{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026facet.page=2\u0026page=2238","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026facet.page=2\u0026page=2237","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026facet.page=2\u0026page=2239","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026facet.page=2\u0026page=2243"},"meta":{"pages":{"current_page":2238,"next_page":2239,"prev_page":2237,"total_pages":2243,"limit_value":10,"offset_value":22370,"total_count":22425,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_3843_c09_c109","type":"File","attributes":{"title":"Yearly goals for West Virginia University","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3843_c09_c109#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3843_c09_c109","ref_ssm":["wvmturhc_repositories_2_resources_3843_c09_c109"],"id":"wvmturhc_repositories_2_resources_3843_c09_c109","ead_ssi":"wvmturhc_repositories_2_resources_3843","_root_":"wvmturhc_repositories_2_resources_3843","_nest_parent_":"wvmturhc_repositories_2_resources_3843_c09","parent_ssi":"wvmturhc_repositories_2_resources_3843_c09","parent_ssim":["wvmturhc_repositories_2_resources_3843","wvmturhc_repositories_2_resources_3843_c09"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3843","wvmturhc_repositories_2_resources_3843_c09"],"parent_unittitles_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers","Series 9. West Virginia University Papers (boxes 27-31)"],"parent_unittitles_tesim":["West Virginia University, President David C. Hardesty, Jr., Papers","Series 9. West Virginia University Papers (boxes 27-31)"],"text":["West Virginia University, President David C. Hardesty, Jr., Papers","Series 9. West Virginia University Papers (boxes 27-31)","Yearly goals for West Virginia University","English .","Box 30","Folder 7"],"title_filing_ssi":"Yearly goals for West Virginia University","title_ssm":["Yearly goals for West Virginia University"],"title_tesim":["Yearly goals for West Virginia University"],"unitdate_inclusive_ssm":["2003-2004, 2006-2007"],"normalized_date_ssm":["2003/2007"],"normalized_title_ssm":["Yearly goals for West Virginia University"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, President David C. Hardesty, Jr., Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":431,"parent_access_restrict_tesm":["Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2003,2004,2005,2006,2007],"language_ssim":["English ."],"containers_ssim":["Box 30","Folder 7"],"_nest_path_":"/components#8/components#108","timestamp":"2026-04-30T23:22:01.639Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3843","ead_ssi":"wvmturhc_repositories_2_resources_3843","_root_":"wvmturhc_repositories_2_resources_3843","_nest_parent_":"wvmturhc_repositories_2_resources_3843","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3843.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209188","title_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers"],"title_tesim":["West Virginia University, President David C. Hardesty, Jr., Papers"],"unitdate_ssm":["1834-2019"],"unitdate_inclusive_ssm":["1834-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5114","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3843"],"text":["A\u0026M 5114","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3843","West Virginia University, President David C. Hardesty, Jr., Papers","West Virginia -- Politics and government","West Virginia University. Presidency","West Virginia University. President (Hardesty, David C.)","Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","David C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.","Hardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.","While President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.","While serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.","Prior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).","Hardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.","Mr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.","In 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.","Hardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.","(Adapted from \"David C. Hardesty, Jr.\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019. https://web.archive.org/web/20181203175509/https://www.law.wvu.edu/faculty-staff/full-time-faculty/david-c-hardesty-jr.)","Papers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026 Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").","Includes: \nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2 \nSeries 2. Publications and Reports, 1963-2004, boxes 3-5 \nSeries 3. Athletics, 1995-2004, box 6 \nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16 \nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19  \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21","Addenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03: \nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23 \nSeries 8. Career, 1970-2014, boxes 24-26 \nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31 \nSeries 10. Family Papers, 1906-2016, box 32 \nSeries 11. Susan Hardesty Papers, 1962-2015, box 32 \nSeries 12. Photographs, 1900-2016, boxes 33-34 \nSeries 13. Awards, 1962-2008, boxes 35-37 \nSeries 14. Clinton Inauguration, 1992-1993, box 38 \nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40 \nSeries 16. Gold \u0026 Blue Travelers, 1989-2010, boxes 41-55, unboxed \nSeries 17. Framed Items, 1961-2010, boxes 56-60 \nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66 \nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67 \nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68","Addenda of 2006/02/20 and 2019/09/03: \nSeries 21. Student Papers, 1969, box 69 \nSeries 22. Career, 1979-1981, 2006-2019, box 69 \nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71 \nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72 \nSeries 25. Family Papers, 1969, 1989-2018, box 72 \nSeries 26. Photographs, 1982, 2014, undated, box 72 \nSeries 27. Gold \u0026 Blue Travelers, 2015-2016, undated, box 72 \nSeries 28. Miscellaneous, 2016-2019, undated, box 72 \nSeries 29. Artifacts, 2017-2019, undated, box 73 \nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74 \nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76","One vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University.  President","Hardesty, David C., Jr.","English \n.    "],"unitid_tesim":["A\u0026M 5114","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3843"],"normalized_title_ssm":["West Virginia University, President David C. Hardesty, Jr., Papers"],"collection_title_tesim":["West Virginia University, President David C. Hardesty, Jr., Papers"],"collection_ssim":["West Virginia University, President David C. 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Please make an appointment prior to visiting.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies.","Part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eDavid C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.\u003c/p\u003e\n","\u003cp\u003eHardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.\u003c/p\u003e\n","\u003cp\u003eWhile President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.\u003c/p\u003e\n","\u003cp\u003eWhile serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.\u003c/p\u003e\n","\u003cp\u003ePrior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).\u003c/p\u003e\n","\u003cp\u003eHardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.\u003c/p\u003e\n","\u003cp\u003eMr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.\u003c/p\u003e\n","\u003cp\u003eIn 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.\u003c/p\u003e\n","\u003cp\u003eHardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.\u003c/p\u003e\n","\u003cp\u003e(Adapted from \"David C. Hardesty, Jr.\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019. https://web.archive.org/web/20181203175509/https://www.law.wvu.edu/faculty-staff/full-time-faculty/david-c-hardesty-jr.)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["David C. Hardesty, Jr. holds degrees from West Virginia University, Oxford University (which he attended as a Rhodes Scholar), and Harvard Law School. He also attended advanced courses in higher education leadership and decision theory at Harvard University.","Hardesty was the 21st president and CEO of West Virginia University from 1995-2007. While president, he served as chair of WVU Hospitals, Inc. and United Health System. WVU is a multi-campus public research university with comprehensive health sciences education. It enrolled approximately 35,000 students on all of its campuses in his last year as president.","While President, Hardesty led efforts to develop more than 25 student centered programs, including the first faculty led residential colleges in the university's history. These efforts resulted in rapid expansion of the university student body. He also led efforts to focus WVU's research programs, establish the world's first forensic science and biometrics degrees, increase the university's outreach and service activities, and create a new hospital system. WVU achieved a national reputation in the science of biometrics during his presidency. The health system he chaired expanded to become the largest in West Virginia.","While serving as president, Hardesty was a member of the National Security Higher Education Advisory Board; Chairman of the National 4-H Council; a director and officer in the Big East Conference; and a member of the Bowl Championship Series Presidential Oversight Committee. He was a founding director of the Blanchette Rockefeller Neurosciences Institute.","Prior to becoming president of WVU, Hardesty engaged in the private practice of law in Charleston with Bowles Rice for 19 years and served as State Tax Commissioner during Senator John D. Rockefeller IV's first term as governor of West Virginia (1977-80).","Hardesty is a former member of the Board of Directors of Consol Energy, Inc., and is Of Counsel to the law firm of Bowles Rice. He has previously been a member of and chaired several charitable, civic, economic development, business, and education related boards.","Mr. Hardesty is the recipient of several honorary degrees and citations, including designation as a Distinguished West Virginian, West Virginian of the Year by the West Virginia Society of Washington, D.C., induction into the West Virginia Business Hall of Fame, induction into The National 4-H Hall of Fame, receipt of The National Distinguished Eagle Scout Award, and designation as a Graduate of Distinction by the West Virginia Education Alliance.","In 2009, the Festival of Ideas speakers' series at WVU was endowed and named in honor of Hardesty, who helped to found the series in 1966 when he was student body president. An annual lecture at the WVU Cancer Center is also named in his honor.","Hardesty is a frequent speaker on subjects related to the legal profession, higher education, and leadership. He and his wife, Susan, are co-authors of Leading the Public University, Essays, Speeches and Commentary, published for West Virginia University by the WVU Press (2007). He has facilitated retreats and other meetings of boards and community groups for over three decades.","(Adapted from \"David C. Hardesty, Jr.\" David C. Hardesty, Jr. | College of Law | West Virginia University. March 2017. Accessed July 05, 2019. https://web.archive.org/web/20181203175509/https://www.law.wvu.edu/faculty-staff/full-time-faculty/david-c-hardesty-jr.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, President David C. Hardesty, Jr., Papers, A\u0026amp;M 5114, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, President David C. Hardesty, Jr., Papers, A\u0026M 5114, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026amp; Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").\u003c/p\u003e\n","\u003cp\u003eIncludes:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2\u003clb\u003e\u003c/lb\u003e\nSeries 2. Publications and Reports, 1963-2004, boxes 3-5\u003clb\u003e\u003c/lb\u003e\nSeries 3. Athletics, 1995-2004, box 6\u003clb\u003e\u003c/lb\u003e\nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16\u003clb\u003e\u003c/lb\u003e\nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19\u003clb\u003e\u003c/lb\u003e \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21\u003c/p\u003e\n","\u003cp\u003eAddenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03:\u003clb\u003e\u003c/lb\u003e\nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23\u003clb\u003e\u003c/lb\u003e\nSeries 8. Career, 1970-2014, boxes 24-26\u003clb\u003e\u003c/lb\u003e\nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31\u003clb\u003e\u003c/lb\u003e\nSeries 10. Family Papers, 1906-2016, box 32\u003clb\u003e\u003c/lb\u003e\nSeries 11. Susan Hardesty Papers, 1962-2015, box 32\u003clb\u003e\u003c/lb\u003e\nSeries 12. Photographs, 1900-2016, boxes 33-34\u003clb\u003e\u003c/lb\u003e\nSeries 13. Awards, 1962-2008, boxes 35-37\u003clb\u003e\u003c/lb\u003e\nSeries 14. Clinton Inauguration, 1992-1993, box 38\u003clb\u003e\u003c/lb\u003e\nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40\u003clb\u003e\u003c/lb\u003e\nSeries 16. Gold \u0026amp; Blue Travelers, 1989-2010, boxes 41-55, unboxed\u003clb\u003e\u003c/lb\u003e\nSeries 17. Framed Items, 1961-2010, boxes 56-60\u003clb\u003e\u003c/lb\u003e\nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66\u003clb\u003e\u003c/lb\u003e\nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67\u003clb\u003e\u003c/lb\u003e\nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68\u003c/p\u003e\n","\u003cp\u003eAddenda of 2006/02/20 and 2019/09/03:\u003clb\u003e\u003c/lb\u003e\nSeries 21. Student Papers, 1969, box 69\u003clb\u003e\u003c/lb\u003e\nSeries 22. Career, 1979-1981, 2006-2019, box 69\u003clb\u003e\u003c/lb\u003e\nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71\u003clb\u003e\u003c/lb\u003e\nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72\u003clb\u003e\u003c/lb\u003e\nSeries 25. Family Papers, 1969, 1989-2018, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 26. Photographs, 1982, 2014, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 27. Gold \u0026amp; Blue Travelers, 2015-2016, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 28. Miscellaneous, 2016-2019, undated, box 72\u003clb\u003e\u003c/lb\u003e\nSeries 29. Artifacts, 2017-2019, undated, box 73\u003clb\u003e\u003c/lb\u003e\nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74\u003clb\u003e\u003c/lb\u003e\nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of President David C. Hardesty, Jr. of West Virginia University. Before becoming President of West Virginia University, Hardesty was a lawyer and partner of Bowles, Rice, McDavid, Graff \u0026 Love (1973-1994) and West Virginia Tax Commissioner (1977-1980), among various other positions. After finishing his 12-year term as West Virginia University President (1995-2007), Hardesty was a Professor of Law at the West Virginia University College of Law (2007-2018). Some of the series titles in the addendum of 2019/09/03, including series 21-30, repeat some of the earlier series titles (e.g. both Series 7 and Series 21 are titled \"Student Papers\").","Includes: \nSeries 1. Inauguration and Inception of Presidency, 1995-1996, boxes 1-2 \nSeries 2. Publications and Reports, 1963-2004, boxes 3-5 \nSeries 3. Athletics, 1995-2004, box 6 \nSeries 4. Clipping Notebooks, 1995-2007, boxes 7-16 \nSeries 5. Audio-Visual Material, 1989-2005, boxes 17-19  \nSeries 6. Oversize Posters, Newspapers, and Other Material, 1966-2004, boxes 20-21","Addenda of 2007/04/18, 2016/12/02, 2018/08/01, 2018/10/10, and 2019/09/03: \nSeries 7. Student Papers, 1964-1973, 1993-2015, boxes 22-23 \nSeries 8. Career, 1970-2014, boxes 24-26 \nSeries 9. West Virginia University Papers, 1900, 1929, 1965-2016, boxes 27-31 \nSeries 10. Family Papers, 1906-2016, box 32 \nSeries 11. Susan Hardesty Papers, 1962-2015, box 32 \nSeries 12. Photographs, 1900-2016, boxes 33-34 \nSeries 13. Awards, 1962-2008, boxes 35-37 \nSeries 14. Clinton Inauguration, 1992-1993, box 38 \nSeries 15. Artifacts, ca. 1990s-2013, boxes 39-40 \nSeries 16. Gold \u0026 Blue Travelers, 1989-2010, boxes 41-55, unboxed \nSeries 17. Framed Items, 1961-2010, boxes 56-60 \nSeries 18. Oversize Newspapers, Papers, and Other Material, ca. 1940s-2011, boxes 61-66 \nSeries 19. Audio-Visual Material, Digital and Analog, 1995-2014, box 67 \nSeries 20. Miscellaneous, 1838, 1930-1963, 1997-2016, box 68","Addenda of 2006/02/20 and 2019/09/03: \nSeries 21. Student Papers, 1969, box 69 \nSeries 22. Career, 1979-1981, 2006-2019, box 69 \nSeries 23. West Virginia University Papers, 1995-2019, boxes 69-71 \nSeries 24. Susan Hardesty Papers, 1986-2018, boxes 71-72 \nSeries 25. Family Papers, 1969, 1989-2018, box 72 \nSeries 26. Photographs, 1982, 2014, undated, box 72 \nSeries 27. Gold \u0026 Blue Travelers, 2015-2016, undated, box 72 \nSeries 28. Miscellaneous, 2016-2019, undated, box 72 \nSeries 29. Artifacts, 2017-2019, undated, box 73 \nSeries 30. Audio-Visual Material, 1952, 1973-2008, box 74 \nSeries 31. Books, 1834-1923, 1964, 2007, undated, boxes 75-76"],"separatedmaterial_html_tesm":["\u003cp\u003eOne vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One vhs tape of demonstrations on the campus of West Virginia University in May 1970 in response to the shootings at Kent State University during Vietnam War protests; separated to the VHS - DVD collection. It is cataloged under no. 109."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c3f81de8da7ff14d04b533a9e73122fd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University.  President","Hardesty, David C., Jr."],"names_ssim":["West Virginia and Regional History Center","West Virginia University.  President","Hardesty, David C., Jr."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University.  President"],"persname_ssim":["Hardesty, David C., Jr."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":917,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:01.639Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3843_c09_c109"}},{"id":"vifgm_repositories_2_resources_308_c01_c06_c06","type":"File","attributes":{"title":"Yearly university library publications","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_308_c01_c06_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_308_c01_c06_c06","ref_ssm":["vifgm_repositories_2_resources_308_c01_c06_c06"],"id":"vifgm_repositories_2_resources_308_c01_c06_c06","ead_ssi":"vifgm_repositories_2_resources_308","_root_":"vifgm_repositories_2_resources_308","_nest_parent_":"vifgm_repositories_2_resources_308_c01_c06","parent_ssi":"vifgm_repositories_2_resources_308_c01_c06","parent_ssim":["vifgm_repositories_2_resources_308","vifgm_repositories_2_resources_308_c01","vifgm_repositories_2_resources_308_c01_c06"],"parent_ids_ssim":["vifgm_repositories_2_resources_308","vifgm_repositories_2_resources_308_c01","vifgm_repositories_2_resources_308_c01_c06"],"parent_unittitles_ssm":["George Mason University Libraries records","Series 1: Library Director","Subseries 1.6: John G. Zenelis"],"parent_unittitles_tesim":["George Mason University Libraries records","Series 1: Library Director","Subseries 1.6: John G. Zenelis"],"text":["George Mason University Libraries records","Series 1: Library Director","Subseries 1.6: John G. Zenelis","Yearly university library publications","box 216"],"title_filing_ssi":"Yearly university library publications","title_ssm":["Yearly university library publications"],"title_tesim":["Yearly university library publications"],"unitdate_other_ssim":["2003-2012"],"normalized_date_ssm":["2003/2012"],"normalized_title_ssm":["Yearly university library publications"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Libraries records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":493,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"containers_ssim":["box 216"],"_nest_path_":"/components#0/components#5/components#5","timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_308","ead_ssi":"vifgm_repositories_2_resources_308","_root_":"vifgm_repositories_2_resources_308","_nest_parent_":"vifgm_repositories_2_resources_308","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_308.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/gmulibraries.html","title_ssm":["George Mason University Libraries records"],"title_tesim":["George Mason University Libraries records"],"unitdate_ssm":["1949-2008"],"unitdate_inclusive_ssm":["1949-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0095","/repositories/2/resources/308"],"text":["R0095","/repositories/2/resources/308","George Mason University Libraries records","Academic libraries -- United States","Collection is open to research.","Organized into eleven series:","Missing Title Series 1: Library Director, 1958-2001 Series 2: Correspondence and memos, 1960-1999 Series 3: Reports and publications, 1960-2007 Series 4: Committees and collaborations, 1960-2004 Series 5: Policies and procedures, 1960-2001 Series 6: Buildings, 1962-2004 Series 7: Departments and services, 1959-2008 Series 8: Administrative files, 1958-2001 Series 9: Miscellaneous, 1949-2001 Series 10: Photographs, audiovisual materials, artifacts, 1967-1999 Series 11: Oversize, 1984-2003","Fenwick Library, the main research library in the GMU Library System, houses most of the libraries' print collections in all disciplines including journals and maps. In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.","The Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.","The Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.","The Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.","The Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science.","Processed by Special Collections and Archives staff.","Special Collections and Archives holds the George Mason University records.","The George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.","Series one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.  ","Series two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.","Series three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.","Series four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.","Series five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.","Series six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.","Series seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.","Series eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.","Series nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).","Series ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.","Series eleven, Oversize (1984-2003), consists of oversize exhibit related material.","There are no restrictions.","The collection includes materials and reports on library planning and operations as well as special projects, programs and events.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries","English"],"unitid_tesim":["R0095","/repositories/2/resources/308"],"normalized_title_ssm":["George Mason University Libraries records"],"collection_title_tesim":["George Mason University Libraries records"],"collection_ssim":["George Mason University Libraries records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries"],"creator_ssim":["George Mason University. 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In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.\u003c/p\u003e\n","\u003cp\u003eThe Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.\u003c/p\u003e\n","\u003cp\u003eThe Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.\u003c/p\u003e\n","\u003cp\u003eThe Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fenwick Library, the main research library in the GMU Library System, houses most of the libraries' print collections in all disciplines including journals and maps. In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.","The Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.","The Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.","The Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.","The Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Libraries records, Collection #R0095, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Libraries records, Collection #R0095, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University records."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.\u003c/p\u003e\n","\u003cp\u003eSeries one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.  \u003c/p\u003e\n","\u003cp\u003eSeries two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.\u003c/p\u003e\n","\u003cp\u003eSeries three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.\u003c/p\u003e\n","\u003cp\u003eSeries four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.\u003c/p\u003e\n","\u003cp\u003eSeries five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.\u003c/p\u003e\n","\u003cp\u003eSeries six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.\u003c/p\u003e\n","\u003cp\u003eSeries seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.\u003c/p\u003e\n","\u003cp\u003eSeries eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.\u003c/p\u003e\n","\u003cp\u003eSeries nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).\u003c/p\u003e\n","\u003cp\u003eSeries ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.\u003c/p\u003e\n","\u003cp\u003eSeries eleven, Oversize (1984-2003), consists of oversize exhibit related material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.","Series one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.  ","Series two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.","Series three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.","Series four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.","Series five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.","Series six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.","Series seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.","Series eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.","Series nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).","Series ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.","Series eleven, Oversize (1984-2003), consists of oversize exhibit related material."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8dfaa9188b3ad2ef9566bf6629453cc2\" label=\"Abstract\"\u003eThe collection includes materials and reports on library planning and operations as well as special projects, programs and events.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes materials and reports on library planning and operations as well as special projects, programs and events."],"names_coll_ssim":["George Mason University. Libraries"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries"],"language_ssim":["English"],"total_component_count_is":3105,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_308_c01_c06_c06"}},{"id":"virmu_repositories_2_resources_44_c04_c03_c06","type":"File","attributes":{"title":"Years of Service","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_44_c04_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_44_c04_c03_c06","ref_ssm":["virmu_repositories_2_resources_44_c04_c03_c06"],"id":"virmu_repositories_2_resources_44_c04_c03_c06","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44_c04_c03","parent_ssi":"virmu_repositories_2_resources_44_c04_c03","parent_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c04","virmu_repositories_2_resources_44_c04_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_44","virmu_repositories_2_resources_44_c04","virmu_repositories_2_resources_44_c04_c03"],"parent_unittitles_ssm":["Director's Correspondence (RG-01)","Series 4: Organization Files","Series 4.3: MAC (Multicultural Advisory Committee)"],"parent_unittitles_tesim":["Director's Correspondence (RG-01)","Series 4: Organization Files","Series 4.3: MAC (Multicultural Advisory Committee)"],"text":["Director's Correspondence (RG-01)","Series 4: Organization Files","Series 4.3: MAC (Multicultural Advisory Committee)","Years of Service","box RG-01 Box 124","folder 6","Item RG01.04.3.006"],"title_filing_ssi":"Years of Service","title_ssm":["Years of Service"],"title_tesim":["Years of Service"],"unitdate_other_ssim":["2003-2004"],"normalized_date_ssm":["2003/2004"],"normalized_title_ssm":["Years of Service"],"component_level_isim":[3],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Director's Correspondence (RG-01)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7014,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[2003,2004],"containers_ssim":["box RG-01 Box 124","folder 6","Item RG01.04.3.006"],"_nest_path_":"/components#3/components#2/components#5","timestamp":"2026-05-01T00:00:21.314Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_44","ead_ssi":"virmu_repositories_2_resources_44","_root_":"virmu_repositories_2_resources_44","_nest_parent_":"virmu_repositories_2_resources_44","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_44.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/44","title_filing_ssi":"Director's Correspondence (RG-01)","title_ssm":["Director's Correspondence (RG-01)"],"title_tesim":["Director's Correspondence (RG-01)"],"unitdate_ssm":["1927-2009"],"unitdate_inclusive_ssm":["1927-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-01","/repositories/2/resources/44"],"text":["RG-01","/repositories/2/resources/44","Director's Correspondence (RG-01)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).","The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007","The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  ","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","English \n.    "],"unitid_tesim":["RG-01","/repositories/2/resources/44"],"normalized_title_ssm":["Director's Correspondence (RG-01)"],"collection_title_tesim":["Director's Correspondence (RG-01)"],"collection_ssim":["Director's Correspondence (RG-01)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["248.5 Linear Feet 204 boxes; 7,156 folders"],"extent_tesim":["248.5 Linear Feet 204 boxes; 7,156 folders"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809).\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809)."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eDirector's Correspondence, 1927-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Office Staff, 1977-2008\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBuilding Files, 1979-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eOrganization Files, 1991-2006\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMeeting Files, 1998-2009\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eProgram Files, 1992-2007\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, and items are generally arranged alphabetically within series 1-2. Series 3-6 are generally arranged chronologically.","Series 1 Director's Correspondence, 1927-2006 Series 2 Director's Office Staff, 1977-2008 Series 3 Building Files, 1979-2004 Series 4 Organization Files, 1991-2006 Series 5 Meeting Files, 1998-2009 Series 6 Program Files, 1992-2007"],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Director's Office through periodic deposits since 1989. The bulk of the Early Director's Correspondence (Series 1.1) was deposited at to the Library of Virginia in 1982, where it remained until November 2022 when it was returned to VMFA."],"prefercite_html_tesm":["\u003cp\u003eDirector's Correspondence (RG-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Director's Correspondence (RG-01). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e","\u003cp\u003eSeries 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","Series 1.1 was processed by State Records Archivist Laura Drake Davis from 2006-2008 while it was still deposited at the Library of Virginia. In 2023, Senior Archivist Courtney Tkacz integrated VMFA's holdings into that series and in the process, RG-01 Boxes 1-4 and LVA 33863 Boxes 60, 67, 74, and 89 were removed.  "],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English \n.    "],"total_component_count_is":7183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:00:21.314Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_44_c04_c03_c06"}},{"id":"vifgm_arenastage_c02_c01_c989","type":"File","attributes":{"title":"Yellowman ,","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c01_c989#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c01_c989#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c02_c01_c989","ref_ssm":["vifgm_arenastage_c02_c01_c989"],"id":"vifgm_arenastage_c02_c01_c989","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c02_c01","parent_ssi":"vifgm_arenastage_c02_c01","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c01"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c02","vifgm_arenastage_c02_c01"],"parent_unittitles_ssm":["Arena Stage records","Series 2: Production files,","Subseries 2.1: Dramaturgical files,"],"parent_unittitles_tesim":["Arena Stage records","Series 2: Production files,","Subseries 2.1: Dramaturgical files,"],"text":["Arena Stage records","Series 2: Production files,","Subseries 2.1: Dramaturgical files,","Yellowman ,","Box 306","Folder 3",""],"title_filing_ssi":"Yellowman , \n","title_ssm":["Yellowman , \n"],"title_tesim":["Yellowman , \n"],"unitdate_other_ssim":["2003-2004\n"],"normalized_date_ssm":["2003/2004"],"normalized_title_ssm":["Yellowman ,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4658,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2003,2004],"containers_ssim":["Box 306","Folder 3"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#1/components#0/components#988","timestamp":"2026-05-01T00:52:17.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  "],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)"],"language_ssim":["English\n            "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:52:17.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_arenastage_c02_c01_c989"}},{"id":"vifgm_repositories_2_resources_416_c02_c01_c989","type":"File","attributes":{"title":"Yellowman","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c01_c989#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c02_c01_c989","ref_ssm":["vifgm_repositories_2_resources_416_c02_c01_c989"],"id":"vifgm_repositories_2_resources_416_c02_c01_c989","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c02_c01","parent_ssi":"vifgm_repositories_2_resources_416_c02_c01","parent_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c01"],"parent_unittitles_ssm":["Arena Stage records","Series 2: Production files","Subseries 2.1: Dramaturgical files"],"parent_unittitles_tesim":["Arena Stage records","Series 2: Production files","Subseries 2.1: Dramaturgical files"],"text":["Arena Stage records","Series 2: Production files","Subseries 2.1: Dramaturgical files","Yellowman","box 306","folder 3"],"title_filing_ssi":"Yellowman ","title_ssm":["Yellowman "],"title_tesim":["Yellowman "],"unitdate_other_ssim":["2003-2004"],"normalized_date_ssm":["2003/2004"],"normalized_title_ssm":["Yellowman"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4658,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2003,2004],"containers_ssim":["box 306","folder 3"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#0/components#988","timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c01_c989"}},{"id":"vifgm_vifgm00096_c01_c1207","type":"File","attributes":{"title":"Yen, Joan,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_vifgm00096_c01_c1207#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00096_c01_c1207","ref_ssm":["vifgm_vifgm00096_c01_c1207"],"id":"vifgm_vifgm00096_c01_c1207","ead_ssi":"vifgm_vifgm00096","_root_":"vifgm_vifgm00096","_nest_parent_":"vifgm_vifgm00096_c01","parent_ssi":"vifgm_vifgm00096_c01","parent_ssim":["vifgm_vifgm00096","vifgm_vifgm00096_c01"],"parent_ids_ssim":["vifgm_vifgm00096","vifgm_vifgm00096_c01"],"parent_unittitles_ssm":["Reston Reflections oral history collection","Series 1: Transcripts,"],"parent_unittitles_tesim":["Reston Reflections oral history collection","Series 1: Transcripts,"],"text":["Reston Reflections oral history collection","Series 1: Transcripts,","Yen, Joan,","box 77","Folder 1"],"title_filing_ssi":"Yen, Joan,\n\t","title_ssm":["Yen, Joan,\n\t"],"title_tesim":["Yen, Joan,\n\t"],"unitdate_other_ssim":["May 3, 2004\n\t"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Yen, Joan,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Reston Reflections oral history collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1208,"date_range_isim":[2004],"containers_ssim":["box 77","Folder 1"],"_nest_path_":"/components#0/components#1206","timestamp":"2026-05-01T00:59:22.952Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00096","ead_ssi":"vifgm_vifgm00096","_root_":"vifgm_vifgm00096","_nest_parent_":"vifgm_vifgm00096","ead_source_url_ssi":"data/gmu/vifgm00096.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Reston Reflections oral history collection\n"],"title_tesim":["Reston Reflections oral history collection\n"],"unitdate_ssm":["1994-2008\n"],"unitdate_inclusive_ssm":["1994-2008\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0171\n"],"text":["C0171\n","Reston Reflections oral history collection","Oral history--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Sound recordings.","Organized into four series.\n","Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)\n","Langston Hughes Middle School is a school in Reston in Fairfax County.  The school was named for the poet, Langston Hughes, and was established in 1979.  Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston.  Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\n","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.\n","Series one is titled Transcripts.  This series contains the transcripts of the interviews that the student conducted.  The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects.  Some of the transcripts also have the audiotapes because the projects have not been processed previously.  Also included at the beginning of the series are an index and list of those interviewed.  The series is dated from 1994 to 2008 and contained in 79 boxes.\n","Series two is titled Audiotapes.  These are the tapes that have been removed from the transcripts.  The tapes are the actual interviews conducted by the students.  The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.  The series is dated from 1994 to 2000 and is contained in 10 boxes.\n","Series three is titled 1996 Interviews (Volunteers).  These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School.  They were originally stored separated under the title oral history in the Planned Community Archives.  They are now organized together with the rest of the Reston Reflections.  The series is dated 1996 and is contained in 6 boxes.\n","Series four is titled 2001, 2003 and 2009 Interviews.  These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School.  The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003.  They were processed separately but have now been organized with the entire Reston Reflection collection.  The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.\n","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.  The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated.  The collection is large and contained within 128 boxes.\n","George Mason University.  Special Collections and Archives.\n","Langston Hughes Middle School\n","English\n"],"unitid_tesim":["C0171\n"],"normalized_title_ssm":["Reston Reflections oral history collection"],"collection_title_tesim":["Reston Reflections oral history collection"],"collection_ssim":["Reston Reflections oral history collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Langston Hughes Middle School\n"],"creator_ssim":["Langston Hughes Middle School\n"],"creator_corpname_ssim":["Langston Hughes Middle School\n"],"creators_ssim":["Langston Hughes Middle School\n"],"acqinfo_ssim":["Donated by Sarah Larson, Gene B. Zablotney, and others in 1995-2010.\n"],"access_subjects_ssim":["Oral history--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Sound recordings."],"access_subjects_ssm":["Oral history--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["56.5 linear feet (113 boxes)"],"extent_tesim":["56.5 linear feet (113 boxes)"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eOrganized into four series.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Transcripts, 1994-2008 (Boxes 1-79)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Audiotapes, 1994-2000 (Boxes 80-90)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into four series.\n","Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)\n"],"bioghist_html_tesm":["\u003cp\u003eLangston Hughes Middle School is a school in Reston in Fairfax County.  The school was named for the poet, Langston Hughes, and was established in 1979.  Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston.  Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["Langston Hughes Middle School is a school in Reston in Fairfax County.  The school was named for the poet, Langston Hughes, and was established in 1979.  Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston.  Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.\n\u003c/p\u003e","\u003cp\u003eSeries one is titled Transcripts.  This series contains the transcripts of the interviews that the student conducted.  The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects.  Some of the transcripts also have the audiotapes because the projects have not been processed previously.  Also included at the beginning of the series are an index and list of those interviewed.  The series is dated from 1994 to 2008 and contained in 79 boxes.\n\u003c/p\u003e","\u003cp\u003eSeries two is titled Audiotapes.  These are the tapes that have been removed from the transcripts.  The tapes are the actual interviews conducted by the students.  The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.  The series is dated from 1994 to 2000 and is contained in 10 boxes.\n\u003c/p\u003e","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers).  These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School.  They were originally stored separated under the title oral history in the Planned Community Archives.  They are now organized together with the rest of the Reston Reflections.  The series is dated 1996 and is contained in 6 boxes.\n\u003c/p\u003e","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews.  These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School.  The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003.  They were processed separately but have now been organized with the entire Reston Reflection collection.  The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.\n","Series one is titled Transcripts.  This series contains the transcripts of the interviews that the student conducted.  The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects.  Some of the transcripts also have the audiotapes because the projects have not been processed previously.  Also included at the beginning of the series are an index and list of those interviewed.  The series is dated from 1994 to 2008 and contained in 79 boxes.\n","Series two is titled Audiotapes.  These are the tapes that have been removed from the transcripts.  The tapes are the actual interviews conducted by the students.  The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.  The series is dated from 1994 to 2000 and is contained in 10 boxes.\n","Series three is titled 1996 Interviews (Volunteers).  These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School.  They were originally stored separated under the title oral history in the Planned Community Archives.  They are now organized together with the rest of the Reston Reflections.  The series is dated 1996 and is contained in 6 boxes.\n","Series four is titled 2001, 2003 and 2009 Interviews.  These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School.  The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003.  They were processed separately but have now been organized with the entire Reston Reflection collection.  The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.  The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated.  The collection is large and contained within 128 boxes.\n\u003c/abstract\u003e"],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School.  The students conducted interviews with residents of Reston to create an oral history of Reston.  The project spans several years beginning in 1994 with the final interviews in 2009.  Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.  The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated.  The collection is large and contained within 128 boxes.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Langston Hughes Middle School\n"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Langston Hughes Middle School\n"],"language_ssim":["English\n"],"total_component_count_is":2084,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:59:22.952Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_vifgm00096_c01_c1207"}},{"id":"vifgm_repositories_2_resources_173_c01_c1207","type":"File","attributes":{"title":"Yen, Joan","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173_c01_c1207#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_173_c01_c1207","ref_ssm":["vifgm_repositories_2_resources_173_c01_c1207"],"id":"vifgm_repositories_2_resources_173_c01_c1207","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173_c01","parent_ssi":"vifgm_repositories_2_resources_173_c01","parent_ssim":["vifgm_repositories_2_resources_173","vifgm_repositories_2_resources_173_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_173","vifgm_repositories_2_resources_173_c01"],"parent_unittitles_ssm":["Reston Reflections oral history collection","Series 1: Transcripts"],"parent_unittitles_tesim":["Reston Reflections oral history collection","Series 1: Transcripts"],"text":["Reston Reflections oral history collection","Series 1: Transcripts","Yen, Joan","box 77","folder 1"],"title_filing_ssi":"Yen, Joan","title_ssm":["Yen, Joan"],"title_tesim":["Yen, Joan"],"unitdate_other_ssim":["May 3, 2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Yen, Joan"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Reston Reflections oral history collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1208,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2004],"containers_ssim":["box 77","folder 1"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#1206","timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_173","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_173.xml","title_filing_ssi":"Reston Reflections oral history collection","title_ssm":["Reston Reflections oral history collection"],"title_tesim":["Reston Reflections oral history collection"],"unitdate_ssm":["1994-2008"],"unitdate_inclusive_ssm":["1994-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0171","/repositories/2/resources/173"],"text":["C0171","/repositories/2/resources/173","Reston Reflections oral history collection","Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local","Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories","There are no access restrictions.","Arranged into four series.","Series Series 1: Transcripts, 1994-2008 (Boxes 1-79) Series 2: Audiotapes, 1994-2000 (Boxes 80-90) Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96) Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)","Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).","Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.","The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. ","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. ","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. ","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. ","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. 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The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. \u003c/p\u003e\n","\u003cp\u003eSeries one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. \u003c/p\u003e\n","\u003cp\u003eSeries two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. \u003c/p\u003e\n","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. \u003c/p\u003e\n","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. ","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. ","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. ","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. ","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e"],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e"],"physloc_tesim":["R43, C1, S1 - C3, S5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2084,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173_c01_c1207"}},{"id":"vilxw_repositories_5_resources_969_c44","type":"File","attributes":{"title":"(YES) Correspondence","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_969_c44#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_969_c44","ref_ssm":["vilxw_repositories_5_resources_969_c44"],"id":"vilxw_repositories_5_resources_969_c44","ead_ssi":"vilxw_repositories_5_resources_969","_root_":"vilxw_repositories_5_resources_969","_nest_parent_":"vilxw_repositories_5_resources_969","parent_ssi":"vilxw_repositories_5_resources_969","parent_ssim":["vilxw_repositories_5_resources_969"],"parent_ids_ssim":["vilxw_repositories_5_resources_969"],"parent_unittitles_ssm":["William Gladstone Collection"],"parent_unittitles_tesim":["William Gladstone Collection"],"text":["William Gladstone Collection","(YES) Correspondence","Youth Environmental Service Program","United States. Department of Justice","Youth Environmental Service Program","Graham, Bob (Daniel Robert), 1936","Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936","English .","box 1","folder 43"],"title_filing_ssi":"(YES) Correspondence","title_ssm":["(YES) Correspondence"],"title_tesim":["(YES) Correspondence"],"unitdate_inclusive_ssm":["1995-2009"],"normalized_date_ssm":["1995/2009"],"normalized_title_ssm":["(YES) Correspondence"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["William Gladstone Collection"],"creator_ssim":["United States. Department of Justice","Gladstone, William E. , 1930-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"names_ssim":["Youth Environmental Service Program","United States. Department of Justice","Youth Environmental Service Program","Graham, Bob (Daniel Robert), 1936","Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936"],"corpname_ssim":["United States. Department of Justice","Youth Environmental Service Program"],"persname_ssim":["Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936"],"language_ssim":["English ."],"containers_ssim":["box 1","folder 43"],"_nest_path_":"/components#43","timestamp":"2026-04-30T21:51:23.517Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_969","ead_ssi":"vilxw_repositories_5_resources_969","_root_":"vilxw_repositories_5_resources_969","_nest_parent_":"vilxw_repositories_5_resources_969","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_969.xml","title_ssm":["William Gladstone Collection"],"title_tesim":["William Gladstone Collection"],"unitdate_ssm":["1980-2015"],"unitdate_bulk_ssim":["1980-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0678","/repositories/5/resources/969"],"text":["WLU.Coll.0678","/repositories/5/resources/969","William Gladstone Collection","Juvenile courts","Crime -- Children","Juvenile justice, Administration of -- Government policy","William E. Gladstone was born in Birmingham, Alabama in 1930 and graduated cum laude from Washington and Lee University in 1952. Three years later, he received his Juris Doctor degree from Yale Law School. For the next thirty years, Gladstone practiced law in Dade County, Florida at August, Nimkoff and Gladstone. In 1973, he was elected Circuit Judge for the 11th Judicial Circuit, Florida. Subsequently, he focused on the juvenile and family divisions. From 1982 to 1983, Gladstone served as Special Advisor on matters of juvenile justice and youthful offenders from the judiciary to the Governor and Secretaries of Health Rehabilitative Services and Corrections of the State of Florida. Retiring as full time judge in 1993, Gladstone spent a year with U.S. Senator Bob Graham as Special Advisor and in the meantime designed the Youth Environmental Service. In 1994, he returned to Florida to sit as Senior Judge until 2011, when he fully retired. For more details regarding his career and contributions, please his curriculum vitae which is featured in the control folder.","This collection primarily contains a series of memoranda, correspondence, newspaper articles, and transcripts regarding William Gladstone and his service to the state of Florida. In addition, the collection included a book showcasing Gladstone's judicial activism, and has since been transferred within the Special Collections Department. A collection of great breadth within the juvenile criminal justice system, it features several policy efforts supported by William Gladstone, including the Youth Environmental Service Program in the state of Florida.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","American Academy of Pediatrics (1930)","American Broadcasting Company (1944)","Miami Herald Publishing Company","National Council of Juvenile and Family Court Judges","Southern Legislators Conference on Children and Youth","Youth Environmental Service Program","Associated Marine Institutes, Inc.","Florida. Circuit Court","National CASA Association","CHARLEE's Gladstone Center for Girls","Detroit Free Press Co.","New York Times Company","Times Publishing Company (St. Petersburg, Fla.)","Boys \u0026 Girls Clubs of America","Alston Wilkes Society","Florida. Commission on Juvenile Justice","Florida. Foster Care Review","Florida. House of Representatives","United States. Congress. Senate","Verner, Liipfert, Bernhard, McPherson, and Hand, Chartered","Florida. Guardian Ad Litem Program","Virginia.  Circuit Court","University of Miami, School of Medicine","William and Tina Rosenberg Foundation","National Council of Juvenile \u0026 Family Court Judges","Naples Daily News","The Miami News","Cortlandt Group","Miami-Dade Community College. Mitchell Wolfson New World Center Campus","National Adolescent Conference","Florida. Department of Health and Rehabilitative Services","Coalition for Juvenile Justice (U.S.)","The Wall Street Journal","Miami Sister City Program, Inc. ","Florida. Supreme Court","American Medical Association","Children's Defense Fund (U.S.)","University of Miami, School of Law","Washington and Lee University--Alumni  and alumnae"," Los Angeles Times (Firm)","United States. Department of Agriculture","United States. Department of the Interior","U.S. Fish and Wildlife Service","United States. National Park Service","United States. Department of Justice","Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936","MacKay, , Buddy (Kenneth Hood)","Chiles , Lawton, 1930-1998","Biden, Joseph R","Leyburn, James Graham","Friedman, Milton, 1912-2006","Bush, Jeb (John Ellis)","English \n.    "],"unitid_tesim":["WLU.Coll.0678","/repositories/5/resources/969"],"normalized_title_ssm":["William Gladstone Collection"],"collection_title_tesim":["William Gladstone Collection"],"collection_ssim":["William Gladstone Collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Juvenile courts","Crime -- Children","Juvenile justice, Administration of -- Government policy"],"access_subjects_ssm":["Juvenile courts","Crime -- Children","Juvenile justice, Administration of -- Government policy"],"has_online_content_ssim":["false"],"extent_ssm":["1 Box forty-five file folders"],"extent_tesim":["1 Box forty-five file folders"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"bioghist_html_tesm":["\u003cp\u003eWilliam E. Gladstone was born in Birmingham, Alabama in 1930 and graduated cum laude from Washington and Lee University in 1952. Three years later, he received his Juris Doctor degree from Yale Law School. For the next thirty years, Gladstone practiced law in Dade County, Florida at August, Nimkoff and Gladstone. In 1973, he was elected Circuit Judge for the 11th Judicial Circuit, Florida. Subsequently, he focused on the juvenile and family divisions. From 1982 to 1983, Gladstone served as Special Advisor on matters of juvenile justice and youthful offenders from the judiciary to the Governor and Secretaries of Health Rehabilitative Services and Corrections of the State of Florida. Retiring as full time judge in 1993, Gladstone spent a year with U.S. Senator Bob Graham as Special Advisor and in the meantime designed the Youth Environmental Service. In 1994, he returned to Florida to sit as Senior Judge until 2011, when he fully retired. For more details regarding his career and contributions, please his curriculum vitae which is featured in the control folder.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William E. Gladstone was born in Birmingham, Alabama in 1930 and graduated cum laude from Washington and Lee University in 1952. Three years later, he received his Juris Doctor degree from Yale Law School. For the next thirty years, Gladstone practiced law in Dade County, Florida at August, Nimkoff and Gladstone. In 1973, he was elected Circuit Judge for the 11th Judicial Circuit, Florida. Subsequently, he focused on the juvenile and family divisions. From 1982 to 1983, Gladstone served as Special Advisor on matters of juvenile justice and youthful offenders from the judiciary to the Governor and Secretaries of Health Rehabilitative Services and Corrections of the State of Florida. Retiring as full time judge in 1993, Gladstone spent a year with U.S. Senator Bob Graham as Special Advisor and in the meantime designed the Youth Environmental Service. In 1994, he returned to Florida to sit as Senior Judge until 2011, when he fully retired. For more details regarding his career and contributions, please his curriculum vitae which is featured in the control folder."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], William Gladstone Collection, WLU Coll. 0678, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], William Gladstone Collection, WLU Coll. 0678, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily contains a series of memoranda, correspondence, newspaper articles, and transcripts regarding William Gladstone and his service to the state of Florida. In addition, the collection included a book showcasing Gladstone's judicial activism, and has since been transferred within the Special Collections Department. A collection of great breadth within the juvenile criminal justice system, it features several policy efforts supported by William Gladstone, including the Youth Environmental Service Program in the state of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily contains a series of memoranda, correspondence, newspaper articles, and transcripts regarding William Gladstone and his service to the state of Florida. In addition, the collection included a book showcasing Gladstone's judicial activism, and has since been transferred within the Special Collections Department. A collection of great breadth within the juvenile criminal justice system, it features several policy efforts supported by William Gladstone, including the Youth Environmental Service Program in the state of Florida."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["Washington and Lee University","American Academy of Pediatrics (1930)","American Broadcasting Company (1944)","Miami Herald Publishing Company","National Council of Juvenile and Family Court Judges","Southern Legislators Conference on Children and Youth","Youth Environmental Service Program","Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","American Academy of Pediatrics (1930)","American Broadcasting Company (1944)","Miami Herald Publishing Company","National Council of Juvenile and Family Court Judges","Southern Legislators Conference on Children and Youth","Youth Environmental Service Program","Associated Marine Institutes, Inc.","Florida. Circuit Court","National CASA Association","CHARLEE's Gladstone Center for Girls","Detroit Free Press Co.","New York Times Company","Times Publishing Company (St. Petersburg, Fla.)","Boys \u0026 Girls Clubs of America","Alston Wilkes Society","Florida. Commission on Juvenile Justice","Florida. Foster Care Review","Florida. House of Representatives","United States. Congress. Senate","Verner, Liipfert, Bernhard, McPherson, and Hand, Chartered","Florida. Guardian Ad Litem Program","Virginia.  Circuit Court","University of Miami, School of Medicine","William and Tina Rosenberg Foundation","National Council of Juvenile \u0026 Family Court Judges","Naples Daily News","The Miami News","Cortlandt Group","Miami-Dade Community College. Mitchell Wolfson New World Center Campus","National Adolescent Conference","Florida. Department of Health and Rehabilitative Services","Coalition for Juvenile Justice (U.S.)","The Wall Street Journal","Miami Sister City Program, Inc. ","Florida. Supreme Court","American Medical Association","Children's Defense Fund (U.S.)","University of Miami, School of Law","Washington and Lee University--Alumni  and alumnae"," Los Angeles Times (Firm)","United States. Department of Agriculture","United States. Department of the Interior","U.S. Fish and Wildlife Service","United States. National Park Service","United States. Department of Justice","Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936","MacKay, , Buddy (Kenneth Hood)","Chiles , Lawton, 1930-1998","Biden, Joseph R","Leyburn, James Graham","Friedman, Milton, 1912-2006","Bush, Jeb (John Ellis)"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","American Academy of Pediatrics (1930)","American Broadcasting Company (1944)","Miami Herald Publishing Company","National Council of Juvenile and Family Court Judges","Southern Legislators Conference on Children and Youth","Youth Environmental Service Program","Associated Marine Institutes, Inc.","Florida. Circuit Court","National CASA Association","CHARLEE's Gladstone Center for Girls","Detroit Free Press Co.","New York Times Company","Times Publishing Company (St. Petersburg, Fla.)","Boys \u0026 Girls Clubs of America","Alston Wilkes Society","Florida. Commission on Juvenile Justice","Florida. Foster Care Review","Florida. House of Representatives","United States. Congress. Senate","Verner, Liipfert, Bernhard, McPherson, and Hand, Chartered","Florida. Guardian Ad Litem Program","Virginia.  Circuit Court","University of Miami, School of Medicine","William and Tina Rosenberg Foundation","National Council of Juvenile \u0026 Family Court Judges","Naples Daily News","The Miami News","Cortlandt Group","Miami-Dade Community College. Mitchell Wolfson New World Center Campus","National Adolescent Conference","Florida. Department of Health and Rehabilitative Services","Coalition for Juvenile Justice (U.S.)","The Wall Street Journal","Miami Sister City Program, Inc. ","Florida. Supreme Court","American Medical Association","Children's Defense Fund (U.S.)","University of Miami, School of Law","Washington and Lee University--Alumni  and alumnae"," Los Angeles Times (Firm)","United States. Department of Agriculture","United States. Department of the Interior","U.S. Fish and Wildlife Service","United States. National Park Service","United States. Department of Justice"],"persname_ssim":["Gladstone, William E. , 1930-2015","Graham, Bob (Daniel Robert), 1936","MacKay, , Buddy (Kenneth Hood)","Chiles , Lawton, 1930-1998","Biden, Joseph R","Leyburn, James Graham","Friedman, Milton, 1912-2006","Bush, Jeb (John Ellis)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":46,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:51:23.517Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_969_c44"}},{"id":"vifgm_repositories_2_resources_349_c01_c3759","type":"File","attributes":{"title":"Yilmaz, Yesim","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_349_c01_c3759#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eDissertation\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_349_c01_c3759#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_349_c01_c3759","ref_ssm":["vifgm_repositories_2_resources_349_c01_c3759"],"id":"vifgm_repositories_2_resources_349_c01_c3759","ead_ssi":"vifgm_repositories_2_resources_349","_root_":"vifgm_repositories_2_resources_349","_nest_parent_":"vifgm_repositories_2_resources_349_c01","parent_ssi":"vifgm_repositories_2_resources_349_c01","parent_ssim":["vifgm_repositories_2_resources_349","vifgm_repositories_2_resources_349_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_349","vifgm_repositories_2_resources_349_c01"],"parent_unittitles_ssm":["George Mason University Dissertation and Thesis collection","Series 1: Dissertation, Theses, and MAIS Projects"],"parent_unittitles_tesim":["George Mason University Dissertation and Thesis collection","Series 1: Dissertation, Theses, and MAIS Projects"],"text":["George Mason University Dissertation and Thesis collection","Series 1: Dissertation, Theses, and MAIS Projects","Yilmaz, Yesim","box 235","Dissertation"],"title_filing_ssi":"Yilmaz, Yesim","title_ssm":["Yilmaz, Yesim"],"title_tesim":["Yilmaz, Yesim"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Yilmaz, Yesim"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Dissertation and Thesis collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3760,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[2004],"containers_ssim":["box 235"],"scopecontent_html_tesm":["\u003cp\u003eDissertation\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Dissertation"],"_nest_path_":"/components#0/components#3758","timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_349","ead_ssi":"vifgm_repositories_2_resources_349","_root_":"vifgm_repositories_2_resources_349","_nest_parent_":"vifgm_repositories_2_resources_349","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_349.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["George Mason University Dissertation and Thesis collection"],"title_tesim":["George Mason University Dissertation and Thesis collection"],"unitdate_ssm":["1973-2012"],"unitdate_inclusive_ssm":["1973-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0122","/repositories/2/resources/349"],"text":["R0122","/repositories/2/resources/349","George Mason University Dissertation and Thesis collection","Dissertations, Academic","Collection is open to research.","Organized chronologically then alphabetically by last name.","Since becoming an independent university in 1972, George Mason University staff have managed the procedures for writing and submitting theses and dissertations as part of the degree requirements for most graduate programs. Each college manages its own graduate program, and students work with the University Dissertation and Thesis Coordinator in Fenwick Library to submit their work. As of 2013, students only submit electronic theses and dissertations.","Processed by Special Collections and Archives staff.","Special Collections and Archives holds the records of George Mason University.","The collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012.","There are no restrictions.","The collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012.","This collection is located off-site at the WRLC storage facility. Delivery of boxes may take up to two business days, so box requests must be made prior to visiting the Special Collections \u0026 Archives reading room.","George Mason University. Libraries. Special Collections Research Center","English \n.    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Special Collections Research Center"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by George Mason University students."],"access_subjects_ssim":["Dissertations, Academic"],"access_subjects_ssm":["Dissertations, Academic"],"has_online_content_ssim":["false"],"extent_ssm":["528.75 Linear Feet (434 boxes)","(434 boxes)"],"extent_tesim":["528.75 Linear Feet (434 boxes)","(434 boxes)"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized chronologically then alphabetically by last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized chronologically then alphabetically by last name."],"bioghist_html_tesm":["\u003cp\u003eSince becoming an independent university in 1972, George Mason University staff have managed the procedures for writing and submitting theses and dissertations as part of the degree requirements for most graduate programs. Each college manages its own graduate program, and students work with the University Dissertation and Thesis Coordinator in Fenwick Library to submit their work. As of 2013, students only submit electronic theses and dissertations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since becoming an independent university in 1972, George Mason University staff have managed the procedures for writing and submitting theses and dissertations as part of the degree requirements for most graduate programs. Each college manages its own graduate program, and students work with the University Dissertation and Thesis Coordinator in Fenwick Library to submit their work. As of 2013, students only submit electronic theses and dissertations."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Dissertation and Thesis collection, Collection #R0122, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Dissertation and Thesis collection, Collection #R0122, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the records of George Mason University.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the records of George Mason University."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a529a2c38d121fdde0314d969f333b47\" label=\"Abstract\"\u003eThe collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of official copies of each thesis and dissertation submitted from spring 1973 through fall 2012."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_373f2e30983497a8d378a6d2d0fc3719\" label=\"Location\"\u003eThis collection is located off-site at the WRLC storage facility. Delivery of boxes may take up to two business days, so box requests must be made prior to visiting the Special Collections \u0026amp; Archives reading room.\u003c/physloc\u003e"],"physloc_tesim":["This collection is located off-site at the WRLC storage facility. Delivery of boxes may take up to two business days, so box requests must be made prior to visiting the Special Collections \u0026 Archives reading room."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"total_component_count_is":6598,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_349_c01_c3759"}},{"id":"vircu_repositories_5_resources_576_c01_c103","type":"File","attributes":{"title":"YMCA of Greater Richmond - Memory Book","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_576_c01_c103#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_576_c01_c103","ref_ssm":["vircu_repositories_5_resources_576_c01_c103"],"id":"vircu_repositories_5_resources_576_c01_c103","ead_ssi":"vircu_repositories_5_resources_576","_root_":"vircu_repositories_5_resources_576","_nest_parent_":"vircu_repositories_5_resources_576_c01","parent_ssi":"vircu_repositories_5_resources_576_c01","parent_ssim":["vircu_repositories_5_resources_576","vircu_repositories_5_resources_576_c01"],"parent_ids_ssim":["vircu_repositories_5_resources_576","vircu_repositories_5_resources_576_c01"],"parent_unittitles_ssm":["Joan Girone papers","Series 1: Public Service Administrative Files"],"parent_unittitles_tesim":["Joan Girone papers","Series 1: Public Service Administrative Files"],"text":["Joan Girone papers","Series 1: Public Service Administrative Files","YMCA of Greater Richmond - Memory Book","English .","box 11","folder 4"],"title_filing_ssi":"YMCA of Greater Richmond - Memory Book","title_ssm":["YMCA of Greater Richmond - Memory Book"],"title_tesim":["YMCA of Greater Richmond - Memory Book"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["1970/2012"],"normalized_title_ssm":["YMCA of Greater Richmond - Memory Book"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Joan Girone papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":104,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"language_ssim":["English ."],"containers_ssim":["box 11","folder 4"],"_nest_path_":"/components#0/components#102","timestamp":"2026-05-01T00:15:37.796Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_576","ead_ssi":"vircu_repositories_5_resources_576","_root_":"vircu_repositories_5_resources_576","_nest_parent_":"vircu_repositories_5_resources_576","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_576.xml","title_filing_ssi":"Girone, Joan, papers","title_ssm":["Joan Girone papers"],"title_tesim":["Joan Girone papers"],"unitdate_ssm":["1970-2012"],"unitdate_inclusive_ssm":["1970-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 284","/repositories/5/resources/576"],"text":["M 284","/repositories/5/resources/576","Joan Girone papers","The collection is open for research.","The collection is arranged into two series: Series 1: Public Service Administrative Files, 1970-2012 and Series 2: Campaign Files, 1971-1987.","Joan Girone was a Chesterfield County politician and the first woman to serve on the Chesterfield County Board of Supervisors. She was born August 30, 1929, in Toronto, Ontario, Canada. Girone worked as a children's wear buyer in New York City before moving to Chesterfield in 1965. She actively participated in the local community by serving on the Chesterfield PTA board and writing the Bon Air community newsletter. Along with fellow Republicans, she fought against the consolidation of the Chesterfield, Henrico, and Richmond City school systems ordered by Judge Robert R. Merhige in 1972 which aimed to integrate the public schools. She assisted in the founding of both the Friends of Chesterfield County Public Library and the Capital  Area Agency on Aging in 1973. In 1976, Girone ran for office and was elected to the Chesterfield County Board of Supervisors. She went on to be reelected in 1979 and 1983.","As a moderate conservative Republican, Girone opposed active government involvement. She advocated for issues such as the banning of leaf burning in Chesterfield county, the extension of Powhite Parkway, and opposition of the Strategic Arms Limitation Talks (SALT II) program by the federal government. Additionally, she regularly participated in drafting the annual Bon Air Community Plans which laid out future community projects and goals.","\nGirone made bids for the Republican candidacy for Virginia State Senate in 1980 and 1987. She was unable to secure convention delegate support in both primaries, but ran as an independent candidate in the 1987 election against incumbent Republican Senator Robert Russell. She did not succeed in the senate race. Despite her losses, she continued to serve the Chesterfield community after the end of her final supervisor term in 1987.","\nHer service to Chesterfield continued through participation in government committees and community groups such as the Midlothian YMCA and the Chesterfield Comprehensive Plan Steering Committee. She worked as a real estate salesperson in Chesterfield County until her death. She died April 14, 2019 in Richmond, VA.","\nSources: \n  (Article link)","The Joan Girone papers, 1970-2012, is a collection of materials used by Chesterfield County, VA politician Joan Girone. The papers provide insight into the administrative duties of local government in the Richmond area during the 1970s and 1980s. The collection also includes senate and supervisor campaign files which deliver a unique look into the logistical and political mechanisms for running a local or state campaign. Additionally, the general Republican campaign files highlight the platforms and grassroots movements implemented by the Virginia Republican Party in the 1970s and 1980s.","Series 1: Public Service Administrative Files, 1970-2011: The bulk of the collection is comprised of documents related to Joan Girone's service to the Chesterfield community both as a private citizen and elected official. These documents include professional correspondence with constituents, drafts of Bon Air Community Plans, constituent surveys, personal planners, and documents pertaining to specific issues Girone advocated for or against.","The correspondence is composed of general letters written by constituents or colleagues regarding assorted issues in the Chesterfield community such as infrastructure repair, policy recommendations, professional congratulations, and general concerns related to Chesterfield and the greater Richmond area. Responses from Girone are attached to some letters. ","The personal notepads and desk planners include Girone's schedules and notes from her time serving as supervisor. The notepads contain notes from meetings and lists for daily plans; these include Bon Air community meetings, campaign tasks, and reminders to respond to correspondence. The desk planners contain calendars of specific events and meetings which Girone participated in as supervisor. ","Included in this series are materials pertaining to issues and groups in the Chesterfield community such as Abandoned Coal Mine Land Program, the YMCA of Greater Richmond, Republican Women's Club, Chesterfield road restoration, and the SALT II international treaty. The files contain correspondence and notes by Girone regarding the issues and her related stance. ","Also within the series is a collection of buttons owned by Girone. The buttons were worn by Girone to promote numerous viewpoints. Content of the buttons include the Stop ERA movement, the promotion of the Powhite Parkway Extension Program, participation in the VCU Center for Women's Health, and Friends of Chesterfield Library. Additionally, the collection includes campaign buttons for Republican candidates such as Eva Scott, John Warner, John Dalton, and Richard Obenshain. ","Series 2: Campaign Files, 1971-1987: The collection also includes material used by Girone for her own and others' campaigns for public office. The files contain material from Girone's supervisor campaigns, state senate campaigns, and general Republican campaigns of other local, state, and national nominees.","The supervisor campaign files are comprised of materials used by Girone for her 1976, 1979, and 1983 campaigns for Chesterfield supervisor. The files include correspondence with voters, supporters, and constituents, questionnaires to voters, candidacy petitions, promotional material, and expenditure reports. ","The state senate campaign files consist of fundraising reports, recorded endorsements, debate recordings, promotional material, mailings, surveys, platform statements, news releases, and correspondence. The files cover both attempts by Girone to obtain the Republican nomination for state senate, as well as her campaign as an independent candidate. In addition to material primarily used to promote and support her campaigns, there are research files concerning her major opponents, Tom Bliley in 1980 and Robert Russell in 1987.","There are no restrictions.","VCU James Branch Cabell Library","Girone, Joan, 1929-2019","English \n.    "],"unitid_tesim":["M 284","/repositories/5/resources/576"],"normalized_title_ssm":["Joan Girone papers"],"collection_title_tesim":["Joan Girone papers"],"collection_ssim":["Joan Girone papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Girone, Joan, 1929-2019","Girone, Joan, 1929-2019"],"creator_ssim":["Girone, Joan, 1929-2019","Girone, Joan, 1929-2019"],"creator_persname_ssim":["Girone, Joan, 1929-2019","Girone, Joan, 1929-2019"],"creators_ssim":["Girone, Joan, 1929-2019","Girone, Joan, 1929-2019"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Joan Girone in 1990 with additional accrual in 2012."],"has_online_content_ssim":["false"],"extent_ssm":["9.9 Linear Feet"],"extent_tesim":["9.9 Linear Feet"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series 1: Public Service Administrative Files, 1970-2012 and Series 2: Campaign Files, 1971-1987.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: Series 1: Public Service Administrative Files, 1970-2012 and Series 2: Campaign Files, 1971-1987."],"bioghist_html_tesm":["\u003cp\u003eJoan Girone was a Chesterfield County politician and the first woman to serve on the Chesterfield County Board of Supervisors. She was born August 30, 1929, in Toronto, Ontario, Canada. Girone worked as a children's wear buyer in New York City before moving to Chesterfield in 1965. She actively participated in the local community by serving on the Chesterfield PTA board and writing the Bon Air community newsletter. Along with fellow Republicans, she fought against the consolidation of the Chesterfield, Henrico, and Richmond City school systems ordered by Judge Robert R. Merhige in 1972 which aimed to integrate the public schools. She assisted in the founding of both the Friends of Chesterfield County Public Library and the Capital  Area Agency on Aging in 1973. In 1976, Girone ran for office and was elected to the Chesterfield County Board of Supervisors. She went on to be reelected in 1979 and 1983.\u003c/p\u003e\n","\u003cp\u003eAs a moderate conservative Republican, Girone opposed active government involvement. She advocated for issues such as the banning of leaf burning in Chesterfield county, the extension of Powhite Parkway, and opposition of the Strategic Arms Limitation Talks (SALT II) program by the federal government. Additionally, she regularly participated in drafting the annual Bon Air Community Plans which laid out future community projects and goals.\u003c/p\u003e\n","\u003cp\u003e\nGirone made bids for the Republican candidacy for Virginia State Senate in 1980 and 1987. She was unable to secure convention delegate support in both primaries, but ran as an independent candidate in the 1987 election against incumbent Republican Senator Robert Russell. She did not succeed in the senate race. Despite her losses, she continued to serve the Chesterfield community after the end of her final supervisor term in 1987.\u003c/p\u003e\n","\u003cp\u003e\nHer service to Chesterfield continued through participation in government committees and community groups such as the Midlothian YMCA and the Chesterfield Comprehensive Plan Steering Committee. She worked as a real estate salesperson in Chesterfield County until her death. She died April 14, 2019 in Richmond, VA.\u003c/p\u003e\n","\u003cp\u003e\nSources: \n\u003cextref type=\"simple\" href=\"https://www.richmond.com/news/obituary/joan-girone-first-woman-elected-to-chesterfield-board-of-supervisors/article_25d7b234-9794-5635-adf7-06731aaa3cac.html\"\u003e (Article link)\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Joan Girone was a Chesterfield County politician and the first woman to serve on the Chesterfield County Board of Supervisors. She was born August 30, 1929, in Toronto, Ontario, Canada. Girone worked as a children's wear buyer in New York City before moving to Chesterfield in 1965. She actively participated in the local community by serving on the Chesterfield PTA board and writing the Bon Air community newsletter. Along with fellow Republicans, she fought against the consolidation of the Chesterfield, Henrico, and Richmond City school systems ordered by Judge Robert R. Merhige in 1972 which aimed to integrate the public schools. She assisted in the founding of both the Friends of Chesterfield County Public Library and the Capital  Area Agency on Aging in 1973. In 1976, Girone ran for office and was elected to the Chesterfield County Board of Supervisors. She went on to be reelected in 1979 and 1983.","As a moderate conservative Republican, Girone opposed active government involvement. She advocated for issues such as the banning of leaf burning in Chesterfield county, the extension of Powhite Parkway, and opposition of the Strategic Arms Limitation Talks (SALT II) program by the federal government. Additionally, she regularly participated in drafting the annual Bon Air Community Plans which laid out future community projects and goals.","\nGirone made bids for the Republican candidacy for Virginia State Senate in 1980 and 1987. She was unable to secure convention delegate support in both primaries, but ran as an independent candidate in the 1987 election against incumbent Republican Senator Robert Russell. She did not succeed in the senate race. Despite her losses, she continued to serve the Chesterfield community after the end of her final supervisor term in 1987.","\nHer service to Chesterfield continued through participation in government committees and community groups such as the Midlothian YMCA and the Chesterfield Comprehensive Plan Steering Committee. She worked as a real estate salesperson in Chesterfield County until her death. She died April 14, 2019 in Richmond, VA.","\nSources: \n  (Article link)"],"prefercite_html_tesm":["\u003cp\u003eJoan Girone papers, 1970-2012, Collection # M 284, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Joan Girone papers, 1970-2012, Collection # M 284, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Joan Girone papers, 1970-2012, is a collection of materials used by Chesterfield County, VA politician Joan Girone. The papers provide insight into the administrative duties of local government in the Richmond area during the 1970s and 1980s. The collection also includes senate and supervisor campaign files which deliver a unique look into the logistical and political mechanisms for running a local or state campaign. Additionally, the general Republican campaign files highlight the platforms and grassroots movements implemented by the Virginia Republican Party in the 1970s and 1980s.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Public Service Administrative Files, 1970-2011: The bulk of the collection is comprised of documents related to Joan Girone's service to the Chesterfield community both as a private citizen and elected official. These documents include professional correspondence with constituents, drafts of Bon Air Community Plans, constituent surveys, personal planners, and documents pertaining to specific issues Girone advocated for or against.\u003c/p\u003e\n","\u003cp\u003eThe correspondence is composed of general letters written by constituents or colleagues regarding assorted issues in the Chesterfield community such as infrastructure repair, policy recommendations, professional congratulations, and general concerns related to Chesterfield and the greater Richmond area. Responses from Girone are attached to some letters. \u003c/p\u003e\n","\u003cp\u003eThe personal notepads and desk planners include Girone's schedules and notes from her time serving as supervisor. The notepads contain notes from meetings and lists for daily plans; these include Bon Air community meetings, campaign tasks, and reminders to respond to correspondence. The desk planners contain calendars of specific events and meetings which Girone participated in as supervisor. \u003c/p\u003e\n","\u003cp\u003eIncluded in this series are materials pertaining to issues and groups in the Chesterfield community such as Abandoned Coal Mine Land Program, the YMCA of Greater Richmond, Republican Women's Club, Chesterfield road restoration, and the SALT II international treaty. The files contain correspondence and notes by Girone regarding the issues and her related stance. \u003c/p\u003e\n","\u003cp\u003eAlso within the series is a collection of buttons owned by Girone. The buttons were worn by Girone to promote numerous viewpoints. Content of the buttons include the Stop ERA movement, the promotion of the Powhite Parkway Extension Program, participation in the VCU Center for Women's Health, and Friends of Chesterfield Library. Additionally, the collection includes campaign buttons for Republican candidates such as Eva Scott, John Warner, John Dalton, and Richard Obenshain. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Campaign Files, 1971-1987: The collection also includes material used by Girone for her own and others' campaigns for public office. The files contain material from Girone's supervisor campaigns, state senate campaigns, and general Republican campaigns of other local, state, and national nominees.\u003c/p\u003e\n","\u003cp\u003eThe supervisor campaign files are comprised of materials used by Girone for her 1976, 1979, and 1983 campaigns for Chesterfield supervisor. The files include correspondence with voters, supporters, and constituents, questionnaires to voters, candidacy petitions, promotional material, and expenditure reports. \u003c/p\u003e\n","\u003cp\u003eThe state senate campaign files consist of fundraising reports, recorded endorsements, debate recordings, promotional material, mailings, surveys, platform statements, news releases, and correspondence. The files cover both attempts by Girone to obtain the Republican nomination for state senate, as well as her campaign as an independent candidate. In addition to material primarily used to promote and support her campaigns, there are research files concerning her major opponents, Tom Bliley in 1980 and Robert Russell in 1987.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Joan Girone papers, 1970-2012, is a collection of materials used by Chesterfield County, VA politician Joan Girone. The papers provide insight into the administrative duties of local government in the Richmond area during the 1970s and 1980s. The collection also includes senate and supervisor campaign files which deliver a unique look into the logistical and political mechanisms for running a local or state campaign. Additionally, the general Republican campaign files highlight the platforms and grassroots movements implemented by the Virginia Republican Party in the 1970s and 1980s.","Series 1: Public Service Administrative Files, 1970-2011: The bulk of the collection is comprised of documents related to Joan Girone's service to the Chesterfield community both as a private citizen and elected official. These documents include professional correspondence with constituents, drafts of Bon Air Community Plans, constituent surveys, personal planners, and documents pertaining to specific issues Girone advocated for or against.","The correspondence is composed of general letters written by constituents or colleagues regarding assorted issues in the Chesterfield community such as infrastructure repair, policy recommendations, professional congratulations, and general concerns related to Chesterfield and the greater Richmond area. Responses from Girone are attached to some letters. ","The personal notepads and desk planners include Girone's schedules and notes from her time serving as supervisor. The notepads contain notes from meetings and lists for daily plans; these include Bon Air community meetings, campaign tasks, and reminders to respond to correspondence. The desk planners contain calendars of specific events and meetings which Girone participated in as supervisor. ","Included in this series are materials pertaining to issues and groups in the Chesterfield community such as Abandoned Coal Mine Land Program, the YMCA of Greater Richmond, Republican Women's Club, Chesterfield road restoration, and the SALT II international treaty. The files contain correspondence and notes by Girone regarding the issues and her related stance. ","Also within the series is a collection of buttons owned by Girone. The buttons were worn by Girone to promote numerous viewpoints. Content of the buttons include the Stop ERA movement, the promotion of the Powhite Parkway Extension Program, participation in the VCU Center for Women's Health, and Friends of Chesterfield Library. Additionally, the collection includes campaign buttons for Republican candidates such as Eva Scott, John Warner, John Dalton, and Richard Obenshain. ","Series 2: Campaign Files, 1971-1987: The collection also includes material used by Girone for her own and others' campaigns for public office. The files contain material from Girone's supervisor campaigns, state senate campaigns, and general Republican campaigns of other local, state, and national nominees.","The supervisor campaign files are comprised of materials used by Girone for her 1976, 1979, and 1983 campaigns for Chesterfield supervisor. The files include correspondence with voters, supporters, and constituents, questionnaires to voters, candidacy petitions, promotional material, and expenditure reports. ","The state senate campaign files consist of fundraising reports, recorded endorsements, debate recordings, promotional material, mailings, surveys, platform statements, news releases, and correspondence. The files cover both attempts by Girone to obtain the Republican nomination for state senate, as well as her campaign as an independent candidate. In addition to material primarily used to promote and support her campaigns, there are research files concerning her major opponents, Tom Bliley in 1980 and Robert Russell in 1987."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Girone, Joan, 1929-2019"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Girone, Joan, 1929-2019","Girone, Joan, 1929-2019"],"persname_ssim":["Girone, Joan, 1929-2019"],"language_ssim":["English \n.    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