{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Box\u0026page=48","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Box\u0026page=47","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Box\u0026page=49","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=Box\u0026page=50"},"meta":{"pages":{"current_page":48,"next_page":49,"prev_page":47,"total_pages":50,"limit_value":10,"offset_value":470,"total_count":495,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_595_c05_c08","type":"Box","attributes":{"title":"Various writing and publications, 1976/1995","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_595_c05_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_595_c05_c08","ref_ssm":["viu_repositories_3_resources_595_c05_c08"],"id":"viu_repositories_3_resources_595_c05_c08","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595_c05","parent_ssi":"viu_repositories_3_resources_595_c05","parent_ssim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","Writings and Publications, 1966/2001"],"parent_ids_ssim":["viu_repositories_3_resources_595","viu_repositories_3_resources_595_c05"],"title_filing_ssi":"Various writing and publications","title_ssm":["Various writing and publications"],"title_tesim":["Various writing and publications"],"normalized_title_ssm":["Various writing and publications, 1976/1995"],"text":["Various writing and publications, 1976/1995","Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","Writings and Publications, 1966/2001","box 40","English"],"parent_unittitles_ssm":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","Writings and Publications, 1966/2001"],"parent_unittitles_tesim":["Armstead L. 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Robinson papers, 1848/2001, bulk 1967/1992"],"extent_ssm":["1 Cubic Feet 1 c.f. box."],"extent_tesim":["1 Cubic Feet 1 c.f. box."],"containers_ssim":["box 40"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"language_ssim":["English"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"_nest_path_":"/components#4/components#7","timestamp":"2026-08-14T22:54:12.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_595","ead_ssi":"viu_repositories_3_resources_595","_root_":"viu_repositories_3_resources_595","_nest_parent_":"viu_repositories_3_resources_595","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_595.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/516","title_filing_ssi":"Robinson, Armstead L., papers","title_ssm":["Armstead L. Robinson papers"],"title_tesim":["Armstead L. Robinson papers"],"unitdate_ssm":["1848-2001","1967-1992"],"unitdate_inclusive_ssm":["1848-2001"],"unitdate_bulk_ssim":["1967-1992"],"normalized_date_ssm":["1848/2001, bulk 1967/1992"],"normalized_title_ssm":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"text":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992","MSS 12836","Archival Resource Key","/repositories/3/resources/595","Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans","Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)","The collection is open for research use.","Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.","Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor.","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41).","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12).","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.","The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails.","Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.","Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995","English"],"collection_title_tesim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"collection_ssim":["Armstead L. Robinson papers, 1848/2001, bulk 1967/1992"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"unitid_tesim":["MSS 12836","Archival Resource Key","/repositories/3/resources/595"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"geogname_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"places_ssim":["Slave trade-United States-History","United States -- History -- Civil War, 1861-1865 -- African Americans"],"creator_ssm":["Robinson, Armstead L., 1947-1995"],"creator_ssim":["Robinson, Armstead L., 1947-1995"],"creator_persname_ssim":["Robinson, Armstead L., 1947-1995"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Robinson, Armstead L., 1947-1995","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"acqinfo_ssim":["Donated by Prof. Mildred W. Robinson, 12 June 2003;  \nTransfer by University of Virginia Press acquisitions editor Richard K. Holway, 9 August 2005; Tranfer by Carter G. Woodson Institute for Afro-American and African Studies, 2 October 2008."],"access_subjects_ssim":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"access_subjects_ssm":["Slavery--United States--History--19th Century","African Americans -- Study and teaching","African Americans -- History -- 1863-1877","Audiocassettes.","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"extent_tesim":["38 Cubic Feet 34 cubic boxes, 5 card file boxes, 3 clamshell boxes, and 1 oversize box"],"genreform_ssim":["Audiocassettes.","letters (correspondence)"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eOriginal order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:\u003c/p\u003e \n    \n","\u003cp\u003eSeries 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.\n  \u003c/p\u003e\n","\u003cp\u003eSeries 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).\u003c/p\u003e\n","\u003cp\u003eSeries 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters.\u003c/p\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Original order has been preserved as much as possible; several original boxes (Boxes 15-19 [note cards] and 26-28 [1880 census schedules]) was retained because of the size of their particular contents. Items with no ostensible order have been organized with similar materials. Folders, with some exceptions, are arranged alphabetically within each series and their contents chronologically. Throughout the collection Robinson is occasionally addressed as \"ALR,\" \"Armstead Robinson,\" \"Armstead L. Robinson,\" \"Prof. Robinson,\" \"Robbie\" or \"Robby.\" Some folders abbreviate Robinson's name as \"ALR,\" particularly in Series 5; his Bitter Fruits of Bondage folders are occasionally abbreviated as \"BFOB. The collection is arranged in six series:","Series 1: Correspondence, 1967-1995 (0.5 c.f., Box 1).  This series consists of the bulk of Robinson's general correspondence, 1967-1995, but researchers should note that other correspondence is available throughout Series 2, 3, 4 and 5. Letters of interest include a letter of Whitney Moore Young Jr. of the National Urban League, promising assistance to Robinson, August 18, 1969. Much of Robinson's 1971 correspondence, while an assistant professor of Black Studies at State University of New York at Stony Brook, consists of his research inquiries relating to Black life in Memphis, Tennessee; there are also references to an accident he suffered, December 7 and 15, 1971.  There are several interesting letters during the 1980s (however, researchers should note the absence of 1982, 1988 and 1989 letters in the general \"Correspondence\" folders), especially Robinson's letter of  resignation from the University of California at Los Angeles, May 13, 1980; many of his May 1980 letters pertain to his University of Virginia faculty appointment. Also of interest: a March 26, 1981 letter from Robinson to John Wilkinson, Alumni Affairs Development, Yale University, seeking financial assistance for the daughter of  University of Virginia faculty colleague Vivian V. Gordon; November 23, 1981, to the Rector of the Board of Visitors, Virginia Commonwealth University, expressing opposition to the proposed consolidation of its library system with the school's Visual Education Services; December 9, 1981, to the editor of The Harvard Magazine, describing Robinson's role in the establishment of a Black Studies program at Yale University; March 1984 correspondence with Molefi Kete Asante (founder of Afrocentricity and a Black Studies proponent) accusing Robinson of falsely claiming to have been founding director of the Center for Afro-American Studies at the University of California at Los Angeles.","Series 2: Academic Career, 1964-1969 (4.5 c.f., Boxes 1-5).  This series is concerned with Robinson's academic career and is divided into four subseries; there is some chronological and historical overlap among the folders.\nSubseries A: Yale University (Boxes 1-3) chiefly concerns Robinson's work with the Black Student Alliance at Yale (BSAY), its 1968 symposium \"Black Studies in the University,\" and seven audiotape reel recordings of the symposium's proceedings later transcribed, published and edited by Robinson and others as Black Studies in the University: A Symposium (New Haven: Yale University Press, 1969). Symposium participants included McGeorge Bundy; Lawrence Chisolm; Harold Cruse; Robert Dahl; Nathan Hare; Ron \"Maulana\" Karenga; Martin Kilson, Jr.; Sidney W. Mintz; Boniface I. Obichere; Donald Ogilvie; Alvin Poussaint; Edwin S. Redkey; Charles Henry Taylor, Jr.; Farris Thompson, and Gerald A. McWorter.\nSubseries B: State University of New York (Box 4) is concerned with Robinson's faculty career and early interest in Black Studies. \nSubseries C: University of California at Los Angeles and the University of Rochester, New York (Box 4)includes Robinson's UCLA class lecture notes and papers while a Rochester doctoral student. \nSubseries D: University of Virginia (Boxes 4-5)represents the longest and final phase of Robinson's academic career. Included are lecture notes, syllabi, course evaluations, and various topical and subject files including folders for colleagues Matthew W. Holden Jr., Nathan A. Scott, Jr., and Jeanne Maddox Toungara; the Carter G. Woodson Institute for Afro-American and African Studies (researchers should note that the majority of the Woodson Institute's papers, including those during Robinson's tenure, are retained there and may not yet be available for public research); the Corcoran Department of History (with correspondence and memoranda of Edward L. Ayers and Edwin E. Floyd concerning Robinson's appointment and tenure); the Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (a university committee Robinson co-chaired); the Office of Afro-American Affairs (1986 letters to University of Virginia president Robert O'Neil in defense of OAAA dean Paul L. Puryear and critical of the handling of his resignation as dean and the controversy surrounding it), and, the transcribed remarks of  F. (Frederick) Palmer Weber (labor and civil rights activist.","Series 3: Subject and Topical Files (Boxes 5-11) consists of alphabetized subject and topical folders of select individuals followed by those of organizations and groups.  Among the prominent correspondents (Boxes 5-7): Herbert Aptheker, Ira Berlin, LaWanda F. Cox, Stanley L. Engerman, Michael W. Fitzgerald, John Hope Franklin, Eugene D. Genovese, Herbert Gutman, Stephen Hahn, Vincent Harding, Darlene Clark Hine, C. Stuart McGehee, Pauline Maier, August Meier, Nell Irvin Painter, Lewis Perry, Edwin S. Redkey, William Scarborough, Robert Brent Toplin, Edmund S. Wehrle, and C. Vann Woodward. Folders of some of  Robinson's former students are also present.","Series 4: Research Materials (Boxes 11-32)is the collection's largest series and contains research materials, 1850-1995, on the American Civil War, African-American history, Robinson's dissertation and Bitter Fruits of Bondage book, and census projects. (His extensive census research is filed at the end of this series). The majority of nineteenth century material are photocopies. Folders are arranged alphabetically, and several contain materials cited in Bitter Fruits of Bondage. Folders of interest include: \"First Africans in Virginia (Jamestown)\" (Box 11); \"Memphis Social History Project/Memphis Leadership Project\" (Robinson's letter of June 17, 1977 describes this project as having been conceived by him in 1966, while a junior at Yale, as a history of the Black community in Memphis) (Box 12); \"Research Material: Reconstruction: Black Political Leaders in Memphis, Tennessee (city directory and census data)\" (Box 14).Census materials comprise the latter part of Series IV, and at twelve boxes are the largest groups of materials in the series and the collection (Boxes 20-32).","Series 5: Writings and Publications (Boxes 32-42)the collection's second largest series, contains Robinson's writings, publications and manuscripts of his Yale honors' thesis, University of Rochester dissertation \"Day of Jubilo\" [formerly \"Cotton, Contrabands, and Mr. Lincoln's War\"], Bitter Fruits of Bondage (Boxes 32-38), articles, book reviews, public and conference lectures. These folders are arranged alphabetically by title and chronologically within title headings. Some of Robinson's manuscripts were critiqued on his behalf by colleagues and fellow historians such as Ira Berlin, Edward L. Ayers, Michael F. Holt, Michael Johnson, Julie S. Jones, Theresa M. Towner, and Bell Irvin Wiley.","Series 6: Oversize (Oversize Box U-10) is the last for the collection. Items are arranged chronologically and include: a photostatic copy of a 1863 letter from James Seddon, Confederate secretary of war, to Jefferson Davis; two pencil and ink sketches of Carter G. Woodson; a 1994 certificate declaring Robinson an honorary citizen of Natchez, Mississippi; an incomplete numbered set of \"Images of Afro-Americans of the Emancipation Era\" (Hodges Publications); University of North Carolina Department of Geography census templates and demographic maps; photostatic copies of Civil War maps from National Archives (Washington, D.C.) record group numbers 77 and 94, and speaking engagement posters."],"bioghist_html_tesm":["\u003cp\u003eArmstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.\u003c/p\u003e\n\n\n","\u003cp\u003eRobinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor. \u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).\u003c/p\u003e\n    \n\n","\u003cp\u003eIt is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41). \u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12). \u003c/p\u003e  \n    \n\n","\u003cp\u003eHe served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].\u003c/p\u003e\n    \n\n","\u003cp\u003eRobinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Armstead Louis Robinson was born on April 30, 1947 in New Orleans, Louisiana, the son of Reverend Dr. DeWitt Robinson (a Lutheran clergyman) and Ruth Dickinson Robinson. He attended segregated New Orleans public schools (Trinity Lutheran Elementary and Rivers Frederick Junior High), and Hamilton High School in Memphis, Tennessee, from which he graduated with honors in 1964.","Robinson enrolled at Yale University in 1964 as one of eighteen African-American men (out of 1,061 men admitted that year) and received a bachelor's degree in History and graduated with honors and distinction in 1969 for his Scholar of the House thesis, \"In the Aftermath of Slavery: Blacks and Reconstruction in Memphis and Shelby County, Tennessee, 1865-1870.\" As a Yale student Robinson helped create an undergraduate Black Studies program culminating in a 1968 symposium, \"Black Studies in the University,\" and co-edited the conference anthology, Black Studies in the University; A Symposium (Yale University Press, 1969), one of the first books on Black Studies. This experience led to his lifelong interest in promoting Black Studies. While at Yale, Robinson began his teaching career with a lecture series on Black History for the New Haven, Connecticut public school system as well as elementary school day sessions and junior high school evening sessions during 1966-1968.","Robinson was a member of the dean's list (1967-1969), captain of Yale's ROTC Rifle Team (1966-1968), recipient of the 1968 Von Snidren Prize for book collecting, and a member of the Black Student Alliance at Yale (BSAY). As an alumnus he served on the Yale Development Board (1983-1988), the Association of Yale Alumni Board of Governors (1981-1986), and the Yale University Council (1977-1995), of which he served as president during 1981-1986. In 1987 he was the recipient of the Yale Medal for Distinguished Service, his alma mater's highest alumni honor.","Robinson briefly attended Yale Divinity School (1968-1970) before withdrawing to become a visiting professor at Southern Illinois University, in Carbondale, Illinois (1970), an assistant professor of Africana Studies at the State University of New York, SUNY-Stony Brook, and assistant professor of Africana and Afro-American Studies, SUNY Brockport (1970-1973). Later, Robinson was a visiting scholar or professor of history at the National Humanities Center (Research Triangle Park, North Carolina), Southwestern at Memphis [now Rhodes College], and Smith College, Massachusetts (Box 10), and the University of Richmond (Box 11).","It is unknown exactly when and why Robinson decided to become a Civil War historian. While an assistant history professor at the University of California, Los Angeles (UCLA), 1973-1980), he began work on his dissertation at the University of Rochester, New York, where he was mentored by two of America's leading historians, Stanley L. Engerman and Eugene D. Genovese. Genovese was among the scholars who early recognized Robinson's talents as a historian. In his seminal study Roll, Jordan, Roll: The World The Slaves Made (1974), Genovese cited Robinson's thesis (pp. 700n26 and 725n4) as \"'In the Aftermath of Slavery: Blacks and Reconstruction in Memphis, Tennessee, 1865-1870,' unpubl. undergraduate thesis, Yale University, 1969\" (Boxes 5, 6, 15-16, 40-41).","Robinson received a Doctorate of Philosophy with Honors from the University of Rochester in 1977 for his dissertation \"Day of Jubilo: Civil War and the Demise of Slavery in the Mississippi Valley, 1861-1865.\" In 1980 he joined the University of Virginia faculty as an associate professor in the Corcoran Department of History and was also appointed the first director of the Carter G. Woodson Institute for Afro-American and African Studies; as director he was the general editor of the Carter G. Woodson Series in Black Studies published by the University Press of Virginia and retained these positions until his death. In a June 25, 1980 letter to James T. McIntosh, editor of the Papers of Jefferson Davis, Robinson noted the racial and cultural significance of his Virginia appointment: \"I am happier than I can possibly express to be able to return home to the south, particularly at UVA where I am scheduled to teach . . .  I am indeed excited about the day when a southern black can teach southern and Civil War/Reconstruction history at a major southern university\" (folder \"Papers of Jefferson Davis,\" Box 12).","He served on numerous university committees during his career. At the University of California, Los Angeles, he was a member of: the Faculty Senate (1975-1979); the American Field Written Comprehensive Examination Committee (1976-1979; chairman, 1977-1979), and, the Fellowships Committee, Center for Afro-American Studies (1975-1980; chairman, 1977-1980). While at the University of Virginia he was a member of the Faculty Steering Committee for Major in Afro-American and African Studies (1980-1995); the Faculty Senate (1981-1984; 1987-1990); the Afro-American Faculty-Staff Forum (1982-1984); the Presidential Advisory Committee on Equal Employment Opportunity and Affirmative Action (1992-1995), and co-chairman, Venable Lane Burial Site Task Force/Catherine \"Kitty\" Foster Homesite (1993-1995). Other notable committee service consisted of the Planning Committee, Booker T. Washington Commemoration, Booker T. Washington National Monument (1983-1984); the Jefferson Davis Book Award Committee (1989-1991; chairman, 1991); the Abraham Lincoln Prize National Advisory Committee (1990-1995); the Afro-American Studies Advisory Committee, Princeton University (1991-1995), and the James Monroe Papers Advisory Board at Ash Lawn-Highland (1992-1997).","Robinson received numerous awards and scholarly recognitions including the Ford Foundation Fund for Distinguished Black Scholars (1971); the UCLA Faculty Career Development Award (1979-1980); the Carter G. Woodson Award, Journal of Negro History (1981); Fellow at the National Humanities and National Research Council (1984-1985); Jefferson Davis Memorial Lecturer, Museum of the Confederacy, Richmond, Virginia (1990); William Allan Neilson Research Professor, Smith College (1991-1992); Louis P. Gottschalk Memorial Lecturer, University of Louisville (1994), and the Jessie Ball DuPont Visiting Professor, University of Richmond (1994-1995). The Virginia State Library Board of Trustees issued a 1990 resolution of thanks for his service during 1984-1989 while a member of its board of trustees, and Robinson was declared an honorary citizen of Natchez, Mississippi in 1994. He was a member of several scholarly organizations including the American Historical Association, the American Studies Association, the Association for the Study of Afro-American Life and History, the Organization of American Historians, and the Southern Historical Association.","Robinson published extensively. He co-edited Black Studies in the University: A Symposium (1969) [Boxes 1-2]; The African Religious Tradition: Historiography (Associated Publishers, 1987), and New Directions in Civil Rights Studies (University Press of Virginia, 1991). His posthumous magnum opus, Bitter Fruits of Bondage: The Demise of Slavery and the Collapse of the Confederacy, 1861-1865 (University of Virginia Press, 2005), was nationally acclaimed (Boxes 32-38). The author of several articles, essays and book reviews, Robinson's most significant articles include: \"In the Shadow of Old John Brown: Insurrection Anxiety and Confederate Mobilization, 1861-1863,\" Journal of Negro History (Fall 1980) [Box 41]; \"Beyond the Realm of Social Consensus: New Meanings of Reconstruction for American History,\" The Journal of American History (September 1981) [Box 32], and, \"Reassessing the First Reconstruction: Lost Opportunity or Tragic Era,\" Reviews in American History, (March 1978) [Box 42]. He also wrote the foreword to Calder Loth's Virginia Landmarks of Black History: Sites on the Virginia Landmarks Register and the National Register of Historic Places (University Press of Virginia, 1995) [Box 42].","Robinson married Mildred (Wigfall) Ravenell, a University of Virginia law professor, at the university's Colonnade Club in 1987. He died of complications from a brain aneurysm at the University of Virginia Medical Center, Charlottesville, on August 28, 1995, at the age of forty-eight. He was survived by his wife Mildred and their daughter Allison; his mother Ruth Robinson; his sisters DeWittress Taylor and Miriam Elmore and a brother, Llewlyn Robinson; two stepchildren, and a host of nieces, nephews and relatives. After a funeral on September 5, 1995, Robinson was interred at Cross of Cavalry Lutheran Church Cemetery in Memphis, Tennessee. A two-hour memorial \"Service of Thanksgiving,\" attended by nearly 500 colleagues, family and friends, was held on September 29, 1995 at the University of Virginia's Old Cabell Hall auditorium. The Armstead L. Robinson Fellowship Fund was established at the Carter G. Woodson Institute for Afro-American and African Studies in his memory."],"prefercite_html_tesm":["\u003cp\u003eMSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 12836, Armstead Robinson Papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.\u003c/p\u003e\n\n\n","\u003cp\u003eThe scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.\u003c/p\u003e\n    \n\n","\u003cp\u003e\n    \n    Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.\u003c/p\u003e\n    \n\n","\u003cp\u003eAs to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.\u003c/p\u003e \n    \n\n","\u003cp\u003eProminent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.\u003c/p\u003e\n    \n    ","\u003cp\u003eThe collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails. \u003c/p\u003e\n  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Armstead L. Robinson papers(1848-2001; 43 cubic feet) consist of audiotapes; book reviews; census material; computer printouts; conference papers; correspondence; biographical information; instructional material; lectures and speeches; manuscripts and original writings by Robinson, his colleagues and students; maps; memorabilia; microfilm; organizational and professional files; photographs; printed items, and research and topical files. Most of the nineteenth century material is in the form of photocopies.","The scope of this collection is national. Professor Robinson's papers are reflective of the life and career of a nationally active professional historian and educator. Topics of interest include: African-American history; African-American life in Memphis and Shelby County, Tennessee, 1840s-1880s; life as an African-American student at Yale University during the 1960s; the development of Black Studies during the 1960s; life as an African-American faculty member at the State University of New York (SUNY), the University of California at Los Angeles (UCLA), and the University of Virginia during the 1970s, 1980s and 1990s; slavery in the Confederacy; the nineteenth century American South, especially during the Civil War and Reconstruction; and the modern Civil Rights Movement. Several organizations of interest to Robinson include but are not limited to: Antioch College; Association for the Study of Negro Life and History (Association for the Study of Afro-American Life and History); the Black Student Alliance at Yale (BSAY); the Booker T. Washington National Monument; Corporate/Community Schools of America; the Martin Luther King, Jr. Memorial Center and Institute of the Black World; National Humanities Center (Research Triangle Park, North Carolina); Papers of Jefferson Davis; the University of California, Berkeley; the University of California at Los Angeles; the University of Rochester; the University of Virginia; the Virginia State Library Board, and Yale University.","Robinson corresponded with numerous fellow scholars, historians and prominent persons: Herbert Aptheker (1915-2003), historian; Molefi Kete Asante (b. 1942), founder of Afrocentricity and proponent of Black Studies; Ira Berlin (b. 1941), American historian; John B. Boles (b. 1943), historian and managing editor, Journal of Southern History; F. N. Boney, historian; Arna Wendell Bontemps (1902-1973), educator, librarian and Harlem Renaissance novelist; McGeorge Bundy (1919–1996), United States National Security Advisor and head of the Ford Foundation; Austin C. Clarke (b. 1934), Afro-Canadian novelist; John F. Cooke (president, The Disney Channel/Walt Disney Company); Emâilia Viotti da Costa, historian of Brazil; LaWanda F. Cox (1909-2005), historian; Lynda Lasswell Crist (Papers of Jefferson Davis); Merle Curti (1897-1997), American social and intellectual historian; Mary Seaton Dix (Papers of Jefferson Davis); Stanley L. Engerman (b. 1936), economic historian; Karen E. Fields, director, Frederick Douglass Institute for African and African-Americans Studies, University of Rochester; Michael W. Fitzgerald (b. 1956), historian; Harold E. Ford [Harold Eugene Ford, Sr., b.1945], U. S. congressman from Tennessee; Elizabeth Fox-Genovese (1941-2007), historian; John Hope Franklin (1915-2009), American historian; George M. Fredrickson (b. 1934), historian; Eugene D. Genovese (1930-2012), historian; Henry Louis \"Skip\" Gates Jr. (b. 1950); A. Bartlett Giamatti (1938-1989), Yale president (and later commissioner of Major League Baseball); Herbert Gutman (1928-1985), historian; Stephen Hahn (b. 1950), Faulkner scholar; Vincent Harding (b. 1931), historian; Nathan Hare (b. 1933), sociologist, psychotherapist, and a founder of the Black Studies movement; Darlene Clark Hine (b. 1947), historian; Alton Hornsby (Journal of Negro History); C. Stuart McGehee, historian; Ron \"Maulana\" Karenga (b. 1941), a leader of the Black Studies movement and founder of Kwanzaa, a cultural celebration of African-American culture and community; Lauranett Lee (later curator of African American History, Virginia Historical Society, Richmond, Virginia); James T. McIntosh (Papers of Jefferson Davis); Pauline Maier (b. 1938), professor of American History, Massachusetts Institute of Technology; August Meier (1923-2003), historian; Nell Irvin Painter (b. 1942), historian; Lewis C. Perry (b. 1938), historian and editor of The Journal of American History; Edwin S. Redkey (b. 1931), American historian; Joseph Reidy (b. 1948); Dan Roberts, University of Richmond; Leslie S. Rowland, historian; William Scarborough, historian, University of Southern Mississippi; Daryl M. Scott (later a Howard University professor of history and vice president for programs, and member of the Association for the Study of African American Life and History's executive council); Robert Brent Toplin (b. 1940), American historian; Edmund S. Wehrle, University of Connecticut; C. Vann Woodward (1908-1999), American historian; Karen L. Wysocki,  and, Whitney Moore Young Jr. (1921-1971), executive director of the National Urban League, Inc., and American civil rights leader.","As to be expected, there is correspondence with several University of Virginia colleagues: Edward L. Ayers (b. 1953), Corcoran Department of History; William A. Elwood (1932-2002), professor of English and associate dean of the Graduate School of Arts and Sciences; Edwin E. Floyd, dean of the Faculty of Arts and Sciences; Matthew Holden, Jr. (b. 1931), Henry L. and Grace M. Doherty Professor, Woodrow Wilson Department of Government and Foreign Affairs; Michael F. Holt, Corcoran Department of History; Ervin L. Jordan Jr. (b. 1954), Special Collections Department, Alderman Library; Robert O'Neil, president of the University of Virginia; Nathan Alexander Scott, Jr. (1925-2006), Commonwealth Professor of Religious Studies; Jeanne Maddox Toungara, Corcoran Department of History, and, Theresa M. Towner, Department of English.","Prominent persons mentioned in the collection include: Howard K. Beale (1897-1959), a University of North Carolina historian; Reginald Butler, Corcoran Department of History, and Robinson's successor as director of the Carter G. Woodson Institute for Afro-American and African studies; Lawrence Chisolm, historian, State University of New York at Buffalo; Robert R. Church [Robert Reed Church, Sr.] (1839-1912), business leader and the South's first African-American millionaire; Eldridge Cleaver (1935-1998), a founder of the Black Panther Party; Harold Cruse (1916-2005), historian and proponent of Black Studies; Philip D. Curtin (b. 1922), historian; Robert Dahl (b. 1915), Yale political scientist; St. Clair Drake (1911-1990), sociologist, anthropologist and educator; Alex Dupuy, historian of Haiti; Drew Gilpin Faust (b. 1947), American historian; Robert W. Fogel (b. 1926), American historian; Vivian V. Gordon (1934-1995), sociologist; Martin Kilson, Jr., political scientist, Harvard University; James Armistead Lafayette (1760-1832), African-American slave and spy; Alan Lomax (1915-2002), folklorist and musicologist; Gerald A. McWorter, political scientist, Spelman College, and a founder of the Black Studies movement; Sidney W. Mintz (b. 1922), anthropologist; Boniface I. Obichere (1933-1997), historian; Donald Ogilvie (Yale student); Dorothy B. Porter [Dorothy Porter Wesley]; Alvin Poussaint (b. 1934), psychiatrist; Paul L. Puryear (1930-2010), dean of the Office of Afro-American Affairs, University of Virginia; John T. Schlotterbeck (b. 1948), historian; Henry Taylor, Jr. (b. 1928), educator and psychoanalyst; William Shockley (1910-1989), American physicist and eugenicist; F. (Frederick) Palmer Weber (1914-1986), labor and civil rights activist; Charles Harris Wesley (1891-1987), an African-American historian; Bell Irwin Wiley (1906-1980), American Civil War historian; Carter G. Woodson (1875-1950), \"the Father of Negro History,\" and George Carlton Wright, vice provost of the University of Texas at Austin.","The collection has been organized into six series: Corespondence, Academic Career, Topical Files, Research Materials, Writings and Publications, and Oversize materails."],"userestrict_html_tesm":["\u003cp\u003eSeveral folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Several folders of \"Research Materials: Civil War\" in Boxes 12-14 include photocopies of materials from various research and academic institutions; researchers should note that most do not permit the reproduction of their materials held by other institutions without their express written permission."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Robinson, Armstead L., 1947-1995"],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson, Armstead L., 1947-1995"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:12.250Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_595_c05_c08"}},{"id":"wvmturhc_repositories_2_resources_3918_c10_c13","type":"Box","attributes":{"title":"Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc., 1980/1998","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c10_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c10_c13","ref_ssm":["wvmturhc_repositories_2_resources_3918_c10_c13"],"id":"wvmturhc_repositories_2_resources_3918_c10_c13","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c10","parent_ssi":"wvmturhc_repositories_2_resources_3918_c10","parent_ssim":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007","Series 10. Slides in Sleeves [boxes 122-134], 1980/1998"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c10"],"title_filing_ssi":"Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc.","title_ssm":["Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc."],"title_tesim":["Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc."],"normalized_title_ssm":["Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc., 1980/1998"],"text":["Warby and Dave Selby at CAC Event - Concert Gala, Evangelist in front of Mountainlair, Mountaineer Week, Woodburn/Chitwood/Martin Hall in Snow, Core Arboretum, Governors School for Math and Science, Agriculture and Forestry - Student - Kearneysville, Spraying Equipment, Presidents Office - Hardesty on Couch, NASA Building, Waterfalls on Laurel Run Stream, 1996 Olympics - WVU People, etc., 1980/1998","West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007","Series 10. Slides in Sleeves [boxes 122-134], 1980/1998","Box 134"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007","Series 10. Slides in Sleeves [boxes 122-134], 1980/1998"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007","Series 10. Slides in Sleeves [boxes 122-134], 1980/1998"],"normalized_date_ssm":["1980/1998"],"unitdate_inclusive_ssm":["1980–1998"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[2],"sort_isi":1708,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007"],"containers_ssim":["Box 134"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"_nest_path_":"/components#9/components#12","timestamp":"2026-08-14T23:09:58.095Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"unitdate_bulk_ssim":["1950-2007"],"normalized_date_ssm":["1890/2007, bulk 1950/2007"],"normalized_title_ssm":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007"],"text":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007","A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University  -- Students","No special access restriction applies.","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series:\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\nSeries 12. Transparencies 8 x 10; undated; box 139.\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\nSeries 15. Miscellaneous Material; undated; box 145.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"collection_title_tesim":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007"],"collection_ssim":["West Virginia University, News Service, Photographs, 1890/2007, bulk 1950/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"creators_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University  -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University  -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series:\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\nSeries 12. Transparencies 8 x 10; undated; box 139.\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\nSeries 15. Miscellaneous Material; undated; box 145."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The Real Side, 1994","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3373_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3373_c66","ref_ssm":["wvmturhc_repositories_2_resources_3373_c66"],"id":"wvmturhc_repositories_2_resources_3373_c66","ead_ssi":"wvmturhc_repositories_2_resources_3373","_root_":"wvmturhc_repositories_2_resources_3373","_nest_parent_":"wvmturhc_repositories_2_resources_3373","parent_ssi":"wvmturhc_repositories_2_resources_3373","parent_ssim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3373"],"title_filing_ssi":"Watkins, Mel. The Real Side","title_ssm":["Watkins, Mel. The Real Side"],"title_tesim":["Watkins, Mel. The Real Side"],"normalized_title_ssm":["Watkins, Mel. The Real Side, 1994"],"text":["Watkins, Mel. The Real Side, 1994","Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004","Box 3"],"parent_unittitles_ssm":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"parent_unittitles_tesim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"normalized_date_ssm":["1994"],"unitdate_other_ssim":["1994"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":66,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"containers_ssim":["Box 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1994],"_nest_path_":"/components#65","timestamp":"2026-08-14T23:09:12.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3373","ead_ssi":"wvmturhc_repositories_2_resources_3373","_root_":"wvmturhc_repositories_2_resources_3373","_nest_parent_":"wvmturhc_repositories_2_resources_3373","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3373.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197295","title_ssm":["Henry Louis Gates, Jr., Professor, Galley Copies of Books"],"title_tesim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books"],"unitdate_ssm":["1978-2012","1990-2004"],"unitdate_inclusive_ssm":["1978-2012"],"unitdate_bulk_ssim":["1990-2004"],"normalized_date_ssm":["1978/2012, bulk 1990/2004"],"normalized_title_ssm":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"text":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004","A\u0026M 4038","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3373","No special access restriction applies.","Henry Louis \"Skip\" Gates, Jr., (born September 16, 1950) is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Literary scholar, filmmaker, journalist, cultural critic, and institution builder, Professor Gates has authored seventeen books and created thirteen documentary films and film series. Having written for such leading publications as \"The New Yorker\", \"The New York Times\", and \"Time\", Professor Gates serves as editor-in-chief of TheRoot.com and oversees the Oxford African American Studies Center. [Adapted from Wikipedia, 2014-09-23.]","There are two books in the History Center book collection regarding the history of the Gates family:\n1. Ailes, Jane E. The Descendants of Jane Gates. Henry Louis Gates, Jr., 2008. (WVC, 929.2, G222ai)\n2. Ailes, Jane and Johnik Cerny. Ancestors of Henry Louis Gates, Jr. in Maryland, Virginia, and West Virginia from Africa, West Africa, and Europe. Boston: New England Historic Genealogical Society, 2010. (WVC, 929.2, G222an)","Galley copies of books delivered to Professor Henry Louis Gates, Jr., apparently for review. Gates is a distinguished scholar of African-American history at Harvard University.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Galley copies of books delivered to Professor Henry Louis Gates, Jr., apparently for review. Gates is a distinguished scholar of African-American history at Harvard University. See Scope and Content Note for contents list.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Gates, Henry Louis, Jr.","English"],"collection_title_tesim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"collection_ssim":["Henry Louis Gates, Jr., Professor, Galley Copies of Books, 1978/2012, bulk 1990/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4038","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3373"],"unitid_tesim":["A\u0026M 4038","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3373"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_persname_ssim":["Gates, Henry Louis, Jr."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Gates, Henry Louis, Jr.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["8.75 Linear Feet Summary: 8 ft. 9 in. (7 record cartons, 15 in. each)"],"extent_tesim":["8.75 Linear Feet Summary: 8 ft. 9 in. (7 record cartons, 15 in. each)"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eHenry Louis \"Skip\" Gates, Jr., (born September 16, 1950) is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Literary scholar, filmmaker, journalist, cultural critic, and institution builder, Professor Gates has authored seventeen books and created thirteen documentary films and film series. 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Gates is a distinguished scholar of African-American history at Harvard University.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Galley copies of books delivered to Professor Henry Louis Gates, Jr., apparently for review. Gates is a distinguished scholar of African-American history at Harvard University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e08910ccc9f76de1fc63bee72a0ca9f8\"\u003eGalley copies of books delivered to Professor Henry Louis Gates, Jr., apparently for review. Gates is a distinguished scholar of African-American history at Harvard University. See Scope and Content Note for contents list.\u003c/abstract\u003e\n    "],"abstract_tesim":["Galley copies of books delivered to Professor Henry Louis Gates, Jr., apparently for review. Gates is a distinguished scholar of African-American history at Harvard University. See Scope and Content Note for contents list."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0a6f94bc1b31eb57e7169b113eaf8b3d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Gates, Henry Louis, Jr."],"names_coll_ssim":["Gates, Henry Louis, Jr."],"names_ssim":["West Virginia and Regional History Center","Gates, Henry Louis, Jr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:09:12.130Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3373_c66"}},{"id":"viu_repositories_3_resources_1772_c105","type":"Box","attributes":{"title":"Weddings, 1974/2008","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c105#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c105","ref_ssm":["viu_repositories_3_resources_1772_c105"],"id":"viu_repositories_3_resources_1772_c105","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings","title_ssm":["Weddings"],"title_tesim":["Weddings"],"normalized_title_ssm":["Weddings, 1974/2008"],"text":["Weddings, 1974/2008","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_102A"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1974/2008"],"unitdate_inclusive_ssm":["1974-2008"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":105,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_102A"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"_nest_path_":"/components#104","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["James G. Carpenter"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"creators_ssim":["James G. Carpenter","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c105"}},{"id":"viu_repositories_3_resources_1772_c106","type":"Box","attributes":{"title":"Weddings, 1974/2008","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c106#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c106","ref_ssm":["viu_repositories_3_resources_1772_c106"],"id":"viu_repositories_3_resources_1772_c106","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings","title_ssm":["Weddings"],"title_tesim":["Weddings"],"normalized_title_ssm":["Weddings, 1974/2008"],"text":["Weddings, 1974/2008","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_102B"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1974/2008"],"unitdate_inclusive_ssm":["1974-2008"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":106,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_102B"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"_nest_path_":"/components#105","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["James G. Carpenter"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"creators_ssim":["James G. Carpenter","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c106"}},{"id":"viu_repositories_3_resources_1772_c124","type":"Box","attributes":{"title":"Weddings, 1994/2017","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c124#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c124","ref_ssm":["viu_repositories_3_resources_1772_c124"],"id":"viu_repositories_3_resources_1772_c124","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings","title_ssm":["Weddings"],"title_tesim":["Weddings"],"normalized_title_ssm":["Weddings, 1994/2017"],"text":["Weddings, 1994/2017","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_113"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1994/2017"],"unitdate_inclusive_ssm":["1994-2017"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":124,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_113"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#123","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c124"}},{"id":"viu_repositories_3_resources_1772_c119","type":"Box","attributes":{"title":"Weddings A-C, 1994/1995","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c119#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c119","ref_ssm":["viu_repositories_3_resources_1772_c119"],"id":"viu_repositories_3_resources_1772_c119","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings A-C","title_ssm":["Weddings A-C"],"title_tesim":["Weddings A-C"],"normalized_title_ssm":["Weddings A-C, 1994/1995"],"text":["Weddings A-C, 1994/1995","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_109"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1994/1995"],"unitdate_inclusive_ssm":["1994-1995"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":119,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_109"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. 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The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["James G. Carpenter"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"creators_ssim":["James G. Carpenter","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. 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Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1994,1995],"_nest_path_":"/components#119","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["James G. Carpenter"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"creators_ssim":["James G. Carpenter","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c120"}},{"id":"viu_repositories_3_resources_1772_c121","type":"Box","attributes":{"title":"Weddings I-M, 1994/1995","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c121#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c121","ref_ssm":["viu_repositories_3_resources_1772_c121"],"id":"viu_repositories_3_resources_1772_c121","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings I-M","title_ssm":["Weddings I-M"],"title_tesim":["Weddings I-M"],"normalized_title_ssm":["Weddings I-M, 1994/1995"],"text":["Weddings I-M, 1994/1995","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_111"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1994/1995"],"unitdate_inclusive_ssm":["1994-1995"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":121,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_111"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1994,1995],"_nest_path_":"/components#120","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:44.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c121"}},{"id":"viu_repositories_3_resources_1772_c122","type":"Box","attributes":{"title":"Weddings N-S, 1994/1995","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1772_c122#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1772_c122","ref_ssm":["viu_repositories_3_resources_1772_c122"],"id":"viu_repositories_3_resources_1772_c122","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","parent_ssi":"viu_repositories_3_resources_1772","parent_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_ids_ssim":["viu_repositories_3_resources_1772"],"title_filing_ssi":"Weddings N-S","title_ssm":["Weddings N-S"],"title_tesim":["Weddings N-S"],"normalized_title_ssm":["Weddings N-S, 1994/1995"],"text":["Weddings N-S, 1994/1995","Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","box ViU2017-0077_112A"],"parent_unittitles_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"parent_unittitles_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"normalized_date_ssm":["1994/1995"],"unitdate_inclusive_ssm":["1994-1995"],"level_ssm":["Box"],"level_ssim":["Box"],"component_level_isim":[1],"sort_isi":122,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"containers_ssim":["box ViU2017-0077_112A"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is unprocessed but available for use."],"parent_access_terms_tesm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1994,1995],"_nest_path_":"/components#121","timestamp":"2026-08-14T22:53:44.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"unitdate_bulk_ssim":["1990-2014"],"normalized_date_ssm":["1972/2016, bulk 1990/2014"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"text":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014","MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077), 1972/2016, bulk 1990/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["James G. Carpenter"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"creators_ssim":["James G. Carpenter","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e  ","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e","\u003cp\u003eSource\u003c/p\u003e","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\" Gitchell's Studio, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A. \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" Daily Progress. (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. 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