_142_c08_c1718","ref_ssm":["vircu_repositories_5_resources_142_c08_c1718"],"id":"vircu_repositories_5_resources_142_c08_c1718","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142_c08","parent_ssi":"vircu_repositories_5_resources_142_c08","parent_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_ids_ssim":["vircu_repositories_5_resources_142","vircu_repositories_5_resources_142_c08"],"title_filing_ssi":"box 124","title_ssm":["box 124"],"title_tesim":["box 124"],"normalized_title_ssm":["box 124, 1998/2005"],"text":["box 124, 1998/2005","Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994","box 124"],"parent_unittitles_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_unittitles_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"normalized_date_ssm":["1998/2005"],"unitdate_inclusive_ssm":["Science Museum of Virginia, 1998-2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2601,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"containers_ssim":["box 124"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for use without restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005],"_nest_path_":"/components#7/components#1717","timestamp":"2026-06-23T07:06:46.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_142","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_142.xml","title_filing_ssi":"McClenahan, Mary Tyler Freeman Cheek, papers","title_ssm":["Mary Tyler Freeman Cheek McClenahan papers"],"title_tesim":["Mary Tyler Freeman Cheek McClenahan papers"],"unitdate_ssm":["1930-1999"],"unitdate_inclusive_ssm":["1930-1999"],"normalized_date_ssm":["1930/1999"],"normalized_title_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"text":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","M 302","/repositories/5/resources/142","Richmond (Va.) -- Social life and customs -- 20th century","Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open for use without restrictions.","The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).","Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University","The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests","There are no restrictions.","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","English"],"collection_title_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 302","/repositories/5/resources/142"],"unitid_tesim":["M 302","/repositories/5/resources/142"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Social life and customs -- 20th century"],"geogname_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"places_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"creator_ssm":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"creators_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was a gift to Special Collections and Archives from Mrs. McClenahan in April 1994. Additional materials were added in 1996 and in 2000."],"access_subjects_ssim":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for use without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]\u003c/p\u003e","\u003cp\u003eSeries I--Correspondence (1933-1993)\u003c/p\u003e","\u003cp\u003eSeries II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)\u003c/p\u003e","\u003cp\u003eSeries III--Other organizations (1951-1993)\u003c/p\u003e","\u003cp\u003eSeries IV--Speeches and Articles (1955-1993)\u003c/p\u003e","\u003cp\u003eSeries V--Politics (1985-1993)\u003c/p\u003e","\u003cp\u003eSeries VI--Schools, Colleges and Universities (1948-1993)\u003c/p\u003e","\u003cp\u003eSeries VII--St. Pauls' Episcopal Church (1937-1992)\u003c/p\u003e","\u003cp\u003eSeries VIII--Alphabetical Files (1935-1993)\u003c/p\u003e","\u003cp\u003eNote: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998)."],"bioghist_html_tesm":["\u003cp\u003eMary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.\u003c/p\u003e","\u003cp\u003eBorn in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.\u003c/p\u003e","\u003cp\u003eAfter college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.\u003c/p\u003e","\u003cp\u003eMrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSome of the organizations Mrs. McClenahan has been associated with include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMember, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClubs include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAwards Mrs. McClenahan has received include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eRichmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994) \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eHonorary Degrees Mrs. McClenahan has received: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDoctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University"],"prefercite_html_tesm":["\u003cp\u003eBox/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.\u003c/p\u003e","\u003cp\u003eThe organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026amp; Archives. Please ask a staff member for more information.\u003c/p\u003e","\u003cp\u003eThe collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"names_coll_ssim":["St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"names_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2899,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:06:46.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1718"}},{"id":"vircu_repositories_5_resources_142_c08_c1704","type":"File","attributes":{"title":"box 124, 2002/2005","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1704#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_142_c08_c1704","ref_ssm":["vircu_repositories_5_resources_142_c08_c1704"],"id":"vircu_repositories_5_resources_142_c08_c1704","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142_c08","parent_ssi":"vircu_repositories_5_resources_142_c08","parent_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_ids_ssim":["vircu_repositories_5_resources_142","vircu_repositories_5_resources_142_c08"],"title_filing_ssi":"box 124","title_ssm":["box 124"],"title_tesim":["box 124"],"normalized_title_ssm":["box 124, 2002/2005"],"text":["box 124, 2002/2005","Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994","box 124"],"parent_unittitles_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"parent_unittitles_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","Alphabetical Files, 1935/1994"],"normalized_date_ssm":["2002/2005"],"unitdate_inclusive_ssm":["Richmond Symphony Council, 2002, 2004-2005"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":2587,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"containers_ssim":["box 124"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for use without restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2002,2003,2004,2005],"_nest_path_":"/components#7/components#1703","timestamp":"2026-06-23T07:06:46.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_142","ead_ssi":"vircu_repositories_5_resources_142","_root_":"vircu_repositories_5_resources_142","_nest_parent_":"vircu_repositories_5_resources_142","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_142.xml","title_filing_ssi":"McClenahan, Mary Tyler Freeman Cheek, papers","title_ssm":["Mary Tyler Freeman Cheek McClenahan papers"],"title_tesim":["Mary Tyler Freeman Cheek McClenahan papers"],"unitdate_ssm":["1930-1999"],"unitdate_inclusive_ssm":["1930-1999"],"normalized_date_ssm":["1930/1999"],"normalized_title_ssm":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"text":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999","M 302","/repositories/5/resources/142","Richmond (Va.) -- Social life and customs -- 20th century","Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open for use without restrictions.","The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).","Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University","The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests","There are no restrictions.","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","English"],"collection_title_tesim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"collection_ssim":["Mary Tyler Freeman Cheek McClenahan papers, 1930/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 302","/repositories/5/resources/142"],"unitid_tesim":["M 302","/repositories/5/resources/142"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"geogname_ssm":["Richmond (Va.) -- Social life and customs -- 20th century"],"geogname_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"places_ssim":["Richmond (Va.) -- Social life and customs -- 20th century"],"creator_ssm":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"creator_corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"creators_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek","VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was a gift to Special Collections and Archives from Mrs. McClenahan in April 1994. Additional materials were added in 1996 and in 2000."],"access_subjects_ssim":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Nonprofit organizations -- Virginia -- Richmond","Associations, institutions, etc. -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for use without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for use without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]\u003c/p\u003e","\u003cp\u003eSeries I--Correspondence (1933-1993)\u003c/p\u003e","\u003cp\u003eSeries II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)\u003c/p\u003e","\u003cp\u003eSeries III--Other organizations (1951-1993)\u003c/p\u003e","\u003cp\u003eSeries IV--Speeches and Articles (1955-1993)\u003c/p\u003e","\u003cp\u003eSeries V--Politics (1985-1993)\u003c/p\u003e","\u003cp\u003eSeries VI--Schools, Colleges and Universities (1948-1993)\u003c/p\u003e","\u003cp\u003eSeries VII--St. Pauls' Episcopal Church (1937-1992)\u003c/p\u003e","\u003cp\u003eSeries VIII--Alphabetical Files (1935-1993)\u003c/p\u003e","\u003cp\u003eNote: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998).\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into a series of eight sections. Series I is primarily correspondence to Mrs. McClenahan. Series II consists of material of twelve major civic and volunteer organizations with which she was involved. Because of the volume of the materials, each organization in this series was divided into its own subseries. Series III is composed of other organizations in which she was active, but of sufficient quantity to justify its own subseries. The material in this series is divided alphabetically. Series IV is a collection of her speeches and articles. The speeches in this series are unidentified by audience or sponsor or affiliated with a group not otherwise not listed in another series. Additional speeches may be found in organizational series by checking folder headings. Series V contains material regarding political candidates and issues. Series VI consists of material relating to the various schools, colleges and universities she has been associated with and is divided alphabetical. Series VII contains material relating to her work with St. Paul's Episcopal Church. Series VIII consists of a variety of material reflecting Mrs. McClenahan's daily activities, social plans, and wide range of interests. [See the NOTE under Series for additional materials added in 2000.]","Series I--Correspondence (1933-1993)","Series II--Major volunteer organizations, Subseries A: Arts Council of Richmond (1982-1988), Subseries B: Maymont Foundation (1979-1992), Subseries C: Metropolitan Richmond Chamber of Commerce (1981-1992), Subseries D: Planned Parenthood (1942-1992), Subseries E: Richmond Better Housing Coalition (1984-1993), Subseries F: Richmond-On-The-James (1978-1988), Subseries G: Richmond Renaissance (1982-1990), Subseries H: Richmond Urban Forum (1982-1990), Subseries I: Virginia Museum of Fine Arts (1957-1993), Subseries J: Virginia Statute for Religious Freedom (1983-1990), Subseries K: Virginia Historical Society (1990-1993), Subseries L: Poplar Forest (1988-1993)","Series III--Other organizations (1951-1993)","Series IV--Speeches and Articles (1955-1993)","Series V--Politics (1985-1993)","Series VI--Schools, Colleges and Universities (1948-1993)","Series VII--St. Pauls' Episcopal Church (1937-1992)","Series VIII--Alphabetical Files (1935-1993)","Note: Additional materials were added in July 2000. The materials in these containers, boxes 91-109, were added to the end of the collection and are divided as follows: Correspondence (n.d., 1930-1998); Maymont Foundation (n.d., 1983-1997); Richmond Better Housing Coalition (n.d., 1988-1999); Richmond Renaissance (n.d., 1987-1996); miscellaneous colleges and schools (n.d., 1967-1997); Richmond Urban Forum (19- 19); Robert E. Lee Memorial Foundation (1968-1993); St. Paul's Episcopal Church (n.d., 1984-1998); Stratford Hall (n.d., 1984-1989); Virginia Historical Society (n.d., 1983-1992); Virginia Union University (n.d., 1988- 1993); and miscellaneous civic and volunteer organizations (n.d., 1967-1998)."],"bioghist_html_tesm":["\u003cp\u003eMary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.\u003c/p\u003e","\u003cp\u003eBorn in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.\u003c/p\u003e","\u003cp\u003eAfter college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.\u003c/p\u003e","\u003cp\u003eMrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSome of the organizations Mrs. McClenahan has been associated with include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMember, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eClubs include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eCosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAwards Mrs. McClenahan has received include: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eRichmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994) \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eHonorary Degrees Mrs. McClenahan has received: \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDoctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Mary Tyler Freeman Cheek McClenahan is a Richmond community leader, activist and philanthropist. She has been described as the \"conscience of Richmond\" for her contributions to the Richmond community in the areas of racial harmony, housing, Richmond revitalization and historic preservation. She has also been active in the arts, her church, and education.","Born in Richmond on April 6, 1917, Mary Tyler is the daughter of Douglas Southall Freeman (1886-1953), noted historian and journalist, and Inez Goddin Freeman (1891-1974). She attended St. Catherine's School and Vassar College, receiving an A.B. in English-Creative Writing in 1937.","After college she worked briefly as a secretary in the Department of Fine Arts of William and Mary College where she met Leslie Cheek, Jr. (1908-1992), then head of the department. They married in 1939. The Cheeks lived in Baltimore for three years while Mr. Cheek was Director of the Baltimore Museum of Fine Arts and in Washington, D.C. during World War II. While Mr. Cheek served in the Army, Mrs. McClenahan volunteered as a nurse's aid. After Cheek's discharge from the Army in 1945, they lived in New York City where Cheek had been hired as an Associate Editor of Architectural Forum Magazine. The couple returned to Richmond when Cheek became the first director of the Virginia Museum of Fine Arts (1948-1968). The Cheeks had four children. After Mr. Cheek's death in 1992, Mrs. Cheek married Dr. John Lorimer McClenahan, a retired Pennsylvanian radiologist, the following year.","Mrs. McClenahan is responsible for a number of Richmond civic initiatives, including bringing together the 35 groups that make up the Richmond Better Housing Coalition and founding the Richmond Urban Forum. She was twice president of the Virginia League for Planned Parenthood and has participated as a volunteer and board member of numerous Richmond civic organizations, including Richmond Renaissance and Richmond-On- The- James. She has also been an active member of Richmond's historic St. Paul's Episcopal Church.","Some of the organizations Mrs. McClenahan has been associated with include:","Member, Executive Committee and Board of The Arts Council of Richmond \nMember, 175th Anniversary of the Executive Mansion Commission \nAdvisory Committee Girl Scouts \nMember, Board of Historic Richmond Foundation \nDame and Member of the Board of Governors of the Most Venerable Order of the Hospital of St. John of Jerusalem \nMember, National Committee, Jefferson Poplar Forest Fund \nMember, Board of Leadership Metro Richmond \nMember, Board of Maymont Foundation \nChairman, Film Committee of the National Council for America's First Freedom: The Virginia Statue for Religious Freedom \nRichmond AIDS Ministry \nCo-Chairman, Richmond Better Housing Coalition \nMember, Board of Richmond Hill \nMember, Board of Richmond-On-The-James \nMember, Executive Committee and Board of Richmond Renaissance \nFounder and Honorary Chairman, Richmond Urban Forum \nDirector for Virginia and Past President, Robert E. Lee Memorial Association which administers Stratford Hall, the birthplace of Robert E. Lee \nFormer Vestry member and Junior Warden of St. Paul's Episcopal Church \nMember, Board of Theatre Virginia Past President (twice) and honorary board member of Virginia League for Planned Parenthood \nTrustee, Virginia Union University","Clubs include:","Cosmopolitan Club, NYC \nHroswitha Club, NYC \nJames River Garden Club, Richmond \nRichmond First Club \nRichmond Kiwanis \nVirginia Writer's Club \nWoman's Club of Richmond","Awards Mrs. McClenahan has received include:","Richmond's Christmas Mother (1973) \nAssociation for the Preservation of Virginia Antiquities' Mary Maso Williams Award (1977) \nJunior League of Richmond's Barbara Renson Andrews Award for Distinguished Volunteer Service (1982) \nSt Catherine's School's Distinguished Alumni Award (1983) \nVirginia League of Planned Parenthood Distinguished Service Award (1984) \nNational Conference of Christian and Jews' Brotherhood Citation (1985) \nOmicron Delta Kappa's Conspicuous Attainment Award (1986) \nYWCA of Richmond's Outstanding Woman of the Year (1986) \nRichmond First Club's Good Government Award (1987) \nRichmond Urban League's Charlotte T. Washington Community Services Award (1988) \nStyle Magazine's Richmonder of the Year (1991) \nHousing Opportunities Made Equal (H.O.M.E.) Fair Housing Award \nH.O.M.E. Sallie Wilson Peake Memorial Award for Outstanding Support of Fair Housing \nNational Multiple Sclerosis Society, Silver Hope Award (1994)","Honorary Degrees Mrs. McClenahan has received:","Doctor of Humanities from University of Richmond \nDoctor of Humane Letters from St. Paul's College \nDoctor of Humane Letters from Washington and Lee University \nDoctor of Humane Letters from Hollins College \nDoctor of Humane Letters from Virginia Commonwealth University"],"prefercite_html_tesm":["\u003cp\u003eBox/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e  "],"prefercite_tesim":["Box/Folder, Mary Tyler Freeman Cheek McClenahan Papers, M 302, Special Collection and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.\u003c/p\u003e","\u003cp\u003eThe organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026amp; Archives. Please ask a staff member for more information.\u003c/p\u003e","\u003cp\u003eThe collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes correspondence, notes, clippings, various organizational minutes, reports and files, drafts of speeches, manuscripts and published materials dating from 1933 through 1993. The bulk of the collection dates from the late 1970s through the early 1990s and focuses on Mrs. McClenahan's involvement on issues of race, housing, historic preservation, and Richmond revitalization.","The organizational records in the collection include material from many of Richmond's major civic organizations, including Planned Parenthood, the Richmond Better Housing Coalition, Richmond-On-The-James, Richmond Renaissance and the Richmond Urban Forum. The activities of other organizations are also represented to a lesser degree. A number of these organizations are represented in other collections within Special Collections \u0026 Archives. Please ask a staff member for more information.","The collection also contains material documenting Mrs. McClenahan's involvement in education, the arts and politics in Richmond and Virginia, in St. Paul's Episcopal Church, and speeches she has given. Other material in the collection ranges from correspondence of friends and family to material on her daily life, social plans, family holidays and vacations to information on her various interests"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)"],"names_coll_ssim":["St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"persname_ssim":["McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"names_ssim":["VCU James Branch Cabell Library","St. Paul's Church (Richmond, Va.)","McClanahan, Mary Tyler Cheek","McClenahan, Mary Tyler Freeman Cheek"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2899,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:06:46.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_142_c08_c1704"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Commonwealth University, Cabell Library","value":"Virginia Commonwealth University, Cabell Library","hits":515},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"A. Patrick L. Prest, Jr. papers, 1941/2014","value":"A. Patrick L. Prest, Jr. papers, 1941/2014","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Patrick+L.+Prest%2C+Jr.+papers%2C+1941%2F2014\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Anna Banana collection, 1975/2003","value":"Anna Banana collection, 1975/2003","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Anna+Banana+collection%2C+1975%2F2003\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Barbara Abernathy papers, 1986/2005","value":"Barbara Abernathy papers, 1986/2005","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Barbara+Abernathy+papers%2C+1986%2F2005\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Betsy Brinson collection of AIDS epidemic exhibit materials, \n1998, 2016-2017","value":"Betsy Brinson collection of AIDS epidemic exhibit materials, \n1998, 2016-2017","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Betsy+Brinson+collection+of+AIDS+epidemic+exhibit+materials%2C+%0A1998%2C+2016-2017\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Betsy Brinson collection of AIDS epidemic exhibit materials, 1998/2017","value":"Betsy Brinson collection of AIDS epidemic exhibit materials, 1998/2017","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Betsy+Brinson+collection+of+AIDS+epidemic+exhibit+materials%2C+1998%2F2017\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Betsy Brinson collection, 1974/2013","value":"Betsy Brinson collection, 1974/2013","hits":8},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Betsy+Brinson+collection%2C+1974%2F2013\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Bob Gorman GWAR and Richmond flyer collection, 1992/2016","value":"Bob Gorman GWAR and Richmond flyer collection, 1992/2016","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Bob+Gorman+GWAR+and+Richmond+flyer+collection%2C+1992%2F2016\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Bonnie Atwood papers, 1968/2005","value":"Bonnie Atwood papers, 1968/2005","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Bonnie+Atwood+papers%2C+1968%2F2005\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Bryant Mangum American literature collection, 1920/2022","value":"Bryant Mangum American literature collection, 1920/2022","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Bryant+Mangum+American+literature+collection%2C+1920%2F2022\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Carl F. Emswiller, Jr. papers, 1922/2009","value":"Carl F. Emswiller, Jr. papers, 1922/2009","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Carl+F.+Emswiller%2C+Jr.+papers%2C+1922%2F2009\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Central Virginia Primetimers records, 2002/2006","value":"Central Virginia Primetimers records, 2002/2006","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Central+Virginia+Primetimers+records%2C+2002%2F2006\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1870","value":"1870","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1870\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1871","value":"1871","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1871\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1872","value":"1872","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1872\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1873","value":"1873","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1873\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1874","value":"1874","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1874\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1875","value":"1875","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1875\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1876","value":"1876","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1877","value":"1877","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1877\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1878","value":"1878","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1878\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1879","value":"1879","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1879\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"1880","value":"1880","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bdate_range%5D%5B%5D=1880\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Abernathy, Barbara","value":"Abernathy, Barbara","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abernathy%2C+Barbara\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Alliance to Conserve Old Richmond Neighborhoods","value":"Alliance to Conserve Old Richmond Neighborhoods","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alliance+to+Conserve+Old+Richmond+Neighborhoods\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Anderson Gallery","value":"Anderson Gallery","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anderson+Gallery\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Atwood, Bonnie","value":"Atwood, Bonnie","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Atwood%2C+Bonnie\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Barefoot, Pamela","value":"Barefoot, Pamela","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Barefoot%2C+Pamela\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Brinson, Betsy","value":"Brinson, Betsy","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Brinson%2C+Betsy\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Burke, Libby","value":"Burke, Libby","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Burke%2C+Libby\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Burnside, Chris","value":"Burnside, Chris","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Burnside%2C+Chris\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Callaway, Melinda Kate","value":"Callaway, Melinda Kate","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Callaway%2C+Melinda+Kate\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Catholic Church. Diocese of Richmond (Va.). Sexual Minorities Commission","value":"Catholic Church. Diocese of Richmond (Va.). Sexual Minorities Commission","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Catholic+Church.+Diocese+of+Richmond+%28Va.%29.+Sexual+Minorities+Commission\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Central Virginia Primetimers","value":"Central Virginia Primetimers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Central+Virginia+Primetimers\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Abernathy, Barbara","value":"Abernathy, Barbara","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Abernathy%2C+Barbara\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Abernathy, Barbara -- Archives","value":"Abernathy, Barbara -- Archives","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Abernathy%2C+Barbara+--+Archives\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Adams, Alice, 1926-1999 -- Criticism and interpretation","value":"Adams, Alice, 1926-1999 -- Criticism and interpretation","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Adams%2C+Alice%2C+1926-1999+--+Criticism+and+interpretation\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Adult Education Association of Virginia","value":"Adult Education Association of Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Adult+Education+Association+of+Virginia\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Alliance to Conserve Old Richmond Neighborhoods","value":"Alliance to Conserve Old Richmond Neighborhoods","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Alliance+to+Conserve+Old+Richmond+Neighborhoods\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"American Civil Liberties Union","value":"American Civil Liberties Union","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=American+Civil+Liberties+Union\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"American Dental Association","value":"American Dental Association","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=American+Dental+Association\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Anderson Gallery","value":"Anderson Gallery","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Anderson+Gallery\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Atwood, Bonnie","value":"Atwood, Bonnie","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Atwood%2C+Bonnie\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Barefoot, Pamela","value":"Barefoot, Pamela","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Barefoot%2C+Pamela\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Brinson, Betsy","value":"Brinson, Betsy","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bnames%5D%5B%5D=Brinson%2C+Betsy\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Fan Area Historic District (Richmond, Va.)","value":"Fan Area Historic District (Richmond, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Fan+Area+Historic+District+%28Richmond%2C+Va.%29\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Lumpkin's Jail Site (Richmond, Va.)","value":"Lumpkin's Jail Site (Richmond, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Lumpkin%27s+Jail+Site+%28Richmond%2C+Va.%29\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Richmond (Va.) -- Antiquities","value":"Richmond (Va.) -- Antiquities","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29+--+Antiquities\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Richmond (Va.) -- Church history.","value":"Richmond (Va.) -- Church history.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29+--+Church+history.\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Richmond (Va.) -- History -- 20th century.","value":"Richmond (Va.) -- History -- 20th century.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29+--+History+--+20th+century.\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Richmond (Va.) -- Social conditions -- 20th century.","value":"Richmond (Va.) -- Social conditions -- 20th century.","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29+--+Social+conditions+--+20th+century.\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Richmond (Va.) -- Social life and customs -- 20th century","value":"Richmond (Va.) -- Social life and customs -- 20th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29+--+Social+life+and+customs+--+20th+century\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Adult education -- Societies, etc. -- Virginia","value":"Adult education -- Societies, etc. -- Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Adult+education+--+Societies%2C+etc.+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Adult education teachers -- Societies, etc. -- Virginia","value":"Adult education teachers -- Societies, etc. -- Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Adult+education+teachers+--+Societies%2C+etc.+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"African American cemeteries -- Virginia -- Richmond","value":"African American cemeteries -- Virginia -- Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+cemeteries+--+Virginia+--+Richmond\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"African American dentists -- Virginia.","value":"African American dentists -- Virginia.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+dentists+--+Virginia.\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"American literature -- 20th century -- History and criticism","value":"American literature -- 20th century -- History and criticism","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=American+literature+--+20th+century+--+History+and+criticism\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Audio-visual materials","value":"Audio-visual materials","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Audio-visual+materials\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Authors, American -- Manuscripts","value":"Authors, American -- Manuscripts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Manuscripts\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Authors, American -- Manuscripts -- Virginia","value":"Authors, American -- Manuscripts -- Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Manuscripts+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Authors, American -- Virginia","value":"Authors, American -- Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Baptists -- History -- Virginia -- Richmond","value":"Baptists -- History -- Virginia -- Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Baptists+--+History+--+Virginia+--+Richmond\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Bisexual men -- Virginia -- Richmond","value":"Bisexual men -- Virginia -- Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Bisexual+men+--+Virginia+--+Richmond\u0026f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":54},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"File","value":"File","hits":382},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Item","value":"Item","hits":15},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Series","value":"Series","hits":53},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Sub-series","value":"Sub-series","hits":11},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026page=7\u0026sort=title_sort+desc"}}]}