{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Item\u0026page=9","prev":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Item\u0026page=8","next":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Item\u0026page=10","last":"https://search.arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=Item\u0026page=416"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":416,"limit_value":10,"offset_value":80,"total_count":4160,"first_page?":false,"last_page?":false}},"data":[{"id":"vifarl_repositories_2_resources_244_c01_c152","type":"Item","attributes":{"title":"Alpha Sigma Alpha X-mas Formal","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifarl_repositories_2_resources_244_c01_c152#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifarl_repositories_2_resources_244_c01_c152","ref_ssm":["vifarl_repositories_2_resources_244_c01_c152"],"id":"vifarl_repositories_2_resources_244_c01_c152","ead_ssi":"vifarl_repositories_2_resources_244","_root_":"vifarl_repositories_2_resources_244","_nest_parent_":"vifarl_repositories_2_resources_244_c01","parent_ssi":"vifarl_repositories_2_resources_244_c01","parent_ssim":["vifarl_repositories_2_resources_244","vifarl_repositories_2_resources_244_c01"],"parent_ids_ssim":["vifarl_repositories_2_resources_244","vifarl_repositories_2_resources_244_c01"],"parent_unittitles_ssm":["Julie Wiley Photograph Collection","Photographs"],"parent_unittitles_tesim":["Julie Wiley Photograph Collection","Photographs"],"text":["Julie Wiley Photograph Collection","Photographs","Alpha Sigma Alpha X-mas Formal","Binder 19"],"title_filing_ssi":"Alpha Sigma Alpha X-mas Formal","title_ssm":["Alpha Sigma Alpha X-mas Formal"],"title_tesim":["Alpha Sigma Alpha X-mas Formal"],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["Alpha Sigma Alpha X-mas Formal"],"component_level_isim":[2],"repository_ssim":["Longwood University"],"collection_ssim":["Julie Wiley Photograph Collection"],"extent_ssm":["1 Photographic Prints"],"extent_tesim":["1 Photographic Prints"],"physfacet_tesim":["Color Photograph"],"dimensions_tesim":["4\"x6\""],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":153,"parent_access_restrict_tesm":["There are no restrictions to access or use for research purposes"],"date_range_isim":[1992],"containers_ssim":["Binder 19"],"_nest_path_":"/components#0/components#151","timestamp":"2026-04-30T21:38:51.133Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifarl_repositories_2_resources_244","ead_ssi":"vifarl_repositories_2_resources_244","_root_":"vifarl_repositories_2_resources_244","_nest_parent_":"vifarl_repositories_2_resources_244","ead_source_url_ssi":"data/oai/LONG/repositories_2_resources_244.xml","title_ssm":["Julie Wiley Photograph Collection"],"title_tesim":["Julie Wiley Photograph Collection"],"unitdate_ssm":["1989-1993"],"unitdate_inclusive_ssm":["1989-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["LU.170"],"text":["LU.170","Julie Wiley Photograph Collection","Longwood University -- History","Women -- Societies and clubs.","There are no restrictions to access or use for research purposes","Julie Wiley Ramsey attended [then] Longwood College from 1988 to 1993. 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The subjects range from sorority and Greek functions, portraits of fellow students, and friend and classmates."],"names_coll_ssim":["Alpha Sigma Alpha","Longwood University"],"names_ssim":["Greenwood Library Archives and Special Collections","Alpha Sigma Alpha","Longwood University"],"corpname_ssim":["Greenwood Library Archives and Special Collections","Alpha Sigma Alpha","Longwood University"],"language_ssim":["English \n.    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Researchers should contact the appropriate organization for assistance in determining the use of these materials. Copyright restrictions may apply. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. It contians oral history interviews with forty African American people from the Roanoke Valley. 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","External Sources:","Harrison Museum of African American Culture,  https://harrisonmuseum.com/about/,  accessed on November 18, 2025."],"odd_html_tesm":["\u003cp\u003eThe guide to the Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts, Ms1992 049, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts, Ms1992 049, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eThese oral history interviews were taken in conjunction with the Harrison Museum of African American Culture. The museum itself contains a plethora of artifacts, manuscript collections, and exhibits about the history of African American life in the Roanoke Valley.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["These oral history interviews were taken in conjunction with the Harrison Museum of African American Culture. The museum itself contains a plethora of artifacts, manuscript collections, and exhibits about the history of African American life in the Roanoke Valley."],"scopecontent_html_tesm":["\u003cp\u003eOral history project designed to interview African American residents of the Roanoke Valley in Virginia. The interviews cover the African American cultural, social, and political history in the Valley. Collection consists of approximately fifty-five interviews. Transcripts are available for forty of the interviews.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Oral history project designed to interview African American residents of the Roanoke Valley in Virginia. The interviews cover the African American cultural, social, and political history in the Valley. Collection consists of approximately fifty-five interviews. Transcripts are available for forty of the interviews."],"userestrict_html_tesm":["\u003cp\u003eThis oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. Researchers should contact the appropriate organization for assistance in determining the use of these materials. Copyright restrictions may apply. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["This oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. Researchers should contact the appropriate organization for assistance in determining the use of these materials. Copyright restrictions may apply. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08e80823e5222e7dd7bf40194eee437\"\u003eThis oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. It contians oral history interviews with forty African American people from the Roanoke Valley. 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Copyright restrictions may apply. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. 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","External Sources:","Harrison Museum of African American Culture,  https://harrisonmuseum.com/about/,  accessed on November 18, 2025."],"odd_html_tesm":["\u003cp\u003eThe guide to the Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts, Ms1992 049, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Hidden History: The Black Experience in the Roanoke Valley Cassette Tapes and Transcripts, Ms1992 049, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"relatedmaterial_html_tesm":["\u003cp\u003eThese oral history interviews were taken in conjunction with the Harrison Museum of African American Culture. 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Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["This oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. Researchers should contact the appropriate organization for assistance in determining the use of these materials. Copyright restrictions may apply. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08e80823e5222e7dd7bf40194eee437\"\u003eThis oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. It contians oral history interviews with forty African American people from the Roanoke Valley. 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Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08e80823e5222e7dd7bf40194eee437\"\u003eThis oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. It contians oral history interviews with forty African American people from the Roanoke Valley. The interviews are mostly biographical in nature.\u003c/abstract\u003e"],"abstract_tesim":["This oral history project was an agreement between University Libraries and The Harrison Museum of African American Culture. It contians oral history interviews with forty African American people from the Roanoke Valley. The interviews are mostly biographical in nature."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":193,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:26:08.541Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1923_c08_c02"}},{"id":"viw_repositories_2_resources_1149_c03_c02","type":"Item","attributes":{"title":"A Mano Sin Permiso","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1149_c03_c02","ref_ssm":["viw_repositories_2_resources_1149_c03_c02"],"id":"viw_repositories_2_resources_1149_c03_c02","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149_c03","parent_ssi":"viw_repositories_2_resources_1149_c03","parent_ssim":["viw_repositories_2_resources_1149","viw_repositories_2_resources_1149_c03"],"parent_ids_ssim":["viw_repositories_2_resources_1149","viw_repositories_2_resources_1149_c03"],"parent_unittitles_ssm":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters"],"parent_unittitles_tesim":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters"],"text":["Cuban Film Poster collection","Series 3: Accession 2025.038 Eduardo Marin posters","A Mano Sin Permiso","Oversize_Folder 13"],"title_filing_ssi":"A Mano Sin Permiso","title_ssm":["A Mano Sin Permiso"],"title_tesim":["A Mano Sin Permiso"],"unitdate_inclusive_ssm":["Circa 1982-2019"],"normalized_date_ssm":["1982/2019"],"normalized_title_ssm":["A Mano Sin Permiso"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Cuban Film Poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":86,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["Oversize_Folder 13"],"_nest_path_":"/components#2/components#1","timestamp":"2026-04-30T21:56:39.736Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1149","ead_ssi":"viw_repositories_2_resources_1149","_root_":"viw_repositories_2_resources_1149","_nest_parent_":"viw_repositories_2_resources_1149","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1149.xml","title_filing_ssi":"Cuban Film Poster collection","title_ssm":["Cuban Film Poster collection"],"title_tesim":["Cuban Film Poster collection"],"unitdate_ssm":["1962-2018"],"unitdate_inclusive_ssm":["1962-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00080","/repositories/2/resources/1149"],"text":["MS 00080","/repositories/2/resources/1149","Cuban Film Poster collection","Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century","Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.","Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.","Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.","Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677","Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina","Spanish; Castilian English"],"unitid_tesim":["MS 00080","/repositories/2/resources/1149"],"normalized_title_ssm":["Cuban Film Poster collection"],"collection_title_tesim":["Cuban Film Poster collection"],"collection_ssim":["Cuban Film Poster collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"geogname_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"creator_ssm":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creator_persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"creators_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert "],"places_ssim":["Motion pictures--Cuba--History--20th century","Motion pictures--Cuba--History--21st century","Art, Cuban--21st century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2011.691 are posters of two films by director Alfredo Ureta. Acc. 2012.227 also contains postcards with images of Cuban film posters. Acc. 2016.144 is a poster of the film, Café Amargo, directed by Rigoberto Jiménez."],"access_subjects_ssim":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"access_subjects_ssm":["Cuba--Description and travel","Cuba--History--20th century","Cuba--History--21st century"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"altformavail_html_tesm":["\u003cp\u003eDigital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Digital copies of the Cuban film posters can be accessed by clicking on the title of each poster shown under Collection Organization."],"phystech_html_tesm":["\u003cp\u003ePosters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Posters are generally in excellent to good condition with only minor folds and one tear. \"Now!, 1965\" is fragile and may not be serviced due to flaking paint."],"prefercite_html_tesm":["\u003cp\u003eCuban Film Poster collection, Special Collections Research Center, William \u0026amp; Mary Libraies.\u003c/p\u003e"],"prefercite_tesim":["Cuban Film Poster collection, Special Collections Research Center, William \u0026 Mary Libraies."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and minimally processed by Benjamin Bromley in March 2011. Additional information and translations provided by students from Anne Marie Stock's class in April 2011. Acc. 2011.691 accessioned and minimally processed by Benjamin Bromley in December 2011. Acc. 2012.227 accessioned and minimally processed by Benjamin Bromley in June 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSwem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.\u003c/p\u003e\n","\u003cp\u003eInformation about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Swem Library's Special Collections captured websites related to Cuban filmmakers, films, and related topics in May 2011 using the Archive-It web capture tool.","Information about related materials is available at https://archive-it.org/collections/7388bc1f-05f4-4753-8beb-ddb8e3352677"],"scopecontent_html_tesm":["\u003cp\u003ePosters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Posters, from 1962 to 2018, of feature films, documentaries, animated films, film events, and others that were produced in Cuba by Cuban artists. Posters were primarily created by using a silk screen process and were made for both Cuban and non-Cuban films."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Coll, Nestor, b. 1948","Pérez, Antonio (Ñiko), b. 1941","Reboiro, Antonio Fernandez, b. 1935","Ponce, Nelson, b. 1976","Martínez, Raúl, 1927 – 1995","Riera, Samuel","Azcuy, René","Martin, Marcelo ","Rostgaard, Alfredo ","Alucho (Alejandro Rodríguez Fornés)","Donéstevez, Pedro Luis ","Río, Idania del ","Raupa (Raúl Valdés González)","Eloy, Julio","Molto, Eduardo","Delestre, Hubert ","Rodriguez, Ernesto Pina"],"language_ssim":["Spanish; Castilian English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:56:39.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1149_c03_c02"}},{"id":"viw_repositories_2_resources_9805_c07_c01_c09","type":"Item","attributes":{"title":"Americana Back-Up","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c07_c01_c09","ref_ssm":["viw_repositories_2_resources_9805_c07_c01_c09"],"id":"viw_repositories_2_resources_9805_c07_c01_c09","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c07_c01","parent_ssi":"viw_repositories_2_resources_9805_c07_c01","parent_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers","Series VII. Audio-visual materials","Subseries I. Cassette Tape"],"parent_unittitles_tesim":["William 'Bill\" Ross Schermerhorn papers","Series VII. Audio-visual materials","Subseries I. Cassette Tape"],"text":["William 'Bill\" Ross Schermerhorn papers","Series VII. Audio-visual materials","Subseries I. Cassette Tape","Americana Back-Up","box 53"],"title_filing_ssi":"Americana Back-Up","title_ssm":["Americana Back-Up"],"title_tesim":["Americana Back-Up"],"unitdate_inclusive_ssm":["1992"],"normalized_date_ssm":["1992"],"normalized_title_ssm":["Americana Back-Up"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":757,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1992],"containers_ssim":["box 53"],"_nest_path_":"/components#6/components#0/components#8","timestamp":"2026-04-30T22:30:17.085Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"text":["MS 00350","/repositories/2/resources/9805","William 'Bill\" Ross Schermerhorn papers","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books."],"bioghist_html_tesm":["\u003cp\u003eBorn on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026amp; Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026amp; Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e\n","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e\n","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e"],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:17.085Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c09"}},{"id":"viw_repositories_2_resources_9805_c07_c01_c07","type":"Item","attributes":{"title":"Americana II","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c07_c01_c07","ref_ssm":["viw_repositories_2_resources_9805_c07_c01_c07"],"id":"viw_repositories_2_resources_9805_c07_c01_c07","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c07_c01","parent_ssi":"viw_repositories_2_resources_9805_c07_c01","parent_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers","Series VII. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1992],"containers_ssim":["box 53"],"_nest_path_":"/components#6/components#0/components#6","timestamp":"2026-04-30T22:30:17.085Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"text":["MS 00350","/repositories/2/resources/9805","William 'Bill\" Ross Schermerhorn papers","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. 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His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. 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Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:17.085Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c07"}},{"id":"viw_repositories_2_resources_9805_c07_c01_c06","type":"Item","attributes":{"title":"Americana Revue Back-up","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c07_c01_c06","ref_ssm":["viw_repositories_2_resources_9805_c07_c01_c06"],"id":"viw_repositories_2_resources_9805_c07_c01_c06","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c07_c01","parent_ssi":"viw_repositories_2_resources_9805_c07_c01","parent_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers","Series VII. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1992],"containers_ssim":["box 53"],"_nest_path_":"/components#6/components#0/components#5","timestamp":"2026-04-30T22:30:17.085Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9805","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9805.xml","title_filing_ssi":"William \"Bill\"  Ross Schermerhorn papers","title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"unitdate_ssm":["Circa 1980-2022"],"unitdate_inclusive_ssm":["Circa 1980-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00350","/repositories/2/resources/9805"],"text":["MS 00350","/repositories/2/resources/9805","William 'Bill\" Ross Schermerhorn papers","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. Audio Visual materials, Series VII. Artifacts and Ephemera, and Series VIII. Books.","Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.","The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e\n","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e\n","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e"],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:17.085Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c06"}},{"id":"viw_repositories_2_resources_9805_c07_c01_c05","type":"Item","attributes":{"title":"Americana Revue (w/o Dolby)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9805_c07_c01_c05","ref_ssm":["viw_repositories_2_resources_9805_c07_c01_c05"],"id":"viw_repositories_2_resources_9805_c07_c01_c05","ead_ssi":"viw_repositories_2_resources_9805","_root_":"viw_repositories_2_resources_9805","_nest_parent_":"viw_repositories_2_resources_9805_c07_c01","parent_ssi":"viw_repositories_2_resources_9805_c07_c01","parent_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_ids_ssim":["viw_repositories_2_resources_9805","viw_repositories_2_resources_9805_c07","viw_repositories_2_resources_9805_c07_c01"],"parent_unittitles_ssm":["William 'Bill\" Ross Schermerhorn papers","Series VII. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The William Ross Schermerhorm papers are arranged alphabetically by file title into 8 separate series. Series Includes: Series I. Professional Papers, Series II. Printed Materials, Series III.  Personal Papers, Series IV. Oversized, Series V. Pins and Badges, Series VI. 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Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. 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Artifacts, pins and badges present in the collection relate to his time in New York City.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00350","/repositories/2/resources/9805"],"normalized_title_ssm":["William 'Bill\" Ross Schermerhorn papers"],"collection_title_tesim":["William 'Bill\" Ross Schermerhorn papers"],"collection_ssim":["William 'Bill\" Ross Schermerhorn papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"extent_tesim":["125.11 Linear Feet 62 Boxes, 1 Oversized Box, 1, Oversized Folder"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.\u003c/p\u003e\n","\u003cp\u003eIn Spring 2017, Bill was a William \u0026amp; Mary Theatre Department artist-in residence; a William \u0026amp; Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. \u003c/p\u003e\n","\u003cp\u003eSchermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026amp; Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on the Fourth of July, William \"Bill\" Schermerhorn is a two-time Emmy Award-winning songwriter. He graduated from William \u0026 Mary in 1982 with a Bachelor's degree in History. Bill worked for Macy's Parade \u0026 Entertainment Group for three decades, culminating in his position as Vice President/Parade Director from 2001-2016. Beyond his creative contributions to Macy's annual Thanksgiving Day Parade and 4th of July Fireworks, he also wrote and produced numerous Macy's events, including Christmas Tree Lightings, Flower Shows, Gala Store \nOpenings and original Family Musicals with entertainers such as Julie Andrews, Whoopi Goldberg and Idina Menzel. His musical (book/Lyrics) \"Yes, Virginia The Musical\" was the recipient of a Gold and Silver Lion Award at the 2013 Cannes International Festival of Creativity \nand a Gold CLIO Award. Among other musical highlights, \"American River Suite\" debuted at Carnegie Hall in 2009 and \"Free to Dream\" premiered at Joe's Pub in NYC, followed by a production featuring Darlene Love at the Kimball Theatre. Bill was invited to write the lyrics for \"And That's the Way It Is\" to honor legendary newsman Walter Cronkite at his Lincoln Center \nmemorial service.","In Spring 2017, Bill was a William \u0026 Mary Theatre Department artist-in residence; a William \u0026 Mary class workshop of his World War II Musical \"Swing Wings\" was performed. In Spring 2023, \"MADam LUCY, deceased\" was first staged in the Sir Christopher Wren building's Great Hall and, later that fall, opened the new Studio Theatre at PBK. ","Schermerhorn is a member of the American Society of Composers, Authors and Publishers (ASCAP) and The Dramatists Guild Inc and serves on the William \u0026 Mary Alumni Association Board of Directors. He is an honorary U.S. National Park Ranger and is currently the Creative \nDirector for Colonial Williamsburg's Signature Events. Bill resides in Williamsburg with his husband Dan Dutcher."],"prefercite_html_tesm":["\u003cp\u003eWilliam \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026amp; Mary Libaries.\u003c/p\u003e"],"prefercite_tesim":["William \"Bill\" Ross Schermerhorm Papers, Special Collections Research Center, William \u0026 Mary Libaries."],"scopecontent_html_tesm":["\u003cp\u003eThe William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The William Ross Schermerhorn papers contains materials that document the personal and professional career of William Ross Schermerhorn. Papers primarily document Schermerhorn's work for Macys as well as Colonial Williamsburg. Notes and material on his involvement in the Macy's Thanksgiving Day Parade, Macy's Fourth of July Fireworks shows, and other creative endeavors he undertook as Vice President for Macys Parade and Creative Director at Colonial Williamsburg are included. In addition, the collection contains projects he completed for Disney as well as numerous other productions, musicals and sheet music. The papers also contains photographs of his time at Macy's and Audio/ Visual material from his productions.  Artifacts, pins and badges present in the collection relate to his time in New York City."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":911,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:17.085Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9805_c07_c01_c05"}},{"id":"viu_repositories_7_resources_149_c45","type":"Item","attributes":{"title":"American College of Surgeons;","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_149_c45#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes reports related to Medicare.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_149_c45#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_149_c45","ref_ssm":["viu_repositories_7_resources_149_c45"],"id":"viu_repositories_7_resources_149_c45","ead_ssi":"viu_repositories_7_resources_149","_root_":"viu_repositories_7_resources_149","_nest_parent_":"viu_repositories_7_resources_149","parent_ssi":"viu_repositories_7_resources_149","parent_ssim":["viu_repositories_7_resources_149"],"parent_ids_ssim":["viu_repositories_7_resources_149"],"parent_unittitles_ssm":["William H. Muller, Jr. papers"],"parent_unittitles_tesim":["William H. Muller, Jr. papers"],"text":["William H. Muller, Jr. papers","American College of Surgeons;","box 05","folder 005","Includes reports related to Medicare."],"title_filing_ssi":"American College of Surgeons;","title_ssm":["American College of Surgeons;"],"title_tesim":["American College of Surgeons;"],"unitdate_inclusive_ssm":["1990-1992"],"normalized_date_ssm":["1990/1992"],"normalized_title_ssm":["American College of Surgeons;"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William H. Muller, Jr. papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":45,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1990,1991,1992],"containers_ssim":["box 05","folder 005"],"scopecontent_html_tesm":["\u003cp\u003eIncludes reports related to Medicare.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes reports related to Medicare."],"_nest_path_":"/components#44","timestamp":"2026-04-30T22:40:51.662Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_149","ead_ssi":"viu_repositories_7_resources_149","_root_":"viu_repositories_7_resources_149","_nest_parent_":"viu_repositories_7_resources_149","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_149.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133","title_ssm":["William H. Muller, Jr. papers"],"title_tesim":["William H. Muller, Jr. papers"],"unitdate_ssm":["1945-2007"],"unitdate_inclusive_ssm":["1945-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.48","Archival Resource Key","/repositories/7/resources/149"],"text":["MS.48","Archival Resource Key","/repositories/7/resources/149","William H. Muller, Jr. papers","12 boxes, 5\" x 10.5\" x 15.5,\" 5' 5\", 210 folders","Collection is open to research.","Boxes one through four contain personal and professional correspondence arranged alphabetically by name. Also included are news clippings about Dr. Muller. Boxes five through nine contain correspondence and documents related to Dr. Muller's professional organizations and some of his lectures, again arranged alphabetically. The end of box 9 includes photos and miscellaneous clippings. Box 10 contains documents and photos related to the 1989 hospital planning and ground-breaking. Box 11 contains pages from Dr. Muller's scrapbook which covers 1967-1972 and also an architectural drawing of the Medical Center area. Box 12 is stored in the Historical Collections Vault and contains slides showing the progression of the construction process of the 1989 University of Virginia Hospital.","\nDr. William H. Muller, Jr. was born in Dillon, South Carolina, on August 19, 1919, graduated from the McCallie School in Chattanooga, Tennessee, earned his B.S. from The Citadel in 1940, and graduated from Duke University Medical School in 1943. Muller trained under Dr. Alfred Blalock at Johns Hopkins Hospital where he did his internship and residencies in general surgery and cardiovascular surgery. From April 1946 to August 1947 he was a captain stationed overseas with the U.S. Army. He was then in private practice in Dillon for a year before returning to John Hopkins Hospital for further training. He served as an Instructor in Surgery at the Johns Hopkins Medical School for one year prior to taking the position of Assistant Professor of Surgery in 1949 at UCLA and helping to establish a new medical school with Dr. William Longmire. He served for a period of time as Chief of General Surgery and developed a cardiothoracic surgical program in the Harbor General Hospital and the St. John's Hospital because the UCLA Hospital had not yet been completed.\n","\nHe was recruited to come to Charlottesville as Chair of the Department of Surgery and the S. Hurt Watts Professor in 1954. At that time the department had five faculty members. He recruited new faculty whom he helped develop and created a nationally recognized Department of Surgery. He served as Chair until 1982. Dr. Muller became Vice President for Health Affairs in 1976 and held that position until 1987 when he became Special Assistant to the President of the University. He was critical to the creation in 1980 of the Health Services Foundation, an organization that increased the money available for faculty salaries and for running the School of Medicine. He was also a driving force behind the construction of the new University of Virginia Hospital which opened in 1989.\n","\nDr. Muller was a pioneer in the field of heart surgery. When Dr. Blalock operated on the first 'blue baby', a child with a congenital defect known as the \"tetralogy of Fallot,\" Dr. Muller was in the room. While in Los Angeles he developed the pulmonary artery banding procedure and was able to apply it to clinical cases. He shared the honor of being one of two surgeons who performed the earliest total aortic valve replacement in 1958 and designed his own Muller valve from Teflon.\n","\nIn addition to his leadership in California, at the University of Virginia and in clinical medicine, Dr. Muller was involved in many national organizations. He was a founder of the Association for Academic Surgery. He was president of the Society of University Surgeons, the Society for Vascular Surgery, the Southern Surgical Association, and the American Surgical Association. He became a member of the Board of Regents of the American College of Surgeons in 1971, was made Chairman of the Board in 1976, and was President-elect in 1978. He served as President of the College in 1979-1980. Dr. Muller served as an active member of the Executive Committee from 1974 to 1987.\n","\nIn 1968 a group of his former residents created the Muller Surgical Society in his honor. He was the recipient of the Thomas Jefferson Award from the University of Virginia in 1982 and the Walter Reed Distinguished Achievement Award from the UVa Medical Alumni Association in 1997.\n","\nMarried to Hildwin Clare for over 50 years and the father of three children, Dr. Muller retired in 1990. He died in Irvington, Virginia, at the age of 92, on April 19, 2012.\n","Processed by: Historical Collections Staff","The collection includes personal and professional correspondence. Some are family letters, most are professionally related. Included University of Virginia correspondents are John T. Ashley, Robert M. Carey, Rose M. Chioni, Kenneth Crispell, Don E. Detmer, Richard F. Edlich, Frank L. Hereford, R. Scott Jones, Norman J. Knorr, and Robert M. O'Neil. Correspondents outside of UVa include W. G. Anlyan, Willard E. Goodwin, Hiram C. Polk, Mark M. Ravitch, Jonathan E. Rhoads, Robert S. Sparkman, H. William Scott, and Richard L. Varco. Dr. Muller was a member of many organizations and some of those are represented here including the American College of Surgeons, American Surgical Association, Halsted Society, Medical Society of Virginia, Muller Surgical Society, Society of University Surgeons, Southern Society for Clinical Research, and Southern Surgical Association. There is also a 25 page recollection of his time with Dr. Alfred Blalock, a UVa Surgery Department scrapbook, photos, and slides of the construction of the 1989 hospital.","There are no restrictions.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.48","Archival Resource Key","/repositories/7/resources/149"],"normalized_title_ssm":["William H. Muller, Jr. papers"],"collection_title_tesim":["William H. Muller, Jr. papers"],"collection_ssim":["William H. Muller, Jr. papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["The collection was donated to the Claude Moore Health Sciences Library by William H. Muller, Jr. in March 2009."],"has_online_content_ssim":["false"],"physdesc_tesim":["12 boxes, 5\" x 10.5\" x 15.5,\" 5' 5\", 210 folders"],"extent_ssm":["4.58 Linear Feet 12 boxes"],"extent_tesim":["4.58 Linear Feet 12 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eBoxes one through four contain personal and professional correspondence arranged alphabetically by name. Also included are news clippings about Dr. Muller. Boxes five through nine contain correspondence and documents related to Dr. Muller's professional organizations and some of his lectures, again arranged alphabetically. The end of box 9 includes photos and miscellaneous clippings. Box 10 contains documents and photos related to the 1989 hospital planning and ground-breaking. Box 11 contains pages from Dr. Muller's scrapbook which covers 1967-1972 and also an architectural drawing of the Medical Center area. Box 12 is stored in the Historical Collections Vault and contains slides showing the progression of the construction process of the 1989 University of Virginia Hospital.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Boxes one through four contain personal and professional correspondence arranged alphabetically by name. Also included are news clippings about Dr. Muller. Boxes five through nine contain correspondence and documents related to Dr. Muller's professional organizations and some of his lectures, again arranged alphabetically. The end of box 9 includes photos and miscellaneous clippings. Box 10 contains documents and photos related to the 1989 hospital planning and ground-breaking. Box 11 contains pages from Dr. Muller's scrapbook which covers 1967-1972 and also an architectural drawing of the Medical Center area. Box 12 is stored in the Historical Collections Vault and contains slides showing the progression of the construction process of the 1989 University of Virginia Hospital."],"bioghist_html_tesm":["\u003cp\u003e\nDr. William H. Muller, Jr. was born in Dillon, South Carolina, on August 19, 1919, graduated from the McCallie School in Chattanooga, Tennessee, earned his B.S. from The Citadel in 1940, and graduated from Duke University Medical School in 1943. Muller trained under Dr. Alfred Blalock at Johns Hopkins Hospital where he did his internship and residencies in general surgery and cardiovascular surgery. From April 1946 to August 1947 he was a captain stationed overseas with the U.S. Army. He was then in private practice in Dillon for a year before returning to John Hopkins Hospital for further training. He served as an Instructor in Surgery at the Johns Hopkins Medical School for one year prior to taking the position of Assistant Professor of Surgery in 1949 at UCLA and helping to establish a new medical school with Dr. William Longmire. He served for a period of time as Chief of General Surgery and developed a cardiothoracic surgical program in the Harbor General Hospital and the St. John's Hospital because the UCLA Hospital had not yet been completed.\n\u003c/p\u003e","\u003cp\u003e\nHe was recruited to come to Charlottesville as Chair of the Department of Surgery and the S. Hurt Watts Professor in 1954. At that time the department had five faculty members. He recruited new faculty whom he helped develop and created a nationally recognized Department of Surgery. He served as Chair until 1982. Dr. Muller became Vice President for Health Affairs in 1976 and held that position until 1987 when he became Special Assistant to the President of the University. He was critical to the creation in 1980 of the Health Services Foundation, an organization that increased the money available for faculty salaries and for running the School of Medicine. He was also a driving force behind the construction of the new University of Virginia Hospital which opened in 1989.\n\u003c/p\u003e","\u003cp\u003e\nDr. Muller was a pioneer in the field of heart surgery. When Dr. Blalock operated on the first 'blue baby', a child with a congenital defect known as the \"tetralogy of Fallot,\" Dr. Muller was in the room. While in Los Angeles he developed the pulmonary artery banding procedure and was able to apply it to clinical cases. He shared the honor of being one of two surgeons who performed the earliest total aortic valve replacement in 1958 and designed his own Muller valve from Teflon.\n\u003c/p\u003e","\u003cp\u003e\nIn addition to his leadership in California, at the University of Virginia and in clinical medicine, Dr. Muller was involved in many national organizations. He was a founder of the Association for Academic Surgery. He was president of the Society of University Surgeons, the Society for Vascular Surgery, the Southern Surgical Association, and the American Surgical Association. He became a member of the Board of Regents of the American College of Surgeons in 1971, was made Chairman of the Board in 1976, and was President-elect in 1978. He served as President of the College in 1979-1980. Dr. Muller served as an active member of the Executive Committee from 1974 to 1987.\n\u003c/p\u003e","\u003cp\u003e\nIn 1968 a group of his former residents created the Muller Surgical Society in his honor. He was the recipient of the Thomas Jefferson Award from the University of Virginia in 1982 and the Walter Reed Distinguished Achievement Award from the UVa Medical Alumni Association in 1997.\n\u003c/p\u003e","\u003cp\u003e\nMarried to Hildwin Clare for over 50 years and the father of three children, Dr. Muller retired in 1990. He died in Irvington, Virginia, at the age of 92, on April 19, 2012.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nDr. William H. Muller, Jr. was born in Dillon, South Carolina, on August 19, 1919, graduated from the McCallie School in Chattanooga, Tennessee, earned his B.S. from The Citadel in 1940, and graduated from Duke University Medical School in 1943. Muller trained under Dr. Alfred Blalock at Johns Hopkins Hospital where he did his internship and residencies in general surgery and cardiovascular surgery. From April 1946 to August 1947 he was a captain stationed overseas with the U.S. Army. He was then in private practice in Dillon for a year before returning to John Hopkins Hospital for further training. He served as an Instructor in Surgery at the Johns Hopkins Medical School for one year prior to taking the position of Assistant Professor of Surgery in 1949 at UCLA and helping to establish a new medical school with Dr. William Longmire. He served for a period of time as Chief of General Surgery and developed a cardiothoracic surgical program in the Harbor General Hospital and the St. John's Hospital because the UCLA Hospital had not yet been completed.\n","\nHe was recruited to come to Charlottesville as Chair of the Department of Surgery and the S. Hurt Watts Professor in 1954. At that time the department had five faculty members. He recruited new faculty whom he helped develop and created a nationally recognized Department of Surgery. He served as Chair until 1982. Dr. Muller became Vice President for Health Affairs in 1976 and held that position until 1987 when he became Special Assistant to the President of the University. He was critical to the creation in 1980 of the Health Services Foundation, an organization that increased the money available for faculty salaries and for running the School of Medicine. He was also a driving force behind the construction of the new University of Virginia Hospital which opened in 1989.\n","\nDr. Muller was a pioneer in the field of heart surgery. When Dr. Blalock operated on the first 'blue baby', a child with a congenital defect known as the \"tetralogy of Fallot,\" Dr. Muller was in the room. While in Los Angeles he developed the pulmonary artery banding procedure and was able to apply it to clinical cases. He shared the honor of being one of two surgeons who performed the earliest total aortic valve replacement in 1958 and designed his own Muller valve from Teflon.\n","\nIn addition to his leadership in California, at the University of Virginia and in clinical medicine, Dr. Muller was involved in many national organizations. He was a founder of the Association for Academic Surgery. He was president of the Society of University Surgeons, the Society for Vascular Surgery, the Southern Surgical Association, and the American Surgical Association. He became a member of the Board of Regents of the American College of Surgeons in 1971, was made Chairman of the Board in 1976, and was President-elect in 1978. He served as President of the College in 1979-1980. Dr. Muller served as an active member of the Executive Committee from 1974 to 1987.\n","\nIn 1968 a group of his former residents created the Muller Surgical Society in his honor. He was the recipient of the Thomas Jefferson Award from the University of Virginia in 1982 and the Walter Reed Distinguished Achievement Award from the UVa Medical Alumni Association in 1997.\n","\nMarried to Hildwin Clare for over 50 years and the father of three children, Dr. Muller retired in 1990. He died in Irvington, Virginia, at the age of 92, on April 19, 2012.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eWilliam H. Muller, Jr. Papers, MS-48, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["William H. Muller, Jr. Papers, MS-48, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes personal and professional correspondence. Some are family letters, most are professionally related. Included University of Virginia correspondents are John T. Ashley, Robert M. Carey, Rose M. Chioni, Kenneth Crispell, Don E. Detmer, Richard F. Edlich, Frank L. Hereford, R. Scott Jones, Norman J. Knorr, and Robert M. O'Neil. Correspondents outside of UVa include W. G. Anlyan, Willard E. Goodwin, Hiram C. Polk, Mark M. Ravitch, Jonathan E. Rhoads, Robert S. Sparkman, H. William Scott, and Richard L. Varco. Dr. Muller was a member of many organizations and some of those are represented here including the American College of Surgeons, American Surgical Association, Halsted Society, Medical Society of Virginia, Muller Surgical Society, Society of University Surgeons, Southern Society for Clinical Research, and Southern Surgical Association. There is also a 25 page recollection of his time with Dr. Alfred Blalock, a UVa Surgery Department scrapbook, photos, and slides of the construction of the 1989 hospital.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes personal and professional correspondence. Some are family letters, most are professionally related. Included University of Virginia correspondents are John T. Ashley, Robert M. Carey, Rose M. Chioni, Kenneth Crispell, Don E. Detmer, Richard F. Edlich, Frank L. Hereford, R. Scott Jones, Norman J. Knorr, and Robert M. O'Neil. Correspondents outside of UVa include W. G. Anlyan, Willard E. Goodwin, Hiram C. Polk, Mark M. Ravitch, Jonathan E. Rhoads, Robert S. Sparkman, H. William Scott, and Richard L. Varco. Dr. Muller was a member of many organizations and some of those are represented here including the American College of Surgeons, American Surgical Association, Halsted Society, Medical Society of Virginia, Muller Surgical Society, Society of University Surgeons, Southern Society for Clinical Research, and Southern Surgical Association. 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