{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026page=303","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026page=302","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026page=304","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026page=304"},"meta":{"pages":{"current_page":303,"next_page":304,"prev_page":302,"total_pages":304,"limit_value":10,"offset_value":3020,"total_count":3033,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_140_c01","type":"Series","attributes":{"title":"William L. Mertz transportation collection, 1895/1995","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_140_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_140_c01","ref_ssm":["vifgm_repositories_2_resources_140_c01"],"id":"vifgm_repositories_2_resources_140_c01","ead_ssi":"vifgm_repositories_2_resources_140","_root_":"vifgm_repositories_2_resources_140","_nest_parent_":"vifgm_repositories_2_resources_140","parent_ssi":"vifgm_repositories_2_resources_140","parent_ssim":["William L. Mertz transportation collection, 1895/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_140"],"title_filing_ssi":"William L. Mertz transportation collection","title_ssm":["William L. Mertz transportation collection"],"title_tesim":["William L. Mertz transportation collection"],"normalized_title_ssm":["William L. Mertz transportation collection, 1895/1995"],"text":["William L. Mertz transportation collection, 1895/1995","William L. Mertz transportation collection, 1895/1995"],"parent_unittitles_ssm":["William L. Mertz transportation collection, 1895/1995"],"parent_unittitles_tesim":["William L. Mertz transportation collection, 1895/1995"],"normalized_date_ssm":["1895/1995"],"unitdate_other_ssim":["1895-1995"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["George Mason University"],"collection_ssim":["William L. Mertz transportation collection, 1895/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":1320,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"_nest_path_":"/components#0","timestamp":"2026-06-23T06:52:59.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_140","ead_ssi":"vifgm_repositories_2_resources_140","_root_":"vifgm_repositories_2_resources_140","_nest_parent_":"vifgm_repositories_2_resources_140","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_140.xml","title_ssm":["William L. Mertz transportation collection"],"title_tesim":["William L. Mertz transportation collection"],"unitdate_ssm":["1895-1995"],"unitdate_inclusive_ssm":["1895-1995"],"normalized_date_ssm":["1895/1995"],"normalized_title_ssm":["William L. Mertz transportation collection, 1895/1995"],"text":["William L. Mertz transportation collection, 1895/1995","C0050","/repositories/2/resources/140","Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence","There are no access restrictions.","This collection is arranged alphabetically by subject.","the Region's Bus Network: Huge, Complex and Varied","William Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993.","Processed and finding aid compiled by Robert Vay, Vikram David, Estee L. Dudash, Barbara Haase, and Kaycee Morgan in 1995. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.","The Special Collections Research Center also holds other","The collection contains transportation related materials collected over a 45 year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.","Optical instrument - unknown use","2 hand written letters from Mr.James quoted in a inclusive document","Home Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings","Aerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows","Field Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning","Census Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language","London Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding","Some of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line","Direct Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue","Job Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic","A Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile","Software Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play","A Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey","Transit Trends","Vacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey","Home Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]","Home Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region","The Social-Economic Future of the Tri-State Region","The Region's Unique Rapid -Transit System - In Newark","Findings of the Taxi Survey","Theoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers","Program 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States","Western Association of State Highway Officials Road Test data analyses and findings","History of American Interstate Highway System","Discusses Investment Deficit in Public Works","United Nations White Paper","Includes a short draft description of each of the 19 subordinate working papers.","Changing Demographics and Economic Use","Trends and Forecasts of Highway Passenger Travel","Trends and Forecast of Highway Freight Travel","Advancements in Highway materials and Construction Technology","Advancements in Automobile Technology","Advancements in Motor Truck Technology","Advancements in Telecommunications and Computer Technology Affecting Highway Travel","National Defence Highway Requirements","Urban and Suburban Highway Congestion","Highway Requirements for Freight Movement","Highway Performance and Investment Analysis","Federal Highway Investment Program Structure","Federal Mandates for Highway Operations and Safety","State, Local and Private Highway Roles","External Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program","195 pages; History","Representative Robert Roe and his stand on funding public works","humorous discussion of chauffeur perk","deals with ownership and funding of transportation infrastructure","Interstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management","Politics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study","control of \"pork barrel\"","brief summary of W.L. Mertz career starting in 1949","Includes information regarding Mertz's involvement in 2 week urban transportation course","Information on the New River Gorge Bridge","New Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed","draft of speech, brief discussion of cost and projection of future","Abstract of documents from 1944 to 1973","reprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"","various documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party","a detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills","Corrects a misstatement regarding the flow of planning money within the states","States preference for inexpensive public transportation solutions","a report of efforts to improve the NYC subways in early 1980's","a description of the Tri - State \"Technical Division\" structure and functions.","describes road conditions supporting vacation touring","summary of \"UTAP\" LEGISLATION","describes planning as seen by Mr. Mertz","a poem presumably about a co-worker of Mr. Mertz","a tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads","Based on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan","Transportation 2020 correspondence forwarding Major categories of issue-related policies and options for each","Charlotte County","views touch topics of revenue sharing, law passed 12/31/70, environmental impact statements","a brochure opposing a referendum on transportation in Maine","includes brief summary of MacDonald's career and contributions to Federal Highway program.","Mertz listed as receiving a Bachelor degree in Civil Engineering","Col of Engineering magazine includes a short biography of Mertz","brochure describes the foundation's interest in funding transportation research and information","includes an article written by Mertz; \"Involvement of Public Utilities in Transportation'","map","multiple modes of transportation","499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee","historical","incomplete","list of attendees","Congressional Hearings before a Joint Committee on Washington Metropolitan Problems","maps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'","Maps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976","includes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building","recommended routes for the Federal Interstate Program","maps of regions","maps of regions and a discussion of the Development of Federal Policy on Highway Toll","Articles on completion of San Diego Freeway and on the Redwood Highway","14","the problem of the analysis of transportation networks and suggested approaches through modern graph theory","Includes requests for information and replies regarding Administrative and Financial Aspects","Report from Bragdon and Comments from BPR","includes reports from Secretary of commerce and Presidential messages","information provided to Mertz to support work on history of Interstate","information provided to Mertz to support work on history of Interstate","includes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974","Includes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.","Dissertation for PhD in Maryland University","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","includes pictures of participants","includes pictures of participants","urban transportation","includes pictures of attendees","requests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies","In defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.","Nominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.","Mr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.","Concerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.","Prepared by F.C Turner, Retired FWHA Administrator","includes pictures of participants,presentations of each of the major elements of headquarters","Includes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade","Readers digest Articles critical of FHWA program and replies","Includes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956","possible Interstate routes through DC","includes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909","Includes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation","includes information on \"Metro\" construction progress","Maryland Planning documents","Short personal narratives by Federal highway construction personnel including human aspects of construction","includes a large map of the area","Diversion of highway tax funds to other purposes","the Additional 1,000 miles was authorized by the 1956 Act","included Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations","a manuscript by Mertz","A monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.","abstracts of Federal law regarding roads","complied by Department of Transportation","A Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary","A report prepared for the Department of Transportation","A technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.","A report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.","prepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]","by Carnegie Mellon for DOT","produced by Commission of the European Communities","report required by Motor Carrier Act of 1980","report completed for Washington Metropolitan Area Transit Authority","Includes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)","bi-lingual","A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50","a report to Congress on rural roads","Message from the President of the United States to Congress","Association of American Railroads","articles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project","part of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads","Fed'l Highway Administration pamphlet","symposium presentation papers from several of the participants","Summary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility","Explored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.","Office of Technology Assessment, Congress of the United States","VHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.","Photocopies of older materials","Urban Freeway Development in Twenty Major Cities, August 1964","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials.","R22 C2 S7 - C4, S2-S7","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. 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Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Jonathan Gifford, Marty L. Freeman, and Perry M. Kent in 1994-2000."],"access_subjects_ssim":["Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence"],"access_subjects_ssm":["Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["47.5 Linear Feet 62 boxes"],"extent_tesim":["47.5 Linear Feet 62 boxes"],"genreform_ssim":["Correspondence"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://youtu.be/TN0oEIqQmuo\" title=\"Road to Happiness\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by subject.\u003c/p\u003e  ","\u003cp\u003ethe Region's Bus Network: Huge, Complex and Varied\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement note"],"arrangement_tesim":["This collection is arranged alphabetically by subject.","the Region's Bus Network: Huge, Complex and Varied"],"bioghist_html_tesm":["\u003cp\u003eWilliam Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["William Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993."],"prefercite_html_tesm":["\u003cp\u003eWilliam L. Mertz transportation collection, C0050, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["William L. Mertz transportation collection, C0050, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid compiled by Robert Vay, Vikram David, Estee L. Dudash, Barbara Haase, and Kaycee Morgan in 1995. 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Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.\u003c/p\u003e  ","\u003cp\u003eOptical instrument - unknown use\u003c/p\u003e","\u003cp\u003e2 hand written letters from Mr.James quoted in a inclusive document\u003c/p\u003e","\u003cp\u003eHome Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings\u003c/p\u003e","\u003cp\u003eAerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows\u003c/p\u003e","\u003cp\u003eField Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning\u003c/p\u003e","\u003cp\u003eCensus Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language\u003c/p\u003e","\u003cp\u003eLondon Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding\u003c/p\u003e","\u003cp\u003eSome of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line\u003c/p\u003e","\u003cp\u003eDirect Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue\u003c/p\u003e","\u003cp\u003eJob Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic\u003c/p\u003e","\u003cp\u003eA Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile\u003c/p\u003e","\u003cp\u003eSoftware Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play\u003c/p\u003e","\u003cp\u003eA Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey\u003c/p\u003e","\u003cp\u003eTransit Trends\u003c/p\u003e","\u003cp\u003eVacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey\u003c/p\u003e","\u003cp\u003eHome Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]\u003c/p\u003e","\u003cp\u003eHome Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region\u003c/p\u003e","\u003cp\u003eThe Social-Economic Future of the Tri-State Region\u003c/p\u003e","\u003cp\u003eThe Region's Unique Rapid -Transit System - In Newark\u003c/p\u003e","\u003cp\u003eFindings of the Taxi Survey\u003c/p\u003e","\u003cp\u003eTheoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers\u003c/p\u003e","\u003cp\u003eProgram 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States\u003c/p\u003e","\u003cp\u003eWestern Association of State Highway Officials Road Test data analyses and findings\u003c/p\u003e","\u003cp\u003eHistory of American Interstate Highway System\u003c/p\u003e","\u003cp\u003eDiscusses Investment Deficit in Public Works\u003c/p\u003e","\u003cp\u003eUnited Nations White Paper\u003c/p\u003e","\u003cp\u003eIncludes a short draft description of each of the 19 subordinate working papers.\u003c/p\u003e","\u003cp\u003eChanging Demographics and Economic Use\u003c/p\u003e","\u003cp\u003eTrends and Forecasts of Highway Passenger Travel\u003c/p\u003e","\u003cp\u003eTrends and Forecast of Highway Freight Travel\u003c/p\u003e","\u003cp\u003eAdvancements in Highway materials and Construction Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Automobile Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Motor Truck Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Telecommunications and Computer Technology Affecting Highway Travel\u003c/p\u003e","\u003cp\u003eNational Defence Highway Requirements\u003c/p\u003e","\u003cp\u003eUrban and Suburban Highway Congestion\u003c/p\u003e","\u003cp\u003eHighway Requirements for Freight Movement\u003c/p\u003e","\u003cp\u003eHighway Performance and Investment Analysis\u003c/p\u003e","\u003cp\u003eFederal Highway Investment Program Structure\u003c/p\u003e","\u003cp\u003eFederal Mandates for Highway Operations and Safety\u003c/p\u003e","\u003cp\u003eState, Local and Private Highway Roles\u003c/p\u003e","\u003cp\u003eExternal Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program\u003c/p\u003e","\u003cp\u003e195 pages; History\u003c/p\u003e","\u003cp\u003eRepresentative Robert Roe and his stand on funding public works\u003c/p\u003e","\u003cp\u003ehumorous discussion of chauffeur perk\u003c/p\u003e","\u003cp\u003edeals with ownership and funding of transportation infrastructure\u003c/p\u003e","\u003cp\u003eInterstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management\u003c/p\u003e","\u003cp\u003ePolitics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study\u003c/p\u003e","\u003cp\u003econtrol of \"pork barrel\"\u003c/p\u003e","\u003cp\u003ebrief summary of W.L. Mertz career starting in 1949\u003c/p\u003e","\u003cp\u003eIncludes information regarding Mertz's involvement in 2 week urban transportation course\u003c/p\u003e","\u003cp\u003eInformation on the New River Gorge Bridge\u003c/p\u003e","\u003cp\u003eNew Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed\u003c/p\u003e","\u003cp\u003edraft of speech, brief discussion of cost and projection of future\u003c/p\u003e","\u003cp\u003eAbstract of documents from 1944 to 1973\u003c/p\u003e","\u003cp\u003ereprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"\u003c/p\u003e","\u003cp\u003evarious documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party\u003c/p\u003e","\u003cp\u003ea detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills\u003c/p\u003e","\u003cp\u003eCorrects a misstatement regarding the flow of planning money within the states\u003c/p\u003e","\u003cp\u003eStates preference for inexpensive public transportation solutions\u003c/p\u003e","\u003cp\u003ea report of efforts to improve the NYC subways in early 1980's\u003c/p\u003e","\u003cp\u003ea description of the Tri - State \"Technical Division\" structure and functions.\u003c/p\u003e","\u003cp\u003edescribes road conditions supporting vacation touring\u003c/p\u003e","\u003cp\u003esummary of \"UTAP\" LEGISLATION\u003c/p\u003e","\u003cp\u003edescribes planning as seen by Mr. Mertz\u003c/p\u003e","\u003cp\u003ea poem presumably about a co-worker of Mr. Mertz\u003c/p\u003e","\u003cp\u003ea tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads\u003c/p\u003e","\u003cp\u003eBased on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan\u003c/p\u003e","\u003cp\u003eTransportation 2020 correspondence forwarding Major categories of issue-related policies and options for each\u003c/p\u003e","\u003cp\u003eCharlotte County\u003c/p\u003e","\u003cp\u003eviews touch topics of revenue sharing, law passed 12/31/70, environmental impact statements\u003c/p\u003e","\u003cp\u003ea brochure opposing a referendum on transportation in Maine\u003c/p\u003e","\u003cp\u003eincludes brief summary of MacDonald's career and contributions to Federal Highway program.\u003c/p\u003e","\u003cp\u003eMertz listed as receiving a Bachelor degree in Civil Engineering\u003c/p\u003e","\u003cp\u003eCol of Engineering magazine includes a short biography of Mertz\u003c/p\u003e","\u003cp\u003ebrochure describes the foundation's interest in funding transportation research and information\u003c/p\u003e","\u003cp\u003eincludes an article written by Mertz; \"Involvement of Public Utilities in Transportation'\u003c/p\u003e","\u003cp\u003emap\u003c/p\u003e","\u003cp\u003emultiple modes of transportation\u003c/p\u003e","\u003cp\u003e499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee\u003c/p\u003e","\u003cp\u003ehistorical\u003c/p\u003e","\u003cp\u003eincomplete\u003c/p\u003e","\u003cp\u003elist of attendees\u003c/p\u003e","\u003cp\u003eCongressional Hearings before a Joint Committee on Washington Metropolitan Problems\u003c/p\u003e","\u003cp\u003emaps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'\u003c/p\u003e","\u003cp\u003eMaps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976\u003c/p\u003e","\u003cp\u003eincludes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building\u003c/p\u003e","\u003cp\u003erecommended routes for the Federal Interstate Program\u003c/p\u003e","\u003cp\u003emaps of regions\u003c/p\u003e","\u003cp\u003emaps of regions and a discussion of the Development of Federal Policy on Highway Toll\u003c/p\u003e","\u003cp\u003eArticles on completion of San Diego Freeway and on the Redwood Highway\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003ethe problem of the analysis of transportation networks and suggested approaches through modern graph theory\u003c/p\u003e","\u003cp\u003eIncludes requests for information and replies regarding Administrative and Financial Aspects\u003c/p\u003e","\u003cp\u003eReport from Bragdon and Comments from BPR\u003c/p\u003e","\u003cp\u003eincludes reports from Secretary of commerce and Presidential messages\u003c/p\u003e","\u003cp\u003einformation provided to Mertz to support work on history of Interstate\u003c/p\u003e","\u003cp\u003einformation provided to Mertz to support work on history of Interstate\u003c/p\u003e","\u003cp\u003eincludes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.\u003c/p\u003e","\u003cp\u003eDissertation for PhD in Maryland University\u003c/p\u003e","\u003cp\u003e3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.\u003c/p\u003e","\u003cp\u003e3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.\u003c/p\u003e","\u003cp\u003eincludes pictures of participants\u003c/p\u003e","\u003cp\u003eincludes pictures of participants\u003c/p\u003e","\u003cp\u003eurban transportation\u003c/p\u003e","\u003cp\u003eincludes pictures of attendees\u003c/p\u003e","\u003cp\u003erequests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies\u003c/p\u003e","\u003cp\u003eIn defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.\u003c/p\u003e","\u003cp\u003eNominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.\u003c/p\u003e","\u003cp\u003eMr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.\u003c/p\u003e","\u003cp\u003eConcerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.\u003c/p\u003e","\u003cp\u003ePrepared by F.C Turner, Retired FWHA Administrator\u003c/p\u003e","\u003cp\u003eincludes pictures of participants,presentations of each of the major elements of headquarters\u003c/p\u003e","\u003cp\u003eIncludes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade\u003c/p\u003e","\u003cp\u003eReaders digest Articles critical of FHWA program and replies\u003c/p\u003e","\u003cp\u003eIncludes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956\u003c/p\u003e","\u003cp\u003epossible Interstate routes through DC\u003c/p\u003e","\u003cp\u003eincludes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909\u003c/p\u003e","\u003cp\u003eIncludes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation\u003c/p\u003e","\u003cp\u003eincludes information on \"Metro\" construction progress\u003c/p\u003e","\u003cp\u003eMaryland Planning documents\u003c/p\u003e","\u003cp\u003eShort personal narratives by Federal highway construction personnel including human aspects of construction\u003c/p\u003e","\u003cp\u003eincludes a large map of the area\u003c/p\u003e","\u003cp\u003eDiversion of highway tax funds to other purposes\u003c/p\u003e","\u003cp\u003ethe Additional 1,000 miles was authorized by the 1956 Act\u003c/p\u003e","\u003cp\u003eincluded Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations\u003c/p\u003e","\u003cp\u003ea manuscript by Mertz\u003c/p\u003e","\u003cp\u003eA monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.\u003c/p\u003e","\u003cp\u003eabstracts of Federal law regarding roads\u003c/p\u003e","\u003cp\u003ecomplied by Department of Transportation\u003c/p\u003e","\u003cp\u003eA Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary\u003c/p\u003e","\u003cp\u003eA report prepared for the Department of Transportation\u003c/p\u003e","\u003cp\u003eA technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.\u003c/p\u003e","\u003cp\u003eA report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.\u003c/p\u003e","\u003cp\u003eprepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]\u003c/p\u003e","\u003cp\u003eby Carnegie Mellon for DOT\u003c/p\u003e","\u003cp\u003eproduced by Commission of the European Communities\u003c/p\u003e","\u003cp\u003ereport required by Motor Carrier Act of 1980\u003c/p\u003e","\u003cp\u003ereport completed for Washington Metropolitan Area Transit Authority\u003c/p\u003e","\u003cp\u003eIncludes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)\u003c/p\u003e","\u003cp\u003ebi-lingual\u003c/p\u003e","\u003cp\u003eA Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50\u003c/p\u003e","\u003cp\u003ea report to Congress on rural roads\u003c/p\u003e","\u003cp\u003eMessage from the President of the United States to Congress\u003c/p\u003e","\u003cp\u003eAssociation of American Railroads\u003c/p\u003e","\u003cp\u003earticles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project\u003c/p\u003e","\u003cp\u003epart of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads\u003c/p\u003e","\u003cp\u003eFed'l Highway Administration pamphlet\u003c/p\u003e","\u003cp\u003esymposium presentation papers from several of the participants\u003c/p\u003e","\u003cp\u003eSummary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility\u003c/p\u003e","\u003cp\u003eExplored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.\u003c/p\u003e","\u003cp\u003eOffice of Technology Assessment, Congress of the United States\u003c/p\u003e","\u003cp\u003eVHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.\u003c/p\u003e","\u003cp\u003ePhotocopies of older materials\u003c/p\u003e","\u003cp\u003eUrban Freeway Development in Twenty Major Cities, August 1964\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains transportation related materials collected over a 45 year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.","Optical instrument - unknown use","2 hand written letters from Mr.James quoted in a inclusive document","Home Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings","Aerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows","Field Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning","Census Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language","London Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding","Some of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line","Direct Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue","Job Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic","A Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile","Software Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play","A Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey","Transit Trends","Vacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey","Home Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]","Home Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region","The Social-Economic Future of the Tri-State Region","The Region's Unique Rapid -Transit System - In Newark","Findings of the Taxi Survey","Theoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers","Program 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States","Western Association of State Highway Officials Road Test data analyses and findings","History of American Interstate Highway System","Discusses Investment Deficit in Public Works","United Nations White Paper","Includes a short draft description of each of the 19 subordinate working papers.","Changing Demographics and Economic Use","Trends and Forecasts of Highway Passenger Travel","Trends and Forecast of Highway Freight Travel","Advancements in Highway materials and Construction Technology","Advancements in Automobile Technology","Advancements in Motor Truck Technology","Advancements in Telecommunications and Computer Technology Affecting Highway Travel","National Defence Highway Requirements","Urban and Suburban Highway Congestion","Highway Requirements for Freight Movement","Highway Performance and Investment Analysis","Federal Highway Investment Program Structure","Federal Mandates for Highway Operations and Safety","State, Local and Private Highway Roles","External Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program","195 pages; History","Representative Robert Roe and his stand on funding public works","humorous discussion of chauffeur perk","deals with ownership and funding of transportation infrastructure","Interstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management","Politics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study","control of \"pork barrel\"","brief summary of W.L. Mertz career starting in 1949","Includes information regarding Mertz's involvement in 2 week urban transportation course","Information on the New River Gorge Bridge","New Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed","draft of speech, brief discussion of cost and projection of future","Abstract of documents from 1944 to 1973","reprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"","various documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party","a detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills","Corrects a misstatement regarding the flow of planning money within the states","States preference for inexpensive public transportation solutions","a report of efforts to improve the NYC subways in early 1980's","a description of the Tri - State \"Technical Division\" structure and functions.","describes road conditions supporting vacation touring","summary of \"UTAP\" LEGISLATION","describes planning as seen by Mr. Mertz","a poem presumably about a co-worker of Mr. Mertz","a tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads","Based on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan","Transportation 2020 correspondence forwarding Major categories of issue-related policies and options for each","Charlotte County","views touch topics of revenue sharing, law passed 12/31/70, environmental impact statements","a brochure opposing a referendum on transportation in Maine","includes brief summary of MacDonald's career and contributions to Federal Highway program.","Mertz listed as receiving a Bachelor degree in Civil Engineering","Col of Engineering magazine includes a short biography of Mertz","brochure describes the foundation's interest in funding transportation research and information","includes an article written by Mertz; \"Involvement of Public Utilities in Transportation'","map","multiple modes of transportation","499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee","historical","incomplete","list of attendees","Congressional Hearings before a Joint Committee on Washington Metropolitan Problems","maps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'","Maps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976","includes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building","recommended routes for the Federal Interstate Program","maps of regions","maps of regions and a discussion of the Development of Federal Policy on Highway Toll","Articles on completion of San Diego Freeway and on the Redwood Highway","14","the problem of the analysis of transportation networks and suggested approaches through modern graph theory","Includes requests for information and replies regarding Administrative and Financial Aspects","Report from Bragdon and Comments from BPR","includes reports from Secretary of commerce and Presidential messages","information provided to Mertz to support work on history of Interstate","information provided to Mertz to support work on history of Interstate","includes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974","Includes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.","Dissertation for PhD in Maryland University","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","includes pictures of participants","includes pictures of participants","urban transportation","includes pictures of attendees","requests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies","In defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.","Nominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.","Mr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.","Concerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.","Prepared by F.C Turner, Retired FWHA Administrator","includes pictures of participants,presentations of each of the major elements of headquarters","Includes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade","Readers digest Articles critical of FHWA program and replies","Includes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956","possible Interstate routes through DC","includes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909","Includes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation","includes information on \"Metro\" construction progress","Maryland Planning documents","Short personal narratives by Federal highway construction personnel including human aspects of construction","includes a large map of the area","Diversion of highway tax funds to other purposes","the Additional 1,000 miles was authorized by the 1956 Act","included Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations","a manuscript by Mertz","A monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.","abstracts of Federal law regarding roads","complied by Department of Transportation","A Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary","A report prepared for the Department of Transportation","A technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.","A report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.","prepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]","by Carnegie Mellon for DOT","produced by Commission of the European Communities","report required by Motor Carrier Act of 1980","report completed for Washington Metropolitan Area Transit Authority","Includes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)","bi-lingual","A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50","a report to Congress on rural roads","Message from the President of the United States to Congress","Association of American Railroads","articles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project","part of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads","Fed'l Highway Administration pamphlet","symposium presentation papers from several of the participants","Summary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility","Explored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.","Office of Technology Assessment, Congress of the United States","VHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.","Photocopies of older materials","Urban Freeway Development in Twenty Major Cities, August 1964"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f4d093c79d30c6b0d8fa41e4235fa70e\" label=\"Abstract\"\u003eThe collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06a248fa9f289c50a6873eeee011d316\"\u003eR22 C2 S7 - C4, S2-S7\u003c/physloc\u003e\n    "],"physloc_tesim":["R22 C2 S7 - C4, S2-S7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"names_coll_ssim":["American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"persname_ssim":["Mertz, Lee, 1920-1993"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration","Mertz, Lee, 1920-1993"],"language_ssim":["English"],"total_component_count_is":1321,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_140_c01"}},{"id":"viw_repositories_2_resources_842","type":"collection","attributes":{"title":"William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_842#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eEstablished by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026amp; Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses. Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026amp; Mary itself.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_842#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_842","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_842.xml","title_filing_ssi":"William \u0026 Mary Hip Hop collection","title_ssm":["William \u0026 Mary Hip Hop collection"],"title_tesim":["William \u0026 Mary Hip Hop collection"],"unitdate_ssm":["Circa 1985-2019","2012-2014"],"unitdate_inclusive_ssm":["Circa 1985-2019"],"unitdate_bulk_ssim":["2012-2014"],"normalized_date_ssm":["1985/2019, bulk 2012/2014"],"normalized_title_ssm":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"text":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","01/Mss. 1.19","/repositories/2/resources/842","Virginia--Social life and customs--20th century","College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts","Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).","The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.","Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu","Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/","Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"","Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.","Special Collections Research Center","English"],"collection_title_tesim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"collection_ssim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["01/Mss. 1.19","/repositories/2/resources/842"],"unitid_tesim":["01/Mss. 1.19","/repositories/2/resources/842"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Social life and customs--20th century"],"geogname_ssim":["Virginia--Social life and customs--20th century"],"places_ssim":["Virginia--Social life and customs--20th century"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"acqinfo_ssim":["Nearly all material received in 2012-2013 was collected by American Studies Ph.D. candidate Kevin Kosanovich working with Swem Library's Special Collections."],"access_subjects_ssim":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"access_subjects_ssm":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accruals_html_tesm":["\u003cp\u003eAccruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026amp; Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775)."],"arrangement_html_tesm":["\u003cp\u003eThe current arrangement by artist is preliminary. and will change as a result of processing.\u003c/p\u003e","\u003cp\u003eAdditional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026amp; Mary.\u003c/p\u003e  "],"prefercite_tesim":["William \u0026 Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eNot fully processed yet. Please contact a staff member for help: spcoll@wm.edu\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu"],"relatedmaterial_html_tesm":["\u003cp\u003eArchived website.\u003c/p\u003e","\u003cp\u003e Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/"],"scopecontent_html_tesm":["\u003cp\u003eEstablished by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026amp; Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026amp; Mary itself.\u003c/p\u003e","\u003cp\u003e Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eSound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. \u003c/p\u003e","\u003cp\u003eOther digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.\u003c/p\u003e  ","\u003cp\u003eCymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.\u003c/p\u003e","\u003cp\u003eThree identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eMagazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.\u003c/p\u003e","\u003cp\u003eNewspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.\u003c/p\u003e","\u003cp\u003eTwo pages for a movie script featuring Double XL. Box 1.\u003c/p\u003e","\u003cp\u003eSentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.\u003c/p\u003e","\u003cp\u003eRising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026amp; Casino. Double XL performed between the night's two main events. Box 1.\u003c/p\u003e","\u003cp\u003ePress Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.\u003c/p\u003e","\u003cp\u003ePromotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.\u003c/p\u003e","\u003cp\u003e2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.\u003c/p\u003e","\u003cp\u003e2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026amp; Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14\u003c/p\u003e","\u003cp\u003eArtifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19\u003c/p\u003e","\u003cp\u003eCD. Titled Yesterday (Edit.) Box 3.\u003c/p\u003e","\u003cp\u003eAndrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;\u003c/p\u003e","\u003cp\u003eBlendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.\u003c/p\u003e","\u003cp\u003eBlendzville Productions informational letter. Box 1.\u003c/p\u003e","\u003cp\u003eWOWI 103 Jamz notebook cover. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06\u003c/p\u003e","\u003cp\u003eArtifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab\u003c/p\u003e","\u003cp\u003e1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026amp; Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026amp;M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01\u003c/p\u003e","\u003cp\u003eFliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.\u003c/p\u003e","\u003cp\u003eFlyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.\u003c/p\u003e","\u003cp\u003eOrigins II business card. Box 1.\u003c/p\u003e","\u003cp\u003eReceipt from the William and Mary copy center for 500 Bboy flyers. Box 1.\u003c/p\u003e","\u003cp\u003eMultiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.\u003c/p\u003e","\u003cp\u003eThank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.\u003c/p\u003e","\u003cp\u003eMultiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.\u003c/p\u003e","\u003cp\u003eLarge advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.\u003c/p\u003e","\u003cp\u003ePhotos of W\u0026amp;M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131\u003c/p\u003e","\u003cp\u003ePhotos from W\u0026amp;M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132\u003c/p\u003e","\u003cp\u003eArtifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133\u003c/p\u003e","\u003cp\u003eArtifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01\u003c/p\u003e","\u003cp\u003eFliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026amp;M hip-hop dance group.] Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026amp;M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.\u003c/p\u003e","\u003cp\u003eDigital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.\u003c/p\u003e","\u003cp\u003eW\u0026amp;M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026amp;M campus hip-hop culture; SHHO; sneakers and fashion.\u003c/p\u003e","\u003cp\u003eArtifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h\u003c/p\u003e","\u003cp\u003eTwenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026amp; Mary students enjoying the concert. Also photographed was a white W\u0026amp;M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.\u003c/p\u003e","\u003cp\u003e85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.\u003c/p\u003e","\u003cp\u003eCorrespondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken at hip hop shows by Bailey Thomson.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eRoots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.\u003c/p\u003e","\u003cp\u003eFlyers advertising Ground Up Radio. Box 1.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eFliers from various venues and artists in Hampton Roads, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003eMaterial related to SHHO chapters other than the College of William \u0026amp; Mary. Box 1.\u003c/p\u003e","\u003cp\u003eEmail history of SHHO sent from William \u0026amp; Mary SHHO co-founder Bobak Kasrai. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02\u003c/p\u003e","\u003cp\u003eSmall flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.\u003c/p\u003e","\u003cp\u003eCards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003ePoster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.\u003c/p\u003e","\u003cp\u003eArtifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06\u003c/p\u003e","\u003cp\u003eFlier and digital images.\u003c/p\u003e","\u003cp\u003eOral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eContains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.\u003c/p\u003e","\u003cp\u003eWYZE Kouncil Entertainment business card. Box 1.\u003c/p\u003e","\u003cp\u003eCD. \"Vol 2: VA Tape.\" Box 3.\u003c/p\u003e","\u003cp\u003ePoster for Soundloy Productions \u0026amp; AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.\u003c/p\u003e","\u003cp\u003ePoster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.\u003c/p\u003e","\u003cp\u003ePoster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.\u003c/p\u003e","\u003cp\u003eThis item contains digital images of DY WYZE's logo and two photos.\u003c/p\u003e","\u003cp\u003eTwo copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.\u003c/p\u003e","\u003cp\u003eOral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eHenmusik flyers for \"Soup \u0026amp; Salad\" mixtape. Box 1.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eThis series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.\u003c/p\u003e","\u003cp\u003eOral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.\u003c/p\u003e","\u003cp\u003eFlyers for \"VA is for Hustlas\" vols 1-4. Box 1.\u003c/p\u003e","\u003cp\u003eCassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.\u003c/p\u003e","\u003cp\u003eCDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.\u003c/p\u003e","\u003cp\u003eLatonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.\u003c/p\u003e","\u003cp\u003eCD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.\u003c/p\u003e","\u003cp\u003ePoster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eFlyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eMixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.\u003c/p\u003e","\u003cp\u003eMixtape CD cover for \"V-A Stand Up!\"\u003c/p\u003e","\u003cp\u003ePost for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003ePoster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.\u003c/p\u003e","\u003cp\u003ePoster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eOral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.\u003c/p\u003e","\u003cp\u003eCD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.\u003c/p\u003e","\u003cp\u003ePoster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.\u003c/p\u003e","\u003cp\u003eArtifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04\u003c/p\u003e","\u003cp\u003eArtifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05\u003c/p\u003e","\u003cp\u003eMarlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.\u003c/p\u003e","\u003cp\u003eWilliamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"\u003c/p\u003e","\u003cp\u003eDigital images, flyers and photos of Marlon Hamilton / Streetz G4G.\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.\u003c/p\u003e","\u003cp\u003eJames \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.\u003c/p\u003e","\u003cp\u003eCover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"\u003c/p\u003e","\u003cp\u003eLarry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eTwain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrap Movie.\"\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eMixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.\u003c/p\u003e","\u003cp\u003eRay \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.\u003c/p\u003e","\u003cp\u003eMixtape CD. \"The Farewell.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Str8 Gutta.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pen Game.\" Box 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eAt Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.\u003c/p\u003e","\u003cp\u003eFeatures Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eEmanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.\u003c/p\u003e","\u003cp\u003eQuentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.\u003c/p\u003e","\u003cp\u003eSam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.\u003c/p\u003e","\u003cp\u003eIncludes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026amp; Triumph (Newport News), Timbaland \u0026amp; Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.\u003c/p\u003e","\u003cp\u003e2013.124\u003c/p\u003e","\u003cp\u003eAfid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.\u003c/p\u003e","\u003cp\u003eOral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.\u003c/p\u003e","\u003cp\u003eCD. \"Chemical Beats.\" 2007/2008. Box 3.\u003c/p\u003e","\u003cp\u003eDigital files contain 20 tracks.\u003c/p\u003e","\u003cp\u003e2013.125\u003c/p\u003e","\u003cp\u003eDouglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.\u003c/p\u003e","\u003cp\u003eMonty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eDJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003eMichael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003ePhotos, CD, Audio recording.\u003c/p\u003e","\u003cp\u003eCD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.\u003c/p\u003e","\u003cp\u003ePhotograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.\u003c/p\u003e","\u003cp\u003eLetter of invitation from Dior Consulting \u0026amp; Management to attend a Press \u0026amp; Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.\u003c/p\u003e","\u003cp\u003eTwo business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.\u003c/p\u003e","\u003cp\u003eOne 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"\u003c/p\u003e","\u003cp\u003e2013.127\u003c/p\u003e","\u003cp\u003eHorace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.\u003c/p\u003e","\u003cp\u003e2013.128\u003c/p\u003e","\u003cp\u003eFaysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026amp; Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.\u003c/p\u003e","\u003cp\u003eTwo photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.\u003c/p\u003e","\u003cp\u003e91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.\u003c/p\u003e","\u003cp\u003eDocuments provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8\u003c/p\u003e","\u003cp\u003ePhotographs and memories of Syndicate, a dance group at the College of William \u0026amp; Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.\u003c/p\u003e","\u003cp\u003eKeith Ivey, editor in chief, sports \u0026amp; entertainment magazine. Acc. 2013.299. Box 1.\u003c/p\u003e","\u003cp\u003eMentor Records. Promotional Copy, radio and club versions. Box 3.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eMotown the Musical in New York City. Box 1.\u003c/p\u003e","\u003cp\u003e2013.129\u003c/p\u003e","\u003cp\u003eJerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026amp;M hip-hop culture; Jay-Z; hip-hop fashion.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003ePhotograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.\u003c/p\u003e","\u003cp\u003e2013.130\u003c/p\u003e","\u003cp\u003eKeith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026amp;M campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.\u003c/p\u003e","\u003cp\u003e2013.131\u003c/p\u003e","\u003cp\u003eJarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.\u003c/p\u003e","\u003cp\u003ePhoto of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.\u003c/p\u003e","\u003cp\u003eContains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.\u003c/p\u003e","\u003cp\u003eDanny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.\u003c/p\u003e","\u003cp\u003e2013.132\u003c/p\u003e","\u003cp\u003eKentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.\u003c/p\u003e","\u003cp\u003e2013.133\u003c/p\u003e","\u003cp\u003eTashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.\u003c/p\u003e","\u003cp\u003e2013.134\u003c/p\u003e","\u003cp\u003eKeith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.\u003c/p\u003e","\u003cp\u003eDigital flyers and images from Keith Carter / DJ K-Ski.\u003c/p\u003e","\u003cp\u003e2013.135\u003c/p\u003e","\u003cp\u003eShinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.\u003c/p\u003e","\u003cp\u003e2013.136\u003c/p\u003e","\u003cp\u003eBlair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026amp;M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026amp;M.\u003c/p\u003e","\u003cp\u003e2013.137\u003c/p\u003e","\u003cp\u003eMalcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.\u003c/p\u003e","\u003cp\u003e2013.138\u003c/p\u003e","\u003cp\u003eDesiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.\u003c/p\u003e","\u003cp\u003e2013.139: William \u0026amp;Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026amp;M SHHO chapter history.\u003c/p\u003e","\u003cp\u003e2013.140\u003c/p\u003e","\u003cp\u003eLamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.\u003c/p\u003e","\u003cp\u003e2013.141\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.\u003c/p\u003e","\u003cp\u003eEmail from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams list of Virginia record labels.\u003c/p\u003e","\u003cp\u003e2013.142\u003c/p\u003e","\u003cp\u003eRegan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.\u003c/p\u003e","\u003cp\u003e2013.143\u003c/p\u003e","\u003cp\u003eYazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.\u003c/p\u003e","\u003cp\u003e2013.144\u003c/p\u003e","\u003cp\u003eTodd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.\u003c/p\u003e","\u003cp\u003e2013.145\u003c/p\u003e","\u003cp\u003eAlex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026amp; Mary student and genre director of hip-hop at WCWM, W\u0026amp;M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026amp;M campus hip-hop culture; Meridian Coffee House.\u003c/p\u003e","\u003cp\u003e2013.146\u003c/p\u003e","\u003cp\u003eRachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.\u003c/p\u003e","\u003cp\u003e2013.147\u003c/p\u003e","\u003cp\u003eCharles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026amp; Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.\u003c/p\u003e","\u003cp\u003ePhotograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eBlack polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01\u003c/p\u003e","\u003cp\u003eClear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01\u003c/p\u003e","\u003cp\u003eTrophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01\u003c/p\u003e","\u003cp\u003etwo small stickers with the \"DarKnight Ent.\" logo on it.\u003c/p\u003e","\u003cp\u003eTickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)\u003c/p\u003e","\u003cp\u003eMixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.\u003c/p\u003e","\u003cp\u003eOne 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.\u003c/p\u003e","\u003cp\u003e2013.148\u003c/p\u003e","\u003cp\u003eMoe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.\u003c/p\u003e","\u003cp\u003e2013.149\u003c/p\u003e","\u003cp\u003eA'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.\u003c/p\u003e","\u003cp\u003e2013.150\u003c/p\u003e","\u003cp\u003eAlice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026amp;M campus hip-hop culture; Syndicate; W\u0026amp;M SHHO; James Madison University; Lionz of Zion; Guerilla Will.\u003c/p\u003e","\u003cp\u003e2013.151\u003c/p\u003e","\u003cp\u003eMatthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026amp; Mary campus hip-hop culture; breaking; Virginia.\u003c/p\u003e","\u003cp\u003e2013.152\u003c/p\u003e","\u003cp\u003eRaghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026amp; Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026amp; Mary campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.\u003c/p\u003e","\u003cp\u003e2013.153\u003c/p\u003e","\u003cp\u003eAron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026amp;M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.154\u003c/p\u003e","\u003cp\u003eQi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.\u003c/p\u003e","\u003cp\u003e2013.155\u003c/p\u003e","\u003cp\u003eNolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.156\u003c/p\u003e","\u003cp\u003eAlexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026amp;M and hip-hop; pajama party; Sadler Center; crew vs. club member.\u003c/p\u003e","\u003cp\u003e2013.157\u003c/p\u003e","\u003cp\u003eBenjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026amp;M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.\u003c/p\u003e","\u003cp\u003e2013.158\u003c/p\u003e","\u003cp\u003eDavid Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026amp;M hip-hop culture; graphic art; James Madison University; jump style.\u003c/p\u003e","\u003cp\u003e2013.159\u003c/p\u003e","\u003cp\u003eNicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026amp;M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.\u003c/p\u003e","\u003cp\u003e2013.160\u003c/p\u003e","\u003cp\u003eGuerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003ePhoto of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eArtifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03\u003c/p\u003e","\u003cp\u003eMike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003e2013.161\u003c/p\u003e","\u003cp\u003eMelvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026amp; Magoo; Aaliyah; Record Stores; Gangsta Rap.\u003c/p\u003e","\u003cp\u003e2013.162\u003c/p\u003e","\u003cp\u003eJimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.\u003c/p\u003e","\u003cp\u003eIke Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.\u003c/p\u003e","\u003cp\u003ePhotograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.\u003c/p\u003e","\u003cp\u003eTwo copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026amp;M Homecoming 2013; Doing it after dark @ the Cove. Box 1.\u003c/p\u003e","\u003cp\u003e2013.164\u003c/p\u003e","\u003cp\u003eMusic.  Dragonspit Jones, \"The Ugly Truth LP\"\u003c/p\u003e","\u003cp\u003e2013.165\u003c/p\u003e","\u003cp\u003eTheo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.\u003c/p\u003e","\u003cp\u003e2013.165.1. Digital files contain 15 tracks.\u003c/p\u003e","\u003cp\u003eFrom Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"\u003c/p\u003e","\u003cp\u003eDigital files consist of 2 tracks.\u003c/p\u003e","\u003cp\u003eDigital file contains 18 individual tracks.\u003c/p\u003e","\u003cp\u003eTwo copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.\u003c/p\u003e","\u003cp\u003eOne copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.\u003c/p\u003e","\u003cp\u003eAcc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.\u003c/p\u003e","\u003cp\u003eDigital files consist of 7 tracks\u003c/p\u003e","\u003cp\u003eCD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"BORNATURALS.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pink Cookies.\" B.M.G., 2013. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"We the Best Presents . . . Rum.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.\u003c/p\u003e","\u003cp\u003e2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.\u003c/p\u003e","\u003cp\u003e2013.167\u003c/p\u003e","\u003cp\u003eJustin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eTwo copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.\u003c/p\u003e","\u003cp\u003e2013.168\u003c/p\u003e","\u003cp\u003eDigital files consist of 22 tracks\u003c/p\u003e","\u003cp\u003eRichmond hip-hop collective. 2013.169\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eMp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003eSong: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003e2013.171\u003c/p\u003e","\u003cp\u003eDigital files consists of 28 tracks.\u003c/p\u003e","\u003cp\u003e2013.172\u003c/p\u003e","\u003cp\u003eCascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)\u003c/p\u003e","\u003cp\u003eSong from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]\u003c/p\u003e","\u003cp\u003e\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]\u003c/p\u003e","\u003cp\u003eOhbliv's track, \"bahdiyap,\" released on the HW\u0026amp;W Volume 1 mixtape.\u003c/p\u003e","\u003cp\u003eKlipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.\u003c/p\u003e","\u003cp\u003eAlbum. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.\u003c/p\u003e","\u003cp\u003eOhbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.\u003c/p\u003e","\u003cp\u003eOhbliv released the digital album, \"Hydrosub\" on December 15, 2010.\u003c/p\u003e","\u003cp\u003eAlbum.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.\u003c/p\u003e","\u003cp\u003e\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11\u003c/p\u003e","\u003cp\u003eThis album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12\u003c/p\u003e","\u003cp\u003ePlay Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173\u003c/p\u003e","\u003cp\u003ePlay Cloths released this mixtape for the holiday 2011 season.\u003c/p\u003e","\u003cp\u003eTerrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174\u003c/p\u003e","\u003cp\u003eFear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.\u003c/p\u003e","\u003cp\u003e2013.175\u003c/p\u003e","\u003cp\u003eThe Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.\u003c/p\u003e","\u003cp\u003e2013.176\u003c/p\u003e","\u003cp\u003eFlyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.\u003c/p\u003e","\u003cp\u003eFlyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.\u003c/p\u003e","\u003cp\u003eFinal flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.\u003c/p\u003e","\u003cp\u003eFlyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026amp;Alive and N.I.C.E. Entertainment promoted Lil B's concerts.\u003c/p\u003e","\u003cp\u003eFlyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026amp; Kulture were the concert promoters. 2013.176.11\u003c/p\u003e","\u003cp\u003eOne 11x17 poster promoting Ludacris' album, \"Ludaversal.\"\u003c/p\u003e","\u003cp\u003eOne 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.\u003c/p\u003e","\u003cp\u003eOne 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026amp; LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026amp; Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026amp; LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03\u003c/p\u003e","\u003cp\u003eArtifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04\u003c/p\u003e","\u003cp\u003eArtifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026amp;M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05\u003c/p\u003e","\u003cp\u003eOne CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026amp; Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.\u003c/p\u003e","\u003cp\u003eFour tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.\u003c/p\u003e","\u003cp\u003eOne sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.\u003c/p\u003e","\u003cp\u003e1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189\u003c/p\u003e","\u003cp\u003e1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190\u003c/p\u003e","\u003cp\u003eAcc. 2013.074 includes posters and fliers for the William \u0026amp; Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.\u003c/p\u003e","\u003cp\u003e\"Virginia Beats: The College of William \u0026amp; Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026amp; Mary Hip Hop Collection. The article is found on page 37. Box 4.\u003c/p\u003e","\u003cp\u003eCDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026amp; Mary Hip Hop Collection on April 19, 2013 at Swem Library.\u003c/p\u003e","\u003cp\u003eContains posters used at the 2nd Annual William \u0026amp; Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.\u003c/p\u003e","\u003cp\u003eThis interview is not yet available online.\u003c/p\u003e","\u003cp\u003eMade in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.\u003c/p\u003e","\u003cp\u003eTony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.\u003c/p\u003e","\u003cp\u003eIncludes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.\u003c/p\u003e","\u003cp\u003eXYZ (Xiang-Yu Zhong) in some places.\u003c/p\u003e","\u003cp\u003eOne copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"The Earth Is Sour.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Finally.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Level II.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.\u003c/p\u003e","\u003cp\u003eCD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"A Conversation with my Son.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"A Kids Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eAudio cassette tape. \"Never Too Young.\"\u003c/p\u003e","\u003cp\u003eCD. \"The Mixtape.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Home Grown.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Promotional CD.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War Sampler.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Advance CD-Promo.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Day Ina Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eOne poster advertising the Fresh Radio sponsored DJ Bee \u0026amp; Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.\u003c/p\u003e","\u003cp\u003eTwo name tags with the William \u0026amp; Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"\u003c/p\u003e","\u003cp\u003ePoster for Vince Loyal's single, \"Don't Be Scared.\"\u003c/p\u003e","\u003cp\u003eTwo business cards for Alan Jones, aka DJ Alboog, professional DJ.\u003c/p\u003e","\u003cp\u003eCD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eVirginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eSigned poster for Virginia Grind Family member Voe Black's single, \"Guapo\"\u003c/p\u003e","\u003cp\u003eSix issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1\u003c/p\u003e","\u003cp\u003eJay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026amp; Grandmaster Mele Mel, and \"Get Down.\"\u003c/p\u003e","\u003cp\u003eJay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.\u003c/p\u003e","\u003cp\u003eJay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026amp;M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.\u003c/p\u003e","\u003cp\u003eOne autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.\u003c/p\u003e","\u003cp\u003eOne DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.\u003c/p\u003e","\u003cp\u003eOne CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.\u003c/p\u003e","\u003cp\u003eTwo copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.\u003c/p\u003e","\u003cp\u003eOne DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.\u003c/p\u003e","\u003cp\u003eOne CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.\u003c/p\u003e","\u003cp\u003eOne flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.\u003c/p\u003e","\u003cp\u003eOne paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026amp;B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork of Hudson \u0026amp; Guam's \"Visions.\"\u003c/p\u003e","\u003cp\u003eFour tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.\u003c/p\u003e","\u003cp\u003eTwo paper flyers advertising the \"William \u0026amp; Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.\u003c/p\u003e","\u003cp\u003eTwo newpaper articles featuring Hudson \u0026amp; Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.\u003c/p\u003e","\u003cp\u003e2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09\u003c/p\u003e","\u003cp\u003eOne CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.\u003c/p\u003e","\u003cp\u003eThe Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186\u003c/p\u003e","\u003cp\u003e1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187\u003c/p\u003e","\u003cp\u003eTwo photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.\u003c/p\u003e","\u003cp\u003eThe Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.\u003c/p\u003e","\u003cp\u003eThe DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.\u003c/p\u003e","\u003cp\u003eStretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.\u003c/p\u003e","\u003cp\u003e2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.\u003c/p\u003e","\u003cp\u003eOne CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01\u003c/p\u003e","\u003cp\u003eFounded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.\u003c/p\u003e","\u003cp\u003eOne letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.\u003c/p\u003e","\u003cp\u003eTwo copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.\u003c/p\u003e","\u003cp\u003eOne CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.\u003c/p\u003e","\u003cp\u003eThree art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne 8' x 11' GhosMerck Promotional Photo.\u003c/p\u003e","\u003cp\u003eRed and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01\u003c/p\u003e","\u003cp\u003eOne informational flyer for the Society of Hip Hop \u0026amp; Education organization.\u003c/p\u003e","\u003cp\u003eOrange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01\u003c/p\u003e","\u003cp\u003eIncluded in this folder are three items.  One double-sided informational card advertises BM\u0026amp;E Presents television show on one side, and BM\u0026amp;E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.\u003c/p\u003e","\u003cp\u003eWhite cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026amp; ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01\u003c/p\u003e","\u003cp\u003eBlue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01\u003c/p\u003e","\u003cp\u003eNavy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01\u003c/p\u003e","\u003cp\u003eTwo copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026amp; Entertainment (BM\u0026amp;E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.\u003c/p\u003e","\u003cp\u003eCD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.\u003c/p\u003e","\u003cp\u003eThis compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.\u003c/p\u003e","\u003cp\u003eBlack Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.\u003c/p\u003e","\u003cp\u003eBTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.\u003c/p\u003e","\u003cp\u003eTwo informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.\u003c/p\u003e","\u003cp\u003eOne sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\""],"separatedmaterial_html_tesm":["\u003cp\u003eWhenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:46:21.034Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_842","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_842.xml","title_filing_ssi":"William \u0026 Mary Hip Hop collection","title_ssm":["William \u0026 Mary Hip Hop collection"],"title_tesim":["William \u0026 Mary Hip Hop collection"],"unitdate_ssm":["Circa 1985-2019","2012-2014"],"unitdate_inclusive_ssm":["Circa 1985-2019"],"unitdate_bulk_ssim":["2012-2014"],"normalized_date_ssm":["1985/2019, bulk 2012/2014"],"normalized_title_ssm":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"text":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","01/Mss. 1.19","/repositories/2/resources/842","Virginia--Social life and customs--20th century","College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts","Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).","The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.","Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu","Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/","Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"","Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.","Special Collections Research Center","English"],"collection_title_tesim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"collection_ssim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["01/Mss. 1.19","/repositories/2/resources/842"],"unitid_tesim":["01/Mss. 1.19","/repositories/2/resources/842"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Social life and customs--20th century"],"geogname_ssim":["Virginia--Social life and customs--20th century"],"places_ssim":["Virginia--Social life and customs--20th century"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"acqinfo_ssim":["Nearly all material received in 2012-2013 was collected by American Studies Ph.D. candidate Kevin Kosanovich working with Swem Library's Special Collections."],"access_subjects_ssim":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"access_subjects_ssm":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accruals_html_tesm":["\u003cp\u003eAccruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026amp; Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Accruals are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775)."],"arrangement_html_tesm":["\u003cp\u003eThe current arrangement by artist is preliminary. and will change as a result of processing.\u003c/p\u003e","\u003cp\u003eAdditional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026amp; Mary.\u003c/p\u003e  "],"prefercite_tesim":["William \u0026 Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eNot fully processed yet. Please contact a staff member for help: spcoll@wm.edu\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu"],"relatedmaterial_html_tesm":["\u003cp\u003eArchived website.\u003c/p\u003e","\u003cp\u003e Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/"],"scopecontent_html_tesm":["\u003cp\u003eEstablished by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026amp; Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026amp; Mary itself.\u003c/p\u003e","\u003cp\u003e Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eSound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. \u003c/p\u003e","\u003cp\u003eOther digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.\u003c/p\u003e  ","\u003cp\u003eCymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.\u003c/p\u003e","\u003cp\u003eThree identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eMagazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.\u003c/p\u003e","\u003cp\u003eNewspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.\u003c/p\u003e","\u003cp\u003eTwo pages for a movie script featuring Double XL. Box 1.\u003c/p\u003e","\u003cp\u003eSentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.\u003c/p\u003e","\u003cp\u003eRising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026amp; Casino. Double XL performed between the night's two main events. Box 1.\u003c/p\u003e","\u003cp\u003ePress Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.\u003c/p\u003e","\u003cp\u003ePromotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.\u003c/p\u003e","\u003cp\u003e2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.\u003c/p\u003e","\u003cp\u003e2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026amp; Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14\u003c/p\u003e","\u003cp\u003eArtifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18\u003c/p\u003e","\u003cp\u003eArtifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19\u003c/p\u003e","\u003cp\u003eCD. Titled Yesterday (Edit.) Box 3.\u003c/p\u003e","\u003cp\u003eAndrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;\u003c/p\u003e","\u003cp\u003eBlendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.\u003c/p\u003e","\u003cp\u003eBlendzville Productions informational letter. Box 1.\u003c/p\u003e","\u003cp\u003eWOWI 103 Jamz notebook cover. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06\u003c/p\u003e","\u003cp\u003eArtifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab\u003c/p\u003e","\u003cp\u003e1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026amp; Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026amp;M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01\u003c/p\u003e","\u003cp\u003eFliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.\u003c/p\u003e","\u003cp\u003eFlyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.\u003c/p\u003e","\u003cp\u003eOrigins II business card. Box 1.\u003c/p\u003e","\u003cp\u003eReceipt from the William and Mary copy center for 500 Bboy flyers. Box 1.\u003c/p\u003e","\u003cp\u003eMultiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.\u003c/p\u003e","\u003cp\u003eThank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.\u003c/p\u003e","\u003cp\u003eMultiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.\u003c/p\u003e","\u003cp\u003eLarge advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.\u003c/p\u003e","\u003cp\u003ePhotos of W\u0026amp;M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131\u003c/p\u003e","\u003cp\u003ePhotos from W\u0026amp;M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132\u003c/p\u003e","\u003cp\u003eArtifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133\u003c/p\u003e","\u003cp\u003eArtifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01\u003c/p\u003e","\u003cp\u003eFliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026amp;M hip-hop dance group.] Box 1.\u003c/p\u003e","\u003cp\u003ePhotographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026amp;M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.\u003c/p\u003e","\u003cp\u003eDigital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.\u003c/p\u003e","\u003cp\u003eW\u0026amp;M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026amp;M campus hip-hop culture; SHHO; sneakers and fashion.\u003c/p\u003e","\u003cp\u003eArtifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h\u003c/p\u003e","\u003cp\u003eTwenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026amp; Mary students enjoying the concert. Also photographed was a white W\u0026amp;M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.\u003c/p\u003e","\u003cp\u003e85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.\u003c/p\u003e","\u003cp\u003eCorrespondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken at hip hop shows by Bailey Thomson.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eGym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eM1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eNickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.\u003c/p\u003e","\u003cp\u003eRoots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.\u003c/p\u003e","\u003cp\u003eFlyers advertising Ground Up Radio. Box 1.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eFliers from various venues and artists in Hampton Roads, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003eMaterial related to SHHO chapters other than the College of William \u0026amp; Mary. Box 1.\u003c/p\u003e","\u003cp\u003eEmail history of SHHO sent from William \u0026amp; Mary SHHO co-founder Bobak Kasrai. Box 1.\u003c/p\u003e","\u003cp\u003eArtifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02\u003c/p\u003e","\u003cp\u003eSmall flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.\u003c/p\u003e","\u003cp\u003eCards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.\u003c/p\u003e","\u003cp\u003ePoster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.\u003c/p\u003e","\u003cp\u003eArtifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06\u003c/p\u003e","\u003cp\u003eFlier and digital images.\u003c/p\u003e","\u003cp\u003eOral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eContains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.\u003c/p\u003e","\u003cp\u003eWYZE Kouncil Entertainment business card. Box 1.\u003c/p\u003e","\u003cp\u003eCD. \"Vol 2: VA Tape.\" Box 3.\u003c/p\u003e","\u003cp\u003ePoster for Soundloy Productions \u0026amp; AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.\u003c/p\u003e","\u003cp\u003ePoster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.\u003c/p\u003e","\u003cp\u003ePoster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.\u003c/p\u003e","\u003cp\u003eThis item contains digital images of DY WYZE's logo and two photos.\u003c/p\u003e","\u003cp\u003eTwo copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.\u003c/p\u003e","\u003cp\u003eOral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.\u003c/p\u003e","\u003cp\u003eHenmusik flyers for \"Soup \u0026amp; Salad\" mixtape. Box 1.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eThis series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.\u003c/p\u003e","\u003cp\u003eOral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.\u003c/p\u003e","\u003cp\u003eFlyers for \"VA is for Hustlas\" vols 1-4. Box 1.\u003c/p\u003e","\u003cp\u003eCassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.\u003c/p\u003e","\u003cp\u003eCDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.\u003c/p\u003e","\u003cp\u003eLatonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.\u003c/p\u003e","\u003cp\u003eCD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.\u003c/p\u003e","\u003cp\u003ePoster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eFlyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eMixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.\u003c/p\u003e","\u003cp\u003eMixtape CD cover for \"V-A Stand Up!\"\u003c/p\u003e","\u003cp\u003ePost for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003ePoster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.\u003c/p\u003e","\u003cp\u003ePoster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.\u003c/p\u003e","\u003cp\u003eOral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.\u003c/p\u003e","\u003cp\u003eCD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.\u003c/p\u003e","\u003cp\u003ePoster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.\u003c/p\u003e","\u003cp\u003eArtifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04\u003c/p\u003e","\u003cp\u003eArtifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05\u003c/p\u003e","\u003cp\u003eMarlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.\u003c/p\u003e","\u003cp\u003eWilliamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"\u003c/p\u003e","\u003cp\u003eDigital images, flyers and photos of Marlon Hamilton / Streetz G4G.\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.\u003c/p\u003e","\u003cp\u003eJames \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.\u003c/p\u003e","\u003cp\u003eCover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"\u003c/p\u003e","\u003cp\u003eLarry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eTwain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrap Movie.\"\u003c/p\u003e","\u003cp\u003eMixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eJamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.\u003c/p\u003e","\u003cp\u003eMixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.\u003c/p\u003e","\u003cp\u003eRay \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.\u003c/p\u003e","\u003cp\u003eMixtape CD. \"The Farewell.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Str8 Gutta.\" Wildlife Records. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pen Game.\" Box 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eAt Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.\u003c/p\u003e","\u003cp\u003eFeatures Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eZack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.\u003c/p\u003e","\u003cp\u003eOral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.\u003c/p\u003e","\u003cp\u003eEmanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.\u003c/p\u003e","\u003cp\u003eQuentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.\u003c/p\u003e","\u003cp\u003eSam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.\u003c/p\u003e","\u003cp\u003eIncludes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026amp; Triumph (Newport News), Timbaland \u0026amp; Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.\u003c/p\u003e","\u003cp\u003e2013.124\u003c/p\u003e","\u003cp\u003eAfid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.\u003c/p\u003e","\u003cp\u003eOral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.\u003c/p\u003e","\u003cp\u003eCD. \"Chemical Beats.\" 2007/2008. Box 3.\u003c/p\u003e","\u003cp\u003eDigital files contain 20 tracks.\u003c/p\u003e","\u003cp\u003e2013.125\u003c/p\u003e","\u003cp\u003eDouglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.\u003c/p\u003e","\u003cp\u003eMonty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eDJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003eMichael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.\u003c/p\u003e","\u003cp\u003ePhotos, CD, Audio recording.\u003c/p\u003e","\u003cp\u003eCD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.\u003c/p\u003e","\u003cp\u003ePhotograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.\u003c/p\u003e","\u003cp\u003eLetter of invitation from Dior Consulting \u0026amp; Management to attend a Press \u0026amp; Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.\u003c/p\u003e","\u003cp\u003eTwo business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.\u003c/p\u003e","\u003cp\u003eOne 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"\u003c/p\u003e","\u003cp\u003e2013.127\u003c/p\u003e","\u003cp\u003eHorace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.\u003c/p\u003e","\u003cp\u003e2013.128\u003c/p\u003e","\u003cp\u003eFaysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026amp; Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.\u003c/p\u003e","\u003cp\u003eTwo photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.\u003c/p\u003e","\u003cp\u003e91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.\u003c/p\u003e","\u003cp\u003eDocuments provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8\u003c/p\u003e","\u003cp\u003ePhotographs and memories of Syndicate, a dance group at the College of William \u0026amp; Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.\u003c/p\u003e","\u003cp\u003eKeith Ivey, editor in chief, sports \u0026amp; entertainment magazine. Acc. 2013.299. Box 1.\u003c/p\u003e","\u003cp\u003eMentor Records. Promotional Copy, radio and club versions. Box 3.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eBox 1.\u003c/p\u003e","\u003cp\u003eMotown the Musical in New York City. Box 1.\u003c/p\u003e","\u003cp\u003e2013.129\u003c/p\u003e","\u003cp\u003eJerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026amp;M hip-hop culture; Jay-Z; hip-hop fashion.\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003ePhotograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.\u003c/p\u003e","\u003cp\u003e2013.130\u003c/p\u003e","\u003cp\u003eKeith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026amp;M campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.\u003c/p\u003e","\u003cp\u003e2013.131\u003c/p\u003e","\u003cp\u003eJarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.\u003c/p\u003e","\u003cp\u003ePhoto of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.\u003c/p\u003e","\u003cp\u003eContains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.\u003c/p\u003e","\u003cp\u003eDanny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.\u003c/p\u003e","\u003cp\u003e2013.132\u003c/p\u003e","\u003cp\u003eKentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.\u003c/p\u003e","\u003cp\u003e2013.133\u003c/p\u003e","\u003cp\u003eTashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.\u003c/p\u003e","\u003cp\u003e2013.134\u003c/p\u003e","\u003cp\u003eKeith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.\u003c/p\u003e","\u003cp\u003eDigital flyers and images from Keith Carter / DJ K-Ski.\u003c/p\u003e","\u003cp\u003e2013.135\u003c/p\u003e","\u003cp\u003eShinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.\u003c/p\u003e","\u003cp\u003e2013.136\u003c/p\u003e","\u003cp\u003eBlair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026amp;M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026amp;M.\u003c/p\u003e","\u003cp\u003e2013.137\u003c/p\u003e","\u003cp\u003eMalcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.\u003c/p\u003e","\u003cp\u003e2013.138\u003c/p\u003e","\u003cp\u003eDesiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.\u003c/p\u003e","\u003cp\u003e2013.139: William \u0026amp;Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026amp;M SHHO chapter history.\u003c/p\u003e","\u003cp\u003e2013.140\u003c/p\u003e","\u003cp\u003eLamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.\u003c/p\u003e","\u003cp\u003e2013.141\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.\u003c/p\u003e","\u003cp\u003eEmail from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.\u003c/p\u003e","\u003cp\u003eMike \"Joe Rugby\" Williams list of Virginia record labels.\u003c/p\u003e","\u003cp\u003e2013.142\u003c/p\u003e","\u003cp\u003eRegan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.\u003c/p\u003e","\u003cp\u003e2013.143\u003c/p\u003e","\u003cp\u003eYazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.\u003c/p\u003e","\u003cp\u003e2013.144\u003c/p\u003e","\u003cp\u003eTodd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.\u003c/p\u003e","\u003cp\u003e2013.145\u003c/p\u003e","\u003cp\u003eAlex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026amp; Mary student and genre director of hip-hop at WCWM, W\u0026amp;M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026amp;M campus hip-hop culture; Meridian Coffee House.\u003c/p\u003e","\u003cp\u003e2013.146\u003c/p\u003e","\u003cp\u003eRachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.\u003c/p\u003e","\u003cp\u003e2013.147\u003c/p\u003e","\u003cp\u003eCharles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026amp; Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.\u003c/p\u003e","\u003cp\u003ePhotograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.\u003c/p\u003e","\u003cp\u003eBlack polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01\u003c/p\u003e","\u003cp\u003eClear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01\u003c/p\u003e","\u003cp\u003eTrophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01\u003c/p\u003e","\u003cp\u003etwo small stickers with the \"DarKnight Ent.\" logo on it.\u003c/p\u003e","\u003cp\u003eTickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)\u003c/p\u003e","\u003cp\u003eMixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.\u003c/p\u003e","\u003cp\u003eOne 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.\u003c/p\u003e","\u003cp\u003e2013.148\u003c/p\u003e","\u003cp\u003eMoe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.\u003c/p\u003e","\u003cp\u003e2013.149\u003c/p\u003e","\u003cp\u003eA'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.\u003c/p\u003e","\u003cp\u003e2013.150\u003c/p\u003e","\u003cp\u003eAlice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026amp;M campus hip-hop culture; Syndicate; W\u0026amp;M SHHO; James Madison University; Lionz of Zion; Guerilla Will.\u003c/p\u003e","\u003cp\u003e2013.151\u003c/p\u003e","\u003cp\u003eMatthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026amp; Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026amp; Mary campus hip-hop culture; breaking; Virginia.\u003c/p\u003e","\u003cp\u003e2013.152\u003c/p\u003e","\u003cp\u003eRaghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026amp; Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026amp; Mary campus hip-hop culture.\u003c/p\u003e","\u003cp\u003ePhotographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.\u003c/p\u003e","\u003cp\u003e2013.153\u003c/p\u003e","\u003cp\u003eAron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026amp;M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.154\u003c/p\u003e","\u003cp\u003eQi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.\u003c/p\u003e","\u003cp\u003e2013.155\u003c/p\u003e","\u003cp\u003eNolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.\u003c/p\u003e","\u003cp\u003e2013.156\u003c/p\u003e","\u003cp\u003eAlexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026amp;M and hip-hop; pajama party; Sadler Center; crew vs. club member.\u003c/p\u003e","\u003cp\u003e2013.157\u003c/p\u003e","\u003cp\u003eBenjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026amp;M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.\u003c/p\u003e","\u003cp\u003e2013.158\u003c/p\u003e","\u003cp\u003eDavid Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026amp;M hip-hop culture; graphic art; James Madison University; jump style.\u003c/p\u003e","\u003cp\u003e2013.159\u003c/p\u003e","\u003cp\u003eNicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026amp;M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.\u003c/p\u003e","\u003cp\u003e2013.160\u003c/p\u003e","\u003cp\u003eGuerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003ePhoto of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eArtifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03\u003c/p\u003e","\u003cp\u003eMike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.\u003c/p\u003e","\u003cp\u003e2013.161\u003c/p\u003e","\u003cp\u003eMelvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026amp; Magoo; Aaliyah; Record Stores; Gangsta Rap.\u003c/p\u003e","\u003cp\u003e2013.162\u003c/p\u003e","\u003cp\u003eJimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.\u003c/p\u003e","\u003cp\u003eIke Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.\u003c/p\u003e","\u003cp\u003ePhotograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.\u003c/p\u003e","\u003cp\u003eTwo copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026amp;M Homecoming 2013; Doing it after dark @ the Cove. Box 1.\u003c/p\u003e","\u003cp\u003e2013.164\u003c/p\u003e","\u003cp\u003eMusic.  Dragonspit Jones, \"The Ugly Truth LP\"\u003c/p\u003e","\u003cp\u003e2013.165\u003c/p\u003e","\u003cp\u003eTheo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.\u003c/p\u003e","\u003cp\u003e2013.165.1. Digital files contain 15 tracks.\u003c/p\u003e","\u003cp\u003eFrom Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"\u003c/p\u003e","\u003cp\u003eDigital files consist of 2 tracks.\u003c/p\u003e","\u003cp\u003eDigital file contains 18 individual tracks.\u003c/p\u003e","\u003cp\u003eTwo copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.\u003c/p\u003e","\u003cp\u003eOne copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.\u003c/p\u003e","\u003cp\u003eAcc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.\u003c/p\u003e","\u003cp\u003eDigital files consist of 7 tracks\u003c/p\u003e","\u003cp\u003eCD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"BORNATURALS.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Pink Cookies.\" B.M.G., 2013. Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"We the Best Presents . . . Rum.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.\u003c/p\u003e","\u003cp\u003e2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.\u003c/p\u003e","\u003cp\u003e2013.167\u003c/p\u003e","\u003cp\u003eJustin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.\u003c/p\u003e","\u003cp\u003eBox 3.\u003c/p\u003e","\u003cp\u003eTwo copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.\u003c/p\u003e","\u003cp\u003e2013.168\u003c/p\u003e","\u003cp\u003eDigital files consist of 22 tracks\u003c/p\u003e","\u003cp\u003eRichmond hip-hop collective. 2013.169\u003c/p\u003e","\u003cp\u003eAlbum.\u003c/p\u003e","\u003cp\u003eMp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003eSong: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026amp; Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.\u003c/p\u003e","\u003cp\u003e2013.171\u003c/p\u003e","\u003cp\u003eDigital files consists of 28 tracks.\u003c/p\u003e","\u003cp\u003e2013.172\u003c/p\u003e","\u003cp\u003eCascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)\u003c/p\u003e","\u003cp\u003eSong from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]\u003c/p\u003e","\u003cp\u003e\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]\u003c/p\u003e","\u003cp\u003eOhbliv's track, \"bahdiyap,\" released on the HW\u0026amp;W Volume 1 mixtape.\u003c/p\u003e","\u003cp\u003eKlipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.\u003c/p\u003e","\u003cp\u003eAlbum. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.\u003c/p\u003e","\u003cp\u003eOhbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.\u003c/p\u003e","\u003cp\u003eOhbliv released the digital album, \"Hydrosub\" on December 15, 2010.\u003c/p\u003e","\u003cp\u003eAlbum.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.\u003c/p\u003e","\u003cp\u003e\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11\u003c/p\u003e","\u003cp\u003eThis album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12\u003c/p\u003e","\u003cp\u003ePlay Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173\u003c/p\u003e","\u003cp\u003ePlay Cloths released this mixtape for the holiday 2011 season.\u003c/p\u003e","\u003cp\u003eTerrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174\u003c/p\u003e","\u003cp\u003eFear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.\u003c/p\u003e","\u003cp\u003e2013.175\u003c/p\u003e","\u003cp\u003eThe Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.\u003c/p\u003e","\u003cp\u003e2013.176\u003c/p\u003e","\u003cp\u003eFlyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.\u003c/p\u003e","\u003cp\u003eFlyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.\u003c/p\u003e","\u003cp\u003eFinal flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.\u003c/p\u003e","\u003cp\u003eFlyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026amp;Alive and N.I.C.E. Entertainment promoted Lil B's concerts.\u003c/p\u003e","\u003cp\u003eFlyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026amp; Kulture were the concert promoters. 2013.176.11\u003c/p\u003e","\u003cp\u003eOne 11x17 poster promoting Ludacris' album, \"Ludaversal.\"\u003c/p\u003e","\u003cp\u003eOne 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.\u003c/p\u003e","\u003cp\u003eOne 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02\u003c/p\u003e","\u003cp\u003eArtifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026amp; LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026amp; Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026amp; LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03\u003c/p\u003e","\u003cp\u003eArtifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04\u003c/p\u003e","\u003cp\u003eArtifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026amp;M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05\u003c/p\u003e","\u003cp\u003eOne CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026amp; Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.\u003c/p\u003e","\u003cp\u003eFour tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.\u003c/p\u003e","\u003cp\u003eOne sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.\u003c/p\u003e","\u003cp\u003e1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189\u003c/p\u003e","\u003cp\u003e1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190\u003c/p\u003e","\u003cp\u003eAcc. 2013.074 includes posters and fliers for the William \u0026amp; Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.\u003c/p\u003e","\u003cp\u003e\"Virginia Beats: The College of William \u0026amp; Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026amp; Mary Hip Hop Collection. The article is found on page 37. Box 4.\u003c/p\u003e","\u003cp\u003eCDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026amp; Mary Hip Hop Collection on April 19, 2013 at Swem Library.\u003c/p\u003e","\u003cp\u003eContains posters used at the 2nd Annual William \u0026amp; Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.\u003c/p\u003e","\u003cp\u003eThis interview is not yet available online.\u003c/p\u003e","\u003cp\u003eMade in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.\u003c/p\u003e","\u003cp\u003eTony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.\u003c/p\u003e","\u003cp\u003eIncludes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.\u003c/p\u003e","\u003cp\u003eXYZ (Xiang-Yu Zhong) in some places.\u003c/p\u003e","\u003cp\u003eOne copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"The Earth Is Sour.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Finally.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Level II.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.\u003c/p\u003e","\u003cp\u003eCD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"A Conversation with my Son.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"A Kids Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eAudio cassette tape. \"Never Too Young.\"\u003c/p\u003e","\u003cp\u003eCD. \"The Mixtape.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Home Grown.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Promotional CD.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War Sampler.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Love and War.\" Box 7.\u003c/p\u003e","\u003cp\u003eCD. \"Advance CD-Promo.\" Box 3.\u003c/p\u003e","\u003cp\u003eCD. \"Day Ina Life.\" Box 3.\u003c/p\u003e","\u003cp\u003eOne poster advertising the Fresh Radio sponsored DJ Bee \u0026amp; Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.\u003c/p\u003e","\u003cp\u003eTwo name tags with the William \u0026amp; Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"\u003c/p\u003e","\u003cp\u003ePoster for Vince Loyal's single, \"Don't Be Scared.\"\u003c/p\u003e","\u003cp\u003eTwo business cards for Alan Jones, aka DJ Alboog, professional DJ.\u003c/p\u003e","\u003cp\u003eCD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eVirginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.\u003c/p\u003e","\u003cp\u003eSigned poster for Virginia Grind Family member Voe Black's single, \"Guapo\"\u003c/p\u003e","\u003cp\u003eSix issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1\u003c/p\u003e","\u003cp\u003eJay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026amp; Grandmaster Mele Mel, and \"Get Down.\"\u003c/p\u003e","\u003cp\u003eJay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.\u003c/p\u003e","\u003cp\u003eJay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026amp;M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.\u003c/p\u003e","\u003cp\u003eOne autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.\u003c/p\u003e","\u003cp\u003eOne DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.\u003c/p\u003e","\u003cp\u003eOne CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.\u003c/p\u003e","\u003cp\u003eTwo copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.\u003c/p\u003e","\u003cp\u003eOne DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.\u003c/p\u003e","\u003cp\u003eOne CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.\u003c/p\u003e","\u003cp\u003eOne flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.\u003c/p\u003e","\u003cp\u003eOne paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026amp;B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.\u003c/p\u003e","\u003cp\u003eOne CD in jewel case with insert artwork of Hudson \u0026amp; Guam's \"Visions.\"\u003c/p\u003e","\u003cp\u003eFour tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.\u003c/p\u003e","\u003cp\u003eTwo paper flyers advertising the \"William \u0026amp; Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.\u003c/p\u003e","\u003cp\u003eTwo newpaper articles featuring Hudson \u0026amp; Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.\u003c/p\u003e","\u003cp\u003e2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08\u003c/p\u003e","\u003cp\u003e1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09\u003c/p\u003e","\u003cp\u003eOne CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.\u003c/p\u003e","\u003cp\u003eThe Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.\u003c/p\u003e","\u003cp\u003e1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186\u003c/p\u003e","\u003cp\u003e1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187\u003c/p\u003e","\u003cp\u003eTwo photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.\u003c/p\u003e","\u003cp\u003eThe Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.\u003c/p\u003e","\u003cp\u003eThe DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.\u003c/p\u003e","\u003cp\u003eStretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.\u003c/p\u003e","\u003cp\u003e2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.\u003c/p\u003e","\u003cp\u003eOne CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01\u003c/p\u003e","\u003cp\u003eFounded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.\u003c/p\u003e","\u003cp\u003eOne letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.\u003c/p\u003e","\u003cp\u003eTwo copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.\u003c/p\u003e","\u003cp\u003eOne CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.\u003c/p\u003e","\u003cp\u003eThree art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.\u003c/p\u003e","\u003cp\u003eBlack cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01\u003c/p\u003e","\u003cp\u003eOne CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne 8' x 11' GhosMerck Promotional Photo.\u003c/p\u003e","\u003cp\u003eRed and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01\u003c/p\u003e","\u003cp\u003eOne informational flyer for the Society of Hip Hop \u0026amp; Education organization.\u003c/p\u003e","\u003cp\u003eOrange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01\u003c/p\u003e","\u003cp\u003eIncluded in this folder are three items.  One double-sided informational card advertises BM\u0026amp;E Presents television show on one side, and BM\u0026amp;E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.\u003c/p\u003e","\u003cp\u003eWhite cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026amp; ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01\u003c/p\u003e","\u003cp\u003eBlue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01\u003c/p\u003e","\u003cp\u003eNavy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026amp;e BATTLE MUSIC \u0026amp; ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01\u003c/p\u003e","\u003cp\u003eTwo copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026amp; Entertainment (BM\u0026amp;E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.\u003c/p\u003e","\u003cp\u003eCD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.\u003c/p\u003e","\u003cp\u003eOne CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.\u003c/p\u003e","\u003cp\u003eThis compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.\u003c/p\u003e","\u003cp\u003eBlack Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.\u003c/p\u003e","\u003cp\u003eBTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.\u003c/p\u003e","\u003cp\u003eTwo informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.\u003c/p\u003e","\u003cp\u003eOne sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents"],"scopecontent_tesim":["Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Cymandye Russell / Lady C oral history interview conducted by Kevin Kosanovich, part 1 conducted on November 13, 2012: Topics include: Hot 91 radio; hard core vs. hip hop; race, gender and sexuality in hip hop; Norfolk State hip hop culture; Williamsburg; discussion of MCs and DJs. Part 2 conducted on November 14, 2012: Topics include: radio personalities; mix-shows; youtube DJs and DJs vs. radio personalities; women MCs and DJs including Rah Digga, DJ Lazy K, Murder Mommies, DJ Erika B; HipHopSince1987.com; Greek Fest Riots; women in Virginia hip-hop. Part 3 conducted on December 6, 2012: Topics include: history of her nickname and the Virginia punk community; \"passion\" and hip hop; hip hop and community building; Boodah Brothers; graphic design.","Three identical flyers for the Main Event 2.0 Music and Model Conference, held November 16-17, 2012 at Bentley's Restaurant and Lounge in Viriginia Beach, Virginia. Box 1.","1-white t-shirt that has \"WNSB/ HOT/ 91.1/ Norfolk State University™ Broadcasting\" printed on the front. \"WNSB\" is printed in black raised letters and is outlined in white. \"HOT\" is printed in red stylized letters and has a ring of fire around it. \"91.1\" is printed in black block letters and is outlined in white. And \"Norfolk State University™ Broadcasting\" is printed in white on top of a black strip under the ring of fire surrounding \"HOT.\" The t-shirt was received by Swem Special Collections staff at the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is a size small and is made of 100% preshrunk cotton. It is in excellent condition. Gift of Cymandye Russell/Lady C. HHC 2014.188","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Magazine copies. One copy of the \"The League: The Playbook for the Hip Hop Generation of Movers and Shakers,\" no. 4, Feb-Mar 2007. One copy of \"Exclusive\" magazine, January/February 2007, #1 volume 4. Box 1.","Newspaper Clippings: Daily Press circa December 2003, Obituary for Quincy Navall Jones, \"Abu the Butcher,\" of Newport News rap group BorNaturals; Daily Press Friday, January 19, 2007 including an item about \"Rap Attack;\" \"Paying Tribute to 'Mic Lord'\" Daily Press, February 3, 2007; \"Local rap start delivers a new deal,\" Daily Press; Laminated, large copy of \"Double XL is a hip-hop winner,\" by Sam Mcdonald in the Daily Press, Friday, May 21, 2004. Box 2.","Two pages for a movie script featuring Double XL. Box 1.","Sentara Obici Hospital United Way Talent Show \"Certificate of Participation.\" Box 1.","Rising Star Promotions bout sheet for February 15, 2008 \"night of Professional Boxing\" at The Showboat Hotel \u0026 Casino. Double XL performed between the night's two main events. Box 1.","Press Release for Double XL, Hood Plantinum and \"Rock the Mic Night.\" Box 1.","Promotional materials. Flyers: \"Rock the Mic\" advertisement. All Black Everything Event featuring Rick Ross, Thursday October 14, 2010 at the Alley Nite Club. Mixtape flyers, \"Hood Platinum 3.\" Album flyer, Double XL \"The New Deal.\" Album art draft, two pages: Double XL, \"Me Versus Me\" on Suth'N Boi Ent. Booklet: \"Virginia Idol Talent Search, 2004.\" Box 1.","Photographs. The Legacy headshot for Suth'N Boi Ent. M$ Blendz, Double XL and unidentified, 2006. Two group photographs with Double XL, Antonio \"Hersh\" Fenner, and unidentified. Box 1.","2013.035.10. Double XL, \"Me Versus Me.\" CD Jewel Case. Box 3.","2013.035.11. Double XL, \"Staccato Jeans.\" 2003. Box 3.","Artifact. Lanyard with \"VIP\" written in block print in red on the front. \"Access\" is written in yellow script in a diagonal under \"VIP.\" There is also a picture of a football player below \"VIP access.\" Below the football player is written \"04\" in white block print with a red out line. \"OFFSEASON JAM\" is written beneath it in white block print with red outline. There is a white star above and below \"OFFSEASON.\" The reverse of the lanyard has \"BAD NEWZ ENTERTAINMENT\" written in black block print. \"103 JAMZ\" is written below it in black block print. There is a disclaimer in a box below the writing that warns the VIP that if they do not follow the rules of the club their privileges will be revoked. The lanyard measures approximately 4.125 in. (length) x 2.25 in. (width). The lanyard is in fair condition with white residue on the laminated parts. There is an approximately 1.25 in. black stain on the bottom right side on the back of the lanyard. HHC 2013.035.12.","Artifact. Lanyard with a gray and yellow background on the front. \"70th Anniversary\" is written in white block print at the top. Underneath that \"Norfolk State University\" is written in white and below \"Norfolk State University\" is written \"Homecoming 2005\" in white. In the middle of the lanyard are pictures of Young Jeezy and Lil' Wayne with the Norfolk State University logo in between the pictures. Below the pictures is written \"BOTTOM OF THE MAP CONCERT\" in white bubble font. At the bottom of the lanyard front is written \"Special Guests: Double XL \u0026 Bo Blades\" in white. There is a black strip on the left side of the lanyard. \"ALL ACCESS\" is written in orange inside the black strip. The reverse of the lanyard is white and has \"Double XL\" written in black sharpie at the top left hand corner. There is what looks like a signature at the bottom of the back. The lanyard measures approximately 2.375 in.(width) x 4.25 in.(length) and is in good condition. There is some scraping of the laminated part at the bottom of the lanyard and some white residue at the top laminated part of the lanyard. HHC 2013.035.13","Artifact. Lanyard with a blue-black background. \"CERTIFIED BLOCK NUCCAS\" is written in blue with a white background at the top. Below that is a blue-black strip. Within the blue-black strip \"TOUR PT. 1\" is written in gold. Beneath that is written \"FROM YO' HOOD TO MY HOOD\" in blue with a white background. Underneath this is a strip with pictures of the tour members. Beneath that is written \"REALITY MUZIK GROUP\" in blue. Below that is written \"V.I.P. ENTRY PASS\" in gold. Written in white beneath that is \"CERTIFIED BLOCK NUCCAS TOUR,\" with \"FROM YO' HOOD TO MY HOOD\" in blue below it. At the bottom of the lanyard \"SATURDAY SEPT. 8TH, 2007\" is written in gold. The reverse of the lanyard is white and has scrolls going diagonally down across it. Inside the scroll is written \"Print by Sony\" in white block print with gray outline. The lanyard measures approximately 4 in. (width) x 5.75 in. (length). It is in fair condition. There are white residue spots all over the front of the lanyard. There is also a 2 in. crease in the top left corner, a 0.5 in. crease on the top right, a 4.125 in. crease and a 4 in. crease in the middle of the lanyard. HHC 2013.035.14","Artifact. White lanyard featuring a clear outline of the state of Texas on the front. There are various music artists depicted surrounding the outline of the state of Texas. Inside the outline of Texas is written \"2008\" in orange, \"THE 6 YEAR Anniversary OF THE\" in white with orange outline, and \"TEXAS SUMMER MUSIC CONFERENCE\" written in black. There is also a 1960s model microphone inside the outline of Texas. Below the picture is the url for the event. Under that is written \"August 29-31, 2008 The Westin City Center Dallas, TX\" in black. At the bottom of the lanyard are logos for sponsors of the event. The back of the lanyard features the logo for tabi bonney and the album cover of Young Chase's \"MAN I'M BOUT.\" The cord of the lanyard is dark red on the outside with a black outline and black inside. \"BACARDI\" is written in black with gold outline on the red side of the cord. The Bacardi logo is also present. The lanyard measures approximately 2.75 in. (width) x 4.125 in. (length) and the cord measures approximately 22.25 in. The cord is in excellent condition while the lanyard is in fair condition. There is an approximately 0.5 in. tear where the cord connects to the lanyard. There are also small creases on the top edges of the lanyard as well as abrasions all over the back of the lanyard. HHC 2013.035.15","Artifact. Lanyard for the Southeast Music Entertainment Inc.'s annual Music and Entertainment summit (SMES).The lanyard features a woman wearing black with headphones on the front. At the top is written \"SMES\" in red rugged font. Beneath that is written \"BRIDGING THE GAP SINCE 2001\" in red. To the bottom right of \"SMES\" is written \"2008\" in white. There is a red strip in the middle of the lanyard. \"SEPTEMBER /26TH| 27TH| 28TH/ HOLIDAY INN (SURFSIDE)/ MYRTLE BEACH, S.C.\" is written in white within the red strip. At the bottom of the lanyard there are logos of sponsors for the entertainment summit. The cord of the lanyard has the logo for the Society of European Stage Authors and Composers (SESAC), one of the sponsors for the entertainment summit. The lanyard measures approximately 3 in.(width) x 5.125 in.(length). The cord measures about 17.5 in. The lanyard is in good condition with numerous abrasions to the front. HHC 2013.035.16","Artifact. Lanyard featuring a white background with pictures of artists Ryan Leslie, Monica, and Rick Ross on the front. The artists' names are in front of them in gold with Rick Ross' as the largest. In the middle of the lanyard there is a a black and gold alternating strip. \"THURSDAY, OCTOBER 30, 2008\" is written in white within the first black strip. \"BACKSTAGE\" is written in white in the gold strip and \"MYSPACE.COM/EMPIREENTERTAIN1\" is written in the second black strip. Beneath that is a logo for M.E.G. Underneath that is \"HAMPTON UNIVERSITY CONVOCATION CENTER\" written in black. At the bottom of the lanyard are logos for sponsors of the event. The lanyard is approximately 4in.(width) x 5.25in. (length). The lanyard is in excellent condition with only a few abrasions to the front. HHC 2013.035.17","Artifact. Lanyard with a red and gold background and featuring an African mask in the middle of the lanyard on the front. At the top of the lanyard is written \"THE SOUTHEASTERN VIRGINIA ARTS ASSOCIATION PRESENTS\" in gold. Under this, \"AFR'AM FEST\" is written in white. Beneath this is written \"'CELEBRATING THE ESSENCE OF FAMILY'/TOWN POINT PARK, NORFOLK, VA\" in gold. Below the mask is an oval bubble with a red background. Inside the bubble \"BACKSTAGE ACCESS/SATURDAY\" is written in white. There is also another oval bubble under that with a white background. The lanyard measures 3.375in.(width) x 5.25in.(length). It is in excellent condition. HHC 2013.035.18","Artifact. Lanyard featuring a red and black background with white strips. In the first white strip at the top \"ARTIST/STAFF NO CHARGE\" is written and underlined in black. Under that in the red and black background. There is a depiction of the geographical United States overlaid with the American flag, there are various bullet holes inside the depiction. In an arch above the depiction is written \"CONSPIRACY NATION\" in red horror font. Below that is written \"EPISODE 1: THE MYSTERY OF THE 7 CITIES\" in white. Beneath this depiction is a second white strip. \"NO CHARGE FOR SHOW/PARTY\" is written in black inside the second white strip. At the bottom of the lanyard is a background featuring a city skyline. \"ALL ACCESS PASS/NO CHARGE FOR ADMISSION\" is written in white within the city skyline background. The lanyard measures approximately 2.25in.(width) x 3.25in.(length). The lanyard is in poor condition with delamination of the illustrated front part of the lanyard from the cardboard base, as well as delamination of the back lamination from the cardboard base. HHC2013.035.19","CD. Titled Yesterday (Edit.) Box 3.","Andrea Castleberry/ M$. Blendz oral history conducted by Kevin Kosanovich. Topics include: military history and hip hop; Foxy Fridays; 92.1 FM; Blendzville Award show; Boodah Brothers; Scratching vs. Mixing; Women and hip-hop; Teens with a Purpose;","Blendzville Award Items, 2007-2011. Seating chart. Laminated signs. From 2007: Sheet of tickets; list of confirmed and potential performers. From 2009: Items include one flyer and and one laminated ticket for the 3rd Annual Award show; Outline of evening's events. From 2011: List of performers; provisional list of nominees. Box 1.","Photographs. M$. Blendz and Kid Capri. M$. Blendz and DJ Law and Big B of the Boodah Brothers, 2001. M$. Blendz and crates of vinyl records. M$ Blendz and 92.1 the Beat, the first hip-hop station in Norfolk. Box 1.","Blendzville Productions informational letter. Box 1.","WOWI 103 Jamz notebook cover. Box 1.","Artifact. One trophy in the shape of a silver and gold microphone. The base of the trophy is made of brown fiber wood material. There is a gold label on the front of the base. \"BLENDZVILLE HIP HOP AWARDS BEST HEAVY HITTER 2008\" is engraved on the gold label. The trophy is approximately 6in.(height).The trophy is in good condition. There are four brown spots on the bottom of the base. The first is toward the back and is 1.25in. The second one is in the middle at the left and is 1.125in. The third is in the middle to the right and is approximately 1.25in. The fourth is near the front and is approximately 1.25in. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.06","Artifact. 2- Lanyards. The lanyards have a red and black background with a city skyline depicted. \"4th ANNUAL\" is written in white at the top. \"TAKE ME AWAY\" is written in red beside it. Below these phrases \"BLENDZVILLE\" is written in white. The \"B\" is written in 3-D font and has a wing coming from the center of the \"B\". Under \"BLENDZVILLE\" is written \"HIP-HOP AWARDS '11\" in white. \"Unplugged\" is written in a diagonal below \"HIP-HOP AWARDS '11\" in a silver-gray horror font. At the bottom of the lanyard the date, \"11.12.11,\" is written in white. Below that are the different ways to get more information about the event (i.e. twitter, phone number, website). The lanyards measure approximately 4in.(length) x 2.375in.(width) and are in excellent condition. Gift of Andrea Castleberry / M$. Blendz. HHC 2013.036.07ab","1 - white cotton t-shirt with Origins SCW II Hip Hop Show logo in red. Shirt also has a logo featuring a record with outstretched wings behind it and a crown on top. The bottom left portion of the shirt also has a stylized WM '12 with two feathers extending above from the 'M.' T-shirt created for a Fall 2012 show, cypher, and workshop weekend hosted by the William \u0026 Mary Bboy Club's SMILES Crew on November 17-18, 2012. W\u0026M Bboy Club's website described the event: \"The showcase is going to be held on November 17 (Saturday) 3PM-5PM. Through ORIGINS, we are trying to spread the hip hop culture not only on our campus but also throughout the East Coast and show what true hip hop is all about by showcasing dance crews from all over America. This year we will be focusing on bringing the two coasts together to create the most inspirational and mindblowing performance ever to be seen. Again following the showcase, we will have an open cypher in the evening to allow dancers to come together to share, dance, and learn. A new addition this year will be dance workshops the following afternoon (Sunday)! \" Gift of Kevin Kosanovich, American Studies PhD Candidate. HHC 2012.388.01","Fliers, posters, photographs, artifacts, and ephemera. Also included are a series of digital photographs and images starting at 2013.037.10 through 2013.037.131. Also included in the digital photographs are a series of photos from a session at Tazwell Hall, September 8, 2012, 2013.037.132. Box 1.","Flyers for Origins II funding events, flyers advertising the opportunity to join SMILES Crew, and a program from Origins II. Box 1.","Origins II business card. Box 1.","Receipt from the William and Mary copy center for 500 Bboy flyers. Box 1.","Multiple copies of the student newspaper, \"The Flat Hat,\" volume 101, Issue 28, from Tuesday, January 31, 2011 featuring an article on the William and Mary Bboy club. Box 1.","William \u0026 Mary Bboy Club table sign for \"Day For Admitted Students\" Activities Fair.","Thank you note to SMILES Crew from Daniel Zhu of Strife.TV. Strife.TV documents bboy culture. Box 2.","Multiple large photo prints of SMILES Crew by Danel Zhu of Strife.TV Box 2.","Large advertising poster for the SMILES Crew Origins II T-shirt sale in the Sadler Center lobby. Box 2.","Photos of W\u0026M Bboy club / SMILES Crew's Origins II pre-show jukebox session event.  Photos taken at Sadler Center terrace. 2013.037.131","Photos from W\u0026M Bboy Club / SMILES Crew practice session in the basement of Tazwell on September 9, 2012. 2013.037.132","Artifact. Purple t-shirt featuring a gold crown on the front. Below the crown \"SMILES\" is written in white screen print. Beneath that is written \"CREW\" in white screen print. A golden banner ribbon is depicted below \"CREW.\" It reads \"Est. 2008\" in purple. There are two stars to the left and right of \"SMILES\" and \"Crew.\" The reverse of the shirt features one small golden wing with a purple infill on the wearer's left shoulder. The shirt is a size large and is in excellent condition. HHC 2013.037.133","Artifact. A large boombox in the model of the original 1980s style hip hop boombox with two large speakers on either side of the boombox. In the center of the boombox there is a faux tape holder where an iPod can be inserted. Above this is a space to insert headphone cords, a USB drive or a SD/MMC cord. At the top of the boombox is an area to insert a cord for a microphone as well as buttons to add a pop, classic, rock, jazz, or loudness mix. There are also button to control selection and repeat functions for the iPod and tracking for the radio. Finally, there is a large silver knob on the right side that is used to find a radio station and a smaller silver knob to turn the boombox on on the left. There is a black handle at the top of the boombox. and a black cord in the back where the boombox can be plugged up. The boombox is of the Lasonic brand and measures approximately 13in. (width) x 24.25in. (length). The boombox is in good condition with numerous scratches all over the boombox and few signs of wear and tear. This boombox was the first one used by the SMILES Crew from its founding in 2008. Image available at http://www.flickr.com/photos/scrc/10275466095/. Gift of SMILES Crew. HHC 2013.236.01","Fliers for several SHHO sponsored concerts. Membership flyer for SHHO. Flyer for Syndicate tryouts [W\u0026M hip-hop dance group.] Box 1.","Photographs of Charles \"Ric\" Lampkins, Tilghman Goldsborough and Dominque James of W\u0026M SHHO. Photographs taken in the Botetourt gallery in Swem Library on February 20, 2013 by Kevin Kosanovich.","Digital images and digital flyers of WM SHHO sponsored events donated by Bobak Karsai.","W\u0026M SHHO oral history interview with President Dominique James, Vice President Charles \"Ric\" Lampkins and member Tilghman Goldsborough by Kevin Kosanovich on February 20, 2013.  This interview exists in two parts.  Part two includes discussion of \"favorite\" hip-hop artists, past and present.  Topics include:  hip-hop culture in high school; Richmond; Trap music; Trill wave; dance crews; authenticity; race and hip-hop; class and hip-hop; W\u0026M campus hip-hop culture; SHHO; sneakers and fashion.","Artifact. Eight plywood panels that, when assembled, create a sign. The sign has \"Student Hip Hop O.\" spray painted in black hip hop script font at the top. There is an arrow and star next to the \"S\" and a star next to the \"O.\" Under \"Student Hip Hop O.\" is spray painted \"Hip Hop\" in light purple hip hop bubble font. Next to that is spray painted an arrow in light purple hip hop font. Beside the arrow is spray painted \"SH.h\" in light purple hip hop bubble font. There are two black stars spray painted under the arrow and the \"h.\" There are signatures of members of the Student Hip Hop Organization all over the sign. Each plywood panel is approximately 2ft.(length) x 2ft.(width). They are in good condition with miner fraying and chipping on the edges. Gift of Blair E. Smith, Class of 2011. HHC 2013.262.01a-h","Twenty photographs of M1 Platoon performing on a Fridays Concert that was hosted by AMP and SHHO. SHHO brought M1 Platoon to the campus in 2008, it was the organization's first concert. The concert was outdoors at the Sadler Center Terrace. Photographs include M1 Platoon and William \u0026 Mary students enjoying the concert. Also photographed was a white W\u0026M SHHO t-shirt. Identified students in the photographs include Jennifer Robinson, Blair Smith, and Bailey Thomson. Gift of Jennifer Robinson, Class of 2011. 2013.294.1-2103.294.20.","85 photographs of SHHO's second concert featuring UNI, a group from California. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.21-2103.294.106.","Correspondence, fliers and tickets docuemtning hip hop shows conducted by the Students of Hip Hop Legacy.","This series contains photographs taken at hip hop shows by Bailey Thomson.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","Gym Class Heroes - One of the first hip hop shows at the College. The Roots had visited a few years back, but no one up and coming had played in a while. Tyga opened up, because he and the lead of Gym Class Heroes are cousins.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","M1Platoon - This SHHO-sponsored event changed my hip hop life. These were great rappers who had traveled with their crew from North Carolina. They knew Blair personally and were invested in getting indie hip hop movements off the ground. And they were right THERE. I mean, they rapped on the floor with us. They brought us up on the stage. They posed for pictures. They're destined for greatness, and we got to enjoy them in a room of 30 kids. They joked a lot about having white kids in the audience and thought the big group picture was especially hilarious with me in the foreground. Nathaniel Benneton Grey, of M1P, took those photos.","Nickelus Fury - Another great SHHO-sponsored event.  Proceeds went to the J Dilla foundation and a lot of people showed up.  Again, Blair had connected with these artists personally.  She introduced the show, and it just seemed to keep going.  I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Nickelus Fury - Another great SHHO-sponsored event. Proceeds went to the J Dilla foundation and a lot of people showed up. Again, Blair had connected with these artists personally. She introduced the show, and it just seemed to keep going. I remember feeling like the whole room was pulsing with energy at one point- an amazing female rapper went on and brought down the house.","Roots- This photo was taken in Richmond, Virginia for the Jamestown 400 anniversary.  The Roots played for free and made a lot of political statements about the irony of them performing for the 400th anniversary of slavery in the Commonwealth.  Before hip hop existed as a movement at the College, lots of us found hip hop venues off campus.","Flyers advertising Ground Up Radio. Box 1.","Box 3.","Fliers from various venues and artists in Hampton Roads, Virginia. Box 1.","Material related to SHHO chapters other than the College of William \u0026 Mary. Box 1.","Email history of SHHO sent from William \u0026 Mary SHHO co-founder Bobak Kasrai. Box 1.","Artifact. One black \"Honeycomb\" SHHO logo decal. Decal measures 6.125in. (length) x 5.25in. (width) and is in good condition. There is an approximately 1.75in. crease in the top left corner and a 5.375in. crease in the center of the decal. There is also a staple mark in the top right hand corner. HHC 2013.041.02","Small flyer advertising the \"Chasing Forever\" SHHO launch, March 22, 2011. Box 1.","Cards and flyers advertising various SHHO sponsored concerts at Virginia Commonwealth University and other venues in Richmond, Virginia. Box 1.","Poster. Virginia Commonwealth University (VCU) SHHO Presents: Lecture with Greg Selkoe, Friday, November 2, 2012 at the VCU Commons Theatre. Greg Selkoe is the CEO of Karmaloop. Karmaloop is an online streetwear and culture boutique website.","Artifact. Button featuring the \"Chasing Forever\" logo. It features a black background with \"CC\" in white over a thin white division bar. Beneath the division bar is the symbol for infinity in white. The button measures 1.125in. in diameter. It is in good condition with three white smudges near the bottom of the infinity symbol. HHC 2013.041.06","Flier and digital images.","Oral history interview with Brandon \"DJ WYZE\" Sutton and Antoine \"Henmusik\" Henderson conducted by Kevin Kosanovich.  Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Contains phonograph records featuring Timbaland, Philly's Most Wanted, Missy Elliott, and Fam-Lay; performance posters from local artists in Norfolk and Virginia Beach; cards advertising the documentary \"7 City Legacy,\" and an audio cd featuring Brandon Sutton, also known as DJ WYZE. Box 4.","WYZE Kouncil Entertainment business card. Box 1.","CD. \"Vol 2: VA Tape.\" Box 3.","Poster for Soundloy Productions \u0026 AWNP Presents: \"Jet Life in Virginia.\" Performances by Nesby Phips, Trademark da Skydiver, Hen, J. Pharoah, Trot, Intalek. Box 2.","Poster. Raekwon. Featured acts include Major Deal, Dirty Workas, Hen, Lloyd Vines. Tuesday April 19 at Hangar 09 in Virginia Beach. Box 2.","Poster from \"Paid in Full: Thanksgiving Weekend w/ Rakim.\" November, 27, 2011 at the Norva in Norfolk, VA. Box 2.","This item contains digital images of DY WYZE's logo and two photos.","Two copies of CD, \"7 City Legacy Mixtape, Volume 1.\" Both CDs are held in a plastic slip case and contain an insert art card. There are 19 tracks on the album. Box 7.","Oral history interview with Antoine \"Henmusik\" Henderson and DJ WYZE conducted by Kevin Kosanovich. Topics include: history of Virginia Beach; \"7 City Legacy\" film; Norfolk State University; Old Dominion University; Description of Virginia Soul and Style.","Henmusik flyers for \"Soup \u0026 Salad\" mixtape. Box 1.","Album.","This series contains flyers for events and a cassette tape collected by James Allen aka Dynamite J.","Oral history interview with James \"Dynamite J\" Allen conducted by Kevin Kosanovich on February 17, 2013. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of mixtapes.","Flyers for \"VA is for Hustlas\" vols 1-4. Box 1.","Cassette Tape. \"The Mighty MC's: The 4unky 1.\" Side 1: The 4unky 1 remix/live. Side 2: Live on Maggic 99 w/K-Ski. Box 7.","CDs, posters, news clippings, and fliers from the artist Abys Virginia's First Lady related to performances, including Abu Fest, and her career. 2013.062.10-- Poster. \"DJ Hustleman Presents: Street Muzik DVD\" 2013.062.11 -- Poster. \"Abys: Between a Rock and a Hard Place\" 2013.062.12 -- Laminated Newspaper Clippings: \"Unity and positive hip-hop meet at festival,\" Daily Press; \"United, they rap: Local musicians rally in the East End to pay tribute to slain friend,\" Daily Press, September 30, 2006. Box 2.","Latonya \"Abys\" Denson's oral history interview conducted by Kevin Kosanovich.  Topics included:  Newport News and Hampton; Virginia vs. other Southern Scenes; Virginia women in hip-hop; Abu Unity Fest; Music Industry; Being an independent artist; BorNaturals; Down Low Squardron; Hoodstock.","CD. \"Between a Rock and a Hard Place\" hosted by DJ Hustleman. Featuring 7 Armz, D. Watz, Jus Rah, Taheem Jamal. Box 3.","Poster.  \"The Pre Valentaine's Jumpoff.\"  Hosted by Abys with DJ Big-E and DJ Silk.  Held Sunday, Febraury 11 at Crabbers 2000 on West Mercury in Hampton, Virginia.","Flyer for Abufest, August 26, 2012 at King-Lincoln Park in Newport News, Virginia.","Mixtape CD Cover. \"The Official AbuFest Mixtape: Abu R.I.P.\"  Mixtape in memory of BorNaturals MC, Abu the Butcher.","Mixtape CD cover for \"V-A Stand Up!\"","Post for the 3rd Annual Abu Unity Fest, October 11, 2008.  Held at King-Lincoln Park in Newport News, Virginia.","Poster for \"B-Girl Fest 2007,\" held in Columbia, SC.  Abys performed with a collection of women MCs.","Poster.  \"2nd Annual Abu Unity Fest,\" and \"Abu Unity Fest After Party\" held September 29, 2007 at King-Lincoln Park in Newport News, Virginia.","Oral history interview with Lovey \"Memph 10\" Jones conducted by Kevin Kosanovich in Richmond, Virginia. Topics included: Bloc Hog Entertainment; History of Promotions; Richmond as a hip-hop city; Industry vs. Street; Business of hip-hop.","CD. \"2 Much Goin On: Tha Mixtape.\" 2012. Box 3.","Poster. Memph 10, \"2 Much Goin on Tha Mixtape.\" Box 2.","Artifact. One brown, long sleeve button-up shirt. \"Memph 10\" is airbrushed in white and yellow above and to the left of the shirt pocket on the wearer's left. To the right and below the shirt pocket on the wearer's left are depictions of dice, in white, and a dollar sign in gold. To the right of and below the shirt pocket on the wearer's right is depicted a hand holding a test tube that says \"CHEMISTRY\" with a chain dangling from the thumb that has a weight at the bottom holding a bag which has a dollar sign and reads \"RECORDS.\" The reverse of the shirt features a groundhog with an orange and brown striped hat that has the letters \"FFH\" on it .The groundhog is holding a wad of cash and is leaning on a microphone that also has the letters \"FFH\" on it. There are two golden-orange dollar signs on either side of the groundhog. \"BLOC HOG\" is airbrushed in black, old English font in an arch above the groundhog. \"ENTERTAINMENT\" and \"MEMPH 10\" are airbrushed in white below the groundhog. The shirt is in excellent condition. It is a size 2x-Tall and is made by Dickies. Gift of Lovey Jones. HHC 2013.072.04","Artifact. Black V-neck shirt featuring a giant 2 on the front. The 2 is black and outlined in white. \"Turnt Up\" is written in white gothic font beside the giant 2. The \"T\" in \"Turnt\" is going through the top of the giant 2. Below this is a depiction of a city skyline in white with the top of some buildings going through the bottom of the giant 2. \"PROMOTIONS\" is written in white screen print in a small arch below the skyline. The back of the shirt has \"MEMPH 10\" in white screen print at the top of the shirt. Beneath this is \"@ BLOCHOG\" in white screen print. The shirt is a size 3XL and is in good condition. HCC 2013.072.05","Marlon Hamilton / Streetz G4G oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Mr. William Burg; Williamsburg history; radio stations; G4G productions.","Williamsburg's own, Streets G4G mixtape, \"Mr. William Burg, Vol 3.\"","Digital images, flyers and photos of Marlon Hamilton / Streetz G4G.","One CD in plastic slip case with insert artwork for Streetz, \"Dunning Street Music\" mixtape. The mixtape was mixed and hosted by DJ Karee. Rick Rogers and Petey Pete are also featured on the mixtape. Dunning Street refers to a street in the Highland Park neighborhood of Williamsburg, Virginia. Highland Park is the oldest, historically African American neighborhood in Williamsburg. Box 7.","James \"Dangle\" Alston oral history interview conducted by Kevin Kosanovich on November 26, 2012. Topics include: Richmond graffiti history; Just Plain Sounds; Privileged Kids; Virginia college campus culture; record stores; hip-hop venues.","Cover art for James \"Dangle\" Alston's CD, \"One Time I Knew.\"","Larry \"Live\" Lyons oral history interview conducted by Kevin Kosanovich on November 27, 2012. Topics Include: radio stations; breaking; Playboys Express; Berklee Community Center; KQuick; Surrounded by Idiots; race in Virginia; North vs South in hip-hop community; corporate hip-hop; Livehouse Entertainment; record stores; venues and clubs; DDP crew.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Twain Gotti, \"Gotti's Turf, Pt. 2: The Bear Trap.\" Digital files consist of 15 tracks.","Mixtape.  Twain Gotti, \"Beartrap Movie.\"","Mixtape.  Twain Gotti, \"Beartrappin' 10210, Vol. 1.\" Digital files consits of 19 tracks and one image.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Jamario \"Rio\" Harper, Twain Gotti, and Make It Rain Flamez oral history conducted by Kevin Kosanovich on November 30, 2012. Topics include: mixtapes; Moreshells Entertainment; Venues; Newport News.","Mixtape CD. 2 Copies. \"1 Life 2 Live.\" MOR3SH3LLZ Entertainment, 2012. Box 3.","Ray \"BlakDrag\" Washington oral history interview conducted by Kevin Kosanovich.  Topics included:  Christopher Newport University; Beatdown Entertainment; Richmond culture versus Northern culture; Immortal Suspects; Newport News recording studio; The Lab; The Barbershop; Newport News hip-hop history; Thug Relation; Mike Lord; BorNaturals; Process of making an album; Internet and hip-hop.","Mixtape CD. \"The Farewell.\" Wildlife Records. Box 3.","CD. \"Wildlife Mixtape Volume #1.\" Wildlife Records. Box 3.","CD. \"Str8 Gutta.\" Wildlife Records. Box 3.","CD. \"The Burning Seazon: From Killaweed 2 Bad Newz.\" Box 3.","CD. \"Welcome (Lyricist Only).\" Hosted by DJ Mercury. Box 3.","CD. \"Pen Game.\" Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","At Bucks Brand in Newport News, Virginia. Performances by Stretch Dollas, Street G4G, Monsta Millie, Ammo. Box 1.","Features Stretchdollas, Trapname Jimmy, Shotty, Double XL, Monsta Millie.","Box 3.","Zack \"Novel Bandana\" Lawson and James \"22\" Parks oral history interview conducted by Kevin Kosanovich on December 2, 2012. Topics include: Newport News; DJ Tops; DJ Chase; battle rapping; DJ Silk; DJ Law; Joe Tracks; Mark Menace; BorNaturals; strip clubs and hip-hop.","Oral history interview with Terry \"Double XL\" Fenner and Antonio \"Hersh\" Fenner conducted by Kevin Kosanovich on December 2, 2012. Topics include: history of public housing in Newport News; gentrification; hip hop battling in projects; Newsome Park; Hoodplatinum; Suthern Boi records; Norfolk State hip hop culture; magazines; Roc the Mic nights; marketing and promotion; record stores and venues in Virginia.","Emanuel \"Mannie\" Willis oral history interview conducted by Kevin Kosanovich on December 18, 2012. Mannie Willis is the creator and founder of the urban wear fashion line, Distinct Nature Clothing. Topics include: Newport News; designing clothes for hip-hop artists Wale and Big K.R.I.T.; Virginia athletes.","Quentin \"Q45\" Thomas oral history interview conducted by Kevin Kosanovich on December 18, 2012. Quentin Thomas is co-founder of Ground-up Radio, groundupradio.com, a hip-hop internet radio station hailing from Williamsburg, Virginia. Topics include: 1980s bboys; mixtapes; serving in the military; hip-hop culture in the military; Old Dominion University; Hampton University; Fort Eustis; Witchdokter's Kafe; Ground-up Radio.","Sam McDonald oral history interview conducted by Kevin Kosanovich on January 10, 2013. Sam McDonald has made his career writing about popular culture and music throughout Virginia. Most recently, he writes for the Daily Press in Hampton Roads. Topics include: KRS-One; Danville, VA; the Daily Press; passing tapes; 7-11 Boyz; Boodah Brothers; Teddy Riley; Al B Sylke and 103 Jamz; Reggae; Area clubs; Abu Unity Festival.","Includes press releases, articles, fliers, publicity photos, press kits, and other material from various hip hop artists collected by Sam McDonald of the Daily Press. Artists include Missy Elliott, Nicole Wray, 6-year old Hampton rapper Gregory LaMont Walker, Barlow (Charles Barlow of Newport News), Billy Doo Wah (Hampton), Cool Carl (owner of the label Street Life Entertainment, Hampton), D\"Amour (Hampton), Timmy Beale owner of Slim Tim Productions (Hampton), Kaoss (Hampton and Newport News), 50/50 AKA Talent \u0026 Triumph (Newport News), Timbaland \u0026 Magoo's The New Two, Low Down Boyz (Untamed Records, Newport News), Teddy Riley's 4th of July Weekend Extravaganza, BLACKstreet (Interscope Records), and Delante Murphy's Hung Lo Productions (Hampton). Box 1.","2013.124","Afid Granados oral history interview conducted by Kevin Kosanovich on November 11, 2013. Afid Granados was president of VCU SHHO, circa 2011-2013. Topics include: Richmond; Virginia Commonwealth University; SHHO; Jeff Sobel; Nickelus F; Michael Millions; Lee Major; University of Virginia SHHO chapter; Northern Virginia hip-hop culture; sneaker culture and fashion; streetwear.","Oral history interview with Richmond-based artist Jason \"Van Ark\" Brown, conducted by Kevin Kosanovich on January 15, 2013. Topics include: Richmond; 1990s Richmond hip-hop; battling; Jonathan Banks; playing instruments and composing; music industry and distribution; Divine Prophets; WRIR.","CD. \"Chemical Beats.\" 2007/2008. Box 3.","Digital files contain 20 tracks.","2013.125","Douglas Avant Perry, Jr. oral history interview conducted by Kevin Kosanovich on January 16, 2013. Doug Perry is the longtime station manager of WNSB, Hot 91.1 FM Norfolk, at Norfolk State University. Topics include: WRAP; Bishop Willis and black radio; Daddy Jack Combs; WOWI and 103 Jamz; Regan Henry; Chester Benton; DJ Heartattack; H.J. Ellison; DJ Mister B; WNSB history; DJ Jack of Spade; DJ Bad Joe; mixing and blending records; Go-Go; Gospel Groan; Teddy Riley; venues and clubs.","Monty Ross oral history interview conducted by Kevin Kosanovich on January 16, 2013. Monty Ross is longtime friend, collaborator and producer of Spike Lee's movies. Monty Ross currently serves as artistic director and operations manager of Crispus Attucks Theatre in Norfolk, VA. The oral history consists of two parts: Part one is the longer oral history; part two is an \"bonus\" story about meeting a young Sean \"P.Diddy\" Combs. Topics include: Bed-Stuyvesant, Brooklyn; DJ Nab; hip-hop in Atlanta; She's Gotta Have It; Island Pictures; New York's Lower East Side and hip-hop; Michael Jordan and \"Gotta Be the Shoes\" Nike campaign; Attuck's Theatre hip-hop Nutcracker; Mid-Atlantic Black Film Festival; GZA; Liquid Swordz; Sean \"P.Diddy\" Combs. This interview is available only in Swem Library's Special Collections.","DJ P-Eazy and Michael \"Sic Mic\" Thurman oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This interview exists in two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Michael \"Sic Mic\" Thurman and DJ P-Eazy oral history interview conducted by Kevin Kosanovich on February 9, 2013. Sic Mic and DJ P-Eazy are Newport News hip-hop legends. This oral history contains two parts. Topics include: Newport News; BorNaturals; Newport News waterfront gentrification; Wixon Courts; Woodsong and Chantilly housing developments; uptown vs. downtown Newport News; Malachi Z. York; Crew Thick; Iron Curtain; Down Low Squadron; Blood Shot Eyez; Teflon Dons; School Boyz; The Lawbreakerz; record stores; venues.","Photos, CD, Audio recording.","CD. \"Burial Songs.\" GHGG Entertainment, 2013. Box 3.","Photograph of Sic Mic, DJ P-Eazy and Q45 taken by Kevin Kosanovich on February 9, 2013 in College Apartments, Room 9 after an oral history interview.","Letter of invitation from Dior Consulting \u0026 Management to attend a Press \u0026 Media event providing information about Newport News rapper Sic Mic's current and upcoming projects.","Two business cards, #TheBossDonproject.  One CD-case artwork insert for \"The Bossdon Project\" album.  Front-side features Sic Mic smoking a joint and the back-side of the insert lists the album's twelve songs including contact information for himself and the producers and other MCs featured on the album.  Also included on the back of the album is the message, \"Free T. Gotti.\"  This is in reference to Newport News MC Antwain \"Twain Gotti\" Steward who was arrested on murder and weapon charges based on a tortuous, and largely unbelievable connection made by Newport News Police and prosecuting attorneys between a 2007 murder and lyrics from a 2012 song.","One 13x19 poster advertising Sic Mic's album, \"The Boss Don Project.\"","2013.127","Horace C. \"Big B\" Belcher oral history interview conducted by Kevin Kosanovich on February 12, 2013. Big B is the last surviving member of the Boodah Brothers team featured on WOWI 102.9. The Boodah Brothers are responsible for introducing and growing hip-hop culture throughout Virginia since the early 1990s. Topics include: Denbigh High School; DJ Karee; club promoting; Boodah Brothers; DJ Law; Red Alert family; MC Spice; DJ Bee; Notorious B.I.G.; Fort Eustis; generational divide in hip-hop; WRAP; Jay-Z; Mike Lord.","2013.128","Faysal Matin oral history interview conducted by Kevin Kosanovich on February 20, 2013. Faysal Matin '14 is a DJ. Topics include: McClean, VA; William \u0026 Mary hip-hop culture; Streetz G4G; role of the DJ; crate digging; Serato vs. traditional DJing.","Two photographs of Faysal Matin. One photo taken in Swem Library's Media Center Studio. One photo taken by Kevin Kosanovich after Faysal Matin's oral history interview. The other photo was provided by Faysal Matin.","91 photographs of a Syndicate practice session and 1 Syndicate flyer. Gift of Jennifer Robinson, Class of 2011. Acc. 2013.294.106-2103.294.197.","Documents provide a history of Syndicate including Syndicate show flyers, photographs, programs, dance lists, a t-shirt logo, and other material. Gift of Carolyn Kovacs, Class of 2009, Syndicate member 2005-2009, president 2008. Acc. 2013.295.1-2013.295.8","Photographs and memories of Syndicate, a dance group at the College of William \u0026 Mary. Gift of Nikki Jedlicka, Class of 2007, founding member of Syndicate. Acc. 2013.296.","Keith Ivey, editor in chief, sports \u0026 entertainment magazine. Acc. 2013.299. Box 1.","Mentor Records. Promotional Copy, radio and club versions. Box 3.","Box 1.","Box 1.","Motown the Musical in New York City. Box 1.","2013.129","Jerome \"JB da Pilot\" Waller '13 oral history interview conducted by Kevin Kosanovich in Swem Library on September 19, 2012. Virginia Beach native Jerome Waller is also known as JB da Pilot and a member of the Mile High Club. Topics include: Virginia Beach; Mile High Club; recording; W\u0026M hip-hop culture; Jay-Z; hip-hop fashion.","Album.","Photograph of Jerome \"JB da Pilot\" Waller taken by Kevin Kosanovich after Jerome's oral history interview. The photograph was taken in the Media Center Studios in Swem Library.","2013.130","Keith \"Adam West\" Taylor '13 oral history interview conducted by Kevin Kosanovich in the Media Center on February 22, 2013. Keith grew up in Virginia Beach and is a member of the hip-hop crew, the Mile High Crew. Topics include: authenticity and hip-hop and rap; College Park and Virginia Beach; hip-hop culture in primary and secondary schools; W\u0026M campus hip-hop culture.","Photograph of Keith \"Adam West\" Taylor taken by Kevin Kosanovich on February 22, 2013 in Swem Library's Media Center Studios after conducting an oral history.","2013.131","Jarrod \"J-Rod\" Tanner oral history interview conducted by Kevin Kosanovich on March 11, 2013. Jarrod \"J-Rod\" Tanner is a radio DJ on WNSB, Hot 91.1 FM. Topics include: Bronx vs. Virginia; Lex Luger; Juicy J; Filipino influence on bboys in Virginia Beach; JROD Brand; economics of Virginia hip-hop; college radio stations.","Photo of Jarrod \"Jrod\" Tanner taken by Kevin Kosanovich on March 12, 2013 after Tanner's oral history interview.","Contains two editions of \"Frequency\" magazine and colored photographs. The colored photographs are organized and identified by subject below. Jhunnipuz Elite: 5 photos Spunk Ichiban: 5 photos The Gypcees: 4 photos The Illegal Turntable Immigrants (The Flying Ginzu Brothers): 2 photos NoNaMes: 3 photos DMP: 4 photos Miscellaneous: 11 photos featuring a variety of events, jams, and people. Kleph Dollaz: 2 photos Bboys/Bgirls: 14 photos DJs: 8 photos including DJ Jayone, Disko Dave, DJ Lonnie B, and DMC events in VA Beach. Box 1.","Danny Rodriguez / Dan Tres Omi oral history conducted by Kevin Kosanovich on February 27, 2013. Topics include: Zulu Nation; Virginia Beach; Virginia high school hip-hop culture; Bronx vs. Virginia hip-hop culture; WRAP; Filipino community in Virginia Beach; hip-hop culture in the military; graffiti writing culture in Hampton Roads.","2013.132","Kentral \"Handles\" Savage oral history interview conducted by Kevin Kosanovich on October 25, 2012. Topics include: Eastern Shore Virginia; music videos; New York City vs Virginia; Petersburg, Virginia; Virginia State University; venues; Virginia Producers.","2013.133","Tashawn Jones oral history interview conducted by Kevin Kosanovich on October 23, 2012. Topics include: Record stores; blogs; New Jersey vs. Virginia hip-hop culture; Chesapeake; Norfolk; Old Dominion University; SHHO; Boodah Brothers; Disko Dave; hip-hop venues.","2013.134","Keith \"DJ K-Ski\" Carter oral history interview conducted by Kevin Kosanovich on February 28, 2013. Keith Carter is one of the first Virginia hip-hoppers, beginning in the late 1970s in the Petersburg and Richmond area. Topics include: DJ B-Wiz; Das FX; Virginia State University; Kid Capri; Jazzy Jay; hip-hop culture vs. rap culture; Soulsonic Force; Notorious B.I.G.; Magic City; DJ K-Skeen; Serato.","Digital flyers and images from Keith Carter / DJ K-Ski.","2013.135","Shinobi Kush oral history interview conducted by Kevin Kosanovich on May 1, 2012 at Kiwanis Municipal Park in Williamsburg, VA. Illinois native Shinobi Kush has been a longtime member of the Williamsburg, VA hip-hop community. Topics include: Zulu Nation; defining hip-hop; Williamsburg hip-hop history; record stores; hip-hop and the military.","2013.136","Blair Ebony Smith oral history interview conducted by Kevin Kosanovich on September 30, 2012. Topics include: record stores; importance of vinyl; sampling and hip-hop history; history of Student Hip Hop Organization and W\u0026M; SHHO sponsored events; Richmond hip-hop artists; race and W\u0026M.","2013.137","Malcolm Venable oral history interview conducted by Kevin Kosanovich on January 16, 2013. Malcolm Venable has written about Virginia musical culture for local newspapers and currently works as Brand Planner at the Martin Agency in Richmond, Virginia. Topics include: Petersburg, Virginia; Virginia State University; Teddy Riley; \"Don't Believe the Hype\" video Virginia Beach Greekfest riots; Richmond; Reggae; Virginia Informer; middle-class rap.","2013.138","Desiree Williams oral history interview conducted by Kevin Kosanovich on January 18, 2013. Topics include: Brownsville and Brooklyn; hip-hop culture in the military; Teddy Riley; hip-hop and New York boroughs; women and hip-hop; Bink Dog.","2013.139: William \u0026Mary  SHHO founder Bobak Karsai's written history of the SHHO and the W\u0026M SHHO chapter history.","2013.140","Lamar Shambley oral history interview conducted by Kevin Kosanovich on October 15, 2012. Topics include: Brooklyn vs. Virginia; SHHO history; AMP; Syndicate; SHHO Sponsored events; Virginia Sound.","2013.141","Mike \"Joe Rugby\" Williams oral history interview conducted by Kevin Kosanovich on March 19, 2013. Topics include: airbrushing clothes; BorNaturals; Newport News; Double XL; graffiti; Richmond; Clipse; Shinzu; Word of Mouth; Old Dominion University; Norfolk State University; Zulu Nation; MC battles; Quasimoto; Exclusive magazine; Frequency magazine; Jhunniperz; Tapehustlerz; Bad Newz Connection.","Email from Mike \"Joe Rugby\" Williams listing Virginia hip-hop artists. The list is organized according to city.","Mike \"Joe Rugby\" Williams list of Virginia record labels.","2013.142","Regan Sommer McCoy oral history interview conducted by Kevin Kosanovich on March 20, 2013. Regan Sommer McCoy is founder of the Mixtape Museum and booking and tour manager for the Clipse. Topics include: Hampton University; New York vs. Virginia; mixtapes; Mixtape Museum; gender and music industry; gender and academia; Star Trak; Clipse.","2013.143","Yazmin oral history interview conducted by Kevin Kosanovich on March 20, 2013. Topics include: DJ K-Ski; Brooklyn; graffiti; battling culture in Virginia; Portsmouth; women in hip-hop; neo-soul; reggae; gospel hip-hop.","2013.144","Todd Van Luling '13 oral history interview conducted by Kevin Kosanovich in the Berger Conference room in Special Collections on March 21, 2013. Todd Van Luling was station director of WCWM and Contemporary Culture director of Alma Mater Productions (AMP). Topics include: Herndon, Virginia; Hot 99.5 FM in Northern Virginia; AMP history with hip-hop; WCWM and hip-hop; Kendrick Lamar; Big Boi; house shows; Homebrew.","2013.145","Alex Cousins '14 oral history interview conducted by Kevin Kosanovich on April 11, 2013 at the Grind Coffee House in Williamsburg, Virginia. Alex Cousins is a William \u0026 Mary student and genre director of hip-hop at WCWM, W\u0026M's college radio station. Topics include: WCWM; Buffalo, New York; W\u0026M campus hip-hop culture; Meridian Coffee House.","2013.146","Rachael Faunce oral history conducted over the phone by Kevin Kosanovich on March 21, 2013. Rachael Faunce grew up in Suffolk, Virginia. As head of Rachael Faunce Enterprises, she is a marketing, public relations professional who has worked with various local and national music and entertainment artists. Topics include: 103 FM Jamz Fest; Notorious B.I.G.; Boodah Brothers; Southern Hustling Tour; DJ Stress; 92.1 FM The Beat; Felonius Monk; DJ Karee; Abu Unity Fest; Sic Mic.","2013.147","Charles \"Batman VA\" Brown II oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Barnes \u0026 Noble in Hampton, VA. Charles \"Batman VA\" Brown grew up in a military family in Hampton, Virginia. He runs his own marketing and publicity company, Dark Knight Ent., as well as working with record labels such as Def Jam and Interscope. His career and oral history provides knowledge about \"street teams\" and street team marketing in Virginia. Topics include: street teams; marketing; branding; Def Jam; Mary Mack apartments; Hampton; 103 Jamz; Rob Love; Gerald \"Gee\" Daniels; Keith Barham; Jig; Virginia sound; military culture in Virginia; Travis Porter; Dark Knight Ent.; Verse Simmonds; 2 Chainz.","Photograph of Charles Brown II / Batman VA taken by Kevin Kosanovich on April 11, 2013 in Hampton, Virginia.","Black polyurethane foam hand with middle finger extended. Outline of hand is imprinted in white on foam shape with text \"#IDFWU BIG SEAN\" on front and \"#IDFWU\" on back. 5.5 in. slit in foam on bottom allows it to be worn on the hand. Measures 17.75 in. (length) x 9.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.064.01","Clear plastic (polystyrene) shot glass with black screen printing. Text reads, \"Verse Simmonds / Buy You A Round\" with a line drawing of a pair of glasses. Measures 2 in. (height) x 1.75 in. (top diameter) x 1.125 in. (bottom diameter). In excellent, unused condition. HHC 2015.065.01","Trophy with clear plastic medallion, which rotates atop a black four-sided angled base. Clear plastic round disk features engraved design, which reads \"SMES / BRIDGING THE GAP SINCE 2001 / 2009.\" Base has attached plaque, reading \"Promotor of the Year / DarkKnight Ent Batman.\" Measures 7 in. (height) x 3.5 in. (width) x 3 in. (depth). In good condition. HHC 2015.066.01","two small stickers with the \"DarKnight Ent.\" logo on it.","Tickets, 2007-2012 to a variety of events throughout Virginia:  Summer Jamz 2008 (3 Tickets), Independence Day Jam (1 Ticket), Keyshia Cole (1 Ticket), Wiz Kalifa (1 Ticket), Future (1 ticket)","Mixtape CD in plastic sleeve with insert album artwork and information. The mixtape was hosted by DJ Tekniks, DJ Scream, and DJ Drama. The mixtape contains 19 tracks with featured performances from Yo Gotti, Big Sean, Tyga, and Too Short. Box 7.","One 10x16 poster advertising \"DarKnight Ent.\" Batman VA's company is involved in branding, marketing, music marketing, and promotions.","2013.148","Moe Money Mafia oral history interview conducted by Kevin Kosanovich in Swem Library on May 13, 2013. Moe Money Mafia is a Virginia Beach based rap group. Topics include: Virginia Beach; Lou Delgado Studios; freestyling; Tappenhanock hip-hop history.","2013.149","A'Kishia Edlow oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 7, 2013. A'Kishia Edlow grew up in Brownsville, Brooklyn and Atlanta, and currently lives in Virgnia. Edlow is a longtime promoter and manager with extensive relationships throughout the hip-hop nation. Edlow is Ghostface Killah' s tour manager and Sic Mic's manager under her managment company Dior. Topics include: Brooklyn; Atlanta; \"Skew it on the Bar-B\"; women and hip-hop; Wu-Tang Clan; Ghostface Killah; Sic Mic; 1000 Kings Walk.","2013.150","Alice Yeh '12 oral history interview conducted by Kevin Kosanovich on September 11, 2012 in the Sadler Center. Alice Yeh was the co-captain of the William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. As co-captain she helped create the Origins bboy show. Topics include: SMILES Crew; Northern Virginia; race and hip-hop; gender and hip-hop; breaking; W\u0026M campus hip-hop culture; Syndicate; W\u0026M SHHO; James Madison University; Lionz of Zion; Guerilla Will.","2013.151","Matthew Argao '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 in the Sadler Center. Matthew Argao was co-captain of William \u0026 Mary Bboy Club, SMILES Crew from 2011-2012. Topics include: race and hip-hop; James Madison University; SMILES Crew; William \u0026 Mary campus hip-hop culture; breaking; Virginia.","2013.152","Raghav Veluri '13 oral history interview conducted by Kevin Kosanovich on September 13, 2012 at William \u0026 Mary. Raghav Veluri maintained \"Circles,\" a weekly cypher bringing together all elements of hip-hop culture on campus. Meeting at the Phoenix Seal on Landrum Drive, students interested in hip-hop culture or who practiced hip-hop culture were invited to participate. Topics include: freestyle; beat boxing; breaking; music; race and hip-hop; history of \"Circles\"; internet and hip-hop; William \u0026 Mary campus hip-hop culture.","Photographs of a Circle's cypher session at the Phoenix Seal run by Raghav Veluri on September 10, 2012. Participants include Raghav Veluri, Qi Chen, David Loebman and Aron \"Chowdah\" DeSimone.","2013.153","Aron \"Chowdah\" DeSimone oral history interview conducted by Kevin Kosanovich on September 25, 2012. Topics include: W\u0026M Bboy Club; SMILES Crews; Culpepper, Virginia; punk vs. hip-hop; dance styles; breaking; issues of race and hip-hop participation; Origins I and II; George Mason University and James Madison University bboy events; Lionz of Zion.","2013.154","Qi Chen oral history conducted by Kevin Kosanovich on October 4, 2012. Topics include: Adelaide, Australia; China; bboying in Asia; Elmo; YouTube; Bboy Club and SMILES Crew; Kodachrome.","2013.155","Nolan Chao oral history interview conducted by Kevin Kosanovich on October 6, 2012. Topics include: Old school and classic hip-hop; hip-hop culture on campus; UCAB/AMP; Bboy club history; issues with Syndicate; Tribal Breaks; DJing; DJing vs. breaking; breaking and internet; serrato technology; Lionz of Zion.","2013.156","Alexandra Court oral history interview conducted by Kevin Kosanovich on October 9, 2012. Topics include: Vienna, Virginia; hip-hop in high school; gender issues in hip-hop; W\u0026M and hip-hop; pajama party; Sadler Center; crew vs. club member.","2013.157","Benjamin Yoo oral history interview conducted by Kevin Kosanovich.  Topics include:  Richmond; Los Angeles; Korean participation in breaking; Syndicate; W\u0026M Bboy Club and SMILES Crew history; Asian American perspective on hip-hop culture; Explosion of Soul Crew; Kodachrome; Virginia Commonwealth University.","2013.158","David Loebman oral history interview conducted by Kevin Kosanovich on October 30, 2012. Topics include: Richmond; YouTube; W\u0026M hip-hop culture; graphic art; James Madison University; jump style.","2013.159","Nicole Brown oral history interview conducted by Kevin Kosanovich on October 2, 2012. Topics include: bboy club and hip-hop at W\u0026M; Meridian Coffeehouse; top rocking and floor work; James Madison University and Circles event; Tribal Breaks; gender and bboying; Kodachrome; NOVA.","2013.160","Guerilla Will and Mike Miller oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employee, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","Photo of Mike Miller and Guerilla will taken by Kevin Kosanovich after conducting their oral history interivew on April 11, 2013. Photo was taken in Norfolk, Virginia.","Artifact. Gray cinch bag with black back straps. The front of the bag features a depiction of a white tribal man with a white spear dancing. The dancing man is surrounded by a white circle. \"TAGLISH TEES\" is written in white below the depiction. Beneath \"TAGLISH TEES\" is written \"Culture, Style, Expression\" in white. At the bottom of the front \"WWW. TAGLISHTEES.COM\" is written in white. There is a Taglish Tees information card inside the bag. The bag measures approximately 17.25in. (length) x 13.375in. (width). It is in excellent condition with an approximately 12.5in. crease in the middle of the bag. There is also a crease going down the length of the bag. HHC 2013.160.03","Mike Miller and Guerilla Will oral history interview conducted by Kevin Kosanovich on April 11, 2013 at Olive Garden in Norfolk, Virginia. Guerilla Will is a former president of the Virginia Beach Zulu Nation Chapter, bboy, Taglish Tees employyed, host for numerous hip-hop events and all-around hip-hop dynamo. Mike Miller is co-creator of Taglish Tees, a street wear clothing company steeped in hip-hop and Filipino culture based in Virginia Beach. Topics include: Taglish Tees; Zulu Nation history in Virginia; International Soul Society; record stores; Thai Pan; Jewish Mother; Fuzzy's on Wednesdays.","2013.161","Melvin \"Magoo\" Barcliff oral history interview conducted over the phone by Kevin Kosanovich on April 15, 2013. Growing up in Virginia Beach and Chesapeake, Virginia, with Timbaland, Larry \"Live\" Lyons, Pharrell Williams, Missy Elliott, and Pusha T and No Malice of Clipse, Magoo is a member of Virginia hip-hop royalty. A member of Surrounded By Idiots (SBI) in the early 1990s, Magoo achieved international fame as one half of Timbaland and Magoo in the late 1990s. Among his many projects, Magoo can currently be heard offering music business insight and advice on Hot 91.1 FM. Topics include: origins of \"Magoo\"; \"Rappers Delight\"; WOWI; bboying; Larry Live; Timbaland; Freedom of Speech Posse; K-Quick; Andre Harrell; DeVante Swing; Pharrell Williams; Surrounded By Idiots; Chad Hugo; Virginia Beach; Teddy Riley; Songwriting; Timbaland \u0026 Magoo; Aaliyah; Record Stores; Gangsta Rap.","2013.162","Jimmy Green oral history interview conducted over the phone by Kevin Kosanovich on March 27, 2013. Topics include: Frank Nitti; Virginia Grime Family; military and hip-hop culture; graffiti; Big Shizz; Boycott Radio; 7 cities mentality.","Ike Owens oral history interview conducted by Kevin Kosanovich in the Burger Conference in Swem Library's Special Collections Research Center on April 17, 2013.  Ike Owens is Harlem transplant living in Norfolk.  Owens is responsible for promoting many of the first hip-hop events and concerts in Virginia.  Topics include:  Norfolk; Old Dominion Universtiy; Norfolk State University; Bishop Willis; New York and hip-hop culture; WRAP; Surrounded By Idiots; Gospel and hip-hop connection; Daddy Jack Holmes; Norfolk Soul; MC Spice; Greekfest Riots; McCories Graffiti Shop; Herman Valentine; Regan Henry; DJ Heartattack; Al B Silk; Ice T Thomas; Soul Ranger; Teddy Riley; Rodney Jenkins.","Photograph of legendary VA promoter Ike Owens taken by Kevin Kosanovich on April 17, 2013 in Swem Library's Burger Conference room.","Two copies of an event flyer that reads in part: Another College Boyz Production, The Ultimate After Party Celebrating W\u0026M Homecoming 2013; Doing it after dark @ the Cove. Box 1.","2013.164","Music.  Dragonspit Jones, \"The Ugly Truth LP\"","2013.165","Theo Jamison / Intalek oral history interview conducted by Kevin Kosanovich on June 28, 2013 in the Burger Conference room in Special Collections. Topics include: Los Angeles vs. Virginia; Virginia musical style; creative process; poetry and lyrics; defining hip-hop.","2013.165.1. Digital files contain 15 tracks.","From Bandcamp: \"The July 2010 success of the original 10-track \"Lives And Vibes\" EP from Intalek and Ritchcraft sparked an even deeper release from the duo, giving rise to this newer and stronger 14-track album. Still holding on to the original work, Intalek and Ritchcraft created 4 more tracks for the fans to enjoy.\"","Digital files consist of 2 tracks.","Digital file contains 18 individual tracks.","Two copies of the cd \"L.A. VA Tape\" by Intalek and EOM. The recording was produced by G-Man Mangement, LLC. Box 3.","One copy of the cd \"G.R.O.W.\" by Motive, a member of the hip hop group Aspire to Inspire. Box 7.","Acc. 2014.152. Small flyer for Intalek's LA to VA mixtape. The flyer provides a bandcamp address to download the album. There is a picture of Intalek with a microphone stand across his shoulders, as well. The back of the flyer features the logo and web address of GMan Entertainment Music Group, presumably Intalek's label.","Digital files consist of 7 tracks","CD. \"The Duct to Da Lawns.\" Pre Entertainment, 2005. Box 3.","CD. \"BORNATURALS.\" Box 3.","CD. \"Deeply Rooted 5.\" Nex N' Line, Inc., 2001. Box 3.","CD. \"Pink Cookies.\" B.M.G., 2013. Box 3.","CD. \"We the Best Presents . . . Rum.\" Box 3.","CD. \"DJ Jack of Spade Presents: Trunk Music.\" Box 7.","2013.166: Lisa Lee Counts oral history interview conducted by Kevin Kosanovich in Suffolk, Virginia on June 11, 2013. Lisa Lee Counts, better known as Zulu Queen Lisa Lee is a founding member of the Zulu Nation. In addition to being a founding member of the SoulSonic Force and Cosmic Force, Zulu Queen Lisa Lee was also featured in the seminal hip-hop films \"Beat Street\" and \"Wild Style.\" Zulu Queen Lisa Lee currently resides in Virginia. Topics include: comparing New York hip-hop with Virginia hip-hop; women in hip-hop; contemporary hip-hop.","2013.167","Justin \"JSAR\" Saar oral history interview conducted by Kevin Kosanovich in the Burger Conference Room in Swem Library's Special Collections Research Center on May 31, 2013. JSAR is a Newport News recording artist. Topics include: Newport News; Richmond; DJ Bobby J; hip-hop and technology; Norfolk State University.","Box 3.","Two copies of fliers for a J'sar show at the Iguana in December 2013 and two copies of fliers promoting J'sar to perform at Shaggfest 2014 in Virginia Beach. Box 1.","2013.168","Digital files consist of 22 tracks","Richmond hip-hop collective. 2013.169","Album.","Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","Song: \"Library.\" Mp3 file of the rap song that Jon Houghton (a.k.a. \"J-Diz\") at William \u0026 Mary composed about VCU's Cabell Library late last year. It was a product of Swem's media lab.","2013.171","Digital files consists of 28 tracks.","2013.172","Cascade Records podcast featuring Ohbliv. According to Cascade Records: \" This is the second podcast of the new year, courtesy of our dude Ohbliv from Richmond, Virginia. Everything from smooth jazzy joints to raw soul bangers, this is 30 minutes of pure butter. Oh is a super talented cat.\" (Acc. 2013.172)","Song from the 2011 compilation album, \"Eat More Blunt Guts.\" [ No release/rights.]","\"Body Ride\" is included on Ohbliv's 2011 mixtape, \"EZ Widas.\" [No release/rights.]","Ohbliv's track, \"bahdiyap,\" released on the HW\u0026W Volume 1 mixtape.","Klipmode's Klipkasts features guest artists and their mixes. Ohbliv composed the third edition of this series.","Album. Ohbliv released, \"New Black Renaissance (Side B),\" on February 20, 2012. \"Side B\" was the follow-up to his album \"New Black Renaissance (Side A)\" released in October 2011.","Ohbliv's album, \"Ohblique\" was released digitally on Bandcamp.com on September 13, 2011.","Ohbliv released the digital album, \"Hydrosub\" on December 15, 2010.","Album.  Ohbliv released \"Rugged Tranquility\" in 2009.  \"Rugged Tranquility\" represents Ohbliv's first full-lenght beat tape released digitally.","\"Soulphonic\" is an Ohbliv composition commissioned by SHHO.  According to SHHO, \"If you ever wanted to know what Richmond sounded like sonically, this is it. Sit back and enjoy.\" 2013.172.11","This album is a collaboration between Sir Froderick and Ohbliv (\"Sir-Bliv).  Sir-Bliv: \"Wholly Rollers LP.\" . Released 2013. 2013.172.12","Play Cloths is a progressive streetwear brand with a focus on the creation of high quaility garments adaptable to any lifestyle. 2013.173","Play Cloths released this mixtape for the holiday 2011 season.","Terrence Thornton, better known by his stage name Pusha T (short for Pusha Ton), is an American hip hop recording artist and one half of hip hop duo Clipse, along with his brother and fellow rapper Gene \"No Malice\" Thornton. He is also the co-founder and co-chief executive officer (CEO) of Re-Up Records. 2013.174","Fear of God II: Let Us Pray is the major record label debut and extended play by American hip hop recording artist Pusha T, released on November 8, 2011, under G.O.O.D. Music. The EP serves as his first project with Kanye West's GOOD Music label.","2013.175","The Rubber Peeple released their mixtape, \"Tighten Up Mixtape ft. DJ S-Dot\" on October 19, 2012.","2013.176","Flyer for The Nutcracker performed at the historic Attucks Theatre in Norfolk on December 7-8, 2012.","Flyer for Da Block morning radio show on 103 Jams. Da Block features Anguz Black and DJ Bee.","Final flyer for the Origings II event held November 17, 2012 in the Sadler Center. Bboy crews performing: MF Kidz, Crewcial, VCU Poppers, Akademix, Blank Canvas, SMILES Crew, Urban Individuals, Bamboom, Havikoro.","Flyer for California rapper Lil B's, aka Based God, three Virginia concerts. He performed March 25-27 in Springfield, Virginia Beach, and Richmond, respectively. Amped\u0026Alive and N.I.C.E. Entertainment promoted Lil B's concerts.","Flyer for Action Bronson's June 19, 2013 concert at the Kingdom in Richmond. VA. Opening acts included 360 Boyz, Teleport Team and THALSD. Kingdom \u0026 Kulture were the concert promoters. 2013.176.11","One 11x17 poster promoting Ludacris' album, \"Ludaversal.\"","One 12x18 poster for Soulstice Reb'l, \"Reb'lution\" album release party at The Norva, 11.15.14.","One 8.5\" X 11\" flyer with Kons the Child in the top right corner and Charles Diamond in the lower left corner. The flyer also contains time and location of the festival. The festival took place Saturday, April 18, 2015 at the Meridian Coffeehouse at the College of William \u0026 Mary.","Artifact. Black t-shirt featuring a movie poster-type picture on the front. The background has a red and orange stereo speaker. The foreground has a ghostly figure with a green mask and green hands and long fingernails. The ghostly figure is holding a woman wearing a white tank-top with long brown hair. The woman looks as if she is dying. \"GHOSTFACE KILLAH\" is written in white screen print at the top of the movie poster-type picture. Below the \"H\" in \"KILLAH\" \"IN\" is written in orange screen print. At the bottom of the poster \"TWELVE REASONS TO DIE\" is written in black with white outline and orange shadow. The shirt is a size large and is in good condition with a 0.25in. unraveled seam in the back at the bottom. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.01","Artifact. Black t-shirt with a featuring a white \"X\" in white rugged-type font on the front. Next to the \"X\" is an \"O\" also in white rugged type font. In between the \"X\" and the \"O\" there is a white heart. The shirt is a size large. It is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.02","Artifact. Black t-shirt featuring a blue comic bubble on the front. \"WORDS BEATS \u0026 LIFE\" are written in yellow hip hop graffiti font inside the blue comic bubble. There is a red bleeding shadow behind \"Words Beats \u0026 Life\" and a star as the dot of the \"I\" in \"LIFE.\" On the reverse of the shirt at the top \"WORDS BEATS \u0026 LIFE INC.\" is written in white screen print. Below that is written \"Teaching·Convening·Presenting\" in white. Beneath that is written \"Hip-Hop\" in white. The shirt is a size large and is good condition with an approximately 0.75in. crease on the \"S\" in \"WORDS\" on the front. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.03","Artifact. White t-shirt featuring a gray city skyline and subway. There are also four men wearing hip-hop style clothes. They are green at the top and gray at the bottom. \"35th\" is written in white and yellow-green hip hop graffiti at the top of the city skyline. \"Anniversary\" is written below the \"35th\" in white script. Underneath that is written \"ROCK STEADY CREW\" in white, yellow and green hip hop graffiti. The reverse of the shirt has \"35th\" written in black hip hop graffiti, \"Anniversary\" in black script, and \"ROCK STEADY CREW\" written in black hip hop graffiti. There are logos of sponsors for the event below the writing. The shirt is a size large. It is in good condition with a 0.5in. white spot with brown specks below the foot of one of the men on the front. There is also a 1.5in. green stain at the bottom of the picture on the front, a 0.25in. green stain at the bottom front seam on the wearer's right and far left, and a 2in. green stain at the bottom of the shirt on the wearer's left. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.04","Artifact. Blue t-shirt. \"Break Free\" is written in black with white outline in baseball script on the front. Under \"Break Free\" is written \"11\" in black with white outline in baseball number font. HaviKoro, a b-boy crew from Houston, Texas, performed at ORIGINS: SCW II, held November 17-18, 2012 at W\u0026M's Sadler Center and Campus Center. The shirt is a size XL and is in good condition. Gift of Kevin Kosanovich, American Studies Ph.D. Candidate. HHC 2013.261.05","One CD in slip case with the With Good Reason logo and program information printed on the CD. Guests for the \"Hip Hop, You Don't Stop,\" program included Kevin Kosanovich from the College of William \u0026 Mary, Nikki Giovanni from Virginia Tech University, Jim Borling from Radford University, and John Adam from Old Dominion University. Box 7.","Four tickets to the June 7, 2014 Z104 Shaggfest Concert held at the Farm Bureau Live at Virginia Beach outdoor concert venue. Shaggfest is annual concert festival organized by Brandon Stokes, aka Shaggy, a radio DJ at Z104. Virginia Breach's own Pharrell Williams headlined the festival.","One sticker from the Cornell Hip Hop Collection. The sticker features a picture of Afrika Bambaataa taken by the hip hop photographer Ernie Paniccioli, the \"mixtape\" Cornell Hip Hop Collection logo, and the url Preservinghiphop.org running along the bottom of the sticker.","1-gray 100% acrylic sweatshirt that features a head shot of the Notorious B.IG. wearing sunglasses in black on the front. The sweater is a size large and is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.189","1-navy blue sweatshirt that features a depiction of a red panda with blue and white fur above two white row boat oars that are crossed. \"EST.\" is printed in white on the wearers right of the crossed oars and \"MMX\" is printed in white on the wearer's left of the crossed oars. at the bottom of the sweatshirt, right above the pocket, \"CREW\" is printed in white. The sweatshirt was made by Mannie Willis-Distinct Nature Clothing. It is made of 50% cotton and 50% preshrunk polyester and is a size large. It is in good condition. There is lint all over the sweatshirt. Gift of Kevin Kosanovich. HHC 2014.190","Acc. 2013.074 includes posters and fliers for the William \u0026 Mary Hip Hop Collection Launch Party on April 19, 2013; remarks given by Amy Schindler, University Archivist, at the launch party, and an article from the Daily Press with coverage of the collection and announcement for the launch party.","\"Virginia Beats: The College of William \u0026 Mary's new Hip-Hop Collection,\" by Dan Harrison in the June 2013 issue of \"Virginia Living Magazine\"; discusses the genesis of the William \u0026 Mary Hip Hop Collection. The article is found on page 37. Box 4.","CDs of artists such as Rum, Next N' Line, Thug Relation, and Treie that were collected during the launch of the William \u0026 Mary Hip Hop Collection on April 19, 2013 at Swem Library.","Contains posters used at the 2nd Annual William \u0026 Mary Hip Hop Collection Celebration that took place on 2014 April 3 at Swem Library.","This interview is not yet available online.","Made in Italy: Let's Dance Medley with the tracks: \"You are a Dancer,\" \"Happy Children,\" \"Dolce Vita,\" \"Kalimba de Luna,\" \"Comanchero,\" \"Tarzan Boy,\" Masterpiece,\" \"Vamos A la Playa,\" \"The Night,\" \"Disco Band,\" \"Self Control,\" \"Bad Boy,\" and \"Easy Lady,\" \"Let's Dance.\" Side A includes all tracks; Side B Includes the dance version of all tracks. A red circle feature on the album's cover reads \"Featuring Rap Version by Tony \"B\" - G.Q. \"Jay\".\" LP is stamped \"Promotional Copy Not For Sale.\" Milan, Italy. 33 1/3. Box 4.","Tony B. and the Electric Warriors. Side A: \"So Hot\"; Side B: \"Brickhouse\". Disco Mix. Modern Music Productions. Italy. LP is the size of a standard 33 1/3 rpm record, but is actually pressed as a 45. Box 4.","Includes single edit, instrumental, radio mix and acapella versions of sides A and B. SoVa Records was based in Virginia Beach, Virginia. Box 4.","XYZ (Xiang-Yu Zhong) in some places.","One copy of the CD \"Jinwen\" (roughly translates as \"Censored News\") by XYZ (Zhong Xiangyu). Tracklist: 1) Intro; 2) Still Martial Law; 3) Soulless; 4) ABC; 5) Kau-ka-T; 6) Manifest Plainness, Embrace Simplicity. Box 7.","CD. \"The Earth Is Sour.\" Box 3.","CD. \"Finally.\" Box 3.","CD. \"Level II.\" Box 3.","CD. \"Seed Is.\" Members include Nikki Kilgore, Buttafly, Biggs, Mike Peace, Tom Smith, Big Daddy Rich, Jeris Quinn, J.P. Lilliston, and Dawg. Box 7.","CD. Recording of live performance that occurred on September 15, 2001 at the Umoja Festival. \"Seed Is...\" Box 3.","CD. \"What-Chu Heard? The Real 'Remix'.\" Box 7.","CD. \"A Conversation with my Son.\" Box 3.","CD. \"A Kids Life.\" Box 3.","Audio cassette tape. \"Never Too Young.\"","CD. \"The Mixtape.\" Box 7.","CD. \"Home Grown.\" Box 3.","CD. \"Promotional CD.\" Box 3.","CD. \"Love and War Sampler.\" Box 7.","CD. \"Love and War.\" Box 7.","CD. \"Advance CD-Promo.\" Box 3.","CD. \"Day Ina Life.\" Box 3.","One poster advertising the Fresh Radio sponsored DJ Bee \u0026 Kool DJ Red Alert event celebrating the 40th anniversary of hip hop culture, by \"edutaining you through the years of hip hop.\" The event was held at the Jewish Mother in Norfolk, VA on August, 30, 2013.","Two name tags with the William \u0026 Mary Hip Hop Collection logo. The name tags were signed in August 2013 during a campus visit to American Studies and Swem Library. One name tag has DJ Bee's signature and \"Fresh Radio.\" Kool DJ Red Alert signed the other name tag and included \"Respect !!!\"","Poster for Vince Loyal's single, \"Don't Be Scared.\"","Two business cards for Alan Jones, aka DJ Alboog, professional DJ.","CD single with artwork for Virginia Grind Family (VGF) member Vince Loyal's \"Don't Be Scared,\" featuring Misaya and produced by Beat King. The CD and artwork was manufactured by Coastal Media.","Virginia Grind Family (VGF) member Voe Black's single, \"Guapo,\" produced by Yello Banks.  The CD and included artwork was manufactured by Coastal Media.","Signed poster for Virginia Grind Family member Voe Black's single, \"Guapo\"","Six issues of Elemental Renaissance (ER) magazine. ER was published by Grover C. Winfield III, out of his Norfolk, VA apartment. ER began as a newsletter circulating at Old Dominion University on September 25, 1999. The purpose of ER was to introduce readers to hip-hop's \"4 elements\": the break dancer, the graffiti artist, the DJ, and the MC. In addition to Grover Winfield, Danny Rodriquez (Dan Tres Omi), another collection member, also wrote for the magazine. Issues donated: October 2000, Volume 1, Issue 1 February 2001, Volume 2, Issue 1 June 2001, Volume 2, Issue 2 January 2002, Volume 2, Issue 3 November 2002, Volume 2, Issue 4 June 2003, Volume 3, Issue 1","Jay Quan's \"Urban Legend\" CD was released in 2003 by JAH Music. The album includes 11 songs, including the singles, \"Five Mics\" featuring Grandmaster Caz \u0026 Grandmaster Mele Mel, and \"Get Down.\"","Jay Quan, \"5 Mics\" featuring Grandmaster Caz and Grandmaster Mele Mel, 12\" vinyl single.  Produced by Dr. No, Side A features 3 tracks: the vocal cut, the radio edit, and the instrumentals.  Side B features remixes of the three cuts on Side A.  The 12\" LP was released by JAH Music in 2003.","Jay Quan's comic advertising his single, \"5 Mics,\" was autographed at the top with the note, \"To: W\u0026M.\" The 6 panel comic situates Jay Quan's single within a history of hip-hop culture descended directly from legendary MCs Grandmaster Caz, Grandmaster Mele Mel, and Kool Moe Dee. A duplicate, non-autographed copy is also included.","One autographed press photograph of \"The First Sons Original Recordings.\"  The photograph is undated, but was most likely created in the 1990s.","One DVD case for Sho Flacco's No Plan B: Mixtape and Movie. Included in the case is a CD for the mixtape and a DVD containing the movie. No Plan B was created and distributed in associate with Inner Circle Entertainment.","One CD and artwork for Mz Meka's album, \"Queen, I Am.\" Included in the slip case is a business card for Mz. Meka and her Soul Rebel Nation.","Two copies of CD in sleeve with artwork for Evan Barlow's album, \"Trials to Triumph.\" Artwork includes information concerning the albums songs, production information, and management contacts. Box 7.","One DVD in jewel case with insert artwork. The artwork has pictures of hip hop cultural figures including Jim Jones, Pusha T, Chyanne Jacobs, and DJ Baby Drew, among others. The title of the DVD is, \"Phenom DVD: Independence Day.\"","One CD in jewel case with insert artwork for Prano the Youngin's album, \"Break the Mold.\" Involved in producing this record were Lab Ratz, The Dirtyworkas, Cash Rules Conglomerates, and Upper Room Studio. Additonally, Cymandye Lady-C created the album artwork.","One CD in cardboard case of Egami Reh's \"Egami Reh's Story Time.\" Cover art features a cartoon rendering of Egami Reh traveling through space surrounded by a variety of images including a bboy, a beetle holding a crystal, a book, and several mytiscal shapes and renderings.","One flyer and one small gatefold flyer for Studio X, Xclusive Media. Studio X offers digital printings, video, photography, and music services. Studio X is located in Virginia Beach.","One paper flyer advertising the The Buffalo Boyz MC's The Great Pretenders event held May 18, 2013.  The Great Pretenders are performers who assume the personas of famous R\u0026B, Soul, and Funk musicians including Aretha Franklin, Teddy Pendergast, Prince, Al Green, Whitney Houston, and Millie Jackson, among others.  The Buffalo Boyz Motorcycle Club are a Williamsburg-based African American motorcycle club with roots stretching back to the 1970s.","One CD in jewel case with insert artwork of Hudson \u0026 Guam's \"Visions.\"","Four tickets from Mic Hog Competions: two from June 2, 2014 and two from July 5, 2014.","Two paper flyers advertising the \"William \u0026 Mary Hip Hop Collection: Mic Hog Competion\" held June 2, 2014 at the Cove Tavern in Williamsburg, Virginia.  Featured artists included A.P.E., Labratz, Maino, Stunna Steam, Tay Activist, Versa Kyle, and Plug Set Records.","Two newpaper articles featuring Hudson \u0026 Guam. One article, \"Guam Duo Hip-Hopping to Stardom\" was published Sunday, July 20, 2014 in the Marianas Variety--Guam Edition newspaper. The second article, \"Hudson and Guam Going Big,\" was published Friday, July 25, 2014 in the Pacific Daily News.","2-brass medals that feature a laurel leaf around the edge. \"William and Mary Hip Hop Collection\" is printed in black block letters at the top in an arc. \"Mic Hog Competition Champion\" is printed in black block letters in an arch at the bottom in an arch. In the middle of the medals is a depiction of a hog holding a mic in its mouth. The logo for the William and Mary Hip Hop Collection to the right of the depiction. Beneath the depiction but above \"Mic Hog Competition Champion,\" \"Hudson and Guam\" is printed in black block letters. The back of the medals has \"William and Mary Mic Hog Champion\" engraved in black on a oval background. \"China\" is engraved in raised letters on the bottom of the back of the medals. The medals are attached to black lanyards by a golden colored hook. The medals measure approximately 2.5in. in diameter and the lanyards (including the hook) measure approximately 16in. The medals are in good condition. Both medals have light scratches all over them and medal \"b\" has a small copper colored spot on the back at the top right side of the oval platform. HHC 2014.164.05ab","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.06","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Doug \"DJ Teddy Bear\" Perry of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. The plastic is peeling off on the top left corner and the bottom right and left corners. There is also a white stain on the plastic above the \"o\" of \"of\" in \"On this day of Jusne 2, 2014.\" HHC 2014.164.07","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/DJ Strez of Hot 91FM/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots all over the plastic covering the mounted piece. HHC 2014.164.08","1-wooden plaque that has a black metal mount with a silver outline. At the top of the mounted piece there is a depiction of a hog holding a mic in his mouth outlined in silver. To the right of the depiction the logo for the William and Mary Hip Hop Collection is displayed. At the bottom of the mounted piece \"William and Mary Hip-Hop Collection/ Mic Hog Competition Champion/ Presented by Hudson and Guam/ Honorary Judges/ Cymandye aka Lady-C of hiphopsince1987.com/ on this day of June 2, 2014.\" is engraved in silver. The plaque has a plastic protective cover over the mounted piece. There are two 2.875in. holes on the back of the plaque, one positioned horizontally on the top and the other positioned vertically on the left side, by which the plaque can be hung. The plaque measures approximately 5in. (width) x 7in. (length) and is in good condition. There are air bubble spots and columns all over the plastic covering the mounted piece. HHC 2014.164.09","One CD-R in paper packaging with a binder clip. On the pack of the packaging, the track list information is written. Box 7.","The Source Magazine #259.  On page 83 of the magazine, HipHopSince1987.com is listed as #30 on the Digital Power 30 list.  Quinelle Holder and Cymandye Russell signed the magazine.","1-white t-shirt that has \"HIPHOP87/HIP HOP SINCE 1987.COM\" printed in white on the front in graffiti-style block letters. There is a black background behind the white letters. The t-shirt was received by Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% preshrunk cotton and is a size extra-large. It is in excellent condition. Gift of Quinelle Holder. HHC 2014.186","1-black t-shirt that features an abstract design resembling a cow's head in silver with a white outline. Above the design \"MUSTAFA\" is printed in black with a white and silver outline. Below the design \"MALIK\" is printed in black with white and silver outline. Below \"MALIK\" \"DESIGNS™\" is printed in white. \"CLOTHING THAT DUZ DA BODY GOOD™\" is printed in white below \"DESIGNS™.\" This shirt is a 25th Anniversary MMD (Mustafa Malik Designs) Retro T-shirt design. It was received by Swem Special Collections staff during the 2nd Annual Hip Hop Collection Celebration at the College of William and Mary on April 3, 2014. The t-shirt is made of 100% cotton and is a size large. It is in excellent condition. Gift of Mustafa Malik Shabazz. HHC 2014.187","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.","The Journal of the Moorish Paradigm, Book 8, by Hakim Bey. The booklet is signed by Afrika Bambaataa, founder of the Universal Zulu Nation, the most important cultural institution in hip-hop. Book 8 focuses on \"Divine Law Governs All Events.\" The booklet is comprised of stapled, printed sheets of paper. The booklet is approximately 48 pages long.","The DVD is an interview conducted and produced for the Bronx Museum with Afrika Bambaataa. The interview focuses on the origins of hip-hop culture and the Zulu Nation in the Bronx during the 1970s.","Stretch Dolla, \"The Wrong Time to Hate,\" CD.  The CD is contained in a plastic sleeve with a slip-in art card.  The CD has 15 songs.","2 copies of Versa Kyle's CD, \"No Struggle, No Progress.\" The CDs are held in two slip cases with art cards. There are 20 tracks on the album.","One CD by Soul Sun, titled \"Limitless.\" The CD is held in a cardboard case. There are 18 songs on the album. Box 7.","Black cotton t-shirt with red and white screen printing. Text on the front reads \"DRUGZ\" in red with handwritten letters and underlined. Illustration in white of a gas mask with \"TAKEOVER\" in black at the top. Shirt size is 2XL, and measures 32 in. (length) x 38.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.016.01","Founded in November 2008 by Prince Hakeem, Famous Radio has become an important force in Virginia online radio.  Featuring regional and national news, interviews, and music, Prince Hakeem and the Famous Radio family continue to support Virginia's dynamic hip-hop culture.  After Famous Radio moved into a larger studio in 2014, they donated these doors to the hip hop collection.  The studio doors provide an important, and unconventional, record of the many musical artists that call Virginia home. Two doors and four pieces of door frames containing the tags of the artists and hip-hop cultural makers that visited Famous Radio.","One letter from Brian Owens aka Liquid addressed to Kevin Kosanovich written in pen on a sheet of 8X11 spiral notebook paper.  The letter serves as Brian's introduction to Kevin Kosanovich about his various projects and involvement in Virginia's hip-hop scene.","Two copies of Liquid's mixtape, \"Feel Free.\" Each copy contains a CD in plastic sleeve with an insert cover art. The mixtape has 10 songs. Box 7.","One CD in plastic case. Insert cover art features picture of The Special Guests performing. The album contains seven songs. The Special Guests is Brian Owens' hip-hop, blues, funk band featuring a live DJ and horn section.","One CD case containing the album, \"Weep No More.\" Included is an insert cover-art with a picture of a statue weeping. There are sixteen songs on the album.","Three art prints by Brennan Krick: two 10' x 15' prints, and one 8' x 10' print. The 8' x 10' print has a cat holding a cup with Chinese characters on it, standing next to a machine gun. One of the larger prints is of a cyborg woman with curly red hair. The other large print features a samurai riding on the back of a Chinese-inspired rendering of a dragon.","Black cotton t-shirt with white screen printing. Logo on front features a spirit holding a microphone. Text on back reads, \"GHOS MERCK\" with the logo in between. Shirt size is M, and measures 29 in. (length) x 31.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.061.01","One CD in plastic slip case, titled \"Dirstorted Noize.\" The CD has 20 tracks. Box 7.","One 8' x 11' GhosMerck Promotional Photo.","Red and white plastic cup resembling a disposable red Solo® cup. Sticker applied to the side of cup reads \"Red Cup Gang.\" According to the group's promotional website, \"The 'Red Cup' symbolizes the focus on the positive things in life. 'Gang' symbolizes the bond between people.\" Measures 5 in. (height) x 4.125 in. (top diameter) x 2.5 in. (bottom diameter). In excellent, unused condition. HHC 2015.058.01","One informational flyer for the Society of Hip Hop \u0026 Education organization.","Orange drawstring backpack with white screen printing. Bag is made of an orange non-woven polypropylene with black drawstrings. Text reads \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM.\" Bag measures 16 in. (length) x 15 in. (width). In excellent, unused condition. HHC 2015.089.01","Included in this folder are three items.  One double-sided informational card advertises BM\u0026E Presents television show on one side, and BM\u0026E managed artist, Golden Boy, on the flip side.  One promotional card promoting \"Red Cup Gang,\" and Young Rell.  Finally, the promotional items also include an upper-case 'C' sticker above five stars.","White cotton pocket t-shirt with blue, yellow, red, and black screen printing. Text on the front reads, \"BATTLE MUSIC \u0026 ENTERTAINMENT\" with an illustration of tanks with speakers attached. Text in black on back reads, \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Shirt size is 2X-Large, and measures 33.75 in. (length) x 42 in. (width). In good condition with .75 in. blue paint smudge on right sleeve and 4.5 in. light brown line near tag. HHC 2015.092.01","Blue transparent plastic water bottle with screw on sport-top lid. Water bottle is made of polyethylene terephthalate with molded, textured indents for fingers on sides. \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT WWW.BME757.COM\" is screen printed in white on sides. Measures 8.75 in. (height) x 2.75 in. (diameter). In excellent, unused condition with no visible defects. HHC 2015.095.01","Navy blue cotton t-shirt with white screen printing. Text on the front reads, \"Lights On ME\" with outline images of two spotlights, with two logos below,  \"96.7 the BLOCK non-stop hip hop\" and \"BM\u0026e BATTLE MUSIC \u0026 ENTERTAINMENT.\" Text on back reads, \"WWW.BME757.COM.\" Shirt size is 3X-Large, and measures 34 in. (length) x 43.5 in. (width). In excellent, unused condition with no visible defects. HHC 2015.093.01","Two copies of Beachie Ball's CD single, \"Aye Aight,\" produced and distributed by Battle Music \u0026 Entertainment (BM\u0026E). The CD single is shrinkwrapped in a cardboard case. The cover features a photo of Beachie Ball superimposed over photos of signs locating Beachie Ball's hometown of Portsmouth, VA. The back cover lists the songs five versions of \"Aye Aight\": a \"dirty\" version, a \"clean\" version, the instrumental track, an a capella version, and a \"clean\" a capella track. Box 7.","CD EP, \"The Reveal\" by Kahlil Cade. The CD is in a plastic slip cover with inserted artwork and a business card for Slim Beats Music (SBM). The CD has four tracks. Box 7.","One plastic CD case with insert artwork. The promotional EP contains six tracks. Box 7.","One CD in plastic case with insert artwork and CD-R of the album. \"Toilet Wine\" contains 21 tracks. The CD was released by Gritty City Records in 2013. Box 7.","One CD in plastic jewel case still shrinkwrapped. The album contains 20 tracks. \"The Resume\" was released by Gritty City Records in 2011. Box 7.","This compilation album was released in February 2014. The album features a variety of Gritty City Records' artists including Johnny Ciggs, Pandemic, Fan Ran, Skweeky Watahfawls, and Teddy da Bear. The album also features production from Roanoke, VA hip-hop legend, Poe Mack. The CD is packaged in a plastic jewel case with insert artwork and a CD-R. Box 7.","Black Liquid's \"Best Of\" CD features 10 tracks that spans his 16 album recording career. The CD is housed in a paper sleeve. Box 7.","BTS's \"Edition\" is a two song EP, featuring the songs \"Let's Go\" and \"BTS Song.\" The CD is housed in a plastic jewel case with front and back insert artwork. The CD-R is signed by Pernell Nelson, aka Porno P, and Justin Galleto, aka J. Gibbs. Box 7.","Two informational booklets in bound plastic folders.  Each booklet is approximately 10 pages long and provides the history, rationale, and methodology informing the P.O.P. program.","One sealed DVD case for the film, Troop 491: The Adventures of the Muddy Lions. This movie was written and directed by Richmond, VA filmmaker, Praheme. Box 7. Description of the film: \"Troop 491 follows Tristan, an adolescent boy coping wth live in the inner city. Tristan's mother enroll him in he Boy Scouts in an effort to keep him off the streets. When Tristan witnesses a murder, the local thug demands his silence. Tristan learns, with the help of his new friends in the Boy Scouts, that doing the right thing is not always easy.\""],"separatedmaterial_html_tesm":["\u003cp\u003eWhenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:46:21.034Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_842"}},{"id":"vihart_repositories_4_resources_683_c01","type":"Series","attributes":{"title":"William Ney - Beth El Congregation, 1880/2012, bulk 1923/1989","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_683_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_683_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_683_c01","ref_ssm":["vihart_repositories_4_resources_683_c01"],"id":"vihart_repositories_4_resources_683_c01","ead_ssi":"vihart_repositories_4_resources_683","_root_":"vihart_repositories_4_resources_683","_nest_parent_":"vihart_repositories_4_resources_683","parent_ssi":"vihart_repositories_4_resources_683","parent_ssim":["History Harvest collection of digitized images of religious materials, 1880/2012"],"parent_ids_ssim":["vihart_repositories_4_resources_683"],"title_filing_ssi":"William Ney - Beth El Congregation","title_ssm":["William Ney - Beth El Congregation"],"title_tesim":["William Ney - Beth El Congregation"],"normalized_title_ssm":["William Ney - Beth El Congregation, 1880/2012, bulk 1923/1989"],"text":["William Ney - Beth El Congregation, 1880/2012, bulk 1923/1989","History Harvest collection of digitized images of religious materials, 1880/2012","This series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives."],"parent_unittitles_ssm":["History Harvest collection of digitized images of religious materials, 1880/2012"],"parent_unittitles_tesim":["History Harvest collection of digitized images of religious materials, 1880/2012"],"normalized_date_ssm":["1880/2012, bulk 1923/1989"],"unitdate_inclusive_ssm":["1880-2012"],"unitdate_bulk_ssim":["1923-1989"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["James Madison University"],"collection_ssim":["History Harvest collection of digitized images of religious materials, 1880/2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_html_tesm":["\u003cp\u003eThis series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives."],"_nest_path_":"/components#0","timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_683","ead_ssi":"vihart_repositories_4_resources_683","_root_":"vihart_repositories_4_resources_683","_nest_parent_":"vihart_repositories_4_resources_683","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_683.xml","title_ssm":["History Harvest collection of digitized images of religious materials"],"title_tesim":["History Harvest collection of digitized images of religious materials"],"unitdate_ssm":["1880-2012"],"unitdate_inclusive_ssm":["1880-2012"],"normalized_date_ssm":["1880/2012"],"normalized_title_ssm":["History Harvest collection of digitized images of religious materials, 1880/2012"],"text":["History Harvest collection of digitized images of religious materials, 1880/2012","SC 0208","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","The collection is available online through JMU's Madison Digital Image Database (MDID). High-quality TIFF versions of many of these images are available in Special Collections. There is no physical access to the original materials.","Collection is arranged into the following seven series according to History Harvest participant donor name and the subject of each donor's material contribution:","William Ney - Beth El Congregation\n      Martha Dofflemyer - Elkton Presbyterian Church\n      Kenneth J. Weaver - Virginia Mennonites\n      Jane Desper - White Hill Church of the Brethren\n      Esther Yoder Stenson - Amish Church\n      James Good – Mennonites\n      Harold E. Huber","Digital images within this collection were produced as part of a 2012 \"History Harvest\" event. Students within the spring 2012 course, \"Introduction to U.S. Religious History,\" taught by history professor, Dr. Andrew Witmer, planned and conducted a \"History Harvest\" as part of their course requirements. The purpose of the event was to gather and digitize items of religious significance from across the Shenandoah Valley. Community members were invited to East Campus Library (now Rose Library) from 10am to 2pm on Saturday, April 14, 2012 to share their items. The following excerpt from Dr. Witmer's syllabus describes the event: \"Within the new field of digital history, historians have pioneered an innovative approach to collecting and studying the past. This class will adapt a model recently developed at the University of Nebraska-Lincoln and work with JMU Special Collections to organize and host our own History Harvest. This event invites community members to share their records related to the religious history of Virginia and the Shenandoah Valley for digital preservation and study by our class and future scholars. In regular consultation with the professor and Special Collections Librarian, students will use their skills and creativity to plan the History Harvest.\"","All original materials were retained by the donors.","Under the direction of Dr. Andrew Witmer, students in the spring 2012 course, Introduction to U.S. Religious History, in partnership with Special Collections, worked to compile a digital collection of local religious artifacts. The class hosted a \"History Harvest\" in which local community members brought in items of religious significance to be digitized.","Digital images in this collection were created by students who digitized materials during the April 14, 2012 History Harvest event, or digitization took place throughout 2012 for the items that were loaned to Special Collections after the History Harvest for scanning. Content in the collection includes digital images of a variety of religous artifacts, including historic pamphlets and photographs from various churches in the Shenandoah Valley of Virginia.","Donors were interviewed on site by students for background information about their items, which is reflected in the item descriptions in the collection inventory.","This series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives.","contains information about Elkton Presbyterian Church.","--Photographs","Church (inside and outside)","Pastors","Advent wreath","Church Directory (Undated)","Church publications","\"Celebrating 100 years of God's Love and Faithfulness: Elkton Presbyterian Church 1899-1999\" (1999)","\"Chrismons – An Explanation of the Symbols on the Chrismon Tree at Elkton Presbyterian Church, Elkton, Virginia\" (December, 2001)","Letters","Weekly Bulletin 2012","Brochures","Scans of newspaper articles","In Search of Faithfulness by Glendon L. Blosser","People of Peace by Gloria Y. Diener","Introduction to Virginia Mennonite Conference (VMC)","Letter from VMC Officer","Brochure identifying VMC current stance as a service organization","VA Mennonite Missions – 1919-1969, \"Holding Forth the Word of Life\"","Enlarging the Borders, 150 Years of Expansion by E. Richard Good (published 1985)","Conference minutes - Copies of the first recorded minutes from 1835, containing both the original German and a translation","Shenandoah Mennonite Historians' newsletters","Winter 2012, with lists of all Mennonite groups in VA","Spring 2012, a sample of the type of historical reporting by this group","Brochures for Breneman Turner-Mill, owned by Valley Brethren-Mennonite Heritage Center","Congregational Histories","1936-1986 Harrisonburg Mennonite Church, \"Glimpses of our Past\" 50th anniversary celebration, November 15 and 16, 1986","75th anniversary/75 year history of Harrisonburg Mennonite Church","Samples of brochures about VMC 2012 activities","March 2012 of \"Connections\", VMC Newsletter","Announcement for VMC's 2012 Annual Assembly","Photocopied documents (1901-2001) concerning White Hill Church, detailing the church's original establishment, lists previous pastors with photographs, and also lists of donors and amount donated.","Images taken of clothes: black cap, white organdy cap and apron, white cap, black bonnet, beach bonnet cap","German prayer book","Reprint of Mennonite Historical Bulletin article","Military Induction of Christian Good","Christian Good Virginia Militia Muster Roll","Photograph of White House, south of Luray, VA","The following published monographs were donated to Special Collections and have been cataloged as part of Special Collections' rare book holdings.\nDonated by Elwood Yoder:\n\nYoder, Elwood E. We're Marching to Zion: A History of Zion Mennonite Church, Broadway, Virginia, 1885-2010. Harrisonburg, Virginia: printed by Custom Printing, 2010.\nYoder, Elwood E. The Bishop's Letters: The Writings, Life, and Times of Virginia Mennonite Bishop Martin Burkholder, 1817-1860. Harrisonburg, Virginia: Shenandoah Valley Mennonite Historians, 2011.\n\nDonated by Frances Scruby:\n\nEmmanuel Church. One Hundred Years Serving Our Lord: Emmanuel Episcopal Church Greenwood, Albemarle County, Virginia. Preface by Langhorne Gibson Jr., 1960.\nScruby, Frances. Neve: Virginia's Thousandfold Man. Charlottesville, Virginia: Pietas Publications, 2010.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Collection consists of digitized images of religious artifacts and printed materials lent for scanning by members of the local community during a spring 2012 \"History Harvest\" led by JMU history professor Dr. Andrew Witmer and the students of \"Introduction to Religious History.\"","James Madison University Libraries Special Collections","Witmer, Andrew (Andrew Daryl) (1976-)","English\n,       German\n."],"collection_title_tesim":["History Harvest collection of digitized images of religious materials, 1880/2012"],"collection_ssim":["History Harvest collection of digitized images of religious materials, 1880/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0208"],"unitid_tesim":["SC 0208"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Witmer, Andrew (Andrew Daryl) (1976-)"],"creator_ssim":["Witmer, Andrew (Andrew Daryl) (1976-)"],"creator_persname_ssim":["Witmer, Andrew (Andrew Daryl) (1976-)"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Witmer, Andrew (Andrew Daryl) (1976-)","James Madison University Libraries Special Collections"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"has_online_content_ssim":["false"],"extent_ssm":["5.8 Gigabytes"],"extent_tesim":["5.8 Gigabytes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eThe collection is available online through JMU's \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://mdid.lib.jmu.edu/explore/browse/77/history-harvest-2012/?f=14\"\u003eMadison Digital Image Database (MDID)\u003c/extref\u003e. High-quality TIFF versions of many of these images are available in Special Collections. There is no physical access to the original materials.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["The collection is available online through JMU's Madison Digital Image Database (MDID). High-quality TIFF versions of many of these images are available in Special Collections. There is no physical access to the original materials."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged into the following seven series according to History Harvest participant donor name and the subject of each donor's material contribution:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eWilliam Ney - Beth El Congregation\u003c/item\u003e\n      \u003citem\u003eMartha Dofflemyer - Elkton Presbyterian Church\u003c/item\u003e\n      \u003citem\u003eKenneth J. Weaver - Virginia Mennonites\u003c/item\u003e\n      \u003citem\u003eJane Desper - White Hill Church of the Brethren\u003c/item\u003e\n      \u003citem\u003eEsther Yoder Stenson - Amish Church\u003c/item\u003e\n      \u003citem\u003eJames Good – Mennonites\u003c/item\u003e\n      \u003citem\u003eHarold E. Huber\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged into the following seven series according to History Harvest participant donor name and the subject of each donor's material contribution:","William Ney - Beth El Congregation\n      Martha Dofflemyer - Elkton Presbyterian Church\n      Kenneth J. Weaver - Virginia Mennonites\n      Jane Desper - White Hill Church of the Brethren\n      Esther Yoder Stenson - Amish Church\n      James Good – Mennonites\n      Harold E. Huber"],"bioghist_html_tesm":["\u003cp\u003eDigital images within this collection were produced as part of a 2012 \"History Harvest\" event. Students within the spring 2012 course, \"Introduction to U.S. Religious History,\" taught by history professor, Dr. Andrew Witmer, planned and conducted a \"History Harvest\" as part of their course requirements. The purpose of the event was to gather and digitize items of religious significance from across the Shenandoah Valley. Community members were invited to East Campus Library (now Rose Library) from 10am to 2pm on Saturday, April 14, 2012 to share their items. The following excerpt from Dr. Witmer's syllabus describes the event: \"Within the new field of digital history, historians have pioneered an innovative approach to collecting and studying the past. This class will adapt a model recently developed at the University of Nebraska-Lincoln and work with JMU Special Collections to organize and host our own History Harvest. This event invites community members to share their records related to the religious history of Virginia and the Shenandoah Valley for digital preservation and study by our class and future scholars. In regular consultation with the professor and Special Collections Librarian, students will use their skills and creativity to plan the History Harvest.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Collection Context"],"bioghist_tesim":["Digital images within this collection were produced as part of a 2012 \"History Harvest\" event. Students within the spring 2012 course, \"Introduction to U.S. Religious History,\" taught by history professor, Dr. Andrew Witmer, planned and conducted a \"History Harvest\" as part of their course requirements. The purpose of the event was to gather and digitize items of religious significance from across the Shenandoah Valley. Community members were invited to East Campus Library (now Rose Library) from 10am to 2pm on Saturday, April 14, 2012 to share their items. The following excerpt from Dr. Witmer's syllabus describes the event: \"Within the new field of digital history, historians have pioneered an innovative approach to collecting and studying the past. This class will adapt a model recently developed at the University of Nebraska-Lincoln and work with JMU Special Collections to organize and host our own History Harvest. This event invites community members to share their records related to the religious history of Virginia and the Shenandoah Valley for digital preservation and study by our class and future scholars. In regular consultation with the professor and Special Collections Librarian, students will use their skills and creativity to plan the History Harvest.\""],"originalsloc_html_tesm":["\u003cp\u003eAll original materials were retained by the donors.\u003c/p\u003e  "],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["All original materials were retained by the donors."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], History Harvest collection of digitized images of religious materials, 1880-2012, SC 0208, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], History Harvest collection of digitized images of religious materials, 1880-2012, SC 0208, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eUnder the direction of Dr. Andrew Witmer, students in the spring 2012 course, Introduction to U.S. Religious History, in partnership with Special Collections, worked to compile a digital collection of local religious artifacts. The class hosted a \"History Harvest\" in which local community members brought in items of religious significance to be digitized.\u003c/p\u003e","\u003cp\u003eDigital images in this collection were created by students who digitized materials during the April 14, 2012 History Harvest event, or digitization took place throughout 2012 for the items that were loaned to Special Collections after the History Harvest for scanning. Content in the collection includes digital images of a variety of religous artifacts, including historic pamphlets and photographs from various churches in the Shenandoah Valley of Virginia.\u003c/p\u003e","\u003cp\u003eDonors were interviewed on site by students for background information about their items, which is reflected in the item descriptions in the collection inventory.\u003c/p\u003e  ","\u003cp\u003eThis series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives.\u003c/p\u003e","\u003cp\u003econtains information about Elkton Presbyterian Church.\u003c/p\u003e","\u003cp\u003e--Photographs\u003c/p\u003e","\u003cp\u003eChurch (inside and outside)\u003c/p\u003e","\u003cp\u003ePastors\u003c/p\u003e","\u003cp\u003eAdvent wreath\u003c/p\u003e","\u003cp\u003eChurch Directory (Undated)\u003c/p\u003e","\u003cp\u003eChurch publications\u003c/p\u003e","\u003cp\u003e\"Celebrating 100 years of God's Love and Faithfulness: Elkton Presbyterian Church 1899-1999\" (1999)\u003c/p\u003e","\u003cp\u003e\"Chrismons – An Explanation of the Symbols on the Chrismon Tree at Elkton Presbyterian Church, Elkton, Virginia\" (December, 2001)\u003c/p\u003e","\u003cp\u003eLetters\u003c/p\u003e","\u003cp\u003eWeekly Bulletin 2012\u003c/p\u003e","\u003cp\u003eBrochures\u003c/p\u003e","\u003cp\u003eScans of newspaper articles\u003c/p\u003e","\u003cp\u003eIn Search of Faithfulness by Glendon L. Blosser\u003c/p\u003e","\u003cp\u003ePeople of Peace by Gloria Y. Diener\u003c/p\u003e","\u003cp\u003eIntroduction to Virginia Mennonite Conference (VMC)\u003c/p\u003e","\u003cp\u003eLetter from VMC Officer\u003c/p\u003e","\u003cp\u003eBrochure identifying VMC current stance as a service organization\u003c/p\u003e","\u003cp\u003eVA Mennonite Missions – 1919-1969, \"Holding Forth the Word of Life\"\u003c/p\u003e","\u003cp\u003eEnlarging the Borders, 150 Years of Expansion by E. Richard Good (published 1985)\u003c/p\u003e","\u003cp\u003eConference minutes - Copies of the first recorded minutes from 1835, containing both the original German and a translation\u003c/p\u003e","\u003cp\u003eShenandoah Mennonite Historians' newsletters\u003c/p\u003e","\u003cp\u003eWinter 2012, with lists of all Mennonite groups in VA\u003c/p\u003e","\u003cp\u003eSpring 2012, a sample of the type of historical reporting by this group\u003c/p\u003e","\u003cp\u003eBrochures for Breneman Turner-Mill, owned by Valley Brethren-Mennonite Heritage Center\u003c/p\u003e","\u003cp\u003eCongregational Histories\u003c/p\u003e","\u003cp\u003e1936-1986 Harrisonburg Mennonite Church, \"Glimpses of our Past\" 50th anniversary celebration, November 15 and 16, 1986\u003c/p\u003e","\u003cp\u003e75th anniversary/75 year history of Harrisonburg Mennonite Church\u003c/p\u003e","\u003cp\u003eSamples of brochures about VMC 2012 activities\u003c/p\u003e","\u003cp\u003eMarch 2012 of \"Connections\", VMC Newsletter\u003c/p\u003e","\u003cp\u003eAnnouncement for VMC's 2012 Annual Assembly\u003c/p\u003e","\u003cp\u003ePhotocopied documents (1901-2001) concerning White Hill Church, detailing the church's original establishment, lists previous pastors with photographs, and also lists of donors and amount donated.\u003c/p\u003e","\u003cp\u003eImages taken of clothes: black cap, white organdy cap and apron, white cap, black bonnet, beach bonnet cap\u003c/p\u003e","\u003cp\u003eGerman prayer book\u003c/p\u003e","\u003cp\u003eReprint of Mennonite Historical Bulletin article\u003c/p\u003e","\u003cp\u003eMilitary Induction of Christian Good\u003c/p\u003e","\u003cp\u003eChristian Good Virginia Militia Muster Roll\u003c/p\u003e","\u003cp\u003ePhotograph of White House, south of Luray, VA\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Under the direction of Dr. Andrew Witmer, students in the spring 2012 course, Introduction to U.S. Religious History, in partnership with Special Collections, worked to compile a digital collection of local religious artifacts. The class hosted a \"History Harvest\" in which local community members brought in items of religious significance to be digitized.","Digital images in this collection were created by students who digitized materials during the April 14, 2012 History Harvest event, or digitization took place throughout 2012 for the items that were loaned to Special Collections after the History Harvest for scanning. Content in the collection includes digital images of a variety of religous artifacts, including historic pamphlets and photographs from various churches in the Shenandoah Valley of Virginia.","Donors were interviewed on site by students for background information about their items, which is reflected in the item descriptions in the collection inventory.","This series contains information about the Beth El Congregation. The items in this series tell the history of the Beth El Temple through photographs, manuscript, and newspapers, and were brought in from the temple archives.","contains information about Elkton Presbyterian Church.","--Photographs","Church (inside and outside)","Pastors","Advent wreath","Church Directory (Undated)","Church publications","\"Celebrating 100 years of God's Love and Faithfulness: Elkton Presbyterian Church 1899-1999\" (1999)","\"Chrismons – An Explanation of the Symbols on the Chrismon Tree at Elkton Presbyterian Church, Elkton, Virginia\" (December, 2001)","Letters","Weekly Bulletin 2012","Brochures","Scans of newspaper articles","In Search of Faithfulness by Glendon L. Blosser","People of Peace by Gloria Y. Diener","Introduction to Virginia Mennonite Conference (VMC)","Letter from VMC Officer","Brochure identifying VMC current stance as a service organization","VA Mennonite Missions – 1919-1969, \"Holding Forth the Word of Life\"","Enlarging the Borders, 150 Years of Expansion by E. Richard Good (published 1985)","Conference minutes - Copies of the first recorded minutes from 1835, containing both the original German and a translation","Shenandoah Mennonite Historians' newsletters","Winter 2012, with lists of all Mennonite groups in VA","Spring 2012, a sample of the type of historical reporting by this group","Brochures for Breneman Turner-Mill, owned by Valley Brethren-Mennonite Heritage Center","Congregational Histories","1936-1986 Harrisonburg Mennonite Church, \"Glimpses of our Past\" 50th anniversary celebration, November 15 and 16, 1986","75th anniversary/75 year history of Harrisonburg Mennonite Church","Samples of brochures about VMC 2012 activities","March 2012 of \"Connections\", VMC Newsletter","Announcement for VMC's 2012 Annual Assembly","Photocopied documents (1901-2001) concerning White Hill Church, detailing the church's original establishment, lists previous pastors with photographs, and also lists of donors and amount donated.","Images taken of clothes: black cap, white organdy cap and apron, white cap, black bonnet, beach bonnet cap","German prayer book","Reprint of Mennonite Historical Bulletin article","Military Induction of Christian Good","Christian Good Virginia Militia Muster Roll","Photograph of White House, south of Luray, VA"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following published monographs were donated to Special Collections and have been cataloged as part of Special Collections' rare book holdings.\u003cbr\u003e\nDonated by Elwood Yoder:\n\u003cul\u003e\n\u003cli\u003eYoder, Elwood E. We're Marching to Zion: A History of Zion Mennonite Church, Broadway, Virginia, 1885-2010. Harrisonburg, Virginia: printed by Custom Printing, 2010.\u003c/li\u003e\n\u003cli\u003eYoder, Elwood E. The Bishop's Letters: The Writings, Life, and Times of Virginia Mennonite Bishop Martin Burkholder, 1817-1860. Harrisonburg, Virginia: Shenandoah Valley Mennonite Historians, 2011.\u003c/li\u003e\n\u003c/ul\u003e\nDonated by Frances Scruby:\n\u003cul\u003e\n\u003cli\u003eEmmanuel Church. One Hundred Years Serving Our Lord: Emmanuel Episcopal Church Greenwood, Albemarle County, Virginia. Preface by Langhorne Gibson Jr., 1960.\u003c/li\u003e\n\u003cli\u003eScruby, Frances. Neve: Virginia's Thousandfold Man. Charlottesville, Virginia: Pietas Publications, 2010.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following published monographs were donated to Special Collections and have been cataloged as part of Special Collections' rare book holdings.\nDonated by Elwood Yoder:\n\nYoder, Elwood E. We're Marching to Zion: A History of Zion Mennonite Church, Broadway, Virginia, 1885-2010. Harrisonburg, Virginia: printed by Custom Printing, 2010.\nYoder, Elwood E. The Bishop's Letters: The Writings, Life, and Times of Virginia Mennonite Bishop Martin Burkholder, 1817-1860. Harrisonburg, Virginia: Shenandoah Valley Mennonite Historians, 2011.\n\nDonated by Frances Scruby:\n\nEmmanuel Church. One Hundred Years Serving Our Lord: Emmanuel Episcopal Church Greenwood, Albemarle County, Virginia. Preface by Langhorne Gibson Jr., 1960.\nScruby, Frances. Neve: Virginia's Thousandfold Man. Charlottesville, Virginia: Pietas Publications, 2010."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ca6f27e97ff83e663b536e9c984554af\"\u003eCollection consists of digitized images of religious artifacts and printed materials lent for scanning by members of the local community during a spring 2012 \"History Harvest\" led by JMU history professor Dr. Andrew Witmer and the students of \"Introduction to Religious History.\"\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection consists of digitized images of religious artifacts and printed materials lent for scanning by members of the local community during a spring 2012 \"History Harvest\" led by JMU history professor Dr. Andrew Witmer and the students of \"Introduction to Religious History.\""],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Witmer, Andrew (Andrew Daryl) (1976-)"],"names_coll_ssim":["Witmer, Andrew (Andrew Daryl) (1976-)"],"names_ssim":["James Madison University Libraries Special Collections","Witmer, Andrew (Andrew Daryl) (1976-)"],"language_ssim":["English\n,       German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_683_c01"}},{"id":"vifarl_repositories_2_resources_269_c01","type":"Series","attributes":{"title":"Winners, 1980/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_269_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifarl_repositories_2_resources_269_c01","ref_ssm":["vifarl_repositories_2_resources_269_c01"],"id":"vifarl_repositories_2_resources_269_c01","ead_ssi":"vifarl_repositories_2_resources_269","_root_":"vifarl_repositories_2_resources_269","_nest_parent_":"vifarl_repositories_2_resources_269","parent_ssi":"vifarl_repositories_2_resources_269","parent_ssim":["Dos Passos Review, 1978/2014"],"parent_ids_ssim":["vifarl_repositories_2_resources_269"],"title_filing_ssi":"Winners","title_ssm":["Winners"],"title_tesim":["Winners"],"normalized_title_ssm":["Winners, 1980/2012"],"text":["Winners, 1980/2012","Dos Passos Review, 1978/2014","box 01 of 03"],"parent_unittitles_ssm":["Dos Passos Review, 1978/2014"],"parent_unittitles_tesim":["Dos Passos Review, 1978/2014"],"normalized_date_ssm":["1980/2012"],"unitdate_inclusive_ssm":["1980-2012"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["Longwood University"],"collection_ssim":["Dos Passos Review, 1978/2014"],"containers_ssim":["box 01 of 03"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"parent_access_restrict_tesm":["There are no restrictions to access or use for research purposes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0","timestamp":"2026-06-23T06:51:43.358Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_2_resources_269","ead_ssi":"vifarl_repositories_2_resources_269","_root_":"vifarl_repositories_2_resources_269","_nest_parent_":"vifarl_repositories_2_resources_269","ead_source_url_ssi":"data/oai/LONG/repositories_2_resources_269.xml","title_ssm":["Dos Passos Review"],"title_tesim":["Dos Passos Review"],"unitdate_ssm":["1978-2014"],"unitdate_inclusive_ssm":["1978-2014"],"normalized_date_ssm":["1978/2014"],"normalized_title_ssm":["Dos Passos Review, 1978/2014"],"text":["Dos Passos Review, 1978/2014","LU.019","/repositories/2/resources/269","There are no restrictions to access or use for research purposes","The collection is organized into three series, Dos Passos Award Winners, including documents related to the winner, announcements, newspaper clippings etc. Administrative records incluing documents related to organizing events, history, and selection process, and Ephemera which include photos, publications and award designs.","The John Dos Passos Prize for Literature was founded at Longwood College (now University) in Farmville, VA in 1980. The prize is meant to honor one of the greatest--and most often ignored--American writers of the twentieth century by recognizing other writers in his name.","It is administered by a committee from the Department of English and Modern Languages; the chair of the committee also serves as the chair of the prize jury. Other members of the committee include the immediate past recipient and a distinguished critic, editor, or scholar.","Recipients of the prize are American creative writers who have produced a substantial body of significant publication that displays characteristics of John Dos Passos's writing: an intense and original exploration of specifically American themes, an experimental approach to form, and an interest in a wide range of human experiences.","It is unknown when this collection was aquired by the Greenwood Library Archives, however it is likley materials in this collection where compiled by Martha Cook and the English Department.","Dr. William C. Woods Dos Passos Prize Papers LU-076","The materials in the collection include emails, letters, newspaper clippings, cassettes, VHS tapes, memorabilia (awards and medals), book reviews, photographs, memorandums, and ledgers. Materials in the collection relate to Martha Cook, the winners of the Dos Passos award, and/or the jurors who served on the Dos Passos Award Committee.","Greenwood Library Archives and Special Collections","English\n."],"collection_title_tesim":["Dos Passos Review, 1978/2014"],"collection_ssim":["Dos Passos Review, 1978/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["LU.019","/repositories/2/resources/269"],"unitid_tesim":["LU.019","/repositories/2/resources/269"],"repository_ssm":["Longwood University"],"repository_ssim":["Longwood University"],"creator_corpname_ssim":["Greenwood Library Archives and Special Collections"],"creators_ssim":["Greenwood Library Archives and Special Collections"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Linear Feet 3 Hollinger legal, 1 flat box"],"extent_tesim":["2.7 Linear Feet 3 Hollinger legal, 1 flat box"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions to access or use for research purposes\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions to access or use for research purposes"],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, Dos Passos Award Winners, including documents related to the winner, announcements, newspaper clippings etc. Administrative records incluing documents related to organizing events, history, and selection process, and Ephemera which include photos, publications and award designs.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, Dos Passos Award Winners, including documents related to the winner, announcements, newspaper clippings etc. Administrative records incluing documents related to organizing events, history, and selection process, and Ephemera which include photos, publications and award designs."],"bioghist_html_tesm":["\u003cp\u003eThe John Dos Passos Prize for Literature was founded at Longwood College (now University) in Farmville, VA in 1980. The prize is meant to honor one of the greatest--and most often ignored--American writers of the twentieth century by recognizing other writers in his name.\u003c/p\u003e","\u003cp\u003eIt is administered by a committee from the Department of English and Modern Languages; the chair of the committee also serves as the chair of the prize jury. Other members of the committee include the immediate past recipient and a distinguished critic, editor, or scholar.\u003c/p\u003e","\u003cp\u003eRecipients of the prize are American creative writers who have produced a substantial body of significant publication that displays characteristics of John Dos Passos's writing: an intense and original exploration of specifically American themes, an experimental approach to form, and an interest in a wide range of human experiences.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The John Dos Passos Prize for Literature was founded at Longwood College (now University) in Farmville, VA in 1980. The prize is meant to honor one of the greatest--and most often ignored--American writers of the twentieth century by recognizing other writers in his name.","It is administered by a committee from the Department of English and Modern Languages; the chair of the committee also serves as the chair of the prize jury. Other members of the committee include the immediate past recipient and a distinguished critic, editor, or scholar.","Recipients of the prize are American creative writers who have produced a substantial body of significant publication that displays characteristics of John Dos Passos's writing: an intense and original exploration of specifically American themes, an experimental approach to form, and an interest in a wide range of human experiences."],"custodhist_html_tesm":["\u003cp\u003eIt is unknown when this collection was aquired by the Greenwood Library Archives, however it is likley materials in this collection where compiled by Martha Cook and the English Department.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["It is unknown when this collection was aquired by the Greenwood Library Archives, however it is likley materials in this collection where compiled by Martha Cook and the English Department."],"relatedmaterial_html_tesm":["\u003cp\u003eDr. William C. Woods Dos Passos Prize Papers LU-076\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Dr. William C. Woods Dos Passos Prize Papers LU-076"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in the collection include emails, letters, newspaper clippings, cassettes, VHS tapes, memorabilia (awards and medals), book reviews, photographs, memorandums, and ledgers. Materials in the collection relate to Martha Cook, the winners of the Dos Passos award, and/or the jurors who served on the Dos Passos Award Committee.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in the collection include emails, letters, newspaper clippings, cassettes, VHS tapes, memorabilia (awards and medals), book reviews, photographs, memorandums, and ledgers. Materials in the collection relate to Martha Cook, the winners of the Dos Passos award, and/or the jurors who served on the Dos Passos Award Committee."],"corpname_ssim":["Greenwood Library Archives and Special Collections"],"names_ssim":["Greenwood Library Archives and Special Collections"],"language_ssim":["English\n."],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:51:43.358Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_269_c01"}},{"id":"viu_repositories_3_resources_557_c02","type":"Series","attributes":{"title":"Women's organizations, 1969/2013","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_557_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_557_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_557_c02","ref_ssm":["viu_repositories_3_resources_557_c02"],"id":"viu_repositories_3_resources_557_c02","ead_ssi":"viu_repositories_3_resources_557","_root_":"viu_repositories_3_resources_557","_nest_parent_":"viu_repositories_3_resources_557","parent_ssi":"viu_repositories_3_resources_557","parent_ssim":["Susan Oberman papers, 1960/2017"],"parent_ids_ssim":["viu_repositories_3_resources_557"],"title_filing_ssi":"Women's organizations","title_ssm":["Women's organizations"],"title_tesim":["Women's organizations"],"normalized_title_ssm":["Women's organizations, 1969/2013"],"text":["Women's organizations, 1969/2013","Susan Oberman papers, 1960/2017","English","The Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.","Nassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.","There are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship.","Folder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.","Also included is a personal resume and greeting cards of Susan Oberman."],"parent_unittitles_ssm":["Susan Oberman papers, 1960/2017"],"parent_unittitles_tesim":["Susan Oberman papers, 1960/2017"],"normalized_date_ssm":["1969/2013"],"unitdate_inclusive_ssm":["1969-2013"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":8,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Susan Oberman papers, 1960/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":39,"parent_access_restrict_tesm":["The collection is open for research use."],"language_ssim":["English"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003eThe Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.\u003c/p\u003e","\u003cp\u003eNassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.\u003c/p\u003e","\u003cp\u003eThere are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship. \u003c/p\u003e","\u003cp\u003eFolder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.\u003c/p\u003e","\u003cp\u003e\nAlso included is a personal resume and greeting cards of Susan Oberman.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.","Nassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.","There are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship.","Folder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.","Also included is a personal resume and greeting cards of Susan Oberman."],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:29:24.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_557","ead_ssi":"viu_repositories_3_resources_557","_root_":"viu_repositories_3_resources_557","_nest_parent_":"viu_repositories_3_resources_557","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_557.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/481","title_filing_ssi":"Oberman, Susan, papers","title_ssm":["Susan Oberman papers"],"title_tesim":["Susan Oberman papers"],"unitdate_ssm":["1960's-2017"],"unitdate_inclusive_ssm":["1960's-2017"],"normalized_date_ssm":["1960/2017"],"normalized_title_ssm":["Susan Oberman papers, 1960/2017"],"text":["Susan Oberman papers, 1960/2017","MSS 16349","Archival Resource Key","/repositories/3/resources/557","race relations -- Virginia -- Charlottesville","Women political activists","Banners","Buttons (information artifacts)","Long-playing records","The collection is open for research use.","This collection is arranged into six series: \nSeries 1. Common Ground Negotiation Services,\nSeries 2. Women's organizations, \nSeries 3. Peace organizations, \nSeries 4. Diversity organizations, \nSeries 5. Publications, and \nSeries 6. Ephemera and audio visual materials","Susan Oberman graduated from Goucher College in 1968 with a B.A. degree. She has worked as an activist in movements for social change since the mid-1960's and founded the Nassau County Women's Liberation Center in New York in 1972. She moved to Charlottesville, Virginia in 1988 and became the Program Director of the FOCUS Women's Resource Center. After working at FOCUS for ten years she founded Common Ground Negotiation Services.","Oberman was a founder and planner of the annual Days of Dialogue on Race Relations events held annually in Charlottesville from 1997 to 2002, and was a founding member of the Black Women/White Women/all Women dialogue group.","She has authored several articles including \"Confidentiality in Mediation: An Application of The Right To Privacy\" and \"Mediation Theory vs. Practice: What Are We Really Doing? Re-Solving A Professional Conundrum.\"","Sources:","\"Susan Oberman.\" LinkedIn, 21 Nov. 2017, https://www.linkedin.com/in/susan-oberman-390a1413.","\"Susan Oberman is by temperament and profession, a Mediator.\" Common Ground Negotiations, 21 Nov. 2017, http://www.commongroundnegotiation.com/index.php/bio.","Susan Oberman papers (1960's-2017, 7 cubic feet) documenting her negotiation practice (Common Ground Negotiation Services, her activism in women's issues in Nassau County, New York (1972-1989) and her support for women, social justice, and race relations in Charlottesville, Virginia (1990-2013). Of interest is information about the history of African American life in Charlottesville including questions about the racial background of Queen Charlotte.","There are also three audiocassette tapes related to the Focus Women's Resource Center program, Black Women/White Women/All Women's Day of Dialogue, a folk music album, posters, and ephemera including political buttons, suffragette armbands, and a hand-made textile banner from the Nassau County Women's Liberation Center for a protest at the United States Congress.","The papers are grouped into six series: Common Ground Negotiation Services, women's organizations, peace organizations, diversity organizations, publications, and ephemera and audiovisual materials.","Workshops include Negotiation Skills for Everyday Life; Using Dialogue to Make Decisions; Self and Identity: Individuality, Community \u0026 the Intersection of Systems of Domination; Sex, Gender \u0026 the Right to Privacy; Conflict as Opportunity; and Dialogue on Recognizing and Overcoming Sex and Gender Bias.","Dialogue on Recognizing and Overcoming Sex and Gender Bias in Mediation; The Intersectionality of Systems of Domination; Recognizing and Overcoming Class Bias; and Custody Mediation","Adult Incapacity Mediation Project; Creative and Destrictive Conflict; Self-Determination; The Norm-Educating Mediation Model; Negotiation Skills for Everyday Life; and Using Dialog to Make Decisions","Dialogue: Theory and Practice; Identifying Theory and Practice of Mediator Authority; and Defining Mediation Models: A Professional Conundrum","Gender Violence in the Family and the State; Confidentiality and the Right to Privacy in Family Mediation; and Self and Identity: Individuality, Community \u0026 The Intersecton of Systems of Domination.","Custody Mediation; Reframing Reality Testing (Virginia Mediation Network, Fall 2015);  Conflict as Opportunity Workshop; and Ethical Standards.","The Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.","Nassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.","There are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship.","Folder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.","Also included is a personal resume and greeting cards of Susan Oberman.","Resignation letter; Days of Dialogue","Focus Women's Resource Center formed a Community Non-Violence Education Council  which presented a character education and citizenship program for students to the Burnley-Moran PTO. See also Charlottesville Center for Peace and Justice and CNVEC in Series 3. Peace.","This series contains the papers from the Charlottesville Peace curriculum and the Charlottesville Non-Violence Education Council to teach students life skills, character, and citizenship. (2000-2011) Also included are correspondence and newspaper clippings about a local teen suicide and psychological support for students at the school.","There are also files of the Charlottesville Center for Peace and Justice from 1989 to 2011 containing advertisements, notes, articles, and ideas for discussion on many social, political, and economic issues on a national and local level, including the Patriot Act, the Homeland Security Act, Kosovo, gun reduction, marriage laws, crime, selective service, protests on the war against Iraq, war profiteers, oil, impeachment of presidents, prayer, the Middle East, National media and elections, terrorism, immigration and the Fourteenth Amendment, taxes, Wall Street, nuclear energy, climate change, local economic development issues, and the University of Virginia living wage campaign.","see also Focus Women's Resource Center","Charlottesville Center for Peace and Justice was considering merging with Community Non-Violence Education Council","Charlottesville Center for Peace and Justice; Community Education and Outreach Committee; and the Center for Non-Violence Communication.","Charlottesville Center for Peace and Justice, Community Education and Outreach Committee, and Center for Non-Violent Communcation.","This series is comprised of correspondence, meeting minutes, planning notes, and newspaper clippings related to the organization, \"Citizens for a United Community\" (2002-2004) which is created following an act of racial violence in Charlottesville, Virginia in which ten Charlottesville High School students attack a group of students at the University of Virginia. The organization hosts a successful community event, \"Many Races-One Community\" on April 12, 2003 and then disbands.","There are also minutes, programs, and correspondence from the Violence Reduction Action group (2003-2004), another diversity organization established to promote diversity and continue the efforts of the CUC. Included is e-mail correspondence about President John Casteen's appointment of a Diversity Commission at the University of Virginia and comments that the City of Charlottesville feels alienated by the commission.","\"Achievement Gap Forum\" papers from 2004 to 2006, contain a report on how schools can close the achievement gap among students of different races and improve all student performance. Included are articles and case studies on poverty and race. The forum is sponsored by the Martin Luther King Celebration Committee.\n \n \nThere is information regarding the Martin Luther King Celebration Committee (2004-2005) which is set up to honor Dr. King and support civil rights. Included is a mission statement, articles, event programs, meeting notes, and articles and quotes by Dr. King.","There is also correspondence and meeting notes for Charlottesville's Dialogue on Race (2010-2013), an organization with goals of teaching Charlottesville's racial history, creation of a public memorial of Vinegar Hill, closure of the achievement gap in schools, and support for the Living Wage Campaign at the University of Virginia.","Of interest is information on the history of African American life in Charlottesville, the racial background of Queen Charlotte, biographies of important educational and civil rights leaders in Charlottesville from the 18th century to the present, a timeline of Charlottesville's race relations (1700-2003), and a list of African-American businesses located on Main Street and Preston Avenue (before the razing of Vinegar Hill) an on the grounds of the University of Virginia.","There are also planning notes about upcoming panels, speeches, and articles about race and social justice presented by family members, scholars and activists including Dr. Ervin Jordan, Bob Vernon, Gayle Schulman, Shirley Parrish, Scott French, David Swanson and many others. Topics mentioned are the Civil War, segregation, Jim Crow laws, and school desegregation.","This series is composed of many publications including five by Susan Oberman (Pepperdine Dispute Resolution Law Journal, and the Ohio State Journal on Dispute Resolution). Most of the publications address women's issues including marriage, daycare, divorce, sexual relations, abuse, Title IX, birth control, housework, family, salary, lesbianism, strikes, and leadership. Titles include \"The Liberated Grapevine of the Women's Liberation Center of Nassau County\", \"Myth of Women's Inferiority\", \"Notes New York Radical Women\", \"Sharing\", \"Women, A Journal of Liberation\", \"Women Workers\", \"The Women of the Telephone Company\", \"Iris, A Journal about Women\", \"Lillith, The Jewish Women's Magazine\", \"The Woman's Place is at the Typewriter\", \"Counter planning from the Kitchen\", \"Marxist Approach Problems of Women's Liberation\", \"Sex Roles and Female Oppression\", and \"A Women's Touch.\"","Authors include Dana Densmore, Evelyn Reed, Roxanne Dunbar, Margery Davis, Alice de Rivera, Ilene Winkler, Voltairine de Cleyre, Sylvia Federici, and many others.","The Liberated Grapevine of the Women's Liberation Center is a complete set of issues for 1976. 1977 and 1978 are just  missing March. 1979 is complete except for July. 1980 has all but April and November, and 1983 does not have September-December.","Susan Oberman article \"Joint Custody: Does It Work?\", Health Beat, March/April 2001 Volume 1/Issue 9 page 11; advertisement for Common Ground Negotiation Services, \"The Tribune\" 3/18/04 v. 54, no. 9; \"Center Plans Historical Tour\", \"The Daily Progress\", 8/10/04; \"Happy Feet: International Folk Dancing in Charlottesville\", \"Echo\", October 2008; \"Why Bother to Vote\" interview in \"The Hook\", 9/23/04-9/29/04 #338 page. 27.","Albert and Shirley Small Special Collections Library","Oberman, Susan","English"],"collection_title_tesim":["Susan Oberman papers, 1960/2017"],"collection_ssim":["Susan Oberman papers, 1960/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16349","Archival Resource Key","/repositories/3/resources/557"],"unitid_tesim":["MSS 16349","Archival Resource Key","/repositories/3/resources/557"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Oberman, Susan"],"creator_ssim":["Oberman, Susan"],"creator_persname_ssim":["Oberman, Susan"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Oberman, Susan","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["Donated by Susan Oberman, 2016 and 2018)"],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Women political activists","Banners","Buttons (information artifacts)","Long-playing records"],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Women political activists","Banners","Buttons (information artifacts)","Long-playing records"],"has_online_content_ssim":["false"],"extent_ssm":["7 Cubic Feet 14 document boxes"],"extent_tesim":["7 Cubic Feet 14 document boxes"],"physfacet_tesim":["6 audiocassettes, one music album, a textile banner, suffragette armbands, political buttons, posters, and oversize items."],"genreform_ssim":["Banners","Buttons (information artifacts)","Long-playing records"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into six series: \nSeries 1. Common Ground Negotiation Services,\nSeries 2. Women's organizations, \nSeries 3. Peace organizations, \nSeries 4. Diversity organizations, \nSeries 5. Publications, and \nSeries 6. Ephemera and audio visual materials\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into six series: \nSeries 1. Common Ground Negotiation Services,\nSeries 2. Women's organizations, \nSeries 3. Peace organizations, \nSeries 4. Diversity organizations, \nSeries 5. Publications, and \nSeries 6. Ephemera and audio visual materials"],"bioghist_html_tesm":["\u003cp\u003eSusan Oberman graduated from Goucher College in 1968 with a B.A. degree. She has worked as an activist in movements for social change since the mid-1960's and founded the Nassau County Women's Liberation Center in New York in 1972. She moved to Charlottesville, Virginia in 1988 and became the Program Director of the FOCUS Women's Resource Center. After working at FOCUS for ten years she founded Common Ground Negotiation Services.\u003c/p\u003e","\u003cp\u003eOberman was a founder and planner of the annual Days of Dialogue on Race Relations events held annually in Charlottesville from 1997 to 2002, and was a founding member of the Black Women/White Women/all Women dialogue group.\u003c/p\u003e","\u003cp\u003eShe has authored several articles including \"Confidentiality in Mediation: An Application of The Right To Privacy\" and \"Mediation Theory vs. Practice: What Are We Really Doing? Re-Solving A Professional Conundrum.\"\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003e\"Susan Oberman.\" LinkedIn, 21 Nov. 2017, https://www.linkedin.com/in/susan-oberman-390a1413.\u003c/p\u003e","\u003cp\u003e\"Susan Oberman is by temperament and profession, a Mediator.\" Common Ground Negotiations, 21 Nov. 2017, http://www.commongroundnegotiation.com/index.php/bio. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographocal Note"],"bioghist_tesim":["Susan Oberman graduated from Goucher College in 1968 with a B.A. degree. She has worked as an activist in movements for social change since the mid-1960's and founded the Nassau County Women's Liberation Center in New York in 1972. She moved to Charlottesville, Virginia in 1988 and became the Program Director of the FOCUS Women's Resource Center. After working at FOCUS for ten years she founded Common Ground Negotiation Services.","Oberman was a founder and planner of the annual Days of Dialogue on Race Relations events held annually in Charlottesville from 1997 to 2002, and was a founding member of the Black Women/White Women/all Women dialogue group.","She has authored several articles including \"Confidentiality in Mediation: An Application of The Right To Privacy\" and \"Mediation Theory vs. Practice: What Are We Really Doing? Re-Solving A Professional Conundrum.\"","Sources:","\"Susan Oberman.\" LinkedIn, 21 Nov. 2017, https://www.linkedin.com/in/susan-oberman-390a1413.","\"Susan Oberman is by temperament and profession, a Mediator.\" Common Ground Negotiations, 21 Nov. 2017, http://www.commongroundnegotiation.com/index.php/bio."],"prefercite_html_tesm":["\u003cp\u003eMSS 16349, Susan Oberman papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16349, Susan Oberman papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eSusan Oberman papers (1960's-2017, 7 cubic feet) documenting her negotiation practice (Common Ground Negotiation Services, her activism in women's issues in Nassau County, New York (1972-1989) and her support for women, social justice, and race relations in Charlottesville, Virginia (1990-2013). Of interest is information about the history of African American life in Charlottesville including questions about the racial background of Queen Charlotte.  \u003c/p\u003e","\u003cp\u003eThere are also three audiocassette tapes related to the Focus Women's Resource Center program, Black Women/White Women/All Women's Day of Dialogue, a folk music album, posters, and ephemera including political buttons, suffragette armbands, and a hand-made textile banner from the Nassau County Women's Liberation Center for a protest at the United States Congress.  \u003c/p\u003e","\u003cp\u003eThe papers are grouped into six series: Common Ground Negotiation Services, women's organizations, peace organizations, diversity organizations, publications, and ephemera and audiovisual materials.\u003c/p\u003e  ","\u003cp\u003eWorkshops include Negotiation Skills for Everyday Life; Using Dialogue to Make Decisions; Self and Identity: Individuality, Community \u0026amp; the Intersection of Systems of Domination; Sex, Gender \u0026amp; the Right to Privacy; Conflict as Opportunity; and Dialogue on Recognizing and Overcoming Sex and Gender Bias.\u003c/p\u003e","\u003cp\u003eDialogue on Recognizing and Overcoming Sex and Gender Bias in Mediation; The Intersectionality of Systems of Domination; Recognizing and Overcoming Class Bias; and Custody Mediation\u003c/p\u003e","\u003cp\u003eAdult Incapacity Mediation Project; Creative and Destrictive Conflict; Self-Determination; The Norm-Educating Mediation Model; Negotiation Skills for Everyday Life; and Using Dialog to Make Decisions\u003c/p\u003e","\u003cp\u003eDialogue: Theory and Practice; Identifying Theory and Practice of Mediator Authority; and Defining Mediation Models: A Professional Conundrum\u003c/p\u003e","\u003cp\u003eGender Violence in the Family and the State; Confidentiality and the Right to Privacy in Family Mediation; and Self and Identity: Individuality, Community \u0026amp; The Intersecton of Systems of Domination.\u003c/p\u003e","\u003cp\u003eCustody Mediation; Reframing Reality Testing (Virginia Mediation Network, Fall 2015);  Conflict as Opportunity Workshop; and Ethical Standards.\u003c/p\u003e","\u003cp\u003eThe Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.\u003c/p\u003e","\u003cp\u003eNassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.\u003c/p\u003e","\u003cp\u003eThere are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship. \u003c/p\u003e","\u003cp\u003eFolder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.\u003c/p\u003e","\u003cp\u003e\nAlso included is a personal resume and greeting cards of Susan Oberman.\u003c/p\u003e","\u003cp\u003eResignation letter; Days of Dialogue\u003c/p\u003e","\u003cp\u003eFocus Women's Resource Center formed a Community Non-Violence Education Council  which presented a character education and citizenship program for students to the Burnley-Moran PTO. See also Charlottesville Center for Peace and Justice and CNVEC in Series 3. Peace.\u003c/p\u003e","\u003cp\u003eThis series contains the papers from the Charlottesville Peace curriculum and the Charlottesville Non-Violence Education Council to teach students life skills, character, and citizenship. (2000-2011) Also included are correspondence and newspaper clippings about a local teen suicide and psychological support for students at the school. \u003c/p\u003e","\u003cp\u003e\nThere are also files of the Charlottesville Center for Peace and Justice from 1989 to 2011 containing advertisements, notes, articles, and ideas for discussion on many social, political, and economic issues on a national and local level, including the Patriot Act, the Homeland Security Act, Kosovo, gun reduction, marriage laws, crime, selective service, protests on the war against Iraq, war profiteers, oil, impeachment of presidents, prayer, the Middle East, National media and elections, terrorism, immigration and the Fourteenth Amendment, taxes, Wall Street, nuclear energy, climate change, local economic development issues, and the University of Virginia living wage campaign.\u003c/p\u003e","\u003cp\u003esee also Focus Women's Resource Center\u003c/p\u003e","\u003cp\u003eCharlottesville Center for Peace and Justice was considering merging with Community Non-Violence Education Council\u003c/p\u003e","\u003cp\u003eCharlottesville Center for Peace and Justice; Community Education and Outreach Committee; and the Center for Non-Violence Communication.\u003c/p\u003e","\u003cp\u003eCharlottesville Center for Peace and Justice, Community Education and Outreach Committee, and Center for Non-Violent Communcation.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, meeting minutes, planning notes, and newspaper clippings related to the organization, \"Citizens for a United Community\" (2002-2004) which is created following an act of racial violence in Charlottesville, Virginia in which ten Charlottesville High School students attack a group of students at the University of Virginia. The organization hosts a successful community event, \"Many Races-One Community\" on April 12, 2003 and then disbands.\u003c/p\u003e","\u003cp\u003e\nThere are also minutes, programs, and correspondence from the Violence Reduction Action group (2003-2004), another diversity organization established to promote diversity and continue the efforts of the CUC. Included is e-mail correspondence about President John Casteen's appointment of a Diversity Commission at the University of Virginia and comments that the City of Charlottesville feels alienated by the commission. \u003c/p\u003e","\u003cp\u003e\n \"Achievement Gap Forum\" papers from 2004 to 2006, contain a report on how schools can close the achievement gap among students of different races and improve all student performance. Included are articles and case studies on poverty and race. The forum is sponsored by the Martin Luther King Celebration Committee.\n \n \nThere is information regarding the Martin Luther King Celebration Committee (2004-2005) which is set up to honor Dr. King and support civil rights. Included is a mission statement, articles, event programs, meeting notes, and articles and quotes by Dr. King.\u003c/p\u003e","\u003cp\u003e\nThere is also correspondence and meeting notes for Charlottesville's Dialogue on Race (2010-2013), an organization with goals of teaching Charlottesville's racial history, creation of a public memorial of Vinegar Hill, closure of the achievement gap in schools, and support for the Living Wage Campaign at the University of Virginia. \u003c/p\u003e","\u003cp\u003e\nOf interest is information on the history of African American life in Charlottesville, the racial background of Queen Charlotte, biographies of important educational and civil rights leaders in Charlottesville from the 18th century to the present, a timeline of Charlottesville's race relations (1700-2003), and a list of African-American businesses located on Main Street and Preston Avenue (before the razing of Vinegar Hill) an on the grounds of the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThere are also planning notes about upcoming panels, speeches, and articles about race and social justice presented by family members, scholars and activists including Dr. Ervin Jordan, Bob Vernon, Gayle Schulman, Shirley Parrish, Scott French, David Swanson and many others. Topics mentioned are the Civil War, segregation, Jim Crow laws, and school desegregation.\u003c/p\u003e","\u003cp\u003eThis series is composed of many publications including five by Susan Oberman (Pepperdine Dispute Resolution Law Journal, and the Ohio State Journal on Dispute Resolution). Most of the publications address women's issues including marriage, daycare, divorce, sexual relations, abuse, Title IX, birth control, housework, family, salary, lesbianism, strikes, and leadership. Titles include \"The Liberated Grapevine of the Women's Liberation Center of Nassau County\", \"Myth of Women's Inferiority\", \"Notes New York Radical Women\", \"Sharing\", \"Women, A Journal of Liberation\", \"Women Workers\", \"The Women of the Telephone Company\", \"Iris, A Journal about Women\", \"Lillith, The Jewish Women's Magazine\", \"The Woman's Place is at the Typewriter\", \"Counter planning from the Kitchen\", \"Marxist Approach Problems of Women's Liberation\", \"Sex Roles and Female Oppression\", and \"A Women's Touch.\" \u003c/p\u003e","\u003cp\u003e\nAuthors include Dana Densmore, Evelyn Reed, Roxanne Dunbar, Margery Davis, Alice de Rivera, Ilene Winkler, Voltairine de Cleyre, Sylvia Federici, and many others.\u003c/p\u003e","\u003cp\u003eThe Liberated Grapevine of the Women's Liberation Center is a complete set of issues for 1976. 1977 and 1978 are just  missing March. 1979 is complete except for July. 1980 has all but April and November, and 1983 does not have September-December.\u003c/p\u003e","\u003cp\u003eSusan Oberman article \"Joint Custody: Does It Work?\", Health Beat, March/April 2001 Volume 1/Issue 9 page 11; advertisement for Common Ground Negotiation Services, \"The Tribune\" 3/18/04 v. 54, no. 9; \"Center Plans Historical Tour\", \"The Daily Progress\", 8/10/04; \"Happy Feet: International Folk Dancing in Charlottesville\", \"Echo\", October 2008; \"Why Bother to Vote\" interview in \"The Hook\", 9/23/04-9/29/04 #338 page. 27.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Susan Oberman papers (1960's-2017, 7 cubic feet) documenting her negotiation practice (Common Ground Negotiation Services, her activism in women's issues in Nassau County, New York (1972-1989) and her support for women, social justice, and race relations in Charlottesville, Virginia (1990-2013). Of interest is information about the history of African American life in Charlottesville including questions about the racial background of Queen Charlotte.","There are also three audiocassette tapes related to the Focus Women's Resource Center program, Black Women/White Women/All Women's Day of Dialogue, a folk music album, posters, and ephemera including political buttons, suffragette armbands, and a hand-made textile banner from the Nassau County Women's Liberation Center for a protest at the United States Congress.","The papers are grouped into six series: Common Ground Negotiation Services, women's organizations, peace organizations, diversity organizations, publications, and ephemera and audiovisual materials.","Workshops include Negotiation Skills for Everyday Life; Using Dialogue to Make Decisions; Self and Identity: Individuality, Community \u0026 the Intersection of Systems of Domination; Sex, Gender \u0026 the Right to Privacy; Conflict as Opportunity; and Dialogue on Recognizing and Overcoming Sex and Gender Bias.","Dialogue on Recognizing and Overcoming Sex and Gender Bias in Mediation; The Intersectionality of Systems of Domination; Recognizing and Overcoming Class Bias; and Custody Mediation","Adult Incapacity Mediation Project; Creative and Destrictive Conflict; Self-Determination; The Norm-Educating Mediation Model; Negotiation Skills for Everyday Life; and Using Dialog to Make Decisions","Dialogue: Theory and Practice; Identifying Theory and Practice of Mediator Authority; and Defining Mediation Models: A Professional Conundrum","Gender Violence in the Family and the State; Confidentiality and the Right to Privacy in Family Mediation; and Self and Identity: Individuality, Community \u0026 The Intersecton of Systems of Domination.","Custody Mediation; Reframing Reality Testing (Virginia Mediation Network, Fall 2015);  Conflict as Opportunity Workshop; and Ethical Standards.","The Women's organizations include the Nassau County Women's Liberation Center, Redstockings, Chicago Women's Liberation Union, Nassau County Coalition for Abused Women, in Nassau, New York and the Focus Women's Resource Center in Charlottesville, Virginia. Topics include consciousness raising, radical feminism, and respect for diversity in women. Of interest is a brief mention of a libel suit involving Gloria Steinem, censorship regarding any possible work that she did for the Central Intelligence Agency.","Nassau County Women's Liberation Center (1972-1989) files containing literature, by-laws, correspondence, and notes about events relating to consciousness raising, and radical feminism. Other topics include rape, abuse, and abortion.","There are also files from the Focus Women's Resource Center (1990-2012) including procedures, a peer counseling manual, monthly reports, and information about programs such as the Day of Dialogue Black Women/White Women, a Young Women's Summer Project, and coordination with the Community for Non-Violence Education Council to teach students character and citizenship.","Folder one contains information about a lawsuit involving the Redstockings and Random House, regarding a chapter in a book about Gloria Steinem and the Central Intelligence Agency.","Also included is a personal resume and greeting cards of Susan Oberman.","Resignation letter; Days of Dialogue","Focus Women's Resource Center formed a Community Non-Violence Education Council  which presented a character education and citizenship program for students to the Burnley-Moran PTO. See also Charlottesville Center for Peace and Justice and CNVEC in Series 3. Peace.","This series contains the papers from the Charlottesville Peace curriculum and the Charlottesville Non-Violence Education Council to teach students life skills, character, and citizenship. (2000-2011) Also included are correspondence and newspaper clippings about a local teen suicide and psychological support for students at the school.","There are also files of the Charlottesville Center for Peace and Justice from 1989 to 2011 containing advertisements, notes, articles, and ideas for discussion on many social, political, and economic issues on a national and local level, including the Patriot Act, the Homeland Security Act, Kosovo, gun reduction, marriage laws, crime, selective service, protests on the war against Iraq, war profiteers, oil, impeachment of presidents, prayer, the Middle East, National media and elections, terrorism, immigration and the Fourteenth Amendment, taxes, Wall Street, nuclear energy, climate change, local economic development issues, and the University of Virginia living wage campaign.","see also Focus Women's Resource Center","Charlottesville Center for Peace and Justice was considering merging with Community Non-Violence Education Council","Charlottesville Center for Peace and Justice; Community Education and Outreach Committee; and the Center for Non-Violence Communication.","Charlottesville Center for Peace and Justice, Community Education and Outreach Committee, and Center for Non-Violent Communcation.","This series is comprised of correspondence, meeting minutes, planning notes, and newspaper clippings related to the organization, \"Citizens for a United Community\" (2002-2004) which is created following an act of racial violence in Charlottesville, Virginia in which ten Charlottesville High School students attack a group of students at the University of Virginia. The organization hosts a successful community event, \"Many Races-One Community\" on April 12, 2003 and then disbands.","There are also minutes, programs, and correspondence from the Violence Reduction Action group (2003-2004), another diversity organization established to promote diversity and continue the efforts of the CUC. Included is e-mail correspondence about President John Casteen's appointment of a Diversity Commission at the University of Virginia and comments that the City of Charlottesville feels alienated by the commission.","\"Achievement Gap Forum\" papers from 2004 to 2006, contain a report on how schools can close the achievement gap among students of different races and improve all student performance. Included are articles and case studies on poverty and race. The forum is sponsored by the Martin Luther King Celebration Committee.\n \n \nThere is information regarding the Martin Luther King Celebration Committee (2004-2005) which is set up to honor Dr. King and support civil rights. Included is a mission statement, articles, event programs, meeting notes, and articles and quotes by Dr. King.","There is also correspondence and meeting notes for Charlottesville's Dialogue on Race (2010-2013), an organization with goals of teaching Charlottesville's racial history, creation of a public memorial of Vinegar Hill, closure of the achievement gap in schools, and support for the Living Wage Campaign at the University of Virginia.","Of interest is information on the history of African American life in Charlottesville, the racial background of Queen Charlotte, biographies of important educational and civil rights leaders in Charlottesville from the 18th century to the present, a timeline of Charlottesville's race relations (1700-2003), and a list of African-American businesses located on Main Street and Preston Avenue (before the razing of Vinegar Hill) an on the grounds of the University of Virginia.","There are also planning notes about upcoming panels, speeches, and articles about race and social justice presented by family members, scholars and activists including Dr. Ervin Jordan, Bob Vernon, Gayle Schulman, Shirley Parrish, Scott French, David Swanson and many others. Topics mentioned are the Civil War, segregation, Jim Crow laws, and school desegregation.","This series is composed of many publications including five by Susan Oberman (Pepperdine Dispute Resolution Law Journal, and the Ohio State Journal on Dispute Resolution). Most of the publications address women's issues including marriage, daycare, divorce, sexual relations, abuse, Title IX, birth control, housework, family, salary, lesbianism, strikes, and leadership. Titles include \"The Liberated Grapevine of the Women's Liberation Center of Nassau County\", \"Myth of Women's Inferiority\", \"Notes New York Radical Women\", \"Sharing\", \"Women, A Journal of Liberation\", \"Women Workers\", \"The Women of the Telephone Company\", \"Iris, A Journal about Women\", \"Lillith, The Jewish Women's Magazine\", \"The Woman's Place is at the Typewriter\", \"Counter planning from the Kitchen\", \"Marxist Approach Problems of Women's Liberation\", \"Sex Roles and Female Oppression\", and \"A Women's Touch.\"","Authors include Dana Densmore, Evelyn Reed, Roxanne Dunbar, Margery Davis, Alice de Rivera, Ilene Winkler, Voltairine de Cleyre, Sylvia Federici, and many others.","The Liberated Grapevine of the Women's Liberation Center is a complete set of issues for 1976. 1977 and 1978 are just  missing March. 1979 is complete except for July. 1980 has all but April and November, and 1983 does not have September-December.","Susan Oberman article \"Joint Custody: Does It Work?\", Health Beat, March/April 2001 Volume 1/Issue 9 page 11; advertisement for Common Ground Negotiation Services, \"The Tribune\" 3/18/04 v. 54, no. 9; \"Center Plans Historical Tour\", \"The Daily Progress\", 8/10/04; \"Happy Feet: International Folk Dancing in Charlottesville\", \"Echo\", October 2008; \"Why Bother to Vote\" interview in \"The Hook\", 9/23/04-9/29/04 #338 page. 27."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Oberman, Susan"],"names_ssim":["Albert and Shirley Small Special Collections Library","Oberman, Susan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":114,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:24.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_557_c02"}},{"id":"viu_repositories_3_resources_1013_c01","type":"Series","attributes":{"title":"Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach, 1992/2003","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1013_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1013_c01","ref_ssm":["viu_repositories_3_resources_1013_c01"],"id":"viu_repositories_3_resources_1013_c01","ead_ssi":"viu_repositories_3_resources_1013","_root_":"viu_repositories_3_resources_1013","_nest_parent_":"viu_repositories_3_resources_1013","parent_ssi":"viu_repositories_3_resources_1013","parent_ssim":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"parent_ids_ssim":["viu_repositories_3_resources_1013"],"title_filing_ssi":"Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach","title_ssm":["Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach"],"title_tesim":["Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach"],"normalized_title_ssm":["Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach, 1992/2003"],"text":["Woodcuts, Etchings, Sketches and Other Artwork by Werner K. Sensbach, 1992/2003","Werner K. Sensbach Graphic Art Collection, 1976/2018"],"parent_unittitles_ssm":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"parent_unittitles_tesim":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"normalized_date_ssm":["1992/2003"],"unitdate_inclusive_ssm":["1992-2003"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":69,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["The gift agreement for the addition clearly states that the woodblocks are NEVER to be used again. The copperplates are reusable. However, Angelika S. Powell has held on to the \"artistic reproduction of these donated originals.\" The United States rights were copyrighted by Powell on March 23, 2015."],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#0","timestamp":"2026-06-23T07:28:13.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1013","ead_ssi":"viu_repositories_3_resources_1013","_root_":"viu_repositories_3_resources_1013","_nest_parent_":"viu_repositories_3_resources_1013","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1013.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/121098","title_filing_ssi":"Sensbach, Werner K., Graphic Art Collection","title_ssm":["Werner K. Sensbach Graphic Art Collection"],"title_tesim":["Werner K. Sensbach Graphic Art Collection"],"unitdate_ssm":["1976, 1992-2018"],"unitdate_bulk_ssim":["1976, 1992-2018"],"normalized_date_ssm":["1976/2018"],"normalized_title_ssm":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"text":["Werner K. Sensbach Graphic Art Collection, 1976/2018","MSS .15884","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1013","University of Virginia -- School of Architecture","University of Virginia Lawn (Charlottesville, Va.)","University of Virginia Rotunda (Charlottesville, Va.)","etching","wood-engraving","prints","lithography","linoleum block printing","University of Virginia -- Buildings -- Pictorial works","This collection is open for research use.","Werner K. Sensbach (1923-2015), an architect and campus planner at the University of Virginia and several branches, 1965-1991, was born in Mannheim, Germany, to Gustav and Margarethe Sensbach. Werner was educated at the universities of Heidelberg and Karlsruhe, Germany and Chapel Hill, North Carolina. He worked in architectural offices in Germany, Switzerland and New York State. During World War II, Werner was severly wounded in 1944 at the Eastern Front in the Ukraine. In 1954, he immigrated to the United States and became a city planner in Columbia, South Carolina, and Roanoake, Virginia. In 1953, he was married to Gladys Frederiksen (died 2014) and they had two sons. He then married Angelika S. Powell.","After retirement, his interest turned to art, including watercolor field sketches and al fresco oil paintings of the Blue Ridge Mountains and the Piedmont, and etchings, lithographs, and woodcut prints of the University of Virginia buildings.","The collection includes both colored and black-and-white prints of etchings, woodcuts, and linocuts by Werner K. Sensbach, depicting various University of Virginia buildings and a couple of landscapes. Also includes twelve preliminary sketches done by Sensbach of scenes from the University of Virginia and one for St. Paul's Episcopal Church.","The addition to the Werner K. Sensbach papers (MSS 15884) contains original printing blocks, sketches, prints, and exhibition information. Werner Sensbach (1923-2015) was an artist, architect, urban designer, and campus planner. He served as the Virginia Campus Architect and was a professor in the Urban Planning School from 1965 to1991. After his retirement, he became a citizen scholar at the UVA Studio Art Department where he created his works.","The bulk of the addition to the collection are fifty-one original copper plates, zinc plates, linoleum, and woodblocks, primarily of buildings and scenes at the University of Virginia. Also included are preliminary sketches and designs, three copies of his series of prints titled \"University of Virginia: Four Views,\" and exhibition information from shows held between 2000 to 2018.","Woodblocks with University of Virginia scenes and buildings include: the Chapel, East Lawn, Madison Hall viewed from the Rotunda, Rotunda Front Steps, Serpentine Wall, West Lawn, West Lawn and Rotunda, and the Winged Victory with the Rotunda (McConnell statue). The other two woodblocks include Monticello and the Frontier Village near Staunton, Virginia.","Almost all of the copper plates are of scenes or buildings at the University of Virginia. These include: several of the Bayly Art Museum, Brooks Hall with Washington Hall in the background, several views of the Chapel, Cocke Hall and the Amphitheater, the \"Cracker Box\" on the East Range, Fayerweather Hall with a scene from the Studio Art Department and with a horse and cart in the foreground, the Lawn featuring a \"music group\" in the foreground, views of the Rotunda and the East Lawn, the Rotunda with Madison Hall in the foreground, the Rotunda as viewed from the West Range, the Senff Gate, the South Lawn and the statue of Homer, and the University Hall (demolished in 2019). One of the copper plates features St. Paul's Church on the Corner.","The zinc plates all feature scenes and buildings at the University of Virginia. These include: the Clemons Underground Library, the East Lawn, four views of Fayerweather Hall with scenes from both the Printing Studio and Studio Art, Lambeth Columns and the School of Architecture, two of the Rotunda and the West Range with one view at night, the Rotunda and the East Lawn, the Rotunda and Alderman Library with the McConnell statue of \"Winged Victory,\" the Rotunda crosswalk with the architect on the way to his office, the University Garden I, University Garden Gates, and the West Range.","The gift agreement for the addition clearly states that the woodblocks are NEVER to be used again. The copperplates are reusable. However, Angelika S. Powell has held on to the \"artistic reproduction of these donated originals.\" The United States rights were copyrighted by Powell on March 23, 2015.","Albert and Shirley Small Special Collections Library","Sensbach, Werner K., 1923-2015","English"],"collection_title_tesim":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"collection_ssim":["Werner K. Sensbach Graphic Art Collection, 1976/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS .15884","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1013"],"unitid_tesim":["MSS .15884","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1013"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["University of Virginia -- School of Architecture","University of Virginia Lawn (Charlottesville, Va.)","University of Virginia Rotunda (Charlottesville, Va.)"],"geogname_ssim":["University of Virginia -- School of Architecture","University of Virginia Lawn (Charlottesville, Va.)","University of Virginia Rotunda (Charlottesville, Va.)"],"places_ssim":["University of Virginia -- School of Architecture","University of Virginia Lawn (Charlottesville, Va.)","University of Virginia Rotunda (Charlottesville, Va.)"],"creator_ssm":["Sensbach, Werner K., 1923-2015"],"creator_ssim":["Sensbach, Werner K., 1923-2015"],"creator_persname_ssim":["Sensbach, Werner K., 1923-2015"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Sensbach, Werner K., 1923-2015","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["The gift agreement for the addition clearly states that the woodblocks are NEVER to be used again. The copperplates are reusable. However, Angelika S. Powell has held on to the \"artistic reproduction of these donated originals.\" The United States rights were copyrighted by Powell on March 23, 2015."],"acqinfo_ssim":["The collection was purchased by the University of Virginia Special Collections Library on October 27, 2014-2015.","The addition to the collection was given to the University of Virginia Special Collections Library on November 1, 2020 by Angelika S. Powell, the wife of Werner S. Sensbach."],"access_subjects_ssim":["etching","wood-engraving","prints","lithography","linoleum block printing","University of Virginia -- Buildings -- Pictorial works"],"access_subjects_ssm":["etching","wood-engraving","prints","lithography","linoleum block printing","University of Virginia -- Buildings -- Pictorial works"],"has_online_content_ssim":["false"],"extent_ssm":["2.2 Cubic Feet"],"extent_tesim":["2.2 Cubic Feet"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eWerner K. Sensbach (1923-2015), an architect and campus planner at the University of Virginia and several branches, 1965-1991, was born in Mannheim, Germany, to Gustav and Margarethe Sensbach. Werner was educated at the universities of Heidelberg and Karlsruhe, Germany and Chapel Hill, North Carolina. He worked in architectural offices in Germany, Switzerland and New York State. During World War II, Werner was severly wounded in 1944 at the Eastern Front in the Ukraine. In 1954, he immigrated to the United States and became a city planner in Columbia, South Carolina, and Roanoake, Virginia. In 1953, he was married to Gladys Frederiksen (died 2014) and they had two sons. He then married Angelika S. Powell. \u003c/p\u003e","\u003cp\u003eAfter retirement, his interest turned to art, including watercolor field sketches and al fresco oil paintings of the Blue Ridge Mountains and the Piedmont, and etchings, lithographs, and woodcut prints of the University of Virginia buildings. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Werner K. Sensbach (1923-2015), an architect and campus planner at the University of Virginia and several branches, 1965-1991, was born in Mannheim, Germany, to Gustav and Margarethe Sensbach. Werner was educated at the universities of Heidelberg and Karlsruhe, Germany and Chapel Hill, North Carolina. He worked in architectural offices in Germany, Switzerland and New York State. During World War II, Werner was severly wounded in 1944 at the Eastern Front in the Ukraine. In 1954, he immigrated to the United States and became a city planner in Columbia, South Carolina, and Roanoake, Virginia. In 1953, he was married to Gladys Frederiksen (died 2014) and they had two sons. He then married Angelika S. Powell.","After retirement, his interest turned to art, including watercolor field sketches and al fresco oil paintings of the Blue Ridge Mountains and the Piedmont, and etchings, lithographs, and woodcut prints of the University of Virginia buildings."],"prefercite_html_tesm":["\u003cp\u003eWerner K. Sensbach Graphic Art Collection, 1992-2003, MSS 15884, Albert and Shirley Small Special Collections Library, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Werner K. Sensbach Graphic Art Collection, 1992-2003, MSS 15884, Albert and Shirley Small Special Collections Library, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes both colored and black-and-white prints of etchings, woodcuts, and linocuts by Werner K. Sensbach, depicting various University of Virginia buildings and a couple of landscapes. Also includes twelve preliminary sketches done by Sensbach of scenes from the University of Virginia and one for St. Paul's Episcopal Church.\u003c/p\u003e  ","\u003cp\u003eThe addition to the Werner K. Sensbach papers (MSS 15884) contains original printing blocks, sketches, prints, and exhibition information. Werner Sensbach (1923-2015) was an artist, architect, urban designer, and campus planner. He served as the Virginia Campus Architect and was a professor in the Urban Planning School from 1965 to1991. After his retirement, he became a citizen scholar at the UVA Studio Art Department where he created his works.\u003c/p\u003e","\u003cp\u003eThe bulk of the addition to the collection are fifty-one original copper plates, zinc plates, linoleum, and woodblocks, primarily of buildings and scenes at the University of Virginia. Also included are preliminary sketches and designs, three copies of his series of prints titled \"University of Virginia: Four Views,\" and exhibition information from shows held between 2000 to 2018.  \u003c/p\u003e  ","\u003cp\u003eWoodblocks with University of Virginia scenes and buildings include: the Chapel, East Lawn, Madison Hall viewed from the Rotunda, Rotunda Front Steps, Serpentine Wall, West Lawn, West Lawn and Rotunda, and the Winged Victory with the Rotunda (McConnell statue). The other two woodblocks include Monticello and the Frontier Village near Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eAlmost all of the copper plates are of scenes or buildings at the University of Virginia. These include: several of the Bayly Art Museum, Brooks Hall with Washington Hall in the background, several views of the Chapel, Cocke Hall and the Amphitheater, the \"Cracker Box\" on the East Range, Fayerweather Hall with a scene from the Studio Art Department and with a horse and cart in the foreground, the Lawn featuring a \"music group\" in the foreground, views of the Rotunda and the East Lawn, the Rotunda with Madison Hall in the foreground, the Rotunda as viewed from the West Range, the Senff Gate, the South Lawn and the statue of Homer, and the University Hall (demolished in 2019). One of the copper plates features St. Paul's Church on the Corner.\u003c/p\u003e","\u003cp\u003eThe zinc plates all feature scenes and buildings at the University of Virginia. These include: the Clemons Underground Library, the East Lawn, four views of Fayerweather Hall with scenes from both the Printing Studio and Studio Art, Lambeth Columns and the School of Architecture, two of the Rotunda and the West Range with one view at night, the Rotunda and the East Lawn, the Rotunda and Alderman Library with the McConnell statue of \"Winged Victory,\" the Rotunda crosswalk with the architect on the way to his office, the University Garden I, University Garden Gates, and the West Range.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes both colored and black-and-white prints of etchings, woodcuts, and linocuts by Werner K. Sensbach, depicting various University of Virginia buildings and a couple of landscapes. Also includes twelve preliminary sketches done by Sensbach of scenes from the University of Virginia and one for St. Paul's Episcopal Church.","The addition to the Werner K. Sensbach papers (MSS 15884) contains original printing blocks, sketches, prints, and exhibition information. Werner Sensbach (1923-2015) was an artist, architect, urban designer, and campus planner. He served as the Virginia Campus Architect and was a professor in the Urban Planning School from 1965 to1991. After his retirement, he became a citizen scholar at the UVA Studio Art Department where he created his works.","The bulk of the addition to the collection are fifty-one original copper plates, zinc plates, linoleum, and woodblocks, primarily of buildings and scenes at the University of Virginia. Also included are preliminary sketches and designs, three copies of his series of prints titled \"University of Virginia: Four Views,\" and exhibition information from shows held between 2000 to 2018.","Woodblocks with University of Virginia scenes and buildings include: the Chapel, East Lawn, Madison Hall viewed from the Rotunda, Rotunda Front Steps, Serpentine Wall, West Lawn, West Lawn and Rotunda, and the Winged Victory with the Rotunda (McConnell statue). The other two woodblocks include Monticello and the Frontier Village near Staunton, Virginia.","Almost all of the copper plates are of scenes or buildings at the University of Virginia. These include: several of the Bayly Art Museum, Brooks Hall with Washington Hall in the background, several views of the Chapel, Cocke Hall and the Amphitheater, the \"Cracker Box\" on the East Range, Fayerweather Hall with a scene from the Studio Art Department and with a horse and cart in the foreground, the Lawn featuring a \"music group\" in the foreground, views of the Rotunda and the East Lawn, the Rotunda with Madison Hall in the foreground, the Rotunda as viewed from the West Range, the Senff Gate, the South Lawn and the statue of Homer, and the University Hall (demolished in 2019). One of the copper plates features St. Paul's Church on the Corner.","The zinc plates all feature scenes and buildings at the University of Virginia. These include: the Clemons Underground Library, the East Lawn, four views of Fayerweather Hall with scenes from both the Printing Studio and Studio Art, Lambeth Columns and the School of Architecture, two of the Rotunda and the West Range with one view at night, the Rotunda and the East Lawn, the Rotunda and Alderman Library with the McConnell statue of \"Winged Victory,\" the Rotunda crosswalk with the architect on the way to his office, the University Garden I, University Garden Gates, and the West Range."],"userestrict_html_tesm":["\u003cp\u003eThe gift agreement for the addition clearly states that the woodblocks are NEVER to be used again. The copperplates are reusable. However, Angelika S. Powell has held on to the \"artistic reproduction of these donated originals.\" The United States rights were copyrighted by Powell on March 23, 2015.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The gift agreement for the addition clearly states that the woodblocks are NEVER to be used again. The copperplates are reusable. However, Angelika S. Powell has held on to the \"artistic reproduction of these donated originals.\" The United States rights were copyrighted by Powell on March 23, 2015."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Sensbach, Werner K., 1923-2015"],"names_ssim":["Albert and Shirley Small Special Collections Library","Sensbach, Werner K., 1923-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1013_c01"}},{"id":"vifgm_repositories_2_resources_575_c13","type":"Series","attributes":{"title":"Writing-Intensive Courses, 1990/2012","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_575_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_575_c13","ref_ssm":["vifgm_repositories_2_resources_575_c13"],"id":"vifgm_repositories_2_resources_575_c13","ead_ssi":"vifgm_repositories_2_resources_575","_root_":"vifgm_repositories_2_resources_575","_nest_parent_":"vifgm_repositories_2_resources_575","parent_ssi":"vifgm_repositories_2_resources_575","parent_ssim":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"parent_ids_ssim":["vifgm_repositories_2_resources_575"],"title_filing_ssi":"Writing-Intensive Courses","title_ssm":["Writing-Intensive Courses"],"title_tesim":["Writing-Intensive Courses"],"normalized_title_ssm":["Writing-Intensive Courses, 1990/2012"],"text":["Writing-Intensive Courses, 1990/2012","George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"parent_unittitles_ssm":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"parent_unittitles_tesim":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"normalized_date_ssm":["1990/2012"],"unitdate_other_ssim":["1990-2012"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":363,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the George Mason University Writing Across the Curriculum program records must be obtained from Special Collections and Archives, George Mason University Libraries."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#12","timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_575","ead_ssi":"vifgm_repositories_2_resources_575","_root_":"vifgm_repositories_2_resources_575","_nest_parent_":"vifgm_repositories_2_resources_575","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_575.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmuwac.html","title_ssm":["George Mason University Writing Across the Curriculum program records"],"title_tesim":["George Mason University Writing Across the Curriculum program records"],"unitdate_ssm":["1990-2013","1980-2014"],"unitdate_inclusive_ssm":["1980-2014"],"unitdate_bulk_ssim":["1990-2013"],"normalized_date_ssm":["1980/2014, bulk 1990/2013"],"normalized_title_ssm":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"text":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013","R0144","Universities and colleges -- Curricula -- Virginia","There are no access restrictions.","This collection is arranged into seven series.","Series 1: Administrative Records, 1990-2014\n      Series 2: Writing Assessment, 1998-2010\n      Series 3: Syllabi under review, 1990-2013\n      Series 4: Peer Tutors/Writing Fellows, 1980-2012\n      Series 5: Writing Awards, 2008-2013\n      Series 6: Writing Intensive Courses, 1990-2012\n      Series 7: Newsletters/George Mason Review, 2000-2013","Sarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011.","Sarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011.","The George Mason University Writing Across the Curriculum program's function is to incorporate and improve written communication in all academic departments at the University. The program officially began in 1990, although according to former WAC Assistant Director Sarah Baker, WAC workshops had been taking place at Mason since 1978. The WAC program sets standards for classes designated as Writing Intensive in all academic disciplines - WI classes must require at least 3500 words of writing and provide opportunities for students to revise and improve their written work. WAC has also maintained Peer Tutoring and Writing Fellows programs, providing talented students with opportunities to teach their skills to others. Writing fellows are assigned to specific classes and give feedback on written assignments, while peer tutors assist students through the university's Writing Center, which collaborates with but is no longer directly part of WAC. WAC also supports departmental awards for excellent undergraduate writing, as well as producing a newsletter and collaborating with the George Mason Review, an undergraduate academic journal.","Processing completed by Tyler Chadwell and Elizabeth Beckman in Fall 2014. EAD markup completed by Elizabeth Beckman in December 2014.","This collection consists of records created as part of George Mason University's Writing Across the Curriculum program. It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. The records date from 1980-2014, with the bulk of materials dating from 1990-2013.","Series 1: Administrative Records contains statistical information, surveys, summaries, reports, correspondence, and general information related to the implementation and regular operations of the Writing Across the Curriculum program.","Series 2: Writing Assessment contains meeting minutes, correspondence, notes, and lists from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.","Series 3: Syllabi under review contains syllabi from classes to be designated as writing-intensive organized by academic department.","Series 4: Peer Tutors/Writing Fellows contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors, including faculty recommendations and student evaluations of Writing Fellows.","Series 5: Writing Awards contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards.","Series 6: Writing Intensive Courses includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive.","Series 7: Newsletters/George Mason Review contains planning materials and copies of WAC newsletters and the George Mason Review.","This series contains records related to the implementation and regular operations of the Writing Across the Curriculum program.","This series contains records from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.","This series contains syllabi from classes to be designated as writing-intensive organized by academic department.","This series contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors.","This series contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards.","This series includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive.","This series contains planning materials and copies of WAC newsletters and the George Mason Review.","There are no restrictions on personal use. Permission to publish material from the George Mason University Writing Across the Curriculum program records must be obtained from Special Collections and Archives, George Mason University Libraries.","Records of George Mason University's Writing Across the Curriculum program, which promotes writing proficiency in all academic disciplines at the University.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Writing Across the Curriculum program","George Mason University","English"],"collection_title_tesim":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"collection_ssim":["George Mason University Writing Across the Curriculum program records, 1980/2014, bulk 1990/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0144"],"unitid_tesim":["R0144"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Writing Across the Curriculum program"],"creator_ssim":["George Mason University. Writing Across the Curriculum program"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Writing Across the Curriculum program","George Mason University"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Writing Across the Curriculum program","George Mason University"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the George Mason University Writing Across the Curriculum program records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by the GMU Writing Across the Curriculum program in 2014."],"access_subjects_ssim":["Universities and colleges -- Curricula -- Virginia"],"access_subjects_ssm":["Universities and colleges -- Curricula -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["9.75 linear feet (20 boxes)"],"extent_tesim":["9.75 linear feet (20 boxes)"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into seven series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1990-2014\u003c/item\u003e\n      \u003citem\u003eSeries 2: Writing Assessment, 1998-2010\u003c/item\u003e\n      \u003citem\u003eSeries 3: Syllabi under review, 1990-2013\u003c/item\u003e\n      \u003citem\u003eSeries 4: Peer Tutors/Writing Fellows, 1980-2012\u003c/item\u003e\n      \u003citem\u003eSeries 5: Writing Awards, 2008-2013\u003c/item\u003e\n      \u003citem\u003eSeries 6: Writing Intensive Courses, 1990-2012\u003c/item\u003e\n      \u003citem\u003eSeries 7: Newsletters/George Mason Review, 2000-2013\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into seven series.","Series 1: Administrative Records, 1990-2014\n      Series 2: Writing Assessment, 1998-2010\n      Series 3: Syllabi under review, 1990-2013\n      Series 4: Peer Tutors/Writing Fellows, 1980-2012\n      Series 5: Writing Awards, 2008-2013\n      Series 6: Writing Intensive Courses, 1990-2012\n      Series 7: Newsletters/George Mason Review, 2000-2013"],"bibliography_html_tesm":["\u003cp\u003e\u003cbibref\u003e Sarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011.\u003c/bibref\u003e \u003cbibref\u003e \u003cextptr href=\"https://wac.gmu.edu/\" title=\"George Mason University Writing Across the Curriculum Program, 'Writing Across the Curriculum,' George Mason University, 2014.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/bibref\u003e\u003c/p\u003e    ","\u003cbibref\u003eSarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cextptr href=\"http://wac.gmu.edu/\" title=\"George Mason University Writing Across the Curriculum Program, 'Writing Across the Curriculum,' George Mason University, 2014.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Sarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011.","Sarah Baker, \"GMU WAC Program: Comprehensive Review and Assessment of Program Responsibilities, Initiatives, and Outreach,\" GMU WAC Program, November 2011."],"bioghist_html_tesm":["\u003cp\u003eThe George Mason University Writing Across the Curriculum program's function is to incorporate and improve written communication in all academic departments at the University. The program officially began in 1990, although according to former WAC Assistant Director Sarah Baker, WAC workshops had been taking place at Mason since 1978. The WAC program sets standards for classes designated as Writing Intensive in all academic disciplines - WI classes must require at least 3500 words of writing and provide opportunities for students to revise and improve their written work. WAC has also maintained Peer Tutoring and Writing Fellows programs, providing talented students with opportunities to teach their skills to others. Writing fellows are assigned to specific classes and give feedback on written assignments, while peer tutors assist students through the university's Writing Center, which collaborates with but is no longer directly part of WAC. WAC also supports departmental awards for excellent undergraduate writing, as well as producing a newsletter and collaborating with the George Mason Review, an undergraduate academic journal.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The George Mason University Writing Across the Curriculum program's function is to incorporate and improve written communication in all academic departments at the University. The program officially began in 1990, although according to former WAC Assistant Director Sarah Baker, WAC workshops had been taking place at Mason since 1978. The WAC program sets standards for classes designated as Writing Intensive in all academic disciplines - WI classes must require at least 3500 words of writing and provide opportunities for students to revise and improve their written work. WAC has also maintained Peer Tutoring and Writing Fellows programs, providing talented students with opportunities to teach their skills to others. Writing fellows are assigned to specific classes and give feedback on written assignments, while peer tutors assist students through the university's Writing Center, which collaborates with but is no longer directly part of WAC. WAC also supports departmental awards for excellent undergraduate writing, as well as producing a newsletter and collaborating with the George Mason Review, an undergraduate academic journal."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Writing Across the Curriculum program records, R0144, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Writing Across the Curriculum program records, R0144, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Tyler Chadwell and Elizabeth Beckman in Fall 2014. EAD markup completed by Elizabeth Beckman in December 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Tyler Chadwell and Elizabeth Beckman in Fall 2014. EAD markup completed by Elizabeth Beckman in December 2014."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of records created as part of George Mason University's Writing Across the Curriculum program. It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. The records date from 1980-2014, with the bulk of materials dating from 1990-2013.\u003c/p\u003e","\u003cp\u003e Series 1: Administrative Records contains statistical information, surveys, summaries, reports, correspondence, and general information related to the implementation and regular operations of the Writing Across the Curriculum program.\u003c/p\u003e","\u003cp\u003e Series 2: Writing Assessment contains meeting minutes, correspondence, notes, and lists from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.\u003c/p\u003e","\u003cp\u003e Series 3: Syllabi under review contains syllabi from classes to be designated as writing-intensive organized by academic department. \u003c/p\u003e","\u003cp\u003e  Series 4: Peer Tutors/Writing Fellows contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors, including faculty recommendations and student evaluations of Writing Fellows. \u003c/p\u003e","\u003cp\u003e Series 5: Writing Awards contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards. \u003c/p\u003e","\u003cp\u003e  Series 6: Writing Intensive Courses includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive. \u003c/p\u003e","\u003cp\u003e  Series 7: Newsletters/George Mason Review contains planning materials and copies of WAC newsletters and the George Mason Review.\u003c/p\u003e  ","\u003cp\u003eThis series contains records related to the implementation and regular operations of the Writing Across the Curriculum program.\u003c/p\u003e","\u003cp\u003eThis series contains records from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.\u003c/p\u003e","\u003cp\u003eThis series contains syllabi from classes to be designated as writing-intensive organized by academic department.\u003c/p\u003e","\u003cp\u003eThis series contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors.\u003c/p\u003e","\u003cp\u003eThis series contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards.\u003c/p\u003e","\u003cp\u003eThis series includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive.\u003c/p\u003e","\u003cp\u003eThis series contains planning materials and copies of WAC newsletters and the George Mason Review.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of records created as part of George Mason University's Writing Across the Curriculum program. It includes documents produced as a result of the administration of the program, such as surveys of students and faculty members, correspondence, notes, statistics, meeting summaries, reports, and information related to student writing awards, as well as material produced by academic departments and faculty, such as criteria for assessing writing within different academic departments and syllabi from writing-intensive courses. Also included are records related to Writing Fellows and Peer Tutors associated with specific classes and with the university's Writing Center, as well as planning notes from and copies of the WAC program's Newsletter and the George Mason Review. The records date from 1980-2014, with the bulk of materials dating from 1990-2013.","Series 1: Administrative Records contains statistical information, surveys, summaries, reports, correspondence, and general information related to the implementation and regular operations of the Writing Across the Curriculum program.","Series 2: Writing Assessment contains meeting minutes, correspondence, notes, and lists from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.","Series 3: Syllabi under review contains syllabi from classes to be designated as writing-intensive organized by academic department.","Series 4: Peer Tutors/Writing Fellows contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors, including faculty recommendations and student evaluations of Writing Fellows.","Series 5: Writing Awards contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards.","Series 6: Writing Intensive Courses includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive.","Series 7: Newsletters/George Mason Review contains planning materials and copies of WAC newsletters and the George Mason Review.","This series contains records related to the implementation and regular operations of the Writing Across the Curriculum program.","This series contains records from the Writing Assessment Group, as well as rubrics, sample essays, reports, and records of workshops for various academic departments.","This series contains syllabi from classes to be designated as writing-intensive organized by academic department.","This series contains Peer Tutoring course information, as well as employment information and files on individual Writing Fellows and Peer Tutors.","This series contains budget lists, correspondence, and photocopies of certificates for student departmental writing awards.","This series includes criteria, reports, proposals, and correspondence related to the designation of courses as writing intensive.","This series contains planning materials and copies of WAC newsletters and the George Mason Review."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the George Mason University Writing Across the Curriculum program records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the George Mason University Writing Across the Curriculum program records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref3\"\u003eRecords of George Mason University's Writing Across the Curriculum program, which promotes writing proficiency in all academic disciplines at the University.\u003c/abstract\u003e\n    "],"abstract_tesim":["Records of George Mason University's Writing Across the Curriculum program, which promotes writing proficiency in all academic disciplines at the University."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Writing Across the Curriculum program","George Mason University"],"names_coll_ssim":["George Mason University"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Writing Across the Curriculum program","George Mason University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":364,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_575_c13"}},{"id":"wvmturhc_repositories_2_resources_4874_c01","type":"Series","attributes":{"title":"Writings, 1985/2014","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4874_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4874_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4874_c01","ref_ssm":["wvmturhc_repositories_2_resources_4874_c01"],"id":"wvmturhc_repositories_2_resources_4874_c01","ead_ssi":"wvmturhc_repositories_2_resources_4874","_root_":"wvmturhc_repositories_2_resources_4874","_nest_parent_":"wvmturhc_repositories_2_resources_4874","parent_ssi":"wvmturhc_repositories_2_resources_4874","parent_ssim":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4874"],"title_filing_ssi":"Writings","title_ssm":["Writings"],"title_tesim":["Writings"],"normalized_title_ssm":["Writings, 1985/2014"],"text":["Writings, 1985/2014","Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005","Box 1","Box 2","Box 3","Folder 1-2","This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014."],"parent_unittitles_ssm":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"parent_unittitles_tesim":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"normalized_date_ssm":["1985/2014"],"unitdate_inclusive_ssm":["1985, 2014, undated"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"containers_ssim":["Box 1","Box 2","Box 3","Folder 1-2"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"scopecontent_html_tesm":["\u003cp\u003eThis series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014."],"_nest_path_":"/components#0","timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4874","ead_ssi":"wvmturhc_repositories_2_resources_4874","_root_":"wvmturhc_repositories_2_resources_4874","_nest_parent_":"wvmturhc_repositories_2_resources_4874","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4874.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198399","title_ssm":["Stephen Coonts, Author, Papers"],"title_tesim":["Stephen Coonts, Author, Papers"],"unitdate_ssm":["1985-2019, undated","1985-2005"],"unitdate_inclusive_ssm":["1985-2019, undated"],"unitdate_bulk_ssim":["1985-2005"],"normalized_date_ssm":["1985/2019, bulk 1985/2005"],"normalized_title_ssm":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"text":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005","A\u0026M 4037","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4874","Authors, American -- 20th Century","No special access restriction applies.","Portions of this biography were taken from the \"About Steve Coonts\" web page of the author's website (see link in External Documents).","Stephen Paul Coonts (b. 1946) grew up in Buckhannon, West Virginia. He majored in political science at West Virginia University, graduating in 1968 with an A.B. degree. Upon graduation he was commissioned an Ensign in the U.S. Navy and began flight training in Pensacola, Florida. He received his Navy wings in August, 1969. He served as an attack pilot during the Vietnam War.","He left active duty in 1977 and moved to Colorado, where he entered the University of Colorado School of Law. Mr. Coonts received his law degree in December, 1979, and moved to West Virginia to practice. He returned to Colorado in 1981 as a staff attorney specializing in oil and gas law for a large independent oil company, while writing in his free time.","His first novel, Flight of the Intruder, published in September 1986 by the Naval Institute Press, spent 28 weeks on the New York Times bestseller lists in hardcover. After the success of his first novel, Mr. Coonts began writing full-time.","Coonts has been recognized with a variety of awards. The U.S. Naval Institute honored Coonts with its Author of the Year Award for the year 1986 for his novel, Flight of the Intruder. He also served as a trustee of West Virginia Wesleyan College from 1990-1998. He was inducted into the West Virginia University Academy of Distinguished Alumni in 1992.","His writings include:","Jake Grafton series novels:","Flight of the Intruder, 1986","The Intruders, 1994","Final Flight, 1988","The Minotaur, 1989","Under Siege, 1990","The Red Horseman, 1993","Cuba, 1999","Hong Kong, 2000","America, 2001","Liberty, 2003","Tommy Carmellini Series:","Liars and Thieves, 2004","The Traitor, 2006","The Assassin, 2008","The Disciple, 2009","Pirate Alley, 2013","Saucer Series:","Saucer, 2002","Saucer: The Conquest, 2004","Saucer: Savage Planet, 2014","Deep Black Series (first six coauthored with Jim DeFelice; final three coauthored with William H. Keith):","Deep Black, 2003","Biowar, 2004","Dark Zone, 2004","Payback, 2005","Jihad, 2007","Conspiracy, 2008","Arctic Gold, 2009","Sea of Terror, 2010","Death Wave, 2011","Anthologies:","War In The Air: True Accounts, 1996","On Glorious Wings: The Best Flying Stories, 2003","Victory, 2003","Combat, 2001","The Sea Witch, May 2012","Non-fiction/Others:","Fortunes of War, 1998","The Cannibal Queen: A Flight into the Heart of America, 1992","The Garden of Eden, 2006, writing as Eve Adams","Papers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for Flight of the Intruder.","This collection includes the following series:","Series 1. Writings; 1985, 2014, undated; box 1 - box 3, folder 2. This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.","Series 2. Foreign Language Publications; 1990-2004; box 3, unfoldered. This series includes six foreign language editions of novels by Coonts.","Series 3. Correspondence; 1988-2010; box 4 - box 5, folder 4. This series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.","Series 4. Movie Material; 1989 - 1991, undated; box 5, folder 5 - box 6, folder 1. This series includes two typescript movie scripts for Flight of the Intruder, as well as press kit material.","Series 5. Clippings; 1988-1995; box 6, folders 2-5. This series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.","Addendum of 2015/01/15. 1986-2009; boxes 7-30. This series includes books (mostly foreign language editions) and papers.","Addendum of 2017/11/29. 2015-2016; boxes 31-34. This series contains three drafts of Coonts' novel \"The Great Republic.\"","Addendum of 2017/12/05. 1998-2000; box 34. This series contains one signed book, \"Fortunes of War,\" and one program from \"An Afternoon with Author Stephen Coontz.\"","Addendum of 2018/04/09. 2017; box 35. This series contains three copies of The Armageddon File: an audiobook on disc, an uncorrected page proof, and a signed copy of the hardcover.","Addendum of 2019/11/05. 2019; box 36. This series contains one uncorrected page proof of The Russia Account.","Addendum of 2021/06/05. 1984; box 36. This series contains original typescript draft of Flight of the Intruder.","This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.","This series includes six foreign language editions of novels by Coonts.","This series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.","This series includes two typescript movie scripts for  Flight of the Intruder , as well as press kit material.","This series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.","This series includes books (mostly foreign language editions) and papers.","This series contains three drafts of Coonts' novel \"The Great Republic.\"","Advanced uncorrected proof (uncorrected page proof) of The Russia Account by Stephen Coontz.","For Each Other (Original typescript draft of the first book authored by Coonts which was adapted into the motion picture Flight of the Intruder. Notes by Coonts: \"Original manuscript of Stephen Coonts [sic] 1st book - before name changed and edited. Sent to Bob by Stephen as they were friends in navy.\"  Coonts also said that \"... this is one of the first drafts, undoubtedly similar to the ones that made the rounds of the publishers and the US Naval Institute finally decided to publish, after a long edit and some serious rewriting.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for Flight of the Intruder. See Scope and Content note for more details. See Historical Note for more information about Stephen Coonts.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Adams, Eve, 1946-","Coonts, Stephen, 1946-","English"],"collection_title_tesim":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"collection_ssim":["Stephen Coonts, Author, Papers, 1985/2019, bulk 1985/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4037","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4874"],"unitid_tesim":["A\u0026M 4037","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4874"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_persname_ssim":["Adams, Eve, 1946-","Coonts, Stephen, 1946-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Adams, Eve, 1946-","Coonts, Stephen, 1946-","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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(32 document cases, 5 in. each); (4 document cases, 2 1/2 in. each)"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003ePortions of this biography were taken from the \"About Steve Coonts\" web page of the author's website (see link in External Documents).\u003c/p\u003e","\u003cp\u003e\nStephen Paul Coonts (b. 1946) grew up in Buckhannon, West Virginia. He majored in political science at West Virginia University, graduating in 1968 with an A.B. degree. Upon graduation he was commissioned an Ensign in the U.S. Navy and began flight training in Pensacola, Florida. He received his Navy wings in August, 1969. He served as an attack pilot during the Vietnam War.\u003c/p\u003e","\u003cp\u003e\nHe left active duty in 1977 and moved to Colorado, where he entered the University of Colorado School of Law. Mr. Coonts received his law degree in December, 1979, and moved to West Virginia to practice. He returned to Colorado in 1981 as a staff attorney specializing in oil and gas law for a large independent oil company, while writing in his free time.\u003c/p\u003e","\u003cp\u003e\nHis first novel, \u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e, published in September 1986 by the Naval Institute Press, spent 28 weeks on the New York Times bestseller lists in hardcover. After the success of his first novel, Mr. Coonts began writing full-time.\u003c/p\u003e","\u003cp\u003e\nCoonts has been recognized with a variety of awards. The U.S. Naval Institute honored Coonts with its Author of the Year Award for the year 1986 for his novel, \u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e. He also served as a trustee of West Virginia Wesleyan College from 1990-1998. He was inducted into the West Virginia University Academy of Distinguished Alumni in 1992.\u003c/p\u003e","\u003cp\u003e\nHis writings include:\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eJake Grafton series novels:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e, 1986\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Intruders\u003c/emph\u003e, 1994\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eFinal Flight\u003c/emph\u003e, 1988\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Minotaur\u003c/emph\u003e, 1989\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eUnder Siege\u003c/emph\u003e, 1990\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Red Horseman\u003c/emph\u003e, 1993\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eCuba\u003c/emph\u003e, 1999\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eHong Kong\u003c/emph\u003e, 2000\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eAmerica\u003c/emph\u003e, 2001\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eLiberty\u003c/emph\u003e, 2003\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eTommy Carmellini Series:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eLiars and Thieves\u003c/emph\u003e, 2004\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Traitor\u003c/emph\u003e, 2006\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Assassin\u003c/emph\u003e, 2008\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Disciple\u003c/emph\u003e, 2009\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003ePirate Alley\u003c/emph\u003e, 2013\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSaucer Series:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eSaucer\u003c/emph\u003e, 2002\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eSaucer: The Conquest\u003c/emph\u003e, 2004\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eSaucer: Savage Planet\u003c/emph\u003e, 2014\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eDeep Black Series (first six coauthored with Jim DeFelice; final three coauthored with William H. Keith):\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eDeep Black\u003c/emph\u003e, 2003\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eBiowar\u003c/emph\u003e, 2004\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eDark Zone\u003c/emph\u003e, 2004\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003ePayback\u003c/emph\u003e, 2005\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eJihad\u003c/emph\u003e, 2007\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eConspiracy\u003c/emph\u003e, 2008\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eArctic Gold\u003c/emph\u003e, 2009\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eSea of Terror\u003c/emph\u003e, 2010\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eDeath Wave\u003c/emph\u003e, 2011\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAnthologies:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eWar In The Air: True Accounts\u003c/emph\u003e, 1996\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eOn Glorious Wings: The Best Flying Stories\u003c/emph\u003e, 2003\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eVictory\u003c/emph\u003e, 2003\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eCombat\u003c/emph\u003e, 2001\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Sea Witch\u003c/emph\u003e, May 2012\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eNon-fiction/Others:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eFortunes of War\u003c/emph\u003e, 1998\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Cannibal Queen: A Flight into the Heart of America\u003c/emph\u003e, 1992\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"italic\"\u003eThe Garden of Eden\u003c/emph\u003e, 2006, writing as Eve Adams\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Portions of this biography were taken from the \"About Steve Coonts\" web page of the author's website (see link in External Documents).","Stephen Paul Coonts (b. 1946) grew up in Buckhannon, West Virginia. He majored in political science at West Virginia University, graduating in 1968 with an A.B. degree. Upon graduation he was commissioned an Ensign in the U.S. Navy and began flight training in Pensacola, Florida. He received his Navy wings in August, 1969. He served as an attack pilot during the Vietnam War.","He left active duty in 1977 and moved to Colorado, where he entered the University of Colorado School of Law. Mr. Coonts received his law degree in December, 1979, and moved to West Virginia to practice. He returned to Colorado in 1981 as a staff attorney specializing in oil and gas law for a large independent oil company, while writing in his free time.","His first novel, Flight of the Intruder, published in September 1986 by the Naval Institute Press, spent 28 weeks on the New York Times bestseller lists in hardcover. After the success of his first novel, Mr. Coonts began writing full-time.","Coonts has been recognized with a variety of awards. The U.S. Naval Institute honored Coonts with its Author of the Year Award for the year 1986 for his novel, Flight of the Intruder. He also served as a trustee of West Virginia Wesleyan College from 1990-1998. He was inducted into the West Virginia University Academy of Distinguished Alumni in 1992.","His writings include:","Jake Grafton series novels:","Flight of the Intruder, 1986","The Intruders, 1994","Final Flight, 1988","The Minotaur, 1989","Under Siege, 1990","The Red Horseman, 1993","Cuba, 1999","Hong Kong, 2000","America, 2001","Liberty, 2003","Tommy Carmellini Series:","Liars and Thieves, 2004","The Traitor, 2006","The Assassin, 2008","The Disciple, 2009","Pirate Alley, 2013","Saucer Series:","Saucer, 2002","Saucer: The Conquest, 2004","Saucer: Savage Planet, 2014","Deep Black Series (first six coauthored with Jim DeFelice; final three coauthored with William H. Keith):","Deep Black, 2003","Biowar, 2004","Dark Zone, 2004","Payback, 2005","Jihad, 2007","Conspiracy, 2008","Arctic Gold, 2009","Sea of Terror, 2010","Death Wave, 2011","Anthologies:","War In The Air: True Accounts, 1996","On Glorious Wings: The Best Flying Stories, 2003","Victory, 2003","Combat, 2001","The Sea Witch, May 2012","Non-fiction/Others:","Fortunes of War, 1998","The Cannibal Queen: A Flight into the Heart of America, 1992","The Garden of Eden, 2006, writing as Eve Adams"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Stephen Coonts, Author, Papers, A\u0026amp;M 4037, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Stephen Coonts, Author, Papers, A\u0026M 4037, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for \u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003e\nThis collection includes the following series:\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 1. Writings; 1985, 2014, undated; box 1 - box 3, folder 2.\u003c/emph\u003e This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 2. Foreign Language Publications; 1990-2004; box 3, unfoldered.\u003c/emph\u003e This series includes six foreign language editions of novels by Coonts.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 3. Correspondence; 1988-2010; box 4 - box 5, folder 4.\u003c/emph\u003e This series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 4. Movie Material; 1989 - 1991, undated; box 5, folder 5 - box 6, folder 1.\u003c/emph\u003e This series includes two typescript movie scripts for \u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e, as well as press kit material.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 5. Clippings; 1988-1995; box 6, folders 2-5.\u003c/emph\u003e This series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2015/01/15. 1986-2009; boxes 7-30.\u003c/emph\u003e This series includes books (mostly foreign language editions) and papers.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2017/11/29. 2015-2016; boxes 31-34.\u003c/emph\u003e This series contains three drafts of Coonts' novel \"The Great Republic.\"\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2017/12/05. 1998-2000; box 34.\u003c/emph\u003e This series contains one signed book, \"Fortunes of War,\" and one program from \"An Afternoon with Author Stephen Coontz.\"\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2018/04/09. 2017; box 35.\u003c/emph\u003e This series contains three copies of \u003cemph render=\"italic\"\u003eThe Armageddon File\u003c/emph\u003e: an audiobook on disc, an uncorrected page proof, and a signed copy of the hardcover.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2019/11/05. 2019; box 36.\u003c/emph\u003e This series contains one uncorrected page proof of \u003ctitle\u003eThe Russia Account\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAddendum of 2021/06/05. 1984; box 36.\u003c/emph\u003e This series contains original typescript draft of \u003ctitle\u003eFlight of the Intruder\u003c/title\u003e.\u003c/p\u003e  ","\u003cp\u003eThis series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.\u003c/p\u003e","\u003cp\u003eThis series includes six foreign language editions of novels by Coonts.\u003c/p\u003e","\u003cp\u003eThis series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.\u003c/p\u003e","\u003cp\u003eThis series includes two typescript movie scripts for \u003cemph render=\"italic\"\u003e Flight of the Intruder\u003c/emph\u003e , as well as press kit material.\u003c/p\u003e","\u003cp\u003eThis series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.\u003c/p\u003e","\u003cp\u003eThis series includes books (mostly foreign language editions) and papers.\u003c/p\u003e","\u003cp\u003eThis series contains three drafts of Coonts' novel \"The Great Republic.\"\u003c/p\u003e","\u003cp\u003eAdvanced uncorrected proof (uncorrected page proof) of \u003ctitle\u003eThe Russia Account\u003c/title\u003e by Stephen Coontz.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFor Each Other\u003c/title\u003e (Original typescript draft of the first book authored by Coonts which was adapted into the motion picture \u003ctitle\u003eFlight of the Intruder\u003c/title\u003e. Notes by Coonts: \"Original manuscript of Stephen Coonts [sic] 1st book - before name changed and edited. Sent to Bob by Stephen as they were friends in navy.\"  Coonts also said that \"... this is one of the first drafts, undoubtedly similar to the ones that made the rounds of the publishers and the US Naval Institute finally decided to publish, after a long edit and some serious rewriting.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for Flight of the Intruder.","This collection includes the following series:","Series 1. Writings; 1985, 2014, undated; box 1 - box 3, folder 2. This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.","Series 2. Foreign Language Publications; 1990-2004; box 3, unfoldered. This series includes six foreign language editions of novels by Coonts.","Series 3. Correspondence; 1988-2010; box 4 - box 5, folder 4. This series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.","Series 4. Movie Material; 1989 - 1991, undated; box 5, folder 5 - box 6, folder 1. This series includes two typescript movie scripts for Flight of the Intruder, as well as press kit material.","Series 5. Clippings; 1988-1995; box 6, folders 2-5. This series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.","Addendum of 2015/01/15. 1986-2009; boxes 7-30. This series includes books (mostly foreign language editions) and papers.","Addendum of 2017/11/29. 2015-2016; boxes 31-34. This series contains three drafts of Coonts' novel \"The Great Republic.\"","Addendum of 2017/12/05. 1998-2000; box 34. This series contains one signed book, \"Fortunes of War,\" and one program from \"An Afternoon with Author Stephen Coontz.\"","Addendum of 2018/04/09. 2017; box 35. This series contains three copies of The Armageddon File: an audiobook on disc, an uncorrected page proof, and a signed copy of the hardcover.","Addendum of 2019/11/05. 2019; box 36. This series contains one uncorrected page proof of The Russia Account.","Addendum of 2021/06/05. 1984; box 36. This series contains original typescript draft of Flight of the Intruder.","This series includes typescript drafts of books written by Coonts. Many include a handwritten note by the author, written when he donated these materials in 2014.","This series includes six foreign language editions of novels by Coonts.","This series includes mostly incoming letters, as well as clippings, typescripts, cards, photographs, and printed material. Materials include biographical information on Coonts (box 4, folder 1), speeches prepared by Coonts, letters from fans, and letters from business associates.","This series includes two typescript movie scripts for  Flight of the Intruder , as well as press kit material.","This series includes chiefly newspaper and magazine clippings, most of which contain reviews or commentaries of work by Coonts.","This series includes books (mostly foreign language editions) and papers.","This series contains three drafts of Coonts' novel \"The Great Republic.\"","Advanced uncorrected proof (uncorrected page proof) of The Russia Account by Stephen Coontz.","For Each Other (Original typescript draft of the first book authored by Coonts which was adapted into the motion picture Flight of the Intruder. Notes by Coonts: \"Original manuscript of Stephen Coonts [sic] 1st book - before name changed and edited. Sent to Bob by Stephen as they were friends in navy.\"  Coonts also said that \"... this is one of the first drafts, undoubtedly similar to the ones that made the rounds of the publishers and the US Naval Institute finally decided to publish, after a long edit and some serious rewriting.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_23a6258c16e847cb5d9ae3780eeb662a\"\u003ePapers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for \u003cemph render=\"italic\"\u003eFlight of the Intruder\u003c/emph\u003e. See Scope and Content note for more details. See Historical Note for more information about Stephen Coonts.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of Stephen P. Coonts, American thriller and suspense novelist born in Buckhannon, West Virginia. Includes typescripts, printed material, letters, clippings, photographs, and other material regarding the author's publications. Highlights include typescript drafts of some of his books, foreign language editions of some of his books, letters from fans, and typescript movie scripts for Flight of the Intruder. See Scope and Content note for more details. See Historical Note for more information about Stephen Coonts."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b95a616938d0c009a205e03064c207a4\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Adams, Eve, 1946-","Coonts, Stephen, 1946-"],"names_coll_ssim":["Adams, Eve, 1946-","Coonts, Stephen, 1946-"],"names_ssim":["West Virginia and Regional History Center","Adams, Eve, 1946-","Coonts, Stephen, 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4874_c01"}},{"id":"viu_repositories_3_resources_1884_c02","type":"Series","attributes":{"title":"Writings and Professional Activities:, 1974/1998","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1884_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1884_c02","ref_ssm":["viu_repositories_3_resources_1884_c02"],"id":"viu_repositories_3_resources_1884_c02","ead_ssi":"viu_repositories_3_resources_1884","_root_":"viu_repositories_3_resources_1884","_nest_parent_":"viu_repositories_3_resources_1884","parent_ssi":"viu_repositories_3_resources_1884","parent_ssim":["Kenneth W. Thompson Papers, 1972/1999"],"parent_ids_ssim":["viu_repositories_3_resources_1884"],"title_filing_ssi":"Writings and Professional Activities:","title_ssm":["Writings and Professional Activities:"],"title_tesim":["Writings and Professional Activities:"],"normalized_title_ssm":["Writings and Professional Activities:, 1974/1998"],"text":["Writings and Professional Activities:, 1974/1998","Kenneth W. Thompson Papers, 1972/1999"],"parent_unittitles_ssm":["Kenneth W. Thompson Papers, 1972/1999"],"parent_unittitles_tesim":["Kenneth W. Thompson Papers, 1972/1999"],"normalized_date_ssm":["1974/1998"],"unitdate_inclusive_ssm":["1974-1998"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":49,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Kenneth W. Thompson Papers, 1972/1999"],"has_online_content_ssim":["false"],"child_component_count_isi":19,"parent_access_restrict_tesm":["This collection is open for access with the following exceptions:","This collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Original digital media (floppy disks, zip disks, thumb drives,) and other AV media formats such as LPs, audiocassettes, videotapes, reel-to-reel, DVD etc.) cannot be handled directly by patrons. Appointments must be made to request these items. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials or for further information.","Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:28:59.529Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1884","ead_ssi":"viu_repositories_3_resources_1884","_root_":"viu_repositories_3_resources_1884","_nest_parent_":"viu_repositories_3_resources_1884","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1884.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/241089","title_filing_ssi":"Thompson, Kenneth W. Papers","title_ssm":["Kenneth W. Thompson Papers"],"title_tesim":["Kenneth W. Thompson Papers"],"unitdate_ssm":["1972-1999"],"unitdate_inclusive_ssm":["1972-1999"],"normalized_date_ssm":["1972/1999"],"normalized_title_ssm":["Kenneth W. Thompson Papers, 1972/1999"],"text":["Kenneth W. Thompson Papers, 1972/1999","MSS 12788-a","Archival Resource Key","/repositories/3/resources/1884","University of Virginia -- Miller Center of Public Affairs","University of Virginia -- Faculty","This collection is open for access with the following exceptions:","This collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Original digital media (floppy disks, zip disks, thumb drives,) and other AV media formats such as LPs, audiocassettes, videotapes, reel-to-reel, DVD etc.) cannot be handled directly by patrons. Appointments must be made to request these items. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials or for further information.","Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","Kenneth Thompson (August 29, 1921 - February 2, 2013) was an American political scientist, author, and scholar of international relations known for his contributions to normative theory and the tradition of political realism. He received his Ph.D. in political science from the University of Chicago in 1950, where he studied under Hans J. Morgenthau, and subsequently held teaching positions at the University of Chicago and Northwestern University.","From 1955 to 1975, Thompson worked in international education and philanthropy, serving as vice president for international programs at the Rockefeller Foundation. He joined the faculty of the University of Virginia in 1975 as Commonwealth Professor of Government and Foreign Affairs and became director of the Miller Center of Public Affairs, a position he held until 1998.","During his tenure at the Miller Center, Thompson played a central role in shaping the institution's mission and programs, including the development of the Presidential Oral History Program, the Forum Program, and a series of bipartisan national commissions addressing issues such as presidential disability and the federal judicial selection process. His leadership contributed significantly to the study of the American presidency, public policy, and political history at the University of Virginia.","Thompson authored and edited numerous works on international relations, foreign policy, and political thought, and was a key figure in sustaining and advancing classical realist tradition in the twentieth century. His scholarship emphasized the importance of historical context, moral complexity, and the balance of power in international affairs.","This is the second half of this collection. You can find a guide to the first half of the collection at this web address: https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu03323.xml","The Kenneth W. Thompson Papers document the professional activities of Kenneth W. Thompson, particularly his tenure as director of the Miller Center of Public Affairs from 1978 to 1998. The collection consists primarly of correspondence, along with writings and materials related to conferences, lectures, and institutional planning.","The Correspondence series, which comprises the majority of the collection, includes exchanges with prominent political figures and scholars such as Henry Kissinger, Richard Nixon, Condoleezza Rice, and David Rockefeller. These materials reflect Thompson's role in fostering dialogue on political thought, ethics, and public policy.","Additional materials include newspaper and magazine clippings, annual meeting files, lecture and conference materials, addresses, invitations, and institutional documents such as the Miller Center's Ten Year Plan and Executive Summary.","The collection is organized into two series: Correspondence and Writings and Professional Activities, and dates from 1972 to 1999.","Because of the assembled nature of this collection, copyright status varies across the collection. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Kenneth W. Thompson Papers, 1972/1999"],"collection_ssim":["Kenneth W. Thompson Papers, 1972/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 12788-a","Archival Resource Key","/repositories/3/resources/1884"],"unitid_tesim":["MSS 12788-a","Archival Resource Key","/repositories/3/resources/1884"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"access_subjects_ssim":["University of Virginia -- Miller Center of Public Affairs","University of Virginia -- Faculty"],"access_subjects_ssm":["University of Virginia -- Miller Center of Public Affairs","University of Virginia -- Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["53 Cubic Feet 53 record cartons"],"extent_tesim":["53 Cubic Feet 53 record cartons"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for access with the following exceptions:\u003c/p\u003e","\u003cp\u003e\nThis collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives,) and other AV media formats such as LPs, audiocassettes, videotapes, reel-to-reel, DVD etc.) cannot be handled directly by patrons. Appointments must be made to request these items. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials or for further information.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for access with the following exceptions:","This collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Original digital media (floppy disks, zip disks, thumb drives,) and other AV media formats such as LPs, audiocassettes, videotapes, reel-to-reel, DVD etc.) cannot be handled directly by patrons. Appointments must be made to request these items. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request form (https://small.library.virginia.edu/services/reference-request) to request access to these materials or for further information.","Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eKenneth Thompson (August 29, 1921 - February 2, 2013) was an American political scientist, author, and scholar of international relations known for his contributions to normative theory and the tradition of political realism. He received his Ph.D. in political science from the University of Chicago in 1950, where he studied under Hans J. Morgenthau, and subsequently held teaching positions at the University of Chicago and Northwestern University.\u003c/p\u003e","\u003cp\u003eFrom 1955 to 1975, Thompson worked in international education and philanthropy, serving as vice president for international programs at the Rockefeller Foundation. He joined the faculty of the University of Virginia in 1975 as Commonwealth Professor of Government and Foreign Affairs and became director of the Miller Center of Public Affairs, a position he held until 1998.\u003c/p\u003e","\u003cp\u003eDuring his tenure at the Miller Center, Thompson played a central role in shaping the institution's mission and programs, including the development of the Presidential Oral History Program, the Forum Program, and a series of bipartisan national commissions addressing issues such as presidential disability and the federal judicial selection process. His leadership contributed significantly to the study of the American presidency, public policy, and political history at the University of Virginia.\u003c/p\u003e","\u003cp\u003eThompson authored and edited numerous works on international relations, foreign policy, and political thought, and was a key figure in sustaining and advancing classical realist tradition in the twentieth century. His scholarship emphasized the importance of historical context, moral complexity, and the balance of power in international affairs.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Kenneth Thompson (August 29, 1921 - February 2, 2013) was an American political scientist, author, and scholar of international relations known for his contributions to normative theory and the tradition of political realism. He received his Ph.D. in political science from the University of Chicago in 1950, where he studied under Hans J. Morgenthau, and subsequently held teaching positions at the University of Chicago and Northwestern University.","From 1955 to 1975, Thompson worked in international education and philanthropy, serving as vice president for international programs at the Rockefeller Foundation. He joined the faculty of the University of Virginia in 1975 as Commonwealth Professor of Government and Foreign Affairs and became director of the Miller Center of Public Affairs, a position he held until 1998.","During his tenure at the Miller Center, Thompson played a central role in shaping the institution's mission and programs, including the development of the Presidential Oral History Program, the Forum Program, and a series of bipartisan national commissions addressing issues such as presidential disability and the federal judicial selection process. His leadership contributed significantly to the study of the American presidency, public policy, and political history at the University of Virginia.","Thompson authored and edited numerous works on international relations, foreign policy, and political thought, and was a key figure in sustaining and advancing classical realist tradition in the twentieth century. His scholarship emphasized the importance of historical context, moral complexity, and the balance of power in international affairs."],"prefercite_html_tesm":["\u003cp\u003eMSS12788-a, Kenneth W. Thompson Papers, Albert and Shirley Small Special Collections Library, University of Virginia Library\u003c/p\u003e  "],"prefercite_tesim":["MSS12788-a, Kenneth W. Thompson Papers, Albert and Shirley Small Special Collections Library, University of Virginia Library"],"relatedmaterial_html_tesm":["\u003cp\u003eThis is the second half of this collection. You can find a guide to the first half of the collection at this web address: https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu03323.xml\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This is the second half of this collection. You can find a guide to the first half of the collection at this web address: https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu03323.xml"],"scopecontent_html_tesm":["\u003cp\u003eThe Kenneth W. Thompson Papers document the professional activities of Kenneth W. Thompson, particularly his tenure as director of the Miller Center of Public Affairs from 1978 to 1998. The collection consists primarly of correspondence, along with writings and materials related to conferences, lectures, and institutional planning.\u003c/p\u003e","\u003cp\u003eThe Correspondence series, which comprises the majority of the collection, includes exchanges with prominent political figures and scholars such as Henry Kissinger, Richard Nixon, Condoleezza Rice, and David Rockefeller. These materials reflect Thompson's role in fostering dialogue on political thought, ethics, and public policy.\u003c/p\u003e","\u003cp\u003eAdditional materials include newspaper and magazine clippings, annual meeting files, lecture and conference materials, addresses, invitations, and institutional documents such as the Miller Center's Ten Year Plan and Executive Summary.\u003c/p\u003e","\u003cp\u003eThe collection is organized into two series: Correspondence and Writings and Professional Activities, and dates from 1972 to 1999. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kenneth W. Thompson Papers document the professional activities of Kenneth W. Thompson, particularly his tenure as director of the Miller Center of Public Affairs from 1978 to 1998. The collection consists primarly of correspondence, along with writings and materials related to conferences, lectures, and institutional planning.","The Correspondence series, which comprises the majority of the collection, includes exchanges with prominent political figures and scholars such as Henry Kissinger, Richard Nixon, Condoleezza Rice, and David Rockefeller. These materials reflect Thompson's role in fostering dialogue on political thought, ethics, and public policy.","Additional materials include newspaper and magazine clippings, annual meeting files, lecture and conference materials, addresses, invitations, and institutional documents such as the Miller Center's Ten Year Plan and Executive Summary.","The collection is organized into two series: Correspondence and Writings and Professional Activities, and dates from 1972 to 1999."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. You are free to use materials in the collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:59.529Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1884_c02"}},{"id":"viu_repositories_3_resources_595_c05","type":"Series","attributes":{"title":"Writings and Publications, 1966/2001","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_595_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_595_c05","ref_ssm":["viu_repositories_3_resources_595_c05"],"id":"viu_repositories_3_resources_595_c05","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","parent_ssi":"viu_repositories_3_resources_595","parent_ssim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"parent_ids_ssim":["viu_repositories_3_resources_595"],"title_filing_ssi":"Writings and Publications","title_ssm":["Writings and Publications"],"title_tesim":["Writings and Publications"],"normalized_title_ssm":["Writings and Publications, 1966/2001"],"text":["Writings and Publications, 1966/2001","Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","English"],"parent_unittitles_ssm":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"parent_unittitles_tesim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"normalized_date_ssm":["1966/2001"],"unitdate_inclusive_ssm":["1966-2001"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":41,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"language_ssim":["English"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"_nest_path_":"/components#4","timestamp":"2026-06-23T07:29:24.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_595","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_595.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/516","title_filing_ssi":"Robinson, Armstead L., papers","title_ssm":["Armstead L. Robinson papers"],"title_tesim":["Armstead L. Robinson papers"],"unitdate_ssm":["1848-2001","1967-1992"],"unitdate_inclusive_ssm":["1848-2001"],"unitdate_bulk_ssim":["1967-1992"],"normalized_date_ssm":["1848/2001, bulk 1967/1992"],"normalized_title_ssm":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"text":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","MSS 12836","Archival Resource Key","/repositories/3/resources/595","Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans","Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)","The collection is open for research use.","Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.","Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor.","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41).","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12).","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.","The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails.","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]","Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.","Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995","English"],"collection_title_tesim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"collection_ssim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"unitid_tesim":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"geogname_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"places_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"creator_ssm":["Robinson, Armstead L., 1947-1995"],"creator_ssim":["Robinson, Armstead L., 1947-1995"],"creator_persname_ssim":["Robinson, Armstead L., 1947-1995"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Robinson, Armstead L., 1947-1995","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"acqinfo_ssim":["Donated by Prof. Mildred W. Robinson, 12 June 2003;  \nTransfer by University of Virginia Press acquisitions editor Richard K. Holway, 9 August 2005; Tranfer by Carter G. Woodson Institute for Afro-American and African Studies, 2 October 2008."],"access_subjects_ssim":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"access_subjects_ssm":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"extent_tesim":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"genreform_ssim":["Audiocassettes.","letters (correspondence)"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eOriginal order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:\u003c/p\u003e \n    \n","\u003cp\u003eSeries 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  \u003c/p\u003e\n","\u003cp\u003eSeries 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).\u003c/p\u003e\n","\u003cp\u003eSeries 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.\u003c/p\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters."],"bioghist_html_tesm":["\u003cp\u003eArmstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.\u003c/p\u003e\n\n\n","\u003cp\u003eRobinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. \u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).\u003c/p\u003e\n    \n\n","\u003cp\u003eIt is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). \u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). \u003c/p\u003e  \n    \n\n","\u003cp\u003eHe served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor.","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41).","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12).","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory."],"prefercite_html_tesm":["\u003cp\u003eMSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e\n\n\n","\u003cp\u003eThe scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.\u003c/p\u003e\n    \n\n","\u003cp\u003e\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.\u003c/p\u003e\n    \n\n","\u003cp\u003eAs to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.\u003c/p\u003e \n    \n\n","\u003cp\u003eProminent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.\u003c/p\u003e\n    \n    ","\u003cp\u003eThe collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. \u003c/p\u003e\n  ","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"\u003c/p\u003e","\u003cp\u003eArmistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"\u003c/p\u003e","\u003cp\u003e1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]\u003c/p\u003e","\u003cp\u003e37 maps.\u003c/p\u003e","\u003cp\u003eThe ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails.","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"Pre 1865, 1865, 1866, 1867, 1868, 1869, 1866 (again), Not yet Filed, 1870 (2)\"","Armistead L. Robinson, Scholar of the House Thesis, Yale University, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870\": Research note cards (5x8 multicolored-lined):\"1865, 1866 (2), 1867, 1869, 1865, 1866, 1867, 1868, 1869 (again), 1870 (2), Not Yet Filed, 1865, 1867, 1868, 1869, 1870, Not Yet Filed, 1865, 1866,1867, 1868,1869,1870, Not Yet Filed, 1865,1866, 1867, 1868, 1869, 1870 Not Yet Filed, 1865, 1866, General Patterns, A-W\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"A-W and unrelated miscellaneous note cards","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Maps, Official Documents, Government Documents: Federal, Guides to Manuscript Collections, Guide to Printed Materials, Special Collections, Printed Public Documents, Miscellaneous Documents, Newspapers (4), Urban Directories and State Gazetteers, Periodicals, Personal Collections, Published Letters and Papers, Printed Correspondence, Memoirs, and Autobiographies, Diaries and Journals, Memoirs and Contemporary Accounts, Contemporary Periodicals, Contemporary Books and Pamhlets (2)\" and \"Regional and State Slavery Studies\"","Armistead L. Robinson dissertation, University of Rochester, \"Day of Jubilo: The Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865\": Bibliographic note cards (5x8 white-lined): \"Works Dealing Chiefly With the South, Biography, Biographical Studies, Agriculture, Manufacturing, Commerce, and Transportation, The Southern Frontier, Biography, Biographies, Articles in Periodicals and Publications, General American History, State and Local History, Politics, Political and Social Change, Miltary Studies, General and Special Histories, American History: Special Topics, The Wilkinson-Burr Intrigues\"","1. The Emancipation of the Negroes, January, 1863 [January 24, 1863]\n2. Colored Troops, Under General Wild, Liberating Slaves in North Carolina [January 23, 1864] 3. A Negro Regiment In Action [March 14, 1863] 4. The Negro In The War–Various Employments of The Colored Men in The Federal Army [undated] 6. Negroes Escaping Out of Slavery [May 7, 1864] 7. Plantation Police, or Home Guard, Examining Passes on the Road Leading to the Levee of the Mississippi River [May 11, 1863] 8. Emancipated Slaves, White and Colored [January 20, 1864] 9. President Lincoln Riding Through Richmond, April 4, 1865, Immediately After The Evacuation of The City By General Lee [undated] 10. The First Vote [November 16, 1867] 11. The First Colored Senator and Representatives [undated] 12. A Remarkable Event in the History of the National Congress–The Honorable  John Willis Menard, Colored Representative From Louisiana, Receiving the Congratulations of His Friends On The Floor of the House, Dec. 7th, 1868 [undated] 13. Flower Sellers In The Market at Washington, D. C./Free Municipal Election in Richmond Since the End of The War–Registration of Colored Voters [June 4, 1870]\n14. Celebration of the Abolition of Slavery in the District of Columbia by the Colored People, in Washington, April 19, 1866/A Political discussion [May 12, 1866]\n15. Educating the Freedmen/St. Philip's Church, Richmond, Virginia–School For Colored Children [May 25, 1867]\n16. Zion School For Colored Children, Charleston, South Carolina [December 15, 1866]\n17. Cotton Team In North Carolina [May 12, 1866]\n18. Our Cotton Campaign in South Carolina–Gathering, Picking and Shipping The Cotton Crops of The Sea Islands, Port Royal By The Federal Army, Under General Sherman [February 15, 1862] 19. Rice Culture on the Ogeechee, Near Savannah [January 5, 1867]\n20. Cotton Culture In The South [n. d.]","37 maps.","The ten maps in this group were reprinted in George B. Davis, Leslie J. Perry, Joseph W. Kirkley; compiled by Calvin D. Cowles, The Official Military Atlas of the Civil War, with an Introduction by Richard Sommers (New York: The Fairfax Press, 1983) [other publishers: New York: Gramercy Books; Avenel, N. J.: distributed by Outlook Book Company, 1983]"],"userestrict_html_tesm":["\u003cp\u003eSeveral folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Robinson, Armstead L., 1947-1995"],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:24.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_595_c05"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":21},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":475},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce 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